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# Hello, my friends It's time, you will surmise | 0:00:02 | 0:00:05 | |
# For me to give some gongs out, and the same rule still applies | 0:00:05 | 0:00:08 | |
# They're not for achievements that usually get the prize | 0:00:08 | 0:00:12 | |
# This show is for those we all too seldom recognise | 0:00:12 | 0:00:16 | |
# Let's review the wronged and the rejected | 0:00:16 | 0:00:20 | |
# And we'll praise the ones we have neglected | 0:00:20 | 0:00:23 | |
# So take your seats, miladies and milords | 0:00:23 | 0:00:27 | |
# It's the Matt Lucas Awards! | 0:00:27 | 0:00:33 | |
# Lucas Awards! # | 0:00:33 | 0:00:35 | |
Yes, it's the Matt Lucas Awards. | 0:00:35 | 0:00:38 | |
And please welcome your host, Matt Lucas. | 0:00:38 | 0:00:40 | |
CHEERING AND APPLAUSE | 0:00:40 | 0:00:42 | |
Hello, thank you, thank you very much. | 0:00:42 | 0:00:45 | |
Lovely, hello. Hello there. | 0:00:47 | 0:00:51 | |
Hello there. | 0:00:51 | 0:00:52 | |
Hello and welcome to the show | 0:00:52 | 0:00:55 | |
that gives the awards other shows don't give. | 0:00:55 | 0:00:57 | |
As ever, my mum is in the kitchen. Hello, Mum. | 0:00:57 | 0:01:00 | |
-Hi. -And providing the nominations tonight | 0:01:00 | 0:01:02 | |
we have Dave Gorman, Ruby Wax and Alex Horne. | 0:01:02 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:08 | |
Now this series, the winners of each award are going to be decided | 0:01:11 | 0:01:14 | |
by a panel of judges who this week are four original EastEnders. | 0:01:14 | 0:01:18 | |
Please welcome John Altman, Leonard Fenton, Nej Adamson and Peter Dean, | 0:01:18 | 0:01:23 | |
also known as Nick Cotton, Dr Legg, Ali Osmond and Pete Beale. | 0:01:23 | 0:01:27 | |
Time for our first Lucas Award of the evening. | 0:01:31 | 0:01:34 | |
Now, there's no doubting that there have been | 0:01:34 | 0:01:36 | |
some truly great Americans. | 0:01:36 | 0:01:38 | |
President Obama, Arnold Palmer, Michael Jackson's llama. | 0:01:38 | 0:01:42 | |
But who are the Yanks that have really let the side down? | 0:01:42 | 0:01:45 | |
Your nominations, please, for the Lucas for the American | 0:01:45 | 0:01:48 | |
most likely to make us glad we lost the USA to begin with. | 0:01:48 | 0:01:51 | |
-Alex? -Tom Cruise. | 0:01:51 | 0:01:53 | |
-Dave? -Kevin Trudeau. | 0:01:53 | 0:01:55 | |
-And Ruby? -My Uncle Jimmy. | 0:01:55 | 0:01:57 | |
So, Alexander, why have you nominated Tom Cruise? | 0:01:58 | 0:02:01 | |
Matthew, it was, um... | 0:02:01 | 0:02:04 | |
-It's not actually Tom Cruise. -Right. | 0:02:04 | 0:02:06 | |
I really like the guy, I think he's a cool... | 0:02:06 | 0:02:08 | |
He seems like a dude. | 0:02:08 | 0:02:10 | |
Scientology seemed fun, didn't it? | 0:02:10 | 0:02:12 | |
And I like all his little acting, his pretending, that's fine. | 0:02:12 | 0:02:16 | |
It's more his face, I don't like Thomas Cruise's face. | 0:02:16 | 0:02:20 | |
I remember when I was about eight or nine, I was very confident about my face. | 0:02:20 | 0:02:23 | |
I remember I saw it in reflections in puddles cos we didn't have mirrors, | 0:02:23 | 0:02:27 | |
so I was very confident. | 0:02:27 | 0:02:29 | |
I thought I was fine, I thought it was a good face. | 0:02:29 | 0:02:32 | |
Then I watched Top Gun in 1986, | 0:02:32 | 0:02:35 | |
and my life was kind of ruined, | 0:02:35 | 0:02:37 | |
cos I saw his face and it was just a much better face. | 0:02:37 | 0:02:40 | |
His face was everything my face isn't. | 0:02:40 | 0:02:42 | |
So Tom Cruise has made you feel, kind of, aesthetically inadequate? | 0:02:42 | 0:02:46 | |
Yeah. It's mainly his smile. | 0:02:46 | 0:02:49 | |
Like, he's got his mouth full of these teeth, | 0:02:49 | 0:02:51 | |
hundreds of teeth all lined up in perfect order, | 0:02:51 | 0:02:54 | |
-and mine, I can't really smile. -Go on, have a go. | 0:02:54 | 0:02:57 | |
When people say "smile", I sort of... | 0:02:57 | 0:02:59 | |
And it's because of Cruise, I think he sets the bar too high. | 0:03:00 | 0:03:04 | |
In England we've got the guys, more realistic faces, know what I mean? | 0:03:04 | 0:03:08 | |
It's just a better standard of face. | 0:03:08 | 0:03:10 | |
Have you ever considered plastic surgery? | 0:03:10 | 0:03:12 | |
I think if I was going to do anything like that, it's more hair removal, I've got a lot of hair. | 0:03:12 | 0:03:16 | |
I don't want to rub it in your in your face. I could. | 0:03:16 | 0:03:19 | |
I'd rather you didn't. | 0:03:20 | 0:03:22 | |
I mean, I'm just covered in the stuff, like at the back. | 0:03:22 | 0:03:25 | |
Yeah, it's... Oh, yeah, it's not good. | 0:03:25 | 0:03:27 | |
At the hairdresser's they literally don't know where to stop. I end up topless. | 0:03:27 | 0:03:31 | |
