Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Wow, what's that? -It's my new Cheesy Peas app. | 0:00:02 | 0:00:04 | |
-Wow! Let me have a go. -All right. | 0:00:04 | 0:00:06 | |
-VOICEOVER: -Keep up-to-date with Cheesy Peas | 0:00:06 | 0:00:08 | |
with the new Cheesy Peas app. | 0:00:08 | 0:00:10 | |
Hot recipes, cool games, quizzes, competitions, | 0:00:10 | 0:00:12 | |
the Cheesypedia and more. | 0:00:12 | 0:00:14 | |
Wow, how cool is that? | 0:00:14 | 0:00:16 | |
Be part of the Cheesy Peas community, chat to, share with | 0:00:16 | 0:00:19 | |
and meet enthusiasts in your area. | 0:00:19 | 0:00:21 | |
Find out about Cheesy Peas events, movies | 0:00:21 | 0:00:23 | |
and probably even some gay stuff as well. | 0:00:23 | 0:00:25 | |
Wow, it's the best! | 0:00:25 | 0:00:27 | |
This programme contains some strong language | 0:00:29 | 0:00:36 | |
Can I get off to my lunch break a bit earlier today, Swiss? | 0:00:39 | 0:00:41 | |
I've got Cicely coming for dinner tonight | 0:00:41 | 0:00:43 | |
and I needed to buy some stuff. | 0:00:43 | 0:00:45 | |
Are you...cooking for her, Paul? | 0:00:45 | 0:00:47 | |
I thought I'd give it a try. | 0:00:47 | 0:00:48 | |
A wise move. | 0:00:48 | 0:00:50 | |
-The ladies love a man in the kitchen. -Well, I hope you're right. | 0:00:50 | 0:00:53 | |
I'm not the best cook in the world. | 0:00:53 | 0:00:54 | |
My repertoire doesn't extend to boiling an egg. | 0:00:54 | 0:00:56 | |
You know what I say, Paul? | 0:00:56 | 0:00:58 | |
Boiling an egg is very much like making love to a beautiful woman. | 0:00:58 | 0:01:02 | |
First, make your selection. | 0:01:02 | 0:01:05 | |
If you're lucky you'll have anything up to a dozen to choose from. | 0:01:05 | 0:01:08 | |
Brown or white, it doesn't matter - they're all the same on the inside. | 0:01:08 | 0:01:11 | |
Then bring it to the boil as quickly as possible, and 3½ minutes later | 0:01:11 | 0:01:15 | |
you'll be ready to take its top off and dip your soldier in. | 0:01:15 | 0:01:18 | |
Yeah, but I can't do a boiled egg, can I? | 0:01:18 | 0:01:20 | |
Not for a romantic dinner. | 0:01:20 | 0:01:22 | |
Well, then how about a baked potato, Paul? | 0:01:22 | 0:01:26 | |
You can't go too far wrong with a baked potato. | 0:01:26 | 0:01:29 | |
-You haven't seen me cook, Swiss. -No, no, no, no. It's a simple, Paul. | 0:01:29 | 0:01:32 | |
Baking a potato is very much like making love to a beautiful woman. | 0:01:32 | 0:01:36 | |
Choose a nice, big, plump one, | 0:01:36 | 0:01:39 | |
but you don't want it too tough and leathery. | 0:01:39 | 0:01:41 | |
Wash it, warm it up, | 0:01:41 | 0:01:44 | |
check the skin for any blemishes, | 0:01:44 | 0:01:46 | |
misplaced eyes and poisonous growths. | 0:01:46 | 0:01:49 | |
Then if you think it's ready thrust in your prong, | 0:01:49 | 0:01:52 | |
and if you think it's soft and warm on the inside, | 0:01:52 | 0:01:55 | |
you're ready to split her in half, smear her with butter | 0:01:55 | 0:01:58 | |
and start mashing. | 0:01:58 | 0:02:00 | |
HE CHUCKLES | 0:02:00 | 0:02:01 | |
Barcelona are really flying tonight, Ron. They are a joy to behold. | 0:02:01 | 0:02:05 | |
Well, talking of flying, Clive, | 0:02:05 | 0:02:07 | |
we're actually up pretty high ourselves, aren't we? | 0:02:07 | 0:02:09 | |
We're like mountaineers. | 0:02:09 | 0:02:11 | |
Is there any chance we could have our old chairs back? Hm, isn't it? | 0:02:11 | 0:02:15 | |
It's the modern way, Ron. These days the stool beats the chair | 0:02:15 | 0:02:17 | |
-hands down. -Rubbish. | 0:02:17 | 0:02:19 | |
There's nout wrong with a chair. It's a bloody design classic. | 0:02:19 | 0:02:22 | |
You're not wrong, Sam. | 0:02:22 | 0:02:23 | |
I don't know who makes these decisions. | 0:02:23 | 0:02:25 | |
Probably some middle-management numpty | 0:02:25 | 0:02:27 | |
with a degree in media studies | 0:02:27 | 0:02:29 | |
who knows nothing about football | 0:02:29 | 0:02:31 | |
or the height at which it should be discussed. | 0:02:31 | 0:02:33 | |
Well, I don't feel very safe up here, you know? | 0:02:33 | 0:02:36 | |
Touch of the old vertigo, and I'm too old for punditry at this height. | 0:02:36 | 0:02:40 | |
There's no desk, and I feel very exposed. | 0:02:40 | 0:02:44 | |
We're professionals, Ron. I think we can rise above it. | 0:02:44 | 0:02:46 | |
Quite literally. | 0:02:46 | 0:02:48 | |
We can show the world that nothing fazes us, | 0:02:48 | 0:02:50 | |
and our in-depth analysis of the sport continues unabashed. | 0:02:50 | 0:02:53 | |
