Browse content similar to Christmas Show 1977. Check below for episodes and series from the same categories and more!
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STARSKY AND HUTCH THEME PLAYS | 0:00:02 | 0:00:06 | |
LAUGHTER AND APPLAUSE | 0:01:32 | 0:01:35 | |
MUSIC: "Bring Me Sunshine" | 0:01:38 | 0:01:43 | |
Thank you very much. | 0:01:53 | 0:01:56 | |
-Thank you. -Thank you. | 0:01:56 | 0:01:59 | |
-Good evening. -Thank you. -Good evening. | 0:01:59 | 0:02:05 | |
-Thank you very much. -Welcome to the Morecambe and Wise Christmas show. | 0:02:05 | 0:02:10 | |
-First, we'd like to wish you all a very merry Christmas. Eric... -Very, very, very merry Christmas. | 0:02:10 | 0:02:18 | |
-We've got a wonderful show for you. -All the names up in lights. -Wonderful scenery, costumes... | 0:02:18 | 0:02:25 | |
beautiful dancing girls. I've written a special play which I'm sure you'll enjoy. | 0:02:25 | 0:02:32 | |
-My play has glamour... -Excuse me. -Yes? | 0:02:32 | 0:02:37 | |
-One moment. -Yes? -Who's Mr Recambe? | 0:02:37 | 0:02:41 | |
-I haven't met Mr Recambe. Who's Mr Recambe, please? -That's you. | 0:02:41 | 0:02:48 | |
But I'm not all there. | 0:02:48 | 0:02:51 | |
We all know that! | 0:02:51 | 0:02:53 | |
-Where's the "MO"? -Why? Aren't you feeling very well? | 0:02:55 | 0:03:00 | |
-You know, MO - medical officer. -Yes. | 0:03:00 | 0:03:04 | |
-It's that. -Oh, I know what you mean! -It's my name. -You can see all mine. -We won't go into that. | 0:03:04 | 0:03:11 | |
-It's a good job my name isn't Sussex. -Why? -It would have been Sex and Wise. -Leave it to me. | 0:03:11 | 0:03:19 | |
I've never worked alone before. | 0:03:19 | 0:03:22 | |
-There you are. -That'll do fine. | 0:03:23 | 0:03:26 | |
-MBE and Wise. -I got an OBE, not an MBE. -That's true. -I'll do it. | 0:03:26 | 0:03:33 | |
Yeah, you fix it. I've never worked alone, you know. | 0:03:33 | 0:03:38 | |
-Ah, that's much better. Wait. There's one thing wrong. -What? | 0:03:38 | 0:03:43 | |
There you are. Morecambe and Wiser because I am. | 0:03:46 | 0:03:51 | |
-You've almost got it right. -Almost? | 0:03:51 | 0:03:55 | |
There we are. | 0:03:55 | 0:03:58 | |
APPLAUSE DROWNS HIS WORDS | 0:04:02 | 0:04:06 | |
Thank you. | 0:04:07 | 0:04:10 | |
-Well, it's lovely to be here. What guest stars do we have on the show? -None. -None? | 0:04:10 | 0:04:17 | |
-None. -No guest stars at all? -Nobody will work with us any more. | 0:04:17 | 0:04:22 | |
-There must be somebody needs the money. -There's one fellow who'll work with us. -Who? -Elephant John. | 0:04:22 | 0:04:30 | |
-You mean ELTON John. -Him. He was on our last Christmas show. He sang "All Sentimental" and got laughs. | 0:04:30 | 0:04:37 | |
-We don't want him. And he's too expensive. -Yeah. -How much does he want? -£35 and two Luton players. | 0:04:37 | 0:04:45 | |
That's almost £50! | 0:04:45 | 0:04:47 | |
-No, we can't afford him. -No. | 0:04:49 | 0:04:52 | |
-Anyway, I've fixed everything. -Will you get rid of him? -He won't be on the show. -Let's get on. -Wait. | 0:04:52 | 0:04:59 | |
-What? -You mentioned Christmas. -Yes. -Well? -What? -Where's my little...? | 0:04:59 | 0:05:05 | |
-Oh, you mean, you want a Christmas present? -If it's ready. -All right. | 0:05:05 | 0:05:10 | |
-There's my credit card. You can have it for ten minutes. -The shops are closed! -Suit yourself! | 0:05:10 | 0:05:18 | |
-Hello. -Hello. -I'm Elton John. I'm here to do the Morecambe and Wise Show. -They told me to give you this. | 0:05:32 | 0:05:40 | |
Oh. Thank you. | 0:05:40 | 0:05:43 | |
"Dear Elephant, Please go to..." Elephant? | 0:05:43 | 0:05:48 | |
"Please go to room 405." | 0:05:48 | 0:05:51 | |
Hm, 405. | 0:05:51 | 0:05:53 | |
-That's the fourth floor. -Thank you. | 0:05:53 | 0:05:56 | |
LAUGHTER | 0:06:09 | 0:06:11 | |
Ladies and gentlemen, it's a time of change and change means progress. | 0:06:12 | 0:06:18 | |
What better time to change than the year of the Silver Jubilee. | 0:06:18 | 0:06:23 | |
Eric says it's 25 years since I opened my wallet! | 0:06:23 | 0:06:27 | |
-I've got a surprise for you... -< Aw-w! | 0:06:27 | 0:06:31 | |
Aw-w! | 0:06:31 | 0:06:34 | |
-What? -What's that? -Ernie? -Yeah? | 0:06:34 | 0:06:37 | |
-Have I ever told you a lie? -No, never. -It's a kitten. | 0:06:37 | 0:06:42 | |
-That's the first lie I've ever told you. -No, it's a puppy. Is it a Christmas present? | 0:06:42 | 0:06:49 | |
-No, I got it from Multi-Coloured Swap Shop. -A children's programme? | 0:06:49 | 0:06:54 | |
-I gave my wrong age over the phone. -You swapped something for the puppy? -Yes. I'll miss the wife. | 0:06:54 | 0:07:02 | |
We don't need jokes, you see, because everybody will go, "Ah-h!" | 0:07:02 | 0:07:08 | |
-Lovely little thing. -Ah-h, yes. Is it a boy-dog? -How can you tell? | 0:07:08 | 0:07:13 | |
-Don't you know? -No. -It's very simple. All you do is... | 0:07:14 | 0:07:19 | |
I've just had me tea! | 0:07:21 | 0:07:23 | |
-I'll do it if you will. -I'm not going to do it. -Let's have a look together. -OK. | 0:07:23 | 0:07:30 | |
-Male. -Female. | 0:07:32 | 0:07:34 | |
-Are you sure? -No, I'm not. -We'll have to wait another couple of months to find out. | 0:07:35 | 0:07:43 | |
-Well, this could be a long spot. -What kind of a dog is it? | 0:07:43 | 0:07:48 | |
-A special one. -Oh? -A cross between a cocker spaniel and a poodle. -What's that? -A cock-a-doodle. | 0:07:48 | 0:07:55 | |
-If you analyse that one, it doesn't make sense. -Could I...? -What? | 0:07:55 | 0:08:00 | |