-That's a merkin on your back. -Thank you. | 0:03:31 | 0:03:34 | |
Do you have a problem with John Barrowman? | 0:03:34 | 0:03:37 | |
Cos I always think he looks like a full-size Tom Cruise. | 0:03:37 | 0:03:40 | |
What would you say if you met Tom Cruise, what would you say to him? | 0:03:42 | 0:03:45 | |
-Big if, isn't it? -Yeah. -I think I'd sort of say, "How are you hanging?" | 0:03:45 | 0:03:48 | |
Right, that's what the Americans say. | 0:03:48 | 0:03:50 | |
And then I'd say, "See you later", and then I'd sort of toddle off. | 0:03:50 | 0:03:53 | |
I'd lie down prostrate before him. But facing up. | 0:03:53 | 0:03:56 | |
Have you ever interviewed Tom Cruise? | 0:03:56 | 0:03:59 | |
No, no there's some people I would just... | 0:03:59 | 0:04:01 | |
Every egg would leave my body. | 0:04:01 | 0:04:03 | |
So, Dave, you've nominated Kevin Trudeau. Who is Kevin Trudeau? | 0:04:05 | 0:04:09 | |
-He is the, sort of, king of the infomercial. -Right. | 0:04:09 | 0:04:13 | |
So late at night he does these talk shows... | 0:04:13 | 0:04:16 | |
They look like talk shows but they're not, | 0:04:16 | 0:04:19 | |
because he has paid the person who is interviewing him to interview him. | 0:04:19 | 0:04:22 | |
So it looks like it's going to be like a political interview show, but he's just selling his books. | 0:04:22 | 0:04:27 | |
Well, we have some footage here | 0:04:27 | 0:04:29 | |
from one of the Kevin Trudeau infomercials. Let's take a look. | 0:04:29 | 0:04:32 | |
Then there is also what's called lost money. There's money... | 0:04:32 | 0:04:35 | |
Have you ever owned a bank account? Yes. | 0:04:35 | 0:04:38 | |
Have you ever had a job, got a paycheck? Yes. | 0:04:38 | 0:04:41 | |
Have you ever bought insurance, car insurance, life insurance, | 0:04:41 | 0:04:43 | |
medical insurance? Yes. Have you ever bought any products from any stores? | 0:04:43 | 0:04:47 | |
If you said yes to any of those questions, there is a chance | 0:04:47 | 0:04:50 | |
that there is some money out there that you're entitled to. | 0:04:50 | 0:04:53 | |
It's called lost money. | 0:04:53 | 0:04:54 | |
It's just any question to say yes. | 0:04:54 | 0:04:56 | |
Have you ever bought anything from a shop? | 0:04:56 | 0:04:59 | |
Yes. Have you ever seen a thing? Yes. | 0:04:59 | 0:05:02 | |
-Who do we think the woman is in that clip? -She's in a coma. -Right, OK. | 0:05:04 | 0:05:07 | |
But they've pried her eyes open, | 0:05:07 | 0:05:10 | |
and somebody's got their hand up her and is just moving her eyebrows. | 0:05:10 | 0:05:13 | |
I suspect she'll be an actress, | 0:05:13 | 0:05:15 | |
but she's also sort of acting as if she's some kind of... | 0:05:15 | 0:05:17 | |
-She's interested. -Interested heavyweight interviewer. | 0:05:17 | 0:05:20 | |
What that one should say is this - | 0:05:20 | 0:05:22 | |
"There's this thing called lost money. Have you ever owned a sofa?" | 0:05:22 | 0:05:26 | |
There's some money out there for you! | 0:05:28 | 0:05:31 | |
I've got some of his books here. | 0:05:31 | 0:05:33 | |
There we go. The Weight Loss Cure. | 0:05:33 | 0:05:36 | |
The Natural Cures. Free Money. | 0:05:36 | 0:05:39 | |
It's always something "they don't want you to know about", isn't it? | 0:05:39 | 0:05:42 | |
Yes, he's obsessed with the things "they" don't want you to know about. | 0:05:42 | 0:05:47 | |
The first one is "Natural Cures They Don't Want You To Know About." | 0:05:47 | 0:05:50 | |
Oh, I'd love to know. | 0:05:50 | 0:05:52 | |
And the theory backing this up is that the health industry, | 0:05:53 | 0:05:56 | |
the medical industry, the pharmaceutical industry | 0:05:56 | 0:05:59 | |
do not want you to get better, | 0:05:59 | 0:06:01 | |
because if you get better you'll no longer be a customer for them, | 0:06:01 | 0:06:04 | |
so they want to keep you ill. | 0:06:04 | 0:06:06 | |
They have got the cure for cancer, and they have got the cure for AIDS, | 0:06:06 | 0:06:09 | |
and they have got the cure for all these things, | 0:06:09 | 0:06:11 | |
and you can buy his book to find out what they are. | 0:06:11 | 0:06:14 | |
Then you buy the book and you discover that to find the cure, | 0:06:14 | 0:06:17 | |
you've got to actually go to his website, | 0:06:17 | 0:06:19 | |
where you then have to pay for the information, | 0:06:19 | 0:06:22 | |
and it never... It just unravels. | 0:06:22 | 0:06:24 | |
-A wild goose chase? -Yeah. -That's called capitalism. | 0:06:24 | 0:06:27 | |
You've made a very, very good argument there. | 0:06:27 | 0:06:30 | |
Ruby, we gave you the option to abstain on this award | 0:06:30 | 0:06:33 | |
because of your nationality, | 0:06:33 | 0:06:35 | |
but you have very keenly nominated your Uncle Jimmy. | 0:06:35 | 0:06:38 | |
