La Suvera, Pievescola The Trip to Italy


La Suvera, Pievescola

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This programme contains strong language

0:00:020:00:06

-Hello.

-Steve? It's Rob.

-Oh, hey, hey.

0:00:060:00:08

-How's the show going?

-Just finished, just started the hiatus.

0:00:080:00:11

Yeah, I know, I spoke to your agent.

0:00:110:00:13

Listen, The Observer wants us to do more restaurant reviews,

0:00:130:00:15

-another six lunches.

-Really?

0:00:150:00:17

But this time in Italy. La bella Italia, yeah? What do you think?

0:00:170:00:22

-Well...

-They'll fly you to Europe.

0:00:220:00:25

-First class?

-No, they're offering business.

0:00:250:00:28

Shall I compare thee to a summer's day?

0:00:320:00:36

Thou art more beautiful and more temperate.

0:00:360:00:40

Rough winds do shake the darling buds of May

0:00:400:00:43

and summer's lease has all too short a date.

0:00:430:00:47

Aren't those lines of Mr Shakespeare?

0:00:470:00:49

Yes, I don't like to quote my own work.

0:00:490:00:52

Aha!

0:00:540:00:56

Fuck. Fuck, fuck, fuckity fuck.

0:01:190:01:22

-You OK?

-Yes, fine.

0:01:280:01:32

-How was last night?

-Fine.

0:01:330:01:36

Can you elaborate?

0:01:360:01:38

I don't want to talk about it and that's not the cue for an ABBA song.

0:01:380:01:42

Well, I think when most people say they don't want to talk about it,

0:01:420:01:46

it means it didn't go very well, but with you,

0:01:460:01:48

I'd infer that it went pretty well.

0:01:480:01:52

Yeah, too well.

0:01:520:01:53

Very green, isn't it?

0:01:580:01:59

It is.

0:01:590:02:00

Molta verde.

0:02:000:02:02

Giuseppe Verdi sounds very fancy, Joe Green.

0:02:020:02:07

Joe Green.

0:02:070:02:08

Roberto Brydone. Sounds classier than Rob Brydon, doesn't it?

0:02:080:02:11

-Yeah.

-Stefano Coggani.

0:02:110:02:13

-Yeah, I prefer my name in Spanish, Esteban.

-What is it?

0:02:130:02:16

-SPANISH ACCENT:

-Esteban.

0:02:160:02:17

You sound like a bull fighter.

0:02:170:02:19

The bull is... muy morte.

0:02:190:02:22

No, no morte el toro! You bring home the bull, we milk the bull.

0:02:220:02:26

-Don't milk...

-We don't milk the bull, we milk the cow.

0:02:260:02:29

Yeah, we don't want to milk a bull, Rob,

0:02:290:02:30

-not after what happened last time.

-That was a misunderstanding.

0:02:300:02:34

You know that was a simple misunderstanding, I was just... happened to be on the farm.

0:02:340:02:38

I've always been an animal lover, you know that.

0:02:380:02:40

Right, just a quick one.

0:02:470:02:49

Look at that hair. George Michael in the Careless Whisper video.

0:02:510:02:56

Why do we have to do this?

0:02:560:02:58

A picture is worth a thousand words.

0:02:590:03:02

It's not how I imagined it would be.

0:03:050:03:07

I've never seen so many deck chairs.

0:03:070:03:10

Really reminiscent of Rhyl.

0:03:100:03:11

Ever played the Sun Centre in Rhyl?

0:03:110:03:13

No. No, that's on my to do list.

0:03:150:03:18

See, you've got Shelley there on his funeral pyre.

0:03:210:03:23

Byron staring wistfully into space, that's Trelawney,

0:03:230:03:26

he's the guy that commissioned the boat so...

0:03:260:03:28

Oh, that's a bit awkward.

0:03:280:03:29

Hence he's staring at his feet.

0:03:290:03:31

They wouldn't sue in those days, not like they do now.

0:03:310:03:34

Have you been injured at work while composing romantic poetry

0:03:340:03:37

on a boat, call now. 0800 471 471, you could win up to £5,000.

0:03:370:03:43

Like Mr Shelley.

0:03:430:03:45

Guineas, yes.

0:03:450:03:46

You could win up to 5,000 guineas, like Mr Shelley from the UK.

0:03:460:03:51

They wouldn't call it the UK.

0:03:510:03:53

Like Mr Shelley from Great Britain.

0:03:530:03:56

But this is a very idealised version of everything,

0:03:560:03:58

I mean he wouldn't have looked like that, he'd been

0:03:580:04:01

bobbing around for two weeks so he'd have been bloated beyond belief.

0:04:010:04:05

Yeah, everything looks better in a painting, doesn't it?

0:04:050:04:08

I sometimes think that one day I will be, and so will you, on a slab.

0:04:080:04:13

-Yep.

-You'll have a little tag round your toe

0:04:130:04:16

and somebody will be there embalming you.

0:04:160:04:19

-Yeah.