Certainly. There we are. | 0:08:00 | 0:08:03 | |
-Beautiful little thing, isn't it? -Oh, lovely! Soft, warm tummy. | 0:08:03 | 0:08:08 | |
It's your age. | 0:08:08 | 0:08:11 | |
-You'd better take him back. -Why? -I'll get bitten all over. -I thought we were staying at the same hotel. | 0:08:11 | 0:08:19 | |
Shall I get his trainer on? Young man, here we are. | 0:08:19 | 0:08:24 | |
-Thank you. -Would you like to stroke it? -Yes. Give him the dog. | 0:08:24 | 0:08:29 | |
Thank you very much. | 0:08:29 | 0:08:32 | |
And finally, the Department of the Environment has given the go-ahead for a group of students | 0:08:38 | 0:08:45 | |
to mount a major study into the lifestyle of the dolphin, | 0:08:45 | 0:08:50 | |
and one dolphin in particular called Beaky. | 0:08:50 | 0:08:54 | |
Over the last few years, scientists have become increasingly convinced | 0:08:54 | 0:08:59 | |
that it's the dolphin, not the ape, that bears the closest similarity to the intelligence of the human being. | 0:08:59 | 0:09:07 | |
That's it for now. I'll be back at 9 o'clock with the News At Ten. Oh! | 0:09:07 | 0:09:12 | |
APPLAUSE | 0:09:13 | 0:09:15 | |
-Thank you. -Thank you very much. | 0:09:19 | 0:09:22 | |
-Now it's my great pleasure to introduce you to our guest star. -A famous name? -Yes. -Let me guess. | 0:09:23 | 0:09:31 | |
-Give me a clue... The initials? -AR. | 0:09:31 | 0:09:34 | |
-AR. -AR. | 0:09:34 | 0:09:36 | |
-Got it. -What? -Arthur Askey. | 0:09:36 | 0:09:39 | |
-You're on, Arthur. -No, don't be silly! It's a beautiful young lady. | 0:09:40 | 0:09:45 | |
She's been entertaining millions of viewers every Sunday night on television. | 0:09:45 | 0:09:52 | |
From Poldark, Angharad Rees. | 0:09:52 | 0:09:55 | |
APPLAUSE | 0:09:55 | 0:09:57 | |
Don't hang about, love. We're waiting for Angharad Rees to come on. | 0:10:10 | 0:10:13 | |
Angharad! Lovely to see you. Wonderful! Look at Eric. He's absolutely shattered. | 0:10:14 | 0:10:21 | |
-You're one of his favourites. -Am I, Eric? I didn't know that. | 0:10:21 | 0:10:27 | |
-Good Lord. -He's completely nonplussed. He's all embarrassed. | 0:10:27 | 0:10:32 | |
-It's lovely to have you on the show, Angharad. -Thank you. -Eric. -Yes? -Your hand. -I've got another one here. | 0:10:32 | 0:10:39 | |
He's watched all of your series. | 0:10:39 | 0:10:42 | |
-I didn't know you were a fan, Eric. -(Excuse me.) | 0:10:42 | 0:10:46 | |
I'll tell you something, Hand-grenade... | 0:10:46 | 0:10:50 | |
I was thrilled when I realised that you had escaped. | 0:10:50 | 0:10:55 | |
-Escaped? -From Colditz. | 0:10:55 | 0:10:58 | |
-You blacked up and jumped over that fence. -No, POLDARK. | 0:10:58 | 0:11:03 | |
-Oh. Poldark. -So you watched every episode, Eric? -Every one. With envy. | 0:11:03 | 0:11:08 | |
-Envy? -I was envious of the man who played the part of your husband. | 0:11:08 | 0:11:14 | |
-Oh, you mean Ross. -Yes, Ross. How is Edmundo, these days? | 0:11:14 | 0:11:19 | |
-The last time I saw him he had his maracas up in the air... -That's not something to say to a lady. | 0:11:19 | 0:11:26 | |
-How about you, Ernie? Did you watch Cowpark? -Coalpit. -Poldark. NOT any more. | 0:11:26 | 0:11:33 | |
I saw one episode and I was deeply shocked to see you, a married woman, doing kissing with another man. | 0:11:34 | 0:11:42 | |
I was only acting. | 0:11:42 | 0:11:45 | |
They all say that. | 0:11:45 | 0:11:48 | |
-Let me try and explain. -What? -What? | 0:11:48 | 0:11:52 | |
-He went to war and came back injured. He was in the navy. -I saw that part. He was a deck-hand on a submarine. | 0:11:52 | 0:12:00 | |
-But he went down well. -Oh, good. | 0:12:00 | 0:12:03 | |
-He was in need of comfort so I put my arms around him like this. -Yes? | 0:12:03 | 0:12:09 | |
And I ran my fingers through his hair like this. | 0:12:09 | 0:12:14 | |
Go on. | 0:12:20 | 0:12:23 | |
-I felt so sorry for him I held him close like this. -Yes. -Then I pressed my lips to his neck like this. | 0:12:23 | 0:12:30 | |
-Oh, yab-a-dab-a-doo! And then what happened? -Nothing. -They went into a cave. -They didn't. | 0:12:30 | 0:12:38 | |
We always had a soft spot for sailors. | 0:12:38 | 0:12:42 | |
Ah-ha-ha! | 0:12:42 | 0:12:44 | |
There was a young sailor from Preston who ran down the M1 with no vest on. | 0:12:44 | 0:12:51 | |
-He was just outside Stoke when the big hairy blokes... -That's not necessary. -Right. | 0:12:51 | 0:12:58 | |
Miss Hang-glider...if you'd get changed for your part. | 0:12:58 | 0:13:03 | |
-Do I have something pretty to wear? -If you like wellingtons, yes. -There's a blue dress and a red one. | 0:13:03 | 0:13:11 | |
-Which one do I wear? -The blue one. The red one's his. | 0:13:11 | 0:13:15 | |
Come back here! | 0:13:16 | 0:13:19 | |
Come back, you. | 0:13:19 | 0:13:22 | |
-She's beautiful. -Oh, beautiful. | 0:13:23 | 0:13:26 | |
-Absolutely gorgeous. -Well? | 0:13:26 | 0:13:29 | |
-I want to know... -Yes? -We're doing a scene with her? -Yes. -I get her in the end? -You have your way with her. | 0:13:29 | 0:13:37 | |
-It's all yours. -Yes. -She's madly in love with you. All you do is come on when I give you the cue. | 0:13:37 | 0:13:44 | |
And the cue is? | 0:13:44 | 0:13:47 | |
What was the cue? | 0:13:47 | 0:13:50 | |
I didn't hear the flaming cue, Ern! | 0:13:50 | 0:13:52 | |
Ah, my dear. | 0:14:13 | 0:14:16 | |
-Some tulips for you. -Oh, thank you! | 0:14:16 | 0:14:19 | |
You must be freezing. I'll just give it a bit of a puff. | 0:14:19 | 0:14:24 | |
