Episode 4 The Ginge, the Geordie and the Geek


Episode 4

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BOOK FALLS

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Shh!

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PHONE RINGS

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Hello?

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(Sorry!)

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BABY CRIES

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Would you mind going outside, please?

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Sorry, mate. Bambi.

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Gets us every time.

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T-I-I-M-BER!

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T-I-I-M-BER!

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Jim! Jim!

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What? What is it?

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It's this tree. It's not falling down.

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Did you shout, "Timber?"

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Aye, did it twice.

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Hi, do you want me to give you a hand with that?

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Cheers, mate.

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MUSIC: "Little Green Bag" by George Baker

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Whoa! Whoa! Whoa!

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THEY LAUGH

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Hey! Hey! Hey!

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HE SCREAMS

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BOTH: Hey! Hey! Hey! Hey!

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DOG BARKS

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THEY SCREAM

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WOLF SNARLS

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Oh, I smell a piggy!

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Ooh! Ooh!

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Oh! Oh!

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Little pig, little pig, let me in!

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Not by the hairs on me chinny-chin-chin!

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Well, I'll huff,

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and I'll puff,

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and I'll BLOW your house down!

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Whoa, whoa, whoa! You can't do that!

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Health and safety, I'm afraid.

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Well, that's ridiculous! I don't make the rules, I just enforce them.

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Well, he's my pig.

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And have you completed a risk assessment form

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for keeping pigs, sir? Er...no.

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That's a ?60 fine, then.

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Wonderful(!)

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Now, I'd best be on me way.

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I've got to go and sort out a bloke trying to climb a tower

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using a girl's hair, with no ladder in sight.

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Idiot!

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MUSIC BLARES FROM HEADPHONES

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ORGAN MUSIC

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I'm just off to market!

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Wow! The beans have worked!

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Don't even think about it.

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BABY CRIES

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Would someone shut that kid up?

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But it's yours.

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OMINOUS DRUM BEATS

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Gregor McAlpine.

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You have been convicted of robbery,

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found guilty, and sentenced to death.

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Do you have any last words? I'm innocent!

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Aye, I've heard it all before.

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DRUM ROLL

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Stop right there!

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You cannot hang this man!

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Oh, thank God!

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It's death by beheading.

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Oh, crap!

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No, no, no, no, no. That's not right.

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I've got a court order here

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that says hanging at noon in the town square.

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That's strange.

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It says right here I've got to chop his head off.

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Right, are we sure we've got the right name?

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Excuse me, is this you?

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Oh, aye, it's definitely me.

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Oh, God! This is a dilemma. Mmm.

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Maybe we could just let him go.

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Yes, I...think that's the only solution.

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Really? BOTH: NO!

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THEY LAUGH

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Oh, oh! Oh, every time!

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I know, I know. What are they like?!

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It's the perks, it's the perks, I tell you!

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OK, let's have a look at the small print.

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Mmm. Now, here we go.

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"If, in the unlikely event of a double booking..."

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"..The convicted gets a free pardon."

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What?! Are you serious?

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BOTH: No!

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THEY LAUGH

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Oh, oh, good one!

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I tell you what, how about we hang him, but I get to pull the lever?

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I've always wanted to do that.

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All right, just this once.

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Here we go.

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DRUM ROLL

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Whoa, whoa, whoa, you can't do that!

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Health and safety, I'm afraid.

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That's an absolute death trap.

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Good work, team. Fantastic jobs.

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Mr Sheridan, we need you back in theatre. She's crashing. Quickly!

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Ahh!

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HEART MONITOR BLEEPS

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HEART MONITOR FLATLINES

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There was nothing we could do.

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JAMES BOND THEME PLAYS

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See? See? See?

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This...will be our biggest job yet.

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So we're just meant to walk out of there with a beakload of chips? No.

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We're going to take them for every chip they've got.

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Yeah? Yeah. Yeah!

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Settle down. They've got state-of-the-art security. Look!

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We'll never get past him. Hey! Hey!

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We're still going to do this.

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Cliff, it's a three-gull job.

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Then you better grow an extra beak!

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Now, listen up - here's the deal.

