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# Hello, my friends It's time you will surmise | 0:00:02 | 0:00:05 | |
# For me to give some gongs out And the same rule still applies | 0:00:05 | 0:00:09 | |
# They're not for achievements That usually get the prize | 0:00:09 | 0:00:13 | |
# This show is for those we all too seldom recognise | 0:00:13 | 0:00:16 | |
# Let's review the ones who were rejected | 0:00:16 | 0:00:20 | |
# And we'll praise the ones we have neglected | 0:00:20 | 0:00:24 | |
# So take your seats, m'ladies and m'lords | 0:00:24 | 0:00:27 | |
# It's the Matt Lucas Awards | 0:00:27 | 0:00:33 | |
# Lucas Awards! # | 0:00:33 | 0:00:35 | |
Hello and welcome to the Matt Lucas Awards, | 0:00:35 | 0:00:38 | |
the show that gives the awards other shows don't give. | 0:00:38 | 0:00:40 | |
Tonight's show is a look back at some of my favourite bits | 0:00:40 | 0:00:43 | |
from across the series, hope you enjoy it. | 0:00:43 | 0:00:46 | |
APPLAUSE | 0:00:46 | 0:00:48 | |
So, it's time for our first award. | 0:00:48 | 0:00:50 | |
A wise man once said that "no man is happy without delusion". | 0:00:50 | 0:00:54 | |
I was thinking that only the other day when I was having my hair done. | 0:00:54 | 0:00:58 | |
But who, according to our guests, | 0:00:58 | 0:01:00 | |
deserves the Lucas for Most Deluded Group Of People, Andy? | 0:01:00 | 0:01:05 | |
People who still trust their banks. | 0:01:05 | 0:01:08 | |
Rhys? | 0:01:08 | 0:01:09 | |
People who own personalised numberplates. | 0:01:09 | 0:01:12 | |
And Susan? | 0:01:12 | 0:01:13 | |
Parents. | 0:01:13 | 0:01:16 | |
Lightning strikes again and again and again, | 0:01:16 | 0:01:20 | |
my lovely mother, I'm so excited | 0:01:20 | 0:01:21 | |
that your mother is here, | 0:01:21 | 0:01:23 | |
There's a kind of erotic... | 0:01:23 | 0:01:25 | |
there's an erotic charge in the room already. | 0:01:25 | 0:01:28 | |
We've all felt it, he's saying what everyone's thinking. | 0:01:28 | 0:01:30 | |
Yes, well, at my age it's not kinky, whereas at yours it is. | 0:01:30 | 0:01:35 | |
My lovely mother had her knees replaced. | 0:01:36 | 0:01:39 | |
In the olden days, when they used to do it with metal. | 0:01:39 | 0:01:43 | |
Do not get your knees replaced with metal | 0:01:43 | 0:01:45 | |
if you are going to live in a climate where there are lots of storms. | 0:01:45 | 0:01:48 | |
-Right. -Because lightning - cling! | 0:01:48 | 0:01:51 | |
Time and again she was out for a walk and cling! | 0:01:51 | 0:01:54 | |
-The lightning came and went straight to her metal knees. -Really? | 0:01:54 | 0:01:57 | |
How many times has your mum been struck by lightning? | 0:01:57 | 0:01:59 | |
Well, it killed her eventually. Don't laugh! | 0:01:59 | 0:02:02 | |
LAUGHTER AND APPLAUSE | 0:02:02 | 0:02:05 | |
But, yes, I was trying to pay a tax bill and there was a problem, | 0:02:05 | 0:02:08 | |
phoned up the bank and there was a lady who said, | 0:02:08 | 0:02:10 | |
"There were limits in place to prevent fraud, Mr Parsons." | 0:02:10 | 0:02:14 | |
And so we argued for a bit, | 0:02:14 | 0:02:16 | |
I said, "Well, obviously you know it's not fraud | 0:02:16 | 0:02:19 | |
"because you've spent the last five minutes checking I am | 0:02:19 | 0:02:21 | |
"who I say I am and you obviously don't think that I'm not | 0:02:21 | 0:02:25 | |
"who I say I am cos you keep calling me Mr Parsons, right?" | 0:02:25 | 0:02:28 | |
"But also in the whole history of crime, has anybody tried | 0:02:28 | 0:02:32 | |
"to defraud anybody else by paying their tax bill for them?" | 0:02:32 | 0:02:36 | |
LAUGHTER | 0:02:36 | 0:02:38 | |
Big Dick, why do you have such a problem with innuendo? | 0:02:38 | 0:02:42 | |
Um, I think that... | 0:02:42 | 0:02:44 | |
LAUGHTER | 0:02:44 | 0:02:46 | |
That was not funny! | 0:02:46 | 0:02:49 | |
Nothing funny about big and dick in that context. | 0:02:49 | 0:02:53 | |
But, basically... | 0:02:53 | 0:02:55 | |
LAUGHTER | 0:02:55 | 0:02:57 | |
You just undermined my whole argument! | 0:02:57 | 0:03:00 | |
The user of innuendo has I think five best friends, um, the words, | 0:03:00 | 0:03:05 | |
"it", "big", "came", "hard" | 0:03:05 | 0:03:09 | |
-and anything to do with fruit. -Right. | 0:03:09 | 0:03:12 | |
And the use of any of those words in an otherwise innocent sentence | 0:03:12 | 0:03:16 | |
allows an idiot to make a kind of pathetic innuendo. | 0:03:16 | 0:03:20 | |
I keep getting bits of paper out of my pockets here, | 0:03:20 | 0:03:24 | |