-I'll go and pour you a nice warm drink, my dear. -Thank you. | 0:14:24 | 0:14:29 | |
Oh, the weather! | 0:14:35 | 0:14:38 | |
Oh, it's cold. This'll warm the cockles of ye heart. | 0:14:40 | 0:14:45 | |
But ye don't want to catch a cold. | 0:14:45 | 0:14:47 | |
AH-H-TCHOO ! | 0:14:48 | 0:14:51 | |
I'm sorry about that. I didn't realise your cat had been run over. | 0:14:51 | 0:14:56 | |
-What are you doing here? I wish to be alone with this young lady. -Sire, it be FREEZING out there. | 0:14:56 | 0:15:04 | |
-We know how to keep one another warm. -But I need a YOUNG man. -He's well past his sell-by date. | 0:15:04 | 0:15:11 | |
-Would you please get out? -Sire, | 0:15:11 | 0:15:13 | |
it's so cold out there, they're laying men off at the brass foundry. | 0:15:13 | 0:15:20 | |
-And I must get to Truro. -You cannot go to Scotland in this weather. | 0:15:20 | 0:15:25 | |
-YOU are going out in that snow and you're going out there NOW. -Scotland? | 0:15:25 | 0:15:32 | |
Oh, Eve, never leave. | 0:15:34 | 0:15:37 | |
What are you...?! | 0:15:37 | 0:15:40 | |
-I do get her in the end, don't I? -You make love to her when I give you the cue. -And the cue is? | 0:15:40 | 0:15:48 | |
-MUMBLES SOMETHING -You sound foreign to me! | 0:15:48 | 0:15:52 | |
-My dear, would you care to sit down? -Thank you. | 0:15:55 | 0:15:59 | |
How would you like a romantic interlope with the most beautiful, handsome, virile lover | 0:16:06 | 0:16:13 | |
in the whole of Cornshire? | 0:16:13 | 0:16:16 | |
-OK. But if he's not here in ten minutes, I'm leaving. -Please! | 0:16:16 | 0:16:21 | |
BAND PLAYS INTRODUCTION TO A SONG | 0:16:21 | 0:16:25 | |
-# I really can't stay -Baby, it's cold outside | 0:16:29 | 0:16:34 | |
-# I've got to get away -Baby, it's cold outside | 0:16:34 | 0:16:38 | |
# This evening has been so very nice. | 0:16:38 | 0:16:42 | |
# I'll hold your hands They're just like ice | 0:16:42 | 0:16:46 | |
# My mother will start to worry And Father will be pacing the floor | 0:16:46 | 0:16:52 | |
-# -Listen to the fireplace roar | 0:16:52 | 0:16:55 | |
-# So, really, I'd better scurry -Beautiful, please don't go home -Well, maybe just to have a drink | 0:16:55 | 0:17:02 | |
-# The neighbours might think... -You'll freeze out there | 0:17:02 | 0:17:07 | |
-# What became of my drink? -It's knee-high out there | 0:17:07 | 0:17:11 | |
-# I wish I knew how... -Your eyes are like starlight now -..To break the spell | 0:17:11 | 0:17:17 | |
-# -I'll hold your hand, your hair looks swell -I have to say no, no, no | 0:17:17 | 0:17:23 | |
-# At least I can say that I tried -What's the sense in hurting my pride? | 0:17:23 | 0:17:28 | |
-# I really can't stay -Baby, don't hold out | 0:17:28 | 0:17:31 | |
# Baby, it's cold outside. # | 0:17:31 | 0:17:37 | |
Now's your chance! | 0:17:43 | 0:17:46 | |
ORCHESTRA PLAYS "That's Entertainment" | 0:17:53 | 0:17:58 | |
Tea, Ern. | 0:19:09 | 0:19:12 | |
Tea-urn! That's a belter, that. I haven't done that one for years. | 0:19:15 | 0:19:20 | |
-That's one for the archives, that. -It should be IN the archives. | 0:19:20 | 0:19:25 | |
You've done it for a million years. | 0:19:25 | 0:19:28 | |
That's the job finished now. | 0:19:29 | 0:19:32 | |
Just the one wallet in that crate, is there? | 0:19:32 | 0:19:36 | |
-Do we have to leave? -We have to progress in this world. | 0:19:39 | 0:19:44 | |
The new place is beautiful. It's better than here and much cheaper than this dump. | 0:19:44 | 0:19:52 | |
Is it? | 0:19:52 | 0:19:54 | |
-When will the van be here? -Soon as the doctor's signed the certificate. | 0:19:54 | 0:19:59 | |
-Tell you what. -What? -We've had a few laughs here. -We have. | 0:19:59 | 0:20:04 | |
-Remember we used to talk about Aston Street school. -I forget. | 0:20:04 | 0:20:10 | |
You always said that when I said Aston Street school. Was that on account of...Miss? | 0:20:10 | 0:20:18 | |
Nothing to do with Miss. | 0:20:18 | 0:20:21 | |
Nothing at all. | 0:20:21 | 0:20:24 | |
You never did tell me. Why did she keep you in? | 0:20:24 | 0:20:29 | |
-Every night she kept you in after school. -Forget it! | 0:20:29 | 0:20:32 | |
Tell me. Go on. I'm your friend. | 0:20:33 | 0:20:36 | |
If you think I'm gonna stand here and talk about such a little thing, you're mistaken. | 0:20:36 | 0:20:43 | |
I don't want to know what she said, just why she kept you in. | 0:20:43 | 0:20:48 | |
-I was only ten. How do you expect me to remember what happened 20 years ago? -I shouldn't have asked. | 0:20:48 | 0:20:56 | |
-We must look to the future today, not the past. We must progress. -SIREN | 0:20:56 | 0:21:02 | |
-Is that an ambulance? -No, it was Shaw Taylor going home for lunch. | 0:21:02 | 0:21:08 | |
-Hey, I remember the first time you ever stuck your head out this window. -When was that? | 0:21:10 | 0:21:17 | |
It was blowing a gale. It blew your wig off. | 0:21:17 | 0:21:23 | |
It landed in that garden. An old lady gave it a saucer of milk. | 0:21:23 | 0:21:29 | |
I remember that. | 0:21:29 | 0:21:31 | |
Will you come away from that window? People'll think we've got double-glazing. | 0:21:31 | 0:21:38 | |
-Eric? -You've got a good memory for names. | 0:21:41 | 0:21:45 | |
I'll talk to you. | 0:21:45 | 0:21:48 | |
-I've known you a long time. -I know. -And I know what's worrying you. -What? -Fear. | 0:21:48 | 0:21:55 | |
-Fear? -Yes. -Fear of what? -Fear of change. -I'm not frightened of change. -You're not? | 0:21:55 | 0:22:02 | |
