Da Giovanni, San Fruttuoso The Trip to Italy


Da Giovanni, San Fruttuoso

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Transcript


LineFromTo

-Hello.

-'Steve, it's Rob.'

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Oh, hey, hey...

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'How's the show going?'

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Just finished. Just started the hiatus.

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'Yeah, I know, I spoke to your agent.

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'Listen, the Observer wants us to do more restaurant reviews -

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-'six lunches.'

-Really?

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'But this time in Italy -

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'la bella Italia, yeah?

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-'What do you think?'

-Well, erm...

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-And they'll fly you to Europe.

-First class?

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'No, they're offering business.'

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Ciao, bellissima. Hey, how are you?

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'I'm OK, sort of. Chloe's still awake.'

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What?

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'I can't get her to go to sleep.'

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-Hello.

-'Hey, Dad.'

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Hey, so...Ibiza, party central.

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Where are all the girls in bikinis with whistles

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round their necks, jumping up and down?

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'Yeah, all of them.'

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Does she miss her papa? Stick her on, I'll say good night to her.

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'No, I don't think that will help.

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-'I think it'll only make it worse, Rob.'

-All right.

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'She's crying again. I'm sorry, I've got to go, darling.'

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'It would probably be more fun if there were, you know,

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'more people my age there, if my friends were here.

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'But, you know, they're all off in London having fun.

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'I'm stuck here by myself. I'm 16.

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'Mum keeps treating me like I'm a child.

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'I'm old enough to join the Army

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'and according to her I'm not old enough

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'to just be at home by myself.'

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Yeah, well, I think

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they should raise the age level for entry to the Army, actually.

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-All right then, so long, love. Bye-bye.

-'Bye.'

-Bye.

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Ciao, bellissima.

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Ciao, bellissima.

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Che bella ragazza.

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Che bella ragazza.

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Oh - huh! - ciao, bellissimo.

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Che bella - yeah! - ragazza!

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-AS TOM JONES:

-# Huh, think I'd better dance now. #

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Che bella - what a beautiful - huh, ragazza - girl.

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Huh, I think you've got a wonderful tone to your voice

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and I want you on my team, oh.

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Did you sleep well?

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Yeah, like a baby.

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I didn't. Terrible dreams.

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I think it was the sound of the waves hitting the rocks.

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Awful.

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What did you dream about?

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I dreamt I was in a huge toilet bowl, being constantly flushed.

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Yeah, I wouldn't read too much into that.

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-I mustered once on a boat, hit a rock, yeah.

-Really?

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I had to muster. Seriously, we had

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to go up onto the deck with our life jackets on.

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You went to, like, a muster station with your life jacket on?

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-Yes.

-Wow!

-Yes, and the worst thing about it was,

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all the crew members were running down corridors...

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-Oh, my God!

-Which is terrifying,

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because you don't ever want to see that.

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No, it's like when you see an air stewardess crying.

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Yes...have you seen an air stewardess crying?

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-Yeah.

-Nothing to do with the flight, though, was it?

-No, nothing to do with the flight.

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-OK.

-OK...right.

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Permission to come aboard?

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Sorry, I don't need any help...

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-OK.

-That's fine.

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Great. OK?

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Yeah, fine, thank you.

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If you just step...yeah.

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-OK.

-Bloody hell. Palaver!

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Is this the actual boat?

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Cos...I was expecting something a big bigger.

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Little smaller than I was expecting as well - I'll be very honest with you.

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Look at that! Wow!

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This is our boat, Patience.

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Patience is a virtue.

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That is beautiful!

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I can't really see the waves so I have to...

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You just have to work like a Jedi.

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Trust your feeling, all right? Just trust it.

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Why don't you close your eyes, Steve, and merely feel the waves?

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A true Jedi doesn't need to see the waves.

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Is that what the Jedis do?

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-Yes.

-Because I can fight with a light stick.

-They do the lightsaber.

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That has got to be a violation of health and safety!

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-Hi.

-Oh, hello. Thank you. This is lovely.

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It's a lovely boat, a lovely way to travel.