-Jimmy Hamburger. -Jimmy Hamburger? -Jimmy Hamburger, yeah. | 0:06:38 | 0:06:41 | |
He sounds like someone making up an American character. He doesn't sound real. | 0:06:41 | 0:06:45 | |
All of my relationships are Hamburgers. | 0:06:45 | 0:06:48 | |
Um, there's Laura Hamburger and Judy Hamburger, all these, | 0:06:48 | 0:06:51 | |
which is ironic because my dad sells hotdogs. | 0:06:51 | 0:06:54 | |
So is that spooky? | 0:06:55 | 0:06:57 | |
So tell us about Uncle Jimmy. | 0:06:57 | 0:06:59 | |
Jimmy, when he was 65, he always... | 0:06:59 | 0:07:02 | |
I don't know what's wrong with Jimmy, | 0:07:02 | 0:07:04 | |
but he lived with his mother, Laura Hamburger, in a bedroom together. | 0:07:04 | 0:07:08 | |
-This is your uncle? -Uncle, and he'd wheel her around, he'd go | 0:07:08 | 0:07:13 | |
"Hey, Ruby, you like baseball?" You know, with his cap on the other way. | 0:07:13 | 0:07:17 | |
And him and Laura Hamburger, all they do is go to those eateries, | 0:07:17 | 0:07:21 | |
5.99 all you can cram in your mouth. | 0:07:21 | 0:07:24 | |
You know, with a... That buffet is like a runway for a 747 | 0:07:24 | 0:07:29 | |
with the Eiffel Tower of cheesecake. | 0:07:29 | 0:07:32 | |
But Laura ate so much that one day she went out with Jimmy, | 0:07:32 | 0:07:36 | |
and she stood up and crushed her own ankles. | 0:07:36 | 0:07:39 | |
So anyway when she died, | 0:07:40 | 0:07:42 | |
Jimmy got all her money, Laura's money, | 0:07:42 | 0:07:46 | |
and showed up at her funeral with the other three brothers, | 0:07:46 | 0:07:49 | |
got the will signed in his and brought Laura Hamburger's... | 0:07:49 | 0:07:53 | |
SHE LAUGHS | 0:07:53 | 0:07:55 | |
This is my family, I'm so proud. | 0:07:55 | 0:07:57 | |
I think, I think your Uncle Jimmy read | 0:07:57 | 0:07:59 | |
Free Money They Don't Want You To Know About. | 0:07:59 | 0:08:02 | |
But he brought Laura's ashes in a Folgers Coffee Tin. | 0:08:03 | 0:08:07 | |
-In a coffee tin? -In a coffee tin, like he didn't even want to put out for the urn. | 0:08:07 | 0:08:11 | |
So he just shook her a little bit and then took off with the money. | 0:08:11 | 0:08:14 | |
You know, you always thought he'd be really good to Laura. | 0:08:14 | 0:08:17 | |
She ends up in a coffee tin. | 0:08:17 | 0:08:18 | |
What did the rest of the family think about this? | 0:08:18 | 0:08:20 | |
They hated him anyway, but we didn't like Laura much, either. | 0:08:20 | 0:08:23 | |
And my mother really hated Laura Hamburger, | 0:08:23 | 0:08:26 | |
because on the way to Laura Hamburger's husband's funeral, | 0:08:26 | 0:08:29 | |
she said, "I like your fake fur." | 0:08:29 | 0:08:31 | |
My mother said, "This is real fur", and Laura went, "Nah, it's fake." | 0:08:31 | 0:08:34 | |
They fought so hard that they fell out of the car, | 0:08:34 | 0:08:37 | |
almost into the grave, and we called it the fur wars for ten years. | 0:08:37 | 0:08:41 | |
My mother would go, "Laura Hamburger is dead for me, dead." | 0:08:41 | 0:08:45 | |
Jimmy was not Tom Cruise, let's just put it that way. | 0:08:45 | 0:08:48 | |
Tom Cruise always looks like he's smelling himself. | 0:08:48 | 0:08:50 | |
-You know, that look they have. -And he likes it. | 0:08:50 | 0:08:54 | |
Jimmy never smelled himself, cos it would have been an atrocity. | 0:08:54 | 0:08:58 | |
-We have very different families. -Do we? -Yeah. | 0:08:58 | 0:09:01 | |
Mine are the Beefburgers. So it's different. | 0:09:01 | 0:09:04 | |
-Terry Beefburger's mine. -No. -Genuinely. -Get out. | 0:09:04 | 0:09:07 | |
No, it's Terry Gould. He's a lawyer in Norwich, really nice. | 0:09:07 | 0:09:11 | |
So it's time to find out what will win the Lucas | 0:09:12 | 0:09:15 | |
for American most likely to make us glad we lost the USA to begin with. | 0:09:15 | 0:09:18 | |
Will it be Tom Cruise, Kevin Trudeau or Ruby's Uncle Jimmy? | 0:09:18 | 0:09:22 | |
Judges, what is your verdict and why? | 0:09:22 | 0:09:25 | |
-Kevin Trudeau. -Kevin Trudeau! | 0:09:25 | 0:09:28 | |
APPLAUSE | 0:09:28 | 0:09:30 | |
How could a doctor not be offended by the man who wrote this? | 0:09:32 | 0:09:35 | |
-Tom Cruise has pleased a few women, that's fine, he's OK. -And a few men. | 0:09:35 | 0:09:41 | |
-Really? Oh yeah. Well, I don't know about that. -We don't know about that. | 0:09:41 | 0:09:45 | |
No, I mean in the cinema, he's pleased audiences of men and women. | 0:09:45 | 0:09:49 | |
You libel the Hollywood stars in your show, pal. | 0:09:49 | 0:09:52 | |
-That's all I meant. -Don't do it on my show, I can't afford it. | 0:09:52 | 0:09:56 | |
OK, so the winner of the Lucas for American most likely to make us | 0:09:56 | 0:09:59 | |
glad we lost the USA to begin with is Kevin Trudeau. | 0:09:59 | 0:10:02 | |
