Browse content similar to 20/12/2011. Check below for episodes and series from the same categories and more!
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'You have selected passport photo size. | 0:00:29 | 0:00:31 | |
'Please face the front. | 0:00:31 | 0:00:34 | |
'The other front. | 0:00:35 | 0:00:36 | |
'Please relax and avoid smiling when the photo is being taken. | 0:00:37 | 0:00:42 | |
'No. Please avoid smiling. | 0:00:42 | 0:00:46 | |
'Please, don't do that either. | 0:00:46 | 0:00:49 | |
'Look, just pull a normal face. | 0:00:50 | 0:00:53 | |
'Perfect.' | 0:00:57 | 0:01:00 | |
So. Last week was tough. | 0:01:02 | 0:01:03 | |
-Tough as steel, John. -Tough as titanium, Gregg! | 0:01:03 | 0:01:06 | |
They'd never had it so tough. | 0:01:06 | 0:01:07 | |
Until now. | 0:01:07 | 0:01:08 | |
Until now. Tonight. Here. Now. Tonight. | 0:01:08 | 0:01:11 | |
-They thought they had it hard, they didn't know a thing. -The idiots. The mollycoddled idiots! | 0:01:11 | 0:01:15 | |
No more Mr Nice Guys. This is quiche! | 0:01:15 | 0:01:17 | |
-Quiche is hard, John. -Damn right. Tonight is the biggest test EVER. | 0:01:17 | 0:01:20 | |
This is tougher than childbirth! | 0:01:20 | 0:01:22 | |
Childbirth? Pff! | 0:01:22 | 0:01:24 | |
-It's tougher than fighting in the trenches. -They'll be praying for death | 0:01:24 | 0:01:27 | |
after 20 minutes in the MasterChef kitchen once they attempt quiche! | 0:01:27 | 0:01:30 | |
-Quiche. -Quiche! -Quiche! | 0:01:30 | 0:01:32 | |
Quiche! They have no idea what this will do to their minds, their bodies, their families! | 0:01:32 | 0:01:37 | |
They may never see their families again! | 0:01:37 | 0:01:39 | |
-Quiche! -Quiche! -Quiche! -Quiche! | 0:01:39 | 0:01:41 | |
This is quiche! | 0:01:41 | 0:01:43 | |
-Quiche! -Quiche! | 0:01:43 | 0:01:46 | |
OK. You got five minutes. | 0:01:49 | 0:01:51 | |
Five minutes. Good luck. | 0:01:51 | 0:01:54 | |
Coming up later on Countryfile, I'll be meeting Lincolnshire's youngest dry stone waller. | 0:01:57 | 0:02:03 | |
I'll be helping to renovate a windmill. | 0:02:03 | 0:02:05 | |
And I'll be spending a cosy night in a small paddock | 0:02:05 | 0:02:09 | |
with Randy the half-tonne bull. | 0:02:09 | 0:02:12 | |
This week sees the release on DVD of the critically acclaimed drama, The King's Speech. | 0:02:17 | 0:02:23 | |
In this film we see this guy. He's, like, 40 or something, and he's, like, the Prince of Wales | 0:02:23 | 0:02:28 | |
or a lord, or the king. But not the king now, the king yonks ago, | 0:02:28 | 0:02:31 | |
in the '80s or something, when everything was black and white. | 0:02:31 | 0:02:34 | |
So he tries to give a speech, and he's going "buh-buh-buh-buh", and everyone's like, "Spit it out." | 0:02:34 | 0:02:40 | |
And he wants to, but he can't, which I found quite moving, did you? | 0:02:40 | 0:02:44 | |
I mean, he tries. He really can't. It's very annoying, | 0:02:44 | 0:02:48 | |
I mean, really, REALLY annoying. | 0:02:48 | 0:02:50 | |
And then this man turns up and starts going "Do this," | 0:02:50 | 0:02:54 | |
and then he says "I can't." | 0:02:54 | 0:02:56 | |
Then he says "do this," and he says "I can't," and then he says "Do this" again | 0:02:56 | 0:03:00 | |
and then the king goes "buh-buh-buh" and so on and so forth. | 0:03:00 | 0:03:03 | |
And everyone's like, "He can't do it". | 0:03:03 | 0:03:06 | |
But then he does. | 0:03:06 | 0:03:08 | |
But he still kind of talks funny, anyway. | 0:03:08 | 0:03:10 | |
Then the film ended, and that was, like, the end. | 0:03:10 | 0:03:13 | |
I didn't REALLY understand it. | 0:03:13 | 0:03:15 | |
Actually, I missed most of it because I was talking. | 0:03:15 | 0:03:18 | |
The King's Speech comes out on DVD on Monday. | 0:03:18 | 0:03:21 | |
I love Chinese food, I just wish cooking it was a bit more exciting. | 0:03:22 | 0:03:28 | |
You want exciting Chinese food? | 0:03:28 | 0:03:31 | |