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Yeah, so, the first stop is San Fruttuoso, where you'll have lunch.

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"My soul is an enchanted boat

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"Which like a sleeping swan doth float

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"Upon the silver waves of thy sweet singing

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"Thine doth like an angel sit

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"Beside the helm conducting it

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"While all the trees with melody are ringing."

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That's Shelley, read by Burton.

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Rob can't do poems in his own voice because he lacks conviction.

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-AS ALAN BENNETT:

-"My soul is an enchanted boat

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"Which like a sleeping swan doth float

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"Upon the silver waves of thy sweet singing."

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Are you going to have some wine?

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-No, thank you.

-Are you sure?

-No, grazie.

-A little bit?

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No.

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Grazie mille. Oh, oh...

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-Look at this?

-Lovely.

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50,000 Leagues Under The Sea.

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It is a bit... It's very Jules Verne, the starter, I have to say, yeah.

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We're squids in.

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Squids in, six quid.

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Oh, I've got the squids.

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Very nice, isn't she, Lucy?

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Mmm.

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Not the squid - Lucy.

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Mmm...mmm.

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Oh, oh...look at that.

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Don't... Don't scare him. Oh, you had to scare him.

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"To crush a butterfly upon a wheel."

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A dream we all share.

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-Alexander Pope.

-Of course.

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It's not very authentic, though, is it?

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Hanging out with some Sloane ranger.

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If you look at Shelley and Byron,

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they were always staying with English people, all the expats.

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That's how it was, you see.

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You know, when you're in LA, I bet you are down at Soho House

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watching football on the telly with Robbie Williams.

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A - I don't like football.

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-'Ey!

-'Ey! BOTH:

-I don't like football.

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-B...

-Yeah. Be what? Be who you are? Be true to yourself?

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A - I don't like football. B - true to yourself.

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-See what I did there.

-Yeah, very good, you're a wordsmith.

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D - 'pend on me to come up with more of these. E...

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Why'd you miss C?

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I didn't, I said "C what I did there?" You're not listening.

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Oh, that is good, yeah.

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Dear, dear me.

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-I can see why they want you for Radio 4 panel shows.

-Thank you.

-You're a demon.

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No, I don't hang out with Robbie Williams.

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When I am in LA, I do what Byron actually did

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when he was travelling, which was hang out with local people.

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Matt Stone, Trey Parker, Matthew Perry, Owen Wilson...

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You hang out with Owen Wilson or you occasionally work with Owen Wilson?

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I know you've been a miniature soldier with him,

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but do you actually hang out with him?

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We run together on the beach.

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Is he aware that you're running?

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Is he running away from you? I mean, there's a distinction here.

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I could say I've been running on the beach with Robert De Niro,

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when, in fact, I'm furiously chasing

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after him and he's running for his life... What are you doing there?

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Just having a little wine. You know, when in Rome...

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-Wow!

-In Italy.

-I'm your enabler.

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Yeah.

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I'd love to talk to some of these locals.

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Byron said, "I love the language, that bastard Latin

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"That melts like kisses from a female mouth

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"It sounds as if it should be writ on satin

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"With syllables that breathe of the sweet South."

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She's nice, though, Lucy.

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She's all right. She's just a posh girl working on a boat.

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She's basically the nautical equivalent of a chalet girl.

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Go round Chelsea, chuck a stick - you'll hit ten of them.

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You've been warned about that, haven't you?

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"Steve Coogan has been arrested for

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"chucking sticks at Sloane women in Chelsea."

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We'd know what sort of a story that was, right?

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-Yeah.

-Purely from the intonation.

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If they say, "The actor and comedian Steve Coogan..."

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-it's going to be good news.

-Yeah.

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OK? Then there's if you've died.

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Yeah. "The actor and comedian Steve Coogan..."

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The one you don't want is this...ready?

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"The actor and comedian Steve Coogan..."

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-Oh, no!

-God, what has he done now?

-Oh, my God!

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See that Roman Polanski film with Pierce Brosnan playing the prime minister,

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Tony Blair, sort of, war crimes?