CHEERING AND APPLAUSE | 0:10:02 | 0:10:05 | |
So, time for another award, | 0:10:07 | 0:10:09 | |
and this one is about something a little more personal to the guests. | 0:10:09 | 0:10:12 | |
I want to hear their nominations for the Lucas | 0:10:12 | 0:10:15 | |
for most miserable showbiz experience. Dave? | 0:10:15 | 0:10:18 | |
-A performance at the Hippo nightclub, Nottingham. -Ruby? | 0:10:18 | 0:10:22 | |
Interviewing Madonna. | 0:10:22 | 0:10:24 | |
-And Alex? -Tony Hadley's arse. | 0:10:24 | 0:10:27 | |
OK. So, er... | 0:10:29 | 0:10:31 | |
Dave, what was so miserable? | 0:10:31 | 0:10:33 | |
I'm not sure I should even bother, | 0:10:33 | 0:10:35 | |
given that I know what I'm up against. | 0:10:35 | 0:10:37 | |
I was 19, I'd been doing stand-up for probably two or three months. | 0:10:37 | 0:10:42 | |
I had a phone call from an agent who said, | 0:10:42 | 0:10:46 | |
"Do you need the money? Because you are going to die." | 0:10:46 | 0:10:49 | |
And I did need the money cos I was 19 and I'd only just started | 0:10:49 | 0:10:53 | |
doing stand-up, so I said yes. | 0:10:53 | 0:10:54 | |
What happened is the crowd, which was probably about 150 people, | 0:10:54 | 0:10:58 | |
but it was in a very small room, it was rammed to the rafters. | 0:10:58 | 0:11:02 | |
They all started chanting two words. | 0:11:02 | 0:11:06 | |
-Um, the second of those words was "off". -OK. | 0:11:06 | 0:11:10 | |
And the first of those words began with an F. | 0:11:11 | 0:11:14 | |
-OK. -And ended with an "uck", and... | 0:11:14 | 0:11:17 | |
..at the age of 19, having very little experience in this game, | 0:11:19 | 0:11:23 | |
I walked on stage to 150 people chanting "u off, u off, u off!" | 0:11:23 | 0:11:29 | |
You should start chanting just to get a flow. | 0:11:29 | 0:11:32 | |
-No, you shouldn't. -What was the word, though, the F? | 0:11:32 | 0:11:34 | |
No, no, no, no, no, no, no, no, no, no, no, no, no. | 0:11:34 | 0:11:37 | |
Dr Legg's over there, no, please. | 0:11:37 | 0:11:40 | |
The weird thing is this wasn't a reaction to what I did, | 0:11:40 | 0:11:42 | |
it wasn't like, "Oh, well, at the age of 19 he hadn't learned | 0:11:42 | 0:11:45 | |
"to walk on stage funnily enough yet." | 0:11:45 | 0:11:47 | |
This has been decided before you've... | 0:11:47 | 0:11:49 | |
It's a ritualistic sacrifice. | 0:11:49 | 0:11:51 | |
Right, so you were the Wicker Man at the Hippo? | 0:11:51 | 0:11:54 | |
Alex you've done a lot of stand-up, have you had any terrible experiences? | 0:11:54 | 0:11:58 | |
-Can you match that? -I've had 80. -80? | 0:11:58 | 0:12:01 | |
Bad experiences, yes. | 0:12:01 | 0:12:03 | |
I never did stand-up, but I was in Toad of Toad Hall. | 0:12:04 | 0:12:08 | |
I like to name drop. | 0:12:08 | 0:12:09 | |
And there was a kid in the audience who took a hate to me from the moment I came on. | 0:12:09 | 0:12:14 | |
And he would just scream those words, "F off" - a small child. | 0:12:14 | 0:12:19 | |
And I changed costumes throughout the show. | 0:12:19 | 0:12:22 | |
I came on as a rabbit at one point, then I was a pig. | 0:12:22 | 0:12:24 | |
The kid recognised me, and he'd scream "F off" every time I appeared. | 0:12:24 | 0:12:29 | |
So then at the very end we sang, | 0:12:29 | 0:12:31 | |
and I can't sing, OK, but I gave it everything I had, | 0:12:31 | 0:12:34 | |
and I sang that "And Toady of Toad Hall..." | 0:12:34 | 0:12:37 | |
Blackout, and I just felt his hand. | 0:12:37 | 0:12:40 | |
Ruby, tell us about your terribly miserable showbiz experience. | 0:12:42 | 0:12:46 | |
Ah, I thought I was doing all right showbiz-wise, | 0:12:46 | 0:12:49 | |
and then they said would I interview Madonna? Well, who can say no? | 0:12:49 | 0:12:52 | |
So I thought, well, great, we're going to bond. | 0:12:52 | 0:12:54 | |
She hated me on sight. We were setting up the cameras, | 0:12:54 | 0:12:58 | |
and she went, "No, I don't want that camera. I want that camera." | 0:12:58 | 0:13:01 | |
She picked the wrong camera, so my camera had Vaseline all over it, | 0:13:01 | 0:13:05 | |
I looked beautiful, I looked ten. | 0:13:05 | 0:13:07 | |
She looked like the surface of the moon. | 0:13:07 | 0:13:10 | |
-She thought she knew which camera was the better one. -Right. | 0:13:10 | 0:13:13 | |
So that wasn't good, and then cos I got so nervous I asked really... | 0:13:13 | 0:13:17 | |
-STUTTERING: -"If you were a fire hydrant, | 0:13:17 | 0:13:19 | |
"and I was a cuticle, | 0:13:19 | 0:13:21 | |
"would we ever have Valentine's Day?" | 0:13:21 | 0:13:24 | |
Like dumb questions. | 0:13:24 | 0:13:26 | |
And eventually she got up and left. | 0:13:26 | 0:13:27 | |
But you know, again, I needed to finish this show, | 0:13:27 | 0:13:30 | |
and there needed to be some comedy, and she'd left her handbag. | 0:13:30 | 0:13:32 | |
