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-CHILDREN SHOUTING: Fight! Fight! Fight! -Hey! | 0:00:30 | 0:00:32 | |
-Fight! Fight! Fight! -Hey! | 0:00:32 | 0:00:34 | |
Clear off. Go on! | 0:00:34 | 0:00:37 | |
Mr Seward, Mr MacGregor, what the hell is going on? | 0:00:38 | 0:00:42 | |
-He drank me coffee, sir. -Enough of your lip! -Sir, he... | 0:00:42 | 0:00:45 | |
I don't want to hear it! | 0:00:45 | 0:00:48 | |
You, get to my office! | 0:00:48 | 0:00:50 | |
And as for you, you'll be taking 4D on a field trip. | 0:00:51 | 0:00:55 | |
-Oh... -SIGHS | 0:00:55 | 0:00:57 | |
As you can see, it's been a tough year for the company. | 0:00:59 | 0:01:02 | |
We slowed down in the last two quarters, but after preventing the Hare Corporation takeover, | 0:01:02 | 0:01:08 | |
we can accelerate through the next. Any questions, Mr Tortoise? | 0:01:08 | 0:01:12 | |
No? OK then, we'll move on. | 0:01:15 | 0:01:17 | |
-There's a bomb in the building. We've got to get out! -Let's go! | 0:01:17 | 0:01:21 | |
ALARM GOES OFF Move it, quick! Hurry up! | 0:01:21 | 0:01:24 | |
Damn. | 0:01:28 | 0:01:30 | |
Stop running! | 0:01:35 | 0:01:38 | |
ALARM STILL GOING OFF | 0:01:44 | 0:01:47 | |
Right... | 0:02:07 | 0:02:09 | |
Tuck in. | 0:02:10 | 0:02:12 | |
I'm sensing a bit of an atmosphere here. | 0:02:14 | 0:02:17 | |
What's the matter? | 0:02:18 | 0:02:20 | |
Right, this stops now. | 0:02:24 | 0:02:26 | |
-You need to talk to each other. -Hmm. | 0:02:26 | 0:02:29 | |
Just put the fight behind us. It's time to move on, forgive and forget. | 0:02:29 | 0:02:34 | |
Forget what? Hey-hey! | 0:02:34 | 0:02:36 | |
Exactly. | 0:02:36 | 0:02:38 | |
We've got a big gig coming up and we need to be a team. | 0:02:38 | 0:02:42 | |
A team? Like The A-Team? | 0:02:42 | 0:02:44 | |
SINGS THEME TUNE | 0:02:44 | 0:02:46 | |
-Oh, shut up! -Hey, there's no need for that! | 0:02:46 | 0:02:49 | |
Don't touch me! I know where that hand's been. | 0:02:49 | 0:02:53 | |
-You make him nervous. -He's not nervous. He's a show-off. | 0:02:53 | 0:02:57 | |
But he's a great talent and he can go all night. | 0:02:57 | 0:03:00 | |
If he's that good, you can do the gig without me. | 0:03:00 | 0:03:03 | |
You know we can't. They're expecting a threesome. | 0:03:03 | 0:03:06 | |
Tough! You need to choose, Bob. It's either me... | 0:03:06 | 0:03:10 | |
..or him. | 0:03:11 | 0:03:12 | |
-I can handle you both. -SINGS TUNE | 0:03:12 | 0:03:15 | |
Is he going to stop? Are you going to stop? | 0:03:15 | 0:03:18 | |
-I'm going to stop him. I'm going to knock his block off! -Stop it, both of you! I can't hear myself think. | 0:03:18 | 0:03:24 | |
I've had enough of this. I'm going to bed. | 0:03:24 | 0:03:28 | |
Well? | 0:03:34 | 0:03:36 | |
Are you two not coming? | 0:03:36 | 0:03:38 | |
Fine! | 0:03:40 | 0:03:41 | |
Suit yourselves! | 0:03:42 | 0:03:45 | |
ALARM STILL GOING OFF | 0:03:52 | 0:03:54 | |
-That door's locked! We're going to use the back door! -The back door! | 0:04:00 | 0:04:05 | |
Oh, crap! | 0:04:14 | 0:04:16 | |