Don't worry, girlfriend, because I've got noodles of excitement for you. | 0:03:31 | 0:03:34 | |
It's a wok, | 0:03:34 | 0:03:36 | |
It's a gun, | 0:03:36 | 0:03:38 | |
-it's the new Gok Wan Wok Gun! -A Gok Wan Wok Gun? I want one! | 0:03:38 | 0:03:42 | |
Of course you do. | 0:03:42 | 0:03:43 | |
Everyone wants some Gok Wan Wok Gun fun. | 0:03:43 | 0:03:46 | |
And for a limited time only, buy one Gok Wan Wok Gun | 0:03:46 | 0:03:49 | |
and get one Gok Wan Wok Gun free. | 0:03:49 | 0:03:52 | |
My worn out old wok's gone, now I've got a Gok Wan Wok Gun. | 0:03:52 | 0:03:55 | |
The Gok Wan Wok Gun, | 0:03:55 | 0:03:57 | |
from the people who brought you the Ken Hom Hen Comb. | 0:03:57 | 0:03:59 | |
It's fierce, girlfriend! | 0:03:59 | 0:04:01 | |
Miss Willoughby, dinner is served. | 0:04:02 | 0:04:04 | |
Aw, thanks for having me round to dinner Phil. | 0:04:04 | 0:04:07 | |
I didn't have a chance to get anything in - the garage was closed. | 0:04:07 | 0:04:10 | |
Well, it's the least I can do for my most favourite This Morning co-host in the whole world. | 0:04:10 | 0:04:16 | |
Oh. Mm. Looks lovely, Phil. You cook a mean sausage. | 0:04:16 | 0:04:20 | |
Ha-ha-ha-ha! | 0:04:20 | 0:04:22 | |
Ha-ha-ha-ha! | 0:04:22 | 0:04:24 | |
Ooh, I'm starving. Shall we tuck in? | 0:04:27 | 0:04:30 | |
Not no fast, Holly! First, let's find out the rules | 0:04:30 | 0:04:33 | |
'Inside the Cube. | 0:04:33 | 0:04:34 | |
'The game is for Holly to eat her meal while wearing boxing gloves.' | 0:04:34 | 0:04:38 | |
What are you doing, Phil? | 0:04:38 | 0:04:40 | |
Hang on Holly, that's not all. Is it, Mr Cube man? | 0:04:40 | 0:04:44 | |
'That's right, Phil. She'll also have a colander on her head. | 0:04:44 | 0:04:48 | |
'Holly will have to try and force the sausages through the little holes and into her gob. | 0:04:48 | 0:04:52 | |
'Will she take on the challenge?' | 0:04:52 | 0:04:54 | |
Stop it, Phil. | 0:04:54 | 0:04:56 | |
So, Holly, will you take on the Cube? | 0:04:56 | 0:04:58 | |
'The Cube!' | 0:05:00 | 0:05:01 | |
Phil, you've got to stop doing this. The Cube has taken over your life. | 0:05:01 | 0:05:05 | |
'The Cube!' | 0:05:05 | 0:05:06 | |
That sounds like a "yes." She's going to take the challenge! | 0:05:06 | 0:05:09 | |
Get ready, Holly, to take on the Cube! | 0:05:09 | 0:05:12 | |
'The Cube!' | 0:05:12 | 0:05:14 | |
We're not in the Cube, Phil. We're in your kitchen eating sausages. | 0:05:14 | 0:05:18 | |
'Sausages!' | 0:05:18 | 0:05:19 | |
Now, best of luck, Holly. | 0:05:19 | 0:05:21 | |
The whole audience is really rooting for you on this. | 0:05:21 | 0:05:24 | |
Remember, if you don't eat all the sausages then you won't get any pudding. | 0:05:24 | 0:05:28 | |
And it's Phil's extra special spotted dick. | 0:05:28 | 0:05:31 | |
'Spotted dick!' | 0:05:31 | 0:05:32 | |
Two out of five people usually succeed in this challenge. | 0:05:32 | 0:05:36 | |
So, good luck, Holly. It's time for you to take on the Cube. | 0:05:36 | 0:05:39 | |
'The Cube!' | 0:05:39 | 0:05:40 | |
For the last time, Phil, we are not in the Cube! | 0:05:40 | 0:05:44 | |
And where the hell is that voice coming from? | 0:05:44 | 0:05:46 | |
'Under the table!' | 0:05:46 | 0:05:49 | |
And our Political Editor, Nick Robinson, joins us now. | 0:06:04 | 0:06:08 | |
So, it's been a busy week at Number 10, Nick. | 0:06:08 | 0:06:11 | |
That's right, Fiona. A week is a long time in politics. | 0:06:11 | 0:06:14 | |
And this has certainly been a long week for the Prime Minister. | 0:06:14 | 0:06:18 | |
A party out of control, a Chancellor in open rebellion | 0:06:18 | 0:06:22 | |
and the lowest popularity ratings since records began. | 0:06:22 | 0:06:26 | |
And the troubles aren't over yet for the resident of Number 10. | 0:06:26 | 0:06:30 | |
Can he survive? | 0:06:30 | 0:06:31 | |
Well, one thing's for sure, | 0:06:31 | 0:06:33 | |
