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-Ted, I wondered if you'd had a chance to think about... -I'm not interested in coming to see Lady Gaga, sir. | 0:00:11 | 0:00:15 | |
No. Fair enough, Ted. | 0:00:15 | 0:00:19 | |
This house has been rudderless for far too long, Mother. | 0:00:27 | 0:00:30 | |
If we do not take action, and take it soon, | 0:00:30 | 0:00:33 | |
your fortune, the estate, | 0:00:33 | 0:00:35 | |
our very family will be thrown to the four winds. | 0:00:35 | 0:00:38 | |
It's all happening so fast, Hugh. | 0:00:38 | 0:00:41 | |
You returned from India like a tornado, | 0:00:41 | 0:00:44 | |
and I've had no time to think. | 0:00:44 | 0:00:46 | |
You do agree, though, that Bates had to go? | 0:00:46 | 0:00:48 | |
I will concede that a new head butler is something | 0:00:48 | 0:00:50 | |
I ought to have attended to a very long time ago. | 0:00:50 | 0:00:53 | |
And this new fellow comes highly recommended. | 0:00:53 | 0:00:56 | |
Right, shut it! I'm in charge here. | 0:00:56 | 0:00:59 | |
You, put your bloomers on and go and make me a cup of tea, two sugars. | 0:00:59 | 0:01:02 | |
-Ah, Monkfish, you've arrived. -Shut it, Lord Snooty! | 0:01:02 | 0:01:05 | |
What do you think this is? Harry Potter? | 0:01:05 | 0:01:07 | |
Go and make me something to eat, I'm starving. | 0:01:07 | 0:01:09 | |
-VOICEOVER: -'Coming soon to the BBC, in a desperate attempt to copy ITV, | 0:01:09 | 0:01:13 | |
'who themselves were only copying the BBC when they were good, | 0:01:13 | 0:01:16 | |
'and had their own ideas, and didn't have to nick things off ITV. | 0:01:16 | 0:01:20 | |
'Even though, as I said, ITV nicked it off them. | 0:01:20 | 0:01:24 | |
'John Actor plays a tough, uncompromising butler in...' | 0:01:24 | 0:01:28 | |
-Now, Monkfish, I do... -What are you doing still standing there? | 0:01:31 | 0:01:34 | |
I told you to do one! Now, jog on! | 0:01:34 | 0:01:36 | |
Right, you, I want you upstairs polishing my boots. | 0:01:36 | 0:01:40 | |
You, I want you downstairs polishing my helmet. | 0:01:40 | 0:01:43 | |
Come on. Stay there, and lay off the After Eights. | 0:01:43 | 0:01:48 | |
BICYCLE BELL RINGS | 0:01:49 | 0:01:51 | |
HE WINCES | 0:01:51 | 0:01:53 | |
Do mine eyes deceive me, Paul, | 0:01:53 | 0:01:55 | |
or hast thou brought the devil's wheels on to this hallowed ground? | 0:01:55 | 0:01:59 | |
You know I can't afford to buy a new car, Swiss. | 0:01:59 | 0:02:01 | |
Even if I could, I couldn't afford to run it, or get it insured. | 0:02:01 | 0:02:04 | |
Yeah, I suppose you're right, Paul. I suppose you're right. | 0:02:04 | 0:02:07 | |
We haven't sold a car in weeks. | 0:02:07 | 0:02:08 | |
I'm a bit nervous about taking this out on the road, to be honest. | 0:02:08 | 0:02:11 | |
Oh, no, Paul. Riding a bike is... | 0:02:11 | 0:02:13 | |
very much like making love to a beautiful woman. | 0:02:13 | 0:02:16 | |
First, check that it can take your weight, | 0:02:16 | 0:02:18 | |
and it's the correct height for mounting. | 0:02:18 | 0:02:21 | |
Then, feel the saddle. | 0:02:21 | 0:02:22 | |
Is it large, small, hard, soft, leathery, warm, comfortable? | 0:02:22 | 0:02:27 | |
It's entirely down to personal preference. | 0:02:27 | 0:02:30 | |
Give the frame a good going-over, and lubricate where necessary. | 0:02:30 | 0:02:34 | |
If possible, peel back the rim, | 0:02:34 | 0:02:37 | |
and check the inner tubes for any leakages or blockages. | 0:02:37 | 0:02:41 | |
Then you should be ready to climb in to the saddle and start pedalling. | 0:02:41 | 0:02:45 | |
It's important that your ride should be hard and firm. | 0:02:45 | 0:02:48 | |
Should your tyres become flaccid, | 0:02:48 | 0:02:49 | |
it could lead to an embarrassing loss of control. | 0:02:49 | 0:02:52 | |
If in doubt, simply dismount and give it a good hand-pump. | 0:02:52 | 0:02:56 | |
You should be restored to your former glory in a matter of moments. | 0:02:56 | 0:03:00 | |
And remember, Paul, be helmet aware at all times, | 0:03:00 | 0:03:04 | |
and never, ever switch lanes whilst riding | 0:03:04 | 0:03:07 | |
without first giving due warning. | 0:03:07 | 0:03:09 | |
Finally, Paul, once you've reached your destination, | 0:03:11 | 0:03:14 | |
come to a gentle stop, | 0:03:14 | 0:03:16 | |
and dismount slowly. | 0:03:16 | 0:03:18 | |
And then, for God's sake, Paul, | 0:03:18 | 0:03:20 | |
don't leave it standing around in the hallway. | 0:03:20 | 0:03:22 | |
