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Who's first? | 0:00:31 | 0:00:33 | |
LAUGHTER Oh, sorry. | 0:00:33 | 0:00:36 | |
Oh! | 0:00:57 | 0:00:58 | |
Can I have £10 on horse number two, please? | 0:01:01 | 0:01:03 | |
Thank you. Cheers. | 0:01:05 | 0:01:06 | |
Go on. Go on, son. | 0:01:06 | 0:01:08 | |
Go on. Go on, have him. | 0:01:08 | 0:01:10 | |
Yes, yes. Go on! | 0:01:10 | 0:01:12 | |
Whoa! These roads are treacherous, I tell you. | 0:01:22 | 0:01:25 | |
Treacherous. | 0:01:27 | 0:01:29 | |
Right. | 0:01:29 | 0:01:30 | |
I think there's a green man up the road. Hey. | 0:01:30 | 0:01:33 | |
You trying to say I can't do my job? | 0:01:33 | 0:01:35 | |
No. Cos I will have you know I have saved countless lives. | 0:01:35 | 0:01:39 | |
Do you think this job is easy? | 0:01:39 | 0:01:41 | |
I'm sure it's a very difficult job being a... | 0:01:41 | 0:01:44 | |
lollipop man. | 0:01:44 | 0:01:45 | |
A lollipop man? | 0:01:46 | 0:01:48 | |
Does this look like a lollipop to you? | 0:01:48 | 0:01:51 | |
Do you fancy a lick? Lick it. Lick it! | 0:01:51 | 0:01:54 | |
I don't want to. | 0:01:54 | 0:01:56 | |
This is a beacon of safety. | 0:01:56 | 0:01:59 | |
And I am The Protector. | 0:01:59 | 0:02:03 | |
Hey, Protector, what's going on? | 0:02:03 | 0:02:06 | |
I'm trying to help him across the road. | 0:02:06 | 0:02:08 | |
And he's calling me a lollipop man. A lollipop man? | 0:02:08 | 0:02:11 | |
What'd he call you that for, Protector? I don't know. | 0:02:12 | 0:02:15 | |
The guy's a loon. | 0:02:15 | 0:02:16 | |
He's obsessed with you. No, I'm not. | 0:02:16 | 0:02:18 | |
Oh! Did you just press me? | 0:02:18 | 0:02:21 | |
Look, I am on a break. | 0:02:21 | 0:02:23 | |
So if you need to cross the road, it's a protector you need. | 0:02:23 | 0:02:26 | |
So I suggest you apologise. | 0:02:26 | 0:02:29 | |
I'm really sorry, OK? I didn't mean to cause any offence. You too. | 0:02:29 | 0:02:33 | |
Don't bloody press me! Don't press the green man! | 0:02:33 | 0:02:37 | |
Flaming Nora. | 0:02:37 | 0:02:39 | |
Look, I just want to cross the road, all right? | 0:02:39 | 0:02:41 | |
OK. Stay here... | 0:02:41 | 0:02:45 | |
and wait for my signal. | 0:02:45 | 0:02:48 | |
DRAMATIC MUSIC | 0:02:48 | 0:02:51 | |
Come on! | 0:03:07 | 0:03:09 | |
Move it, move it, move it. | 0:03:13 | 0:03:16 | |
Nicely done. Cheers. | 0:03:31 | 0:03:34 | |
No-o-o-o-o-o! | 0:03:34 | 0:03:39 | |
Hey, wakey-wakey. | 0:03:47 | 0:03:49 | |
Oh, boys, that's him there. | 0:03:52 | 0:03:55 | |
That's the one | 0:03:55 | 0:03:56 | |
who said we weren't real. | 0:03:56 | 0:03:59 | |
We'll see who's not real. | 0:03:59 | 0:04:00 | |
Get him. | 0:04:02 | 0:04:03 | |
Do you believe in us now, eh? Yeah, yeah? | 0:04:09 | 0:04:11 | |
Do you fancy another? | 0:04:15 | 0:04:17 | |
Do we have time? | 0:04:17 | 0:04:19 | |
What's he doing here? | 0:04:21 | 0:04:22 | |
TYRES SCREECH | 0:04:24 | 0:04:26 | |
CRASH | 0:04:26 | 0:04:28 | |
Hey, me first. | 0:04:31 | 0:04:32 | |
Don't bloody press me! | 0:04:32 | 0:04:35 | |