this Prime Minister isn't giving up just yet. | 0:06:33 | 0:06:37 | |
-SHOUTS: -Robinson! I'll get you, Robinson! | 0:06:41 | 0:06:44 | |
So, where were you when the crime took place? | 0:06:50 | 0:06:53 | |
At home. | 0:06:53 | 0:06:54 | |
At home? | 0:06:54 | 0:06:56 | |
The cake stand - it's where I live. | 0:06:56 | 0:06:59 | |
You must have got a good view of the perpetrator. Can you describe him? | 0:06:59 | 0:07:02 | |
He was a man. Surprise, surprise. | 0:07:02 | 0:07:06 | |
Could you be a bit more specific? | 0:07:06 | 0:07:08 | |
A man - a useless waste of space that's only good for one thing. | 0:07:08 | 0:07:13 | |
And that's refilling the Hobnob box. | 0:07:13 | 0:07:17 | |
Can you tell me what he looked like? | 0:07:17 | 0:07:20 | |
He looked a bit weird. | 0:07:20 | 0:07:22 | |
Weird? In what way? | 0:07:22 | 0:07:24 | |
Well he had two ears, which is a bit pointless | 0:07:24 | 0:07:28 | |
cos we all know men don't listen. | 0:07:28 | 0:07:31 | |
Was there anything unusual about the robber's behaviour? | 0:07:31 | 0:07:34 | |
Yes - he was filling a bag with money whilst telling everyone not to move. | 0:07:34 | 0:07:40 | |
First time I've ever seen a man multi-task. | 0:07:42 | 0:07:45 | |
Look, if you did actually see a robbery take place, | 0:07:45 | 0:07:48 | |
how come you can't tell me a thing about the man that did it? | 0:07:48 | 0:07:51 | |
Because I'm in shock. The whole thing was very upsetting. | 0:07:51 | 0:07:55 | |
I don't know if I'll ever get over it. | 0:07:55 | 0:07:58 | |
OK. I'm sorry. It must have been traumatic. | 0:07:58 | 0:08:01 | |
You're telling me. He knocked over a cake stand. | 0:08:01 | 0:08:05 | |
Oi - that's no job for a man. | 0:08:05 | 0:08:09 | |
Leave the cleaning up to me. | 0:08:09 | 0:08:11 | |
I'll just eat them off the floor. Men. Honestly. | 0:08:11 | 0:08:17 | |
'Simon. | 0:08:19 | 0:08:21 | |
'Simon. | 0:08:22 | 0:08:24 | |
HE MOANS | 0:08:24 | 0:08:25 | |
'Simon.' | 0:08:25 | 0:08:26 | |
HE MOANS | 0:08:26 | 0:08:28 | |
CLAPS TWICE | 0:08:28 | 0:08:29 | |
'Hello, Simon.' | 0:08:29 | 0:08:33 | |
OK. I've got a horrible feeling I'm being haunted | 0:08:33 | 0:08:37 | |
and not by Louis Walsh like usual. | 0:08:37 | 0:08:40 | |
'Simon. I'm not a ghost. | 0:08:40 | 0:08:43 | |
'I'm your conscience.' | 0:08:43 | 0:08:46 | |
OK. Reality check - I don't have a conscience. | 0:08:46 | 0:08:51 | |
'Well, you do now. | 0:08:52 | 0:08:54 | |
'Now then. Isn't there someone you need to apologise to?' | 0:08:54 | 0:08:59 | |
To be honest, no. | 0:08:59 | 0:09:01 | |
'Someone you talked into doing something, then you left them totally humiliated and embarrassed. | 0:09:01 | 0:09:08 | |
'I'll give you a massive hint. | 0:09:08 | 0:09:11 | |
'She had a relationship with Ashley Cole.' | 0:09:11 | 0:09:14 | |
To be honest, sweetheart, that could be anyone. | 0:09:14 | 0:09:17 | |
'I'll give you another clue. Her name is Cheryl Cole.' | 0:09:17 | 0:09:20 | |
Is it Cheryl Cole? | 0:09:20 | 0:09:22 | |
'That's right, pet. | 0:09:22 | 0:09:25 | |
'You should call her and apologise. | 0:09:25 | 0:09:28 | |
'And offer her another job in America!' | 0:09:28 | 0:09:31 | |
Do you know what? You're absolutely right. | 0:09:31 | 0:09:35 | |
PHONE RINGS | 0:09:38 | 0:09:41 | |
Cheryl? | 0:09:41 | 0:09:43 | |
'Oh, I didn't really think this through, did I?' | 0:09:43 | 0:09:46 | |
Stacey Solomon, how's life as a celebrity? | 0:09:49 | 0:09:52 | |
Oh, yeah, it's mental. | 0:09:52 | 0:09:54 | |
People, like, call my name out in the street, and I'm like, "Really?" | 0:09:54 | 0:09:58 | |
They're like, "Stacey!" And I'm like, "Oh, my God!" | 0:09:58 | 0:10:02 | |
And my mum's like "Oh, my God, I can't believe it! Stacey Solomon's famous!" | 0:10:02 | 0:10:06 | |
And I was, like, winding her up the other day, right, | 0:10:06 | 0:10:08 | |
saying that I was going to change my name, and that. | 0:10:08 | 0:10:11 | |
