Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:03 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:20 | 0:00:22 | |
Hello and welcome to the Sarah Millican Television Programme. | 0:00:38 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:42 | 0:00:47 | |
Now, I've got a confession - I love Gok Wan. | 0:00:49 | 0:00:52 | |
I love what he's done for women. | 0:00:52 | 0:00:55 | |
How early in life did he develop the instinct he has with us, though? | 0:00:55 | 0:00:59 | |
Did he turn around to the nurse in the delivery room and say, | 0:00:59 | 0:01:02 | |
"Honey, it should be me slapping your arse for hiding away those curves." | 0:01:02 | 0:01:05 | |
LAUGHTER | 0:01:05 | 0:01:08 | |
A lot of what he does revolves around encouraging women to get their tits out. | 0:01:08 | 0:01:11 | |
There's a fine line between fashion advice and a football chant. | 0:01:11 | 0:01:16 | |
I love watching The Apprentice and I especially like the episode | 0:01:17 | 0:01:21 | |
where he gives them a list of things to procure. | 0:01:21 | 0:01:23 | |
It's like a treasure hunt, isn't it? | 0:01:23 | 0:01:25 | |
I often wonder if that's just Lord Sugar's shopping list. | 0:01:25 | 0:01:29 | |
"You need to get a mauve pashmina, some perfume and a nightie | 0:01:29 | 0:01:32 | |
"for a woman who is about this big." | 0:01:32 | 0:01:34 | |
I spotted a show in the paper called Virgin Diaries. | 0:01:36 | 0:01:39 | |
What's that like? | 0:01:40 | 0:01:42 | |
No entries this month. | 0:01:42 | 0:01:44 | |
LAUGHTER AND APPLAUSE | 0:01:44 | 0:01:46 | |
Do you know what I've noticed, | 0:01:53 | 0:01:55 | |
and I can say this on the BBC, | 0:01:55 | 0:01:57 | |
we don't really watch adverts any more, do we? | 0:01:57 | 0:02:01 | |
The last advert I watched was for my Sky Plus box and that one worked(!) | 0:02:01 | 0:02:05 | |
Do you do what I do, and pause a programme at the beginning, | 0:02:07 | 0:02:10 | |
while you have a wee and get the Quality Street out? | 0:02:10 | 0:02:12 | |
LAUGHTER | 0:02:12 | 0:02:14 | |
And then, when they say, "We'll be back after the break", | 0:02:14 | 0:02:17 | |
you can go, "No, you bloody won't." | 0:02:17 | 0:02:19 | |
Women's adverts always have a group of four, one of whom is laughing so hard she might piss out a kidney. | 0:02:29 | 0:02:35 | |
They're trying to make it like Sex And The City, | 0:02:37 | 0:02:39 | |
apart from the fact that they're talking about laxatives and feminine hygiene. | 0:02:39 | 0:02:43 | |
When I'm with my friends, I don't think I've ever said, | 0:02:44 | 0:02:47 | |
"I feel a bit bloated." | 0:02:47 | 0:02:49 | |
But I have said, "Sorry, I've just done a bloody big fart." | 0:02:51 | 0:02:55 | |
LAUGHTER | 0:02:55 | 0:02:56 | |
It's hard to escape adverts on the internet, though. They're everywhere. | 0:02:56 | 0:03:01 | |
What's this cookie thing? | 0:03:01 | 0:03:02 | |
I don't think I could be any more accepting of cookies, | 0:03:02 | 0:03:05 | |
but the deliveries never come. | 0:03:05 | 0:03:07 | |
Some adverts stay with you for years. | 0:03:09 | 0:03:12 | |
Impulse - remember that? | 0:03:12 | 0:03:14 | |
Men DO act on impulse, but it's not always a good thing. | 0:03:14 | 0:03:17 | |
A carrier bag full of Peperami - that's a man acting on impulse. | 0:03:19 | 0:03:22 | |
Advert jingles take up space in your head that could be used for more important stuff. | 0:03:24 | 0:03:28 | |
You still can't remember your nan's birthday, but for 30 years | 0:03:28 | 0:03:32 | |
you've kept # Ho-ho-ho, Green Giant! # in there. | 0:03:32 | 0:03:35 | |
Is that all that'll be left at the end? | 0:03:44 | 0:03:47 | |
What's your name? | 0:03:47 | 0:03:49 | |
Maybe it's Maybelline. | 0:03:49 | 0:03:52 | |
LAUGHTER | 0:03:52 | 0:03:54 | |
Adverts get a bit special at Christmas, don't they? | 0:03:55 | 0:03:58 | |
The John Lewis one has a bloody premiere. | 0:03:58 | 0:04:02 | |
In last year's, a snowman bought gloves for his wife, | 0:04:02 | 0:04:05 | |
as she was cold. | 0:04:05 | 0:04:07 | |
He killed his last wife, when he bought her a hot-water bottle. | 0:04:09 | 0:04:13 | |
Do you remember public safety adverts? | 0:04:16 | 0:04:19 | |
Remember The Tufty Club? It had a squirrel helping you across the road. | 0:04:19 | 0:04:24 | |
I'd take that from a squirrel, | 0:04:24 | 0:04:26 | |
cos I've never seen one squashed in the road(!) | 0:04:26 | 0:04:28 | |
I wouldn't take it from a badger or a pheasant, though. | 0:04:29 | 0:04:32 | |
"Look left, look right and walk slowly across a really busy road. | 0:04:34 | 0:04:37 | |
"And if a car comes, stop in the middle of the road | 0:04:37 | 0:04:40 | |
"and look at the car till everything goes black. | 0:04:40 | 0:04:43 | |
"Good luck, out there!" | 0:04:44 | 0:04:46 | |
The only place you see advertising on the BBC is on Formula 1. | 0:04:46 | 0:04:51 | |