Get it out of the house. | 0:03:22 | 0:03:24 | |
And maybe chain it to some railings. | 0:03:24 | 0:03:28 | |
-Cancer! -HE SCREAMS | 0:03:28 | 0:03:30 | |
HE GRUNTS AND TAPS FINGERS | 0:03:30 | 0:03:33 | |
Or maybe it was a Scorpio, I don't know. | 0:03:33 | 0:03:36 | |
HE CHUCKLES AND MUMBLES | 0:03:36 | 0:03:38 | |
I remember that... Ap-bep-bep-bep, whoosh! | 0:03:38 | 0:03:41 | |
Like that, then, look out, be coming back the other way, | 0:03:41 | 0:03:44 | |
wha-choo, like that! | 0:03:44 | 0:03:45 | |
And, in fact, it was frightened there, | 0:03:45 | 0:03:47 | |
because it was analogous to the golfer's swing. | 0:03:47 | 0:03:50 | |
-And I... -HE CHUCKLES | 0:03:50 | 0:03:52 | |
-MUMBLING -Ooh! Ha-ha! | 0:03:52 | 0:03:55 | |
One was about yea big, | 0:03:55 | 0:03:57 | |
one of them was about yea big, | 0:03:57 | 0:03:59 | |
and mine was only about that big, | 0:03:59 | 0:04:01 | |
but it was by far the heaviest of the three. | 0:04:01 | 0:04:03 | |
HE LAUGHS | 0:04:03 | 0:04:05 | |
INCOHERENT THROUGH LAUGHTER | 0:04:05 | 0:04:07 | |
You know, right there, he said, "Fodor's lemma! | 0:04:07 | 0:04:10 | |
"In modern parlance, the nonstationary ideal is normal." | 0:04:10 | 0:04:14 | |
-MUMBLING -I said, we won't get there with me! | 0:04:14 | 0:04:17 | |
-They said it was one like them... -HE MAKES WHISTLING NOISE | 0:04:17 | 0:04:20 | |
HE CHUCKLES | 0:04:20 | 0:04:21 | |
But I, I sat down, like that, round like that, | 0:04:21 | 0:04:25 | |
-and Oscar Hammerstein was there... -MUMBLING | 0:04:25 | 0:04:28 | |
..it was the Aga Khan, and I remember he put his hand like that, | 0:04:28 | 0:04:31 | |
and he had an absolutely marvellous hand, | 0:04:31 | 0:04:35 | |
the king of spades, the ace of spades, | 0:04:35 | 0:04:38 | |
-the five of... -MUMBLING | 0:04:38 | 0:04:41 | |
-LAUGHTER -I said, "Well, I'm out of there!" | 0:04:41 | 0:04:43 | |
HE CHUCKLES | 0:04:43 | 0:04:45 | |
And I remember thinking that I had a kind of fruit and chicken drink. | 0:04:45 | 0:04:51 | |
HE MUMBLES NONSENSICALLY | 0:04:51 | 0:04:53 | |
..I remember talking to him, and he made absolutely no sense at all. | 0:04:55 | 0:04:59 | |
HE LAUGHS AND MUMBLES | 0:04:59 | 0:05:02 | |
-And I said, "Look..." -MUMBLES | 0:05:02 | 0:05:04 | |
"..because, you see, I'm afraid that I am very, very drunk." | 0:05:04 | 0:05:10 | |
Is that the new one? 4G? Oven glass? | 0:05:10 | 0:05:13 | |
Dual symbol technology? Midget sound stage? | 0:05:13 | 0:05:16 | |
Thought library? That is a blindin' phone. | 0:05:16 | 0:05:18 | |
My mate had the first one in the country, over nine months ago. | 0:05:18 | 0:05:22 | |
He had to queue up all night at the Apple Store in Beijing. | 0:05:22 | 0:05:25 | |
Worth it, though. Get a good package with it? | 0:05:25 | 0:05:26 | |
Oh, I don't know, I just got the basic. I like the camera. | 0:05:26 | 0:05:29 | |
"I like the camera"? You can shoot a movie on that phone | 0:05:29 | 0:05:32 | |
and mix the sound live in 3D. | 0:05:32 | 0:05:34 | |
In 3D! | 0:05:34 | 0:05:36 | |
My pal's already made two films on his phone. | 0:05:36 | 0:05:38 | |
First one was like a sort of indie, avant-garde porn film, | 0:05:38 | 0:05:42 | |
and the second one was just a hardcore porn film. | 0:05:42 | 0:05:45 | |
Sent off to the Guardian Film Club. Nothing! | 0:05:45 | 0:05:48 | |
I can't be bothered. I just want a phone, you know? | 0:05:48 | 0:05:50 | |
Well, luckily, there are a few people round with a bit more vision than you, bit more ambition. | 0:05:50 | 0:05:54 | |
Look, what's the greatest invention of all time? | 0:05:54 | 0:05:57 | |
-I don't know. Something by Dyson? -No, no, no, no. | 0:05:57 | 0:06:00 | |
Look, the daddy of them all, Sky+. | 0:06:00 | 0:06:03 | |
Say what you like about Robert Murdoch, | 0:06:03 | 0:06:05 | |
but when I go down the pub and I come back | 0:06:05 | 0:06:08 | |
and my telly has taped England versus Latvia on ITV And Sky, | 0:06:08 | 0:06:12 | |
that's 11 different pundits at half-time. | 0:06:12 | 0:06:14 | |
Plus, I've watched it in the pub anyway - I'm a three-time winner! | 0:06:14 | 0:06:18 | |
You should've got a free case with that. | 0:06:18 | 0:06:20 | |
My mate got a free pair of clogs with his. | 0:06:20 | 0:06:22 | |
You can ask for whatever you want. Buyers' market, innit? | 0:06:22 | 0:06:25 | |
And it will be for another 20 years, I reckon. | 0:06:25 | 0:06:28 | |
Then, a new white working class will rise up | 0:06:28 | 0:06:31 | |