But I wouldn't really, because I'm Stacey Solomon. Everyone knows me as Stacey Solomon, | 0:10:11 | 0:10:15 | |
so if I changed my name, they'd expect somebody else, not Stacey Solomon, | 0:10:15 | 0:10:19 | |
cos that's who I am, not the other person. | 0:10:19 | 0:10:21 | |
And they'd have to go and change my name on the door, | 0:10:21 | 0:10:23 | |
and then I wouldn't know where to go! Sorry. | 0:10:23 | 0:10:26 | |
What's going on? Oh, my God! | 0:10:26 | 0:10:29 | |
My mum would say "Hello, Stacey." | 0:10:29 | 0:10:31 | |
This week, I talk about the English food. | 0:10:53 | 0:10:56 | |
But I no eat the English food. | 0:10:56 | 0:10:58 | |
I am not a crazy man. | 0:10:58 | 0:11:00 | |
This a jelly. | 0:11:00 | 0:11:02 | |
But it not just a jelly. Is a jellied eels. | 0:11:02 | 0:11:07 | |
They take nice jelly and put fish into it. | 0:11:07 | 0:11:11 | |
Is a jelly fish. The Queen, she eat this. | 0:11:11 | 0:11:15 | |
No wonder that she talk funny. | 0:11:15 | 0:11:17 | |
But the Queen not have a jelly fish for breakfast. | 0:11:17 | 0:11:20 | |
For breakfast, she have this. This a "Full English". | 0:11:20 | 0:11:24 | |
Bacon, sausage, tomato, mushroom, | 0:11:25 | 0:11:30 | |
egg, bread, black pudding. | 0:11:30 | 0:11:34 | |
All fry in a very lot of fat. | 0:11:34 | 0:11:36 | |
See, they try to kill themself. | 0:11:36 | 0:11:38 | |
I think is quicker than gun. | 0:11:38 | 0:11:40 | |
"But, Fabio, hold your horsemeat," you say. | 0:11:40 | 0:11:42 | |
"What is the black pudding? | 0:11:42 | 0:11:45 | |
"Is it a nice blackberry fruity pudding? Yum, yum." | 0:11:45 | 0:11:48 | |
No - is blood. See, they eat blood for breakfast. | 0:11:48 | 0:11:53 | |
They vampire people. The Queen, she eat this. | 0:11:53 | 0:11:56 | |
Wayne Rooney, he eat this. | 0:11:56 | 0:11:58 | |
No wonder his hair is falling out. | 0:11:58 | 0:12:00 | |
'Get to the heart of the action with "Andy Murray Tennis". | 0:12:02 | 0:12:05 | |
'Experience all the thrills and spills | 0:12:08 | 0:12:10 | |
'of being the world number four, in your own home. | 0:12:10 | 0:12:13 | |
'Get in!' | 0:12:13 | 0:12:15 | |
'Select playing mode. British.' | 0:12:15 | 0:12:17 | |
'Yes, I won.' | 0:12:17 | 0:12:19 | |
'Or Scottish.' | 0:12:19 | 0:12:21 | |
'OK so I lost - but at least I still have my FREEDOM! | 0:12:21 | 0:12:25 | |
'Push yourself to the limit, | 0:12:25 | 0:12:27 | |
'and play all the way to the ultimate level - | 0:12:27 | 0:12:30 | |
'The semifinal.' | 0:12:30 | 0:12:32 | |
CROWD GROANS | 0:12:32 | 0:12:33 | |
'Andy Murray Tennis. | 0:12:33 | 0:12:35 | |
'More fun than actually being me.' | 0:12:35 | 0:12:39 | |
'Buy now while his ankles last.' | 0:12:39 | 0:12:42 | |
Hey there, it's Paul, you know. | 0:12:42 | 0:12:44 | |
Now those folks over at the Impressions Show | 0:12:44 | 0:12:46 | |
they got in touch and they said "Hey, Paul, we're looking to try and put a band together. | 0:12:46 | 0:12:51 | |
"Do you reckon you could do us a favour? | 0:12:51 | 0:12:53 | |
"Call a few of your mates and see if they want to get involved in it?" | 0:12:53 | 0:12:56 | |
So I did that, and they did, and this is it. | 0:12:56 | 0:13:00 | |
Hope you like it. Hello. | 0:13:00 | 0:13:02 | |
MUSIC: "Hello" by Martin Solveig and Dragonette | 0:13:02 | 0:13:04 | |
# I could stick around and get along with you, hello... # | 0:13:04 | 0:13:09 | |
It doesn't really mean that I'm into you. | 0:13:11 | 0:13:14 | |
Hello. Oh-oh-oh. | 0:13:14 | 0:13:18 | |
You're all right, but I'm here, darling, to enjoy the party. | 0:13:19 | 0:13:23 | |
Don't get too excited, cos that's all you'll get from me. Hey! | 0:13:23 | 0:13:26 | |
Yeah, I think you're cute, | 0:13:26 | 0:13:28 | |
But I really think that you should know. | 0:13:28 | 0:13:31 | |
I just came to say | 0:13:31 | 0:13:33 | |
"'allo" Oh! | 0:13:33 | 0:13:35 | |