-Any instructions for the recovery team? -Check dressings and wound site for haematoma. | 0:04:18 | 0:04:23 | |
Make sure the drain is less than 500ml in the next 24 hours. | 0:04:23 | 0:04:27 | |
OK... Did you get up to anything last night? | 0:04:27 | 0:04:31 | |
-Well, yes. Do you know that nurse in A&E? -Yeah. -Jane? | 0:04:31 | 0:04:36 | |
-Yeah. -I took her out for dinner. -Wow! She's lovely. How did you manage that? | 0:04:36 | 0:04:41 | |
Quite simple, really. I said, "Do you know CPR because you take my breath away?" | 0:04:41 | 0:04:46 | |
# No need to ask He's a smooth operator | 0:04:46 | 0:04:51 | |
# Smooth operator | 0:04:52 | 0:04:56 | |
# Smooth operator | 0:04:56 | 0:04:59 | |
# Smooth operator | 0:04:59 | 0:05:04 | |
# Coast to coast, LA to Chicago | 0:05:04 | 0:05:08 | |
# Western male... # | 0:05:08 | 0:05:11 | |
Psst! | 0:05:32 | 0:05:33 | |
Psst! | 0:05:33 | 0:05:35 | |
What? | 0:05:35 | 0:05:36 | |
Are you awake? | 0:05:36 | 0:05:38 | |
Yes. | 0:05:38 | 0:05:40 | |
How are you feeling? | 0:05:40 | 0:05:42 | |
Stiff. | 0:05:42 | 0:05:43 | |
I thought that was Bob. Hey-hey! | 0:05:45 | 0:05:48 | |
I'm sorry for attacking you. | 0:05:49 | 0:05:51 | |
I never meant to take Bob away from you. | 0:05:52 | 0:05:55 | |
Yes, you did. | 0:05:55 | 0:05:57 | |
Look, it wasn't until we started talking that I found out about you | 0:05:57 | 0:06:02 | |
and by that time, he was in too deep. | 0:06:02 | 0:06:06 | |
You know, I actually admire you in a way. | 0:06:11 | 0:06:14 | |
Really? | 0:06:14 | 0:06:16 | |
You've always got a smile on your face. I don't know how you do it. | 0:06:16 | 0:06:20 | |
It's how I'm painted. Hey-hey! | 0:06:20 | 0:06:24 | |
I'm not a funny puppet. Not any more. | 0:06:26 | 0:06:30 | |
-I have my dark moments too, you know. -Really? | 0:06:30 | 0:06:33 | |
I had a massive empty space inside of me | 0:06:33 | 0:06:36 | |
and then Bob came along... | 0:06:36 | 0:06:38 | |
..and filled it. | 0:06:39 | 0:06:41 | |
Since you've been around, I've seen a different side to Bob. | 0:06:41 | 0:06:46 | |
How do you mean? | 0:06:46 | 0:06:48 | |
I sit on his left side now. | 0:06:48 | 0:06:51 | |
Hey-hey! | 0:06:52 | 0:06:55 | |
CREAKING | 0:06:58 | 0:07:00 | |
I think we'd better get rehearsing. | 0:07:14 | 0:07:17 | |
ALARM RINGS | 0:07:23 | 0:07:25 | |
Right, I want this nonsense to stop. | 0:07:42 | 0:07:45 | |
Of course. Understood, Headmaster. | 0:07:45 | 0:07:48 | |
Sorry. | 0:07:48 | 0:07:50 | |
No, listen. I'm sorry. | 0:07:50 | 0:07:52 | |
Thank you. Now, back to lessons. | 0:07:54 | 0:07:57 | |
Right, class, open up your books to page 23. | 0:08:00 | 0:08:03 | |
Sometimes, sir, I think we're sacrificing too much to crack this damn female code. | 0:08:08 | 0:08:14 | |
Every agent accepts the risks. He knew what he was doing when he moved in with her. | 0:08:14 | 0:08:20 | |
What if we've gone too far? | 0:08:20 | 0:08:22 | |
-No... No. -He's coming round, sir. | 0:08:22 | 0:08:25 | |
-Leave me! -Frank! -What? -Frank! | 0:08:25 | 0:08:28 | |
You're back at HQ. You've been in the infirmary. | 0:08:28 | 0:08:31 | |