-Do you ever think that? Because it is going to happen.

0:04:190:04:22

Unless you're lost at sea and we can't find you, which is unlikely.

0:04:220:04:25

You will one day lie on a slab. You will, you will!

0:04:250:04:30

It's better to accept it, you're going to be on a slab.

0:04:300:04:34

And then, and you'll be naked, then somebody else will dress you.

0:04:340:04:37

-Yeah well, I...

-I would imagine with you that will happen sometime

0:04:370:04:40

before you actually die, somebody else dressing you.

0:04:400:04:43

I see you in your later years, having to be dressed.

0:04:430:04:46

I will, and I'll be dressed by a very attractive young nurse.

0:04:460:04:49

Yeah, but you'll be able to do nothing with her,

0:04:490:04:51

absolutely nothing with her, because your mind,

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you'll be like The Diving Bell and the Butterfly, and your mind

0:04:530:04:56

-will still be as active as it is now.

-I'll still be able to sort of clasp her hand as she walks away.

0:04:560:05:00

No, you won't. There'll be no groping at all and that will absolutely kill you from the inside,

0:05:000:05:04

because she'll lean over you knowing, and she'll taunt you with her breasts

0:05:040:05:07

and there'll be nothing you can do and I'd love to be there.

0:05:070:05:10

-I would love to be there.

-I don't know what films you've been watching.

0:05:100:05:13

Do you know what I do? I read for Steve.

0:05:130:05:15

Have you heard what Rob Brydon does for Steve?

0:05:150:05:17

Steve is more or less a vegetable, but Rob goes every day and reads,

0:05:170:05:20

and the only reason I do it is to be there watching you unable

0:05:200:05:22

to reach out to your Filipino nurse. Knowing how much it's hurting you.

0:05:220:05:26

Now Trelawney is worried,

0:05:280:05:31

because he's concerned that Byron is going to take Shelley's skull

0:05:310:05:36

because he already had a skull which he used to drink from.

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Yeah, you see, that lets Byron down,

0:05:380:05:40

because all that sort of great passionate poetry

0:05:400:05:43

and then you find out he's drinking from a novelty mug.

0:05:430:05:46

I would use your skull, not as a novelty mug.

0:05:460:05:49

I would saw off the top, like you do when you eat from a monkey.

0:05:490:05:53

And I would mount it on the dashboard of my car.

0:05:530:05:56

Keep the top as a lid.

0:05:560:05:57

Yes, and use it as a cup holder

0:05:570:06:00

and put on the best of Partridge on the MP3 player.

0:06:000:06:03

I'd laugh my head off while looking at your head, literally off,

0:06:030:06:07

pop the latte into your head, and if I was entertaining someone I'd say...

0:06:070:06:12

They'd sit there, I mean your work is great, they'd say,

0:06:120:06:14

"Isn't he funny?" I'd say, "Not just funny, he's holding my coffee."

0:06:140:06:17

Did you know there's another bloke who died on the boat with him?

0:06:170:06:20

Yes, and they buried him, they burned him the day before.

0:06:200:06:23

-Yeah.

-The warm-up man.

0:06:230:06:25

Forgotten. A footnote in history.

0:06:250:06:27

If you die with somebody more famous than you...

0:06:270:06:30

-It is terrible, like Diana...

-Mother Teresa.

0:06:300:06:32

-Mother Teresa.

-Nobody mentions Mother Teresa.

0:06:320:06:34

Right, I shall drive as per our agreement.

0:06:350:06:38

You can have the new experience of being a passenger.

0:06:380:06:43

You sure? It's not new. I've been chauffeur driven many times before.

0:06:430:06:46

We are going to Palazzo Lanfranchi in Pisa, where Byron lived,

0:06:460:06:52

and it is on the Lungarno Galileo Galilei.

0:06:520:06:57

I'm now in fourth gear, OK? Is that all right?

0:06:570:07:01

All I said was reverse is next to first,

0:07:010:07:04

it's very easy to select it unwittingly.

0:07:040:07:07

I'm not slagging you off, I'm alerting you to what might happen.

0:07:070:07:11

Crossing the Rubicon here.

0:07:120:07:14

No, this is the Arno.

0:07:140:07:16

Look, we're in Pisa. Can we go and see the Leaning Tower?

0:07:160:07:20

Galileo used the tower of Pisa to illustrate gravity.

0:07:210:07:26

In all seriousness, Galileo was a great, great man.

0:07:260:07:29

Can't go left there, there are bollards.

0:07:290:07:30

Vilified by the church, persecuted.

0:07:300:07:32

Why can you not turn left?

0:07:320:07:34

As was Marconi, because the church always persecutes people

0:07:340:07:37

who come up with scientific solutions.

0:07:370:07:38

Not even a proper road, there are umbrellas in there.

0:07:380:07:41

And then years later, of course, completely vindicated.

0:07:410:07:44

That's telling me to go there, that's telling me I can't.

0:07:440:07:47

Oh, hang on. In right here. Go there, go there, go there.