So, they're very small, Ron, aren't they? The Barcelona midfield. | 0:02:53 | 0:02:57 | |
Oh, the Barcelonians. | 0:02:57 | 0:02:59 | |
Best team in the world, isn't it? | 0:02:59 | 0:03:01 | |
Homage to Catalonia, wasn't it? | 0:03:01 | 0:03:03 | |
Iniesta, Xavi and Messi, diminutive, aren't they? Isn't it? Hm? | 0:03:03 | 0:03:07 | |
Effective though, Ron. But they really are so tiny, | 0:03:07 | 0:03:10 | |
they're almost like dwarves. | 0:03:10 | 0:03:11 | |
Players of restricted height. | 0:03:11 | 0:03:13 | |
If they didn't have football, there's always panto, eh, Ron? | 0:03:13 | 0:03:16 | |
-HE LAUGHS -Because if you look at them, they really are like dwarfs. | 0:03:16 | 0:03:19 | |
Albeit very nimble ones. | 0:03:19 | 0:03:21 | |
Oh, oh. Small men in the Camp Nou, | 0:03:21 | 0:03:24 | |
Ferraris for goalposts, isn't it? Marvellous. | 0:03:24 | 0:03:26 | |
Rubbish. Just look at them, | 0:03:26 | 0:03:28 | |
rolling round like pansies every time they're tackled. | 0:03:28 | 0:03:31 | |
Indeed. It's not football as we know it. | 0:03:31 | 0:03:33 | |
Roll on Stoke vs Bolton. | 0:03:33 | 0:03:34 | |
Real football, live this Sunday, here. | 0:03:34 | 0:03:37 | |
On the telly. | 0:03:37 | 0:03:38 | |
I have received a letter... | 0:03:39 | 0:03:41 | |
from the Archbishop, John. | 0:03:41 | 0:03:44 | |
Grave news, my lady? | 0:03:44 | 0:03:45 | |
This is not a matter I could ever discuss with the family, | 0:03:45 | 0:03:48 | |
and yet it is of a very personal nature. | 0:03:48 | 0:03:50 | |
You know, you can always trust me, Lady Margaret. | 0:03:51 | 0:03:54 | |
I know, John. You have always been my rock. | 0:03:54 | 0:03:57 | |
I saw the Archbishop last week... | 0:03:57 | 0:03:59 | |
..and he has written to me... | 0:04:00 | 0:04:02 | |
commenting... | 0:04:02 | 0:04:04 | |
on... | 0:04:04 | 0:04:05 | |
John, I don't know how to say it. | 0:04:05 | 0:04:07 | |
-My lady, I... -Does my bum look big in this dress? | 0:04:08 | 0:04:11 | |
-My lady, I... -He implies as much in his letter. | 0:04:11 | 0:04:15 | |
My lady, you must be mistaken. | 0:04:15 | 0:04:16 | |
The Archbishop would never be so bold | 0:04:16 | 0:04:18 | |
as to comment on the size of your bum in a letter. | 0:04:18 | 0:04:21 | |
Read it, John. | 0:04:21 | 0:04:22 | |
Read it. | 0:04:22 | 0:04:23 | |
HE MUTTERS | 0:04:26 | 0:04:27 | |
"..your bum looked rather big in that dress." | 0:04:30 | 0:04:32 | |
Well? | 0:04:34 | 0:04:35 | |
I really don't know what to say. | 0:04:37 | 0:04:39 | |
You are avoiding the issue, John. | 0:04:39 | 0:04:41 | |
Does my bum, or does it not look big in this dress? | 0:04:41 | 0:04:45 | |
I feel that as a man, I don't think it's my place to comment on the... | 0:04:45 | 0:04:49 | |
CLATTER | 0:04:49 | 0:04:50 | |
Ah! Lucy, does her ladyship's bum look big in that dress? | 0:04:50 | 0:04:53 | |
Oh... | 0:04:53 | 0:04:55 | |
It's not really my place to say, ma'am...your ladyship. | 0:04:55 | 0:04:58 | |
THEY MOUTH | 0:04:58 | 0:04:59 | |
What's going on in here? Give Mother some air. | 0:04:59 | 0:05:02 | |
Can't you see that she's tired? | 0:05:02 | 0:05:03 | |
And, Mama, what on earth are you doing wearing that dress? | 0:05:03 | 0:05:07 | |
It makes your bum look enormous. | 0:05:07 | 0:05:09 | |
EASTENDERS THEME TUNE | 0:05:10 | 0:05:12 | |
-SHE CRIES -The bastard. | 0:05:13 | 0:05:14 | |
What's up, love? Man trouble? | 0:05:16 | 0:05:18 | |
He's left me for a 20-year-old. | 0:05:18 | 0:05:19 | |
I'm only 35 and he's nearly 50. | 0:05:19 | 0:05:22 | |
He's pathetic. | 0:05:22 | 0:05:24 | |
Women often use that word to describe this situation. | 0:05:24 | 0:05:27 | |
The old younger-model scenario. | 0:05:27 | 0:05:29 | |
We have another word for it - | 0:05:29 | 0:05:30 | |
brilliant! | 0:05:30 | 0:05:32 | |
Oh, no, look... | 0:05:32 | 0:05:34 | |
Men are attracted to younger women. That's just the way of the world. | 0:05:35 | 0:05:38 | |
Whereas women are happy to put up with an old chicken of a man. | 0:05:38 | 0:05:41 | |
A dried-up stinking husk of an old rhino lying about the gaff. | 0:05:41 | 0:05:44 | |
We were going to get married. | 0:05:44 | 0:05:45 | |
Well, it's a good job you found out what a cad he is now. | 0:05:45 | 0:05:48 | |
Look, let me ask you a question. Do you love him? | 0:05:48 | 0:05:51 | |
It's none of your business. | 0:05:51 | 0:05:53 | |
Sometimes it's better to let it all out, you know? | 0:05:53 | 0:05:55 | |
Talk to a complete stranger. | 0:05:55 | 0:05:57 | |
I tell you what, I'll go and get a couple of bags of crisps, | 0:05:57 | 0:06:00 | |