-What happened? -We think the female poisoned you. | 0:08:31 | 0:08:35 | |
Can you remember anything, Frank? | 0:08:35 | 0:08:37 | |
I can't speak. I'm completely parched. | 0:08:37 | 0:08:40 | |
-Here! -We've taken your blood. We'll get a diagnosis any moment now. Don't worry. | 0:08:40 | 0:08:46 | |
I don't want to die! | 0:08:46 | 0:08:48 | |
-PHONE RINGS -You won't. You're in good hands now. | 0:08:48 | 0:08:51 | |
-You're a credit to your gender, Frank. -Hello? | 0:08:51 | 0:08:55 | |
All right, thank you. | 0:08:56 | 0:08:58 | |
Sir, the test results are in. It's man flu. | 0:08:59 | 0:09:02 | |
No! | 0:09:02 | 0:09:04 | |
-Get a blanket and boil an egg. -Right oh. | 0:09:04 | 0:09:07 | |
-And make some soldiers. -Roger. | 0:09:07 | 0:09:10 | |
Blast! I still can't do two things at once, sir. | 0:09:10 | 0:09:13 | |
Of course not. Frank, you'll just have to soldier on. | 0:09:13 | 0:09:17 | |
I can't take any more, sir. | 0:09:17 | 0:09:19 | |
Please, just... | 0:09:19 | 0:09:21 | |
Just finish me. | 0:09:21 | 0:09:23 | |
You'll get through this, old chap. | 0:09:23 | 0:09:25 | |
She'll pay for this. Mark my words. | 0:09:25 | 0:09:28 | |
-They're obviously getting close, sir. -No, I'm not entirely sure it was her. She has it as well. | 0:09:28 | 0:09:34 | |
-How do you know? -She had a headache. -That's not completely unusual. | 0:09:34 | 0:09:39 | |
But this wasn't at lights out, sir. This was during the day. | 0:09:39 | 0:09:43 | |
My God! | 0:09:43 | 0:09:45 | |
And even with the sniffles, she just carried on. | 0:09:45 | 0:09:48 | |
They must have a secret antidote, sir. | 0:09:48 | 0:09:51 | |
They're cleverer than we thought. | 0:09:51 | 0:09:53 | |
-Did she show you any sympathy, Frank? -No. Quite the opposite. | 0:09:53 | 0:09:57 | |
I was lying on a sofa barely alive... | 0:09:57 | 0:10:01 | |
and when I groaned in pain, | 0:10:01 | 0:10:03 | |
she just said to me, "You should try giving birth!" | 0:10:03 | 0:10:07 | |
That's completely irrelevant. | 0:10:07 | 0:10:09 | |
-Then she went to work. -She went to work? | 0:10:09 | 0:10:12 | |
-Yes. -Unbelievable! | 0:10:12 | 0:10:14 | |
Sir... | 0:10:14 | 0:10:16 | |
He's smelling a bit. | 0:10:16 | 0:10:18 | |
-Perhaps we should run him a bath. -No. | 0:10:18 | 0:10:20 | |
No bathing until it is out of his system completely. | 0:10:20 | 0:10:24 | |
Stinking is part of the cure. | 0:10:24 | 0:10:26 | |
I'm sorry I didn't crack the code, sir. | 0:10:26 | 0:10:30 | |
Don't you close your eyes, God damn it! | 0:10:30 | 0:10:33 | |
He's gone, sir. | 0:10:34 | 0:10:36 | |
He's with the angels now. | 0:10:36 | 0:10:39 | |
SNORES | 0:10:39 | 0:10:41 | |
ALARM STILL GOING OFF | 0:10:50 | 0:10:52 | |
Can you give me the number for the Little Bay Restaurant in Bath Street? | 0:11:14 | 0:11:19 | |
-I've just sent a text to your phone. -Thanks. -Going on a date, are we? | 0:11:19 | 0:11:23 | |
No, just me. I fancied a night out. | 0:11:23 | 0:11:25 | |
Maybe I can make it a table for two. | 0:11:25 | 0:11:28 | |
Sorry? | 0:11:28 | 0:11:29 | |