which gives the impression I do lots of homework all the time, I don't. | 0:03:24 | 0:03:27 | |
-But I've written down... -You're taking it from everywhere! -I know. | 0:03:27 | 0:03:30 | |
-He's got one in every hole! Aye! -Here we go! | 0:03:30 | 0:03:34 | |
I'm going to read out... | 0:03:34 | 0:03:35 | |
I'm going to read out just a few simple innuendos | 0:03:35 | 0:03:37 | |
to demonstrate innuendo isn't funny, | 0:03:37 | 0:03:39 | |
these contain some of the key words that I mentioned a moment ago. | 0:03:39 | 0:03:42 | |
This will prove innuendo isn't funny. | 0:03:42 | 0:03:44 | |
None of this audience will laugh, | 0:03:44 | 0:03:45 | |
and if you do laugh, then I will think a lot less of you. | 0:03:45 | 0:03:50 | |
Santa Claus will be coming down the chimney soon, | 0:03:50 | 0:03:52 | |
with his big sack, which he'll empty onto the floor. | 0:03:52 | 0:03:56 | |
LAUGHTER | 0:03:56 | 0:03:57 | |
See, there's one or two out there for sure. | 0:03:57 | 0:03:59 | |
Pathetic. | 0:03:59 | 0:04:01 | |
-Rhys? -Yes. -Why have you gone for people | 0:04:01 | 0:04:05 | |
with personalised numberplates as your most deluded people? | 0:04:05 | 0:04:08 | |
Because the fact that they cost a lot of money | 0:04:08 | 0:04:11 | |
and they make no sense most of the time. | 0:04:11 | 0:04:13 | |
For example, if I wanted a private numberplate | 0:04:13 | 0:04:15 | |
and I wanted to have Rhys on it - R-H-Y-S. | 0:04:15 | 0:04:17 | |
You can't get Rhys. | 0:04:17 | 0:04:18 | |
You get like R1135. | 0:04:18 | 0:04:22 | |
-Now that doesn't spell Rhys. -No. -Cos it's R11... | 0:04:22 | 0:04:25 | |
and they charge a lot of money for it. I looked it up today | 0:04:25 | 0:04:27 | |
on the internet and melons, ME10N5. | 0:04:27 | 0:04:32 | |
-Yeah. -Melons. -Yeah. -£35,000. | 0:04:32 | 0:04:35 | |
Wow! | 0:04:35 | 0:04:37 | |
Why would you want melons as a private numberplate? | 0:04:37 | 0:04:40 | |
Well, you might have a very, very nice pair... | 0:04:40 | 0:04:42 | |
I've a lovely pair and that for me would be a very good choice. | 0:04:42 | 0:04:45 | |
Don't you think you could do something better with your money? | 0:04:45 | 0:04:48 | |
-Yes, definitely. -For £35,000, you could get a hell of a set of melons! | 0:04:48 | 0:04:52 | |
That's right. | 0:04:52 | 0:04:53 | |
They've got that, the thing where they can take | 0:04:53 | 0:04:56 | |
-an outline of your naked body. -Yeah. | 0:04:56 | 0:04:57 | |
And I remember when they first came out, was with me dad, | 0:04:57 | 0:05:00 | |
and because they were brand new, people were worried about them, | 0:05:00 | 0:05:03 | |
and this poor guy was going, "So what we do is we take a picture of you, | 0:05:03 | 0:05:06 | |
"it's a semi-naked outline of your body, | 0:05:06 | 0:05:08 | |
"but we delete them straightaway." | 0:05:08 | 0:05:10 | |
And my dad went, "Well, what about if someone walked through with | 0:05:10 | 0:05:12 | |
"and they had like two willies or something like that?" | 0:05:12 | 0:05:16 | |
His first concern was the privacy of a two-penised man! | 0:05:16 | 0:05:19 | |
-That was the first thought in his head! -I've interviewed him. | 0:05:19 | 0:05:22 | |
-Have you? -On This Morning. | 0:05:22 | 0:05:24 | |
What did you ask the man with two willies? | 0:05:24 | 0:05:26 | |
What he did with them, you know. | 0:05:26 | 0:05:28 | |
LAUGHTER | 0:05:28 | 0:05:30 | |
-You can do two things at once. -Were they both fully operational? | 0:05:30 | 0:05:33 | |
-They were both fully operational. -Wow! | 0:05:33 | 0:05:35 | |
Well, I'm not going to waste this, see you later! | 0:05:35 | 0:05:39 | |
I bet there's a queue for that fella! | 0:05:39 | 0:05:41 | |
There'd be a queue for that fella. | 0:05:41 | 0:05:43 | |
If you form two queues. | 0:05:43 | 0:05:45 | |
LAUGHTER AND APPLAUSE | 0:05:45 | 0:05:49 | |
Do you still know any of the dance steps that you did as a child? | 0:05:49 | 0:05:52 | |
Well, I do know, but... Yeah, I know some of them. | 0:05:52 | 0:05:54 | |
Can I ask you to demonstrate this knowledge? | 0:05:54 | 0:05:57 | |
-Erm... -Can I call upon you? -Oh, OK. | 0:05:57 | 0:05:59 | |
-Would you? No, it will help your case. -OK. | 0:05:59 | 0:06:01 | |
It will help prove how deluded your parents were. | 0:06:01 | 0:06:04 | |
OK, erm, it would help if I had some music as well, though, because... | 0:06:04 | 0:06:07 | |
-Music, OK, I'm sure we can. -It's quite difficult to get... | 0:06:07 | 0:06:09 | |
Can we have some music, please? | 0:06:09 | 0:06:11 | |
