Episode 5 The Ginge, the Geordie and the Geek


Episode 5

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Transcript


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-CHILDREN SHOUTING: Fight! Fight! Fight!

-Hey!

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-Fight! Fight! Fight!

-Hey!

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Clear off. Go on!

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Mr Seward, Mr MacGregor, what the hell is going on?

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-He drank me coffee, sir.

-Enough of your lip!

-Sir, he...

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I don't want to hear it!

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You, get to my office!

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And as for you, you'll be taking 4D on a field trip.

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-Oh...

-SIGHS

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As you can see, it's been a tough year for the company.

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We slowed down in the last two quarters, but after preventing the Hare Corporation takeover,

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we can accelerate through the next. Any questions, Mr Tortoise?

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No? OK then, we'll move on.

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-There's a bomb in the building. We've got to get out!

-Let's go!

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ALARM GOES OFF Move it, quick! Hurry up!

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Damn.

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Stop running!

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ALARM STILL GOING OFF

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Right...

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Tuck in.

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I'm sensing a bit of an atmosphere here.

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What's the matter?

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Right, this stops now.

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-You need to talk to each other.

-Hmm.

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Just put the fight behind us. It's time to move on, forgive and forget.

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Forget what? Hey-hey!

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Exactly.

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We've got a big gig coming up and we need to be a team.

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A team? Like The A-Team?

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SINGS THEME TUNE

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-Oh, shut up!

-Hey, there's no need for that!

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Don't touch me! I know where that hand's been.

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-You make him nervous.

-He's not nervous. He's a show-off.

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But he's a great talent and he can go all night.

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If he's that good, you can do the gig without me.

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You know we can't. They're expecting a threesome.

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Tough! You need to choose, Bob. It's either me...

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..or him.

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-I can handle you both.

-SINGS TUNE

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Is he going to stop? Are you going to stop?

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-I'm going to stop him. I'm going to knock his block off!

-Stop it, both of you! I can't hear myself think.

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I've had enough of this. I'm going to bed.

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Well?

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Are you two not coming?

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Fine!

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Suit yourselves!

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ALARM STILL GOING OFF

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-That door's locked! We're going to use the back door!

-The back door!

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Oh, crap!

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-Any instructions for the recovery team?

-Check dressings and wound site for haematoma.

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Make sure the drain is less than 500ml in the next 24 hours.

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OK... Did you get up to anything last night?

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-Well, yes. Do you know that nurse in A&E?

-Yeah.

-Jane?

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-Yeah.

-I took her out for dinner.

-Wow! She's lovely. How did you manage that?

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Quite simple, really. I said, "Do you know CPR because you take my breath away?"

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# No need to ask He's a smooth operator

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# Smooth operator

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# Smooth operator

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# Smooth operator

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# Coast to coast, LA to Chicago

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# Western male... #

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Psst!

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Psst!

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What?

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Are you awake?

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Yes.

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How are you feeling?

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Stiff.

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I thought that was Bob. Hey-hey!

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I'm sorry for attacking you.

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I never meant to take Bob away from you.

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Yes, you did.

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Look, it wasn't until we started talking that I found out about you

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and by that time, he was in too deep.

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You know, I actually admire you in a way.

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Really?

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You've always got a smile on your face. I don't know how you do it.

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It's how I'm painted. Hey-hey!

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I'm not a funny puppet. Not any more.

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-I have my dark moments too, you know.

-Really?

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I had a massive empty space inside of me

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and then Bob came along...

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..and filled it.

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Since you've been around, I've seen a different side to Bob.

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How do you mean?

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I sit on his left side now.

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Hey-hey!

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CREAKING

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I think we'd better get rehearsing.

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ALARM RINGS

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Right, I want this nonsense to stop.

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Of course. Understood, Headmaster.

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Sorry.

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No, listen. I'm sorry.

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Thank you. Now, back to lessons.

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Right, class, open up your books to page 23.

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Sometimes, sir, I think we're sacrificing too much to crack this damn female code.

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Every agent accepts the risks. He knew what he was doing when he moved in with her.

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What if we've gone too far?

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-No... No.

-He's coming round, sir.

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-Leave me!

-Frank!

-What?

-Frank!

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You're back at HQ. You've been in the infirmary.

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-What happened?

-We think the female poisoned you.

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Can you remember anything, Frank?