-Hello! -Hello. -Hello. -Hello. | 0:13:38 | 0:13:41 | |
-Hello. -Hello. | 0:13:41 | 0:13:43 | |
# Hello, oh-oh-oh-oh... # | 0:13:44 | 0:13:48 | |
I'm not the kind of girl to get messed up with you. | 0:13:49 | 0:13:52 | |
Hello. Oh. Oh. Oh. Oh. | 0:13:52 | 0:13:55 | |
-I'm going to let you try... -To convince me to. | 0:13:57 | 0:14:00 | |
Hello. | 0:14:00 | 0:14:01 | |
Ho, ho, ho, ho! | 0:14:01 | 0:14:03 | |
-I could stick around and... -Get along with you. | 0:14:08 | 0:14:11 | |
# Hello, oh-oh-oh-oh... # | 0:14:11 | 0:14:14 | |
It's like the ring tone from hell, this. | 0:14:14 | 0:14:16 | |
It doesn't really mean... | 0:14:16 | 0:14:17 | |
That I'm into you. | 0:14:17 | 0:14:19 | |
# Hello, oh-oh-oh... # | 0:14:19 | 0:14:22 | |
You're all right, but I'm here, darling... | 0:14:22 | 0:14:25 | |
-To enjoy the party. -Oi! | 0:14:25 | 0:14:27 | |
Hello! Hello! | 0:14:27 | 0:14:28 | |
I just came to say... | 0:14:28 | 0:14:30 | |
'Ello! | 0:14:30 | 0:14:31 | |
-Hello. -'Ello. -Hello! | 0:14:31 | 0:14:34 | |
-Hello?! -Hello. | 0:14:34 | 0:14:35 | |
Hello, girlfriend! | 0:14:35 | 0:14:37 | |
-Hello, dear. -Hello. | 0:14:37 | 0:14:39 | |
-Hello. -Good evening! | 0:14:39 | 0:14:41 | |
-BOTH: Hello! -Hello! | 0:14:41 | 0:14:43 | |
I just came to say... | 0:14:43 | 0:14:45 | |
Hello. | 0:14:45 | 0:14:47 | |
That's the main headlines, | 0:14:47 | 0:14:49 | |
now let's go over to the news where you are. | 0:14:49 | 0:14:51 | |
Which is the news I've just told you, | 0:14:51 | 0:14:53 | |
but read to you by someone slightly shabbier in a cheaper jacket. | 0:14:53 | 0:14:56 | |
12-0. Come on! | 0:15:01 | 0:15:05 | |
Hi, guys. Sorry to interrupt. | 0:15:05 | 0:15:06 | |
Remember Mandy from the office? Her baby's due on Tuesday. | 0:15:06 | 0:15:09 | |
Do you want to sign the card and put in for a present? | 0:15:09 | 0:15:12 | |
What kind of investment are we looking at? | 0:15:12 | 0:15:14 | |
Everyone else gave a fiver. | 0:15:14 | 0:15:15 | |
So you want £5 of my hard earned money? | 0:15:15 | 0:15:20 | |
£5 of my children's inheritance? | 0:15:20 | 0:15:24 | |
You know what, it's not worth it. | 0:15:24 | 0:15:27 | |
You give up too easily, young man. | 0:15:27 | 0:15:30 | |
Would I have won the World Hod Carrying Championships | 0:15:30 | 0:15:32 | |
three years running if I'd thrown in the towel that easy? | 0:15:32 | 0:15:35 | |
OK. I'll tell you what I'm going to do. | 0:15:35 | 0:15:38 | |
I'll give you half the money | 0:15:38 | 0:15:41 | |
but I'm going to want | 0:15:41 | 0:15:44 | |
25% of the child. | 0:15:44 | 0:15:46 | |
I can't do this. | 0:15:46 | 0:15:48 | |
That is such a shame. | 0:15:51 | 0:15:52 | |
Do you think he should have taken the offer? | 0:15:52 | 0:15:54 | |
No. I forgot to say that I own Ryman's. | 0:15:54 | 0:15:57 | |
There's always a first. Now come on, let's wrestle. | 0:15:57 | 0:16:00 | |
GRUNTING | 0:16:02 | 0:16:04 | |
Hi, there! It's David and Elton. And we're going to impart some of the knowledge that... | 0:16:06 | 0:16:10 | |
Oh, for goodness sake, don't milk it, dear. | 0:16:10 | 0:16:13 | |
You know they're only here to see me. | 0:16:13 | 0:16:15 | |
# Get to the point. # | 0:16:15 | 0:16:17 | |
OK, so now it's time for... | 0:16:17 | 0:16:20 | |
Changing nappies can be a total nightmare for anyone. | 0:16:25 | 0:16:29 | |
# Daddy, it's a nightmare Smells so bad it's just not fair. # | 0:16:29 | 0:16:35 | |
Quite. | 0:16:35 | 0:16:37 | |
So, here's our handy tips for making things so much easier. | 0:16:37 | 0:16:41 | |
# Get a nanny to change the nappy. # | 0:16:41 | 0:16:45 | |
Get a nanny. That's right. | 0:16:45 | 0:16:49 | |
You know what, those ladies are a godsend. | 0:16:49 | 0:16:52 | |
# They're a godsend. # | 0:16:52 | 0:16:54 | |
-HE SNIFFS. -David, I think he's done one. | 0:16:54 | 0:16:58 | |
Come on, let's go to Milan. | 0:16:58 | 0:16:59 | |
