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APPLAUSE | 0:00:16 | 0:00:20 | |
Hello and welcome to the Sarah Millican | 0:00:35 | 0:00:37 | |
Christmas Television Programme. | 0:00:37 | 0:00:38 | |
Merry Christmas, everyone. | 0:00:44 | 0:00:46 | |
People always talk about the good old days of TV at Christmas, | 0:00:49 | 0:00:52 | |
don't they? | 0:00:52 | 0:00:53 | |
"Oh, it was so much better then. | 0:00:53 | 0:00:55 | |
"25 million people sat down to watch the same programme." | 0:00:55 | 0:00:59 | |
That's because they had no choice. | 0:00:59 | 0:01:01 | |
It's like saying the Blitz was popular. | 0:01:01 | 0:01:04 | |
In the days of one TV, your mam could stop you watching | 0:01:06 | 0:01:09 | |
too much telly on Christmas day, couldn't she? | 0:01:09 | 0:01:11 | |
Now you can disappear into the toilet for half an hour | 0:01:11 | 0:01:14 | |
with your iPhone. | 0:01:14 | 0:01:15 | |
"Are you watching telly in there?" | 0:01:15 | 0:01:18 | |
"No, Ma, just had too many boiled eggs this morning." | 0:01:18 | 0:01:21 | |
I like to think by inserting sweets with particular shows, | 0:01:22 | 0:01:25 | |
it's a bit like finding the right wine for the right meat, you know? | 0:01:25 | 0:01:28 | |
For Strictly, I like Quality Street cos then | 0:01:28 | 0:01:31 | |
I can make my own outfit out of the wrappers. | 0:01:31 | 0:01:33 | |
That justifies both tins. | 0:01:35 | 0:01:36 | |
For News at Ten, I have After Eights. | 0:01:41 | 0:01:43 | |
And for EastEnders, | 0:01:44 | 0:01:45 | |
I like Jelly Babies because someone must die! | 0:01:45 | 0:01:48 | |
When babies are born on December 25th, | 0:01:51 | 0:01:53 | |
they are often given names like Noel and Holly. | 0:01:53 | 0:01:56 | |
I'd call mine Rennie. | 0:01:56 | 0:01:58 | |
They still have The Snowman on every year. | 0:02:02 | 0:02:05 | |
I worry, though, cos it first came out in 1980. | 0:02:05 | 0:02:07 | |
Given what other celebrities were doing back then, | 0:02:07 | 0:02:10 | |
you half expect to see the boy | 0:02:10 | 0:02:11 | |
with a snowy handprint on his pyjama bottoms. | 0:02:11 | 0:02:14 | |
As tribute to The Voice, when carol singers come to my house, | 0:02:24 | 0:02:27 | |
I turn my back on them. | 0:02:27 | 0:02:29 | |
I think the ultimate Christmas special would be Dr Who | 0:02:31 | 0:02:34 | |
turns up in Downton Abbey | 0:02:34 | 0:02:35 | |
and teaches Mrs Patmore how to do perfect roast potatoes. | 0:02:35 | 0:02:39 | |
Then flies, with the Snowman, | 0:02:39 | 0:02:40 | |
to Albert Square where he rescues the Queen from a fire. | 0:02:40 | 0:02:43 | |
And puts the whole story in a Kirstie Allsopp snow globe. | 0:02:43 | 0:02:47 | |
Setting fire to the Christmas pudding is a tradition. | 0:02:57 | 0:03:00 | |
Something your dad always wants to do. | 0:03:00 | 0:03:02 | |
And if it doesn't light straight away, he says, | 0:03:02 | 0:03:04 | |
"I know what'll help this." And comes back with a jerry can. | 0:03:04 | 0:03:07 | |
"I know what I'm doing. | 0:03:08 | 0:03:10 | |
"I did this last year in the OLD house." | 0:03:10 | 0:03:12 | |
I don't have any grandparents any more. | 0:03:16 | 0:03:18 | |
It's a shame you can't get a rescue one, isn't it? | 0:03:18 | 0:03:20 | |
There should be, like, a Battersea Dogs Home for nans. | 0:03:22 | 0:03:25 | |
Their motto could be, "Grandmas aren't for life, | 0:03:26 | 0:03:29 | |
"they're just for Christmas. | 0:03:29 | 0:03:30 | |
"And possibly birthdays. | 0:03:32 | 0:03:34 | |
"This is Ethel. She sometimes snaps. | 0:03:34 | 0:03:36 | |
"Not good with children. | 0:03:38 | 0:03:40 | |
"Barks at the telly. | 0:03:40 | 0:03:42 | |
"Partially house-trained. | 0:03:42 | 0:03:43 | |
"Used to be one of a pair." | 0:03:44 | 0:03:46 | |
-AUDIENCE: -Aw! | 0:03:46 | 0:03:48 | |