It's always big brands on the cars, isn't it? | 0:04:51 | 0:04:53 | |
You never see offers for two-for-one on pork steaks. | 0:04:53 | 0:04:57 | |
Or ladies free before 11 o'clock. | 0:04:58 | 0:05:00 | |
Formula 1 is not so much a sport, | 0:05:01 | 0:05:03 | |
it's more of a sound effect, isn't it? | 0:05:03 | 0:05:06 | |
Obviously not as good as this one... | 0:05:06 | 0:05:08 | |
SHE MIMICS A COMICAL HORN | 0:05:08 | 0:05:09 | |
SHE MIMICS A COMICAL HORN | 0:05:19 | 0:05:21 | |
The cars are incredible, though. Some of them can reach over 100mph | 0:05:24 | 0:05:28 | |
before I've even GOT to the remote. | 0:05:28 | 0:05:30 | |
It's very loud as well, isn't it? | 0:05:36 | 0:05:38 | |
Must be really hard to hear the sat-nav. | 0:05:38 | 0:05:40 | |
"Round again. | 0:05:42 | 0:05:44 | |
"Round again. | 0:05:45 | 0:05:46 | |
"Last one." | 0:05:48 | 0:05:49 | |
It must be difficult driving round the Monaco street circuit. | 0:05:52 | 0:05:55 | |
I'd just get distracted... "Oh, Bonmarche have got a sale on." | 0:05:55 | 0:05:58 | |
I do know how traffic lights work. If it stays on red too long, | 0:06:00 | 0:06:04 | |
I end up looking for something to eat in me handbag. | 0:06:04 | 0:06:07 | |
The someone beeps at me and that's how I know it's gone green. | 0:06:07 | 0:06:10 | |
I think the reason there are no female Formula 1 drivers | 0:06:12 | 0:06:16 | |
is that when they screeched into the pits, | 0:06:16 | 0:06:18 | |
the mechanics wouldn't be able to stop themselves overcharging. | 0:06:18 | 0:06:22 | |
"Yeah, your tyres are all right there, love, but, er, | 0:06:22 | 0:06:25 | |
"that gearbox doesn't sound too good. | 0:06:25 | 0:06:27 | |
"I'll have a look, if you've got half an hour spare." | 0:06:27 | 0:06:31 | |
They drive at around 200mph. | 0:06:31 | 0:06:35 | |
Try steering at that speed with your legs, while opening a sandwich, | 0:06:35 | 0:06:38 | |
and balancing your Monster Munch in-between your knees. | 0:06:38 | 0:06:40 | |
If that was Formula 1, I'd be Sebastian Vettel. | 0:06:42 | 0:06:45 | |
LAUGHTER | 0:06:45 | 0:06:47 | |
APPLAUSE | 0:06:47 | 0:06:50 | |
It is a male-dominated sport, but one woman who has managed | 0:06:54 | 0:06:58 | |
to get herself involved is the presenter of Formula 1 on the BBC. | 0:06:58 | 0:07:02 | |
Please welcome Suzi Perry. | 0:07:02 | 0:07:03 | |
CHEERING AND APPLAUSE | 0:07:03 | 0:07:06 | |
Welcome. Thank you very much. | 0:07:13 | 0:07:15 | |
Welcome to the show. Thanks ever so much for coming on. Nice to be here. | 0:07:15 | 0:07:19 | |
Now, given the many regulations, weight changes and enhancement of the McLaren power package, | 0:07:19 | 0:07:24 | |
why does Jenson Button look like such a knob on the Santander adverts? | 0:07:24 | 0:07:31 | |
LAUGHTER AND APPLAUSE | 0:07:31 | 0:07:33 | |
He's very handsome. It's hard to make him look like a knob. Done a good job, haven't they? | 0:07:40 | 0:07:43 | |
They have managed, though, haven't they? Bless him for trying. | 0:07:43 | 0:07:47 | |
If Max Mosley invited you to a party, what would you go as? | 0:07:47 | 0:07:50 | |
I'm actually thinking of that. What would you go as? | 0:08:00 | 0:08:03 | |
Cat's ears, PVC, a lead, leash. | 0:08:03 | 0:08:08 | |
A normal Tuesday outfit. | 0:08:08 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:13 | |
Do you get to drive the...? | 0:08:13 | 0:08:14 | |
When they've stopped, do you get to have a little go? | 0:08:14 | 0:08:17 | |
No, sadly not. Would you like to? I'd love to. Would you like to? | 0:08:17 | 0:08:21 | |
How fast can I go? Can I go...? Sometimes I do, like, 72. | 0:08:21 | 0:08:25 | |
They don't have a middle lane on a track. | 0:08:27 | 0:08:30 | |
Oh, really? Well, where am I supposed to go? | 0:08:30 | 0:08:32 | |
LAUGHTER | 0:08:32 | 0:08:34 | |
I mean, it's all very well doing what they do in a flashy car, | 0:08:34 | 0:08:38 | |
but could they do that in, like, a Nissan Micra, do you think, | 0:08:38 | 0:08:41 | |
you know, with their family in the back seat? | 0:08:41 | 0:08:44 | |
They can drive anything. Like a bus? | 0:08:46 | 0:08:49 | |
That's a really good idea. Let's have a bus driving championship. | 0:08:50 | 0:08:55 | |
That'd be amazing. You'd be more into that. | 0:08:55 | 0:08:57 | |
I would. Can I sit above the driver, cos that's the best seat, | 0:08:57 | 0:09:00 | |
cos you can pretend you're driving? When you say above the driver...? | 0:09:00 | 0:09:04 | |
Not like... So he can see, at least, while he's driving? Not...? No! | 0:09:04 | 0:09:08 | |
I don't mean you sit on the driver's face. | 0:09:08 | 0:09:13 | |
LAUGHTER | 0:09:13 | 0:09:14 | |
He'd be driving, doing that erratic thing | 0:09:23 | 0:09:26 | |
that men do when they get excited driving. They keep braking. | 0:09:26 | 0:09:29 | |
Apparently. | 0:09:29 | 0:09:31 | |
LAUGHTER | 0:09:31 | 0:09:32 | |
That's... That's never happened to me. | 0:09:34 | 0:09:36 | |
