Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
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BOOK FALLS | 0:00:32 | 0:00:34 | |
Shh! | 0:00:34 | 0:00:35 | |
PHONE RINGS | 0:00:37 | 0:00:41 | |
Hello? | 0:00:41 | 0:00:42 | |
(Sorry!) | 0:00:44 | 0:00:45 | |
BABY CRIES | 0:00:48 | 0:00:51 | |
Would you mind going outside, please? | 0:00:52 | 0:00:54 | |
Sorry, mate. Bambi. | 0:00:58 | 0:01:02 | |
Gets us every time. | 0:01:02 | 0:01:04 | |
T-I-I-M-BER! | 0:01:08 | 0:01:12 | |
T-I-I-M-BER! | 0:01:19 | 0:01:22 | |
Jim! Jim! | 0:01:25 | 0:01:27 | |
What? What is it? | 0:01:27 | 0:01:29 | |
It's this tree. It's not falling down. | 0:01:29 | 0:01:32 | |
Did you shout, "Timber?" | 0:01:32 | 0:01:35 | |
Aye, did it twice. | 0:01:35 | 0:01:37 | |
Hi, do you want me to give you a hand with that? | 0:01:48 | 0:01:50 | |
Cheers, mate. | 0:01:50 | 0:01:52 | |
MUSIC: "Little Green Bag" by George Baker | 0:01:59 | 0:02:02 | |
Whoa! Whoa! Whoa! | 0:02:09 | 0:02:11 | |
THEY LAUGH | 0:02:11 | 0:02:14 | |
Hey! Hey! Hey! | 0:02:14 | 0:02:16 | |
HE SCREAMS | 0:02:18 | 0:02:20 | |
BOTH: Hey! Hey! Hey! Hey! | 0:02:23 | 0:02:25 | |
DOG BARKS | 0:02:27 | 0:02:29 | |
THEY SCREAM | 0:02:29 | 0:02:31 | |
WOLF SNARLS | 0:02:44 | 0:02:47 | |
Oh, I smell a piggy! | 0:02:49 | 0:02:53 | |
Ooh! Ooh! | 0:02:53 | 0:02:54 | |
Oh! Oh! | 0:02:56 | 0:02:58 | |
Little pig, little pig, let me in! | 0:02:59 | 0:03:02 | |
Not by the hairs on me chinny-chin-chin! | 0:03:02 | 0:03:05 | |
Well, I'll huff, | 0:03:05 | 0:03:07 | |
and I'll puff, | 0:03:07 | 0:03:09 | |
and I'll BLOW your house down! | 0:03:09 | 0:03:12 | |
Whoa, whoa, whoa! You can't do that! | 0:03:12 | 0:03:14 | |
Health and safety, I'm afraid. | 0:03:14 | 0:03:17 | |
Well, that's ridiculous! I don't make the rules, I just enforce them. | 0:03:17 | 0:03:20 | |
Well, he's my pig. | 0:03:20 | 0:03:22 | |
And have you completed a risk assessment form | 0:03:22 | 0:03:24 | |
for keeping pigs, sir? Er...no. | 0:03:24 | 0:03:27 | |
That's a ?60 fine, then. | 0:03:27 | 0:03:29 | |
Wonderful(!) | 0:03:29 | 0:03:31 | |
Now, I'd best be on me way. | 0:03:31 | 0:03:32 | |
I've got to go and sort out a bloke trying to climb a tower | 0:03:32 | 0:03:36 | |
using a girl's hair, with no ladder in sight. | 0:03:36 | 0:03:38 | |
Idiot! | 0:03:38 | 0:03:40 | |
MUSIC BLARES FROM HEADPHONES | 0:03:40 | 0:03:44 | |
ORGAN MUSIC | 0:03:50 | 0:03:52 | |
I'm just off to market! | 0:04:16 | 0:04:18 | |
Wow! The beans have worked! | 0:04:20 | 0:04:23 | |
Don't even think about it. | 0:04:27 | 0:04:29 | |
BABY CRIES | 0:04:41 | 0:04:43 | |
Would someone shut that kid up? | 0:04:47 | 0:04:48 | |
But it's yours. | 0:04:50 | 0:04:51 | |
OMINOUS DRUM BEATS | 0:04:54 | 0:04:57 | |