With a lot of people living overseas now, it's quite common | 0:03:48 | 0:03:51 | |
for the family to watch their young relatives open presents on a webcam. | 0:03:51 | 0:03:54 | |
There's nothing like seeing their little faces light up, then go dark, | 0:03:54 | 0:03:59 | |
then freeze, then wobble a bit, then turn it off. | 0:03:59 | 0:04:03 | |
If they really loved me, they'd be here. | 0:04:03 | 0:04:06 | |
But, for me, Christmas is all about watching telly. | 0:04:07 | 0:04:10 | |
And you know what's changed the way we do that? Sky+. | 0:04:10 | 0:04:13 | |
Although my mam still refuses to pause live TV. | 0:04:13 | 0:04:17 | |
She thinks she'll be behind everyone for ever. | 0:04:17 | 0:04:20 | |
Like, she'll be forced to live in the past. | 0:04:21 | 0:04:24 | |
Once upon a time, there wasn't enough good telly. | 0:04:24 | 0:04:26 | |
Now there's too much. | 0:04:26 | 0:04:28 | |
I've never seen my boyfriend look more worried | 0:04:28 | 0:04:30 | |
than when the planner says we've got 3% left. | 0:04:30 | 0:04:33 | |
I'm a bit uncomfortable, actually. | 0:04:36 | 0:04:38 | |
What is that? | 0:04:38 | 0:04:40 | |
I love Phillip Schofield. | 0:04:44 | 0:04:45 | |
They say for men's hair, it's good to have a bit of salt and pepper. | 0:04:45 | 0:04:49 | |
Phillip Schofield is all salt. | 0:04:49 | 0:04:51 | |
I don't mind a high sodium diet. | 0:04:51 | 0:04:54 | |
I'm not the only one. Everyone has a crush on someone on TV. | 0:04:56 | 0:04:59 | |
A psychologist told me | 0:04:59 | 0:05:00 | |
that it's often a person who reminds you of your dad. | 0:05:00 | 0:05:03 | |
At least that's what I put my attraction to Samuel L Jackson down to. | 0:05:03 | 0:05:06 | |
The giveaway that boys have a crush on someone on TV | 0:05:06 | 0:05:10 | |
is when they put a cushion on their lap. | 0:05:10 | 0:05:12 | |
My boyfriend did it during Springwatch once. | 0:05:16 | 0:05:19 | |
I thought, "Aha! That's for Michaela Strachan," | 0:05:21 | 0:05:23 | |
because I don't know if I can compete with a stoat. | 0:05:23 | 0:05:26 | |
Gordon Ramsay's an attractive bloke but he's always frowning, isn't he? | 0:05:29 | 0:05:33 | |
You'd worry that his sex face was the same as the one he pulls | 0:05:33 | 0:05:36 | |
when there's not enough seasoning in a risotto. | 0:05:36 | 0:05:38 | |
A friend of mine fancies Phil Spencer | 0:05:41 | 0:05:43 | |
and uses estate agent speak whenever we're watching him. | 0:05:43 | 0:05:46 | |
"He could see a knickers reduction opportunity with me. | 0:05:46 | 0:05:49 | |
"He could slip me for a profit. | 0:05:50 | 0:05:52 | |
"He could knock my hallway through any day." | 0:05:55 | 0:05:57 | |
Yes, I love Christmas. | 0:06:08 | 0:06:09 | |
I bought a chocolate Advent calendar this year. | 0:06:09 | 0:06:12 | |
I came home from work the next day, my boyfriend looked really guilty. | 0:06:12 | 0:06:15 | |
I said, "What have you done?" | 0:06:15 | 0:06:17 | |
He said, "I've just eaten a fortnight." | 0:06:17 | 0:06:19 | |
You can tell what social class you're in by the kind of eggs | 0:06:24 | 0:06:27 | |
you have on Christmas morning. Eggs Benedict - posh. | 0:06:27 | 0:06:30 | |
Poached eggs - trying to be posh. | 0:06:30 | 0:06:32 | |
And if you're common as muck like me, Easter eggs. | 0:06:32 | 0:06:35 | |
Oh, this must be my present from the BBC. | 0:06:38 | 0:06:41 | |
Oh, I love opening a present. | 0:06:41 | 0:06:43 | |
-AUDIENCE: -Ooh! | 0:06:43 | 0:06:44 | |
I love opening presents. Let's do that. | 0:06:44 | 0:06:47 | |
Oh, it's Phillip Schofield! | 0:06:49 | 0:06:51 | |
CHEERING AND APPLAUSE | 0:06:51 | 0:06:53 | |
Merry Christmas! | 0:06:53 | 0:06:54 | |
SARAH GIGGLES | 0:06:59 | 0:07:02 | |
Oh, my God. Oh, my God. | 0:07:03 | 0:07:05 | |
-Hello. -Merry Christmas, darling. -Oh, don't do that! | 0:07:05 | 0:07:09 | |