we'll have a nice old chat, yeah? | 0:06:00 | 0:06:02 | |
Someone's sitting there, mate. | 0:06:02 | 0:06:04 | |
MUSIC CHIMES | 0:06:04 | 0:06:06 | |
HE SPEAKS IN ITALIAN | 0:06:07 | 0:06:08 | |
Go! | 0:06:10 | 0:06:11 | |
Eurozone crisis... | 0:06:11 | 0:06:13 | |
HE SPEAKS IN ITALIAN | 0:06:13 | 0:06:15 | |
-Bad boys. -News economico. | 0:06:15 | 0:06:16 | |
-Distastero. -News environmentale. -Distastero. | 0:06:16 | 0:06:19 | |
-News politica. -Distastero. | 0:06:19 | 0:06:21 | |
-News traffica. -Distastero. | 0:06:21 | 0:06:22 | |
News celebrititties. | 0:06:22 | 0:06:24 | |
Titties hacking hoorah! | 0:06:24 | 0:06:26 | |
Heh-heh-heh-heh-heh. Heh-heh-heh-heh-heh. | 0:06:26 | 0:06:28 | |
Felihelah-feliheleh sminky-pinky chrisswuddle glenhubble yahwubble | 0:06:28 | 0:06:32 | |
kendubble Hubble Space Telescope | 0:06:32 | 0:06:34 | |
Smoking... | 0:06:34 | 0:06:35 | |
THEY TALK OVER EACH OTHER | 0:06:35 | 0:06:38 | |
Ah, huh-huh-hah-hoh. | 0:06:42 | 0:06:44 | |
THEY SPEAK IN ANOTHER LANGUAGE | 0:06:44 | 0:06:48 | |
..Cheesy Peasy app... | 0:06:48 | 0:06:50 | |
-FOREIGN VOICEOVER: -..and Cheesy Peas app. | 0:06:50 | 0:06:53 | |
Fruit and game and meet and greet | 0:06:53 | 0:06:54 | |
and rump and pump and molto, molto fun. | 0:06:54 | 0:06:57 | |
Wow, maximum! | 0:06:57 | 0:06:59 | |
Ist ein fabulitz and glitz and titz and singing and ringing and fun | 0:06:59 | 0:07:02 | |
-and Cheesy Peasy, fun fun fun. -Con-con-con-con-con. | 0:07:02 | 0:07:06 | |
SPEAKS IN FOREIGN LANGUAGE | 0:07:06 | 0:07:08 | |
-VOICEOVER: -Offer not valid in Wales. App may not work. | 0:07:08 | 0:07:10 | |
HE TALKS GIBBERISH | 0:07:10 | 0:07:13 | |
..and at half-time it was Nairobi four, Mombasa one. | 0:07:16 | 0:07:20 | |
I mean, you know... | 0:07:20 | 0:07:21 | |
MAKES A TRUMPET SOUND | 0:07:21 | 0:07:23 | |
You know... | 0:07:23 | 0:07:24 | |
MAKES A TRUMPET SOUND | 0:07:24 | 0:07:26 | |
HE TALKS GIBBERISH | 0:07:26 | 0:07:27 | |
..like that. It was a type of equestrian cement. | 0:07:29 | 0:07:31 | |
I don't know. | 0:07:31 | 0:07:33 | |
I, I... | 0:07:33 | 0:07:34 | |
You know. | 0:07:34 | 0:07:35 | |
HE LAUGHS | 0:07:35 | 0:07:37 | |
And I rather rashly put my head inside his mouth. | 0:07:39 | 0:07:43 | |
HE LAUGHS | 0:07:45 | 0:07:46 | |
TALKS GIBBERISH | 0:07:47 | 0:07:50 | |
..like that. | 0:07:50 | 0:07:52 | |
And when I woke | 0:07:54 | 0:07:56 | |
all I could hear | 0:07:56 | 0:07:58 | |
was Mahler's Fifth Symphony | 0:07:58 | 0:08:01 | |
drifting through the trees. | 0:08:01 | 0:08:03 | |
HE SINGS A TUNE | 0:08:03 | 0:08:06 | |
And I mean it was utterly... | 0:08:06 | 0:08:10 | |
utterly... | 0:08:10 | 0:08:11 | |
utterly... | 0:08:11 | 0:08:13 | |
utterly... | 0:08:13 | 0:08:15 | |
..utterly... | 0:08:16 | 0:08:18 | |
HE MUMBLES | 0:08:18 | 0:08:20 | |
She looked at me and she said... | 0:08:22 | 0:08:25 | |
HE TALKS NONSENSE | 0:08:25 | 0:08:27 | |
HE LAUGHS | 0:08:27 | 0:08:29 | |
..and I looked at her and I said... | 0:08:29 | 0:08:31 | |
HE MUMBLES | 0:08:31 | 0:08:33 | |
She looked back at me and she said... | 0:08:35 | 0:08:37 | |
HE MUMBLES | 0:08:37 | 0:08:38 | |
Yeah, and I went... And she said... | 0:08:38 | 0:08:41 | |
-HE MUMBLES -..like that. | 0:08:41 | 0:08:42 | |
Unfortunately, as soon as she said it | 0:08:42 | 0:08:44 | |
my nose started to bleed copiously. | 0:08:44 | 0:08:47 | |
HE MUMBLES | 0:08:47 | 0:08:49 | |
Blah-blah-blah. | 0:08:51 | 0:08:52 | |
I'm afraid she... | 0:08:52 | 0:08:54 | |
I was very... | 0:08:55 | 0:08:56 | |
very drunk. | 0:08:56 | 0:08:58 | |
She's 20 years old. I mean, what are they going to talk about? | 0:08:59 | 0:09:02 | |
-Well, I doubt they'll be doing much talking. -Oh. | 0:09:02 | 0:09:05 | |
SHE CRIES | 0:09:05 | 0:09:06 | |
No. Look... Have you considered a make over? | 0:09:06 | 0:09:09 | |
Get your nose lifted or your eyes widened? | 0:09:09 | 0:09:12 | |
You could get them manga eyes like them Japanese cartoon birds. | 0:09:12 | 0:09:15 | |
Or get your ears pinned back. | 0:09:17 | 0:09:19 | |
-Blokes love that, it's like you're paying attention. -I'd never get | 0:09:19 | 0:09:22 | |
-anything like that done. -I don't see what the stigma is. | 0:09:22 | 0:09:24 | |
My mum's just been in hospital. | 0:09:24 | 0:09:26 | |
She's having a new hip fitted, and an elbow. | 0:09:26 | 0:09:28 | |
I said, "Why don't you get yourself a new arse too? | 0:09:28 | 0:09:30 | |
"Victoria Beckham for looks, or J-Lo for comfort." | 0:09:30 | 0:09:33 | |
Yeah, a lot of my friends have had botox. | 0:09:33 | 0:09:35 | |