Gregor McAlpine. | 0:05:15 | 0:05:17 | |
You have been convicted of robbery, | 0:05:17 | 0:05:20 | |
found guilty, and sentenced to death. | 0:05:20 | 0:05:24 | |
Do you have any last words? I'm innocent! | 0:05:30 | 0:05:33 | |
Aye, I've heard it all before. | 0:05:33 | 0:05:35 | |
DRUM ROLL | 0:05:35 | 0:05:38 | |
Stop right there! | 0:05:38 | 0:05:39 | |
You cannot hang this man! | 0:05:41 | 0:05:43 | |
Oh, thank God! | 0:05:43 | 0:05:44 | |
It's death by beheading. | 0:05:44 | 0:05:46 | |
Oh, crap! | 0:05:46 | 0:05:48 | |
No, no, no, no, no. That's not right. | 0:05:48 | 0:05:51 | |
I've got a court order here | 0:05:51 | 0:05:52 | |
that says hanging at noon in the town square. | 0:05:52 | 0:05:55 | |
That's strange. | 0:05:55 | 0:05:57 | |
It says right here I've got to chop his head off. | 0:05:57 | 0:06:00 | |
Right, are we sure we've got the right name? | 0:06:00 | 0:06:02 | |
Excuse me, is this you? | 0:06:04 | 0:06:06 | |
Oh, aye, it's definitely me. | 0:06:06 | 0:06:09 | |
Oh, God! This is a dilemma. Mmm. | 0:06:10 | 0:06:13 | |
Maybe we could just let him go. | 0:06:13 | 0:06:16 | |
Yes, I...think that's the only solution. | 0:06:16 | 0:06:19 | |
Really? BOTH: NO! | 0:06:19 | 0:06:22 | |
THEY LAUGH | 0:06:22 | 0:06:24 | |
Oh, oh! Oh, every time! | 0:06:27 | 0:06:29 | |
I know, I know. What are they like?! | 0:06:29 | 0:06:32 | |
It's the perks, it's the perks, I tell you! | 0:06:32 | 0:06:34 | |
OK, let's have a look at the small print. | 0:06:36 | 0:06:37 | |
Mmm. Now, here we go. | 0:06:37 | 0:06:39 | |
"If, in the unlikely event of a double booking..." | 0:06:41 | 0:06:45 | |
"..The convicted gets a free pardon." | 0:06:45 | 0:06:48 | |
What?! Are you serious? | 0:06:48 | 0:06:49 | |
BOTH: No! | 0:06:49 | 0:06:51 | |
THEY LAUGH | 0:06:51 | 0:06:53 | |
Oh, oh, good one! | 0:06:53 | 0:06:57 | |
I tell you what, how about we hang him, but I get to pull the lever? | 0:06:57 | 0:07:02 | |
I've always wanted to do that. | 0:07:02 | 0:07:04 | |
All right, just this once. | 0:07:04 | 0:07:06 | |
Here we go. | 0:07:09 | 0:07:10 | |
DRUM ROLL | 0:07:10 | 0:07:13 | |
Whoa, whoa, whoa, you can't do that! | 0:07:13 | 0:07:15 | |
Health and safety, I'm afraid. | 0:07:15 | 0:07:16 | |
That's an absolute death trap. | 0:07:16 | 0:07:19 | |
Good work, team. Fantastic jobs. | 0:07:26 | 0:07:29 | |
Mr Sheridan, we need you back in theatre. She's crashing. Quickly! | 0:07:32 | 0:07:36 | |
Ahh! | 0:07:36 | 0:07:38 | |
HEART MONITOR BLEEPS | 0:07:38 | 0:07:41 | |
HEART MONITOR FLATLINES | 0:07:41 | 0:07:44 | |
There was nothing we could do. | 0:07:49 | 0:07:50 | |
JAMES BOND THEME PLAYS | 0:07:56 | 0:08:00 | |
See? See? See? | 0:08:12 | 0:08:13 | |