MUSIC: "Dance Of The Sugar Plum Fairy" by Tchaikovsky | 0:06:11 | 0:06:14 | |
-Genuinely going to do this. -OK. -So, first position. | 0:06:14 | 0:06:18 | |
But I can never do my arms right, I look like a crab. | 0:06:21 | 0:06:24 | |
-Disco, I did disco as well, though. -Could you do some disco? | 0:06:24 | 0:06:27 | |
DISCO BEAT PLAYS | 0:06:27 | 0:06:28 | |
Oh, there you go, they're ready for you. | 0:06:28 | 0:06:32 | |
Five Star! | 0:06:37 | 0:06:39 | |
Very nice. | 0:06:39 | 0:06:41 | |
Very nice, Susan Calman! | 0:06:41 | 0:06:44 | |
There you go. | 0:06:44 | 0:06:48 | |
And that really strengthened your argument, I think. | 0:06:48 | 0:06:52 | |
Have you ever considered plastic surgery? | 0:06:52 | 0:06:53 | |
I think if I was going to do anything like that, it's more hair removal, | 0:06:53 | 0:06:57 | |
I've got a lot of hair. I don't want | 0:06:57 | 0:06:58 | |
to rub it in your in your face... | 0:06:58 | 0:06:59 | |
-I could rub it in your face. -I'd rather you didn't. | 0:06:59 | 0:07:02 | |
-I'd rather you didn't. -I'm covered in the stuff like at the back. | 0:07:02 | 0:07:05 | |
Yeah, it is. Oh, yeah, it's not good. | 0:07:05 | 0:07:07 | |
At the hairdresser's, literally, they don't know where to stop. | 0:07:07 | 0:07:11 | |
I end up topless in the hairdresser's. | 0:07:11 | 0:07:12 | |
That's a merkin on your back. | 0:07:12 | 0:07:14 | |
Thank you. | 0:07:14 | 0:07:15 | |
Do you have a problem with John Barrowman? | 0:07:15 | 0:07:18 | |
Cos I always think he looks like a full-size Tom Cruise. | 0:07:18 | 0:07:23 | |
What would you say if you met Tom Cruise, | 0:07:23 | 0:07:25 | |
-what would you say? -Big if, isn't it? | 0:07:25 | 0:07:26 | |
-Yeah. -I think I'd sort of say, "How are you hanging?" Is that it? | 0:07:26 | 0:07:30 | |
-That's what the Americans say. -Then I'd say, "See you later," | 0:07:30 | 0:07:33 | |
and then I'd sort of toddle off. | 0:07:33 | 0:07:34 | |
I'd lie down prostrate before him. But facing up. | 0:07:34 | 0:07:38 | |
-Have you ever interviewed Tom Cruise? -No! | 0:07:38 | 0:07:40 | |
No, there's some people I... I would just... | 0:07:40 | 0:07:42 | |
every egg would leave my body. | 0:07:42 | 0:07:46 | |
Mum, were you a deluded parent about me? | 0:07:46 | 0:07:49 | |
-I think so, yes. -Oh, thanks! | 0:07:49 | 0:07:51 | |
I knew you were very good at maths. I thought you could act, | 0:07:51 | 0:07:54 | |
I thought you could sing, I thought you could perform | 0:07:54 | 0:07:56 | |
and I thought you were good at comedy. | 0:07:56 | 0:07:58 | |
Thanks very much. Thank you. | 0:07:58 | 0:08:02 | |
She's still waiting for me to settle down | 0:08:02 | 0:08:05 | |
with the right woman, to be honest! | 0:08:05 | 0:08:07 | |
OK, will the Lucas for Most Deluded Group of People | 0:08:07 | 0:08:10 | |
go to people who trust their banks, | 0:08:10 | 0:08:12 | |
people with personalised numberplates or parents? | 0:08:12 | 0:08:15 | |
Judges, what is your verdict and why? | 0:08:15 | 0:08:18 | |
Eh, yes, Sooty. We feel the most deluded group of people, | 0:08:18 | 0:08:23 | |
without a doubt, are parents. | 0:08:23 | 0:08:27 | |
-Hurray! -Thank you very much. OK. | 0:08:27 | 0:08:29 | |
So, the winner of the Lucas for Most Deluded Group of People is parents. | 0:08:29 | 0:08:33 | |
APPLAUSE | 0:08:33 | 0:08:37 | |
On to our next award. | 0:08:37 | 0:08:39 | |
We all have days in the calendar we all look forward to, don't we? | 0:08:39 | 0:08:42 | |
Christmas Day, Boxing Day or, if you're BNP, St Georges Day, | 0:08:42 | 0:08:46 | |
"Should be a day off work, shouldn't it?" | 0:08:46 | 0:08:48 | |
But which of the 365 days of the year is the one we most dread. | 0:08:48 | 0:08:52 | |
Nominations please for the Lucas for Most Miserable Day Of The Year. | 0:08:52 | 0:08:56 | |
Ardal. | 0:08:56 | 0:08:57 | |
My wife's birthday. | 0:08:57 | 0:09:01 | |
-Robert? -Any Sunday. | 0:09:01 | 0:09:03 | |
-And Adil? -Valentine's Day. | 0:09:03 | 0:09:06 | |
So, um, Ardal, why do you dread your wife's birthday? | 0:09:06 | 0:09:10 | |
Well, I should stress, I've nothing against her in any way whatsoever, | 0:09:10 | 0:09:14 | |
the timing. | 0:09:14 | 0:09:16 | |
It comes at a terrible time for me, | 0:09:16 | 0:09:18 | |
it's very shortly after Christmas | 0:09:18 | 0:09:20 | |
and very shortly after our wedding anniversary. | 0:09:20 | 0:09:23 | |
And then it comes into the middle of January which also happens to be | 0:09:23 | 0:09:27 | |
genuinely my lowest point of the year, | 0:09:27 | 0:09:29 | |