who's prepared to work hard, and listen, | 0:06:31 | 0:06:33 | |
and not spend all day sitting in a toilet reading the newspaper | 0:06:33 | 0:06:37 | |
on the firm's time. What apps you got? | 0:06:37 | 0:06:39 | |
You may or may not be familiar | 0:06:39 | 0:06:42 | |
with an experiment | 0:06:42 | 0:06:43 | |
conducted in the 1890s | 0:06:43 | 0:06:45 | |
known as Pavlov's dogs, | 0:06:45 | 0:06:47 | |
which proves the psychological theory known simply as conditioning. | 0:06:47 | 0:06:53 | |
In an homage to Pavlov, myself and Dave here have, | 0:06:53 | 0:06:58 | |
over the last four weeks, recreated the same laboratory conditions, | 0:06:58 | 0:07:02 | |
where I play the role of the dog. | 0:07:02 | 0:07:06 | |
The bell was rung, and my reward was a can of baked beans. | 0:07:06 | 0:07:11 | |
I was conditioned to associate the bell with the beans. | 0:07:11 | 0:07:16 | |
-Dave. -BELL RINGS | 0:07:16 | 0:07:17 | |
HE BREAKS WIND | 0:07:17 | 0:07:19 | |
Thank you, Dave. | 0:07:19 | 0:07:20 | |
Already, I am picturing the beans, | 0:07:20 | 0:07:23 | |
and I'm experiencing an excess of saliva in my mouth. | 0:07:23 | 0:07:27 | |
BELL, HE BREAKS WIND | 0:07:27 | 0:07:28 | |
As Dave continues to ring the bell, | 0:07:28 | 0:07:30 | |
the conditioned reflex is reinforced. | 0:07:30 | 0:07:33 | |
BELL, BREAKS WIND | 0:07:33 | 0:07:35 | |
As the beans are not served, I feel hunger pangs in my stomach and... | 0:07:35 | 0:07:39 | |
BELL, BREAKS WIND | 0:07:39 | 0:07:41 | |
-OK, Dave, you can stop the bell now. -BELL RINGS | 0:07:41 | 0:07:44 | |
-Enough, already! -BREAKS WIND | 0:07:44 | 0:07:46 | |
You got Skype? I prefer the mystery of the disembowelled voice | 0:07:46 | 0:07:49 | |
on the other end of the line. | 0:07:49 | 0:07:50 | |
Remember them calls you made to your mum? Reversing the charges | 0:07:50 | 0:07:54 | |
after missing the boat on a school journey to Boulogne? | 0:07:54 | 0:07:56 | |
"Hello, Mum? I've missed the ferry! | 0:07:56 | 0:07:58 | |
"I've been nicked for spitting on a statue of General de Gaulle." | 0:07:58 | 0:08:01 | |
Do you know what I miss most? Writing a letter to a bird. | 0:08:01 | 0:08:04 | |
There are things you can say on a page you can't say in person. | 0:08:04 | 0:08:08 | |
Licking the envelope, trying to get the stamp straight. | 0:08:08 | 0:08:10 | |
Running to the postbox, your heart beating. "What will she say?" | 0:08:10 | 0:08:14 | |
Ahh! That's really sweet. | 0:08:14 | 0:08:16 | |
I'm only joking, you doughnut! | 0:08:16 | 0:08:18 | |
Look, there's an app on here called Monkey In Space. | 0:08:18 | 0:08:21 | |
When you shake it, the air leaks out of his helmet, | 0:08:21 | 0:08:23 | |
-and he dies screaming! -LAUGHS MANIACALLY | 0:08:23 | 0:08:26 | |
'Heth-eth-eth-eth! Chanel 9 News.' | 0:08:26 | 0:08:29 | |
Buono estente. | 0:08:29 | 0:08:30 | |
-Buono estente. -Et bonjour revoir. | 0:08:30 | 0:08:33 | |
Il headline news internacionale. | 0:08:33 | 0:08:36 | |
Tomulto rioting buletova in-a Ukrayne. | 0:08:36 | 0:08:39 | |
Trolls tack lund fur bridelsson. | 0:08:39 | 0:08:41 | |
Tomulte rioting gasolina Molotov in-a illa Irlande. | 0:08:41 | 0:08:46 | |
-Begorrah! -Orangey-boys, orangey-boom, so it is now. | 0:08:46 | 0:08:49 | |
Sminki-pinki gas of tears up ata boys. | 0:08:49 | 0:08:52 | |
Chris Waddle. Glenn Hoddle. | 0:08:52 | 0:08:54 | |
Pussy wi-wi, tis melpo, | 0:08:54 | 0:08:56 | |
ruis lee, schnauzer. | 0:08:56 | 0:08:59 | |
Falia hela, falia hele, falia hela, hello, boys. | 0:08:59 | 0:09:03 | |
Tourettes. Baa! | 0:09:03 | 0:09:05 | |
El Presidente tontoro avec les concubines mit erie. | 0:09:05 | 0:09:09 | |
Heth-eth-eth-eth-eth! | 0:09:09 | 0:09:11 | |
Feline dans l'arbres! | 0:09:11 | 0:09:13 | |
-Ho-ho-ho! -Me can't believe it! | 0:09:13 | 0:09:15 | |
-Hili boschas. -Hili boschan. | 0:09:15 | 0:09:17 | |
Billy H-Ocean. | 0:09:17 | 0:09:18 | |
Ton speaky-spokey persone | 0:09:18 | 0:09:20 | |
contra il rioting Ingleterre a Londre, Camilla Batman-Khaftan. | 0:09:20 | 0:09:25 | |
Some people are asking, are these riots racially-motivated, | 0:09:25 | 0:09:28 | |
or are they politically-motivated? | 0:09:28 | 0:09:31 | |
Is this a down-trodden underclass expressing their rage | 0:09:31 | 0:09:34 | |
that they have no stake in society? | 0:09:34 | 0:09:36 | |
Or maybe it's just an expression of mindless greed? | 0:09:36 | 0:09:39 | |
But the question they should be asking, | 0:09:39 | 0:09:42 | |