Where are we with Operation Female? Frank's doing his best, sir. | 0:04:45 | 0:04:49 | |
Well, his best isn't good enough. We have to crack the female code. | 0:04:49 | 0:04:52 | |
Of course. | 0:04:52 | 0:04:53 | |
Sir. Frank? | 0:04:53 | 0:04:56 | |
Why aren't you with the female? | 0:04:56 | 0:04:58 | |
Something's not quite right, sir. What's happened? | 0:04:58 | 0:05:02 | |
Well, I think I've been given the cold shoulder. | 0:05:02 | 0:05:05 | |
LAUGHTER | 0:05:05 | 0:05:07 | |
How do you mean? Well, I think I've done something terribly wrong | 0:05:07 | 0:05:11 | |
but I don't know what it is. | 0:05:11 | 0:05:13 | |
Robin, get the dossier of the things that we do wrong | 0:05:14 | 0:05:17 | |
without knowing that we've done them. | 0:05:17 | 0:05:19 | |
This one, sir? | 0:05:22 | 0:05:24 | |
No, Volume 2. Ah. | 0:05:24 | 0:05:26 | |
Right, let's get this sorted. | 0:05:30 | 0:05:33 | |
Toilet seat not down? No, sir. | 0:05:33 | 0:05:35 | |
I've learned my lesson there. | 0:05:35 | 0:05:37 | |
I leave it down all the time, no matter what. | 0:05:37 | 0:05:40 | |
Really? Oh, yes, sir. I'm a crack shot. | 0:05:40 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:45 | |
What about the splashes? No, it's fine. | 0:05:45 | 0:05:47 | |
I just leave them and they completely disappear. | 0:05:47 | 0:05:49 | |
Wet towel on the bed? No. Yesterday's Y-fronts on the floor? | 0:05:51 | 0:05:54 | |
No. Wearing yesterday's Y-fronts today? | 0:05:54 | 0:05:57 | |
I have a good friend in Paris who wears his underpants for a week. | 0:05:57 | 0:06:00 | |
Ah, Pierre! | 0:06:00 | 0:06:02 | |
Toenails in the sink? | 0:06:04 | 0:06:05 | |
No. Toenails in the bath? | 0:06:05 | 0:06:07 | |
No. Toenails on the bed? | 0:06:07 | 0:06:08 | |
No. Toenails on the carpet? | 0:06:08 | 0:06:10 | |
Toenails on the coffee table? | 0:06:10 | 0:06:12 | |
Toenails in the coffee?! No, no, no. | 0:06:12 | 0:06:13 | |
It's absolutely nothing to do with toenails. | 0:06:15 | 0:06:18 | |
But I think I've forgotten something. Her birthday? | 0:06:18 | 0:06:22 | |
No. Her name? | 0:06:22 | 0:06:24 | |
No, Robin. | 0:06:24 | 0:06:25 | |
He's not an idiot. | 0:06:25 | 0:06:28 | |
Your anniversary? | 0:06:28 | 0:06:29 | |
No, that was 12 months ago. | 0:06:29 | 0:06:31 | |
LAUGHTER | 0:06:31 | 0:06:34 | |
Oh, my God! It all makes sense now. | 0:06:39 | 0:06:42 | |
She was dropping little hints this morning. What did she say? | 0:06:42 | 0:06:44 | |
"Happy anniversary." | 0:06:44 | 0:06:45 | |
OK, don't panic. | 0:06:49 | 0:06:51 | |
We need to get her something very special. Yeah! What? | 0:06:51 | 0:06:54 | |
An iron! | 0:06:56 | 0:06:57 | |
Perfect. Are you mad? | 0:06:57 | 0:06:59 | |
Get her a trouser press - | 0:07:00 | 0:07:02 | |
much more efficient. | 0:07:02 | 0:07:04 | |
This is cosy. Hmm. | 0:07:24 | 0:07:25 | |
And it's a lovely site. | 0:07:26 | 0:07:28 | |
Stop speaking. | 0:07:28 | 0:07:29 | |
What's wrong with you? I'm frozen stiff. | 0:07:30 | 0:07:33 | |