-I watch News at Ten. -What? -I like to see Reginald Bosanquet's hair change colour after the commercial. | 0:22:02 | 0:22:10 | |
-Do we have to leave, Ern? -The new place is much better and cheaper. | 0:22:10 | 0:22:16 | |
Cast your baby-blue eyes over that, my boy. | 0:22:18 | 0:22:23 | |
-It's a beautiful home. -Yes. -Whose is it? -Ours! That's the one we're getting. -Do me a favour! | 0:22:23 | 0:22:30 | |
-Yeah! -That's almost a stately home. -Built by Wren. -Eh? -Built by Wren. | 0:22:30 | 0:22:36 | |
How a tiny little bird can carry all these bricks I'll never know. | 0:22:36 | 0:22:41 | |
-Lord Nel... -Hey. -What? -What? -Lord Nelson stayed there. -With David Hamilton? | 0:22:41 | 0:22:48 | |
-LADY Hamilton. -Is there a difference? | 0:22:48 | 0:22:53 | |
-Look at that! -Yeah. -It's got a TV aerial. -Lord Nelson had it rewired before he left. | 0:22:53 | 0:23:00 | |
Oh. | 0:23:00 | 0:23:02 | |
-It's built in the classical style. -You can tell that. -Eaves sticking out of the window. -She's a big girl. | 0:23:02 | 0:23:09 | |
-There you are. -I love the countryside. -Do you like the country? -I just said that. | 0:23:11 | 0:23:18 | |
-I love the countryside. -Do you like nature? -Till me back went. -Oh. | 0:23:18 | 0:23:24 | |
-I don't want to leave this flat. -DOORBELL RINGS -That'll be the removal men. | 0:23:24 | 0:23:31 | |
-There you are, gentlemen. -Don't worry, lads, this time tomorrow you'll be in Amsterdam. | 0:23:31 | 0:23:39 | |
Be careful with him. He's in there. | 0:23:39 | 0:23:42 | |
Thanks a lot, boys. There'll be no tips. You've been warned, have you? | 0:23:42 | 0:23:47 | |
-Thank you very much. -Oh, he got a pat on the back, did he? -Yeah. | 0:23:47 | 0:23:53 | |
-Ah, well, that's it, then. -Yeah. But don't upset yourself. | 0:23:54 | 0:24:00 | |
-Don't upset yourself. You'll get me going. -I think the car's arrived. Shall I wait for you downstairs? | 0:24:01 | 0:24:09 | |
-Tell you what, you wait for me downstairs. -OK. | 0:24:09 | 0:24:13 | |
Forgot your coat? | 0:24:17 | 0:24:20 | |
I'll see you both downstairs then. | 0:24:33 | 0:24:35 | |
-Ern? -Yeah? -The dog's wee'd on your dressing-gown. | 0:25:16 | 0:25:21 | |
CAR IS REVVED UP | 0:25:37 | 0:25:40 | |
BRAKES SCREECH | 0:25:56 | 0:25:59 | |
MINI SCREECHES TO A HALT | 0:26:25 | 0:26:28 | |
Here. What about a tip, then? | 0:26:39 | 0:26:41 | |
Certainly. Leave the women alone. | 0:26:41 | 0:26:44 | |
-You're in for a big surprise. I'll put the light on. -Good Lord! | 0:26:55 | 0:27:00 | |
-There you are. -This is fantastic! -It's luxury. -Beautiful! -It's better and cheaper than our last place. | 0:27:00 | 0:27:08 | |
-It is. -And it's got a beautiful view. Take a look. -Over there? | 0:27:08 | 0:27:14 | |
Just open the curtains. | 0:27:14 | 0:27:17 | |
-Aye? What do you want? -Uhm...I've got a letter...about the Morecambe and Wise Show. | 0:27:36 | 0:27:44 | |
You'll have to ask Sgt Wilson. | 0:27:44 | 0:27:47 | |
-Can I help you? -I've got a letter about the Morecambe and Wise Show. | 0:27:47 | 0:27:52 | |
You'll have to ask Captain Mainwaring. | 0:27:52 | 0:27:56 | |
MUMBLES | 0:27:56 | 0:27:58 | |
Morecambe and Wise. | 0:27:58 | 0:28:01 | |
Stupid boy. | 0:28:09 | 0:28:12 | |
# We got sunlight on the sand We got moonlight on the sea | 0:28:21 | 0:28:26 | |
# We got mangoes and bananas You can pick right off a tree | 0:28:26 | 0:28:30 | |
# We got volleyball and ping-pong And a lot of dandy games | 0:28:30 | 0:28:34 | |
# What ain't we got? We ain't got dames. | 0:28:34 | 0:28:38 | |
# We get packages from home We get movies, we get shows | 0:28:41 | 0:28:46 | |
# We get speeches from our skipper We get letters doused with perfume We get dizzy from the smell | 0:28:46 | 0:28:53 | |
# What don't we get? You know darn well. | 0:28:53 | 0:28:58 | |
-# -We got nothing to put on a clean white shirt for | 0:28:58 | 0:29:03 | |
-# -We've got nothing to look masculine and...cute for | 0:29:04 | 0:29:09 | |
# There is nothing like a da-a-ame Nothing in the world | 0:29:10 | 0:29:16 | |
# There is nothing you can name That is anything like a da-a-ame | 0:29:16 | 0:29:24 | |
# There are no books like a dame - Ah-ah-ah... | 0:29:24 | 0:29:29 | |
# Nothing looks like a dame - Ah-ah-ah... | 0:29:29 | 0:29:34 | |
# There are no drinks like a dame - Ah-ah-ah... | 0:29:34 | 0:29:39 | |
# And nothing thinks like a dame - Ah-ah... | 0:29:39 | 0:29:44 | |
# Nothing acts like a dame - Oh-oh... | 0:29:44 | 0:29:48 | |
# Or attracts like a dame - Oh-oh... | 0:29:48 | 0:29:51 | |
# There ain't a thing that's wrong with any man here | 0:29:51 | 0:29:55 | |
# That can't be cured by putting him near | 0:29:55 | 0:29:59 | |
# A girlie, womanly, female, feminine da-a-a-ame. | 0:29:59 | 0:30:05 | |
# We feel lonely and we long For the fair and gentle sex | 0:30:05 | 0:30:08 | |
# We would like to feel some arms around our necks | 0:30:08 | 0:30:11 | |
# We feel hungry as the wolf in Red Riding Hood | 0:30:11 | 0:30:15 | |
# What don't we feel? We don't feel good. | 0:30:15 | 0:30:19 | |
# Lots of things in life are beautiful but, brother... | 0:30:20 | 0:30:26 | |
# There is one particular thing that is nothing whatsoever in any way, shape or form | 0:30:26 | 0:30:33 | |
# like any other - Other-er. # Who said that? | 0:30:33 | 0:30:39 | |
Berk! THEY WHISTLE THE TUNE | 0:30:39 | 0:30:44 | |
WHISTLING STOPS | 0:30:52 | 0:30:54 | |
ORCHESTRA CONTINUES TO PLAY THE TUNE | 0:30:54 | 0:31:00 | |