It's happened to you? You've seen that, have you? | 0:09:39 | 0:09:42 | |
I've...heard about that, yeah. | 0:09:42 | 0:09:46 | |
You dirty bitch. | 0:09:47 | 0:09:49 | |
LAUGHTER AND APPLAUSE | 0:09:49 | 0:09:51 | |
Formula 1, I've heard the drivers wee in the car. | 0:09:58 | 0:10:02 | |
Do they just do it on the seats? Cos I've done that? | 0:10:02 | 0:10:05 | |
I really have. | 0:10:08 | 0:10:09 | |
So they don't ever do it in the car? I'm not saying they don't ever. | 0:10:11 | 0:10:15 | |
They might do it in the car. | 0:10:15 | 0:10:16 | |
Do they just let it go? I think they just do it in their suits. | 0:10:16 | 0:10:20 | |
Has it got elastic on the ankles? | 0:10:20 | 0:10:23 | |
Otherwise, you'll have to change that little bit of carpet. | 0:10:23 | 0:10:27 | |
You always hear the conversations between the pit and the drivers. | 0:10:28 | 0:10:32 | |
Are they allowed personal calls, as well? | 0:10:32 | 0:10:35 | |
Like, "Hello, love. Sorry, I can't pop to Asda. I'm busy." | 0:10:36 | 0:10:39 | |
I think they would like it if you called in. | 0:10:39 | 0:10:41 | |
Oh, really, do you think? About lap 35, | 0:10:41 | 0:10:44 | |
maybe text a picture of yourself. | 0:10:44 | 0:10:46 | |
LAUGHTER | 0:10:46 | 0:10:50 | |
I have usually got a few of those just in me roll of photos. | 0:10:52 | 0:10:55 | |
Just spare ones. I've always got a couple of spare. | 0:10:55 | 0:10:58 | |
The thing is, if you've already taken photos in advance, | 0:10:58 | 0:11:02 | |
it could have been when it was tidy, you know. | 0:11:02 | 0:11:04 | |
LAUGHTER | 0:11:04 | 0:11:06 | |
If somebody says, "Oh, send us a picture of your..." | 0:11:09 | 0:11:13 | |
What, of downstairs? | 0:11:13 | 0:11:14 | |
Yeah, and then... I thought that's what you were talking about. | 0:11:14 | 0:11:19 | |
LAUGHTER AND APPLAUSE | 0:11:19 | 0:11:21 | |
What if you lose the phone? | 0:11:25 | 0:11:27 | |
They're not going to recognise us off that. | 0:11:27 | 0:11:30 | |
I hope not. | 0:11:33 | 0:11:34 | |
Is it as noisy as it seems? | 0:11:36 | 0:11:38 | |
More. It's more noisy? It's very noisy. | 0:11:38 | 0:11:40 | |
You can't go to a Formula 1 race without having ear defenders on | 0:11:40 | 0:11:44 | |
or... Really? | 0:11:44 | 0:11:46 | |
Sometimes when you've got those on, you forget other people can hear you. | 0:11:46 | 0:11:51 | |
Do you do that? I've done that on a plane when I've had those on | 0:11:52 | 0:11:56 | |
and then I've just been merrily farting away, | 0:11:56 | 0:11:59 | |
because I couldn't hear it. | 0:11:59 | 0:12:02 | |
I spent quite a lot of time on a plane and always seem to sit behind | 0:12:02 | 0:12:08 | |
people, maybe they're like you, that seem to fart away | 0:12:08 | 0:12:10 | |
and I think, "You dirty bastard! | 0:12:10 | 0:12:14 | |
"How can you do that?!" | 0:12:15 | 0:12:18 | |
Practise, practise, practise! | 0:12:18 | 0:12:20 | |
You've been such an amazing guest. Thank you very much | 0:12:27 | 0:12:30 | |
for coming on the show. Ladies and gentlemen, Suzi Perry. | 0:12:30 | 0:12:33 | |
CHEERING AND APPLAUSE | 0:12:33 | 0:12:36 | |
Another one of my favourite shows is MasterChef. | 0:12:40 | 0:12:43 | |
It's like X Factor for dinners. | 0:12:43 | 0:12:46 | |
I just like to watch the early auditions, | 0:12:46 | 0:12:48 | |
cos that's when you see the nutters. | 0:12:48 | 0:12:51 | |
"Beef and ice-cream. | 0:12:51 | 0:12:53 | |
"I'm not allowed to use knives, normally." | 0:12:53 | 0:12:56 | |
"This rose is for you, John Torode." | 0:12:58 | 0:13:01 | |
They always say a glug of olive oil, don't they? | 0:13:02 | 0:13:04 | |
A glug. What happened to teaspoons? | 0:13:04 | 0:13:08 | |
A glug. | 0:13:08 | 0:13:09 | |
I'm not sure if I'm doing it right, but I take a swig | 0:13:09 | 0:13:12 | |
and then spit it in the pan. | 0:13:12 | 0:13:13 | |
LAUGHTER | 0:13:13 | 0:13:15 | |
Not always. Sometimes I just swallow. | 0:13:25 | 0:13:28 | |
LAUGHTER | 0:13:28 | 0:13:30 | |
The chefs practise each dish a million times. | 0:13:30 | 0:13:33 | |
Their families must get SO pissed off. | 0:13:33 | 0:13:36 | |
"We've had salmon tureen with rosewater biscuits | 0:13:36 | 0:13:39 | |
"25 times this week. | 0:13:39 | 0:13:42 | |
"I just want a bloody pasty." | 0:13:42 | 0:13:43 | |
Gregg often leans over the chefs and says, "You haven't got long left." | 0:13:45 | 0:13:49 | |
You wouldn't want to see Gregg Wallace in a hospital, would you? | 0:13:49 | 0:13:52 | |
I like watching Secret Eaters. | 0:13:54 | 0:13:56 | |
If you haven't seen it, it goes a little like this. | 0:13:56 | 0:13:59 | |
A woman says, "I just don't understand. | 0:13:59 | 0:14:03 | |
"I shouldn't be this fat for the amount I eat." | 0:14:04 | 0:14:07 | |
LAUGHTER | 0:14:07 | 0:14:09 | |
Then they film her eating six big dinners in a day, | 0:14:09 | 0:14:12 | |