Yeah, my pals off the estate use that for when they're up in court. | 0:09:35 | 0:09:38 | |
It's brilliant for keeping a straight face. | 0:09:38 | 0:09:40 | |
"I put it to you, Mr Johnson, you did club the Somalian." | 0:09:40 | 0:09:44 | |
"No, your honour." | 0:09:44 | 0:09:45 | |
Maybe I'll get myself a younger model. | 0:09:45 | 0:09:47 | |
You know, someone really buff. | 0:09:47 | 0:09:48 | |
Well, let's have a look at you. Right. | 0:09:48 | 0:09:50 | |
Good points - quite tall, you're relatively young. | 0:09:50 | 0:09:54 | |
Bad points - problem skin and you've got weird hair. | 0:09:54 | 0:09:57 | |
But the most important thing is - you're not fat. | 0:09:57 | 0:10:00 | |
Fat is not where it's at. Blokes hate fat birds. | 0:10:00 | 0:10:05 | |
Well, I'm quite lucky with my metabolism. | 0:10:05 | 0:10:07 | |
Anything I eat, it goes right through me. | 0:10:07 | 0:10:09 | |
Why do you have to say that? | 0:10:09 | 0:10:11 | |
I've conjured up the image now. Oh. | 0:10:11 | 0:10:13 | |
No wonder you're on your own. | 0:10:13 | 0:10:15 | |
Who do you think you are, Uncle Tumbly the tumbling Turk? | 0:10:15 | 0:10:20 | |
-AUDIENCE: -Uncle Tumbly the tumbling Turk. | 0:10:20 | 0:10:23 | |
You know what I'm talking about even if I don't. | 0:10:23 | 0:10:26 | |
Hey, guess what right? I've got a boyfriend what I met online. | 0:10:29 | 0:10:34 | |
He's called Razor. | 0:10:34 | 0:10:36 | |
And guess what, right? He was born with a full set of teeth. | 0:10:36 | 0:10:41 | |
I mean, how cute is that? | 0:10:41 | 0:10:43 | |
But like...the irony is now he's just got one. | 0:10:43 | 0:10:46 | |
There in the middle, a gold one. | 0:10:46 | 0:10:48 | |
But he can twiddle it both ways. | 0:10:48 | 0:10:51 | |
Which is brilliant. | 0:10:51 | 0:10:52 | |
But he's actually inside at the moment. | 0:10:53 | 0:10:56 | |
It was only for something minor. | 0:10:56 | 0:10:57 | |
I think it was a bit of manslaughter, something like that. | 0:10:57 | 0:11:01 | |
But he's always, always tweeting me. | 0:11:01 | 0:11:04 | |
They call him the Birdman of Strangeways. | 0:11:04 | 0:11:07 | |
-VOICEOVER: -Not coming soon to the BBC or any other channel, | 0:11:09 | 0:11:12 | |
even some of the really crappy cable ones, John Akhtar | 0:11:12 | 0:11:16 | |
is a tough, uncompromising, bitter, out-of-work actor. | 0:11:16 | 0:11:19 | |
That's it. | 0:11:20 | 0:11:22 | |
I went up for that. And they gave it to him? | 0:11:22 | 0:11:25 | |
Oh, he's rubbish. He can't act. | 0:11:27 | 0:11:29 | |
Him?! Playing a copper? | 0:11:31 | 0:11:33 | |
Kids TV actor. | 0:11:33 | 0:11:36 | |
Hobbits, Hobbits, Hobbits. | 0:11:36 | 0:11:38 | |
Where are the jobs for a normal-sized man? | 0:11:38 | 0:11:41 | |
We're very lucky with the weather today. | 0:11:41 | 0:11:43 | |
I'm so glad that the rain has held off. | 0:11:43 | 0:11:45 | |
Yes, and the forecast was pretty gloomy. | 0:11:45 | 0:11:47 | |
Yes, but mind you, | 0:11:47 | 0:11:49 | |
some heavy dark lowering clouds | 0:11:49 | 0:11:51 | |
can add drama to a competition. | 0:11:51 | 0:11:54 | |
Ah...yes. | 0:11:54 | 0:11:56 | |
There's always a danger in these rural paintings of it | 0:11:56 | 0:11:59 | |
looking a little bit chocolate-boxey. | 0:11:59 | 0:12:01 | |
-Well, um... -Think I need some chiaroscuro in a painting, Katie. | 0:12:01 | 0:12:05 | |
To bring out the lighter patches I need to offset them | 0:12:05 | 0:12:08 | |
with something darker. | 0:12:08 | 0:12:10 | |
I think I should get out the... | 0:12:11 | 0:12:14 | |
Burnt umber. | 0:12:14 | 0:12:15 | |
No, no. Not brown, it's too muddy. | 0:12:15 | 0:12:17 | |
A...a...a nice deep purple. | 0:12:17 | 0:12:20 | |
No, something more neutral. | 0:12:20 | 0:12:21 | |
Sable. | 0:12:21 | 0:12:23 | |
-What? -Sable. A nice sable. | 0:12:23 | 0:12:25 | |
No, no, no, no. | 0:12:25 | 0:12:27 | |
Noir. | 0:12:27 | 0:12:28 | |
-No, it's not the word I'm looking for. -Onyx? | 0:12:28 | 0:12:30 | |
-It's on the tip of my tongue. -Um, um, um... | 0:12:30 | 0:12:32 | |
Sooty. | 0:12:32 | 0:12:33 | |
Um, oily. | 0:12:33 | 0:12:35 | |
Inky. | 0:12:35 | 0:12:36 | |
-Jet. -No! | 0:12:36 | 0:12:37 | |
-Um...coal! -No, Katie! | 0:12:37 | 0:12:39 | |
African-American. | 0:12:39 | 0:12:41 | |
No, Katie you're confusing me. I know exactly the colour I want. | 0:12:41 | 0:12:44 | |
SHE SWITCHES RADIO ON, MUSIC PLAYS | 0:12:44 | 0:12:46 | |
And it is... | 0:12:46 | 0:12:47 | |
-What's that? -I brought a little music, Johnny. | 0:12:47 | 0:12:50 | |