This...will be our biggest job yet. | 0:08:13 | 0:08:16 | |
So we're just meant to walk out of there with a beakload of chips? No. | 0:08:16 | 0:08:21 | |
We're going to take them for every chip they've got. | 0:08:21 | 0:08:24 | |
Yeah? Yeah. Yeah! | 0:08:24 | 0:08:27 | |
Settle down. They've got state-of-the-art security. Look! | 0:08:27 | 0:08:31 | |
We'll never get past him. Hey! Hey! | 0:08:33 | 0:08:36 | |
We're still going to do this. | 0:08:36 | 0:08:37 | |
Cliff, it's a three-gull job. | 0:08:37 | 0:08:39 | |
Then you better grow an extra beak! | 0:08:39 | 0:08:41 | |
Now, listen up - here's the deal. | 0:08:41 | 0:08:45 | |
At 3.15, they close the restaurant. | 0:08:46 | 0:08:50 | |
Then, the maitre d' goes on his break. | 0:08:50 | 0:08:54 | |
There's too many tables. There's no clean escape route. | 0:08:54 | 0:08:57 | |
That's the beauty of it. | 0:08:57 | 0:08:59 | |
We let them do the work. | 0:08:59 | 0:09:00 | |
At 3.20, the chef brings out the leftovers for the staff. | 0:09:02 | 0:09:06 | |
This is our moment. | 0:09:06 | 0:09:08 | |
We've got 35 seconds to get in, grab the goods, and get out. | 0:09:08 | 0:09:12 | |
Any questions? | 0:09:12 | 0:09:13 | |
What if we get locked in? We won't. | 0:09:13 | 0:09:16 | |
Look, we do this job right, and we'll have enough chips to buy an aviary. | 0:09:16 | 0:09:22 | |
Whoa! Go away! Shoo! Shoo! Shoo! | 0:09:22 | 0:09:24 | |
Hey! | 0:09:28 | 0:09:29 | |
RADIO CRACKLES Lost him. | 0:09:41 | 0:09:43 | |
OLD TIME MUSIC | 0:09:46 | 0:09:50 | |
Are you certain we should do this, sir? | 0:09:50 | 0:09:52 | |
It feels awfully dangerous. | 0:09:52 | 0:09:55 | |
Hence my reasoning for tonight's guise. | 0:09:55 | 0:09:58 | |
What if we're caught? | 0:10:01 | 0:10:03 | |
Robin, if Frank is correct, | 0:10:03 | 0:10:05 | |
this is where we discover the origin of the female code. | 0:10:05 | 0:10:09 | |
Now, grab your purse. We're going in. | 0:10:10 | 0:10:13 | |
Sir, something isn't right. | 0:10:25 | 0:10:27 | |
What? There's a pleasant aroma. | 0:10:27 | 0:10:30 | |
THEY SNIFF | 0:10:30 | 0:10:33 | |
So there is. | 0:10:33 | 0:10:35 | |
And the toilet seat is down. | 0:10:35 | 0:10:38 | |
My God! The toilets are never used! | 0:10:38 | 0:10:41 | |
He was right! | 0:10:41 | 0:10:43 | |
This must be the headquarters! | 0:10:43 | 0:10:45 | |
TOILET FLUSHES | 0:10:45 | 0:10:48 | |
Act naturally. Be absolutely silent. | 0:10:54 | 0:10:58 | |
No, no, no, sir. Quite the opposite. | 0:10:58 | 0:11:01 | |
(They talk to one another.) | 0:11:01 | 0:11:02 | |
Really? Yes. | 0:11:02 | 0:11:04 | |
HE ADOPTS A HIGH-PITCHED VOICE Hello? | 0:11:08 | 0:11:10 | |
EQUALLY FALSETTO VOICE Oh, hello! | 0:11:10 | 0:11:12 | |
(Talk about the weather!) | 0:11:12 | 0:11:14 | |