so it's a really terrible time. | 0:09:29 | 0:09:31 | |
So, I feel the pressure is intolerable. | 0:09:31 | 0:09:33 | |
Not only do I have to like excel once again on the present front, | 0:09:33 | 0:09:37 | |
um, you know, my pipes are frozen. | 0:09:37 | 0:09:39 | |
Is that a euphemism, sorry? | 0:09:39 | 0:09:43 | |
I think that's a rather cute little puppet, don't you? | 0:09:43 | 0:09:46 | |
-Oh, what? No! -Cuddly. | 0:09:46 | 0:09:48 | |
It's got the voice of an old lady, | 0:09:48 | 0:09:50 | |
and the hectoring demeanour of... | 0:09:50 | 0:09:54 | |
I can't even finish it, | 0:09:54 | 0:09:56 | |
cos I'm so upset just thinking about the Y bird again. | 0:09:56 | 0:09:58 | |
If the Y bird was here now, what would you say to her? | 0:09:58 | 0:10:01 | |
I wouldn't speak to her. I wouldn't look at her. | 0:10:01 | 0:10:03 | |
If she tried to talk, I'd be like "Oh, is there a bee buzzing around? | 0:10:03 | 0:10:06 | |
"I can't hear any." Did you never do that when you were a child? | 0:10:06 | 0:10:08 | |
If you're trying to fight with your sister, | 0:10:08 | 0:10:10 | |
"Oh, is there a bee in the room?" | 0:10:10 | 0:10:12 | |
-Well, we have a surprise for you, Josie. -Oh, God, no! Are you serious? | 0:10:12 | 0:10:15 | |
Listening to every word you've said from her seat in the audience, | 0:10:15 | 0:10:18 | |
is the condescending voice of the Y bird, Ellie Darvill, just over here. | 0:10:18 | 0:10:24 | |
APPLAUSE | 0:10:24 | 0:10:26 | |
Josie, would you like to backtrack/apologise at this point? | 0:10:26 | 0:10:30 | |
Sorry, I can't see her. Who's here? I can't see her. | 0:10:30 | 0:10:34 | |
Hello, Josie! | 0:10:34 | 0:10:36 | |
Oh, my God! Oh, this is like a waking nightmare! | 0:10:36 | 0:10:41 | |
I think you're very wrong to castigate dear old Y? | 0:10:41 | 0:10:46 | |
If it was you, if it was just you going round | 0:10:46 | 0:10:48 | |
and not the wooden bird, I'd be like, | 0:10:48 | 0:10:49 | |
"Oh, that seems like a nice woman!" | 0:10:49 | 0:10:51 | |
But like when... | 0:10:51 | 0:10:52 | |
Don't backtrack now, Josie! | 0:10:52 | 0:10:56 | |
Yeah, yeah, we've got the tapes, we've got the tapes! | 0:10:56 | 0:10:58 | |
By the way, if Scrappy Doo is here, I still think you're a nob. | 0:10:58 | 0:11:02 | |
Ellie, where is the Y bird now? | 0:11:07 | 0:11:09 | |
Well, she has been... | 0:11:09 | 0:11:12 | |
in protective custody for the past 10 years or so. | 0:11:12 | 0:11:17 | |
But we managed to get an extradition order and... | 0:11:17 | 0:11:20 | |
Oh, Jesus! | 0:11:20 | 0:11:22 | |
-It's smaller than I thought. -Hello. | 0:11:24 | 0:11:27 | |
Josie? Would you like to go and touch the Y bird? | 0:11:29 | 0:11:32 | |
-Go and give the Y bird a stroke, go on, Josie. -Come on. | 0:11:32 | 0:11:35 | |
Am I allowed to grab it off your hand and throw it into a fire? | 0:11:35 | 0:11:40 | |
-No. -What do I...? I've never met a puppet of anything really before. | 0:11:40 | 0:11:45 | |
I don't know whether I should shake its hand. | 0:11:45 | 0:11:47 | |
She hasn't got a hand. | 0:11:47 | 0:11:49 | |
Usually with children, you're running them around | 0:11:50 | 0:11:53 | |
to different places, aren't you? | 0:11:53 | 0:11:54 | |
Picking them up from a birthday party, | 0:11:54 | 0:11:56 | |
-taking them to another birthday party. -Birthday parties! | 0:11:56 | 0:11:59 | |
-Other people's birthday parties full of other people's children. -Yes. | 0:11:59 | 0:12:02 | |
-That you have to be nice to. -Yes. | 0:12:02 | 0:12:04 | |
I mean, it's fine, you know, I like children, | 0:12:04 | 0:12:06 | |
but I prefer mine to other people's. | 0:12:06 | 0:12:10 | |
And because you've got to be on your best behaviour | 0:12:10 | 0:12:12 | |
-and you can't swear. -I prefer other people's children. | 0:12:12 | 0:12:14 | |
Can't clip them round the ear any more. Sorry. | 0:12:14 | 0:12:16 | |
If you if you're like me, you haven't got children, it's great. | 0:12:16 | 0:12:19 | |
Of course you have to prefer other people's children! | 0:12:19 | 0:12:23 | |
I don't plan to have children. You can play with Robert's children. | 0:12:23 | 0:12:26 | |
You don't plan to have any children? | 0:12:26 | 0:12:28 | |
I've got no plans at the moment. | 0:12:28 | 0:12:29 | |
You've made some very early choices, young man. | 0:12:29 | 0:12:31 | |
Well, you're not selling it very well, Robert! | 0:12:31 | 0:12:33 | |
I'm not here to sell it. I'm here to complain about it. | 0:12:33 | 0:12:36 | |