Oh. Well, if you think so, Katie. | 0:12:50 | 0:12:53 | |
I am somewhat changed in mood but... | 0:12:53 | 0:12:55 | |
I do like a nice tune, and... | 0:12:55 | 0:12:58 | |
you know what? I've completely forgotten | 0:12:58 | 0:13:00 | |
what it is we were talking about. | 0:13:00 | 0:13:02 | |
Ah, really? Well, never mind. | 0:13:02 | 0:13:03 | |
You listen to the music while you paint, | 0:13:03 | 0:13:06 | |
and let's not say another word, eh? | 0:13:06 | 0:13:09 | |
RADIO VOICEOVER | 0:13:09 | 0:13:11 | |
I recognise that voice. Who is that disc jockey? | 0:13:12 | 0:13:15 | |
I think it's Tony Blackburn. | 0:13:15 | 0:13:18 | |
Tony...Blackburn. | 0:13:18 | 0:13:21 | |
Tony Blackburn. | 0:13:23 | 0:13:25 | |
Blackburn. | 0:13:25 | 0:13:27 | |
Blackburn. | 0:13:27 | 0:13:29 | |
-SHOUTS: -Blackburn. | 0:13:29 | 0:13:30 | |
Blackburn! | 0:13:30 | 0:13:32 | |
Blackburn! | 0:13:32 | 0:13:34 | |
Black, black, black. | 0:13:34 | 0:13:36 | |
Burn, burn, burn! | 0:13:36 | 0:13:39 | |
Black, black, black, black! | 0:13:39 | 0:13:42 | |
Like in the mouth. | 0:13:42 | 0:13:44 | |
Black! | 0:13:44 | 0:13:45 | |
Like inky the octopus that come lolloping along. | 0:13:45 | 0:13:50 | |
Mr Pinky hits his hammer. | 0:13:50 | 0:13:52 | |
Hit, hit, hit! | 0:13:52 | 0:13:53 | |
Yes, hello, is Mr Richardson there, please? | 0:13:53 | 0:13:55 | |
This is Tony Kennett from the bank. | 0:13:55 | 0:13:57 | |
Hit, hit, hit! | 0:13:57 | 0:13:58 | |
How far in the trunk, Mummy? | 0:13:58 | 0:14:01 | |
How far in the trunk? | 0:14:01 | 0:14:03 | |
Glenda knows. Glenda knows. | 0:14:03 | 0:14:06 | |
Now, Johnny. | 0:14:10 | 0:14:11 | |
Equestrian cement. | 0:14:11 | 0:14:13 | |
Equestrian cement. | 0:14:13 | 0:14:15 | |
Underarm. | 0:14:15 | 0:14:16 | |
-Johnny! I think it's time we went home. Come on. -Great... | 0:14:16 | 0:14:20 | |
big face. | 0:14:20 | 0:14:22 | |
Yes, Johny. Come on. | 0:14:22 | 0:14:25 | |
You're in my telescope. | 0:14:26 | 0:14:28 | |
Equestrian cement? | 0:14:32 | 0:14:34 | |
How queer. | 0:14:34 | 0:14:36 | |
I just tweeted my boyfriend, Razor. | 0:14:37 | 0:14:40 | |
I've put, "My darling Razor, I love you. Have you had your tea?" | 0:14:40 | 0:14:45 | |
I absolutely cannot wait for him to come out. | 0:14:45 | 0:14:49 | |
He's only got 19 years, six months and three days left to do. | 0:14:49 | 0:14:53 | |
And he says he's definitely going to finish with his wife | 0:14:53 | 0:14:57 | |
when he gets out. | 0:14:57 | 0:14:59 | |
I sent him a little picture of me. | 0:14:59 | 0:15:01 | |
I say me - it wasn't really me, it was Cheryl Cole. | 0:15:01 | 0:15:06 | |
But Razor, for a man, he's right into his fashion, | 0:15:06 | 0:15:10 | |
always saying to me, | 0:15:10 | 0:15:11 | |
"What are you wearing?" You know, stuff like that. | 0:15:11 | 0:15:14 | |
TWEET | 0:15:14 | 0:15:16 | |
He just tweeted me back. | 0:15:16 | 0:15:18 | |
"My darling Janine... | 0:15:18 | 0:15:20 | |
"I love you. | 0:15:20 | 0:15:21 | |
"Yes, I have just had my tea. | 0:15:24 | 0:15:26 | |
"Your shit would taste better." | 0:15:28 | 0:15:30 | |
Ah. | 0:15:30 | 0:15:32 | |
And then he's put, "I have just tweeted a guard." | 0:15:32 | 0:15:34 | |
See, that's Razor all over. Do you know what I mean? | 0:15:35 | 0:15:38 | |
He gets on with everyone. | 0:15:38 | 0:15:40 | |
Oh, no - hang on... | 0:15:40 | 0:15:42 | |
Oh, "I just twatted a guard." | 0:15:42 | 0:15:45 | |
# The last that ever she saw him | 0:15:45 | 0:15:48 | |
# Carried away by a moonlight shadow | 0:15:48 | 0:15:52 | |
# He passed on worried and warning... # | 0:15:52 | 0:15:55 | |
As I walk down the country lane I hear the sound of Mother Nature | 0:15:56 | 0:16:00 | |
all around me. | 0:16:00 | 0:16:01 | |
What's that I hear? A babbling brook. | 0:16:01 | 0:16:04 | |
Is there a more beautiful sound in all of Christendom? | 0:16:04 | 0:16:07 | |
I don't think so. | 0:16:07 | 0:16:09 | |
Not long ago our rivers were full of pike, salmon, trout, | 0:16:09 | 0:16:15 | |
even the odd porpoise that lost his way. | 0:16:15 | 0:16:18 | |
But due to horrific overfishing on the high seas, | 0:16:18 | 0:16:22 | |
and the Albanians eating all our carp, there are very few fish left. | 0:16:22 | 0:16:26 | |
So, if you are thinking of having one of our scaly friends, | 0:16:27 | 0:16:31 | |
please make sure it comes from one of the of sustainable species | 0:16:31 | 0:16:36 | |
like pollock, or dab, or one of the other shit ones. | 0:16:36 | 0:16:40 | |
And let's face it, there's no greater sight | 0:16:40 | 0:16:43 | |