Lovely day for it! | 0:11:17 | 0:11:19 | |
Yes, glorious! | 0:11:19 | 0:11:22 | |
Any plans for the weekend? | 0:11:22 | 0:11:25 | |
Er... | 0:11:25 | 0:11:26 | |
..a spot of rugger? | 0:11:27 | 0:11:29 | |
Rugby? | 0:11:29 | 0:11:31 | |
Wait a minute! | 0:11:31 | 0:11:34 | |
Frank? Sir! | 0:11:34 | 0:11:36 | |
Frank, what are you doing here? | 0:11:39 | 0:11:41 | |
I told you to wait for further instructions. | 0:11:41 | 0:11:43 | |
I know, sir, but... Oh! | 0:11:43 | 0:11:45 | |
Excuse me, miss. Where exactly have you been hiding this little filly? | 0:11:45 | 0:11:49 | |
Charmed... I'm sure. | 0:11:49 | 0:11:52 | |
Frank, it's me! | 0:11:52 | 0:11:55 | |
My God, Robin! You're gorgeous! | 0:11:55 | 0:11:57 | |
DOOR CLOSES Someone's coming! Quickly! | 0:11:57 | 0:12:01 | |
Robin, observe. | 0:12:05 | 0:12:07 | |
FEMALE VOICES CHATTER | 0:12:07 | 0:12:09 | |
HE GASPS Unbelievable! | 0:12:09 | 0:12:12 | |
What is it? They go in pairs. Really? | 0:12:12 | 0:12:15 | |
They've gone straight to the mirror. | 0:12:15 | 0:12:17 | |
Sir, they're talking. | 0:12:17 | 0:12:19 | |
I can't hear a word they're saying. Allow me, sir. | 0:12:21 | 0:12:24 | |
This device amplifies vibrations | 0:12:24 | 0:12:27 | |
through a solid substance for up to five yards. | 0:12:27 | 0:12:29 | |
You're quite the technological marvel, Robin. | 0:12:29 | 0:12:32 | |
She said she's late. | 0:12:38 | 0:12:39 | |
How late? | 0:12:39 | 0:12:41 | |
A week. | 0:12:41 | 0:12:44 | |
Robin, that's the weak spot! | 0:12:44 | 0:12:46 | |
Timekeeping. | 0:12:46 | 0:12:47 | |
Whoa, whoa! What's happening? | 0:12:55 | 0:12:56 | |
I'm blind! Help us! Help us! | 0:12:56 | 0:12:59 | |
Cliff, I'm blind, man! I'm blind! | 0:12:59 | 0:13:01 | |
Come here! Oh, oh! Thank God! | 0:13:01 | 0:13:05 | |
You're an idiot. | 0:13:05 | 0:13:06 | |
Is that a scarecrow? | 0:13:08 | 0:13:10 | |
Yeah! | 0:13:10 | 0:13:12 | |
Oi! Oi! Oi! Oi! | 0:13:12 | 0:13:14 | |
Oi! Oi! Oi! Oi! Oi! Oi! Oi! Oi! | 0:13:14 | 0:13:17 | |
So, you scare birds, eh? | 0:13:17 | 0:13:20 | |
Boo! Aargh! Aargh! | 0:13:22 | 0:13:26 | |
WHAT is wrong with you?! | 0:13:26 | 0:13:28 | |
What are you doing round here? | 0:13:28 | 0:13:30 | |
I got sacked. | 0:13:30 | 0:13:31 | |
You got sacked? | 0:13:31 | 0:13:33 | |
How hard is it to stand in a field?! | 0:13:33 | 0:13:36 | |
I fell in love with a crow, all right? | 0:13:36 | 0:13:39 | |
HE GASPS | 0:13:39 | 0:13:41 | |
Surely there is a law against that. | 0:13:41 | 0:13:44 | |
Love is blind, Cliff. | 0:13:44 | 0:13:46 | |
What's your bird's name? | 0:13:46 | 0:13:48 | |
Crow. Crow. Nice name. | 0:13:48 | 0:13:51 | |
Right, come on, you. | 0:13:51 | 0:13:53 | |
That old bloke's got a fish supper. | 0:13:53 | 0:13:56 | |