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It was, sort of, an Iraq war thing, you know?

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"The name's Bond, James Bond, 007 licensed to kill."

0:09:120:09:14

But he plays Tony Blair in this?

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"My name's Blair, Tony Blair."

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Tony Blair.

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"Licensed to illegally invade other countries."

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I could see Roger Moore playing Tony Blair.

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AS ROGER MOORE: My name's Tony Blair, and I don't like you, Hussein.

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Now you're telling me this.

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You're telling me destruction could be launched in 45 minutes?

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I don't like you one bit.

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I don't like the way you stand on the balcony wearing a beret.

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-AS SADDAM HUSSEIN:

-I wear the beret for one reason alone.

-Why?

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I like to impersonate Frank Spencer.

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You can impersonate Frank Spencer all you like

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but it doesn't change the fact

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that I think you're harbouring weapons of mass destruction.

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Wait till you hear this.

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-IN SAME VOICE:

-Oh, Betty, the cat has done whoopsie on the carpet.

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That's a terrible impersonation of Frank Spencer, Hussein.

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It's the best I can do. I have the beret.

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That must count for something, surely?

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You think I can't do Frank Spencer? Well, listen to this.

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AS FRANK SPENCER: Put it over there, I'll mend it in the morning. What about that then, Mr Blair?

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I bet you didn't think I could do that.

0:10:080:10:10

-AS ROGER MOORE:

-I'll be very honest with you, Saddam, I wasn't expecting

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such a professional level of impersonation.

0:10:130:10:15

AS SADDAM HUSSEIN: No, you weren't. You weren't expecting it.

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-Have you considered touring northern clubs in the '70s?

-I tried to tour the northern clubs in the 1970s.

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-What happened?

-They said...

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AS FRANK SPENCER: "No, we've already gone with someone who does Frank Spencer."

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-Grazie.

-Grazie.

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Grazie mille. Che bel tempo oggi.

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-Molto bello!

-Si.

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"Oggi" means "today".

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Thank goodness for that - I thought you were a bit forward!

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You want to take her for dinner first, mate.

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-Would you like some more wine?

-I would. Lovely.

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-AS ALAN BENNETT:

-"Dear diary, offered Steve more wine.

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"He was quite agreeable to the proposal,

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"so I poured it confidently."

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Mmm!

0:11:130:11:15

-AMERICAN ACCENT:

-Oh, man! This looks great. I adore pasta.

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-It's "pah-sta". You say "pah-sta".

-Pah-sta, that's right, yeah. I love pah-sta.

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Steve, you got to have some of the pah-sta.

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Mmm.

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-OWN ACCENT:

-Are you happy with Joe and Mamie being on holiday with another man in your role?

0:11:260:11:30

He's not in my role.

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He is, technically.

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They know I'm the father.

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He's... David is just this guy.

0:11:350:11:37

David - is that his name?

0:11:370:11:38

-32, a yoga instructor.

-How old?

-32.

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-He's 32, and he's what, a yoga instructor?

-Yeah.

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Are you happy with that?

0:11:440:11:46

He's on holiday with them now. I'm paying for the holiday.

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-He doesn't have much money.

-I couldn't do it.

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If Sally and I ever split up, which we will not,

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but if we did, that would be the thing that would really,

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you know, break me up - is the thought of another man

0:11:560:11:59

being in that role cos Chloe's three. So, she'd have no memory

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of me as the dad in the house

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and she'd automatically think of him as Dad.

0:12:060:12:08

-That's fine.

-How's that fine? That's not fine!

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Wow! Grazie.

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-WAITRESS SPEAKS ITALIAN

-Grazie mille.

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Beautiful here, isn't it, eh? La dolce vita.

0:12:190:12:23

Don't you think we're lucky?

0:12:230:12:25

In the old days, only the aristocracy could travel.

0:12:250:12:28

Nowadays everyone... everybody can afford a holiday.

0:12:280:12:31

Even if you're on benefits, you can go abroad.

0:12:310:12:33

It's part of your human rights.

0:12:330:12:35

Well, it should be part of your human rights!