I've loved you since I was 12. | 0:07:09 | 0:07:11 | |
Merry Christmas, and thank you so much for being on the show, | 0:07:13 | 0:07:15 | |
lovely Phillip Schofield. This is a really big moment for me. | 0:07:15 | 0:07:20 | |
Cos we've never met, have we? Our paths have never crossed. | 0:07:20 | 0:07:24 | |
No, and even now, we're separated by distance, which is unfair. | 0:07:24 | 0:07:29 | |
This feels like this might be a legal thing, though. | 0:07:29 | 0:07:32 | |
I've got a question for you. Holly or fern? | 0:07:34 | 0:07:37 | |
-AUDIENCE: -Oh! | 0:07:37 | 0:07:39 | |
That's a tricky one. That's a very tricky one. | 0:07:39 | 0:07:41 | |
We had such a brilliant time with Fern, that was marvellous, | 0:07:41 | 0:07:45 | |
and we clicked. | 0:07:45 | 0:07:46 | |
And I thought no-one could ever replace her, | 0:07:46 | 0:07:48 | |
and then along came Holly, who is just such a delight to work with. | 0:07:48 | 0:07:52 | |
And I love going into work every morning to see her. | 0:07:52 | 0:07:55 | |
I meant as a table decoration, but, OK. | 0:07:55 | 0:07:58 | |
LAUGHTER AND APPLAUSE | 0:07:58 | 0:08:00 | |
You can compare two women if you want. | 0:08:11 | 0:08:13 | |
Now, you've done a lot of testicle examinations on This Morning. | 0:08:15 | 0:08:19 | |
Is there any chance an enthusiastic amateur could come and have a go? | 0:08:21 | 0:08:24 | |
-Yeah, definitely. You're on the list. -I've got warm hands. | 0:08:28 | 0:08:32 | |
You're quite the Silver Fox, aren't you? | 0:08:34 | 0:08:37 | |
Do the curtains match the carpet, or...? | 0:08:37 | 0:08:39 | |
Do you have a bit of Just For Men down below? | 0:08:41 | 0:08:44 | |
I'll answer you honestly, as decently as I can at Christmas. | 0:08:45 | 0:08:50 | |
And that is, look at that, | 0:08:50 | 0:08:52 | |
and look at those. | 0:08:52 | 0:08:54 | |
-AUDIENCE: -Ooh! | 0:08:54 | 0:08:56 | |
LAUGHTER | 0:08:58 | 0:08:59 | |
Oh, no. I'm quite warm. | 0:09:03 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:07 | |
So am I. | 0:09:07 | 0:09:08 | |
You once received some pubic hair in the post from a fan. | 0:09:08 | 0:09:12 | |
-Yes! -Has that gone grey now, too? | 0:09:14 | 0:09:16 | |
Because it shouldn't because it isn't. | 0:09:17 | 0:09:20 | |
So that WAS you? | 0:09:21 | 0:09:22 | |
I have actually written to you in the past. | 0:09:27 | 0:09:29 | |
I wrote to you a number of times, when I was sort of 12, 13, | 0:09:29 | 0:09:33 | |
when you were in the Broom Cupboard. Going Live! kind of era. | 0:09:33 | 0:09:37 | |
I sent a photograph of my bedroom once to you. | 0:09:37 | 0:09:40 | |
Cos it had pictures of you. | 0:09:40 | 0:09:42 | |
And you sent it back and wrote on the back, "A true fan," | 0:09:42 | 0:09:46 | |
and then signed it. | 0:09:46 | 0:09:47 | |
But the point is that you sent it back. | 0:09:47 | 0:09:49 | |
Do you know, bizarrely... | 0:09:52 | 0:09:54 | |
-..I have a vague recollection of that. -No, shut up! | 0:09:55 | 0:09:59 | |
-Even if you're lying, that has made me very happy. -I never lie. | 0:10:09 | 0:10:13 | |
Mm-hm. | 0:10:13 | 0:10:15 | |
This is my best Christmas present ever. | 0:10:16 | 0:10:18 | |
What's the best Christmas present you've ever received? | 0:10:18 | 0:10:21 | |
When I was really little, my mum and dad stayed up late | 0:10:21 | 0:10:24 | |
in the weeks and weeks leading up to Christmas, | 0:10:24 | 0:10:27 | |
and made me my own zoo, a handmade zoo. | 0:10:27 | 0:10:29 | |
My dad was really very, very clever with his hands. | 0:10:29 | 0:10:32 | |
He was a brilliant craftsmen. I wish I'd kept my zoo. | 0:10:32 | 0:10:36 | |
I'll make you a zoo. | 0:10:36 | 0:10:38 | |
All the animals will have proper hair and everything. | 0:10:40 | 0:10:42 | |
SARAH CHUCKLES | 0:10:49 | 0:10:51 | |