So I rifled through it and found some of her underpants, | 0:13:32 | 0:13:35 | |
and put it on my head and started doing comedy, | 0:13:35 | 0:13:37 | |
and she walked in the room and saw it. | 0:13:37 | 0:13:40 | |
APPLAUSE | 0:13:40 | 0:13:42 | |
She saw me with the underpants over my head. | 0:13:42 | 0:13:45 | |
-And she's never called me. -She's never called you? -Never called, no. | 0:13:46 | 0:13:49 | |
What sort of underpants did she wear? | 0:13:49 | 0:13:52 | |
You know, like a piece of dental floss with some cotton, | 0:13:52 | 0:13:54 | |
you know, some frills. | 0:13:54 | 0:13:56 | |
Alex, your most miserable showbiz experience | 0:13:56 | 0:13:59 | |
involves Tony Hadley's arse. Can you fill us in on this, please? | 0:13:59 | 0:14:02 | |
Yes, it was fairly harrowing. | 0:14:02 | 0:14:03 | |
Don't fill in Tony Hadley's arse, obviously. | 0:14:03 | 0:14:06 | |
-Quite relevant, actually. -Tell us the story. | 0:14:06 | 0:14:09 | |
I used to be a runner on a TV programme, | 0:14:09 | 0:14:11 | |
which meant you used to do little jobs round the place, | 0:14:11 | 0:14:13 | |
and I was working on a programme called Make My Day. | 0:14:13 | 0:14:15 | |
And it was a hidden camera show where you try to give someone their perfect day. | 0:14:15 | 0:14:19 | |
But they don't realise they're being filmed, it's all set up. | 0:14:19 | 0:14:22 | |
And we're filming in Leeds in a guitar shop, | 0:14:22 | 0:14:24 | |
and a bloke, we were trying to make his perfect day happen, | 0:14:24 | 0:14:27 | |
so the prize for the competition was a statue | 0:14:27 | 0:14:29 | |
featuring a life-size model of Tony Hadley's arse. | 0:14:29 | 0:14:33 | |
-Why? Why? -I don't know why. I should have asked why. | 0:14:33 | 0:14:36 | |
My job that day was to get the statue. | 0:14:36 | 0:14:38 | |
It's very hard to find a statue of Tony Hadley's arse in Leeds. | 0:14:38 | 0:14:42 | |
So I had to make this statue out of whatever I could find. | 0:14:42 | 0:14:45 | |
So I found some modelling clay, and we're similar stature men. | 0:14:45 | 0:14:49 | |
So I used my arse as sort of mould, | 0:14:49 | 0:14:52 | |
and I made a pretty good... I was pretty pleased with it. | 0:14:52 | 0:14:56 | |
Did you put the clay on your ass and then step out of it? | 0:14:56 | 0:14:59 | |
I read the instructions. You have to bake the clay to become a proper thing, | 0:14:59 | 0:15:03 | |
so I had to persuade the chef in the hotel to put this statue of an arse in his oven. | 0:15:03 | 0:15:08 | |
-Right. -Before painting it gold. And then I got a call. | 0:15:08 | 0:15:11 | |
The producer said could I drive to the station and pick up | 0:15:11 | 0:15:13 | |
Bez from the Happy Mondays, which was a big moment for me. | 0:15:13 | 0:15:17 | |
So I had Bez in the car and I had to get back to the hotel quickly. | 0:15:17 | 0:15:20 | |
Well, Bez insisted on stopping to get some provisions. | 0:15:20 | 0:15:22 | |
We had to get some paint and cat food... | 0:15:22 | 0:15:26 | |
-You know, normal Bez stuff. -Yeah. | 0:15:26 | 0:15:29 | |
And then I kind of remembered about the arse that was in the oven. | 0:15:29 | 0:15:33 | |
And we got there and everyone had been evacuated, | 0:15:33 | 0:15:36 | |
there was smoke billowing out of the hotel. | 0:15:36 | 0:15:38 | |
Did you have to explain to the fire brigade what the cause of the fire was? | 0:15:38 | 0:15:41 | |
Yeah, me and the chef. The chef in full chef's garb, | 0:15:41 | 0:15:44 | |
holding this, sort of, charred arse. | 0:15:44 | 0:15:47 | |
-Charred arse is a good phrase. -That's a good title for a film, too. | 0:15:47 | 0:15:50 | |
That sounds like something on a Heston Blumenthal menu, doesn't it? | 0:15:50 | 0:15:54 | |
That was my story about Tony Hadley's arse. | 0:15:55 | 0:15:58 | |
I just like saying "Tony Hadley's arse". | 0:15:58 | 0:16:00 | |
If nothing else, we've all enjoyed saying "Tony Hadley's arse". | 0:16:00 | 0:16:04 | |
Who is he? | 0:16:04 | 0:16:05 | |
We've come this far and you're not sure? | 0:16:07 | 0:16:09 | |
He's the lead singer of Tony... of Tony Spandau. | 0:16:09 | 0:16:13 | |
He's the lead singer of Spandau Ballet. | 0:16:13 | 0:16:15 | |
Right, why would he need an ass? | 0:16:15 | 0:16:17 | |
-He's got an arse, the thing was there was... -I'm so confused. | 0:16:19 | 0:16:22 | |
It was a prize for a competition, | 0:16:22 | 0:16:24 | |
and they thought it would be funny to make this arse, | 0:16:24 | 0:16:26 | |
and my demeaning job was to make this arse. | 0:16:26 | 0:16:29 | |
Hm. Not funny at all. | 0:16:29 | 0:16:31 | |
So, what is going to win the Lucas for most miserable showbiz experience? | 0:16:31 | 0:16:35 | |