I don't know your name, but you're on. | 0:17:01 | 0:17:04 | |
# Text me when he goes To University! # | 0:17:04 | 0:17:07 | |
No, I think it's lovely you called, Brucie. | 0:17:23 | 0:17:26 | |
I just find it a little hard to believe | 0:17:26 | 0:17:28 | |
that Bruno Tonioli's stolen your trousers. | 0:17:28 | 0:17:31 | |
All right, tickety-boo. Ciao, Brucie. Bye bye. | 0:17:31 | 0:17:34 | |
Oh, I'm so sorry. | 0:17:34 | 0:17:35 | |
Arlene! | 0:17:37 | 0:17:39 | |
Len. What a lovely surprise. | 0:17:39 | 0:17:43 | |
It seems like ages since you returned any of my calls. | 0:17:43 | 0:17:47 | |
Yes, yes. I'm sorry about that. | 0:17:47 | 0:17:50 | |
But, do you know, I was going to call you just the other day? | 0:17:50 | 0:17:55 | |
But you didn't, did you? | 0:17:55 | 0:17:58 | |
No. But you know I suffer from number blindness. | 0:17:58 | 0:18:02 | |
All numbers look like the number seven to me. | 0:18:02 | 0:18:05 | |
So, unless your number was 777 7777, | 0:18:05 | 0:18:09 | |
I wouldn't get through. | 0:18:09 | 0:18:11 | |
Well, that makes perfect sense. | 0:18:11 | 0:18:14 | |
Yeah. Yeah. | 0:18:14 | 0:18:16 | |
Anyway, come on. If I know Arlene Phillips, | 0:18:16 | 0:18:20 | |
I know that she's tickety-boo, tip-top OK. | 0:18:20 | 0:18:23 | |
So what have you been up to? | 0:18:23 | 0:18:25 | |
Oh, me? Oh, yes, yes. Oh, I've been so busy. | 0:18:25 | 0:18:30 | |
So busy. | 0:18:30 | 0:18:32 | |
Busy, busy, busy. | 0:18:32 | 0:18:33 | |
I've been a judge on So You Think You Can Dance. | 0:18:33 | 0:18:37 | |
Yes, and I've been doing loads of other stuff. Loads of YOUNG stuff. | 0:18:37 | 0:18:42 | |
So many, many things I've been doing... | 0:18:42 | 0:18:46 | |
Anyway, the point is, I've not been missing Strictly at all. | 0:18:46 | 0:18:51 | |
No. | 0:18:51 | 0:18:54 | |
But, WE have missed YOU. | 0:18:55 | 0:18:57 | |
Really? Oh. Who's missed me? | 0:18:57 | 0:19:00 | |
Who? Well, it's hard to narrow it down, there's that many. | 0:19:00 | 0:19:06 | |
What about Brucie? Has Brucie missed me? | 0:19:06 | 0:19:09 | |
No. But thingy has. And, um, him... | 0:19:09 | 0:19:13 | |
..with the shoes. | 0:19:13 | 0:19:15 | |
Who's missed me? | 0:19:15 | 0:19:16 | |
Come on, Arlene, you're crumpling my bonhomie. | 0:19:16 | 0:19:21 | |
Anyway, I suppose I should be getting going. | 0:19:21 | 0:19:25 | |
But you will ring me, won't you? | 0:19:25 | 0:19:27 | |
Yes, of course I will, yes. | 0:19:27 | 0:19:30 | |
Here's my number. There. Just so you don't lose it. | 0:19:30 | 0:19:35 | |
Ciao. | 0:19:36 | 0:19:38 | |
Ciao. | 0:19:38 | 0:19:39 | |
Oh, that's funny. 77 7777! | 0:19:40 | 0:19:45 | |
Same as mine. | 0:19:45 | 0:19:46 | |
SOFT, ROMANTIC MUSIC | 0:19:47 | 0:19:51 | |
It's very neighbourly of you. | 0:19:53 | 0:19:55 | |
The flat's a mess of packing boxes, and I can't find the coffee. | 0:19:55 | 0:19:59 | |
Coffee, sweetheart? You need more than coffee. | 0:19:59 | 0:20:02 | |
When you want to make an impression, | 0:20:05 | 0:20:07 | |
you don't want none of that fancy, continental muck. | 0:20:07 | 0:20:10 | |
Here. Get that down your neck. | 0:20:14 | 0:20:16 | |
HE GAGS | 0:20:16 | 0:20:17 | |
What is it? | 0:20:17 | 0:20:18 | |
Whelks. | 0:20:18 | 0:20:20 | |
'The new Pearly King Whelkspresso Machine. | 0:20:21 | 0:20:24 | |
'A proper taste of the East End for you to enjoy at home. | 0:20:24 | 0:20:28 | |
'Genuine pub-fresh seafood. | 0:20:29 | 0:20:31 | |
'Whelks. Cockles. Winkles. | 0:20:31 | 0:20:35 | |
'Jellied eels. | 0:20:35 | 0:20:37 | |
'Crab sticks. Still,' | 0:20:37 | 0:20:39 | |
or fizzy, if they're on the turn. | 0:20:39 | 0:20:41 | |
'The romance of Bow Bells, at the push of a button.' | 0:20:41 | 0:20:45 | |
Huh. I'll have yours, then. | 0:20:52 | 0:20:55 | |
Mmm. | 0:20:57 | 0:21:00 | |
OK. Hi! Hello to all of you non-famous nobodies out there in cheap sofa land. | 0:21:00 | 0:21:06 | |