0:12:350:12:37

I think it should be on the NHS, but not in the summer.

0:12:370:12:40

-You know, it should be in the winter.

-When it's cheaper.

0:12:410:12:44

-When people get vitamin D deficiency, because of lack of sunlight.

-True.

0:12:440:12:48

Which then leads to people getting depression,

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which means they then have to be prescribed antidepressants,

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sold at exorbitant rates to the NHS, paid for by taxpayers,

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but sold at exorbitant rates by multinational drug companies.

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And he's off on his charger!

0:12:590:13:02

This time taking on the pharmaceutical companies.

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Not content with bringing the Murdoch empire to its knees,

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he now turns his steely gaze to Nurofen.

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It's not Nurofen. I'm talking about temazepam and diazepam.

0:13:090:13:14

You know, drug companies aren't interested in curing cancer.

0:13:140:13:17

They want to prescribe long-term medication for chronic illnesses

0:13:170:13:21

because that's what lines the coffers of the shareholders.

0:13:210:13:24

It's a cartel, a conspiracy.

0:13:240:13:26

They're no better than Colombian drug lords, frankly.

0:13:260:13:29

Did you ever see the film Love and Other Drugs - Jake Gyllenhaal?

0:13:330:13:37

Gil-en-hall, Jill-en-hall - how do you pronounce that?

0:13:370:13:40

I know Jake and Maggie.

0:13:400:13:43

And how do you pronounce it?

0:13:430:13:44

I don't know.

0:13:440:13:46

It was about the big pharma conspiracy over Viagra.

0:13:460:13:49

Have you ever used that?

0:13:520:13:53

Not prescribed to me, you know, I've used it recreationally.

0:13:530:13:56

Recreationally is the only way you would use it.

0:13:560:13:58

Why would you use it professionally,

0:13:580:13:59

unless you're a porn star or a model or an actor?

0:13:590:14:04

But actors can't - that's the last thing an actor wants to use.

0:14:040:14:06

You're not allowed to get a hard on if you're in a sex scene.

0:14:060:14:09

It's a major faux pas, frowned upon by crews and actors alike.

0:14:090:14:13

So, erm...

0:14:130:14:15

what's it like?

0:14:150:14:17

Erm...

0:14:180:14:20

do you want me to get you some Viagra?

0:14:200:14:22

Oh, I'm just asking you.

0:14:220:14:23

Look, I'm considering dipping my toes in the murky waters of Viagra.

0:14:230:14:28

OK...it's not an aphrodisiac.

0:14:280:14:29

You've got to desire the woman you're with.

0:14:290:14:31

Yes...well, yes, I do.

0:14:310:14:33

I have a three-year-old child so, you know,

0:14:330:14:36

it's not the sexual Olympics in our house, so I'm just thinking of a...

0:14:360:14:40

Well, it's just like a peg-up.

0:14:400:14:41

It's like you trying to climb over a wall and me doing that.

0:14:410:14:44

You'd stand in that.

0:14:440:14:45

I'd be uncomfortable if you were there, I should make that clear.

0:14:450:14:49

Yeah, I know. It's an analogy.

0:14:490:14:50

-Yeah, once you're over the wall, you're on your own.

-Yeah.

0:14:500:14:53

But it's like... Take a...

0:14:530:14:55

I wouldn't want you in the house at all, to be honest.

0:14:550:14:57

-Just tell me what it's like.

-No, I'm outside looking round, making sure,

0:14:570:15:00

keeping the coast clear. I've given you a peg-up, you go in...

0:15:000:15:03

-OK, all right.

-Have sex with your wife.

-Yeah, I'm comfortable now.

0:15:030:15:06

OK, it's like a turbocharger on a normally aspirated engine.

0:15:060:15:09

-WAITRESS SPEAKS ITALIAN

-Si, grazie mille, grazie.

0:15:090:15:13

Grazie, erm, il conto, per favore...grazie.

0:15:130:15:17

That's one of the nicest sounds in the world -

0:15:180:15:20

the sound of water lapping, ideally against pebbles and not sand.