No. | 0:13:56 | 0:13:58 | |
Come on! It's easy pickings! No, Cliff. | 0:13:58 | 0:14:00 | |
What?! | 0:14:03 | 0:14:04 | |
I don't even like chips. | 0:14:04 | 0:14:06 | |
That is not possible. | 0:14:10 | 0:14:12 | |
They are... | 0:14:12 | 0:14:15 | |
delicious! | 0:14:15 | 0:14:17 | |
Well, not to me. | 0:14:17 | 0:14:19 | |
When I come back... | 0:14:22 | 0:14:23 | |
you better be gone. | 0:14:23 | 0:14:25 | |
Oh, and just so you know... | 0:14:34 | 0:14:36 | |
..that's his crap on your hat. | 0:14:37 | 0:14:39 | |
Sorry. | 0:14:43 | 0:14:44 | |
It's all right. | 0:14:45 | 0:14:47 | |
FERRY HORN BLASTS | 0:14:47 | 0:14:49 | |
Well, I've got a ferry to catch. | 0:14:49 | 0:14:52 | |
Can I come with you? | 0:14:52 | 0:14:53 | |
Yeah, if you want. | 0:14:55 | 0:14:57 | |
Do you fancy an ice cream? | 0:14:58 | 0:15:00 | |
BRAKES SQUEAL | 0:15:07 | 0:15:09 | |
# Near, far | 0:15:19 | 0:15:23 | |
# Wherever you are | 0:15:23 | 0:15:27 | |
# I believe that | 0:15:27 | 0:15:31 | |
# The heart does go on... # | 0:15:31 | 0:15:37 | |
Dad? Hello, son. | 0:15:43 | 0:15:45 | |
I brought my new girlfriend Helen to meet you. | 0:15:45 | 0:15:47 | |
I thought you were going out with Sarah. No, that's finished. | 0:15:49 | 0:15:52 | |
That's a shame. I liked Sarah. | 0:15:52 | 0:15:54 | |
Aye, but just give Helen a chance, all right? | 0:15:54 | 0:15:56 | |
All right. | 0:15:56 | 0:15:57 | |
Helen? Helen? | 0:15:57 | 0:15:59 | |
Aye, come on. | 0:15:59 | 0:16:01 | |
Helen, this is Dad. | 0:16:02 | 0:16:04 | |
Dad, this is Helen. | 0:16:04 | 0:16:05 | |
What? | 0:16:08 | 0:16:09 | |
She's really pleased to meet you. | 0:16:09 | 0:16:11 | |
Say something! | 0:16:13 | 0:16:15 | |
You need your head looking at, son. Dad! | 0:16:18 | 0:16:21 | |
This is what you left Sarah for? Oh, don't listen to him, Helen! | 0:16:21 | 0:16:24 | |
An imaginary girlfriend? | 0:16:24 | 0:16:26 | |
We're in love! | 0:16:26 | 0:16:29 | |
Helen? Helen? | 0:16:29 | 0:16:31 | |
Oh, great! Thanks, Dad! You frightened her off! | 0:16:31 | 0:16:34 | |
Does your brother know about this nonsense? No. | 0:16:34 | 0:16:36 | |
Dean! HE TUTS | 0:16:36 | 0:16:38 | |
Dean! Dad, I'm busy! | 0:16:38 | 0:16:40 | |
Dean, get in here now! | 0:16:40 | 0:16:44 | |
What is it, Dad? | 0:16:44 | 0:16:46 | |
Oh, crap! Sarah? | 0:16:48 | 0:16:50 | |
She doesn't want to talk to you, all right? | 0:16:50 | 0:16:52 | |
Are you two going out? What's it to you? You left her! | 0:16:54 | 0:16:57 | |
She was playing around. Hey, that's not true! | 0:16:57 | 0:16:59 | |
Don't listen to him, Sarah! | 0:16:59 | 0:17:01 | |
You two are a pair of prize prats. | 0:17:01 | 0:17:03 | |
Oh, Helen, you came back. | 0:17:03 | 0:17:05 | |