show it to her, and she goes, "Oh." | 0:14:12 | 0:14:16 | |
That's it. It's brilliant. At some point, she always says, | 0:14:26 | 0:14:29 | |
"I've tried everything." Yeah, that's the problem, love. | 0:14:29 | 0:14:32 | |
If I had a diet programme, it would be called, | 0:14:34 | 0:14:37 | |
A Big Shit And A Haircut. | 0:14:37 | 0:14:39 | |
But my favourite food programme is not one you'd expect. | 0:14:44 | 0:14:47 | |
It's The One Show, because I can't eat my tea without it. | 0:14:47 | 0:14:50 | |
There are two types of people - | 0:14:50 | 0:14:53 | |
people who watch The One Show and those who have a kitchen table. | 0:14:53 | 0:14:57 | |
I've been on The One Show and it was probably the only time | 0:14:59 | 0:15:02 | |
when my parents have been truly proud, | 0:15:02 | 0:15:04 | |
because it was a show they were already watching. | 0:15:04 | 0:15:08 | |
LAUGHTER | 0:15:08 | 0:15:10 | |
"Mock The what?" | 0:15:10 | 0:15:12 | |
"8 Out Of 10 what?" | 0:15:12 | 0:15:13 | |
"The Sarah what Television Programme?" | 0:15:13 | 0:15:16 | |
The One Show follows on from local news. | 0:15:25 | 0:15:27 | |
I don't like how they say, "And now for the news where you are." | 0:15:27 | 0:15:31 | |
What, in the bath? | 0:15:31 | 0:15:33 | |
It's on at the perfect time, so that you don't have to listen to how your partner's day was. | 0:15:36 | 0:15:41 | |
"God, what a day I've had." | 0:15:41 | 0:15:44 | |
"Shut up. I'm trying to listen to Gyles Brandreth on the history of candy floss." | 0:15:44 | 0:15:48 | |
LAUGHTER | 0:15:48 | 0:15:49 | |
It should be called It's This Or Emmerdale. | 0:15:50 | 0:15:53 | |
It's the only show where you can get comments on jam from Chris Akabusi and the Dalai Lama. | 0:15:57 | 0:16:02 | |
It's like a crazy dinner party, where only a couple of people know one another | 0:16:04 | 0:16:08 | |
and have to make small talk. | 0:16:08 | 0:16:10 | |
"So, Lionel Ritchie... | 0:16:10 | 0:16:12 | |
"..have you ever been to the Barnstable Lawnmower Museum?" | 0:16:14 | 0:16:17 | |
LAUGHTER | 0:16:17 | 0:16:20 | |
Having presented the show myself, it's not natural how close they expect you to sit on the sofa. | 0:16:20 | 0:16:25 | |
Before I did the show, I'd only got that close to someone if I fancied them | 0:16:25 | 0:16:29 | |
or was freezing to death. | 0:16:29 | 0:16:30 | |
They told me, "Pretend you're on your sofa at home." | 0:16:32 | 0:16:34 | |
I said, "Oh, no, you don't want me to do that." | 0:16:34 | 0:16:36 | |
Alex interviewed The Rolling Stones recently, but, apparently, | 0:16:45 | 0:16:48 | |
Keith Richard doesn't really have an opinion | 0:16:48 | 0:16:51 | |
on the rebirth of traditional boat-building in Dorset. | 0:16:51 | 0:16:53 | |
Alex did her final university exams in Magaluf. | 0:16:57 | 0:17:00 | |
What kind of questions did she have? | 0:17:00 | 0:17:03 | |
"If WKD is three euros a bottle and Sol is ten bottles for 20, | 0:17:03 | 0:17:08 | |
"will you know who the father is?" | 0:17:08 | 0:17:10 | |
Anyone feeling hungry? | 0:17:20 | 0:17:22 | |
It must be time to see the hosts of The One Show on the big screen. | 0:17:22 | 0:17:25 | |
Please welcome Matt Baker and Alex Jones. | 0:17:25 | 0:17:28 | |
CHEERING AND APPLAUSE | 0:17:28 | 0:17:31 | |
Hello, Matt, hello, Alex. How are you two? | 0:17:39 | 0:17:41 | |
Very well, Sarah. How are you? I'm good, I'm good. Thanks very much | 0:17:41 | 0:17:45 | |
for joining us on the show. It's lovely. Let me ask you a question. | 0:17:45 | 0:17:48 | |
How do you keep a straight face when people send in their rubbish pictures of stuff that they've made? | 0:17:48 | 0:17:54 | |
Because a lot of it's properly shit, isn't it? | 0:17:54 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:17:59 | |
Well, I mean, to be honest with you, what you see is the best. | 0:17:59 | 0:18:02 | |
It's amazing, isn't it, because whatever we ask for, they come in in their hundreds? | 0:18:02 | 0:18:07 | |
We genuinely think no-one is ever going to send in a picture about X, Y, or Z. | 0:18:07 | 0:18:13 | |
Well, we've never ever done a call-out, | 0:18:13 | 0:18:16 | |
where nobody's sent a photo. | 0:18:16 | 0:18:18 | |
That's what we should try and do. Challenge them, from now on. | 0:18:18 | 0:18:22 | |
Like a picture of a cock made out of pasta shapes. | 0:18:22 | 0:18:25 | |
We'd so get some. | 0:18:26 | 0:18:28 | |
That's just off the top of my head. I could come up with loads of these. | 0:18:28 | 0:18:31 | |
Anyway, this doesn't feel right talking to you like this. Hold on a second. | 0:18:36 | 0:18:39 | |
Brilliant. That's much better. | 0:18:49 | 0:18:52 | |
No, seriously, though, Sarah, I know exactly how you feel, | 0:18:52 | 0:18:57 | |
because, to be honest with you, I cannot go on air without having had my evening meal. | 0:18:57 | 0:19:02 | |
He doesn't work without some food in him first. | 0:19:02 | 0:19:04 | |