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I can't speak. I'm completely parched.

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-Here!

-We've taken your blood. We'll get a diagnosis any moment now. Don't worry.

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I don't want to die!

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-PHONE RINGS

-You won't. You're in good hands now.

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-You're a credit to your gender, Frank.

-Hello?

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All right, thank you.

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Sir, the test results are in. It's man flu.

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No!

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-Get a blanket and boil an egg.

-Right oh.

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-And make some soldiers.

-Roger.

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Blast! I still can't do two things at once, sir.

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Of course not. Frank, you'll just have to soldier on.

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I can't take any more, sir.

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Please, just...

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Just finish me.

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You'll get through this, old chap.

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She'll pay for this. Mark my words.

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-They're obviously getting close, sir.

-No, I'm not entirely sure it was her. She has it as well.

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-How do you know?

-She had a headache.

-That's not completely unusual.

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But this wasn't at lights out, sir. This was during the day.

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My God!

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And even with the sniffles, she just carried on.

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They must have a secret antidote, sir.

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They're cleverer than we thought.

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-Did she show you any sympathy, Frank?

-No. Quite the opposite.

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I was lying on a sofa barely alive...

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and when I groaned in pain,

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she just said to me, "You should try giving birth!"

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That's completely irrelevant.

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-Then she went to work.

-She went to work?

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-Yes.

-Unbelievable!

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Sir...

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He's smelling a bit.

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-Perhaps we should run him a bath.

-No.

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No bathing until it is out of his system completely.

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Stinking is part of the cure.

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I'm sorry I didn't crack the code, sir.

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Don't you close your eyes, God damn it!

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He's gone, sir.

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He's with the angels now.

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SNORES

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ALARM STILL GOING OFF

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Can you give me the number for the Little Bay Restaurant in Bath Street?

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-I've just sent a text to your phone.

-Thanks.

-Going on a date, are we?

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No, just me. I fancied a night out.

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Maybe I can make it a table for two.

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Sorry?

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# No need to ask He's a smooth operator

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# Smooth operator

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# Smooth operator

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# Smooth operator... #

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Lisa! Lisa!

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Cancel my two o'clock, hold all my calls and get some sandwiches in here pronto.

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Guys, I know this is difficult, but we're running out of time.

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I need a resolution by close of play today.

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We're firing blanks.

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There's loads of questions, but no real answers.

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Come on, Alan, you're better than this.

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-Am I fat?

-No.

-No.

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-Am I bald?

-No.

-No.

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-So I'm definitely not Buddha?

-No!

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I don't know who I am. Can I get HR down here, please?

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-No, there's too many forms to fill in. Let's just push on.

-I'm never going to get it.

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-We won't be able to give you a smiley face on your report card.

-Will this affect my appraisal?

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-It's too early to tell.

-Am I a badger?

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Stop sniffing the pens, Colin.

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Let's park it on the hard shoulder. We've spent far too long on this.

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I'm sorry, Gary. I feel like I've let you down. I don't want that.

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It's all right. Let's just move on to the main issue. Colin?

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I spy with my little eye something beginning with T.

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PHONE RINGS Telephone.

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-Yes!

-Brilliant, Alan!

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Great meeting, guys. Well done.

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And move on to your next date.

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It was really nice meeting you. Hopefully, we'll see each other again at some point.

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Hi.

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-Sorry, it's the girls that move on.

-What?

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Yeah. No, it's the girls, they move on.

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Oh, I see. I'm not good enough for you?

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-I'm not saying that.

-It looks different from where I'm sitting.

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Well, you've only just met me.

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Then we should go for a drink.

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But I'm not gay.

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Is drinking gay?

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-No, but...

-So what are you doing Friday?

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-Nothing.

-Great.

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This is nice.

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Yeah, look, uh...

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I'm going to go.

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Why?

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-Well, I'm into women.

-Oh, my God!

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-You're homophobic.

-No, I'm not. I'm an open guy.

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-Great. Then come back to mine and we'll have a coffee.

-I'm not gay.

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Is coffee gay?

0:14:160:14:18

-No, but...

-Exactly.

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One sugar or two?

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Look, um...

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Are you sure this is all right because I'm not into guys?

0:14:310:14:36

-You really need to open up.

-Right.

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-How about a little dance?

-What?

-Is dancing gay?

0:14:390:14:43

Well, no, but...