-Sell your children. -I will not sell my children to you. | 0:12:36 | 0:12:39 | |
Racist! You won't sell your children to him. | 0:12:39 | 0:12:41 | |
-Exactly. Exactly. -Sell him your children! | 0:12:41 | 0:12:44 | |
Sell him your children! | 0:12:44 | 0:12:46 | |
I don't know if he's responsible or not, but sell them to him. | 0:12:46 | 0:12:49 | |
£1.99. | 0:12:49 | 0:12:51 | |
Jason, did you write into any TV programmes ever? | 0:12:53 | 0:12:57 | |
Well, I wrote and sent to Swap Shop, from Ireland. | 0:12:57 | 0:13:01 | |
In Dublin, we had all the same TV as you had, | 0:13:01 | 0:13:04 | |
but when they said send in a toy, they meant Britain. | 0:13:04 | 0:13:08 | |
They didn't mean Ireland. | 0:13:08 | 0:13:10 | |
-And I sent them Frustration, and I wanted an Evil Knievel. -Yeah. | 0:13:10 | 0:13:15 | |
And I didn't get anything. | 0:13:15 | 0:13:17 | |
And I was doing the Royal Variety Show, actually | 0:13:17 | 0:13:19 | |
and I'd never met Noel Edmunds. | 0:13:19 | 0:13:21 | |
And he walked up and I went, "Ere, Noel!" like this, | 0:13:21 | 0:13:25 | |
and there was, like, security guards all started to move in, | 0:13:25 | 0:13:28 | |
because not many people knew who I was anyway. | 0:13:28 | 0:13:30 | |
An Irish guy wandering round near the Royals. | 0:13:30 | 0:13:33 | |
But anyway I went, "Ere, Noel, you owe me an Evil Knievel!" | 0:13:34 | 0:13:37 | |
He said, "I don't know what you're talking about." | 0:13:37 | 0:13:39 | |
And I was dragged away from him. | 0:13:39 | 0:13:41 | |
You were dragged away from Noel Edmunds? | 0:13:41 | 0:13:43 | |
Two backstage bodyguards kind of pulled me away. | 0:13:43 | 0:13:45 | |
It's heart-breaking when you're a kid and you do write to somebody, | 0:13:45 | 0:13:48 | |
and they don't write back, | 0:13:48 | 0:13:50 | |
which is why I appreciated Morph taking the trouble. | 0:13:50 | 0:13:52 | |
I have an older brother and when I was about four years old | 0:13:52 | 0:13:55 | |
he faked a letter from Matthew Corbett | 0:13:55 | 0:13:57 | |
telling me that Sooty, Sweep and Sue were coming round to the house | 0:13:57 | 0:14:01 | |
to pick me up and take me out for the day. | 0:14:01 | 0:14:04 | |
And I waited on the stairs for about three hours. | 0:14:04 | 0:14:06 | |
You can put the camera on that bastard, | 0:14:06 | 0:14:09 | |
he's sat over there, actually. | 0:14:09 | 0:14:10 | |
I waited about 30 years to get my revenge, it's happening right now. | 0:14:10 | 0:14:15 | |
I have a son of four and what you did to this boy is disgusting. | 0:14:15 | 0:14:19 | |
Yeah, yeah, yeah. Yeah, made my hair fall out, yeah. | 0:14:19 | 0:14:22 | |
Yeah. | 0:14:22 | 0:14:25 | |
Mum, did you dread Sundays when I was little? | 0:14:27 | 0:14:31 | |
No, I didn't, actually. | 0:14:31 | 0:14:33 | |
We used to do lots of things with friends. | 0:14:33 | 0:14:36 | |
Yeah, it was nice, Sundays were nice. | 0:14:36 | 0:14:38 | |
Yeah, but when you were a bit older, | 0:14:38 | 0:14:40 | |
and you and Howard were off my hands, | 0:14:40 | 0:14:42 | |
then I spent quite a lot of time on my own. | 0:14:42 | 0:14:44 | |
Sunday can be a very lonely day, actually, as it happens. | 0:14:44 | 0:14:48 | |
This is very cheery, this, isn't it? | 0:14:48 | 0:14:51 | |
Sometimes my wife's birthday falls on a Sunday. | 0:14:52 | 0:14:56 | |
And do you know what? It's not just Sunday. | 0:14:56 | 0:14:59 | |
I'm with Robert entirely on this, it's Mondays and Tuesdays as well. | 0:14:59 | 0:15:02 | |
I mean, there's far too many days in the week. Wednesday. | 0:15:02 | 0:15:05 | |
I never did stand-up, but I was in Toad Of Toad Hall, | 0:15:07 | 0:15:10 | |
I like to name-drop, and there was a kid in the audience | 0:15:10 | 0:15:14 | |
who took a hate to me from the moment I came on. | 0:15:14 | 0:15:17 | |
And he would just scream those words, F off, a small child. | 0:15:17 | 0:15:21 | |
And I changed costumes throughout the show. I came on as a rabbit | 0:15:21 | 0:15:25 | |
at one point, then I was a pig. | 0:15:25 | 0:15:27 | |
The kid recognised me, and he'd scream F off every time I appeared! | 0:15:27 | 0:15:31 | |
So then at the very end we sang and I can't sing, OK, | 0:15:31 | 0:15:35 | |
but I gave it everything I had and I sang that | 0:15:35 | 0:15:38 | |
# And Toady of Toad Hall... # | 0:15:38 | 0:15:40 | |
black out, and I just filled his head. | 0:15:40 | 0:15:43 | |
What's worse, being forced to spend Valentine's Day | 0:15:45 | 0:15:48 | |
with your partner or being alone and single? | 0:15:48 | 0:15:51 | |