Aw, that's so good to know... | 0:19:04 | 0:19:07 | |
..because I worry that if you waited till after the show, | 0:19:09 | 0:19:13 | |
you'd be bloody starving. | 0:19:13 | 0:19:14 | |
There's always a half-eaten banana behind here, as well. | 0:19:15 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:21 | |
If energy levels start to drop throughout the show, | 0:19:21 | 0:19:24 | |
we can just have a quick nibble, put it back and then go out for the film. | 0:19:24 | 0:19:27 | |
We've also got... Look, we've also got a cat with a coconut on its head. | 0:19:27 | 0:19:31 | |
Is that just in case energy levels are low, as well? | 0:19:33 | 0:19:36 | |
LAUGHTER | 0:19:36 | 0:19:37 | |
Yeah. | 0:19:37 | 0:19:39 | |
You guys are such divas with your demands. | 0:19:39 | 0:19:42 | |
Why is the show usually half an hour, but it's a full 60 minutes on a Wednesday? | 0:19:44 | 0:19:48 | |
Is Wednesday a really heavy news day for pointless shit? | 0:19:48 | 0:19:51 | |
LAUGHTER | 0:19:51 | 0:19:54 | |
Hey, listen, we'd sit down here and talk for as long as people want us to. | 0:20:05 | 0:20:08 | |
We don't really know what's going out on telly. | 0:20:08 | 0:20:11 | |
We just sit here and chat. It could come to us at any point. | 0:20:11 | 0:20:14 | |
Do you do an hour every night, but they just choose to cut it off? | 0:20:14 | 0:20:17 | |
Exactly. | 0:20:18 | 0:20:19 | |
How much time did you spend perfecting your | 0:20:19 | 0:20:23 | |
"I'm really interested in what we're talking about" face? | 0:20:23 | 0:20:27 | |
Like, cos I'm not very good... I'll show you mine. | 0:20:27 | 0:20:31 | |
I'll show you like this. | 0:20:31 | 0:20:33 | |
LAUGHTER | 0:20:34 | 0:20:37 | |
Matt, why don't you do a link to Alex and we'll watch Alex do an interested face? | 0:20:43 | 0:20:48 | |
Let's see one, OK? | 0:20:48 | 0:20:50 | |
Just any... Just a general... Ready? | 0:20:50 | 0:20:53 | |
Um... Right. With the Olympics still in our memories, | 0:20:53 | 0:21:00 | |
we've been trying to find out the identity of Britain's oldest pole vaulter. | 0:21:00 | 0:21:04 | |
Now, lots of you have sent in claims. | 0:21:04 | 0:21:08 | |
Phil Tufnell grabbed his pole and went to see. | 0:21:08 | 0:21:10 | |
LAUGHTER | 0:21:10 | 0:21:12 | |
So... One of the things I do love about you, Matt, | 0:21:19 | 0:21:23 | |
is that you're really symmetrical. | 0:21:23 | 0:21:25 | |
Am I? | 0:21:26 | 0:21:27 | |
What do you mean by that? What do you mean? | 0:21:27 | 0:21:29 | |
You just are. You're just really symmetrical. Like, your face is really symmetrical. | 0:21:29 | 0:21:33 | |
And symmetrical is good, because the more symmetrical, the more attractive, apparently. | 0:21:33 | 0:21:38 | |
In that case, you're symmetrical, as well, Alex. | 0:21:38 | 0:21:40 | |
Tell your amazing fact. | 0:21:40 | 0:21:43 | |
Alex tells me this every other day, about who you're attracted to. | 0:21:43 | 0:21:48 | |
Oh, so you're attracted to somebody that reminds you of your mother. | 0:21:48 | 0:21:51 | |
Not if you're a girl, cos then it would be your father, | 0:21:51 | 0:21:53 | |
but if you're a boy, somebody who is similar to your mother. | 0:21:53 | 0:21:57 | |
We have this every other day. Is your boyfriend similar to your father? | 0:21:57 | 0:22:01 | |
Um, in personality or like...sexiness? | 0:22:01 | 0:22:06 | |
LAUGHTER | 0:22:06 | 0:22:08 | |
Now I feel awkward. | 0:22:08 | 0:22:10 | |
Cos it's a yes to both! | 0:22:14 | 0:22:15 | |
Speaking of facts, have you found that your general knowledge | 0:22:23 | 0:22:26 | |
has improved since doing the show? | 0:22:26 | 0:22:28 | |
Are you good at pub quizzes now? | 0:22:28 | 0:22:30 | |
Well, that's the reason, really, I'd like to stay for | 0:22:30 | 0:22:33 | |
as long as possible, because I can see a win in the distance. | 0:22:33 | 0:22:36 | |
I haven't gathered quite enough info yet. | 0:22:36 | 0:22:39 | |
You're getting there? | 0:22:39 | 0:22:41 | |
For me, though, facts, it, sort of, goes in | 0:22:41 | 0:22:45 | |
and I have this short-term memory and it all then dissolves. | 0:22:45 | 0:22:49 | |
By the next day, I don't even know who I am, half the time. | 0:22:49 | 0:22:53 | |
If you were in a pub quiz team, you would be the one doing the writing? | 0:22:53 | 0:22:57 | |
Oh, he's got lovely writing, for a boy. | 0:22:57 | 0:23:00 | |
Lovely writing for a boy?! | 0:23:00 | 0:23:02 | |
Matt has lovely straight, up and down, big. | 0:23:04 | 0:23:07 | |
We might just cut out the bit where you said you were talking about his handwriting. | 0:23:17 | 0:23:21 | |
Matt, you used to live on a sheep farm. | 0:23:23 | 0:23:26 | |
How much do you really love animals? | 0:23:26 | 0:23:28 | |
Oh, I do, yeah, a lot. They're a big part of my life. | 0:23:28 | 0:23:32 | |
Aww. Honestly, it's often the best way...the best company are animals. | 0:23:32 | 0:23:38 | |