Being heckled by everyone at the Hippo Club, | 0:16:35 | 0:16:37 | |
interviewing Madonna, or Tony Hadley's arse? | 0:16:37 | 0:16:40 | |
Judges, what is your verdict and why? | 0:16:40 | 0:16:44 | |
Well, we was going to do Tony Hadley's Khyber, | 0:16:44 | 0:16:47 | |
but somebody got wind of it, so we're going for the Hippo Club. | 0:16:47 | 0:16:50 | |
So, the winner of the Lucas for most miserable showbiz experience | 0:16:50 | 0:16:54 | |
is being heckled at the Hippo Club, Nottingham. | 0:16:54 | 0:16:58 | |
CHEERING AND APPLAUSE | 0:16:58 | 0:17:01 | |
Time for our final Lucas of the night. It's our Hidden Talent Award, | 0:17:01 | 0:17:05 | |
where we find out what special skills | 0:17:05 | 0:17:07 | |
our guests normally keep under their hats. | 0:17:07 | 0:17:09 | |
Your nominations, please. Dave? | 0:17:09 | 0:17:11 | |
-The ancient Japanese art of T-shirt folding. -Alex. | 0:17:11 | 0:17:16 | |
I can throw a fruit pastel into a trumpet from ten feet. | 0:17:16 | 0:17:20 | |
And Ruby. | 0:17:20 | 0:17:21 | |
-I will be performing the Zumba. -Excellent. | 0:17:21 | 0:17:25 | |
So, Dave, how did you discover this very special unique talent? | 0:17:25 | 0:17:28 | |
I discovered, er, this talent for T-shirt folding | 0:17:28 | 0:17:33 | |
while watching a YouTube video about T-shirt folding. | 0:17:33 | 0:17:36 | |
-Right. -I thought, "I reckon I could do that", | 0:17:36 | 0:17:40 | |
and it turned out I could, and now I use it when folding my laundry. | 0:17:40 | 0:17:44 | |
Well, it's time to put your money where your beard-covered mouth is. | 0:17:44 | 0:17:47 | |
If you'd like to join me over there in the bit over there. | 0:17:47 | 0:17:50 | |
Now it's time to see how fast Dave really is, | 0:17:55 | 0:17:58 | |
and we're going to pit him against a very experienced T-shirt folder. | 0:17:58 | 0:18:01 | |
Well, she folds my T-shirts. It's my mum. | 0:18:01 | 0:18:04 | |
Now, Mum, you have some sort of qualification in T-shirt folding? | 0:18:04 | 0:18:08 | |
Absolutely. When I was in the Brownies, I was aged about eight or nine, | 0:18:08 | 0:18:12 | |
I did a proficiency badge in T-shirt and jumper folding, | 0:18:12 | 0:18:15 | |
and I actually got the badge, and it was sewn on there for me. | 0:18:15 | 0:18:18 | |
-APPLAUSE -So I should be, I should be good competition. | 0:18:18 | 0:18:23 | |
OK, all right, you ready? | 0:18:23 | 0:18:25 | |
Well, Dave and my mum have until the buzzer sounds | 0:18:25 | 0:18:28 | |
to neatly fold as many T-shirts as they can. | 0:18:28 | 0:18:31 | |
Your time begins... wait for it... | 0:18:31 | 0:18:33 | |
Now! | 0:18:35 | 0:18:36 | |
OK, there we go. | 0:18:37 | 0:18:39 | |
This is like Saturday Kitchen when they do the omelette challenge. | 0:18:39 | 0:18:43 | |
-And no-one turns out a proper omelette. -That's right. | 0:18:43 | 0:18:46 | |
-They just make a mess. -Have you been on Saturday Kitchen? | 0:18:46 | 0:18:48 | |
I have been on Saturday Kitchen. | 0:18:48 | 0:18:49 | |
I went on it to promote the first series of this show, | 0:18:49 | 0:18:52 | |
and it was a bit embarrassing cos I've never seen it, | 0:18:52 | 0:18:54 | |
and I turned up thinking it was Something For The Weekend, | 0:18:54 | 0:18:57 | |
but I've also never seen that. | 0:18:57 | 0:18:59 | |
And so I arrived thinking "Where's Tim Lovejoy?" | 0:18:59 | 0:19:01 | |
The Chelsea fan, but it was just some cookers, some ovens, | 0:19:01 | 0:19:04 | |
and they made a fish pie and I hate fish cos it tastes like fish. | 0:19:04 | 0:19:08 | |
And I had to pretend not to hate it. | 0:19:08 | 0:19:09 | |
I went, "Oh, that's delicious" but it was horrible. | 0:19:09 | 0:19:12 | |
You're both doing very well...oh! | 0:19:12 | 0:19:14 | |
Lay off my mum, you bearded bully. | 0:19:17 | 0:19:20 | |
Oh, it's getting very close. Oh... | 0:19:20 | 0:19:22 | |
-BUZZER -Dave is the winner! | 0:19:22 | 0:19:25 | |
APPLAUSE | 0:19:25 | 0:19:27 | |
You see, you didn't need to cheat, did you? | 0:19:27 | 0:19:29 | |
I didn't. I just disrupted one and she's got two left, so I apologise. | 0:19:29 | 0:19:32 | |
I can tell you that your prize is a Saturday job | 0:19:32 | 0:19:35 | |
in The Gap in Watford High Street, so well done. | 0:19:35 | 0:19:37 | |
Well done. If you'd like to make your way back to the seat. | 0:19:37 | 0:19:40 | |
APPLAUSE | 0:19:40 | 0:19:44 | |
You've let me down, you've let them down. | 0:19:44 | 0:19:46 | |
Most of all you've let yourself down. | 0:19:46 | 0:19:49 | |
APPLAUSE | 0:19:49 | 0:19:51 | |
There we go. | 0:19:51 | 0:19:53 | |
So, Alex, you claim you can throw a fruit pastel | 0:19:53 | 0:19:57 | |
into, what, the bell of a trumpet from ten feet? | 0:19:57 | 0:20:00 | |
Yeah, not the mouthpiece. No, the bell. | 0:20:00 | 0:20:02 | |