Definitely the last bit, although I am single, | 0:15:51 | 0:15:53 | |
it's obviously the forced bit, yeah. | 0:15:53 | 0:15:55 | |
So, part of this dislike about Valentine's Day | 0:15:55 | 0:15:57 | |
comes from not having anyone to share it with? | 0:15:57 | 0:15:59 | |
No! No. | 0:15:59 | 0:16:03 | |
A lot of denial going on there. How long have you been single? | 0:16:03 | 0:16:05 | |
-Um, probably about five years now. -What's your type? | 0:16:05 | 0:16:09 | |
-I don't have a type, does anyone have a type? -Yeah. | 0:16:09 | 0:16:14 | |
Like when they've got the little thing in between their legs. | 0:16:14 | 0:16:18 | |
APPLAUSE | 0:16:18 | 0:16:21 | |
-I had a dream about him once. -Really? | 0:16:23 | 0:16:25 | |
Absolutely true. Basically, I'm in bed with Sean Connery | 0:16:25 | 0:16:28 | |
and I'm in like a train carriage. Oh, God! | 0:16:28 | 0:16:31 | |
And...we've both got no clothes on. | 0:16:31 | 0:16:35 | |
He's on the floor like with his... | 0:16:35 | 0:16:37 | |
he's... basically, I'm mating him, right? | 0:16:37 | 0:16:40 | |
And the problem I've got is that I can't basically put what | 0:16:40 | 0:16:43 | |
I want to do, I can't do it and I'm embarrassed about it | 0:16:43 | 0:16:46 | |
and I'm trying and he's going, "Oh!" You know. Whatever. | 0:16:46 | 0:16:50 | |
Hang on a minute. Are you the Arthur or the Martha? | 0:16:50 | 0:16:53 | |
I'm delivering, as it were, | 0:16:53 | 0:16:55 | |
-and you know in dreams suddenly your dad appears? -No. | 0:16:55 | 0:16:58 | |
-Or someone appears, where did he come from? -No. | 0:16:58 | 0:17:00 | |
My dad is sitting opposite. Watching in bed, going, "No!" | 0:17:00 | 0:17:04 | |
Looking embarrassed, not because he's thinking, "What are you doing," | 0:17:04 | 0:17:07 | |
because he feels bad that I'm doing it wrong | 0:17:07 | 0:17:09 | |
and do you know what my dad said to me? | 0:17:09 | 0:17:10 | |
"Rhys". He's Welsh. "Rhys, let Sean do the work, he'll find it." | 0:17:10 | 0:17:16 | |
So you enjoyed it? | 0:17:21 | 0:17:22 | |
I did enjoy it, but then I thought I felt wrong, bad about it. | 0:17:22 | 0:17:25 | |
He's an older man and he's married but, yeah. | 0:17:25 | 0:17:30 | |
It was one of the best dreams I've had. He was very affectionate. | 0:17:30 | 0:17:34 | |
-That's nice. -He was very nice, he was a total gentleman. | 0:17:34 | 0:17:36 | |
Well, hang on a minute, he wasn't that much of a gentleman. | 0:17:36 | 0:17:39 | |
He let you do it on the first date. | 0:17:39 | 0:17:42 | |
As an expert in relationships, | 0:17:42 | 0:17:43 | |
what's your view of Roberts's nomination? | 0:17:43 | 0:17:45 | |
I think that Robert's is a classic kind of case of | 0:17:45 | 0:17:50 | |
you know a relationship having gone through the process of expansion | 0:17:50 | 0:17:54 | |
where you meet, you fall in love, you have kids, that's very exciting, | 0:17:54 | 0:17:57 | |
you're massively into your kids and then suddenly you hit a wall | 0:17:57 | 0:18:00 | |
and it's a routine of fishfingers and, you know, birthday parties. | 0:18:00 | 0:18:05 | |
-I've hit a wall? -Yeah. -I have hit no such thing, madam! | 0:18:05 | 0:18:10 | |
And that's the point at which infidelity or divorce becomes... | 0:18:10 | 0:18:15 | |
I'm not infidelitising! | 0:18:17 | 0:18:20 | |
What you have to do is you have to reintroduce | 0:18:20 | 0:18:22 | |
novelty into your relationship. | 0:18:22 | 0:18:23 | |
What, with a special hat? What? Leather, leather hat? | 0:18:23 | 0:18:28 | |
In terms of in terms of doing what Ardal does, going climbing, | 0:18:28 | 0:18:32 | |
going, getting out, doing stuff together. | 0:18:32 | 0:18:35 | |
Oh, for crying out loud! | 0:18:35 | 0:18:36 | |
-It's true. -Climbing, I'm up at six every morning, I'm not climbing! | 0:18:36 | 0:18:41 | |
It's a really close vote, one or two in it, you get everybody in | 0:18:42 | 0:18:46 | |
and if there are people sick, they are brought in in ambulances. | 0:18:46 | 0:18:49 | |
And the whips go down to the ambulances, | 0:18:49 | 0:18:52 | |
they see the body there, they see the tubes coming out of it, | 0:18:52 | 0:18:55 | |
they see the body, they go, "Oh, I'm so sorry." | 0:18:55 | 0:18:58 | |
What have you done to the table? Hang on a minute. | 0:19:02 | 0:19:04 | |
APPLAUSE | 0:19:06 | 0:19:09 | |
There's probably a law against that as well. | 0:19:14 | 0:19:16 | |
This is...this is what that... | 0:19:16 | 0:19:18 | |
Don't change the subject! | 0:19:18 | 0:19:20 | |