They answer you back, man! Ha'way! Come on! | 0:23:44 | 0:23:46 | |
We made you say, "Ha'way". That's excellent. | 0:23:46 | 0:23:51 | |
Is sheep dip as delicious as it sounds? | 0:23:51 | 0:23:54 | |
If there was only ONE show - see what I did there?! - | 0:23:59 | 0:24:02 | |
if there was only ONE show on telly, which would you like it to be? | 0:24:02 | 0:24:06 | |
Oh, this one, otherwise we wouldn't have a job, would we? | 0:24:06 | 0:24:09 | |
Oh, yeah! | 0:24:10 | 0:24:12 | |
Countryfile comes a close second. Of course - Countryfile! | 0:24:17 | 0:24:21 | |
Of course, Countryfile! | 0:24:22 | 0:24:24 | |
Matt, you were part of a 1970s revival band called Disco Inferno. | 0:24:24 | 0:24:29 | |
Yep, yep. | 0:24:29 | 0:24:31 | |
Your character was called Butch Bender. | 0:24:31 | 0:24:33 | |
Butch Bender?!! | 0:24:43 | 0:24:45 | |
Hang on, you need it in context. Can you remember the names of | 0:24:45 | 0:24:48 | |
the other people in the band? Yeah. | 0:24:48 | 0:24:50 | |
Randy Todger. | 0:24:50 | 0:24:51 | |
Richard Itchin. | 0:24:55 | 0:24:57 | |
Oh. Richard Itchin? Any others? What's short for Richard? | 0:24:58 | 0:25:01 | |
Don't say it? | 0:25:01 | 0:25:02 | |
What a lovely moment! | 0:25:06 | 0:25:09 | |
Who was the second-worst guest you've ever had on the show? | 0:25:12 | 0:25:15 | |
LAUGHTER Second-worst? Well, yeah. | 0:25:15 | 0:25:17 | |
I didn't think we were going to mention Bruce Willis. | 0:25:17 | 0:25:20 | |
LAUGHTER | 0:25:20 | 0:25:21 | |
I think... Oh, there's been so many. | 0:25:21 | 0:25:25 | |
LAUGHTER | 0:25:25 | 0:25:26 | |
Alan Titch... No, we're joking. He was lovely. | 0:25:28 | 0:25:30 | |
Who did we have on who'd just got back off the plane... | 0:25:30 | 0:25:33 | |
from America? David Cassidy. David Cassidy. David Cassidy. | 0:25:33 | 0:25:37 | |
That man is not welcome here again. | 0:25:37 | 0:25:40 | |
LAUGHTER | 0:25:40 | 0:25:42 | |
He'd just got off long flight, so he was completely off his face. | 0:25:42 | 0:25:47 | |
He didn't know which country, programme, | 0:25:47 | 0:25:50 | |
day it was. He was all over the shop. | 0:25:50 | 0:25:52 | |
No, it's not very nice. They are few and far between, because most of our guests, | 0:25:52 | 0:25:56 | |
honestly, Sarah, as you know, they are absolutely lovely. | 0:25:56 | 0:25:58 | |
They play the game. You know, the British public love them, so we're onto a winner, really. | 0:25:58 | 0:26:03 | |
It's just when the Americans come over. I'm joking! | 0:26:03 | 0:26:06 | |
LAUGHTER | 0:26:06 | 0:26:09 | |
Joke. It's just we're nutty. | 0:26:09 | 0:26:11 | |
We've come up with this way of sort of seeing how much | 0:26:12 | 0:26:15 | |
of a game for a laugh they are, at the beginning, | 0:26:15 | 0:26:18 | |
because Matt and I will mime to the trumpets at the beginning of the show. | 0:26:18 | 0:26:22 | |
It just happens, it's natural. And if our guests join in, | 0:26:22 | 0:26:25 | |
it means they're game, they're up for it, so we know we'll have a good show. | 0:26:25 | 0:26:28 | |
That's really quite judgey, isn't it? Is it almost foolproof? Does it work. | 0:26:28 | 0:26:35 | |
Oh, yeah. All the time. We had, to be fair, we had Alan Titchmarsh | 0:26:35 | 0:26:39 | |
on tonight, but he didn't blow the trumpets, because he was repotting | 0:26:39 | 0:26:43 | |
a hydrangea. Fair enough. | 0:26:43 | 0:26:45 | |
Of course he fuckin' was(!) | 0:26:45 | 0:26:48 | |
Now, Matt, is there anything that you can't conjure up enthusiasm for? | 0:26:50 | 0:26:54 | |
Like, I bet you could make something really depressing, | 0:26:54 | 0:26:57 | |
like the end of the world, for example, sound really cheery. | 0:26:57 | 0:27:00 | |
Do you want to give it a go? Yeah, you could. | 0:27:00 | 0:27:03 | |
Yeah, I'll give it a go. So, we're in the show, yeah? | 0:27:03 | 0:27:07 | |
Like, in the show and then you've got to drop that in. | 0:27:07 | 0:27:10 | |
OK. | 0:27:10 | 0:27:11 | |
Alex, I mean, that was fascinating stuff there | 0:27:12 | 0:27:16 | |
about the pelicans. | 0:27:16 | 0:27:18 | |
Amazing. Now, we've just had...just had some news in. | 0:27:18 | 0:27:22 | |
The world is going to end in three minutes. Yes! | 0:27:22 | 0:27:25 | |
I wonder what it's going to be like? There you are. Well, hang on. | 0:27:26 | 0:27:31 | |
We've got three minutes, everyone. | 0:27:31 | 0:27:34 | |
It's just going to give us enough time to show you how amazing... | 0:27:34 | 0:27:37 | |
Look at this scale model of Didcot town centre. Made of cheese. | 0:27:37 | 0:27:41 | |
It's been a total joy to have you on. Thank you very much for joining us. | 0:27:48 | 0:27:51 | |
Ladies and gentlemen, Matt Baker and Alex Jones. | 0:27:51 | 0:27:54 | |
CHEERING AND APPLAUSE | 0:27:54 | 0:27:56 | |
Now, we all love a big shiny Saturday night entertainment show, don't we? | 0:28:04 | 0:28:08 | |