# There is nothing like a dame | 0:31:54 | 0:31:57 | |
# Nothing in the world | 0:31:57 | 0:32:01 | |
# There is nothing you can name That is anything like a dame | 0:32:01 | 0:32:08 | |
# There ain't a thing that's wrong with any man here | 0:32:08 | 0:32:12 | |
# That can't be cured by putting him near | 0:32:12 | 0:32:16 | |
# A girly, womanly, female, feminine da-a-a-a-ame. | 0:32:16 | 0:32:24 | |
BASSO PROFUNDO # There is absolutely nothing like the frame | 0:32:27 | 0:32:34 | |
# Of a-a-a... | 0:32:34 | 0:32:40 | |
# Da-a-a-ame. # | 0:32:40 | 0:32:44 | |
Dame! | 0:32:47 | 0:32:49 | |
-I'd like to tell you about my new play entitled Cyrano de Bergerac. -Oh, a knock-out, that. | 0:33:41 | 0:33:48 | |
-You play Cyrano de Bergerac. -Thanks a lot. -This is what I want you to do. | 0:33:48 | 0:33:55 | |
-LAUGHTER -What? | 0:33:55 | 0:33:59 | |
You've got to learn a lot of poetry. "I am Cyrano de Bergerac. I've got this big nose." | 0:33:59 | 0:34:06 | |
-Ladies and gentlemen! -Ladies and gentlemen, I can't believe it. | 0:34:06 | 0:34:12 | |
-Good Lord! Isn't this wonderful! -Your friend and mine, Mr Francis Matthews! | 0:34:12 | 0:34:19 | |
-Are you looking forward to the show? -Oh, immensely! -Good. | 0:34:19 | 0:34:23 | |
-Well, I'm looking forward to it. -Good. -ERIC SNORES | 0:34:23 | 0:34:29 | |
-Well, I'm looking. -Yes. -I need the money. -Well, you play Count de Basie. | 0:34:29 | 0:34:36 | |
-A one-two-three-four. -I think he'll be very good. -One of the finest men you've had. -He'll be excellent. | 0:34:36 | 0:34:43 | |
-Eric! -Yes? -Are you partaking of intoxicating liquor? -No. Rheumatism. I can't bend my elbow. | 0:34:43 | 0:34:51 | |
-I can't do that. Not with that arm. -No. -I can't with that arm either. | 0:34:51 | 0:34:56 | |
-Francis, have you read my play? -No. My wife read it to me in bed. | 0:34:56 | 0:35:01 | |
It's funny you should say that. My wife and I have reached that stage as well. | 0:35:01 | 0:35:08 | |
-You can't have everything in life...and I never did. -What did your wife...? | 0:35:08 | 0:35:15 | |
-What did...? -That was an extra one. -Did your wife like my play? | 0:35:15 | 0:35:20 | |
-She said if I took part in it I'd be demeaning myself. -Isn't that nice? -He's doing it again! | 0:35:20 | 0:35:28 | |
-Francis, are you a hard drinker? -No, I find it very easy. -I wish I'd thought of that. | 0:35:28 | 0:35:35 | |
-If I could tell you about my play. It's an historical play. -Why are we doing it on a...? | 0:35:35 | 0:35:42 | |
Mm-mm-mm-mm. | 0:35:42 | 0:35:44 | |
-Why are we doing it on a revolving stage? -Why are we doing it on a revolving stage? -What? | 0:35:44 | 0:35:51 | |
-Why is your speech slurred? -The floor's slippery. -This is not a revolving stage! -It feels like it. | 0:35:51 | 0:35:58 | |
-Slippery! Did you hear that? Hello! -Let me get on. -I'm ready when you are. -That's the spirit. | 0:35:58 | 0:36:06 | |
-Good idea, spirit. -Help yourself. -Thank you. | 0:36:06 | 0:36:10 | |
"That's Entertainment" RECORDING IS SPEEDED UP | 0:36:12 | 0:36:18 | |
-APPLAUSE -Thank you. | 0:36:33 | 0:36:36 | |
Ladies and gentlemen... | 0:36:36 | 0:36:39 | |
Please, please. | 0:36:39 | 0:36:41 | |
Our next guest star is one of the most popular actresses on TV today. | 0:36:41 | 0:36:47 | |
-Here she is, Miss Penelope Keith! -Hey-hey-hey! Ha-ha! Ha-ha! | 0:36:47 | 0:36:52 | |
APPLAUSE | 0:36:52 | 0:36:54 | |
Penelope, it's great to have you on the show. We're really thrilled, aren't we, Eric? | 0:37:02 | 0:37:09 | |
Thank you very much, Kermit. | 0:37:09 | 0:37:12 | |
It's like being on the puppet show. | 0:37:15 | 0:37:18 | |
Muppet! | 0:37:19 | 0:37:21 | |
No, dear, puppet. | 0:37:21 | 0:37:24 | |
-Penelope, it is a unique honour... -I'd rather you didn't kiss my hand. It's frightfully unhygienic. | 0:37:24 | 0:37:31 | |
Well, that's put the blocks on what I had in mind. | 0:37:31 | 0:37:36 | |
If you do this show, if you do his play, you would end up in the series. | 0:37:37 | 0:37:44 | |
-I'm in a series. -Two minutes with me and you've got your own series! Can I introduce you...? -I know him. | 0:37:44 | 0:37:52 | |
How are you, Derek? | 0:37:52 | 0:37:54 | |
-About your play, Mr Wise... -Ah, yes. It's a sad, romantic play. | 0:37:57 | 0:38:02 | |
-It's about the beautiful Roxanne and a poet who's madly in love with her, a fellow with a big hooter. -Ah. | 0:38:02 | 0:38:10 | |
That part's going to be played by Derek? | 0:38:10 | 0:38:14 | |
-She keeps calling me Derek! -It will be an honour to work with you, Derek. | 0:38:14 | 0:38:19 | |
It's a pleasure and an honour to work with you, Penelope. | 0:38:19 | 0:38:24 | |
-Have you seen any of my plays on television? -I did once catch a tiny glimpse of one of your plays. | 0:38:24 | 0:38:32 | |
-I'm afraid I found it rather violent. -Violent ?! | 0:38:32 | 0:38:37 | |
-What do you mean? -It was just a tiny glimpse, you see, and all I saw was this. | 0:38:37 | 0:38:44 | |
-HE does that to ME. -Oh, yes. | 0:38:46 | 0:38:49 | |
I see. So perhaps... had some meaning, Derek? | 0:38:49 | 0:38:53 | |
She's hitting me and calling me Derek now. | 0:38:53 | 0:38:57 | |
-I couldn't understand what slapping Derek's face had to do with the play. -My name is Eric. | 0:38:57 | 0:39:05 | |
Oh, I AM sorry, Mr Moron. All I saw was... | 0:39:05 | 0:39:09 | |
-Don't! No! -You could be right. -Be nice to the lady. | 0:39:12 | 0:39:16 | |
-Be nice and charming. She's a lady. -I will. -About my play, Penelope... -I don't want to do it. | 0:39:16 | 0:39:24 | |