You could have at least warmed up your hands. | 0:07:33 | 0:07:35 | |
LAUGHTER | 0:07:35 | 0:07:37 | |
Do you want a coat putting on? | 0:07:42 | 0:07:43 | |
Great. Silent treatment. | 0:07:45 | 0:07:47 | |
Hey! Easy, Tiger. | 0:07:50 | 0:07:52 | |
What? | 0:07:52 | 0:07:53 | |
Go gentle with your fat fingers. | 0:07:53 | 0:07:55 | |
You ambushed me there, very rough. Sorry. | 0:07:55 | 0:07:57 | |
Your hands wouldn't be this cold if we were in Spain. Yes, you said. | 0:07:59 | 0:08:03 | |
We could have been lying on a beach, getting a tan. | 0:08:03 | 0:08:07 | |
Look, we couldn't afford the excess baggage charges. | 0:08:07 | 0:08:10 | |
You're over 20kg. | 0:08:10 | 0:08:12 | |
How dare you! | 0:08:12 | 0:08:13 | |
What? What did I say? | 0:08:14 | 0:08:16 | |
It's not what you say, it's how you say it. | 0:08:16 | 0:08:19 | |
Couldn't afford the flights, all right? | 0:08:19 | 0:08:21 | |
But you could afford a new monocle? | 0:08:21 | 0:08:23 | |
I just thought it might put is in the mood. | 0:08:23 | 0:08:25 | |
Because I've got a wonky eye? | 0:08:25 | 0:08:27 | |
No! | 0:08:27 | 0:08:29 | |
I really like what it does for you... | 0:08:29 | 0:08:30 | |
and for me. | 0:08:30 | 0:08:31 | |
I'm not wearing it. | 0:08:31 | 0:08:33 | |
Fine. I look ridiculous. | 0:08:33 | 0:08:35 | |
I said fine. Well, take it off then. | 0:08:35 | 0:08:36 | |
THE PUPPET GRUNTS | 0:08:36 | 0:08:39 | |
Stop touching me all the time! | 0:08:39 | 0:08:40 | |
I can't do anything right. | 0:08:40 | 0:08:42 | |
You said it, not me. | 0:08:42 | 0:08:44 | |
LAUGHTER | 0:08:44 | 0:08:46 | |
My name is Chief Inspector Stephen Elliott. | 0:08:51 | 0:08:53 | |
In a moment, Mr Callaghan, here, will read a short appeal. | 0:08:53 | 0:08:57 | |
We won't be taking questions afterwards. | 0:08:57 | 0:08:59 | |
(Whenever you're ready.) | 0:09:00 | 0:09:02 | |
I'm begging anyone that might have seen them to get in touch. | 0:09:04 | 0:09:07 | |
Any information, whatever it is, could help. | 0:09:07 | 0:09:10 | |
(I just feel so responsible.) (It's OK. Take your time.) | 0:09:12 | 0:09:14 | |
I don't know where they are - it's been three days now. | 0:09:16 | 0:09:19 | |
Someone must have seen them. | 0:09:19 | 0:09:21 | |
They were the only set I had. | 0:09:23 | 0:09:25 | |
LAUGHTER | 0:09:25 | 0:09:27 | |
LAUGHTER | 0:09:57 | 0:10:00 | |
Hi, there. Hi. | 0:10:13 | 0:10:15 | |
Why the long face? | 0:10:16 | 0:10:17 | |
..as the barman said to the horse. He-hey! | 0:10:17 | 0:10:20 | |
Don't want to talk about it. | 0:10:20 | 0:10:22 | |
You're new here. Yeah, just doing a guest spot for the week. | 0:10:23 | 0:10:26 | |
I've been here years. Good crowds? | 0:10:26 | 0:10:30 | |
Don't know, my memory's not what it was, you see. | 0:10:30 | 0:10:33 | |
And also, my memory's not what it was. | 0:10:33 | 0:10:36 | |
He-hey! | 0:10:36 | 0:10:38 | |
You can't beat the old ones. Well, you can | 0:10:38 | 0:10:41 | |
but then you'd get arrested. | 0:10:41 | 0:10:42 | |
He-hey! | 0:10:42 | 0:10:44 | |