# No need to ask He's a smooth operator | 0:11:29 | 0:11:34 | |
# Smooth operator | 0:11:35 | 0:11:39 | |
# Smooth operator | 0:11:39 | 0:11:42 | |
# Smooth operator... # | 0:11:42 | 0:11:47 | |
Lisa! Lisa! | 0:11:48 | 0:11:50 | |
Cancel my two o'clock, hold all my calls and get some sandwiches in here pronto. | 0:11:50 | 0:11:56 | |
Guys, I know this is difficult, but we're running out of time. | 0:11:56 | 0:12:00 | |
I need a resolution by close of play today. | 0:12:00 | 0:12:03 | |
We're firing blanks. | 0:12:05 | 0:12:07 | |
There's loads of questions, but no real answers. | 0:12:07 | 0:12:11 | |
Come on, Alan, you're better than this. | 0:12:11 | 0:12:14 | |
-Am I fat? -No. -No. | 0:12:14 | 0:12:16 | |
-Am I bald? -No. -No. | 0:12:16 | 0:12:18 | |
-So I'm definitely not Buddha? -No! | 0:12:18 | 0:12:21 | |
I don't know who I am. Can I get HR down here, please? | 0:12:21 | 0:12:24 | |
-No, there's too many forms to fill in. Let's just push on. -I'm never going to get it. | 0:12:24 | 0:12:30 | |
-We won't be able to give you a smiley face on your report card. -Will this affect my appraisal? | 0:12:30 | 0:12:35 | |
-It's too early to tell. -Am I a badger? | 0:12:35 | 0:12:38 | |
Stop sniffing the pens, Colin. | 0:12:39 | 0:12:41 | |
Let's park it on the hard shoulder. We've spent far too long on this. | 0:12:41 | 0:12:45 | |
I'm sorry, Gary. I feel like I've let you down. I don't want that. | 0:12:45 | 0:12:49 | |
It's all right. Let's just move on to the main issue. Colin? | 0:12:49 | 0:12:53 | |
I spy with my little eye something beginning with T. | 0:12:55 | 0:12:59 | |
PHONE RINGS Telephone. | 0:12:59 | 0:13:01 | |
-Yes! -Brilliant, Alan! | 0:13:01 | 0:13:04 | |
Great meeting, guys. Well done. | 0:13:05 | 0:13:07 | |
And move on to your next date. | 0:13:13 | 0:13:15 | |
It was really nice meeting you. Hopefully, we'll see each other again at some point. | 0:13:15 | 0:13:20 | |
Hi. | 0:13:21 | 0:13:23 | |
-Sorry, it's the girls that move on. -What? | 0:13:23 | 0:13:26 | |
Yeah. No, it's the girls, they move on. | 0:13:26 | 0:13:30 | |
Oh, I see. I'm not good enough for you? | 0:13:30 | 0:13:33 | |
-I'm not saying that. -It looks different from where I'm sitting. | 0:13:33 | 0:13:38 | |
Well, you've only just met me. | 0:13:38 | 0:13:40 | |
Then we should go for a drink. | 0:13:40 | 0:13:43 | |
But I'm not gay. | 0:13:43 | 0:13:45 | |
Is drinking gay? | 0:13:45 | 0:13:48 | |
-No, but... -So what are you doing Friday? | 0:13:48 | 0:13:50 | |
-Nothing. -Great. | 0:13:50 | 0:13:53 | |
This is nice. | 0:13:56 | 0:13:58 | |
Yeah, look, uh... | 0:13:58 | 0:14:00 | |
I'm going to go. | 0:14:00 | 0:14:02 | |
Why? | 0:14:02 | 0:14:04 | |
-Well, I'm into women. -Oh, my God! | 0:14:04 | 0:14:07 | |
-You're homophobic. -No, I'm not. I'm an open guy. | 0:14:07 | 0:14:11 | |
-Great. Then come back to mine and we'll have a coffee. -I'm not gay. | 0:14:11 | 0:14:16 | |
Is coffee gay? | 0:14:16 | 0:14:18 | |
-No, but... -Exactly. | 0:14:18 | 0:14:21 | |
One sugar or two? | 0:14:27 | 0:14:29 | |
Look, um... | 0:14:29 | 0:14:31 | |