Do you ever think about making the competition questions | 0:10:54 | 0:10:57 | |
in This Morning a bit, | 0:10:57 | 0:10:59 | |
A, harder, | 0:10:59 | 0:11:01 | |
B, ridiculously easy, | 0:11:01 | 0:11:03 | |
or C, Lionel Richie? | 0:11:03 | 0:11:05 | |
Definitely C. | 0:11:10 | 0:11:12 | |
What do you do when a guest doesn't turn up, | 0:11:13 | 0:11:16 | |
like, if somebody's stuck in traffic, or for whatever reason | 0:11:16 | 0:11:18 | |
they don't arrive and you need a guest, what do you do then? | 0:11:18 | 0:11:22 | |
-Well, after we've tried to contact you... -I was going to say, | 0:11:23 | 0:11:26 | |
I am normally really close, Phillip. | 0:11:26 | 0:11:28 | |
I've seen the smears up the studio window. | 0:11:32 | 0:11:34 | |
It's in the lower ones as well. | 0:11:36 | 0:11:37 | |
You asked for that. | 0:11:42 | 0:11:44 | |
Now, why don't you present This Morning on Fridays? | 0:11:44 | 0:11:46 | |
Can you just not be arsed? | 0:11:46 | 0:11:48 | |
It was because Dancing On Ice, when we started doing Dancing On Ice, | 0:11:52 | 0:11:55 | |
the rehearsal's on Saturday, did the show on the Sunday, | 0:11:55 | 0:11:58 | |
and, so, I never saw the family. | 0:11:58 | 0:12:00 | |
So it was because I got a day off for the family when they were younger. | 0:12:00 | 0:12:04 | |
And then they grew up and I just kept the Fridays off. | 0:12:04 | 0:12:07 | |
Do you watch, like, on a Friday, or, like everyone else, | 0:12:08 | 0:12:11 | |
do you just skip it cos it's just Eamonn and Ruth? | 0:12:11 | 0:12:14 | |
They're lovely, but they're a bit sort of substitute teachers, | 0:12:19 | 0:12:22 | |
aren't they? Just can't keep control. | 0:12:22 | 0:12:26 | |
How often on Dancing On Ice do you think to yourself, | 0:12:26 | 0:12:28 | |
"Oh, go on, drop her." | 0:12:28 | 0:12:29 | |
It depends who it is. | 0:12:34 | 0:12:35 | |
Do you have a favourite moment from Dancing On Ice? | 0:12:37 | 0:12:39 | |
We had Pamela Anderson, who was on, and she was a lovely lady, | 0:12:39 | 0:12:45 | |
but a dreadful skater. | 0:12:45 | 0:12:47 | |
She provided me with one of my most extraordinary moments. | 0:12:47 | 0:12:49 | |
She did a huge lift, she was lifted by her partner, | 0:12:49 | 0:12:53 | |
finished the routine, she turned around and skated towards me. | 0:12:53 | 0:12:57 | |
And they were out. | 0:12:57 | 0:12:59 | |
It looked like the airbag had gone off. | 0:13:07 | 0:13:09 | |
-Now, I've got one more Christmas wish. -What's that? | 0:13:14 | 0:13:19 | |
MAGICAL HARP MUSIC | 0:13:19 | 0:13:21 | |
Yeah, you're in the Broom Cupboard! | 0:13:23 | 0:13:26 | |
Ta-da! | 0:13:26 | 0:13:27 | |
It's been a long time. | 0:13:32 | 0:13:33 | |
-Did you get my Christmas cards? -Yes, I did. Here we go. | 0:13:36 | 0:13:40 | |
It's like being in the Broom Cupboard again. | 0:13:40 | 0:13:42 | |
Here we are, here's a lovely card. This one's from Sarah. | 0:13:42 | 0:13:45 | |
Yeah, they're all from me, love. | 0:13:45 | 0:13:47 | |
Oh, that's the special one, the one with the glitter. | 0:13:47 | 0:13:50 | |
You see on the front, underneath the Merry Christmas? | 0:13:50 | 0:13:53 | |
If you have a look at the front there... | 0:13:53 | 0:13:55 | |
In the shape of a heart? | 0:13:55 | 0:13:57 | |
Yeah, I did a potato print of my vajazzle for you. | 0:13:57 | 0:14:01 | |
It's a lovely shape. | 0:14:03 | 0:14:05 | |
That's the compliment I mostly get! | 0:14:11 | 0:14:13 | |
But there is still something missing. Hang on. | 0:14:18 | 0:14:21 | |
LAUGHTER | 0:14:24 | 0:14:26 | |
Perfect! | 0:14:26 | 0:14:28 | |
-Is that the way you want me? -That's the way I want you. | 0:14:29 | 0:14:33 | |
This is the best Christmas ever! | 0:14:33 | 0:14:36 | |
APPLAUSE | 0:14:36 | 0:14:38 | |
Thank you ever so much. Phillip Schofield! | 0:14:45 | 0:14:47 | |
It's my pleasure. | 0:14:47 | 0:14:50 | |