Helen... | 0:17:09 | 0:17:11 | |
you're looking great, you've... | 0:17:11 | 0:17:12 | |
..you've lost weight. De you two know each other? | 0:17:15 | 0:17:19 | |
Aye, it was ages ago. What? | 0:17:19 | 0:17:21 | |
It was just once. I'm going to kill you! | 0:17:21 | 0:17:23 | |
I saw her first! Come here! | 0:17:23 | 0:17:25 | |
Hey, hey, hey! Split it up! | 0:17:25 | 0:17:27 | |
You're a disgrace to the family! The pair of you! | 0:17:29 | 0:17:32 | |
Now... | 0:17:34 | 0:17:36 | |
..apologise to your mother. | 0:17:37 | 0:17:38 | |
TRADITIONAL AFRICAN MUSIC | 0:17:49 | 0:17:52 | |
Hi, dad! Where the hell have you been? | 0:18:00 | 0:18:03 | |
You're late for your tea. | 0:18:03 | 0:18:04 | |
Sorry. I've been hunting this all day. | 0:18:04 | 0:18:07 | |
You treat this place like a hotel. | 0:18:07 | 0:18:11 | |
MONKEY CALLS | 0:18:11 | 0:18:13 | |
Look, Dad... | 0:18:13 | 0:18:14 | |
there's something I need to tell you. What? | 0:18:14 | 0:18:17 | |
I want you to meet someone. | 0:18:17 | 0:18:20 | |
This is my friend, Ashley. | 0:18:20 | 0:18:23 | |
Hiya! Nice to meet you. | 0:18:23 | 0:18:25 | |
Oh, I've heard a lot about you. | 0:18:25 | 0:18:27 | |
Oh, I like your hair. | 0:18:27 | 0:18:28 | |
HE ROARS | 0:18:28 | 0:18:31 | |
What the hell is wrong with you? | 0:18:31 | 0:18:33 | |
You'll never get to be leader of this pride | 0:18:33 | 0:18:35 | |
if you go out hunting and come back talking to giraffes. | 0:18:35 | 0:18:38 | |
Just tell him! | 0:18:38 | 0:18:39 | |
Dad, I'm a vegetarian. | 0:18:39 | 0:18:42 | |
What? I don't eat meat, OK? | 0:18:42 | 0:18:46 | |
Of course you do! You love meat. | 0:18:46 | 0:18:49 | |
You always have. Even when you were little and we'd go out hunting. | 0:18:49 | 0:18:53 | |
You always loved a wildebeest bum. | 0:18:53 | 0:18:55 | |
No, Dad. Even then, I was eating salad. | 0:18:55 | 0:19:00 | |
It's just a phase. | 0:19:00 | 0:19:02 | |
We've got our own allotment! Oh, God! | 0:19:02 | 0:19:05 | |
Dad? | 0:19:05 | 0:19:07 | |
Come on, let's go. | 0:19:07 | 0:19:10 | |
You're my son. | 0:19:13 | 0:19:14 | |
And I love you, no matter what. | 0:19:15 | 0:19:19 | |
Come here. | 0:19:19 | 0:19:20 | |
I didn't think you'd understand! Ah, well. | 0:19:27 | 0:19:32 | |
Whatever tickles your fur, I suppose. | 0:19:32 | 0:19:34 | |
Oh, that's really lovely! | 0:19:34 | 0:19:38 | |
Your dad's pure gorgeous! HE LAUGHS | 0:19:38 | 0:19:41 | |
Thanks, Dad. | 0:19:41 | 0:19:43 | |
And, Ashley? | 0:19:44 | 0:19:46 | |
ASHLEY GULPS Er, yeah? | 0:19:46 | 0:19:48 | |
Look after him, won't you? | 0:19:50 | 0:19:52 | |
It's a jungle out there. | 0:19:53 | 0:19:55 | |
DEVICE BLEEPS | 0:20:03 | 0:20:06 | |
What have we got? Explosive charge. | 0:20:10 | 0:20:12 | |