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Ssh!

0:14:450:14:47

Exactly.

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MUSIC: "Lady In Red" by Chris de Burgh

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# I've never seen you looking so lovely as you did tonight

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# I've never seen you shine so bright

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# Hmm, hmm, hmm, hmm

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# I've never seen so many men ask you if you wanted to dance

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# They're looking for a little... #

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Here, on the open plains of the British high street, the daily stampede has begun.

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But in this lonely and sometimes hostile environment,

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one of the most irritating creatures known to Man actually thrives.

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Spare two minutes for charity?

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The street fund-raiser or chugger, dogged and persistent.

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Spare two minutes for charity?

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Oh, how no'? Spare two minutes for charity?

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Oh, how no'?

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-To be caught in their web can be fatal.

-Hello!

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He's spotted me. I'm now in real danger.

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-Adopt a donkey?

-Excuse me. Sorry.

0:16:080:16:11

Hello...? Yes, yes, I'm listening.

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Yes...

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I'm not really talking to anyone.

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The danger has just increased with the arrival of one of nature's greatest predators.

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Ha-ha-ha-ha-ha-ha-ha!

0:16:240:16:27

-The chav...

-Spare two minutes for charity?

0:16:270:16:30

-Whit?

-Stroke a donkey?

-Stroke a donkey?

0:16:300:16:33

Ugh!

0:16:330:16:35

Bampot.

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DRAMATIC MUSIC

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-One last beer?

-No, I'd better not.

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-She's making me macaroni cheese tonight.

-Your favourite. Of course.

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Look, I'd better go.

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-I'll visit.

-Thanks.

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All the best.

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# Don't go

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# Don't go...

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# You were the one that made us complete

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# With your dirty dishes and your smelly feet

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# I'm so numb, I can't feel any more

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# I'm prayin' that you'll walk back through the kitchen door

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# Someone tell me that I'm only dreaming

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# He stole my toothbrush and my heart inside me

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# In this world without heroes he shone so bright

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# I'm jealous of the woman who's holding him tonight

0:18:080:18:13

# It's like this man crush came from heaven

0:18:130:18:17

# Not a pub in 2007...

0:18:170:18:22

# Let's not shake hands and shrug

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# Just hold me in a man hug

0:18:350:18:37

# Say how we feel

0:18:370:18:39

# Show that it's real

0:18:390:18:42

# Titanic made me cry... #

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ALARM RINGS

0:18:440:18:46

# I cried at Titanic

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# I'm that sort of guy

0:18:590:19:02

# This is a true bromance

0:19:050:19:07

# We've got to take that chance

0:19:070:19:10

# Say how we feel

0:19:100:19:12

# Show that it's real

0:19:120:19:14

# Let's not shake hands and shrug

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# Just hold me in a man hug

0:19:170:19:20

# Say how we feel

0:19:200:19:22

# Show that it's real... #

0:19:220:19:24

Delivery for you.

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DRAMATIC MUSIC

0:19:310:19:34

CHEERING

0:19:510:19:54

PHONE RINGING

0:19:570:19:59

-Mr Donald?

-Yeah.

-Come in.

0:20:020:20:05

I'm your son's consultant paediatrician. Please take a seat.

0:20:080:20:12

How is he?

0:20:150:20:17

Well, we've assessed him and we think he may be depressed.

0:20:170:20:21

-Really?

-I'm afraid so. I sang "if you're happy and you know it" and he didn't clap his hands.

0:20:210:20:27

No, Lisa, we've already tried that. It doesn't work, sweetheart.

0:20:340:20:38

Of course we've plugged it in!

0:20:380:20:41

(Colin, is it plugged in?)

0:20:410:20:43

Yeah.

0:20:440:20:45

Look, it's definitely not that.

0:20:450:20:47

OK, find out whose job it is and get back to me.

0:20:470:20:51

-Alan, do you know whose job it is to turn on the projector?

-No.

0:20:540:20:58

I've just seen Steve turn the kettle on. Maybe it's him.

0:20:580:21:02

-Colin, go and get him.

-OK.

0:21:020:21:04

No. No, wait.

0:21:040:21:07

-I've got something very important to tell you.

-What?

0:21:070:21:10

-Now, you've got to promise not to tell anyone.

-What is it?

0:21:100:21:14

Santa works in our office.

0:21:140:21:17

-Really? Well, I didn't interview him.