0:15:200:15:25

A lovely sound. Is there a nicer sound than that?

0:15:250:15:28

No, I don't think there is. Birdsong?

0:15:280:15:30

-Birdsong...depends on the bird.

-Yeah, that's true.

0:15:300:15:32

HE SQUAWKS

0:15:320:15:35

Yeah, that's fair, so point taken.

0:15:350:15:37

-IRISH ACCENT:

-So, welcome, and you join us for Guess The Bill

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and our contestant this week is returning after his triumph last week.

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-It's young Stephen Coogan. Steve, welcome.

-Thank you.

0:15:450:15:48

I know you've had a super day here at the studios with us.

0:15:480:15:50

Just a second. Let me just stop you

0:15:500:15:52

briefly to ask you what part of Ireland you're from.

0:15:520:15:54

Well, I'm glad you asked, Stephen. I've travelled all around Ireland,

0:15:540:15:57

hence the different tones in the voice, but it's good of you to ask.

0:15:570:16:00

-I like a young, inquisitive mind.

-OK, I'll let it go.

-All right, don't speak again.

0:16:000:16:03

Steve, thanks for taking an interest in me but tonight is all about you

0:16:030:16:06

and I hope you're going to win some money and take it back to that

0:16:060:16:09

family, who God knows have suffered enough already

0:16:090:16:11

putting up with you, you little shit.

0:16:110:16:13

So, here we go, and I must take your first answer.

0:16:130:16:16

Is today's bill...

0:16:160:16:18

A - ten euro?

0:16:180:16:21

Is it B - 647 euro?

0:16:210:16:24

Or is it C - 173 euro?

0:16:240:16:28

And, Steve, please, I must take your first answer.

0:16:280:16:30

-Ladies and gentlemen in the audience, please no helping with this young lad.

-C, it's C.

0:16:300:16:34

-C, you're saying C?

-Yeah.

0:16:340:16:36

-173 - is that your final answer, Steve?

-Yeah, definitely.

0:16:360:16:39

Steve, you've done it. You've won again, well done. You'll be coming

0:16:390:16:42

back next week. Give a wave to everybody at home there, Steve.

0:16:420:16:45

Give a wave. The camera's over there, you daft bugger. There it is.

0:16:450:16:48

Good night, everybody. We'll be back same time next week. Keep waving. Credits are rolling. Good night!

0:16:480:16:52

Watch your head already.

0:17:030:17:05

William, the men are not happy.

0:17:050:17:06

Oh, William, is it? Not "captain" or "sir"?

0:17:060:17:08

You can tell the men that we will sail around the Cape of Good Hope, we will sail around the Horn.

0:17:080:17:13

You turned your back on me, man. God damn your eyes!

0:17:130:17:15

God damn your eyes, man, you turned your back on me!

0:17:150:17:18

He's doing Anthony Hopkins. Don't worry, it'll pass.

0:17:180:17:20

You tell the men that we will sail around the Cape of Good Hope

0:17:200:17:23

and sail around the Horn.

0:17:230:17:25

Around the Horn. The quick way round the Horn we shall go, sir.

0:17:250:17:28

Damn your eyes! Damn your eyes!

0:17:280:17:30

You turned your back on me, man!

0:17:300:17:32

Don't turn your back on me!

0:17:320:17:35

-Around the Horn we're going.

-The quicker way round the Horn we shall go.

0:17:350:17:38

-Hey!

-Hi!

0:17:570:17:58

Oh, careful.

0:17:590:18:01

Not too rough for you?

0:18:010:18:03

-No, no, it's fine.

-Are you enjoying it?

0:18:030:18:05

Yeah, it's fantastic, wonderful. Steve's having a little sleep.

0:18:050:18:11

Had a drink, so at his age he needs a nap after lunch

0:18:110:18:14

or he gets confused.

0:18:140:18:16

-How old is he?

-He doesn't like me to say.

0:18:160:18:18

He doesn't like me to share that.

0:18:180:18:20

-Does he drink a lot?

-Well...

0:18:200:18:22

And so this is the anchor, yeah?