Detonator. Timing device. | 0:20:12 | 0:20:14 | |
DEVICE KEEPS BLEEPING | 0:20:14 | 0:20:18 | |
BLEEPING INCREASES Damn, it's activated. | 0:20:20 | 0:20:23 | |
Pass me the cutters. | 0:20:23 | 0:20:25 | |
What? We need to evacuate. | 0:20:25 | 0:20:27 | |
There's no time. We need to get out. | 0:20:27 | 0:20:29 | |
It's over. It's over! | 0:20:29 | 0:20:31 | |
Look, it's not over till the fat lady sings, OK? | 0:20:31 | 0:20:34 | |
SHE CLEARS HER THROAT | 0:20:34 | 0:20:36 | |
Dad! Dad! | 0:20:45 | 0:20:47 | |
Dad! | 0:20:47 | 0:20:49 | |
Have you seen Ashley? | 0:20:49 | 0:20:51 | |
Oh! Uh... | 0:20:54 | 0:20:55 | |
Sorry, son. | 0:20:56 | 0:20:58 | |
There you go. | 0:20:58 | 0:21:00 | |
I'll just, er... | 0:21:01 | 0:21:03 | |
Um, yeah. | 0:21:03 | 0:21:05 | |
HE SOBS | 0:21:08 | 0:21:11 | |
HE WAILS LOUDLY | 0:21:11 | 0:21:14 | |
HE SNIFFS | 0:21:24 | 0:21:26 | |
HE CHOMPS LOUDLY | 0:21:33 | 0:21:36 | |
HE WAILS | 0:21:39 | 0:21:42 | |
# I can't live | 0:21:42 | 0:21:45 | |
# If living is without you | 0:21:45 | 0:21:48 | |
# Can't live | 0:21:48 | 0:21:51 | |
# I can't give any more... # | 0:21:51 | 0:21:55 | |
Excuse me, sir. Sorry to trouble you, | 0:22:06 | 0:22:09 | |
but do you know which train goes to the end of the rainbow? | 0:22:09 | 0:22:11 | |
TANNOY: 'Would the person responsible for Simon McGregor | 0:22:18 | 0:22:20 | |
'please come to the information point. | 0:22:20 | 0:22:22 | |
'That's the person responsible for Simon McGregor | 0:22:22 | 0:22:24 | |
'to the information point. Thank you.' | 0:22:24 | 0:22:26 | |
Right this way, Mrs McGregor. | 0:22:26 | 0:22:28 | |
He was a bit shaken at first, but he's fine now. | 0:22:28 | 0:22:30 | |
After you. | 0:22:30 | 0:22:32 | |
He's just through these double doors. | 0:22:34 | 0:22:36 | |
He's just down here. | 0:22:40 | 0:22:41 | |
Simon, your wife's here. | 0:22:42 | 0:22:44 | |
You know what, Davie? I think it's time Billy came up the hill with us. | 0:23:06 | 0:23:10 | |
Aye, strong enough now, Dad. | 0:23:10 | 0:23:12 | |
Billy! Billy! | 0:23:12 | 0:23:14 | |
Aye? | 0:23:14 | 0:23:16 | |
What is it? | 0:23:16 | 0:23:18 | |
I've been having a chat with our Davie, | 0:23:18 | 0:23:20 | |
and I think it's time you came up the hill. | 0:23:20 | 0:23:22 | |
Oh...right. | 0:23:23 | 0:23:25 | |
Aye, you're a man now. You can join the flock. | 0:23:25 | 0:23:27 | |
Aye, I know. | 0:23:27 | 0:23:29 | |
I know it seems daunting, son, but you were born to do it. | 0:23:29 | 0:23:33 | |
And you'll be following in our footsteps. Aye, cheer up, man. | 0:23:33 | 0:23:36 | |
It's not that. | 0:23:36 | 0:23:37 | |
Well, what is it, then, son? Spit it out. | 0:23:37 | 0:23:40 | |