How did you first discover this extraordinary talent? | 0:20:02 | 0:20:05 | |
I've got a band, my own band who I perform with. | 0:20:05 | 0:20:08 | |
They're called The Horn Section. Oh, they're so good. | 0:20:08 | 0:20:10 | |
But sometimes I find the music quite tedious. | 0:20:10 | 0:20:14 | |
For rehearsal I started lobbing fruit pastels at the trumpeter, | 0:20:14 | 0:20:17 | |
because I sort of saw the circle and the bloke, it looked like a target. | 0:20:17 | 0:20:21 | |
Just chucked them, and every one went in. | 0:20:21 | 0:20:23 | |
-And I've never missed. -You've never missed? | 0:20:23 | 0:20:26 | |
I'm like a ninja, I can't miss. | 0:20:26 | 0:20:27 | |
-You get it on the first try every time? -Every time, I've never missed. | 0:20:27 | 0:20:30 | |
All right, you're setting yourself up for a bit of a fall here. | 0:20:30 | 0:20:33 | |
Well, Alex, it's time to see your hidden talent in action. | 0:20:33 | 0:20:36 | |
If you would like to make your way with me over to the bit over there. | 0:20:36 | 0:20:40 | |
APPLAUSE | 0:20:40 | 0:20:42 | |
OK, so you're going to stand there, please, Alex, and this man is...? | 0:20:45 | 0:20:49 | |
John. Joe! Joe. This is Joe, my oldest friend. | 0:20:49 | 0:20:52 | |
OK, Alex, I was going to offer you three attempts, | 0:20:54 | 0:20:56 | |
-but if you say you can do it on the first attempt. -Never miss. | 0:20:56 | 0:20:59 | |
Okey-dokey, he's going to land a sweet into the bell of that there trumpet. OK. | 0:20:59 | 0:21:04 | |
I-i-i-in one... | 0:21:04 | 0:21:07 | |
PLAYS TRUMPET | 0:21:07 | 0:21:09 | |
-It didn't go in. -First miss. -The first ever miss? Really? | 0:21:21 | 0:21:24 | |
Of about a thousand. OK, let's go again. | 0:21:24 | 0:21:27 | |
I-i-i-in two. | 0:21:27 | 0:21:29 | |
PLAYS TRUMPET | 0:21:29 | 0:21:31 | |
Closer, wasn't it? A bit closer. | 0:21:35 | 0:21:37 | |
Sometimes when I go to the lavatory and someone else walks in, I can't pee. | 0:21:37 | 0:21:41 | |
This is like that, isn't it? | 0:21:41 | 0:21:42 | |
Yeah, I mean this whole thing is putting me off. | 0:21:42 | 0:21:45 | |
It's a lot, very breezy. | 0:21:45 | 0:21:47 | |
Yeah, very strong winds(!) | 0:21:47 | 0:21:49 | |
-Very strong winds. -All right, we'll give you another go. | 0:21:49 | 0:21:51 | |
I-i-i-i-in three. | 0:21:51 | 0:21:53 | |
PLAYS TRUMPET | 0:21:53 | 0:21:55 | |
Oh! | 0:21:59 | 0:22:01 | |
Alex Horne, you are full of shit. | 0:22:02 | 0:22:05 | |
APPLAUSE | 0:22:05 | 0:22:06 | |
Let's have another go. | 0:22:06 | 0:22:08 | |
PLAYS TRUMPET | 0:22:08 | 0:22:10 | |
No! I'm smashing it, I'm smashing it! | 0:22:13 | 0:22:16 | |
-Don't pick it up off the floor! -I'm angry with myself that time. | 0:22:16 | 0:22:19 | |
-All right, here we go. -He's waving all over the place. | 0:22:19 | 0:22:22 | |
Don't blame me. | 0:22:22 | 0:22:24 | |
Right, i-i-i-i-in five. | 0:22:25 | 0:22:28 | |
PLAYS TRUMPET | 0:22:28 | 0:22:31 | |
-Do you want a wicket-keeper? -Yeah, OK, good idea. | 0:22:38 | 0:22:42 | |
APPLAUSE | 0:22:42 | 0:22:45 | |
All right. Shall I chalk it? | 0:22:45 | 0:22:46 | |
All right, here we go. | 0:22:48 | 0:22:51 | |
I-i-i-in...whatever one it is. | 0:22:51 | 0:22:53 | |
Is that what they do? | 0:22:53 | 0:22:56 | |
All right. | 0:22:57 | 0:22:59 | |
PLAYS TRUMPET | 0:22:59 | 0:23:01 | |
GROANING | 0:23:04 | 0:23:06 | |
We've come this far, ladies and gentlemen. | 0:23:09 | 0:23:11 | |
Here we go. | 0:23:13 | 0:23:15 | |
-You can do it. -Never missed, I've never missed. | 0:23:17 | 0:23:20 | |
PLAYS TRUMPET | 0:23:20 | 0:23:22 | |
AUDIENCE CLAPS | 0:23:22 | 0:23:25 | |
CHEERING AND APPLAUSE | 0:23:27 | 0:23:30 | |
What happens now, because of the angle and the speed that I threw it, | 0:23:32 | 0:23:35 | |
the fruit pastel will be travelling around the trumpet, if you may. | 0:23:35 | 0:23:39 | |
It's all steamed up and it'll be travelling all the way round there, | 0:23:39 | 0:23:42 | |
it will go through the little keys | 0:23:42 | 0:23:44 | |
and should now be in the trumpeter's mouth | 0:23:44 | 0:23:46 | |
and if he should just be able to... | 0:23:46 | 0:23:48 | |
APPLAUSE | 0:23:51 | 0:23:53 | |
Alex Horne, make your way back to the sofa. | 0:23:56 | 0:24:00 | |
Thank you, sir. | 0:24:00 | 0:24:01 | |
Ah, I'm exhausted after that. | 0:24:05 | 0:24:08 | |
Sorry. You know the bit earlier when we have to say our most miserable showbiz experience? | 0:24:08 | 0:24:12 | |
-Yes. -Can I change my answer? | 0:24:12 | 0:24:13 | |
You are allowed, yes. So, Ruby, | 0:24:15 | 0:24:17 | |
before you tell us all about your skill, | 0:24:17 | 0:24:20 | |
I need to point out that because Zumba is actually a trademark, | 0:24:20 | 0:24:23 | |
we're not meant to keep saying its name as it's free advertising. | 0:24:23 | 0:24:26 | |