-I think he's in disguise.

0:21:180:21:22

A secret Santa?

0:21:220:21:25

-Who told you?

-Sheila from Accounts, but she's very hush-hush about it.

0:21:260:21:30

Well, why didn't I know about this?

0:21:300:21:33

I wonder who it is?

0:21:350:21:37

-They all look so normal.

-Hmm.

0:21:370:21:39

-Where do you think he keeps his reindeer?

-On the roof?

0:21:390:21:43

Maybe it's Malcolm. He's always got carrots.

0:21:430:21:47

-No, they're for his houmous.

-Roger in HR has got a bit of a beard. Maybe it's him.

0:21:470:21:51

He's not got the tummy though.

0:21:510:21:53

-It's not me!

-Apparently, every present's got to be under a fiver.

0:21:560:22:00

Aw!

0:22:000:22:02

It's got to be someone in the post room.

0:22:020:22:05

It's Margaret. She's got massive hands and an Adam's apple.

0:22:050:22:09

Don't be ridiculous. Margaret's gorgeous.

0:22:100:22:13

No, I think it's got to be Jim.

0:22:130:22:15

-Damn!

-What?

0:22:150:22:17

I broke Jim's pencil sharpener yesterday. I might not get anything.

0:22:170:22:22

-I want so many things.

-We'd better write a list.

0:22:230:22:26

Right, what do we want?

0:22:260:22:28

Colin?

0:22:280:22:30

Someone that can work the projector.

0:22:300:22:32

-Ding!

-Dong!

0:22:340:22:35

-Ding!

-Dong!

0:22:350:22:37

-Ding!

-Dong!

0:22:370:22:39

-Ding!

-Dong!

0:22:390:22:41

-Ding!

-Dong!

0:22:410:22:42

-Ding!

-Dong!

0:22:420:22:44

-Ding!

-Dong!

0:22:440:22:46

Ding!

0:22:460:22:48

Psst! It's you.

0:22:490:22:52

I forgot the words.

0:22:520:22:55

CAR DOOR CLICKS

0:23:050:23:07

DRAMATIC MUSIC

0:23:140:23:16

All right?

0:24:120:24:14

-What the hell do you think you're playing at?

-What?

0:24:140:24:17

You've stolen my shadow.

0:24:170:24:19

-I haven't.

-Yes, you have.

0:24:200:24:22

-Well, if he's yours, why does he follow everything I do?

-Does he?

0:24:220:24:27

Hey!

0:24:270:24:29

Look, he's tired. We were up late.

0:24:290:24:31

And we had a few drinks.

0:24:350:24:37

Just give me him back.

0:24:370:24:40

Whatever, mate. I'm going to work.

0:24:400:24:42

Wait!

0:24:420:24:44

Do you remember the good old days?

0:24:450:24:47

MUSIC: "Me And My Shadow"

0:24:530:24:57

# Like the wallpaper sticks to the wall

0:24:570:25:00

# Like the seashore clings to the sea

0:25:020:25:04

# Like you'll never get rid of your shadow

0:25:060:25:11

# You'll never get rid of me

0:25:110:25:14

# Let all the others fight and fuss

0:25:160:25:18

# Whatever happens

0:25:190:25:22

# We've got us

0:25:220:25:25

# Me...

0:25:280:25:30

-# We're closer than pages that stick in a book

-..and my shadow

0:25:300:25:34

# We're closer than ripples that flow in a brook

0:25:340:25:38

# Wherever you find him, you'll find me, just look... #

0:25:380:25:42

Hey! What are YOU doing here?

0:25:420:25:45

-I was feeling left out.

-But these are OUR good old days.

0:25:450:25:49

-But I want to be part of the magic.

-Have you got your dancing shoes?

0:25:490:25:53

You bet I do!

0:25:530:25:55

# We're alone but far from blue

0:25:550:26:00

# Before we get finished, we'll make the town roar

0:26:030:26:08

# We'll hit a few late spots and then a few more

0:26:080:26:12

# We'll start up at Stringy's and maybe Groucho's

0:26:120:26:17

# Life is gonna be a wow-wow-whee

0:26:170:26:21

# For my shadow

0:26:210:26:25

# And me-e-e-e-e-e-e! #

0:26:250:26:31

Subtitles by Red Bee Media Ltd

0:27:010:27:04

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