-And Sarah? -Oh, yes? | 0:14:50 | 0:14:52 | |
Ha-ha! I'm coming in! | 0:14:53 | 0:14:55 | |
-Mwah! Thank you. -Merry Christmas. | 0:14:57 | 0:15:01 | |
CHEERING AND APPLAUSE | 0:15:01 | 0:15:04 | |
After all that excitement, | 0:15:09 | 0:15:11 | |
I need to talk about something gentle like a Sunday night drama. | 0:15:11 | 0:15:15 | |
Why do we like soothing dramas on a Sunday night? | 0:15:15 | 0:15:18 | |
Because we want to be reminded of good times gone by, | 0:15:18 | 0:15:21 | |
like Friday night. | 0:15:21 | 0:15:22 | |
Downton's a Sunday night favourite. | 0:15:22 | 0:15:25 | |
In Downton times, a lot more people died of things they shouldn't have | 0:15:25 | 0:15:28 | |
because they were too repressed to say what the problem was. | 0:15:28 | 0:15:32 | |
They'd have to say, "I've got a problem with my finger." "Let me take a look." | 0:15:32 | 0:15:36 | |
"It's, um, up my bum." | 0:15:36 | 0:15:39 | |
LAUGHTER | 0:15:39 | 0:15:41 | |
"It's touching something knobbly." | 0:15:44 | 0:15:46 | |
LAUGHTER | 0:15:46 | 0:15:49 | |
Then there was Mr Selfridge. He invented fitting rooms. | 0:15:49 | 0:15:52 | |
What an arse. | 0:15:52 | 0:15:54 | |
The lights are too bright. Though they are good for plucking your tache, especially in Marksies. | 0:15:55 | 0:16:00 | |
The curtain is never wide enough | 0:16:00 | 0:16:02 | |
but it means you can show the girls walking past what a happy woman looks like. | 0:16:02 | 0:16:07 | |
I'm looking forward to the spin-off Miss Selfridge | 0:16:08 | 0:16:11 | |
where skinny girls stare at you and ask, "Is it for a present?" | 0:16:11 | 0:16:14 | |
LAUGHTER | 0:16:14 | 0:16:16 | |
Now, we couldn't have a Christmas show without talking about | 0:16:18 | 0:16:21 | |
one of the biggest shows of the year, Call The Midwife. | 0:16:21 | 0:16:24 | |
CHEERING | 0:16:24 | 0:16:26 | |
It's all about a group of midwives. | 0:16:26 | 0:16:28 | |
There's a posh one, a tough one, a very young one | 0:16:28 | 0:16:30 | |
and an older one who pretends to be young. | 0:16:30 | 0:16:33 | |
It's basically the Spice Girls on gas and air. | 0:16:33 | 0:16:35 | |
I love it when the midwives say, "I'm going to need hot water and towels." | 0:16:35 | 0:16:40 | |
I always think, "I'd be stressed and fancy a bath, too." | 0:16:40 | 0:16:43 | |
LAUGHTER | 0:16:43 | 0:16:45 | |
Those women are all very cheerful considering | 0:16:46 | 0:16:48 | |
they live on a bomb site, have too much sex and all the men are bastards. | 0:16:48 | 0:16:52 | |
Oh, hang on, I'm thinking of Geordie Shore! | 0:16:52 | 0:16:55 | |
And there are a lot of bikes in it. No, that's Geordie Shore! | 0:16:55 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:00 | |
This is at the time when a man and woman had to have a chaperone when they went out on a date. | 0:17:00 | 0:17:05 | |
A chaperone was there to hold your handbag | 0:17:05 | 0:17:07 | |
while you went off to get fingered outside. | 0:17:07 | 0:17:10 | |
LAUGHTER | 0:17:10 | 0:17:11 | |
"I'm not putting it on the ground. It'll get dirty." | 0:17:18 | 0:17:21 | |
Call The Midwife wasn't their first choice for title. | 0:17:23 | 0:17:26 | |
Others they thought of were Game Of Moans, | 0:17:26 | 0:17:29 | |
Nuns And Nunnies, | 0:17:29 | 0:17:32 | |
and Sorry About Your Carpet. | 0:17:32 | 0:17:35 | |
LAUGHTER | 0:17:35 | 0:17:37 | |
How do they measure how dilated the woman is down there? | 0:17:37 | 0:17:40 | |
Is that why rulers need to be shatterproof? | 0:17:40 | 0:17:44 | |
LAUGHTER | 0:17:44 | 0:17:45 | |
I think I've got too smutty a mind to watch Call The Midwife. | 0:17:48 | 0:17:51 | |
The other day I nearly spat my tea out | 0:17:51 | 0:17:54 | |
when one of the midwives complimented a mother on her lovely curtains. | 0:17:54 | 0:17:58 | |
LAUGHTER | 0:17:58 | 0:18:00 | |