Are you sure this is all right because I'm not into guys? | 0:14:31 | 0:14:36 | |
-You really need to open up. -Right. | 0:14:37 | 0:14:39 | |
-How about a little dance? -What? -Is dancing gay? | 0:14:39 | 0:14:43 | |
Well, no, but... | 0:14:43 | 0:14:45 | |
Ssh! | 0:14:45 | 0:14:47 | |
Exactly. | 0:14:47 | 0:14:49 | |
MUSIC: "Lady In Red" by Chris de Burgh | 0:14:50 | 0:14:53 | |
# I've never seen you looking so lovely as you did tonight | 0:15:09 | 0:15:13 | |
# I've never seen you shine so bright | 0:15:13 | 0:15:17 | |
# Hmm, hmm, hmm, hmm | 0:15:17 | 0:15:19 | |
# I've never seen so many men ask you if you wanted to dance | 0:15:21 | 0:15:25 | |
# They're looking for a little... # | 0:15:25 | 0:15:28 | |
Here, on the open plains of the British high street, the daily stampede has begun. | 0:15:32 | 0:15:38 | |
But in this lonely and sometimes hostile environment, | 0:15:38 | 0:15:42 | |
one of the most irritating creatures known to Man actually thrives. | 0:15:42 | 0:15:47 | |
Spare two minutes for charity? | 0:15:47 | 0:15:49 | |
The street fund-raiser or chugger, dogged and persistent. | 0:15:49 | 0:15:54 | |
Spare two minutes for charity? | 0:15:54 | 0:15:56 | |
Oh, how no'? Spare two minutes for charity? | 0:15:56 | 0:15:59 | |
Oh, how no'? | 0:15:59 | 0:16:01 | |
-To be caught in their web can be fatal. -Hello! | 0:16:01 | 0:16:04 | |
He's spotted me. I'm now in real danger. | 0:16:04 | 0:16:08 | |
-Adopt a donkey? -Excuse me. Sorry. | 0:16:08 | 0:16:11 | |
Hello...? Yes, yes, I'm listening. | 0:16:11 | 0:16:14 | |
Yes... | 0:16:14 | 0:16:15 | |
I'm not really talking to anyone. | 0:16:15 | 0:16:18 | |
The danger has just increased with the arrival of one of nature's greatest predators. | 0:16:19 | 0:16:24 | |
Ha-ha-ha-ha-ha-ha-ha! | 0:16:24 | 0:16:27 | |
-The chav... -Spare two minutes for charity? | 0:16:27 | 0:16:30 | |
-Whit? -Stroke a donkey? -Stroke a donkey? | 0:16:30 | 0:16:33 | |
Ugh! | 0:16:33 | 0:16:35 | |
Bampot. | 0:16:35 | 0:16:37 | |
DRAMATIC MUSIC | 0:16:46 | 0:16:49 | |
-One last beer? -No, I'd better not. | 0:16:56 | 0:16:59 | |
-She's making me macaroni cheese tonight. -Your favourite. Of course. | 0:16:59 | 0:17:03 | |
Look, I'd better go. | 0:17:04 | 0:17:06 | |
-I'll visit. -Thanks. | 0:17:15 | 0:17:17 | |
All the best. | 0:17:17 | 0:17:20 | |
# Don't go | 0:17:25 | 0:17:27 | |
# Don't go... | 0:17:27 | 0:17:30 | |
# You were the one that made us complete | 0:17:33 | 0:17:37 | |
# With your dirty dishes and your smelly feet | 0:17:37 | 0:17:43 | |
# I'm so numb, I can't feel any more | 0:17:43 | 0:17:48 | |
# I'm prayin' that you'll walk back through the kitchen door | 0:17:48 | 0:17:52 | |
# Someone tell me that I'm only dreaming | 0:17:53 | 0:17:58 | |
# He stole my toothbrush and my heart inside me | 0:17:58 | 0:18:02 | |
# In this world without heroes he shone so bright | 0:18:02 | 0:18:08 | |
# I'm jealous of the woman who's holding him tonight | 0:18:08 | 0:18:13 | |
# It's like this man crush came from heaven | 0:18:13 | 0:18:17 | |
# Not a pub in 2007... | 0:18:17 | 0:18:22 | |
# Let's not shake hands and shrug | 0:18:32 | 0:18:35 | |
# Just hold me in a man hug | 0:18:35 | 0:18:37 | |
# Say how we feel | 0:18:37 | 0:18:39 | |
# Show that it's real | 0:18:39 | 0:18:42 | |
# Titanic made me cry... # | 0:18:42 | 0:18:44 | |
ALARM RINGS | 0:18:44 | 0:18:46 | |