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At 3.15, they close the restaurant.

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Then, the maitre d' goes on his break.

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There's too many tables. There's no clean escape route.

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That's the beauty of it.

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We let them do the work.

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At 3.20, the chef brings out the leftovers for the staff.

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This is our moment.

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We've got 35 seconds to get in, grab the goods, and get out.

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Any questions?

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What if we get locked in? We won't.

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Look, we do this job right, and we'll have enough chips to buy an aviary.

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Whoa! Go away! Shoo! Shoo! Shoo!

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Hey!

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RADIO CRACKLES Lost him.

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OLD TIME MUSIC

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Are you certain we should do this, sir?

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It feels awfully dangerous.

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Hence my reasoning for tonight's guise.

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What if we're caught?

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Robin, if Frank is correct,

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this is where we discover the origin of the female code.

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Now, grab your purse. We're going in.

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Sir, something isn't right.

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What? There's a pleasant aroma.

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THEY SNIFF

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So there is.

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And the toilet seat is down.

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My God! The toilets are never used!

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He was right!

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This must be the headquarters!

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TOILET FLUSHES

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Act naturally. Be absolutely silent.

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No, no, no, sir. Quite the opposite.

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(They talk to one another.)

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Really? Yes.

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HE ADOPTS A HIGH-PITCHED VOICE Hello?

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EQUALLY FALSETTO VOICE Oh, hello!

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(Talk about the weather!)

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Lovely day for it!

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Yes, glorious!

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Any plans for the weekend?

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Er...

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..a spot of rugger?

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Rugby?

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Wait a minute!

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Frank? Sir!

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Frank, what are you doing here?

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I told you to wait for further instructions.

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I know, sir, but... Oh!

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Excuse me, miss. Where exactly have you been hiding this little filly?

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Charmed... I'm sure.

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Frank, it's me!

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My God, Robin! You're gorgeous!

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DOOR CLOSES Someone's coming! Quickly!

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Robin, observe.

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FEMALE VOICES CHATTER

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HE GASPS Unbelievable!

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What is it? They go in pairs. Really?

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They've gone straight to the mirror.

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Sir, they're talking.

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I can't hear a word they're saying. Allow me, sir.

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This device amplifies vibrations

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through a solid substance for up to five yards.

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You're quite the technological marvel, Robin.

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She said she's late.

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How late?

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A week.

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Robin, that's the weak spot!

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Timekeeping.

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Whoa, whoa! What's happening?

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I'm blind! Help us! Help us!

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Cliff, I'm blind, man! I'm blind!

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Come here! Oh, oh! Thank God!

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You're an idiot.

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Is that a scarecrow?

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Yeah!

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Oi! Oi! Oi! Oi!

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Oi! Oi! Oi! Oi! Oi! Oi! Oi! Oi!

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So, you scare birds, eh?

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Boo! Aargh! Aargh!

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WHAT is wrong with you?!

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What are you doing round here?

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I got sacked.

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You got sacked?

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How hard is it to stand in a field?!

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I fell in love with a crow, all right?

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HE GASPS

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Surely there is a law against that.

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Love is blind, Cliff.

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What's your bird's name?

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Crow. Crow. Nice name.

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Right, come on, you.

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That old bloke's got a fish supper.

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No.

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Come on! It's easy pickings! No, Cliff.

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What?!

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I don't even like chips.

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That is not possible.

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They are...

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delicious!

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Well, not to me.

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When I come back...

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you better be gone.

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Oh, and just so you know...

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..that's his crap on your hat.

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Sorry.

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It's all right.

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FERRY HORN BLASTS

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Well, I've got a ferry to catch.

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Can I come with you?

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Yeah, if you want.

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Do you fancy an ice cream?

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BRAKES SQUEAL

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# Near, far

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# Wherever you are

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# I believe that

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# The heart does go on... #

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Dad? Hello, son.

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I brought my new girlfriend Helen to meet you.

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I thought you were going out with Sarah. No, that's finished.

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That's a shame. I liked Sarah.

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Aye, but just give Helen a chance, all right?

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All right.

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Helen? Helen?