than a piece of firm, wet cod fried in batter. | 0:16:43 | 0:16:47 | |
Little puffs of steam rising up as you separate the firm, moist fish. | 0:16:47 | 0:16:52 | |
Few chips on the side, salt, vinegar, maybe a pickled onion | 0:16:52 | 0:16:56 | |
and a bottle of pale ale.. | 0:16:56 | 0:16:58 | |
Wallop! We are in fishy heaven. | 0:16:58 | 0:17:02 | |
Ha-hoo! | 0:17:02 | 0:17:03 | |
Pull! Psh! | 0:17:04 | 0:17:06 | |
See you later. | 0:17:06 | 0:17:07 | |
# The last that ever she saw him | 0:17:07 | 0:17:11 | |
# Carried away by a moonlight shadow | 0:17:11 | 0:17:14 | |
# He passed on worried and warning | 0:17:14 | 0:17:18 | |
# Carried away by a moonlight shadow. | 0:17:18 | 0:17:22 | |
# Lost in a riddle that Saturday night... # | 0:17:22 | 0:17:24 | |
BOB CLEARS THROAT | 0:17:24 | 0:17:26 | |
Right, you want to take the first "arse", | 0:17:26 | 0:17:28 | |
And then the second on the ar-arse. | 0:17:28 | 0:17:30 | |
So that's the first... | 0:17:30 | 0:17:32 | |
-HE COUGHS -Ar! | 0:17:32 | 0:17:33 | |
..and the second on the... | 0:17:33 | 0:17:34 | |
-HE COUGHS -Ar-ar-ar. | 0:17:34 | 0:17:36 | |
Remember the old Two Ronnies? | 0:17:38 | 0:17:40 | |
Old Ronnie Corbett. | 0:17:40 | 0:17:42 | |
-"And the producer said to me..." -"Ar..." | 0:17:43 | 0:17:45 | |
That's nice, isn't it, Jed? | 0:17:47 | 0:17:48 | |
That's lovely, isn't it, Bob? | 0:17:48 | 0:17:50 | |
Yeah, that's beautiful. | 0:17:50 | 0:17:52 | |
Are you ready to order? | 0:17:52 | 0:17:53 | |
-I think so, yeah. -Ar-ar. -I'll have the... | 0:17:53 | 0:17:56 | |
HE COUGHS | 0:17:56 | 0:17:57 | |
Can we have a look at the "arse!" list, please? | 0:18:01 | 0:18:04 | |
-I'll just give you five more minutes. -Aaarse. | 0:18:04 | 0:18:07 | |
HE SWALLOWS That's got it. | 0:18:09 | 0:18:11 | |
Didn't happen to see that old Michael Caine film | 0:18:11 | 0:18:13 | |
they had on TV last night did you, Jed? | 0:18:13 | 0:18:15 | |
What was that then, Bobby? Arse! Dress! Lips, dress, arse! | 0:18:15 | 0:18:18 | |
No, it was Alfie. | 0:18:18 | 0:18:19 | |
-Arsey? -That's it, yeah. | 0:18:19 | 0:18:20 | |
A lot of people say I do a very good impression of him. | 0:18:20 | 0:18:23 | |
-Oh, yeah? Go on, then. Go on, then. -All right. | 0:18:23 | 0:18:25 | |
Arse, arse, arse, arse, arse! | 0:18:25 | 0:18:28 | |
HE YELPS | 0:18:28 | 0:18:29 | |
-GROWLS: -Arse, arse, arse, arrr-se. | 0:18:29 | 0:18:32 | |
That's not bad, Jed. | 0:18:32 | 0:18:34 | |
That's not bad, but I think you'll find these days his voice | 0:18:34 | 0:18:37 | |
has got a whole lot deeper. It's gone down here a bit. | 0:18:37 | 0:18:39 | |
Down there a bit. It's more like... | 0:18:39 | 0:18:41 | |
"She was..." | 0:18:41 | 0:18:42 | |
HE COUGHS Excuse me. | 0:18:42 | 0:18:44 | |
"She was... | 0:18:44 | 0:18:45 | |
HE COUGHS | 0:18:45 | 0:18:46 | |
"You were only supposed to blow the bleeding ARSE..." | 0:18:50 | 0:18:53 | |
HE YELPS | 0:18:53 | 0:18:54 | |
That's pretty good that one, Jed. | 0:18:54 | 0:18:55 | |
I reckon that should win you the old "coughter"... | 0:18:55 | 0:18:58 | |
I should give you a... | 0:18:59 | 0:19:01 | |
HE COUGHS ..coughter. | 0:19:01 | 0:19:03 | |
Coughter. | 0:19:03 | 0:19:04 | |
Coughter doner shish kebab Bafta! | 0:19:04 | 0:19:08 | |
Are you ready to order now? | 0:19:08 | 0:19:09 | |
Yes, I think so. I... | 0:19:09 | 0:19:11 | |
HE COUGHS I'd like to start with the... | 0:19:11 | 0:19:13 | |
HE COUGHS | 0:19:13 | 0:19:15 | |
..followed by the... | 0:19:16 | 0:19:17 | |
BOB COUGHS | 0:19:17 | 0:19:18 | |
JED YELPS | 0:19:18 | 0:19:19 | |
..with a froth of... | 0:19:19 | 0:19:21 | |
HE COUGHS | 0:19:21 | 0:19:22 | |
HE YELPS | 0:19:25 | 0:19:26 | |
..and for dessert I'll have the coffee cake, please. | 0:19:26 | 0:19:29 | |
-And for you, sir? -I'll just have the... | 0:19:30 | 0:19:32 | |
-HE BARKS -..arse-sparagus. | 0:19:32 | 0:19:34 | |
HE LAUGHS | 0:19:46 | 0:19:47 | |
VOICE SPEAKS ON TELEVISION | 0:19:47 | 0:19:48 | |
You call that a Jamaican accent? | 0:19:48 | 0:19:50 | |
Costume dramas. I can do costume dramas. | 0:19:52 | 0:19:55 | |
Oh, not him from The Office again. | 0:19:55 | 0:19:57 | |
She's a nice girl. | 0:19:58 | 0:19:59 | |
Pff, could have fucked her. | 0:20:01 | 0:20:03 | |
I did fuck her. | 0:20:03 | 0:20:05 | |
I could play a pirate better than him. | 0:20:05 | 0:20:07 | |
APPLAUSE | 0:20:07 | 0:20:09 | |
Hello, and welcome to Jazz Club. | 0:20:13 | 0:20:15 | |
Mm. | 0:20:17 | 0:20:18 | |
Nice. | 0:20:18 | 0:20:19 | |
Now, those unfamiliar with jazz are often critical of the path we follow | 0:20:20 | 0:20:25 | |