# I cried at Titanic | 0:18:52 | 0:18:56 | |
# I'm that sort of guy | 0:18:59 | 0:19:02 | |
# This is a true bromance | 0:19:05 | 0:19:07 | |
# We've got to take that chance | 0:19:07 | 0:19:10 | |
# Say how we feel | 0:19:10 | 0:19:12 | |
# Show that it's real | 0:19:12 | 0:19:14 | |
# Let's not shake hands and shrug | 0:19:14 | 0:19:17 | |
# Just hold me in a man hug | 0:19:17 | 0:19:20 | |
# Say how we feel | 0:19:20 | 0:19:22 | |
# Show that it's real... # | 0:19:22 | 0:19:24 | |
Delivery for you. | 0:19:27 | 0:19:29 | |
DRAMATIC MUSIC | 0:19:31 | 0:19:34 | |
CHEERING | 0:19:51 | 0:19:54 | |
PHONE RINGING | 0:19:57 | 0:19:59 | |
-Mr Donald? -Yeah. -Come in. | 0:20:02 | 0:20:05 | |
I'm your son's consultant paediatrician. Please take a seat. | 0:20:08 | 0:20:12 | |
How is he? | 0:20:15 | 0:20:17 | |
Well, we've assessed him and we think he may be depressed. | 0:20:17 | 0:20:21 | |
-Really? -I'm afraid so. I sang "if you're happy and you know it" and he didn't clap his hands. | 0:20:21 | 0:20:27 | |
No, Lisa, we've already tried that. It doesn't work, sweetheart. | 0:20:34 | 0:20:38 | |
Of course we've plugged it in! | 0:20:38 | 0:20:41 | |
(Colin, is it plugged in?) | 0:20:41 | 0:20:43 | |
Yeah. | 0:20:44 | 0:20:45 | |
Look, it's definitely not that. | 0:20:45 | 0:20:47 | |
OK, find out whose job it is and get back to me. | 0:20:47 | 0:20:51 | |
-Alan, do you know whose job it is to turn on the projector? -No. | 0:20:54 | 0:20:58 | |
I've just seen Steve turn the kettle on. Maybe it's him. | 0:20:58 | 0:21:02 | |
-Colin, go and get him. -OK. | 0:21:02 | 0:21:04 | |
No. No, wait. | 0:21:04 | 0:21:07 | |
-I've got something very important to tell you. -What? | 0:21:07 | 0:21:10 | |
-Now, you've got to promise not to tell anyone. -What is it? | 0:21:10 | 0:21:14 | |
Santa works in our office. | 0:21:14 | 0:21:17 | |
-Really? Well, I didn't interview him. -I think he's in disguise. | 0:21:18 | 0:21:22 | |
A secret Santa? | 0:21:22 | 0:21:25 | |
-Who told you? -Sheila from Accounts, but she's very hush-hush about it. | 0:21:26 | 0:21:30 | |
Well, why didn't I know about this? | 0:21:30 | 0:21:33 | |
I wonder who it is? | 0:21:35 | 0:21:37 | |
-They all look so normal. -Hmm. | 0:21:37 | 0:21:39 | |
-Where do you think he keeps his reindeer? -On the roof? | 0:21:39 | 0:21:43 | |
Maybe it's Malcolm. He's always got carrots. | 0:21:43 | 0:21:47 | |
-No, they're for his houmous. -Roger in HR has got a bit of a beard. Maybe it's him. | 0:21:47 | 0:21:51 | |
He's not got the tummy though. | 0:21:51 | 0:21:53 | |
-It's not me! -Apparently, every present's got to be under a fiver. | 0:21:56 | 0:22:00 | |
Aw! | 0:22:00 | 0:22:02 | |
It's got to be someone in the post room. | 0:22:02 | 0:22:05 | |