All right. | 0:21:06 | 0:21:08 | |
HE LAUGHS | 0:21:08 | 0:21:09 | |
There he is. That's him. Tall, isn't he? Yeah? The TALL guy. | 0:21:09 | 0:21:14 | |
I like pointing that out. Fills up airtime. | 0:21:14 | 0:21:17 | |
Totally brilliant. It's just a very astute thing to have said. | 0:21:17 | 0:21:21 | |
So, can you believe it, another series of An Idiot Abroad done. | 0:21:21 | 0:21:25 | |
Finished. | 0:21:25 | 0:21:26 | |
Sending Karl Plonkington off to more really exotic places. | 0:21:26 | 0:21:30 | |
In the last episode, yeah? The Somali pirate stunt. | 0:21:30 | 0:21:34 | |
HE GIGGLES | 0:21:34 | 0:21:35 | |
Probably a little step too far. | 0:21:35 | 0:21:38 | |
Hindsight. | 0:21:38 | 0:21:39 | |
But, whatever. Move on. Fine. Done. | 0:21:39 | 0:21:42 | |
Yeah? And hooray, because we've dreamt up an even better cheap show | 0:21:42 | 0:21:46 | |
on the back of my special envelope that I use to devise all my shows. | 0:21:46 | 0:21:52 | |
It's called An Intellectual Abroad. | 0:21:52 | 0:21:53 | |
We're sending David Dimbleby to Magaluf. | 0:21:53 | 0:21:56 | |
Brilliant. | 0:21:56 | 0:21:57 | |
Here's another one. A Blind Person Abroad. | 0:21:57 | 0:22:00 | |
David Blunkett, Venice. | 0:22:00 | 0:22:01 | |
Frosted Shreddies, carrots, quilted bog roll. | 0:22:01 | 0:22:04 | |
Shopping list. | 0:22:04 | 0:22:06 | |
Ooh. | 0:22:06 | 0:22:08 | |
Yeah, you are right. That is actually my shopping list. | 0:22:08 | 0:22:11 | |
-Do you know what? Sky'll probably buy that off us as well. -Genius. | 0:22:11 | 0:22:14 | |
We can sort of get anything on. | 0:22:14 | 0:22:16 | |
An Unusually Tall Man In The Bahamas? | 0:22:16 | 0:22:19 | |
-Anything apart from that. -Worth a try. -No, it wasn't. | 0:22:19 | 0:22:23 | |
I've been here for about an hour, now, mooching around, | 0:22:29 | 0:22:32 | |
trying to get a feel for how the shop works, and you know what? | 0:22:32 | 0:22:37 | |
It doesn't. | 0:22:37 | 0:22:38 | |
It's like someone ate a load of clothes and then threw up. | 0:22:38 | 0:22:43 | |
So, Mary, what do you think of our little shop? | 0:22:43 | 0:22:45 | |
First impressions, I think it's a bloody disaster. | 0:22:45 | 0:22:48 | |
You're lucky you're not selling brain cells, cos I don't think you've got any in stock. | 0:22:48 | 0:22:52 | |
I mean, you've got to ask yourself, how does a customer feel | 0:22:52 | 0:22:56 | |
when they grab a load of clothes and then have to take them | 0:22:56 | 0:23:00 | |
in this dirty toilet of a room to try them on? | 0:23:00 | 0:23:03 | |
It's cramped, there's nowhere to hang anything. | 0:23:04 | 0:23:07 | |
No one is ever going to want to come back! | 0:23:07 | 0:23:09 | |
You should be ashamed of yourself! | 0:23:09 | 0:23:12 | |
Anyway I hope that's all clear. | 0:23:12 | 0:23:15 | |
Good luck with everything. | 0:23:15 | 0:23:17 | |
Aren't you going to give us some advice? | 0:23:17 | 0:23:19 | |
No, I've had a think and, actually, everything's brilliant. So, congratulations. | 0:23:19 | 0:23:23 | |
Gosh, is that the time? Better get cracking. | 0:23:23 | 0:23:25 | |
-Mary, what's that under your coat? -Nothing! Got to go. Bye. | 0:23:25 | 0:23:28 | |
Get your hands off me! My dad's a copper! | 0:23:28 | 0:23:31 | |
Hey! | 0:23:31 | 0:23:32 | |
ALARM RINGS | 0:23:32 | 0:23:35 | |
'Bad jobs for celebrities. Number 28, John Bishop - bishop' | 0:23:36 | 0:23:43 | |
It's been three weeks since my last confession, and in that time, | 0:23:43 | 0:23:46 | |
I have sinned many times. | 0:23:46 | 0:23:49 | |
You think you've sinned, mate!? | 0:23:49 | 0:23:51 | |
The other week there was a bloke in our road | 0:23:51 | 0:23:53 | |
wearing a turquoise shellsuit! | 0:23:53 | 0:23:56 | |
Now that is a sin. | 0:23:56 | 0:23:57 | |
I says to him, "Hey, it's not 1988, mate." | 0:23:57 | 0:24:01 | |
So, anyway, about me? | 0:24:01 | 0:24:03 | |