Strictly Come Dancing, The X Factor, Britain's Got Talent... | 0:28:08 | 0:28:11 | |
Basically, anything that involves a panel of judges | 0:28:11 | 0:28:14 | |
telling someone they're not very good at something. | 0:28:14 | 0:28:17 | |
Judging is what we all do on a Saturday night, anyway, if we go out. | 0:28:18 | 0:28:22 | |
"Look at that dress." | 0:28:22 | 0:28:25 | |
"Those jeans on those thighs." | 0:28:25 | 0:28:27 | |
"If that skirt was any shorter, you'd see wisps." | 0:28:27 | 0:28:31 | |
These shows are about making staying in the same as going out. | 0:28:40 | 0:28:44 | |
There's singing, there's tears, | 0:28:44 | 0:28:46 | |
there's dancing and flirting. | 0:28:46 | 0:28:48 | |
All you need is to get fingered in a car park and job done. | 0:28:48 | 0:28:51 | |
CHEERING AND LAUGHTER | 0:28:51 | 0:28:54 | |
X Factor has now had 12 Christmas number ones and one Christmas number two. | 0:29:02 | 0:29:07 | |
I manage more than that before EastEnders. | 0:29:07 | 0:29:09 | |
My favourite bit is judges' houses, although I want it to be more like | 0:29:13 | 0:29:17 | |
Come Dine With Me. Instead of all the crying and singing, | 0:29:17 | 0:29:21 | |
they could have a root around Gary Barlow's bedside drawer, | 0:29:21 | 0:29:24 | |
to see if he's got any pictures of me. | 0:29:24 | 0:29:27 | |
God knows, I've sent him plenty. | 0:29:29 | 0:29:31 | |
Tulisa said that being fired from X Factor left a nasty taste in her mouth. | 0:29:35 | 0:29:39 | |
LAUGHTER | 0:29:39 | 0:29:42 | |
And you can finish that one off for yourselves... | 0:29:51 | 0:29:54 | |
which is also what she should have said. | 0:29:54 | 0:29:56 | |
I'd be a great judge on The Voice, cos I used to work in an office | 0:29:59 | 0:30:03 | |
and I'm a demon on spinny chairs. | 0:30:03 | 0:30:06 | |
I could go whole days without getting out of it. | 0:30:07 | 0:30:10 | |
Wheel meself to the printer, wheel meself to the kitchenette. | 0:30:10 | 0:30:14 | |
If I was a judge on The Voice, I'd call myself Mill.i.can. | 0:30:14 | 0:30:18 | |
The trouble with Tom Jones dropping names all the time | 0:30:28 | 0:30:31 | |
is that, nowadays, he can't bend down to pick them up. | 0:30:31 | 0:30:33 | |
A lot of people wonder why Tom Jones' face is dark. It's not fake tan. | 0:30:35 | 0:30:39 | |
Just remember that his female fans chuck their underwear at him. | 0:30:39 | 0:30:42 | |
GROANING | 0:30:42 | 0:30:45 | |
At least he's not red-faced. | 0:30:45 | 0:30:47 | |
GROANING | 0:30:47 | 0:30:50 | |
I enjoyed that show Splash!, but I think it would have been better | 0:30:52 | 0:30:56 | |
if they'd kept the leisure centre open during filming. | 0:30:56 | 0:30:59 | |
Eddie The Eagle bellyflopping into the middle of a mother and toddler | 0:31:00 | 0:31:05 | |
aqua-aerobics session. | 0:31:05 | 0:31:07 | |
Some goose-pimply 12-year-old tapping Vernon Kay on the shoulder | 0:31:08 | 0:31:12 | |
to say he's lost his locker key. | 0:31:12 | 0:31:14 | |
My favourite bit was the fact that you could press the red button | 0:31:14 | 0:31:17 | |
to see the celebs go through the verruca pool. | 0:31:17 | 0:31:20 | |
I love Britain's Got Talent, but Amanda Holden cries a lot, doesn't she? | 0:31:23 | 0:31:27 | |
Does she do that thing with her hands to wave her tears back into her eyes? | 0:31:27 | 0:31:31 | |
Crying's brilliant. Why try and stop it? | 0:31:33 | 0:31:35 | |
Afterwards, I feel like I've achieved something, | 0:31:35 | 0:31:38 | |
makes you feel good tired, you know, like after sex. | 0:31:38 | 0:31:41 | |
And if you do both together, you feel properly rested. | 0:31:42 | 0:31:45 | |
LAUGHTER | 0:31:45 | 0:31:47 | |
There's now versions of this show all around the world - | 0:31:49 | 0:31:52 | |
Australia's Got Talent, Armenia's Got Talent, | 0:31:52 | 0:31:55 | |
Vietnam's Got Talent and, in Saudi Arabia, Men Have Got Talent. | 0:31:55 | 0:32:00 | |
The last two years have proved that the most talented people in Britain are some Hungarians and a dog. | 0:32:02 | 0:32:07 | |
LAUGHTER | 0:32:07 | 0:32:09 | |
I'd like to know more about being a television judge, | 0:32:17 | 0:32:19 | |
so please welcome, from Strictly Come Dancing, Bruno Tonioli. | 0:32:19 | 0:32:22 | |
CHEERING AND APPLAUSE | 0:32:22 | 0:32:24 | |
So, Bruno, Come Dancing... Have you ever? | 0:32:30 | 0:32:34 | |
LAUGHTER | 0:32:34 | 0:32:36 | |
Have I ever? | 0:32:36 | 0:32:38 | |
I was watching you backstage, but I could have, with pleasure. | 0:32:38 | 0:32:41 | |
LAUGHTER | 0:32:41 | 0:32:43 | |
What a lovely thing to say! She's so fabulously funny. | 0:32:43 | 0:32:48 | |
You're so funny. | 0:32:48 | 0:32:50 | |
Do you think you are too hard sometimes? | 0:32:50 | 0:32:53 | |
LAUGHTER | 0:32:53 | 0:32:54 | |
I've never had complaints about being too hard, you know. | 0:32:54 | 0:32:57 | |