You know what? Because it's Christmas, | 0:18:02 | 0:18:03 | |
I think I'm going to call the midwives right now. | 0:18:03 | 0:18:06 | |
Please welcome Judy Parfitt and Helen George, | 0:18:06 | 0:18:08 | |
also known as Sister Monica Joan and Nurse Trixie Franklin from Call The Midwife. | 0:18:08 | 0:18:12 | |
-Hello. -Hello. -Welcome to the show. -Thank you. -Merry Christmas. | 0:18:22 | 0:18:26 | |
-Merry Christmas. -It's lovely to have you here. | 0:18:26 | 0:18:29 | |
What I would like to know is before phones, how did they call the midwife? | 0:18:29 | 0:18:32 | |
Was it like the Bat-Signal but with a fanny in the sky? | 0:18:32 | 0:18:36 | |
How would you recognise it? You'd be like, "Is it? Is it a flower? I don't know what it is." | 0:18:37 | 0:18:42 | |
-They used to have carrier pigeons. -Carrier pigeons? -Yes, yes. -Really? | 0:18:42 | 0:18:47 | |
-And it would just say, "It's coming out!" -Yes. | 0:18:47 | 0:18:50 | |
-Put it in a pigeon and send it. -They'd send the pigeon. | 0:18:50 | 0:18:54 | |
Right, OK. That's good to know. | 0:18:54 | 0:18:56 | |
Sister Monica is obsessed with cake, knitting and astrology, isn't she? | 0:18:56 | 0:19:00 | |
-Yes. -I totally get that | 0:19:00 | 0:19:02 | |
apart from the knitting and the astrology. | 0:19:02 | 0:19:04 | |
-They're good things to be obsessed with, aren't they? -I think so. | 0:19:06 | 0:19:09 | |
What do you think is the best thing about living in the 1950s? What was the best thing? | 0:19:09 | 0:19:14 | |
I like the fact that you can eat white bread and you don't feel bad. | 0:19:14 | 0:19:19 | |
I eat white bread and I don't feel bad, love. | 0:19:19 | 0:19:22 | |
You were allowed to have boobs, back then, weren't you? | 0:19:22 | 0:19:26 | |
-Pointy boobs as well. -Very pointy. I felt very left out. | 0:19:26 | 0:19:29 | |
-How do you get them into a point? -Tissue paper. -Really? | 0:19:29 | 0:19:33 | |
You don't just roll them? Like... | 0:19:33 | 0:19:34 | |
Until they eventually fill the end of your bra. Just keep on. | 0:19:36 | 0:19:39 | |
"Come here, you've got warm hands. Keep rolling." | 0:19:39 | 0:19:42 | |
I'm not very good with babies. | 0:19:43 | 0:19:45 | |
How long do you have to hold them | 0:19:45 | 0:19:47 | |
before you can ask if somebody else wants a go? | 0:19:47 | 0:19:50 | |
I'm not good with them. | 0:19:50 | 0:19:52 | |
And they're heavy as well, so you're kind of ugh. | 0:19:52 | 0:19:54 | |
They're lovely when they're quiet. | 0:19:54 | 0:19:56 | |
When they're quiet and haven't shat themselves? | 0:19:56 | 0:20:00 | |
And they haven't pooed. | 0:20:00 | 0:20:01 | |
We have naked babies on set all the time doing the birth stuff | 0:20:01 | 0:20:04 | |
and they just poo everywhere. It's like that yellow curry. | 0:20:04 | 0:20:08 | |
Yellow poo. | 0:20:08 | 0:20:09 | |
-You've just put me off curry for life. -I know! | 0:20:09 | 0:20:13 | |
And people will say, "Oh, you've just got a little..." | 0:20:13 | 0:20:16 | |
Curry poo on your face! | 0:20:17 | 0:20:20 | |
You obviously all know how to hold babies. | 0:20:20 | 0:20:22 | |
I've only ever held one baby and I'm not very good at it. | 0:20:22 | 0:20:26 | |
I hold them, you know, like that. | 0:20:26 | 0:20:28 | |
You know what I mean? Out like that, by their feet. | 0:20:29 | 0:20:32 | |
LAUGHTER | 0:20:32 | 0:20:34 | |
When you auditioned for the part, | 0:20:36 | 0:20:38 | |
did you have to display any midwifery skills at the audition? | 0:20:38 | 0:20:43 | |
I didn't audition, darling. | 0:20:43 | 0:20:45 | |
AUDIENCE: Ooh! | 0:20:45 | 0:20:48 | |
-You were just given the part? -Of course! | 0:20:48 | 0:20:51 | |
-Well, I apologise. -Well, I should think so. | 0:20:51 | 0:20:56 | |
I just assumed people had auditions. No? | 0:20:56 | 0:20:59 | |