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Aye, come on.

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Helen, this is Dad.

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Dad, this is Helen.

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What?

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She's really pleased to meet you.

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Say something!

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You need your head looking at, son. Dad!

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This is what you left Sarah for? Oh, don't listen to him, Helen!

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An imaginary girlfriend?

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We're in love!

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Helen? Helen?

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Oh, great! Thanks, Dad! You frightened her off!

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Does your brother know about this nonsense? No.

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Dean! HE TUTS

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Dean! Dad, I'm busy!

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Dean, get in here now!

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What is it, Dad?

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Oh, crap! Sarah?

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She doesn't want to talk to you, all right?

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Are you two going out? What's it to you? You left her!

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She was playing around. Hey, that's not true!

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Don't listen to him, Sarah!

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You two are a pair of prize prats.

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Oh, Helen, you came back.

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Helen...

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you're looking great, you've...

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..you've lost weight. De you two know each other?

0:17:150:17:19

Aye, it was ages ago. What?

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It was just once. I'm going to kill you!

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I saw her first! Come here!

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Hey, hey, hey! Split it up!

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You're a disgrace to the family! The pair of you!

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Now...

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..apologise to your mother.

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TRADITIONAL AFRICAN MUSIC

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Hi, dad! Where the hell have you been?

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You're late for your tea.

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Sorry. I've been hunting this all day.

0:18:040:18:07

You treat this place like a hotel.

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MONKEY CALLS

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Look, Dad...

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there's something I need to tell you. What?

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I want you to meet someone.

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This is my friend, Ashley.

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Hiya! Nice to meet you.

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Oh, I've heard a lot about you.

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Oh, I like your hair.

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HE ROARS

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What the hell is wrong with you?

0:18:310:18:33

You'll never get to be leader of this pride

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if you go out hunting and come back talking to giraffes.

0:18:350:18:38

Just tell him!

0:18:380:18:39

Dad, I'm a vegetarian.

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What? I don't eat meat, OK?

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Of course you do! You love meat.

0:18:460:18:49

You always have. Even when you were little and we'd go out hunting.

0:18:490:18:53

You always loved a wildebeest bum.

0:18:530:18:55

No, Dad. Even then, I was eating salad.

0:18:550:19:00

It's just a phase.

0:19:000:19:02

We've got our own allotment! Oh, God!

0:19:020:19:05

Dad?

0:19:050:19:07

Come on, let's go.

0:19:070:19:10

You're my son.

0:19:130:19:14

And I love you, no matter what.

0:19:150:19:19

Come here.

0:19:190:19:20

I didn't think you'd understand! Ah, well.

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Whatever tickles your fur, I suppose.

0:19:320:19:34

Oh, that's really lovely!

0:19:340:19:38

Your dad's pure gorgeous! HE LAUGHS

0:19:380:19:41

Thanks, Dad.

0:19:410:19:43

And, Ashley?

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ASHLEY GULPS Er, yeah?

0:19:460:19:48

Look after him, won't you?

0:19:500:19:52

It's a jungle out there.

0:19:530:19:55

DEVICE BLEEPS

0:20:030:20:06

What have we got? Explosive charge.

0:20:100:20:12

Detonator. Timing device.

0:20:120:20:14

DEVICE KEEPS BLEEPING

0:20:140:20:18

BLEEPING INCREASES Damn, it's activated.

0:20:200:20:23

Pass me the cutters.

0:20:230:20:25

What? We need to evacuate.

0:20:250:20:27

There's no time. We need to get out.

0:20:270:20:29

It's over. It's over!

0:20:290:20:31

Look, it's not over till the fat lady sings, OK?

0:20:310:20:34

SHE CLEARS HER THROAT

0:20:340:20:36

Dad! Dad!

0:20:450:20:47

Dad!

0:20:470:20:49

Have you seen Ashley?

0:20:490:20:51

Oh! Uh...

0:20:540:20:55

Sorry, son.

0:20:560:20:58

There you go.

0:20:580:21:00

I'll just, er...

0:21:010:21:03

Um, yeah.