It won't be a problem, because we've got the Blue Peter team here. | 0:19:20 | 0:19:23 | |
Yes. That's true. | 0:19:23 | 0:19:25 | |
CHEERING AND APPLAUSE | 0:19:25 | 0:19:29 | |
So, what is going to win the Lucas for Most Miserable Day Of The Year? | 0:19:29 | 0:19:33 | |
Will it be Ardal's wife's birthday, any given Sunday, | 0:19:33 | 0:19:37 | |
or Valentine's Day? | 0:19:37 | 0:19:38 | |
Judges, what is your verdict and why? | 0:19:38 | 0:19:42 | |
THEY WHISPER | 0:19:42 | 0:19:44 | |
Because no girls I've met think a bag of chips from the chippy's romantic, | 0:19:44 | 0:19:48 | |
we'll go for Valentine's Day. | 0:19:48 | 0:19:50 | |
OK, the winner of the Lucas for Most Miserable Day Of The Year | 0:19:50 | 0:19:53 | |
is Valentine's Day. | 0:19:53 | 0:19:54 | |
Time for our final Lucas of the night, it's our Hidden Talent award. | 0:19:58 | 0:20:01 | |
Every week we find out which special skills | 0:20:01 | 0:20:04 | |
our guests normally keep under wraps, your nominations, please. | 0:20:04 | 0:20:07 | |
Eamonn. | 0:20:07 | 0:20:09 | |
I can identify the films of John Wayne, | 0:20:09 | 0:20:12 | |
just by the hat he wears. | 0:20:12 | 0:20:15 | |
Josie. | 0:20:15 | 0:20:16 | |
I can guess the end of any headline | 0:20:16 | 0:20:19 | |
from a certain type of woman's magazine. | 0:20:19 | 0:20:23 | |
And Jason. | 0:20:23 | 0:20:24 | |
I can sing Italian opera. | 0:20:24 | 0:20:27 | |
OK, Alex I was going to offer you three attempts | 0:20:30 | 0:20:32 | |
but if you say you can do it on the first attempt? | 0:20:32 | 0:20:34 | |
Never miss, never miss. | 0:20:34 | 0:20:35 | |
He's going to land a sweet into the bell of that there trumpet, OK. | 0:20:35 | 0:20:39 | |
In one! | 0:20:39 | 0:20:42 | |
-It didn't go in. -First miss. | 0:20:56 | 0:20:58 | |
The first ever miss? Really? | 0:20:58 | 0:21:00 | |
Of about a thousand. OK, let's go again. | 0:21:00 | 0:21:04 | |
ALL: Ooooh! | 0:21:04 | 0:21:05 | |
No! I just missed it! | 0:21:05 | 0:21:08 | |
THEY GROAN | 0:21:08 | 0:21:10 | |
Do you want a wicketkeeper? | 0:21:10 | 0:21:12 | |
Yeah, OK, good idea. | 0:21:12 | 0:21:15 | |
-Is that what they do? -Yeah. | 0:21:15 | 0:21:17 | |
All right. | 0:21:19 | 0:21:21 | |
THEY GROAN | 0:21:26 | 0:21:30 | |
We've come this far, ladies and gentlemen! | 0:21:30 | 0:21:33 | |
-Here we go. -Come on, you can do it. | 0:21:35 | 0:21:38 | |
I've never missed. I've never missed. | 0:21:38 | 0:21:41 | |
Here we go. | 0:21:41 | 0:21:43 | |
THEY CHEER | 0:21:48 | 0:21:50 | |
All right, off we go. | 0:21:51 | 0:21:54 | |
Right, that is from The Green Berets. | 0:21:54 | 0:22:00 | |
Correct, that's from the Green Berets. | 0:22:00 | 0:22:02 | |
Correct. Let's have the next one, please. | 0:22:02 | 0:22:06 | |
What do we think? | 0:22:06 | 0:22:08 | |
That I think... | 0:22:08 | 0:22:11 | |
is True Grit, 1969. | 0:22:11 | 0:22:14 | |
Yes, that's correct. True Grit. Very good. | 0:22:14 | 0:22:19 | |
OK, let's bring up the next photograph, please. | 0:22:19 | 0:22:22 | |
That's a cavalry hat and that is from the film Rio Lobo. | 0:22:22 | 0:22:27 | |
It is from Rio Lobo. How about that? | 0:22:27 | 0:22:29 | |
Let's have a look at the next picture. | 0:22:31 | 0:22:33 | |
Right, um, he would have worn that hat. Come on, Eamonn. | 0:22:33 | 0:22:37 | |
That is in... I think he wore that in a movie called The Cowboys. | 0:22:37 | 0:22:41 | |
That's right. Correct. He wore it in The Cowboys. | 0:22:41 | 0:22:44 | |
OK, let's have a look at the next picture, please. | 0:22:46 | 0:22:49 | |
EAMONN LAUGHS | 0:22:49 | 0:22:51 | |
That isn't a Duke hat, that's Batman's cowl, isn't it? | 0:22:51 | 0:22:55 | |
That's his son, Bruce Wayne. | 0:22:55 | 0:22:57 | |
OK, so I'm assuming you need total silence from the audience? | 0:23:01 | 0:23:04 | |
Yes, I expect them to treat breathing through your left eye | 0:23:04 | 0:23:07 | |
with the respect it deserves. | 0:23:07 | 0:23:09 | |
Yes. If you're ready, Richard. | 0:23:09 | 0:23:12 | |
3, 2, 1. | 0:23:12 | 0:23:16 | |
HIGH-PITCHED WHISTLING | 0:23:16 | 0:23:20 | |
Well done, Richard Bacon's eye, ladies and gentlemen! | 0:23:29 | 0:23:33 | |
-Your name. -My name is Josie Long. | 0:23:33 | 0:23:35 | |
We're up against the clock, you'll have to be Josie not too Long. | 0:23:35 | 0:23:38 | |
I just thought of that, I actually just thought of that myself. | 0:23:38 | 0:23:41 | |
Your specialist subject? | 0:23:41 | 0:23:43 | |
Finishing the sentence of the headline of Take a Break magazines. | 0:23:43 | 0:23:49 | |