But seriously, I don't know really. | 0:10:44 | 0:10:48 | |
My partner left me years ago. | 0:10:48 | 0:10:50 | |
Sorry to hear that. | 0:10:50 | 0:10:52 | |
My puppet says I'm controlling. | 0:10:52 | 0:10:54 | |
You could control me any time. | 0:10:54 | 0:10:56 | |
HE GASPS | 0:10:56 | 0:10:59 | |
LAUGHTER | 0:10:59 | 0:11:01 | |
It's been so long since anyone held me. | 0:11:01 | 0:11:05 | |
It's OK. | 0:11:05 | 0:11:06 | |
You know, you've got lovely hair. | 0:11:08 | 0:11:11 | |
And you've got good strong hands. | 0:11:11 | 0:11:14 | |
You should see what I can do with a glass of water. | 0:11:14 | 0:11:16 | |
There's an open spot at seven, | 0:11:16 | 0:11:18 | |
take me! | 0:11:18 | 0:11:19 | |
Oh, God! | 0:11:19 | 0:11:21 | |
MUSIC: "I See You Baby" by Groove Armada | 0:11:22 | 0:11:24 | |
INSTRUMENTAL: "The Animals Went In Two By Two" | 0:11:42 | 0:11:45 | |
Ah, crap! What? | 0:12:14 | 0:12:16 | |
I've forgotten what we came for. | 0:12:16 | 0:12:18 | |
LAUGHTER | 0:12:18 | 0:12:20 | |
Please, I've got a wife and kids. | 0:12:20 | 0:12:22 | |
Shut up. | 0:12:22 | 0:12:23 | |
He's a bit tied up at the moment. | 0:12:24 | 0:12:26 | |
My name's Bunny | 0:12:26 | 0:12:28 | |
and I've got mouths to feed. | 0:12:28 | 0:12:30 | |
Please, just tell us what you want. I want these. | 0:12:30 | 0:12:33 | |
I want them at eye level and I want an aisle-lend. | 0:12:33 | 0:12:35 | |
You want an island? | 0:12:35 | 0:12:37 | |
I want an aisle end - the end of an aisle. | 0:12:37 | 0:12:40 | |
Ho, ho, ho. | 0:12:40 | 0:12:42 | |
There was only four of you last week. | 0:12:42 | 0:12:44 | |
I've been busy. Hello, fatty. | 0:12:44 | 0:12:46 | |
Merry Christmas. | 0:12:47 | 0:12:48 | |
Happy Easter, actually. | 0:12:48 | 0:12:50 | |
Clear your shelves, I'm taking your spot. | 0:12:50 | 0:12:52 | |
I'm skint. | 0:12:52 | 0:12:54 | |
I mean, I still owe the tooth fairy her tenner. | 0:12:54 | 0:12:56 | |
I'll buy you a mince pie. What about me? | 0:12:56 | 0:12:58 | |
Oh! | 0:13:00 | 0:13:01 | |
Great show, tonight. Thanks. | 0:13:03 | 0:13:05 | |
My key's stopped working. | 0:13:05 | 0:13:06 | |
You'll be in the doghouse. Yeah. | 0:13:07 | 0:13:10 | |
Shh! | 0:13:10 | 0:13:11 | |
Shh. | 0:13:17 | 0:13:18 | |
Oh! | 0:13:27 | 0:13:29 | |
Bob? Sorry, I didn't mean to wake you. | 0:13:31 | 0:13:35 | |
Where have you been? | 0:13:35 | 0:13:36 | |
Just out. | 0:13:36 | 0:13:38 | |
I needed some space. Until two in the morning? | 0:13:38 | 0:13:41 | |
Don't start. | 0:13:41 | 0:13:43 | |
Careful, Bob. Careful. | 0:13:43 | 0:13:45 | |
Careful! Oh! Careful! | 0:13:45 | 0:13:46 | |
Have you been drinking? | 0:13:50 | 0:13:52 | |
So? It's a free country. | 0:13:52 | 0:13:55 | |
You know you can't manage it when you're drunk. | 0:13:55 | 0:13:57 | |
LAUGHTER | 0:13:57 | 0:14:00 | |
THEY GRUNT | 0:14:02 | 0:14:04 | |
You know, you've got beautiful eyes. | 0:14:05 | 0:14:09 | |
Your breath stinks. | 0:14:09 | 0:14:10 | |
Not everyone thinks that. | 0:14:12 | 0:14:13 | |