You don't want to... | 0:39:27 | 0:39:29 | |
-I want to do what the other lady stars did, like Vanessa Redgrave and Glenda Jackson. -We're past that age. | 0:39:29 | 0:39:37 | |
-My legs have gone. -His legs have gone. -No... -Well, one of them has. | 0:39:37 | 0:39:42 | |
-I want to walk down a staircase, a very glamorous staircase. -Ah! -Ah! -That could be. -No. | 0:39:42 | 0:39:49 | |
-Have we got a cairstase? -We haven't got a staircase. -We could get you a staircase later. -It can be arranged. | 0:39:49 | 0:39:57 | |
If you will do my play, then you can walk down the stairs like the Hollywood stars. OK? | 0:39:57 | 0:40:04 | |
-If I do your play, it will cost you extra money. -Ah. -It's a bit difficult. -Got some up there? -No. | 0:40:04 | 0:40:11 | |
-Extra money, well... You see this fiver? -Yes. -After you've done my play, I'll show it to you again. | 0:40:11 | 0:40:19 | |
-We can't be fairer than that. -Then I walk down the staircase? -Ready when you are. -Come this way. | 0:40:19 | 0:40:26 | |
Come along, Derek. | 0:40:26 | 0:40:29 | |
"That's Entertainment" IS PLAYED VERY FAST | 0:40:31 | 0:40:37 | |
DRAMATIC MUSIC PLAYS | 0:40:50 | 0:40:53 | |
What will happen when the beautiful Roxanne arrives? I love her so much. | 0:41:58 | 0:42:04 | |
-Luckily, here comes my friend Cyrano de Bergerac. -"HORSES HOOVES" CLATTER | 0:42:04 | 0:42:11 | |
BRAKES SCREECH | 0:42:11 | 0:42:14 | |
MUSIC: "The Generation Game" theme | 0:42:15 | 0:42:19 | |
Look what they did to my nose! | 0:42:29 | 0:42:32 | |
-If I sneeze now, I could blow me hat off. -Oh, really? | 0:42:32 | 0:42:37 | |
If it rains, I could drown! | 0:42:38 | 0:42:41 | |
-However, I always carry a spare. -A spare? -Yes. | 0:42:41 | 0:42:45 | |
I'll have the same as him only slower. Look - a Chinese noseaway. | 0:42:45 | 0:42:51 | |
That'll be all right once it's run in. | 0:42:52 | 0:42:56 | |
-Has the beautiful Roxanne arrived? -About five minutes ago with that blackguard Count de Basey. | 0:42:58 | 0:43:03 | |
A one-two, a one-two-three-four. | 0:43:03 | 0:43:07 | |
-I don't like him. -No. -He made fun of my nose. -Don't let him do that. | 0:43:07 | 0:43:12 | |
If it wasn't for this I'd be able to tell Roxanne how much I love her. | 0:43:12 | 0:43:19 | |
-I can't believe it. He also loves Roxanne. -Yes, I know. | 0:43:19 | 0:43:26 | |
-Go and get the tickets. -Leave him alone. | 0:43:27 | 0:43:32 | |
What have you got for me? | 0:43:33 | 0:43:36 | |
-I've got two in the circle. -I had noticed. | 0:43:36 | 0:43:40 | |
-I could let you have one in the stalls. -They all say that! | 0:43:40 | 0:43:45 | |
-I can give you two in a box. -There's a novelty. -Hurry up! | 0:43:45 | 0:43:50 | |
My name is Cyrano, a swordsman and poet. | 0:43:52 | 0:43:57 | |
My words give the ladies a thrill. And now I'd like your assistance 'cos my nose is stuck in this grill. | 0:43:57 | 0:44:04 | |
-Thank you. -They've gone to the box. We must follow them. -Of course. | 0:44:04 | 0:44:10 | |
Disgusting. | 0:44:11 | 0:44:13 | |
There's a bum show on here next week. | 0:44:14 | 0:44:18 | |
Looks like Kojak with a deep frown. | 0:44:18 | 0:44:20 | |
APPLAUSE | 0:44:32 | 0:44:34 | |
ORCHESTRA STARTS TO PLAY | 0:44:39 | 0:44:43 | |
That young man in the orchestra. | 0:44:46 | 0:44:48 | |
-FRENCH ACCENT: -Yes? What about him? | 0:44:48 | 0:44:52 | |
-Is his hand cold? -I don't think so. | 0:44:52 | 0:44:55 | |
Then why has he shoved it up his bugle? | 0:44:55 | 0:44:59 | |
-It is a French horn. He 'as to play it with 'is 'and up it. -Oh, I see. | 0:44:59 | 0:45:04 | |
-I suppose that's because he can't reach it with his foot. -Oh-ho! | 0:45:04 | 0:45:10 | |
Zis girl, she is a beautiful dancer. | 0:45:11 | 0:45:15 | |
-Have you seen her Giselle? -I tried to once but I hurt my neck. | 0:45:15 | 0:45:20 | |
Argh! | 0:45:48 | 0:45:50 | |
Mademoiselle... | 0:45:55 | 0:45:56 | |
Please, remain on your knees. | 0:46:01 | 0:46:04 | |
You look like a pint of milk. | 0:46:05 | 0:46:08 | |
Mademoiselle Roxanne, I saw you at ze theatre last night and... | 0:46:10 | 0:46:15 | |
..fell instantly in love with me because never before had you seen so beautiful a woman. Pour me a drink. | 0:46:15 | 0:46:23 | |
But of course. | 0:46:23 | 0:46:26 | |
Aha! I've got a Hock. | 0:46:26 | 0:46:28 | |
Well, put your head between your knees | 0:46:28 | 0:46:32 | |
and don't forget to close your eyes. You're a big boy now. | 0:46:32 | 0:46:35 | |
Ah, but, mademoiselle, I am so unworthy of you. | 0:46:44 | 0:46:49 | |
How very true. Come in! | 0:46:49 | 0:46:52 | |
LOUD KNOCK AT DOOR | 0:46:52 | 0:46:55 | |
-Mademoiselle Roxanne! -How quaint. This one's already on his knees. | 0:46:58 | 0:47:03 | |
-The meter is under the stairs. -I'm not the meter reader. Remember, I was at the theatre last night? | 0:47:03 | 0:47:10 | |
-Yes, I remember. -She remembers me! | 0:47:10 | 0:47:14 | |
-Mademoiselle, I don't know how to say I love you! -Try. -Try? -I love Roxanne! I'll have your life. | 0:47:14 | 0:47:22 | |
You won't. I haven't finished with it yet! | 0:47:22 | 0:47:26 | |
-You wouldn't say that if my friend Cyrano de Bergerac was here! -Is he coming here? -He's a great swordsman. | 0:47:26 | 0:47:33 | |
-And he 'as a big 'ooter. -Why is the silly creature coming here? -I don't know but here he comes now. | 0:47:33 | 0:47:41 | |
'Evening, all. Sorry I'm late. I've just been to the optician's and he said he couldn't see me. | 0:48:03 | 0:48:11 | |