-I auditioned. -You auditioned! -She's young. | 0:20:59 | 0:21:02 | |
Well, that's because, you know, they wanted to make sure | 0:21:02 | 0:21:04 | |
that they definitely liked you and you'd obviously just muscled your way in. | 0:21:04 | 0:21:08 | |
Helen, you practised the medical techniques on your husband, didn't you? | 0:21:11 | 0:21:15 | |
I used my dog because I didn't have, you know, a prosthetic doll to practise with, | 0:21:15 | 0:21:20 | |
so I'd come back and sort of... She's a Yorkshire terrier. | 0:21:20 | 0:21:23 | |
She's kind of baby-sized so it just seemed like the natural progression. | 0:21:23 | 0:21:27 | |
So your husband was the pregnant lady? | 0:21:27 | 0:21:30 | |
Yes, on his back with his legs up with a blanket over. | 0:21:30 | 0:21:33 | |
It conjures up the most extraordinary picture. | 0:21:35 | 0:21:40 | |
So he had the blanket over, his legs up? | 0:21:40 | 0:21:43 | |
-He delivered a Yorkshire terrier! -And he had a Yorkshire terrier? | 0:21:43 | 0:21:46 | |
Very successful, yes. | 0:21:46 | 0:21:48 | |
Did you hand the Yorkshire terrier back to your husband to cradle? | 0:21:48 | 0:21:53 | |
-I wrapped her in a blanket and she looked like ET. -That is adorable. | 0:21:53 | 0:21:58 | |
Do you enjoy leaving the young ones to do the delivery of the babies? | 0:21:58 | 0:22:01 | |
You get up to quite a bit of mischief. | 0:22:01 | 0:22:04 | |
-Do you enjoy that part of your character? -Yes, I love it. | 0:22:04 | 0:22:07 | |
-What's your favourite bit of mischief you've got up to? -Eating cakes. | 0:22:07 | 0:22:11 | |
-Everybody else is working, just in the corner snaffling away? -Yes. | 0:22:11 | 0:22:15 | |
I think I could do your part. | 0:22:15 | 0:22:17 | |
But I mean obviously I'd have to audition! | 0:22:17 | 0:22:20 | |
Helen, I didn't know this, | 0:22:30 | 0:22:32 | |
-you did backing vocals for Elton John for a while. -I did, yes. | 0:22:32 | 0:22:36 | |
Do you have a song when delivering a baby? | 0:22:36 | 0:22:40 | |
You know, like, Circle Of Life or Tiny Dancer or something appropriate? | 0:22:40 | 0:22:43 | |
Like I'm Still Standing Because My Fanny's Too Sore To Sit Down? | 0:22:43 | 0:22:47 | |
PHONE RINGS | 0:22:47 | 0:22:49 | |
Oh, excuse me. This is very odd that the phone has gone. Hello? | 0:22:49 | 0:22:54 | |
Now? Really? I think this is for one of you two. | 0:22:56 | 0:23:00 | |
-Apparently someone's about to drop. Yeah. -Shall we? | 0:23:01 | 0:23:06 | |
-We should probably hurry up. -Absolutely. -Do you want to help us? | 0:23:06 | 0:23:08 | |
-Oh, really? -Yes, come. -We'll show you how. -I'll give it a bash. | 0:23:08 | 0:23:11 | |
-And then you can hold a baby. -Oh...great. | 0:23:11 | 0:23:15 | |
LAUGHTER AND APPLAUSE | 0:23:15 | 0:23:17 | |
SHE SCREAMS | 0:23:24 | 0:23:27 | |
Ooh! | 0:23:27 | 0:23:28 | |
Oh, sweetie, you're doing very well. | 0:23:28 | 0:23:30 | |
Now just remember to breathe in and out. Where's Nurse Sarah? | 0:23:30 | 0:23:35 | |
-She should be here by now. -I'm sure she'll be here soon. Oh, calm yourself. | 0:23:35 | 0:23:41 | |
CHEERING AND APPLAUSE | 0:23:41 | 0:23:44 | |
Someone has called the midwife. | 0:23:49 | 0:23:52 | |
I must get to Nonnatus House at once for the...baby thing. | 0:23:52 | 0:23:57 | |
LAUGHTER | 0:23:57 | 0:23:59 | |
I'm not an expert. | 0:23:59 | 0:24:01 | |
LAUGHTER | 0:24:04 | 0:24:06 | |
Oh. | 0:24:06 | 0:24:07 | |
Oh. Ah... Ow! | 0:24:07 | 0:24:10 | |
Oh, you bugger. Oh, you bugger. | 0:24:10 | 0:24:13 | |
No wonder Victoria Pendleton is so grumpy. | 0:24:13 | 0:24:15 | |
LAUGHTER | 0:24:15 | 0:24:17 | |
I'm coming, I'm coming! | 0:24:20 | 0:24:22 | |
Shit! Cobblestones! | 0:24:24 | 0:24:26 | |
LAUGHTER AND APPLAUSE | 0:24:26 | 0:24:29 | |
Ooh! | 0:24:37 | 0:24:39 | |
Cobblestones! | 0:24:41 | 0:24:43 | |
LAUGHTER | 0:24:43 | 0:24:45 | |