Have you been with another puppet? | 0:14:19 | 0:14:22 | |
LAUGHTER AND APPLAUSE | 0:14:22 | 0:14:24 | |
What? | 0:14:24 | 0:14:25 | |
No. Don't lie to me. | 0:14:25 | 0:14:27 | |
You're paranoid. Just admit it. | 0:14:27 | 0:14:29 | |
For once in your life, be a real man. | 0:14:29 | 0:14:32 | |
That's rich, coming from you. | 0:14:32 | 0:14:34 | |
You know, you shouldn't judge everyone else by your own standards. | 0:14:36 | 0:14:40 | |
Oh! | 0:14:40 | 0:14:41 | |
Put me to bed, Bob. | 0:14:44 | 0:14:45 | |
With pleasure. | 0:14:45 | 0:14:47 | |
And you can sleep on the couch, tonight. | 0:14:47 | 0:14:49 | |
BOB SNORES | 0:14:49 | 0:14:53 | |
Bob? | 0:14:53 | 0:14:54 | |
Bob. | 0:14:54 | 0:14:55 | |
Hi, Gary, can I have a word? Of course you can, Colin. | 0:14:59 | 0:15:02 | |
Take a seat. | 0:15:02 | 0:15:04 | |
What can I do you for? | 0:15:04 | 0:15:06 | |
Well, it's about my job. Right. | 0:15:06 | 0:15:10 | |
What is it? | 0:15:10 | 0:15:12 | |
LAUGHTER | 0:15:12 | 0:15:15 | |
How long have you been here, Colin? | 0:15:15 | 0:15:17 | |
Three months. And what's your job title? | 0:15:17 | 0:15:19 | |
I'm a Systems Project Manager. | 0:15:19 | 0:15:21 | |
Problem solved. | 0:15:21 | 0:15:22 | |
But I don't have a system... | 0:15:22 | 0:15:25 | |
or a project. | 0:15:25 | 0:15:27 | |
Who's your line manager? Alan. | 0:15:27 | 0:15:29 | |
Oh, Alan. I'll sort this. Alan? | 0:15:29 | 0:15:32 | |
Alan! | 0:15:32 | 0:15:33 | |
Just hang five. Yeah? | 0:15:33 | 0:15:35 | |
Your Colin's line manager, yeah? | 0:15:35 | 0:15:37 | |
Am I? | 0:15:37 | 0:15:38 | |
Col, here, doesn't have a system. | 0:15:38 | 0:15:40 | |
Or a project. OK, all right. | 0:15:40 | 0:15:42 | |
Let's think about this logically. | 0:15:42 | 0:15:45 | |
Do you go to meetings? | 0:15:45 | 0:15:46 | |
Yes. Do you respond to e-mails? | 0:15:46 | 0:15:49 | |
Well, I write e-mails. | 0:15:49 | 0:15:51 | |
No, no. You manage the systems. | 0:15:51 | 0:15:52 | |
Alan does the e-mails. | 0:15:52 | 0:15:54 | |
BEEPING Oh, got an e-mail now. | 0:15:54 | 0:15:56 | |
Yeah, it's from you. This'll sort it. | 0:15:56 | 0:15:59 | |
Hang on, this isn't me! | 0:16:01 | 0:16:03 | |
Jim. | 0:16:03 | 0:16:05 | |
Who's Jim? | 0:16:05 | 0:16:06 | |
Forward it to me. | 0:16:06 | 0:16:07 | |
I've got it now. Well, why don't I have it? | 0:16:14 | 0:16:16 | |
Tell you what, I'll forward it to you | 0:16:16 | 0:16:18 | |
and I'll CC you in. | 0:16:18 | 0:16:19 | |
Ah, I've got it now. Great meeting, guys. Well done. | 0:16:22 | 0:16:26 | |
LAUGHTER | 0:16:26 | 0:16:29 | |
So, eh, who's he? | 0:16:31 | 0:16:33 | |
Don't know. Have you seen my phone? | 0:16:33 | 0:16:35 | |
Look, how many times do I have to say I'm sorry? | 0:16:53 | 0:16:55 | |
Please talk to me. | 0:16:58 | 0:17:00 | |
We can't go on stage with this. | 0:17:00 | 0:17:02 | |
Say something. | 0:17:03 | 0:17:04 | |
Whatever, I'm a professional. | 0:17:04 | 0:17:07 | |
Hey, how'd it go? | 0:17:10 | 0:17:12 | |
Great. | 0:17:12 | 0:17:13 | |