Never mind about you. What about me? Who'd have thought it? | 0:24:03 | 0:24:07 | |
Me, just an ordinary working class lad from Liverpool. | 0:24:07 | 0:24:11 | |
Me, John Bishop - a bishop. It's me dream come true | 0:24:11 | 0:24:15 | |
What about my sins? | 0:24:15 | 0:24:17 | |
Never mind about that. | 0:24:17 | 0:24:18 | |
Just say four Hail Marys, | 0:24:18 | 0:24:20 | |
a dozen Kajagoogoos and two Lady Gagas, | 0:24:20 | 0:24:24 | |
and yous'll be all right. | 0:24:24 | 0:24:26 | |
Go on, soft lad, you can get on your way. | 0:24:26 | 0:24:29 | |
Have you ever wished you could think of something rude to say | 0:24:44 | 0:24:47 | |
but not been able to think of anything until it's too late? | 0:24:47 | 0:24:50 | |
Of course you have - you're an idiot. | 0:24:50 | 0:24:53 | |
Well, now help is at hand with my new limited edition | 0:24:53 | 0:24:56 | |
Insult Generator. | 0:24:56 | 0:24:58 | |
Just say a key word into the Insult Generator, | 0:24:58 | 0:25:02 | |
and hey presto, it generates an insult. | 0:25:02 | 0:25:05 | |
Plumber. | 0:25:05 | 0:25:07 | |
'When a sewer rat comes out of the toilet and spots you, | 0:25:07 | 0:25:10 | |
'does it scream and run away?' | 0:25:10 | 0:25:12 | |
HE SOBS | 0:25:12 | 0:25:14 | |
Traffic warden. | 0:25:14 | 0:25:16 | |
'When you meet a woman, do you lie and tell her you're a serial killer?' | 0:25:16 | 0:25:20 | |
HE SOBS | 0:25:20 | 0:25:21 | |
'Over 10,000 insults for every occasion.' | 0:25:21 | 0:25:24 | |
Estate Agent. | 0:25:24 | 0:25:26 | |
'They say in the event of a nuclear apocalypse | 0:25:26 | 0:25:29 | |
'only cockroaches and estate agents will survive. | 0:25:29 | 0:25:33 | |
'Poor cockroaches.' | 0:25:33 | 0:25:34 | |
HE SOBS | 0:25:34 | 0:25:36 | |
I don't know what I'd do without my Insult Generator. | 0:25:36 | 0:25:39 | |
'Nor do I. I think your brain cell just died of loneliness.' | 0:25:39 | 0:25:43 | |
SHE SOBS | 0:25:43 | 0:25:45 | |
'The Anne Robinson Insult Generator. | 0:25:45 | 0:25:48 | |
'So simple, even a two year old could use it.' | 0:25:48 | 0:25:50 | |
Which means it'll be way beyond you. | 0:25:50 | 0:25:53 | |
OMINOUS MUSIC | 0:26:04 | 0:26:09 | |
Can you smoke in here? | 0:26:09 | 0:26:12 | |
No. | 0:26:12 | 0:26:13 | |
Good. Filthy habit. | 0:26:16 | 0:26:19 | |
Miss Widdecombe. We need to talk to you about your book. | 0:26:22 | 0:26:26 | |
Oh yes. More than one. | 0:26:26 | 0:26:30 | |
I write novels, you know. | 0:26:30 | 0:26:32 | |
We know. | 0:26:32 | 0:26:34 | |
It's not a crime, is it? | 0:26:34 | 0:26:36 | |
You're not going to charge me with writing? | 0:26:36 | 0:26:39 | |
Writing is not a crime, Ms Widdecombe. | 0:26:39 | 0:26:41 | |
Although your dancing comes pretty close. | 0:26:43 | 0:26:46 | |
I like dancing. It gives me pleasure. | 0:26:46 | 0:26:51 | |
DRAMATIC MUSIC | 0:26:51 | 0:26:54 | |
How much pleasure? | 0:26:56 | 0:26:58 | |
What's the problem? You look as though you've seen a ghost. | 0:27:08 | 0:27:12 | |
And we're joined now by our political editor, Nick Robinson. | 0:27:15 | 0:27:19 | |
So, worrying times at Number 10, Nick. | 0:27:19 | 0:27:22 | |
That's right Fiona. Conflict in the Middle East, famine in Africa, | 0:27:22 | 0:27:26 | |
pestilence and death in South America. | 0:27:26 | 0:27:29 | |
But, all eyes are on the building behind me, | 0:27:29 | 0:27:32 | |
where the Prime Minister and his new cabinet | 0:27:32 | 0:27:35 | |
are facing problems | 0:27:35 | 0:27:37 | |
of truly Biblical proportions. | 0:27:37 | 0:27:38 | |
They may need a miracle. | 0:27:38 | 0:27:40 | |
Will they get one? | 0:27:40 | 0:27:41 | |
Only time will tell. | 0:27:41 | 0:27:43 | |
KNOCKS AT DOOR | 0:27:53 | 0:27:55 | |
MAN GRUNTS | 0:28:11 | 0:28:12 | |
LAUGHTER | 0:28:12 | 0:28:14 | |
Robinson! I'll get you, Robinson! | 0:28:14 | 0:28:17 | |
Subtitles by Red Bee Media Ltd | 0:28:22 | 0:28:26 | |
E-mail [email protected] | 0:28:26 | 0:28:30 |