0:18:230:18:26

Am I right? I know enough to get by.

0:18:270:18:31

So, this is the anchor and then

0:18:310:18:33

if you want to stop somewhere you drop the sail - is that right?

0:18:330:18:36

Where are you from, then? Wales, right?

0:18:360:18:39

Wales, South Wales, Port Talbot.

0:18:390:18:40

Oh, I love the accent.

0:18:400:18:42

-Do you?

-Yeah, it's beautiful.

-Seriously?

0:18:420:18:44

Yeah, it's really lyrical.

0:18:440:18:46

Ah, begin at the beginning.

0:18:460:18:48

You've just got to make your mouth, like, begin.

0:18:480:18:51

-To begin.

-Yes, but you have to push your lips out.

-Begin.

0:18:510:18:55

SHE LAUGHS

0:18:550:18:57

To begin at the beginning.

0:18:570:18:59

To begin...

0:18:590:19:01

SHE LAUGHS

0:19:010:19:02

That sounded angry, really.

0:19:020:19:05

OPERA MUSIC PLAYS

0:19:050:19:07

It's a lovely house.

0:19:210:19:22

I mean, it's better than Byron's, isn't it?

0:19:220:19:24

You've got a lovely balcony there. Looking out over the bay.

0:19:240:19:28

See if you can get my face and it in so it's legible.

0:19:280:19:31

-Don't look ironic.

-I'm not.

0:19:310:19:33

It's not a flattering angle but it's got all the information, so...

0:19:330:19:36

Did you like it? Was it nice?

0:19:420:19:44

It was busier than I was expecting.

0:19:440:19:45

-Spoilt by tourism.

-Yeah.

0:19:450:19:47

Yeah, when Shelley lived there it would have been deserted.

0:19:470:19:50

-Yeah?

-Do you want to go back to San Fruttuoso?

0:19:500:19:52

-Yes.

-Yes?

-It was lovely there.

0:19:520:19:53

That's a lovely sight.

0:19:570:19:58

I'd like to show her the ropes.

0:19:580:20:00

I'd like to show her my rope.

0:20:000:20:01

Yeah, I'd like her to charm the rope out of my basket.

0:20:010:20:04

I'd like to see her drop her anchor in my Bay of Poets.

0:20:040:20:07

Well, she wouldn't drop her anchor, you'd be the one with the anchor.

0:20:070:20:10

No, she could drop her anchor.

0:20:100:20:11

-No, she doesn't, you drop your anchor.

-You're absolutely right.

0:20:110:20:14

I'd like to drop my anchor in her boat.

0:20:140:20:16

You're getting your metaphors arse about tit.

0:20:160:20:18

Now you drop an anchor and she...

0:20:180:20:20

ROB LAUGHS

0:20:200:20:22

You nearly went over the side.

0:20:230:20:24

-No, I didn't.

-You did.

-I didn't.

-You panicked.

0:20:240:20:27

Yeah, all right, I panicked, big deal.

0:20:270:20:30

You did, you completely panicked!

0:20:300:20:32

The panic's a survival instinct.

0:20:320:20:33

What would Daniel Craig have done? He wouldn't have gone "Ohhh..."

0:20:330:20:36

Daniel Craig, when they announced he was playing Bond,

0:20:360:20:39

he turned up on the Thames in a speedboat wearing a life jacket.

0:20:390:20:41

That's for insurance. Whereas Roger Moore would have asked for one.

0:20:410:20:45

-AS ROGER MOORE:

-Cubby, I wonder if Bond at this stage would be wearing

0:20:450:20:49

a buoyancy aid of some sort.

0:20:490:20:52

Perhaps wings.

0:20:520:20:54

Water wings... Perhaps a rubber ring around his midriff.

0:20:540:20:57

Just belt and braces.

0:20:570:20:59

And did you get my memo about the handrail?

0:21:000:21:02

Are you going to swim in, then?

0:21:250:21:27

I could swim in.

0:21:270:21:29

Yeah, right.

0:21:290:21:30

Watch me.

0:21:310:21:32

Swiss self-winding, 10,000.