They're a lovely bunch out there. | 0:17:13 | 0:17:15 | |
Good, we're a bit rusty. | 0:17:15 | 0:17:17 | |
We haven't done a full routine for a while. | 0:17:17 | 0:17:19 | |
Speak for yourself. | 0:17:19 | 0:17:20 | |
I always do. | 0:17:20 | 0:17:22 | |
OK. Well, have a good one. Yeah, thanks. | 0:17:22 | 0:17:25 | |
AUDIENCE: O-o-o-oh! | 0:17:28 | 0:17:30 | |
He seemed nice. | 0:17:31 | 0:17:32 | |
You slut! | 0:17:36 | 0:17:38 | |
LAUGHTER | 0:17:38 | 0:17:41 | |
Anything happening up your end? Nah. | 0:17:45 | 0:17:47 | |
Oh, we've been spotted. | 0:17:50 | 0:17:52 | |
Your turn - | 0:17:52 | 0:17:54 | |
I went last time. | 0:17:54 | 0:17:55 | |
YELLOW FISH SIGHS All right. | 0:17:55 | 0:17:57 | |
LAUGHTER | 0:17:59 | 0:18:02 | |
That's our train. Hey, don't rush me. | 0:18:05 | 0:18:07 | |
We've got plenty of them. | 0:18:07 | 0:18:08 | |
No, I need to get you on the luggage rack. What? | 0:18:08 | 0:18:10 | |
And you've got two tickets? Yeah... | 0:18:11 | 0:18:15 | |
Listen... | 0:18:15 | 0:18:16 | |
..there's something I need to tell you. | 0:18:17 | 0:18:19 | |
He-hey! | 0:18:19 | 0:18:20 | |
You! | 0:18:22 | 0:18:24 | |
Bob, I can't believe you brought him back with us. | 0:18:24 | 0:18:26 | |
I just think we need to try something different. | 0:18:26 | 0:18:28 | |
Who do you think you are? | 0:18:28 | 0:18:30 | |
I'm not going to be part of your harem. | 0:18:30 | 0:18:32 | |
Steady on. Two's hardly a harem. | 0:18:32 | 0:18:35 | |
I'm going to be a laughing stock on the circuit. | 0:18:35 | 0:18:37 | |
No, you're not. | 0:18:37 | 0:18:38 | |
And why does he get the seat? | 0:18:38 | 0:18:39 | |
Well, he gets travel sick and he doesn't like the motion. | 0:18:39 | 0:18:42 | |
I like your motion, Bob. He-hey! | 0:18:42 | 0:18:45 | |
What does he mean by that? | 0:18:45 | 0:18:47 | |
I think we all need to take a deep breath. | 0:18:47 | 0:18:49 | |
You're so patient. | 0:18:49 | 0:18:50 | |
I don't know how they do it. Well, I do | 0:18:50 | 0:18:53 | |
but that's a different story. | 0:18:53 | 0:18:54 | |
He-hey! | 0:18:54 | 0:18:55 | |
Why are you laughing? That's not funny. Stop it. | 0:18:55 | 0:18:58 | |
You didn't say that last night. He-hey! Last night? | 0:18:58 | 0:19:01 | |
You were with me last night. | 0:19:01 | 0:19:02 | |
I was watching. What? | 0:19:02 | 0:19:04 | |
Not much of a performance. He-hey! | 0:19:04 | 0:19:06 | |
I'm going to smack him. | 0:19:06 | 0:19:08 | |
Oh, he's a kinky one. He-hey! | 0:19:08 | 0:19:10 | |
Right, come here! | 0:19:10 | 0:19:12 | |
Oh, hey! I'm going to take him. Hey! No! Now. Oh! | 0:19:12 | 0:19:15 | |
Stop it! | 0:19:15 | 0:19:16 | |
Oh! He's mine! He's mine! | 0:19:16 | 0:19:19 | |
I'm going to rip your head off. | 0:19:19 | 0:19:21 | |
Disgusting. He-hey! | 0:19:21 | 0:19:23 | |
Come on! Hurry up. | 0:19:32 | 0:19:33 | |
All right, mate! Loving the tights. Very alternative. What? | 0:19:36 | 0:19:39 | |
Spare two minutes for charity? | 0:19:39 | 0:19:41 | |
Sorry, I've got somewhere important to be. | 0:19:41 | 0:19:44 | |