I don't want to be one of the flock! | 0:23:40 | 0:23:42 | |
What?! | 0:23:42 | 0:23:44 | |
It may be your way of life, but it's not for me. | 0:23:44 | 0:23:47 | |
Billy, this is the path you must follow | 0:23:47 | 0:23:49 | |
if you want to stay in this family. | 0:23:49 | 0:23:50 | |
Well, maybe I don't want to follow the path! | 0:23:50 | 0:23:52 | |
Well, if you don't follow the path, | 0:23:52 | 0:23:54 | |
how are you going to get into the field? | 0:23:54 | 0:23:56 | |
I'm sorry, Dad. | 0:23:57 | 0:23:58 | |
Well, if we all thought like that, there would be total chaos. | 0:23:58 | 0:24:01 | |
There would be a sheep everywhere. None of us would be in the field. | 0:24:01 | 0:24:04 | |
Aye, and the sheep dog would have a heart attack. | 0:24:04 | 0:24:06 | |
It's my life! | 0:24:06 | 0:24:08 | |
Well, what do you want to be, then? | 0:24:08 | 0:24:12 | |
A dancer! | 0:24:12 | 0:24:13 | |
MUSIC: "Flashdance (What A Feeling)" By Irene Cara | 0:24:13 | 0:24:17 | |
A dancer? Aye! | 0:24:17 | 0:24:19 | |
You're a bloody sheep! | 0:24:19 | 0:24:20 | |
We're sheep, we follow! | 0:24:20 | 0:24:22 | |
Ugh! I can't take any more of this, Dad. | 0:24:22 | 0:24:25 | |
I'll get you up there. How can you be my brother? | 0:24:25 | 0:24:28 | |
Davie! Let him go. | 0:24:29 | 0:24:31 | |
He's right, though, son. No sheep has ever been co-ordinated. | 0:24:32 | 0:24:36 | |
I'm different, Dad. I'm a dancer! | 0:24:36 | 0:24:40 | |
# ...When there's nothing | 0:24:40 | 0:24:42 | |
# But a slow, glowing dream... # | 0:24:42 | 0:24:47 | |
Billy! Aye? | 0:24:47 | 0:24:49 | |
Stop turning your head dramatically when I'm trying to talk to you. | 0:24:49 | 0:24:51 | |
No, Dad. I've got a talent, | 0:24:51 | 0:24:54 | |
and you've got to see it. | 0:24:54 | 0:24:57 | |
MUSIC RESUMES Billy! Stop that now! | 0:24:57 | 0:25:01 | |
No, I can't! It's inside of me! | 0:25:01 | 0:25:05 | |
Billy, pack it in! | 0:25:05 | 0:25:06 | |
It's like electricity! | 0:25:06 | 0:25:08 | |
Dad, you're dancing! No, I'm not! | 0:25:10 | 0:25:14 | |
I'm following you, you bloody idiot! | 0:25:14 | 0:25:16 | |
# ..Of my heart | 0:25:16 | 0:25:20 | |
# What a feeling | 0:25:20 | 0:25:23 | |
# Feeling's believing... # | 0:25:23 | 0:25:25 | |
Come on, Dad! Oh, Billy, man, behave! | 0:25:25 | 0:25:28 | |
What's happening?! | 0:25:30 | 0:25:32 | |
Billy's dancing! Don't look at him! | 0:25:32 | 0:25:34 | |
Davie, you're a natural! | 0:25:34 | 0:25:36 | |
Shut up, man, you're putting us off! | 0:25:36 | 0:25:39 | |
Oh, no, now look what you've done! | 0:25:39 | 0:25:42 | |
Wow, what a family! | 0:25:44 | 0:25:46 | |
Oh, Billy, me back, man! | 0:25:48 | 0:25:52 | |
Yeah! | 0:25:52 | 0:25:53 | |
Subtitles by Red Bee Media Ltd | 0:26:20 | 0:26:25 |