and I know from my years of working with under-privileged kids, is, | 0:09:42 | 0:09:46 | |
does my bum look big in this? | 0:09:46 | 0:09:47 | |
Botox. | 0:09:49 | 0:09:50 | |
Tutto Spudulike ton meteorologicos chick feminatarari | 0:09:50 | 0:09:55 | |
-ton retorno triumvale, di Poula Fisch! Poula. -Poula. | 0:09:55 | 0:09:59 | |
Don meteorologicos Republicca. | 0:09:59 | 0:10:01 | |
A Valle Portos, scorchio! | 0:10:01 | 0:10:05 | |
Mi Nia Kuntera Interior, scorchio! | 0:10:05 | 0:10:08 | |
Mi Nia Kuntera Exterior, scorchio! | 0:10:08 | 0:10:12 | |
Warzona Esta, scorchio! | 0:10:12 | 0:10:16 | |
Warzona Sud, scorchio! | 0:10:16 | 0:10:19 | |
Costa...scorchio! | 0:10:19 | 0:10:22 | |
Botox. | 0:10:22 | 0:10:24 | |
It's gone midnight, and all me posh, arty friends have gone home, | 0:10:25 | 0:10:30 | |
but I'm still a tiny bit peckish. | 0:10:30 | 0:10:33 | |
So I'm going to let you in on a little secret... | 0:10:33 | 0:10:36 | |
I'm going to give you the recipe for an unbeatable gourmet feast. | 0:10:36 | 0:10:40 | |
It's nice, but naughty, | 0:10:40 | 0:10:42 | |
and the brilliant thing about it is you can make it from leftovers. | 0:10:42 | 0:10:47 | |
So, take some peas... | 0:10:47 | 0:10:50 | |
Mmm, lovely! | 0:10:50 | 0:10:52 | |
Grate on some cheese... | 0:10:52 | 0:10:55 | |
Lovely! | 0:10:55 | 0:10:57 | |
And then I add my secret ingredient, | 0:10:57 | 0:11:01 | |
and this is what really makes it a five-star snack... | 0:11:01 | 0:11:05 | |
chocolate. | 0:11:05 | 0:11:07 | |
And I call it chocolate cheesy peas. | 0:11:07 | 0:11:10 | |
'Mmm, lovely. | 0:11:10 | 0:11:13 | |
'Who could resist that? | 0:11:13 | 0:11:15 | |
'Mmm! Chocolate cheesy peas.' | 0:11:16 | 0:11:20 | |
GENTLE JAZZ MUSIC | 0:11:23 | 0:11:25 | |
Well, hello, and welcome to Jazz Club. | 0:11:29 | 0:11:33 | |
Mmm. | 0:11:33 | 0:11:35 | |
Great. | 0:11:35 | 0:11:36 | |
APPLAUSE | 0:11:36 | 0:11:38 | |
Tonight on the show, we've got one of the legends of jazz, | 0:11:40 | 0:11:43 | |
veteran crooner Herbie Jackson. | 0:11:43 | 0:11:46 | |
Nice! | 0:11:46 | 0:11:48 | |
His singing career's spanned over 50 years. | 0:11:48 | 0:11:51 | |
He's shared the stage with the likes of Frank Sinatra, Mel Torme, | 0:11:51 | 0:11:55 | |
-and Tony Bennett. -Hey, you know what Mel Torme's nickname was? | 0:11:55 | 0:11:59 | |
No, go on, remind us, Herbie. | 0:11:59 | 0:12:01 | |
-HE LAUGHS -It was The Velvet Frog! | 0:12:05 | 0:12:07 | |
Who? | 0:12:07 | 0:12:09 | |
So, Herbie, | 0:12:09 | 0:12:10 | |
can I say tonight you're looking as fit as a proverbial jazz fiddle. | 0:12:10 | 0:12:14 | |
You know, I think...my music has kept me going all these years, you know? | 0:12:14 | 0:12:19 | |
And, er, my music has kept me going all these years, you know? | 0:12:19 | 0:12:24 | |
I mean, when I get up there on that stage, you know, | 0:12:24 | 0:12:27 | |
I feel like I'm...20 years old again, | 0:12:27 | 0:12:30 | |
especially with this wonderful young band that I'm touring with. | 0:12:30 | 0:12:33 | |
-So, what are you going to be playing for us tonight? -Huh? | 0:12:33 | 0:12:36 | |
You know, I think we'll let the music speak for itself. | 0:12:38 | 0:12:41 | |
Ladies and gentlemen, Herbie Jackson and the New Jazz Pioneers. | 0:12:41 | 0:12:46 | |
APPLAUSE | 0:12:46 | 0:12:48 | |
Thank you, thank you so much. Thank you, thank you. | 0:12:48 | 0:12:52 | |
MUSIC STARTS | 0:12:57 | 0:12:59 | |
# It's so great to be back | 0:13:01 | 0:13:04 | |
# Where I belong... # | 0:13:04 | 0:13:06 | |
APPLAUSE | 0:13:06 | 0:13:09 | |
Ladies and gentlemen, I'd just like to take this opportunity | 0:13:09 | 0:13:13 | |
to introduce you to some of the guys in the band. | 0:13:13 | 0:13:16 | |
On the drums, Mr Nat Penrose! | 0:13:16 | 0:13:20 | |
DRUM FLOURISH | 0:13:20 | 0:13:22 | |
# So great... # | 0:13:23 | 0:13:26 | |
Ladies and gentlemen, someone who needs no introduction from me, | 0:13:26 | 0:13:31 | |
on the drums, Mr Nat Penrose! | 0:13:31 | 0:13:35 | |
DRUM FLOURISH | 0:13:35 | 0:13:37 | |
# Let me tell you... # | 0:13:40 | 0:13:43 | |
His hands are insured for one million bucks, ladies and gentlemen. | 0:13:43 | 0:13:47 | |
On the drums...Mr Nat Penrose! | 0:13:47 | 0:13:51 | |
DRUM FLOURISH | 0:13:51 | 0:13:53 | |
Mantinatu el Colonel Murmas Nelling qui con resultas sporting soccerball. | 0:13:55 | 0:14:02 | |
Shanty Town, zero, Death Squad, uno. | 0:14:02 | 0:14:04 | |