Oh, come on! What's more important than charity? | 0:19:44 | 0:19:46 | |
Well, I didn't mean that. Great. | 0:19:46 | 0:19:49 | |
I'm Mark. ALARM GOES OFF | 0:19:49 | 0:19:51 | |
Have you heard of the whale sanctuary? Eh... | 0:19:51 | 0:19:53 | |
No. But look...sorry, I'm skint. | 0:19:53 | 0:19:55 | |
Did you know that 3,000 whales die each year of skin-related diseases? | 0:19:55 | 0:19:58 | |
Really? 3,000? | 0:20:00 | 0:20:02 | |
That's terrible. I know. | 0:20:02 | 0:20:04 | |
It's a terrible agonising death which we are fighting to eliminate. | 0:20:04 | 0:20:07 | |
That's great. Unfortunately, great work comes at a price. | 0:20:07 | 0:20:10 | |
What are you doing? Move it! | 0:20:10 | 0:20:12 | |
Sorry, I've got to go. | 0:20:12 | 0:20:14 | |
Did you know, for just £20 a month, you could save a whale. | 0:20:14 | 0:20:16 | |
SIRENS WAIL Hey! | 0:20:16 | 0:20:19 | |
I can't afford that. All right, for £10 a month, | 0:20:19 | 0:20:21 | |
you could help the research for these fatal diseases. | 0:20:21 | 0:20:23 | |
Really? Hey! | 0:20:23 | 0:20:24 | |
GUNSHOTS | 0:20:24 | 0:20:27 | |
Come on! | 0:20:27 | 0:20:28 | |
LAUGHTER | 0:20:34 | 0:20:36 | |
SIRENS CONTINUE TO WAIL | 0:20:40 | 0:20:42 | |
What is wrong with you? Just leave it! | 0:20:48 | 0:20:50 | |
You need your head looking at. All right. | 0:20:50 | 0:20:52 | |
You nearly blew the whole thing. | 0:20:52 | 0:20:54 | |
All right! | 0:20:54 | 0:20:55 | |
Come on, let's go. | 0:20:56 | 0:20:57 | |
So, lads, | 0:21:01 | 0:21:03 | |
about that donation. | 0:21:03 | 0:21:04 | |
LAUGHTER | 0:21:04 | 0:21:06 | |
Ah, | 0:21:11 | 0:21:12 | |
I've been expecting you. | 0:21:12 | 0:21:15 | |
Hi, can I get my palm read, please? | 0:21:16 | 0:21:18 | |
Why, certainly. Take a seat. | 0:21:18 | 0:21:20 | |
Now, give it here. | 0:21:22 | 0:21:24 | |
Ah, interesting... | 0:21:26 | 0:21:28 | |
Broccoli, milk, carrots... | 0:21:29 | 0:21:32 | |
and pickled eggs. | 0:21:32 | 0:21:34 | |
Thanks. | 0:21:34 | 0:21:35 | |
Couldn't read me own writing. | 0:21:35 | 0:21:37 | |
Oi, fatty! | 0:21:51 | 0:21:52 | |
You still owe me a tenner. | 0:21:56 | 0:21:58 | |
Come here! | 0:21:58 | 0:21:59 | |
DRAMATIC MUSIC PLAYS | 0:21:59 | 0:22:02 | |
Come here! | 0:22:09 | 0:22:10 | |
MUSIC DROWNS SPEECH | 0:22:27 | 0:22:29 | |
Ho, ho, ho! | 0:22:52 | 0:22:55 | |
See you. Damn. | 0:22:55 | 0:22:58 | |
BUZZING | 0:23:09 | 0:23:13 | |
Hey, is that my honey?! Eh... | 0:23:22 | 0:23:25 | |
Yeah, sorry. | 0:23:25 | 0:23:27 | |
Unbelievable! | 0:23:29 | 0:23:30 | |
HE STARTS BUZZING AGAIN | 0:23:32 | 0:23:35 | |
Right, I think I'm going to have a beer and a burger. What? | 0:23:54 | 0:23:59 | |
That's like 2,000 points. What about the diet? | 0:23:59 | 0:24:02 | |
It's a day off, today. I'm giving in to my cravings. | 0:24:04 | 0:24:07 | |
You know what they say at Fat Busters - | 0:24:07 | 0:24:08 | |
"Give in to pies, big fat thighs." | 0:24:08 | 0:24:12 | |
I'm no having a pie, I'm having a burger. | 0:24:12 | 0:24:14 | |