implying that jazz is anachronistic, inward looking, | 0:20:25 | 0:20:28 | |
self-indulgent and irrelevant. | 0:20:28 | 0:20:30 | |
Arseholes. | 0:20:30 | 0:20:32 | |
They say that jazz doesn't respond creatively to current | 0:20:33 | 0:20:36 | |
socio-political events. | 0:20:36 | 0:20:38 | |
Here to challenge that notion is an outfit, combo | 0:20:38 | 0:20:40 | |
or indeed line-up that contains the cream of European jazz. | 0:20:40 | 0:20:44 | |
Clam on base, Pedro Molesso on trumpet, | 0:20:44 | 0:20:47 | |
Salvatore Strombelli on piano, | 0:20:47 | 0:20:50 | |
Sven Goran Olafsen on congos. | 0:20:50 | 0:20:52 | |
Pierre du Bois on guitar, | 0:20:52 | 0:20:54 | |
and the Right Honourable Sir Leonard Chichester Plumpton Smith on drums. | 0:20:54 | 0:20:59 | |
A huge diversion from their first album, Stop Your Tickling Jock. | 0:20:59 | 0:21:02 | |
This piece is from their album | 0:21:02 | 0:21:04 | |
Arab Spring, European Summer, Japanese Nuclear Winter. | 0:21:04 | 0:21:08 | |
They're called Quantitative Easing, | 0:21:08 | 0:21:09 | |
and they've got their fingers on the political pulse. | 0:21:09 | 0:21:12 | |
Radical. | 0:21:12 | 0:21:14 | |
CHAOTIC MUSIC | 0:21:28 | 0:21:30 | |
Oh-ho! | 0:21:39 | 0:21:40 | |
-Oh-ho! -Oh! | 0:21:40 | 0:21:42 | |
Oo-oh! | 0:21:42 | 0:21:43 | |
Bit of Michael McIntyre there, Doreen. | 0:21:43 | 0:21:45 | |
Oh, I love Michael McIntyre. | 0:21:45 | 0:21:47 | |
I love all comedy, Doreen. | 0:21:47 | 0:21:49 | |
As you know, I am something of an aficionado. | 0:21:49 | 0:21:52 | |
"I'm a aficionado. | 0:21:52 | 0:21:54 | |
"I'm a aficionado." | 0:21:54 | 0:21:55 | |
SHE LAUGHS: I love comedy too, Colin. | 0:21:57 | 0:21:59 | |
Oh, "I'm the only gay in the village." | 0:21:59 | 0:22:02 | |
"I'm the only gay in the village." | 0:22:02 | 0:22:04 | |
No, no. Can I just stop you there, Doreen. | 0:22:04 | 0:22:06 | |
A - women just aren't funny... | 0:22:06 | 0:22:08 | |
B - Little Britain was years ago, and | 0:22:09 | 0:22:12 | |
C - never ever ruin a classic comedy | 0:22:12 | 0:22:16 | |
by doing endless impersonations of it around the office. | 0:22:16 | 0:22:19 | |
Yeah, sorry, Colin. | 0:22:19 | 0:22:21 | |
You know, Doreen. I'm s-s-sorry, Doreen. | 0:22:21 | 0:22:25 | |
I'm thorry. | 0:22:25 | 0:22:26 | |
I'm th...thorry. | 0:22:26 | 0:22:29 | |
I'm s-s-sorry. I'm th...th... | 0:22:29 | 0:22:31 | |
HE MUMBLES WITH LISP | 0:22:31 | 0:22:33 | |
You know, Doreen, sometimes | 0:22:33 | 0:22:34 | |
sorry seems to be the hardest word. | 0:22:34 | 0:22:36 | |
THEY LAUGH | 0:22:36 | 0:22:38 | |
Oh, I don't know how you come up with all this stuff. | 0:22:38 | 0:22:40 | |
Well, you know, Doreen. | 0:22:40 | 0:22:42 | |
When you've watched as much comedy as I have | 0:22:42 | 0:22:43 | |
some of it's bound to rub off on you. | 0:22:43 | 0:22:46 | |
Oh, what's that? | 0:22:46 | 0:22:48 | |
Ugh. I'm sorry, Doreen. I have some comedy on my arm. | 0:22:48 | 0:22:52 | |
Oh! | 0:22:52 | 0:22:53 | |
THEY LAUGH | 0:22:53 | 0:22:54 | |
So, who's your favourite then, Colin? | 0:22:54 | 0:22:56 | |
Oh, no contest, Doreen. No, no. | 0:22:56 | 0:22:58 | |
The don, the godfather, the bishop, the burgermeister, | 0:22:58 | 0:23:01 | |
the veritable king of comedy is... | 0:23:01 | 0:23:04 | |
DOES DRUM ROLL | 0:23:04 | 0:23:06 | |
..Sir Ricky of Gervais. | 0:23:09 | 0:23:11 | |
Take a bow, Sir Ricky. | 0:23:11 | 0:23:15 | |
"Are you having a laugh?. Are you having a laugh? | 0:23:15 | 0:23:17 | |
"Are you having a laugh? | 0:23:17 | 0:23:19 | |
"Mind the bus. Yeah? | 0:23:19 | 0:23:21 | |
-"I'm also a friend." -Yeah. | 0:23:21 | 0:23:23 | |
Mm? Yeah, yeah? | 0:23:23 | 0:23:25 | |
Comic Relief? | 0:23:25 | 0:23:26 | |
Be nice to people, look after them even if they're dwarves or cripples. | 0:23:26 | 0:23:30 | |
Oh, not allowed to say that, are we? | 0:23:30 | 0:23:32 | |
Call them disabled now, don't we? | 0:23:32 | 0:23:34 | |
Yeah. Here, have a little look. Here, watch this. | 0:23:34 | 0:23:37 | |
Yeah, you'll recognise this. | 0:23:37 | 0:23:39 | |
HE HUMS | 0:23:39 | 0:23:40 | |
Oh, not again, Colin. | 0:23:46 | 0:23:48 | |
HE CONTINUES HUMMING | 0:23:57 | 0:23:58 | |
"Don't mention the war, Sybil! | 0:24:05 | 0:24:08 | |
"Nobody expects the Spanish Inquisition. | 0:24:08 | 0:24:11 | |
"Play it cool, Trig." | 0:24:11 | 0:24:12 | |
-Ouch! -Oh, you're very funny, Colin. | 0:24:13 | 0:24:16 | |
-VOICEOVER: -John Akhtar plays a tough... -It's me! | 0:24:16 | 0:24:19 | |
Mum! | 0:24:20 | 0:24:21 | |