FC Twente One, zero, Smallboyzindaparc, zero. | 0:14:05 | 0:14:10 | |
Footerklub Kommunisto, zero, Tortureklub USA, due. | 0:14:10 | 0:14:15 | |
Millionairos Athletico, sixa, Millionairos Non-Athletico, cinque. | 0:14:15 | 0:14:21 | |
Multi-Millionairos, eleveno, Multi-Multi-Millionairos, twelvo. | 0:14:21 | 0:14:26 | |
Shipping Magnates Utd, diexo, Hedgefund Wanderers, diexo. | 0:14:26 | 0:14:31 | |
Multi-Multi- Millionairos-Billionairos, eleveno, | 0:14:31 | 0:14:34 | |
Arsenal, zero. | 0:14:34 | 0:14:35 | |
Grazie, Colonel. | 0:14:35 | 0:14:37 | |
Mantinato tonussi economiki con Mikki Disco. | 0:14:37 | 0:14:41 | |
Oy-oy. | 0:14:41 | 0:14:43 | |
DISCO BEAT | 0:14:43 | 0:14:46 | |
# Euro come, euro go Euro high, euro low | 0:14:46 | 0:14:50 | |
# Euro no good | 0:14:50 | 0:14:53 | |
# Euro hot, euro cold Put all your money into gold | 0:14:54 | 0:14:59 | |
# Euro no go-o-od-a! | 0:14:59 | 0:15:01 | |
# Disco news! # | 0:15:03 | 0:15:05 | |
-I predict a riot! -Botox. | 0:15:07 | 0:15:10 | |
-Well, this is nice, isn't it, Johnny? -I'll say. | 0:15:10 | 0:15:13 | |
To be out in the fresh air after being cooped up inside that stuffy old hospital. | 0:15:13 | 0:15:17 | |
Oh, that was rotten for you, darling, | 0:15:17 | 0:15:19 | |
but if you will ride your bicycle without a helmet | 0:15:19 | 0:15:22 | |
through the village... You know how those lorries thunder through! | 0:15:22 | 0:15:26 | |
Yes, I think I should have my head examined. | 0:15:26 | 0:15:30 | |
(You've had your head examined about 50 times over the last ten years.) | 0:15:30 | 0:15:33 | |
Still, I don't think that knock to the old noggin | 0:15:33 | 0:15:36 | |
has done any...any lasting damage, | 0:15:36 | 0:15:39 | |
and here I am, able to capture England's rural heritage in paint. | 0:15:39 | 0:15:44 | |
So, I must crack on. Going to need some green for the fields, | 0:15:44 | 0:15:48 | |
some orange for the roofs of those farm buildings down there, | 0:15:48 | 0:15:52 | |
and, er... My goodness, Katie, just look at those deep, | 0:15:52 | 0:15:56 | |
dark shadows under the trees there. | 0:15:56 | 0:15:58 | |
-What colour do you think we should use for that? -Midnight blue. | 0:15:58 | 0:16:02 | |
Do you think so? There's not a lot of colour in there. | 0:16:02 | 0:16:05 | |
Er, or a very, very dark brown, or burnt umber. | 0:16:05 | 0:16:10 | |
Or, or... Or ebony. Ebony! | 0:16:10 | 0:16:12 | |
-Or black. -Oh... | 0:16:12 | 0:16:14 | |
Yes, I...I don't know why I don't just get the black out. | 0:16:14 | 0:16:18 | |
I think I shall use quite a lot of black in this painting. | 0:16:18 | 0:16:21 | |
I don't know why I've never really used it before. | 0:16:21 | 0:16:23 | |
It's perfect for those blackbirds over there, | 0:16:23 | 0:16:26 | |
that thick column of black smoke rising from the blacksmiths. | 0:16:26 | 0:16:29 | |
After all, Katie, it's not an ebonysmith, is it?! | 0:16:29 | 0:16:33 | |
HE CHUCKLES Right. Erm, OK. | 0:16:33 | 0:16:35 | |
I've got a couple of pork pies from that funny little man in Broughton. | 0:16:35 | 0:16:39 | |
The one with the toupee that looks like a squirrel that's been run over? | 0:16:39 | 0:16:43 | |
Tell you what, Katie, just pop those down there, | 0:16:43 | 0:16:45 | |
because I want to quickly sketch those Friesian cows in | 0:16:45 | 0:16:48 | |
before they move away, because I love the contrast there | 0:16:48 | 0:16:51 | |
between the black and the...white! | 0:16:51 | 0:16:53 | |
White! White! | 0:16:53 | 0:16:56 | |
Like the white noise that plays ping-pong inside my skull! | 0:16:56 | 0:17:00 | |
White! Like the pallid face of death! | 0:17:00 | 0:17:03 | |
White! White, like everybody in a senior position at the BBC! | 0:17:03 | 0:17:08 | |
White! White, like Simon Cowell's trousers! | 0:17:08 | 0:17:12 | |
White, like the bleached bones of your long-dead lover, Teddy Pumpkin. | 0:17:12 | 0:17:19 | |
-SHARP SLAP -Orange! | 0:17:19 | 0:17:21 | |
Orange, like the burning pit in the sun that will one day engulf us all! | 0:17:21 | 0:17:28 | |
Orange! Orange! Orange! | 0:17:28 | 0:17:31 | |
Listen, can you hear? | 0:17:31 | 0:17:33 | |
HIGH-PITCHED SCREAM | 0:17:33 | 0:17:36 | |
SNORING | 0:17:37 | 0:17:39 | |
Me, the 13th Duke of Wymbourne, here, in an old people's home, | 0:17:39 | 0:17:45 | |
with my reputation? | 0:17:45 | 0:17:47 | |
Are they quite mad? | 0:17:47 | 0:17:49 | |
It all still works, you know. | 0:17:49 | 0:17:51 | |