Really? Usually they like it hard. I was talking about judging. | 0:32:57 | 0:33:01 | |
Oh, I'm sorry! | 0:33:01 | 0:33:03 | |
LAUGHTER | 0:33:03 | 0:33:04 | |
There aren't many famous Italians over here. | 0:33:06 | 0:33:09 | |
I think there's just you, Frankie Dettori and Mama Dolmio. | 0:33:09 | 0:33:14 | |
Mama Dolmio! And I'm pretty sure she was made in Holland. | 0:33:14 | 0:33:19 | |
Why is that? Why aren't there more Italians here? | 0:33:19 | 0:33:22 | |
No, there's Gino. Gino D'Acampo, the chef, and... | 0:33:22 | 0:33:27 | |
That's it. There's Gino... Sophia Loren, but she's about 78. | 0:33:27 | 0:33:35 | |
She's still Italian, though. Still Italian, yeah. | 0:33:35 | 0:33:38 | |
OK. You're in Dancing With The Stars in America. | 0:33:38 | 0:33:42 | |
What's the difference between judging in America and judging here? | 0:33:42 | 0:33:46 | |
It's funny, because in America, in America you can say "fanny", but you can't say "pussy". | 0:33:46 | 0:33:51 | |
In Britain, you can say "pussy", but you can't say "fanny". | 0:33:51 | 0:33:56 | |
That's the main difference, is it? That's it. | 0:33:56 | 0:34:01 | |
LAUGHTER | 0:34:01 | 0:34:03 | |
On Strictly, the last dance should be a slowie, shouldn't it? | 0:34:07 | 0:34:09 | |
The old erection section. | 0:34:09 | 0:34:12 | |
The erection section. The rumba is my favourite. | 0:34:12 | 0:34:14 | |
Is that the erection one? Because it's all about sex. | 0:34:14 | 0:34:17 | |
Basically, it's like having sex, you know. | 0:34:17 | 0:34:19 | |
That's not how I do it. | 0:34:19 | 0:34:21 | |
So what do you do when you're having sex? You don't rub against somebody else? | 0:34:22 | 0:34:25 | |
Just lie there for a bit. | 0:34:25 | 0:34:27 | |
You're waiting for it to happen. And then just put my nightie down. | 0:34:30 | 0:34:35 | |
LAUGHTER | 0:34:35 | 0:34:37 | |
You know, I've always wanted to be a Saturday telly judge. | 0:34:37 | 0:34:41 | |
I've always wanted to be one. Will you help me, Bruno? | 0:34:41 | 0:34:43 | |
I'd love to. Let's do it, let's do it. | 0:34:43 | 0:34:45 | |
CHEERING AND APPLAUSE | 0:34:45 | 0:34:47 | |
Do you think we're going to find a star tonight? | 0:34:58 | 0:35:00 | |
Oh, yes. We're going to find the biggest, brightest, most exciting star Britain has ever seen. | 0:35:00 | 0:35:06 | |
I'm sure. Excellent. Right, who's next? | 0:35:06 | 0:35:09 | |
What's your name, love? Sarah. | 0:35:20 | 0:35:23 | |
It's been quite a journey for you, hasn't it? | 0:35:23 | 0:35:25 | |
Yeah, it has. Two buses - and then it was a walk. | 0:35:25 | 0:35:28 | |
LAUGHTER | 0:35:28 | 0:35:30 | |
Sarah, do you think you can win this? | 0:35:30 | 0:35:32 | |
I wouldn't have thought so, but you're the bloody judge. | 0:35:32 | 0:35:35 | |
What are you going to do for us? I'm going to tell you a story. | 0:35:37 | 0:35:40 | |
There'll be tears, but not necessarily in a good way. | 0:35:40 | 0:35:43 | |
In your own time, pet. | 0:35:45 | 0:35:47 | |
CHEERING AND APPLAUSE | 0:35:56 | 0:35:58 | |
CHEERING | 0:36:12 | 0:36:14 | |
GASPING | 0:36:23 | 0:36:25 | |
GASPING AND LAUGHTER | 0:36:35 | 0:36:37 | |
That was the worst sexy geranium I've ever seen. | 0:36:47 | 0:36:52 | |
Dreadful. Oh, enough is enough. | 0:36:52 | 0:36:54 | |
TREMBLING SPEECH: I'm sorry, but it's a no from us. | 0:36:56 | 0:36:58 | |
You know nothing. I'm going to be huge! | 0:36:58 | 0:37:01 | |
I'm going to have a number one record... | 0:37:01 | 0:37:03 | |
of shadows. | 0:37:03 | 0:37:05 | |
So a rabbit to you and a rabbit to you. | 0:37:05 | 0:37:07 | |
Actually, not you. You look lovely today. Oh, thank you. That's so nice. | 0:37:07 | 0:37:11 | |
Actually... | 0:37:13 | 0:37:15 | |
BOOING | 0:37:15 | 0:37:17 | |
Thank you very much for being on the show. | 0:37:20 | 0:37:22 | |
Ladies and gentlemen, Bruno Tonioli. | 0:37:22 | 0:37:25 | |
CHEERING AND APPLAUSE | 0:37:25 | 0:37:29 | |
That's it for tonight. Unfortunately, we haven't had time | 0:37:33 | 0:37:36 | |
to talk about those other singing shows that transform your life. | 0:37:36 | 0:37:40 | |
If you win, you'll have no privacy. | 0:37:40 | 0:37:42 | |
Unless you win The Voice. You'll have a fair bit of privacy, then. | 0:37:42 | 0:37:46 | |
"Didn't you win The Voice?" "Yes. Now, do you want fries with that or not?" | 0:37:47 | 0:37:52 | |
We haven't had time to talk about This Morning. | 0:37:55 | 0:37:58 | |
They called it that so old people would know when it's on. | 0:37:58 | 0:38:01 | |
The One Show completely confuses them. | 0:38:03 | 0:38:05 | |
We haven't had time to talk about rugby, football or cricket. | 0:38:05 | 0:38:09 | |
Good. | 0:38:09 | 0:38:10 | |
Or snooker. It's extremely boring. | 0:38:12 | 0:38:15 | |
Though it does liven up slightly when there's a gentle kiss on the pink. | 0:38:15 | 0:38:19 | |
Good night. | 0:38:19 | 0:38:20 | |
Subtitles by Red Bee Media Ltd | 0:38:24 | 0:38:27 |