The name that cannot be spoken. | 0:24:26 | 0:24:28 | |
That's right. So for the purpose of our conversation, | 0:24:28 | 0:24:30 | |
we've come up with a very catchy title. | 0:24:30 | 0:24:33 | |
Copyrighted Columbian Dance Fitness Programme, or CCDFP. | 0:24:33 | 0:24:37 | |
So, Ruby how did you first get into CCDFP? | 0:24:37 | 0:24:41 | |
Well, I got into it as a small child, | 0:24:41 | 0:24:44 | |
but I did my show in Africa, | 0:24:44 | 0:24:46 | |
and I thought, "Bring something to the people." | 0:24:46 | 0:24:49 | |
So I was the first white woman | 0:24:49 | 0:24:51 | |
to actually show them how to move in the centre region. | 0:24:51 | 0:24:55 | |
I did get rounds of applause every night from two people. | 0:24:55 | 0:24:59 | |
-So, Ruby... -I'll be using my pelvic floor, | 0:24:59 | 0:25:01 | |
you won't be seeing that bit, but that's working at all times. | 0:25:01 | 0:25:05 | |
-Excellent. -So actually some of the carpet may come up, | 0:25:05 | 0:25:08 | |
that's all I'm saying. | 0:25:08 | 0:25:09 | |
Thank you for warning us. | 0:25:09 | 0:25:11 | |
OK, Ruby, the time has come to put your CCDFP skills to the test. | 0:25:11 | 0:25:15 | |
-If you'd like to take your place over there in the bit over there. -OK. | 0:25:15 | 0:25:19 | |
OK, here with her CCDFP routine, it's Ruby Wax. | 0:25:19 | 0:25:23 | |
MUSIC: "(Waka Waka) This Time For Africa" by Shakira | 0:25:29 | 0:25:32 | |
AUDIENCE CLAPS | 0:25:35 | 0:25:37 | |
# You're a good soldier | 0:25:44 | 0:25:46 | |
# Choosing your battles | 0:25:46 | 0:25:48 | |
# Pick yourself up And dust yourself off | 0:25:48 | 0:25:50 | |
# Get back in the saddle | 0:25:50 | 0:25:52 | |
# You're on the front line Everyone's watching | 0:25:52 | 0:25:56 | |
# You know it's serious We're getting closer | 0:25:56 | 0:25:58 | |
# This isn't over The pressure's on, you feel it | 0:25:58 | 0:26:03 | |
# But you got it all, believe it | 0:26:03 | 0:26:07 | |
# When you fall get up, oh oh If you fall get up, eh eh | 0:26:07 | 0:26:11 | |
# Tsamina mina zangalewa Cos this is Africa | 0:26:11 | 0:26:14 | |
# Tsamina mina, eh eh Waka waka, eh eh | 0:26:14 | 0:26:18 | |
# Tsamina mina zangalewa This time for Africa. # | 0:26:18 | 0:26:22 | |
-Thank you. -CHEERING AND APPLAUSE | 0:26:22 | 0:26:25 | |
I thought you were absolutely wonderful. | 0:26:28 | 0:26:30 | |
-And the carpet is within. -Yes, it is. Congratulations. | 0:26:30 | 0:26:34 | |
You know when, like, Prince Charles and Camilla go on foreign visits | 0:26:34 | 0:26:38 | |
and they end up in a foreign land with tribes-people doing a dance, | 0:26:38 | 0:26:41 | |
and you can see they don't know what to do with their face. | 0:26:41 | 0:26:44 | |
-Yeah. -I've just felt like that for the last two minutes. | 0:26:44 | 0:26:48 | |
So we've seen the nominations for our Hidden Talent Award. | 0:26:48 | 0:26:51 | |
Dave folding T-shirts very fast, Alex throwing a fruit pastel | 0:26:51 | 0:26:55 | |
eventually down the bell of a trumpet, and Ruby's CCDFP routine. | 0:26:55 | 0:27:00 | |
So for the final time this evening, | 0:27:00 | 0:27:02 | |
judges, what is your verdict and why? | 0:27:02 | 0:27:05 | |
-The winner is CCDFP. -Excellent, excellent. | 0:27:07 | 0:27:10 | |
CHEERING AND APPLAUSE | 0:27:10 | 0:27:13 | |
So the winner of the Hidden Talent Award is Ruby Wax. | 0:27:14 | 0:27:18 | |
Well, that's about it for tonight. | 0:27:22 | 0:27:24 | |
All I need to do is award this week's Lucas of Lucases, | 0:27:24 | 0:27:26 | |
the special prize that I always give at the end of the show, | 0:27:26 | 0:27:29 | |
that tonight goes to the bravest guest. | 0:27:29 | 0:27:32 | |
And, well, for sheer persistence in the face of abject failure, | 0:27:32 | 0:27:38 | |
I think that makes you rather brave, | 0:27:38 | 0:27:40 | |
the Lucas of Lucases goes to Alex Horne, ladies and gentlemen. | 0:27:40 | 0:27:43 | |
CHEERING AND APPLAUSE | 0:27:43 | 0:27:46 | |
I'd just like to say thank you to the guy who, um, inspired it. | 0:27:49 | 0:27:53 | |
I read his books. Mr Trudeau. He's just brilliant. | 0:27:53 | 0:27:56 | |
You should get his books, they're really good. | 0:27:56 | 0:27:58 | |
I'm beside mys... I'm beside Ruby Wax. | 0:27:58 | 0:28:01 | |
CHEERING AND APPLAUSE | 0:28:01 | 0:28:03 | |
Well, congratulations once again, and thanks to all of my guests, | 0:28:03 | 0:28:07 | |
Dave Gorman, Ruby Wax and Alex Horne. | 0:28:07 | 0:28:10 | |
To our judges, Peter Dean, John Altman, Leonard Fenton, Nej Adamson. | 0:28:10 | 0:28:13 | |
To my mum and to all of you at home for watching. Good night. | 0:28:13 | 0:28:16 | |
CHEERING AND APPLAUSE | 0:28:16 | 0:28:19 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 |