Well, I'm going to have a salad and a water. | 0:24:14 | 0:24:19 | |
I think I'm going to get lots of mayo. | 0:24:19 | 0:24:21 | |
That's fat in a jar! | 0:24:21 | 0:24:22 | |
I know. I'm feeling naughty(!) | 0:24:22 | 0:24:24 | |
LAUGHTER Look, I'm really struggling with the cravings too, mate, | 0:24:24 | 0:24:27 | |
but I thought we were doing this together. | 0:24:27 | 0:24:29 | |
I'll right back on it again tomorrow. | 0:24:29 | 0:24:31 | |
You're my weight loss partner! | 0:24:31 | 0:24:33 | |
I can't do this alone. You're not alone, I'm here. | 0:24:33 | 0:24:37 | |
It's a slippery slope. | 0:24:37 | 0:24:38 | |
Today - mayo, tomorrow - Amber and soon, it'll be Red. | 0:24:38 | 0:24:41 | |
Not the traffic light system again! | 0:24:41 | 0:24:43 | |
Yes. | 0:24:43 | 0:24:45 | |
I just need your support. | 0:24:45 | 0:24:47 | |
Whatever, mate, I'm having a burger. | 0:24:47 | 0:24:49 | |
Oh, I'm starving. | 0:24:51 | 0:24:52 | |
MUSIC: "Hungry Eyes" by Eric Carmen | 0:24:53 | 0:24:57 | |
MUSIC STOPS Hey, can you take this? Aye... | 0:25:12 | 0:25:16 | |
Yeah. | 0:25:16 | 0:25:17 | |
Yeah, sure. | 0:25:17 | 0:25:19 | |
MUSIC STARTS AGAIN | 0:25:20 | 0:25:24 | |
# I look at you and I fantasise | 0:25:24 | 0:25:28 | |
# You're mine tonight | 0:25:30 | 0:25:33 | |
# Now, I've got you in my sights | 0:25:35 | 0:25:43 | |
# With these | 0:25:43 | 0:25:46 | |
# Hungry eyes... # | 0:25:46 | 0:25:48 | |
Mate, | 0:25:51 | 0:25:52 | |
what dressing do you want in your salad? None! | 0:25:52 | 0:25:54 | |
None! | 0:25:54 | 0:25:55 | |
All right, calm down. | 0:25:55 | 0:25:57 | |
I'm going to have that mayo. Coleslaw, chips - the works. | 0:25:57 | 0:25:59 | |
# Now, I've had the time of my life | 0:26:00 | 0:26:07 | |
# No, I've never felt like this before... # | 0:26:07 | 0:26:10 | |
Hey. Hi. | 0:26:10 | 0:26:13 | |
I've missed you. | 0:26:13 | 0:26:14 | |
I've missed you, too. | 0:26:15 | 0:26:16 | |
# Cos I've had the time of my life | 0:26:18 | 0:26:25 | |
# And I owe it all to you | 0:26:25 | 0:26:30 | |
# I've been waiting for so long | 0:26:36 | 0:26:38 | |
# Now I've finally found someone | 0:26:38 | 0:26:40 | |
# To stand by me | 0:26:40 | 0:26:42 | |
# We saw the writing on the wall | 0:26:44 | 0:26:47 | |
# As we felt this magical | 0:26:47 | 0:26:49 | |
# Fantasy | 0:26:49 | 0:26:51 | |
# Now with passion in our eyes | 0:26:53 | 0:26:56 | |
# There's no way we could disguise it | 0:26:56 | 0:26:58 | |
# Secretly | 0:26:58 | 0:27:00 | |
# So we take each other's hand | 0:27:02 | 0:27:04 | |
# Cos we seem to understand | 0:27:04 | 0:27:06 | |
# The urgency | 0:27:06 | 0:27:09 | |
# Just remember | 0:27:10 | 0:27:13 | |
# You're the one thing | 0:27:13 | 0:27:16 | |
# I can't get enough of | 0:27:16 | 0:27:19 | |
# So I'll tell you something | 0:27:21 | 0:27:24 | |
# This could be love because | 0:27:26 | 0:27:30 | |
# I've had the time of my life... # | 0:27:30 | 0:27:34 | |
Subtitles by Red Bee Media Ltd | 0:27:45 | 0:27:49 |