Just takes a little longer, that's all. | 0:17:51 | 0:17:54 | |
None of them will remember a thing in the morning. | 0:17:54 | 0:17:58 | |
Trouble is, neither will I. | 0:17:58 | 0:18:01 | |
Oh, well. | 0:18:01 | 0:18:03 | |
Dentures out, granny. Here I come. | 0:18:03 | 0:18:06 | |
Our favourite place to eat, well, it's the Hare And Hounds. | 0:18:07 | 0:18:11 | |
Last time we went there, I chose the corn-fed chicken. | 0:18:11 | 0:18:15 | |
I said to Roy, "Ooh, I can taste that corn." What did I say, Roy? | 0:18:15 | 0:18:19 | |
"Ooh, I can taste that corn." | 0:18:19 | 0:18:22 | |
Well, Roy, like you, ordered gammon, which came with an egg on top. | 0:18:22 | 0:18:27 | |
I said to Roy, "Don't you DARE eat that egg on top of the gammon!" | 0:18:27 | 0:18:30 | |
What did I say, Roy? | 0:18:30 | 0:18:32 | |
"Don't you DARE eat that egg on top of the gammon!" | 0:18:32 | 0:18:35 | |
Last time he had an egg, he was bound up for weeks. | 0:18:35 | 0:18:38 | |
Roy's bowels are legendary. | 0:18:38 | 0:18:40 | |
He's either fully impacted, or loose as a goose. | 0:18:40 | 0:18:43 | |
I said to Roy, "There's no in between with you, is there?" | 0:18:43 | 0:18:46 | |
What did I say, Roy? | 0:18:46 | 0:18:48 | |
"There's no in between with you, is there?" | 0:18:48 | 0:18:51 | |
So what I've done now is I've got a chart on the fridge, | 0:18:51 | 0:18:54 | |
so I can keep a check on his bottom activities. | 0:18:54 | 0:18:58 | |
Every day, when he's been, he ticks either "runny", | 0:18:58 | 0:19:02 | |
"stubborn", or "solid". | 0:19:02 | 0:19:04 | |
I said to Roy, "It's a full-time job, monitoring your stools." | 0:19:04 | 0:19:08 | |
What did I say, Roy? | 0:19:08 | 0:19:09 | |
"It's a full-time job, monitoring your stools." | 0:19:09 | 0:19:12 | |
Although, I must admit, we went to a wedding, | 0:19:12 | 0:19:14 | |
and I had a bit of a dickie tummy. | 0:19:14 | 0:19:16 | |
I said to Roy, "This food doesn't suit my palate." | 0:19:16 | 0:19:20 | |
What did I say, Roy? | 0:19:20 | 0:19:21 | |
"I've just followed through." | 0:19:21 | 0:19:23 | |
I did NOT say that, Roy! | 0:19:23 | 0:19:25 | |
I said it had just started to peep through. | 0:19:25 | 0:19:28 | |
On the drums, Mr Nat Penrose! | 0:19:28 | 0:19:32 | |
DRUM FLOURISH | 0:19:32 | 0:19:34 | |
Ladies and gentlemen, let me introduce some of the band. | 0:19:36 | 0:19:40 | |
On the drums... | 0:19:40 | 0:19:41 | |
In starlight, orange hands... | 0:19:41 | 0:19:45 | |
SHARP SLAP | 0:19:45 | 0:19:47 | |
-Green! -Oh... | 0:19:47 | 0:19:48 | |
Green, like the gangrenous corpse of hope! | 0:19:48 | 0:19:52 | |
-Green, like... -SLAP | 0:19:52 | 0:19:54 | |
Black! | 0:19:54 | 0:19:55 | |
Black! | 0:19:55 | 0:19:57 | |
Black, like Japanese hair | 0:19:57 | 0:20:01 | |
that I'm hiding in... | 0:20:01 | 0:20:03 | |
'New from Greenland, Gourmet Party Frozen Cheesy Peas! | 0:20:03 | 0:20:08 | |
'A solid three-tonne lump of frozen cheese and peas for only £1! | 0:20:08 | 0:20:13 | |
'That's £1 for three tonnes of cheesy peas! | 0:20:13 | 0:20:18 | |
'The tasty gourmet snack for the poshest of dos. | 0:20:18 | 0:20:21 | |
'Ambassador, you're spoiling us! | 0:20:21 | 0:20:24 | |
'Three bloody tonnes!' | 0:20:24 | 0:20:26 | |
# Carried away by a moonlight shadow | 0:20:26 | 0:20:29 | |
# He passed on worried and warning... # | 0:20:29 | 0:20:32 | |
How you doin'? Dave Angel, eco warrior, | 0:20:32 | 0:20:35 | |
OG, original gangster. | 0:20:35 | 0:20:38 | |
Eeeee! | 0:20:38 | 0:20:40 | |
I've just come back from Helsinki in Finland | 0:20:40 | 0:20:43 | |
where I was attending the new fuel summit. | 0:20:43 | 0:20:47 | |
It is amazing what these young inventors are coming up with | 0:20:47 | 0:20:50 | |
to power the old "jam jar". | 0:20:50 | 0:20:52 | |
While I was there, I sat down in the delegates' hotel | 0:20:52 | 0:20:56 | |
to a fantastic cooked English breakfast, | 0:20:56 | 0:20:59 | |
one of the few things in which the Brits still rule the world. | 0:20:59 | 0:21:04 | |
Double egg, bacon, sausage, grilled tomatoes, one mushroom, | 0:21:04 | 0:21:09 | |
and two slices of "holy ghost". | 0:21:09 | 0:21:11 | |
Boosh! Wallop! | 0:21:11 | 0:21:14 | |
Let's get ready to rumble! | 0:21:14 | 0:21:17 | |
I was joined by a number of other delegates. | 0:21:17 | 0:21:20 | |
I could tell from what country they'd come by the little flags | 0:21:20 | 0:21:24 | |
on their shirts. | 0:21:24 | 0:21:25 | |