-Excellent. OK, your time starts now. -OK. | 0:23:49 | 0:23:53 | |
-Oh, is it GCSE exams? -Close, | 0:23:55 | 0:23:57 | |
-Geography O-level, well done, I'll give you that. -Thank you. | 0:23:57 | 0:24:00 | |
Is it... Because sometimes they have women who are like really | 0:24:06 | 0:24:10 | |
deliberately very fat who squash men, so is it something to do with | 0:24:10 | 0:24:14 | |
"I hid biccies in my spare stomach." No, my stomach overhang? | 0:24:14 | 0:24:20 | |
It's another part of the body. | 0:24:20 | 0:24:22 | |
Massive cleavage? | 0:24:22 | 0:24:23 | |
Oh, very good! | 0:24:23 | 0:24:25 | |
That's where I'd keep them. | 0:24:25 | 0:24:27 | |
Is it massive cleavage? | 0:24:27 | 0:24:29 | |
"I hid biccies in my giant boobs." Well done. OK. | 0:24:29 | 0:24:33 | |
Oh, God, that doesn't help, that doesn't help. | 0:24:35 | 0:24:39 | |
Mark claims to be able to instantly | 0:24:39 | 0:24:41 | |
and, some might say, rather pointlessly, | 0:24:41 | 0:24:42 | |
calculate how many letters there are in any given word. | 0:24:42 | 0:24:46 | |
Let's put this claim to the test. | 0:24:46 | 0:24:48 | |
Your time starts now. | 0:24:48 | 0:24:52 | |
Charity. | 0:24:52 | 0:24:53 | |
7. | 0:24:53 | 0:24:54 | |
Bitter. | 0:24:54 | 0:24:55 | |
6. | 0:24:55 | 0:24:57 | |
Bisexual. | 0:24:57 | 0:24:58 | |
8. | 0:24:58 | 0:24:59 | |
Threatening. | 0:24:59 | 0:25:01 | |
Oh, loads, um, 10. | 0:25:01 | 0:25:02 | |
-Incorrect. -Shut up. -It's 11. | 0:25:02 | 0:25:05 | |
I thought you meant "incorrect" was one of them, in which case 9. | 0:25:05 | 0:25:08 | |
So, singing to stay in the competition, it's Jason. | 0:25:10 | 0:25:13 | |
# Libiamo, libiamo ne'lieti | 0:25:17 | 0:25:22 | |
# Calici che la belleza infiora | 0:25:22 | 0:25:26 | |
# E la fuggevol ora | 0:25:26 | 0:25:31 | |
# S'inebrii a volutta | 0:25:31 | 0:25:36 | |
# Libiamo ne'dolci fremiti | 0:25:36 | 0:25:39 | |
# Che suscita l'amore, | 0:25:39 | 0:25:43 | |
# Poich... # | 0:25:43 | 0:25:45 | |
JASON LAUGHS | 0:25:45 | 0:25:48 | |
AUDIENCE LAUGHS | 0:25:48 | 0:25:50 | |
# Godiam, la tazza e il cantico | 0:25:52 | 0:25:58 | |
# La notte abbella e il riso | 0:25:58 | 0:26:02 | |
# In questo paradise | 0:26:02 | 0:26:08 | |
# Ne sopra il nuovo d... # | 0:26:08 | 0:26:11 | |
HE CONTINUES SINGING | 0:26:11 | 0:26:14 | |
Jason Manford! | 0:26:25 | 0:26:26 | |
Well done! | 0:26:26 | 0:26:29 | |
Here with her CCDFP routine, it's Ruby Wax. | 0:26:29 | 0:26:32 | |
# Makka Pakka Acka Waka Mikka Makka Moo! # | 0:26:44 | 0:26:47 | |
HE OINKS | 0:26:50 | 0:26:52 | |
# You're a good soldier Choosing your battles | 0:26:52 | 0:26:56 | |
# Pick yourself up And dust yourself off | 0:26:56 | 0:26:58 | |
# Get back in the saddle You're on the front line | 0:26:58 | 0:27:02 | |
# Everyone's watching You know it's serious | 0:27:02 | 0:27:05 | |
# We're getting closer This isn't over | 0:27:05 | 0:27:08 | |
# The pressure's on You feel it... # | 0:27:08 | 0:27:11 | |
Oh! Whoa! | 0:27:11 | 0:27:12 | |
# But you got it all Believe it | 0:27:12 | 0:27:15 | |
# When you fall get up, oh-oh If you fall get up, eh-eh | 0:27:15 | 0:27:18 | |
# Tsamina mina zangalewa Cos this is Africa | 0:27:18 | 0:27:22 | |
# Tsamina mina, eh-eh Waka waka, eh-eh | 0:27:22 | 0:27:26 | |
# Tsamina mina zangalewa This time for Africa # | 0:27:26 | 0:27:30 | |
Thank you. | 0:27:30 | 0:27:32 | |
So, we've seen all the nominations for our Hidden Talent Award, | 0:27:34 | 0:27:37 | |
identifying John Wayne films by the hat he wears, | 0:27:37 | 0:27:40 | |
completing the headlines in women's magazines, and opera singing. | 0:27:40 | 0:27:44 | |
Which means it's time to ask, | 0:27:44 | 0:27:45 | |
judges, what is your verdict and why? | 0:27:45 | 0:27:49 | |
We were so impressed with the opera singing | 0:27:50 | 0:27:53 | |
and where did that come from? My mum would have loved it! | 0:27:53 | 0:27:56 | |
So, the winner of the Hidden Talent award is Jason! | 0:27:56 | 0:28:00 | |
There we go, the winner of the Hidden Talent Award | 0:28:00 | 0:28:02 | |
is Jason Manford! | 0:28:02 | 0:28:03 | |
Well, that's it for tonight and for the series. | 0:28:06 | 0:28:08 | |
Thanks once again to all my guests, to our wonderful judges, | 0:28:08 | 0:28:11 | |
to my mum and to all of you for watching. | 0:28:11 | 0:28:13 | |
We'll be back for another series next year, unless we aren't. | 0:28:13 | 0:28:17 | |
Good night! | 0:28:17 | 0:28:19 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:49 |