Mum! | 0:24:21 | 0:24:22 | |
We took a Petri dish and introduced the solution of sulphuric acid | 0:24:22 | 0:24:27 | |
with which we mixed some belladonna. | 0:24:27 | 0:24:29 | |
To this we added 10 cubic centimetres | 0:24:29 | 0:24:32 | |
of ethyl bromoacetate or tear gas... | 0:24:32 | 0:24:35 | |
HE LAUGHS | 0:24:35 | 0:24:37 | |
..and a further 10ml of chlorine. | 0:24:37 | 0:24:40 | |
We then froze the compound to absolute zero and then heated | 0:24:41 | 0:24:45 | |
it to 8,000 degrees Celsius and transformed it into a gas, | 0:24:45 | 0:24:50 | |
which we fired through a carbon wall at Mach 14, | 0:24:50 | 0:24:54 | |
directly into a Nazi stormtrooper's helmet. | 0:24:54 | 0:24:57 | |
We encased the resulting concrete, coated it in marzipan | 0:24:57 | 0:25:01 | |
and finally, when Heston approved it, | 0:25:01 | 0:25:04 | |
we put it on the menu. | 0:25:04 | 0:25:06 | |
Didn't we, Dave? | 0:25:06 | 0:25:07 | |
Don't worry, Mama, | 0:25:11 | 0:25:12 | |
I will not break up the estate. | 0:25:12 | 0:25:14 | |
This house is in my blood and in my bones. | 0:25:14 | 0:25:17 | |
However, I will honour all agreements. | 0:25:17 | 0:25:21 | |
I do not intend to fight the entail. | 0:25:21 | 0:25:23 | |
Now... | 0:25:23 | 0:25:24 | |
it's complicated but there is a way forward. | 0:25:24 | 0:25:28 | |
Lady Mary must marry the duke. | 0:25:29 | 0:25:31 | |
It is then only a matter of... | 0:25:31 | 0:25:34 | |
Oh. | 0:25:34 | 0:25:35 | |
I'm sorry, I've just come. | 0:25:37 | 0:25:38 | |
As I was saying... | 0:25:40 | 0:25:41 | |
Were Lady Mary to marry the duke, then... | 0:25:42 | 0:25:44 | |
Oh. | 0:25:45 | 0:25:47 | |
I'm sorry, I've just come again. | 0:25:47 | 0:25:49 | |
CLEARS THROAT | 0:25:51 | 0:25:53 | |
Lady Mary... Oh. | 0:25:53 | 0:25:55 | |
Oh. | 0:25:55 | 0:25:56 | |
The thing is, love, birds like you are bombarded wherever you go | 0:25:56 | 0:26:00 | |
with images of beautiful young girls. | 0:26:00 | 0:26:02 | |
And you think, "I can't possibly live up to that. | 0:26:02 | 0:26:05 | |
"I'm going to have a bit of cake." | 0:26:05 | 0:26:07 | |
What you don't realise is, us blokes, | 0:26:07 | 0:26:10 | |
we're bombarded with the same images of beautiful young girls | 0:26:10 | 0:26:13 | |
on the telly, magazines, tube trains, everywhere. | 0:26:13 | 0:26:17 | |
And we can't sleep with them. | 0:26:17 | 0:26:19 | |
So we have a bit of cake, too. | 0:26:19 | 0:26:21 | |
There's no winners. | 0:26:21 | 0:26:23 | |
Except Mr Kipling. | 0:26:23 | 0:26:24 | |
Ciao, Edoardo, come stai? | 0:26:38 | 0:26:39 | |
HE SPEAKS IN ITALIAN | 0:26:41 | 0:26:45 | |
I wouldn't really know about that, sir. | 0:27:03 | 0:27:05 | |
I'm sorry, Ted. | 0:27:05 | 0:27:07 | |
I was using you as something of a guinea pig to try out my Italian on. | 0:27:07 | 0:27:11 | |
Do you like Italian, Ted? | 0:27:11 | 0:27:13 | |
I quite like a Domino's American hot, sir. | 0:27:15 | 0:27:18 | |
I'm more of a four seasons man myself. | 0:27:19 | 0:27:21 | |
Quattro stagioni. | 0:27:21 | 0:27:24 | |
It really is the most expressive language, Ted. | 0:27:24 | 0:27:26 | |
I can't tell you how much I'm enjoying my evening classes. | 0:27:26 | 0:27:29 | |
It's a language of song, and opera, of love, death, intrigue, | 0:27:29 | 0:27:35 | |
sexual passion. | 0:27:35 | 0:27:36 | |
We've a b-bad case of nematode w-worms in the sheep, sir. | 0:27:38 | 0:27:42 | |
Nematode worms. Yes, yes. | 0:27:42 | 0:27:44 | |
Ted...um, I happen to have a couple of tickets for... | 0:27:46 | 0:27:51 | |
La Boheme at the Royal Opera House. Do you...? | 0:27:51 | 0:27:53 | |
Do you like La Boheme, Ted? | 0:27:55 | 0:27:57 | |
I wouldn't really know about that, sir. | 0:27:58 | 0:28:02 | |
Your tiny hand is frozen. | 0:28:02 | 0:28:03 | |
Sorry, sir. | 0:28:03 | 0:28:05 | |
No, it's a... | 0:28:05 | 0:28:06 | |
It's from La Boheme, Ted. Really is the most beautiful aria. | 0:28:06 | 0:28:09 | |
Never mind, Ted. | 0:28:10 | 0:28:11 | |
But, you know that... | 0:28:12 | 0:28:13 | |
there is something I feel I can... | 0:28:13 | 0:28:16 | |
say more easily to you now in Italian than I ever could in English. | 0:28:16 | 0:28:20 | |
-Ted, I... -Right, sir... | 0:28:21 | 0:28:24 | |
I'm going to flipping well do it. It's been too long, Ted. | 0:28:24 | 0:28:27 | |
HE SPEAKS IN ITALIAN | 0:28:28 | 0:28:32 | |
Too bloody right. | 0:28:38 | 0:28:40 | |
That field's been a problem for far too long. | 0:28:40 | 0:28:43 | |
HE SHOUTS IN ITALIAN | 0:28:43 | 0:28:46 | |
E un uomo. | 0:28:49 | 0:28:51 |