0:21:370:21:39

MUSIC: "Um Mitternacht" by Gustav Mahler

0:21:390:21:42

Superb!

0:21:480:21:49

This is exactly how I imagined it, you know,

0:21:560:21:59

from reading about Shelley.

0:21:590:22:02

Sort of very simple but very romantic in the grand sense.

0:22:020:22:06

-Yes.

-Yeah?

0:22:060:22:07

There's something quite melancholy about this place, isn't there?

0:22:090:22:12

It's like getting stranded on a desert island.

0:22:120:22:15

Yeah, only not as hot.

0:22:150:22:17

The desert doesn't mean hot.

0:22:170:22:19

Desert just means there's no people there. There's going to be water.

0:22:190:22:22

-It just means deserted.

-I know that, I know that. Don't you think

0:22:220:22:25

everything's melancholic once you get to a certain age? I do.

0:22:250:22:29

I think you've really got to just try and enjoy life, you know?

0:22:290:22:34

I mean, even your mouth starts to naturally droop down.

0:22:360:22:39

No, that's relaxing. That's just muscles relaxing.

0:22:390:22:42

Garrison Keeler said, "When you're under 40,

0:22:420:22:45

"seeming unhappy makes you look interesting.

0:22:450:22:48

"But once you're 40 and beyond, you've got to do everything

0:22:480:22:51

"you can to smile, otherwise you just look like a grumpy old man."

0:22:510:22:55

Morrissey.

0:22:550:22:56

Byron was famously gloomy.

0:22:570:23:00

Come and have a drink.

0:23:050:23:07

OK.

0:23:080:23:10

Yep, I've still got it. A bit shocked, aren't you?

0:23:160:23:19

Not really - I've always told you that it was a possibility.

0:23:190:23:22

You know, so you're an acquired taste, but, you know...

0:23:230:23:27

What will people remember of us in 200 years' time?

0:23:290:23:33

Er...

0:23:360:23:38

I don't think we'll be remembered, to be honest with you.

0:23:380:23:40

No.

0:23:410:23:43

-I mean, if... There's a big if.

-If we are...

0:23:430:23:46

..either of us are remembered,

0:23:460:23:49

I would say that it would probably be me.

0:23:490:23:51

What would they most remember?

0:23:510:23:54

What would be celebrated about you, do you think?

0:23:540:23:56

Six BAFTAs.

0:23:570:23:59

You've got five BAFTAs.

0:24:000:24:02

Yeah, but I'll probably get a lifetime achievement.

0:24:020:24:05

-True.

-If I survive.

0:24:050:24:07

You could have it posthumously.

0:24:070:24:09

I like to think if you did win it posthumously,

0:24:090:24:12

I'd be the one to accept it on your behalf.

0:24:120:24:14

Unless, of course, if I was the architect of your death,

0:24:140:24:16

in which case I'd still like to receive it from my cell

0:24:160:24:19

via satellite link.

0:24:190:24:21

Thrilled to have this. Er...

0:24:220:24:25

you know, I killed Steve for the good of mankind.

0:24:250:24:28

Do I regret what I've done?

0:24:280:24:30

-Not really, because I think the world's...

-Lights out!

0:24:300:24:33

-I've got to go.

-Brydon, lights out, you nonce.

0:24:330:24:36

Yeah, that's not what I'm in for,

0:24:360:24:38

but I accept it as a general derogatory term.

0:24:380:24:41

DEEP VOICE: Come on, Rob, come to bed.

0:24:410:24:44

All right, Melvyn, I'll be a minute.

0:24:440:24:46

-Anyway, that's all from me.

-I want a cuddle.

0:24:460:24:48

Yes, all right, I'll give you a cuddle. Please just wait.

0:24:480:24:51

Erm, so anyway, on Steve's behalf, thanks for this.

0:24:510:24:54

He would have loved it but, you know, he's gone.

0:24:540:24:56

-Come on.

-Yeah, all right.

-I'm horny!

0:24:560:24:58

I want to go on the inside...of the bed, of the bed, of the bed.