0:21:030:21:05

HE SOBS

0:21:080:21:11

HE WAILS LOUDLY

0:21:110:21:14

HE SNIFFS

0:21:240:21:26

HE CHOMPS LOUDLY

0:21:330:21:36

HE WAILS

0:21:390:21:42

# I can't live

0:21:420:21:45

# If living is without you

0:21:450:21:48

# Can't live

0:21:480:21:51

# I can't give any more... #

0:21:510:21:55

Excuse me, sir. Sorry to trouble you,

0:22:060:22:09

but do you know which train goes to the end of the rainbow?

0:22:090:22:11

TANNOY: 'Would the person responsible for Simon McGregor

0:22:180:22:20

'please come to the information point.

0:22:200:22:22

'That's the person responsible for Simon McGregor

0:22:220:22:24

'to the information point. Thank you.'

0:22:240:22:26

Right this way, Mrs McGregor.

0:22:260:22:28

He was a bit shaken at first, but he's fine now.

0:22:280:22:30

After you.

0:22:300:22:32

He's just through these double doors.

0:22:340:22:36

He's just down here.

0:22:400:22:41

Simon, your wife's here.

0:22:420:22:44

You know what, Davie? I think it's time Billy came up the hill with us.

0:23:060:23:10

Aye, strong enough now, Dad.

0:23:100:23:12

Billy! Billy!

0:23:120:23:14

Aye?

0:23:140:23:16

What is it?

0:23:160:23:18

I've been having a chat with our Davie,

0:23:180:23:20

and I think it's time you came up the hill.

0:23:200:23:22

Oh...right.

0:23:230:23:25

Aye, you're a man now. You can join the flock.

0:23:250:23:27

Aye, I know.

0:23:270:23:29

I know it seems daunting, son, but you were born to do it.

0:23:290:23:33

And you'll be following in our footsteps. Aye, cheer up, man.

0:23:330:23:36

It's not that.

0:23:360:23:37

Well, what is it, then, son? Spit it out.

0:23:370:23:40

I don't want to be one of the flock!

0:23:400:23:42

What?!

0:23:420:23:44

It may be your way of life, but it's not for me.

0:23:440:23:47

Billy, this is the path you must follow

0:23:470:23:49

if you want to stay in this family.

0:23:490:23:50

Well, maybe I don't want to follow the path!

0:23:500:23:52

Well, if you don't follow the path,

0:23:520:23:54

how are you going to get into the field?

0:23:540:23:56

I'm sorry, Dad.

0:23:570:23:58

Well, if we all thought like that, there would be total chaos.

0:23:580:24:01

There would be a sheep everywhere. None of us would be in the field.

0:24:010:24:04

Aye, and the sheep dog would have a heart attack.

0:24:040:24:06

It's my life!

0:24:060:24:08

Well, what do you want to be, then?

0:24:080:24:12

A dancer!

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MUSIC: "Flashdance (What A Feeling)" By Irene Cara

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A dancer? Aye!

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You're a bloody sheep!

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We're sheep, we follow!

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Ugh! I can't take any more of this, Dad.

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I'll get you up there. How can you be my brother?

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Davie! Let him go.

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He's right, though, son. No sheep has ever been co-ordinated.

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I'm different, Dad. I'm a dancer!

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# ...When there's nothing

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# But a slow, glowing dream... #

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Billy! Aye?

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Stop turning your head dramatically when I'm trying to talk to you.

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No, Dad. I've got a talent,

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and you've got to see it.

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MUSIC RESUMES Billy! Stop that now!

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No, I can't! It's inside of me!

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Billy, pack it in!

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It's like electricity!

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Dad, you're dancing! No, I'm not!

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I'm following you, you bloody idiot!

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# ..Of my heart

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# What a feeling

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# Feeling's believing... #

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Come on, Dad! Oh, Billy, man, behave!

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What's happening?!

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Billy's dancing! Don't look at him!

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Davie, you're a natural!

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Shut up, man, you're putting us off!

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Oh, no, now look what you've done!

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Wow, what a family!

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Oh, Billy, me back, man!

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Yeah!

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Subtitles by Red Bee Media Ltd

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