WOMAN SCREAMS | 0:24:45 | 0:24:47 | |
Nearly there! | 0:24:47 | 0:24:49 | |
Yes! Yes! | 0:24:49 | 0:24:51 | |
Yes! Yes! | 0:24:53 | 0:24:55 | |
I've arrived. | 0:24:55 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:24:59 | |
MUSIC: 'Call The Midwife' Theme Tune | 0:24:59 | 0:25:01 | |
-Right, I'm here. How may I assist? -Sarah, where have you been? | 0:25:08 | 0:25:12 | |
I don't know, but I'm going back, flower. | 0:25:12 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:16 | |
Well, you're here now. This is Mary. She's doing very well. | 0:25:16 | 0:25:21 | |
Everything is as it should be and she is four fingers dilated. | 0:25:21 | 0:25:24 | |
Four fingers? | 0:25:24 | 0:25:27 | |
Does anybody else really fancy a KitKat? | 0:25:27 | 0:25:29 | |
Argh! | 0:25:29 | 0:25:32 | |
That's one for you, love? OK. Anyone else? Bounty? Twix? | 0:25:32 | 0:25:37 | |
Penguin? | 0:25:37 | 0:25:39 | |
-We need hot water. -That's a good idea because I'm parched. | 0:25:40 | 0:25:44 | |
I'll have four sugars in mine, flower. | 0:25:44 | 0:25:47 | |
Perhaps you'd better just stay with the father. | 0:25:48 | 0:25:51 | |
What's he doing here anyway? This is the 1950s. | 0:25:51 | 0:25:54 | |
We couldn't afford another set, love. This isn't BBC One, you know. | 0:25:54 | 0:25:58 | |
-Hello, love. What's your name? -Joseph. | 0:25:58 | 0:26:02 | |
Mary and... | 0:26:02 | 0:26:05 | |
Joseph? | 0:26:05 | 0:26:07 | |
And if you have a little boy, what are you going to call him? | 0:26:07 | 0:26:11 | |
Keith. | 0:26:11 | 0:26:13 | |
Let's get you out of here. | 0:26:15 | 0:26:16 | |
Don't forget the cap, the way your wife did. | 0:26:16 | 0:26:19 | |
LAUGHTER | 0:26:19 | 0:26:21 | |
Argh! | 0:26:21 | 0:26:22 | |
We're almost ready, love. One big, last push. | 0:26:22 | 0:26:26 | |
Argh! | 0:26:26 | 0:26:28 | |
It's looking angry down there. | 0:26:28 | 0:26:31 | |
She's going to be off her cello lessons for a good while. | 0:26:31 | 0:26:34 | |
That's it. There we go. There we are. | 0:26:34 | 0:26:38 | |
There we are. | 0:26:38 | 0:26:41 | |
It's a boy! | 0:26:42 | 0:26:45 | |
BABY CRIES | 0:26:45 | 0:26:46 | |
I have witnessed a moment in history that will change the world for ever. | 0:26:46 | 0:26:50 | |
From today I have witnessed the birth | 0:26:50 | 0:26:53 | |
of the baby Phillip Schofield! | 0:26:53 | 0:26:56 | |
APPLAUSE | 0:26:56 | 0:26:58 | |
MUSIC: 'This Morning' Theme Tune | 0:26:58 | 0:27:00 | |
Thank you so much for coming on the show. | 0:27:06 | 0:27:09 | |
Ladies and gentlemen, Helen George and Judy Parfitt! | 0:27:09 | 0:27:11 | |
CHEERING AND APPLAUSE | 0:27:11 | 0:27:14 | |
That's it for tonight. | 0:27:22 | 0:27:24 | |
Unfortunately we haven't had a chance to talk about all the repeats that are on at Christmas. | 0:27:24 | 0:27:28 | |
We haven't had a chance to talk about all the repeats that are on at Christmas. | 0:27:28 | 0:27:31 | |
LAUGHTER | 0:27:31 | 0:27:33 | |
We haven't had a chance to talk about any Christmas spoilers, | 0:27:34 | 0:27:37 | |
or children, as I call them. | 0:27:37 | 0:27:39 | |
Or the Sherlock Christmas special where he figures out some of the biggest Christmas mysteries | 0:27:42 | 0:27:46 | |
like who gave you the secret gift at the office Christmas party | 0:27:46 | 0:27:50 | |
and when will it clear up? | 0:27:50 | 0:27:51 | |
LAUGHTER | 0:27:51 | 0:27:53 | |
Or the Christmas Grand Designs | 0:27:53 | 0:27:55 | |
which is just going to be people eating sandwiches in a caravan because their house isn't finished. | 0:27:55 | 0:28:00 | |
And we haven't had time to talk about the Embarrassing Bodies Christmas special, | 0:28:00 | 0:28:04 | |
or as I'm calling it, Jingle Balls. | 0:28:04 | 0:28:06 | |
LAUGHTER | 0:28:06 | 0:28:07 | |
Good night and Merry Christmas! | 0:28:07 | 0:28:10 |