It's Margaret. She's got massive hands and an Adam's apple. | 0:22:05 | 0:22:09 | |
Don't be ridiculous. Margaret's gorgeous. | 0:22:10 | 0:22:13 | |
No, I think it's got to be Jim. | 0:22:13 | 0:22:15 | |
-Damn! -What? | 0:22:15 | 0:22:17 | |
I broke Jim's pencil sharpener yesterday. I might not get anything. | 0:22:17 | 0:22:22 | |
-I want so many things. -We'd better write a list. | 0:22:23 | 0:22:26 | |
Right, what do we want? | 0:22:26 | 0:22:28 | |
Colin? | 0:22:28 | 0:22:30 | |
Someone that can work the projector. | 0:22:30 | 0:22:32 | |
-Ding! -Dong! | 0:22:34 | 0:22:35 | |
-Ding! -Dong! | 0:22:35 | 0:22:37 | |
-Ding! -Dong! | 0:22:37 | 0:22:39 | |
-Ding! -Dong! | 0:22:39 | 0:22:41 | |
-Ding! -Dong! | 0:22:41 | 0:22:42 | |
-Ding! -Dong! | 0:22:42 | 0:22:44 | |
-Ding! -Dong! | 0:22:44 | 0:22:46 | |
Ding! | 0:22:46 | 0:22:48 | |
Psst! It's you. | 0:22:49 | 0:22:52 | |
I forgot the words. | 0:22:52 | 0:22:55 | |
CAR DOOR CLICKS | 0:23:05 | 0:23:07 | |
DRAMATIC MUSIC | 0:23:14 | 0:23:16 | |
All right? | 0:24:12 | 0:24:14 | |
-What the hell do you think you're playing at? -What? | 0:24:14 | 0:24:17 | |
You've stolen my shadow. | 0:24:17 | 0:24:19 | |
-I haven't. -Yes, you have. | 0:24:20 | 0:24:22 | |
-Well, if he's yours, why does he follow everything I do? -Does he? | 0:24:22 | 0:24:27 | |
Hey! | 0:24:27 | 0:24:29 | |
Look, he's tired. We were up late. | 0:24:29 | 0:24:31 | |
And we had a few drinks. | 0:24:35 | 0:24:37 | |
Just give me him back. | 0:24:37 | 0:24:40 | |
Whatever, mate. I'm going to work. | 0:24:40 | 0:24:42 | |
Wait! | 0:24:42 | 0:24:44 | |
Do you remember the good old days? | 0:24:45 | 0:24:47 | |
MUSIC: "Me And My Shadow" | 0:24:53 | 0:24:57 | |
# Like the wallpaper sticks to the wall | 0:24:57 | 0:25:00 | |
# Like the seashore clings to the sea | 0:25:02 | 0:25:04 | |
# Like you'll never get rid of your shadow | 0:25:06 | 0:25:11 | |
# You'll never get rid of me | 0:25:11 | 0:25:14 | |
# Let all the others fight and fuss | 0:25:16 | 0:25:18 | |
# Whatever happens | 0:25:19 | 0:25:22 | |
# We've got us | 0:25:22 | 0:25:25 | |
# Me... | 0:25:28 | 0:25:30 | |
-# We're closer than pages that stick in a book -..and my shadow | 0:25:30 | 0:25:34 | |
# We're closer than ripples that flow in a brook | 0:25:34 | 0:25:38 | |
# Wherever you find him, you'll find me, just look... # | 0:25:38 | 0:25:42 | |
Hey! What are YOU doing here? | 0:25:42 | 0:25:45 | |
-I was feeling left out. -But these are OUR good old days. | 0:25:45 | 0:25:49 | |
-But I want to be part of the magic. -Have you got your dancing shoes? | 0:25:49 | 0:25:53 | |
You bet I do! | 0:25:53 | 0:25:55 | |
# We're alone but far from blue | 0:25:55 | 0:26:00 | |
# Before we get finished, we'll make the town roar | 0:26:03 | 0:26:08 | |
# We'll hit a few late spots and then a few more | 0:26:08 | 0:26:12 | |
# We'll start up at Stringy's and maybe Groucho's | 0:26:12 | 0:26:17 | |
# Life is gonna be a wow-wow-whee | 0:26:17 | 0:26:21 | |
# For my shadow | 0:26:21 | 0:26:25 | |
# And me-e-e-e-e-e-e! # | 0:26:25 | 0:26:31 | |
Subtitles by Red Bee Media Ltd | 0:27:01 | 0:27:04 |