First of all, a Spanish geezer come in. | 0:21:25 | 0:21:28 | |
He's had a boiled egg, a few peppers, | 0:21:28 | 0:21:31 | |
and then he's boshed out a couple of anchovies. | 0:21:31 | 0:21:33 | |
I was disgusted! | 0:21:33 | 0:21:35 | |
I could barely finish me eggy-bacey-boo. | 0:21:35 | 0:21:38 | |
I was trying to calm meself down | 0:21:38 | 0:21:40 | |
when a "septic tank" walked in the room. | 0:21:40 | 0:21:43 | |
He's gone up to the buffet, and he's come back with pancakes, | 0:21:43 | 0:21:47 | |
eggs, bacon, sausage, 'ash browns, | 0:21:47 | 0:21:50 | |
kiwi fruit, strawberries, and two cakes... | 0:21:50 | 0:21:53 | |
on the same plate! | 0:21:53 | 0:21:55 | |
Then he's got the brass neck to say to me, | 0:21:55 | 0:21:58 | |
"Hello, sir. Are you having a nice day?" | 0:21:58 | 0:22:01 | |
I've said, "Havin' a nice day?! You mug! | 0:22:01 | 0:22:04 | |
"Pancakes are on Shrove Tuesday, not in the middle of summer, | 0:22:04 | 0:22:08 | |
"with lemon juice and sugar, you slag!" | 0:22:08 | 0:22:12 | |
And then two geezers have come in wearing dressing gowns. | 0:22:12 | 0:22:16 | |
They've had Coco Pops and champagne. | 0:22:16 | 0:22:19 | |
I've gone, "Oi! Where do you think you are? Disney World? | 0:22:19 | 0:22:22 | |
"What is it, Yogi Bear's birthday? You spraltzy pair o' dildos! | 0:22:22 | 0:22:26 | |
"Get out!" | 0:22:26 | 0:22:28 | |
Then, Japanese fella's come in. | 0:22:28 | 0:22:30 | |
He's gone for the raw fish. I've saved him the bother. | 0:22:30 | 0:22:32 | |
I've got up, and I've gone, SMASH! | 0:22:32 | 0:22:35 | |
And I've laid the man spark out. | 0:22:35 | 0:22:38 | |
I've gone, "That's for the tuna, the whales, | 0:22:38 | 0:22:40 | |
"and the British car industry." | 0:22:40 | 0:22:43 | |
In future, I'll have breakfast in my room. | 0:22:43 | 0:22:46 | |
# The last that ever she saw him... # | 0:22:46 | 0:22:49 | |
QUIET CHATTER | 0:22:49 | 0:22:51 | |
Good afternoon, madam. | 0:22:54 | 0:22:56 | |
I won't waste my time offering you any samples of my lovely perfumes, | 0:22:56 | 0:23:01 | |
cos I'm afraid we don't stock any for people like you. | 0:23:01 | 0:23:04 | |
However, let me ask you this. | 0:23:04 | 0:23:07 | |
-SLOWLY: -Are you wheelchair-bound permanently? | 0:23:07 | 0:23:12 | |
-What?! -I mean, are you in it all the time, | 0:23:12 | 0:23:16 | |
or did you just get one today to secure a parking place? | 0:23:16 | 0:23:20 | |
SHE CHUCKLES INCREDULOUSLY | 0:23:20 | 0:23:22 | |
I'm in it all the time, | 0:23:22 | 0:23:25 | |
and I don't drive, I use the bus. | 0:23:25 | 0:23:27 | |
Ach! Man, you're one of them. | 0:23:27 | 0:23:30 | |
Now, move along, cos I think you're blocking my access. | 0:23:30 | 0:23:33 | |
Why would I need any different type of perfume to anyone else? | 0:23:33 | 0:23:39 | |
Look...perfumes are made specifically for different types of people, | 0:23:39 | 0:23:46 | |
otherwise we'd all smell the same, and then where would we be? | 0:23:46 | 0:23:49 | |
Perfumes are aspirational, | 0:23:49 | 0:23:53 | |
and, frankly, nobody aspires to be like you. | 0:23:53 | 0:23:58 | |
No offence. | 0:23:58 | 0:24:00 | |
So are you saying you won't sell me any perfume? | 0:24:00 | 0:24:04 | |
Can I ask you this, however? | 0:24:05 | 0:24:08 | |
Do you find it hard to stay fresh, | 0:24:08 | 0:24:12 | |
what with the sitting around all day? | 0:24:12 | 0:24:14 | |
-Oh, -BLEEP -off, you -BLEEP BLEEP BLEEP! | 0:24:14 | 0:24:18 | |
Ach! Man, that lot, they don't just hold up the buses - | 0:24:18 | 0:24:23 | |
you can't say anything to them! | 0:24:23 | 0:24:25 | |
Very over-sensitive. | 0:24:25 | 0:24:27 | |
Ain't the universe brilliant? | 0:24:30 | 0:24:33 | |
I mean, it's so profoundly big, and there's so much in it. | 0:24:33 | 0:24:38 | |
I mean, not like IKEA, it's bigger than that, | 0:24:38 | 0:24:40 | |
and more profound. Wow. | 0:24:40 | 0:24:44 | |
I'm 48 years old, and I still live with me mam! Brilliant! | 0:24:44 | 0:24:49 | |
Are you, er...? | 0:24:54 | 0:24:57 | |
Are you on Twitter, Ted? | 0:24:57 | 0:24:59 | |
Uh... | 0:25:01 | 0:25:02 | |
Sorry, sir, I don't understand the question. | 0:25:02 | 0:25:05 | |
Do you tweet? | 0:25:05 | 0:25:07 | |
Well, I wouldn't really know about that, sir. | 0:25:10 | 0:25:12 | |
Er, Twitter, Ted, it's a social networking app | 0:25:12 | 0:25:16 | |
in which you communicate with your followers | 0:25:16 | 0:25:19 | |
using 140 characters or less. | 0:25:19 | 0:25:21 | |