0:24:580:25:01

Not the inside of the inmate.

0:25:010:25:03

The inside of the bed.

0:25:030:25:05

Did you see this? Michael Winner's memorial service.

0:25:060:25:09

And Michael Caine and Roger Moore were sat there,

0:25:090:25:12

the two of them, and they looked old, cos they are old.

0:25:120:25:15

-AS MICHAEL CAINE:

-I don't think we've ever been this old, Rog,

0:25:150:25:19

I'll be very honest with you.

0:25:190:25:21

AS ROGER MOORE: We've 'ad a pretty good innings, though, Michael.

0:25:220:25:25

You just dropped your H, Rog. Why was that? That's not like you.

0:25:250:25:29

You just said "We've 'ad a very good innings, Michael."

0:25:290:25:33

What's the matter, Roger? I'm Michael, you're Roger.

0:25:330:25:37

I haven't the time, Michael. I really haven't the time.

0:25:370:25:41

I'll tell you the time, Rog. It's getting late.

0:25:410:25:43

Do you take my meaning?

0:25:430:25:45

Oh, Michael, do you remember back in '88 when we made "Bullseye!"?

0:25:460:25:52

-Ah, glory days.

-Happy days.

0:25:520:25:54

Tragically superseded by the television version of Bullseye.

0:25:550:25:59

With Jim Bowen?

0:25:590:26:01

With the great James Bowen.

0:26:010:26:04

180!

0:26:060:26:08

I would have loved to have you in as the voice of the scores,

0:26:080:26:11

it would have been lovely.

0:26:110:26:13

There's only one word for that - magic darts.

0:26:130:26:15

I mean, I think if you and me had been doing Bullseye together...

0:26:150:26:18

There's only one word for that - magic darts.

0:26:180:26:19

-Yeah, there's only one word for that - magic darts.

-Magic darts.

0:26:190:26:22

There's only one word for that - magic darts.

0:26:220:26:25

There's only one word for that - magic darts.

0:26:250:26:28

There's only one word for that, Master Bruce - magic darts.

0:26:280:26:31

Thank you very much, I haven't been playing for long.

0:26:310:26:34

I'd better go and call Jo.

0:26:360:26:38

See you in a bit.

0:26:410:26:42

'This person's phone is switched off.

0:26:550:26:58

'Please try later or send a text.'

0:26:580:27:01

So, how did you end up here?

0:27:010:27:03

My boyfriend had a boat. We sailed together.

0:27:050:27:09

Then when we broke up I had to find work, so I got a job on the crew.

0:27:090:27:13

It must be fun.

0:27:150:27:17

Sometimes.

0:27:170:27:19

Do you have children?

0:27:210:27:23

No. I wish I did. Do you?

0:27:230:27:27

Yeah, I've got a daughter, Chloe.

0:27:270:27:31

She's three.

0:27:310:27:33

Aw!

0:27:330:27:34

She is gorgeous.

0:27:360:27:38

-Do you miss her?

-Yeah.

0:27:390:27:41

It's been two days, so I'm...

0:27:410:27:44

I'm not pining but...

0:27:440:27:46

-POSH ACCENT:

-"Is thy face, like thy mother's, fair, my child!

0:27:490:27:53

"Chloe, sole daughter of my house and heart.

0:27:540:27:58

"When last I saw thy young blue eyes they smiled and then we parted."

0:27:590:28:04

-Is that your Hugh Grant impression?

-Yes, I'm afraid it is, yes, yes.

0:28:040:28:08

I think that Steve's absolutely right,

0:28:080:28:10

I do find it very difficult to - oh, gosh, crikey - say a poem

0:28:100:28:13

unless it's in somebody else's voice. And Hugh just happened to

0:28:130:28:16

be passing, you know, on the beach, and he popped over for a blow.

0:28:160:28:20

..by blow account of what was going on.

0:28:200:28:24

"Sorrow is knowledge: They who know the most

0:28:260:28:29

"Must mourn the deepest o'er the fatal truth

0:28:290:28:33

"The tree of Knowledge is not that of Life."

0:28:330:28:35

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