-Roxanne...as beautiful as ever. -Thank you. She's there. -Has this accident been reported? | 0:48:25 | 0:48:33 | |
Madame, you're beautiful. | 0:48:33 | 0:48:35 | |
Just how did your nose get so long? | 0:48:40 | 0:48:43 | |
It was where my nanny used to lift me out of the bath. | 0:48:43 | 0:48:48 | |
It could have been worse. | 0:48:48 | 0:48:50 | |
Or better. | 0:48:55 | 0:48:58 | |
-Roxanne...I love you. -Roxanne, I love you. | 0:49:00 | 0:49:03 | |
I love you, Roxanne, but alas you are only a child. | 0:49:03 | 0:49:08 | |
On my last birthday cake, there were 21 candles, weren't there? | 0:49:08 | 0:49:11 | |
-There was on my slice. -You bounder! | 0:49:11 | 0:49:16 | |
It's the way he tells 'em! | 0:49:16 | 0:49:18 | |
-Perhaps you would like to feel ze edge of my blade. -I'm ready when you are, Mr Wilkinson. | 0:49:18 | 0:49:26 | |
-You long-nosed fool! -NOBODY calls me a long-nosed fool. -Don't let him insult your conk. | 0:49:26 | 0:49:33 | |
-Nobody insults this and gets away with it. -NOBODY makes nasty remarks about his snitch. -Yes. | 0:49:33 | 0:49:40 | |
-You must have satisfaction. -You're very kind but I'll see to him first. -I'll deal with this Nancy-boy. | 0:49:40 | 0:49:47 | |
-Ho-ho-ho-ho. -It's the way he walks. | 0:49:47 | 0:49:50 | |
You coward! | 0:49:52 | 0:49:55 | |
BOTH: Thrust, parry. | 0:49:56 | 0:49:59 | |
-Laurel! -Hardy! Little and Large! -Argh! | 0:49:59 | 0:50:03 | |
Oh! | 0:50:04 | 0:50:06 | |
-Is he dead? -No, no, he always looks like that. | 0:50:07 | 0:50:12 | |
-Oh, excuse me! -Certainly. | 0:50:12 | 0:50:15 | |
Oh-h! | 0:50:15 | 0:50:17 | |
-Mademoiselle, I throw myself at your feet. -I should like that. | 0:50:19 | 0:50:24 | |
It's not fair. He'd be there before me. | 0:50:24 | 0:50:27 | |
-Are you looking at my legs? -No. I'm above that. | 0:50:27 | 0:50:32 | |
-What would I have to give you for a little kiss? -Chloroform. | 0:50:32 | 0:50:37 | |
-Mademoiselle, everything I have is yours. -Would you like to buy a magnifying glass? | 0:50:41 | 0:50:48 | |
-Where did you get those beautiful eyes? -They came with the face. | 0:50:48 | 0:50:53 | |
-It's a beautiful perfume. What is it? -£20 an ounce. -Smell that. -What's that? -Gravy. 20p a gallon. | 0:50:53 | 0:51:01 | |
Oh! | 0:51:03 | 0:51:05 | |
I want a man who's strong as a lion, extremely handsome and as wise as Solomon. | 0:51:05 | 0:51:12 | |
Lucky we met. | 0:51:12 | 0:51:15 | |
-If I married you, what would happen when I reached forty? -I'd change you for two twenties. | 0:51:17 | 0:51:24 | |
-Would you like a little drink? -I'll help myself to a lager. | 0:51:24 | 0:51:29 | |
-They're all at it, you know. -Yes. | 0:51:29 | 0:51:32 | |
Is it Harp? | 0:51:32 | 0:51:34 | |
AUDIENCE LAUGHTER DROWNS HIS WORDS | 0:51:40 | 0:51:44 | |
-This is the beer that reaches parts other beers can't reach. -You've had 4 pints. -It's still not got there. | 0:51:57 | 0:52:05 | |
-However...will you love me...when I'm old and ugly? -Of course I do. | 0:52:05 | 0:52:11 | |
-That's not what I said. -I'm going home. | 0:52:11 | 0:52:15 | |
-Yes, I don't blame you. -Your cheque's in the post. -Sit down. Take the weight off your nose. | 0:52:15 | 0:52:22 | |
-# -Look at you. -Look at me. -Wish that we could always be -..so young | 0:52:26 | 0:52:34 | |
-# -So gay. -That's him...today. | 0:52:34 | 0:52:39 | |
-# -Look ahead -Can't you see... | 0:52:39 | 0:52:44 | |
-# -..what our future's going to be? | 0:52:44 | 0:52:47 | |
-# -When I'm not young -And he's not gay | 0:52:47 | 0:52:51 | |
-# -To me he'll always seem that way | 0:52:51 | 0:52:54 | |
-# -Some day your figure is bound to spread | 0:52:54 | 0:52:58 | |
# Your fallen arches will drop like lead | 0:52:58 | 0:53:02 | |
-# -You'll find your beautiful smile has fled -No hair on top of your shiny head | 0:53:02 | 0:53:08 | |
-# -Don't let the wrinkles upset you -I'll still be happy I met you | 0:53:08 | 0:53:13 | |
# Darn it, baby, that's lo-o-ove. | 0:53:13 | 0:53:20 | |
-# -Some day you're gonna have chins to spare | 0:53:20 | 0:53:23 | |
-# -Where are the muscles that once were there? | 0:53:23 | 0:53:27 | |
-# -You'll sit and rock in your rockin' chair -Gosh, you'll be a gruesome pair | 0:53:27 | 0:53:33 | |
# Though you're a physical wreck, dear, I'll still be happy to neck, dear | 0:53:33 | 0:53:39 | |
# Darn it, baby, that's lo-o-ove. # | 0:53:39 | 0:53:44 | |
DEEP VOICE Despite the fake leg. | 0:53:59 | 0:54:02 | |
# Some day your memory's gonna fail You'll be exhausted when you inhale | 0:54:02 | 0:54:07 | |
-# -You'll need bifocals to read the mail | 0:54:07 | 0:54:10 | |
# I'll find your jokes a wee bit stale | 0:54:10 | 0:54:14 | |
-# -Called June and look like December -It's May, I'm gonna remember | 0:54:14 | 0:54:19 | |
# You will always be my turtle do-ve | 0:54:19 | 0:54:25 | |
-# It's me for you -And you for me, -Collecting social security. # | 0:54:25 | 0:54:31 | |
-Mouche! -# Darn it, baby, that's... # -Mouche! -# Darn it, baby, that's... # -Halt! | 0:54:31 | 0:54:37 | |
# Darn it, baby, that's lo-o-o-ove. # | 0:54:37 | 0:54:44 | |
APPLAUSE | 0:55:02 | 0:55:04 | |
Now can I do the staircase? | 0:55:12 | 0:55:15 | |
-You promised that I could walk down the staircase like they do in Hollywood. -Yes. -Hollywood? -Yes. | 0:55:15 | 0:55:22 | |
-Not Cricklewood? -No, Hollywood. -It's been arranged, hasn't it? -Ready when you are. -Step this way. | 0:55:22 | 0:55:29 | |