Erm, you know, sir, | 0:25:21 | 0:25:25 | |
the more you say, the less sense it seems to make to me, sir. | 0:25:25 | 0:25:28 | |
No, well, I must assume from your responses, Ted, | 0:25:28 | 0:25:33 | |
that you are not on Twitter. | 0:25:33 | 0:25:35 | |
Certainly, my, er...searches for you on there have proved fruitless. | 0:25:35 | 0:25:40 | |
You do have a computer? | 0:25:40 | 0:25:43 | |
Oh, yes, sir, yeah. | 0:25:43 | 0:25:45 | |
And perhaps you're familiar with Facebook, Ted? | 0:25:45 | 0:25:48 | |
-Ah, yes, sir. -And do you have many friends? | 0:25:48 | 0:25:52 | |
-Er...online, or in real life? -Well, er, both. | 0:25:52 | 0:25:57 | |
Yes, quite a few, sir. | 0:25:57 | 0:25:59 | |
I have, er, five followers on Twitter - | 0:25:59 | 0:26:03 | |
my great aunt Cecilia, somebody in Japan, | 0:26:03 | 0:26:06 | |
er, my bank manager, | 0:26:06 | 0:26:08 | |
the local shoe shop, of course, | 0:26:08 | 0:26:11 | |
and, er, for some reason, the... | 0:26:11 | 0:26:13 | |
the rapper 50 Cent. | 0:26:13 | 0:26:16 | |
Most peculiar chap. | 0:26:16 | 0:26:18 | |
Well, perhaps I should, er, go on Facebook, Ted? | 0:26:18 | 0:26:23 | |
Maybe, sir. | 0:26:23 | 0:26:25 | |
And would you be my friend? | 0:26:25 | 0:26:28 | |
Er, online, or in real life, sir? | 0:26:28 | 0:26:31 | |
N-No, no, please don't think I was asking... | 0:26:31 | 0:26:35 | |
No, that would be, er, a-an imposition, Ted. I'd... | 0:26:35 | 0:26:38 | |
But, perhaps, erm... | 0:26:38 | 0:26:40 | |
Well, s-sir... | 0:26:40 | 0:26:43 | |
the way I look at it, sir, you know, you are my employer, | 0:26:43 | 0:26:48 | |
but I have known you since you were a little boy, | 0:26:48 | 0:26:52 | |
and I've watched you grow up, sir, | 0:26:52 | 0:26:54 | |
and over the years we've had many chats about weighty matters, | 0:26:54 | 0:26:59 | |
like the drainage in the lower field, and... | 0:26:59 | 0:27:02 | |
TED SIGHS | 0:27:02 | 0:27:04 | |
Well, knowing you as I do, | 0:27:04 | 0:27:07 | |
I think it's best we keep it online. | 0:27:07 | 0:27:10 | |
Yes... | 0:27:10 | 0:27:12 | |
Y-Yes, I-I agree entirely, Ted, that's, er... | 0:27:12 | 0:27:15 | |
Yes, w-we, we must keep it online, Ted. | 0:27:15 | 0:27:19 | |
You go past the bathroom appliances, | 0:27:21 | 0:27:23 | |
there's a little garden centre out the back. | 0:27:23 | 0:27:25 | |
-And I can get trellis there? -Oh, yeah, you get it by the yard. | 0:27:25 | 0:27:28 | |
You're a dark horse. Kept that one quiet. | 0:27:28 | 0:27:30 | |
What's the old dog been up to now? | 0:27:30 | 0:27:31 | |
-He's only bangin' that new weather girl. -No! You been hangin' out the side of it, have you? | 0:27:31 | 0:27:35 | |
The BACK of it, Ron, you silly old fool! | 0:27:35 | 0:27:37 | |
Was it the back or the side, Clive? | 0:27:37 | 0:27:39 | |
Back, side, front, bottom, up, down, and right round the bend! | 0:27:39 | 0:27:42 | |
I totally smashed it to smithereens. | 0:27:42 | 0:27:44 | |
Did you leave it in a puddle on the floor? | 0:27:44 | 0:27:46 | |
-I totally wrote it off and left it in a bucket! -Ha-ha! | 0:27:46 | 0:27:48 | |
Oh, isn't it, you know, the old slap'n'tickle, hmm? French kissing? | 0:27:48 | 0:27:53 | |
The five Fs - find 'em, then forget 'em, find 'em again, er... | 0:27:53 | 0:27:57 | |
Er, pheromones, isn't it? Marvellous. Totally smashed it. | 0:27:57 | 0:28:00 | |
I tell you who I'd like to have a go on - that new bird in Countdown. | 0:28:00 | 0:28:04 | |
-Not 'alf. -I'll have a vowel please. | 0:28:04 | 0:28:06 | |
Have another vowel, another vowel, another vowel, | 0:28:06 | 0:28:08 | |
consonant, consonant. "Ooh, what word have you got?" | 0:28:08 | 0:28:10 | |
Oooohh! | 0:28:10 | 0:28:12 | |
THEY LAUGH Aaahhh! | 0:28:12 | 0:28:14 | |
-While you're down there, love. -Yeah, go on! | 0:28:14 | 0:28:17 | |
Smash it a bit for him, will you, love? For mash, get Smash! | 0:28:17 | 0:28:20 | |
-Excuse me, Clive. -You can fluff me any time you like, love. | 0:28:20 | 0:28:23 | |
Why don't you two girls get it on together? Give us a bit of a show, eh? | 0:28:23 | 0:28:26 | |
Yeah, and while you're at it I could hang out the side | 0:28:26 | 0:28:29 | |
while Clive smashes it into a bucket, isn't it? | 0:28:29 | 0:28:32 | |
Oh, OK. You want it? Come on. | 0:28:32 | 0:28:35 | |
MUSIC: "Yakety Sax" | 0:28:35 | 0:28:38 | |
THEY SLAP HIS HEAD IN TURN | 0:28:41 | 0:28:43 | |
SLAPPING CONTINUES | 0:28:49 | 0:28:51 |