-Thank you. -Thank you very much. | 0:55:29 | 0:55:32 | |
ORCHESTRA IS PLAYING | 0:55:35 | 0:55:38 | |
-I can't get down there. I suffer from vertigo. -She suffers from vertigo. That's wind, isn't it? | 0:56:33 | 0:56:40 | |
I don't like heights. | 0:56:40 | 0:56:43 | |
-If you get down there, and I'll come down and she'll climb down. -I can't climb down in this dress. | 0:56:43 | 0:56:51 | |
My hand! Where is it? It's where it shouldn't be. | 0:56:51 | 0:56:54 | |
-I can't climb down in this dress. -Do something with it. | 0:56:54 | 0:56:59 | |
-It's been specially made. -I know. | 0:56:59 | 0:57:02 | |
-If you just climb down here. -I really don't like heights at all. | 0:57:02 | 0:57:07 | |
-Now, can you get that leg down? -I'll hold on to her. | 0:57:07 | 0:57:12 | |
-Dignity at all times. -Yes. | 0:57:14 | 0:57:17 | |
This one... | 0:57:20 | 0:57:23 | |
Where's my hand? | 0:57:24 | 0:57:27 | |
Lovely...oh! | 0:57:29 | 0:57:31 | |
-Yes, fine. How are we doing now? -I've got you. | 0:57:31 | 0:57:36 | |
There we are. Right. | 0:57:37 | 0:57:40 | |
-I don't think... -Yes... | 0:57:40 | 0:57:43 | |
Keep smiling. | 0:57:45 | 0:57:47 | |
Now...let's go forward. | 0:57:50 | 0:57:53 | |
-I've had enough of this. -Had enough? -Yes, I have. I'm going home. | 0:57:57 | 0:58:02 | |
-What did we do wrong? -Who's upset Penelope? | 0:58:03 | 0:58:07 | |
-I don't know. -Something's upset her. -She did the walk down the stairs. -Dignity. -Yes. -Gently. | 0:58:07 | 0:58:15 | |
# Bring me sunshine...in your smile | 0:58:35 | 0:58:40 | |
# Bring me laughter...all the while | 0:58:40 | 0:58:45 | |
# In this world where we live | 0:58:45 | 0:58:49 | |
# There should be more happiness | 0:58:49 | 0:58:52 | |
# So much joy you can give | 0:58:52 | 0:58:55 | |
# To each brand new, bright tomorrow | 0:58:55 | 0:58:59 | |
# Make me happy...through the years | 0:58:59 | 0:59:04 | |
# Never bring me...any tears | 0:59:04 | 0:59:09 | |
# Let your arms be as warm | 0:59:09 | 0:59:13 | |
# As the sun from up above | 0:59:13 | 0:59:16 | |
# Bring me fun, bring me sunshine | 0:59:16 | 0:59:19 | |
# Bring me lo-o-o-ove. # | 0:59:19 | 0:59:22 | |
Subtitles by Dorothy Moore BBC Scotland 1993 | 1:00:19 | 1:00:23 | |
RADIO ON | 1:00:40 | 1:00:43 | |
# Something in the way she moves | 1:00:48 | 1:00:54 | |
# Attracts me like no other lover | 1:00:56 | 1:01:02 | |
# Something in her style that shows me | 1:01:02 | 1:01:08 | |
# I don't want to leave her now | 1:01:08 | 1:01:12 | |
# You know I believe and how... # | 1:01:12 | 1:01:17 | |
Excuse me, ladies. | 1:01:18 | 1:01:21 | |
# Do stick around now it may show... # | 1:01:21 | 1:01:25 | |
Yes? | 1:01:25 | 1:01:27 | |
Can I have a word with you? | 1:01:27 | 1:01:29 | |
-Turn that rubbish off. -RADIO OFF | 1:01:29 | 1:01:33 | |
-It's Elton John. -Eh? -I'm supposed to be doing the Morecambe and Wise Show. -They're finished. | 1:01:33 | 1:01:40 | |
-We're the cleaners. The whole thing's finished. They've gone. -No, I'm doing the show. | 1:01:40 | 1:01:48 | |
-You're too late. -They've all gone. The show's over. The one with the glasses was marvellous! | 1:01:48 | 1:01:55 | |
I liked the little one. They didn't do one joke about Des O'Connor. | 1:01:55 | 1:02:00 | |
-But they promised me I was going to be on the show. -Oh, well, take it up with them. | 1:02:00 | 1:02:07 | |
-I was going to do a new song. -Really? | 1:02:07 | 1:02:11 | |
-They wouldn't do that to me, would they? -I don't know them that well. -We just clean, you see. | 1:02:11 | 1:02:18 | |
Well, I might as well do it. Do you want to hear a song? | 1:02:18 | 1:02:23 | |
-I've been all over the place. -In that suit? | 1:02:23 | 1:02:27 | |
-# -Oh, my love | 1:02:59 | 1:03:04 | |
-# -I have cursed the stars above | 1:03:04 | 1:03:09 | |
-# -That led my heart to you | 1:03:10 | 1:03:18 | |
-# -But as hard as I try | 1:03:20 | 1:03:26 | |
-# -Still my love will not die | 1:03:26 | 1:03:31 | |
-# -And the stars still shine on through | 1:03:32 | 1:03:40 | |
-# -And the stars still shine on through | 1:03:43 | 1:03:50 | |
-# -Oh, my dear, | 1:03:55 | 1:03:59 | |
-# -Now the ship's too hard to steer | 1:04:00 | 1:04:05 | |
-# -The tide has turned, turned on you | 1:04:06 | 1:04:13 | |
-# -I have been through the lies | 1:04:16 | 1:04:22 | |
-# -That I've seen in your eyes | 1:04:22 | 1:04:27 | |
-# -But the truth, it still shines on through | 1:04:28 | 1:04:36 | |
-# -But the truth, it still shines on through | 1:04:38 | 1:04:46 | |
-# -So shine, shine on through | 1:04:49 | 1:04:55 | |
-# -The time we have to fill | 1:04:55 | 1:04:59 | |
-# -Though we took our love so daringly | 1:05:00 | 1:05:05 | |
-# -And gave it up uncaringly | 1:05:05 | 1:05:11 | |
-# -There are feelings left Not even we can kill | 1:05:11 | 1:05:18 | |
-# -Oh-h... | 1:05:18 | 1:05:21 | |
-# -Oh, my friend | 1:05:22 | 1:05:26 | |
-# -So at last we reach the end | 1:05:26 | 1:05:31 | |
-# -The lights go down on cue | 1:05:32 | 1:05:39 | |
-# -I have wasted my time | 1:05:42 | 1:05:47 | |
-# -But it tasted oh so fine | 1:05:47 | 1:05:52 | |
-# -That my love still shines on through | 1:05:53 | 1:06:00 | |
-# -But my love still shines, shines on through | 1:06:04 | 1:06:11 | |
-# -Still shines, shines on throu-ou-ough. -# | 1:06:17 | 1:06:25 | |
That was what I was going to sing on the Morecambe and Wise Show. | 1:06:29 | 1:06:32 | |
It's a good job you didn't. | 1:06:32 | 1:06:35 | |
-Come on, we'd better get to... -LOUD SNEEZE | 1:06:36 | 1:06:40 |