0:07:470:07:50

Why do backs sweat so much?

0:07:550:07:57

Because you get hot in the car and you're pressed up against leather,

0:07:570:08:00

so you're bound to sweat, aren't you?

0:08:000:08:02

Yeah, but that's this fashion for leather seats,

0:08:020:08:04

never happened with velour.

0:08:040:08:06

Jaguar blow cold air through the seats to make your back cool

0:08:060:08:11

and I used to think that was an indulgence,

0:08:110:08:14

but I might get one now, get a Jag.

0:08:140:08:15

Palazzo Lanfranchi. Byron lived here.

0:08:180:08:21

Palazzo...Anne Franki?

0:08:210:08:23

Lanfranchi.

0:08:230:08:24

I thought that was in Amsterdami. Are you sure it's Byron's?

0:08:240:08:27

There's no plaque.

0:08:270:08:29

Please take a photograph.

0:08:290:08:30

I'm just asking why there's no plaque.

0:08:300:08:32

I don't know why there's no plaque but please take the photograph.

0:08:320:08:36

Ask this lady.

0:08:360:08:38

Oh, scusi, sorry. Palazzo Lanfranchi?

0:08:380:08:40

-Si, yes.

-Did Byron live here?

0:08:400:08:42

No, Byron lived on the other, in the other Palazzo Lanfranchi,

0:08:420:08:46

they had so many palaces.

0:08:460:08:47

Right, and Shelley, where was...?

0:08:470:08:49

Shelley lived over there, where you see the ruins?

0:08:490:08:52

There's no palaces any more.

0:08:520:08:53

-Si. Si, grazie.

-Arrivederci.

0:08:530:08:56

Grazie mille.

0:08:560:08:58

Aw, she ignored you.

0:08:580:09:00

Where are we going now?

0:09:030:09:04

It's in the dossier, the sexed-up dossier in the rear of the car.

0:09:040:09:09

OK.

0:09:140:09:15

"Set in a wooded hill overlooking the valley below

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"in the heart of Tuscany, La Suvera in Pievescola

0:09:200:09:22

"is an historic villa full of precious antiques and heirlooms.

0:09:220:09:25

Do James Mason.

0:09:250:09:28

-AS JAMES MASON:

-"In the heart of Tuscany,

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"La Suvera in Pievescola is an historic villa

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"full of precious antiques and heirlooms."

0:09:330:09:36

Could we now please have Mr Neil Kinnock?

0:09:360:09:39

-AS NEIL KINNOCK:

-Oh, all right. "Once a medieval fortress

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"and later a papal palace."

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That's the best thing you do. That is the best...

0:09:440:09:46

-The best thing I do?

-That's the best thing you do.

0:09:460:09:49

The sign says go the other way.

0:09:530:09:54

Yeah, but the Sat Nav said go this way.

0:09:540:09:56

No, I think the signs were right and I'm the navigator.

0:09:560:10:00

It would help if we got over 40 miles an hour.

0:10:000:10:02

All right. See I changed down then.

0:10:020:10:06

Yeah, I loved the crunch sound that you made when you did it as well.

0:10:060:10:10

I'm hungry, so let's just stop at the first place we come to.

0:10:110:10:14

Oh! Oh, come on, somewhere, please.

0:10:170:10:22

You can see things, you can see villages or towns

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but you never actually get to them.

0:10:250:10:27

Eventually, eventually we'll... I'll sniff one out.

0:10:270:10:30

Trattoria Albana.

0:10:340:10:35

Thank God for that, food.

0:10:410:10:43

Care to explain this?

0:10:450:10:47

IN PETE AND DUD VOICE: 'Ere, what are you doing

0:10:480:10:51

with the Casanova's autobiography in your sandwich box?

0:10:510:10:54

It's just research, that's all.

0:10:540:10:56

Just going to plump up the articles with a bit of culture, you know.

0:10:560:11:01

This is just extracts. The full thing is 800 pages.

0:11:010:11:04

How long was your book? Your autobiography?

0:11:040:11:07

I can't remember. 300, 200 and something? 300?

0:11:070:11:10

200 of that's got to have been padding.

0:11:100:11:12

There's not much padding. I'll be honest with you.

0:11:120:11:14

-Have you read it?

-No, of course not, no.

0:11:140:11:16

I mean I've skimmed the index in WH Smith's, saved myself the £1.99.

0:11:160:11:19

And seeing your name, you weren't tempted to dip in and have a look?

0:11:190:11:23

No, I saw it. I just wanted to make sure I got a mention.

0:11:230:11:25

Yeah, I speak very highly of you, yes.

0:11:250:11:27

I'm sure you do, didn't doubt it, that's why I didn't need to check.

0:11:270:11:29

-Prego.

-Grazie.

0:11:290:11:32

Ideally he'd open it, but there we are, it's a start.

0:11:330:11:36

Yeah, well, you got to pay extra for that.

0:11:360:11:38

No, it's good. It's about 300 pages long,

0:11:380:11:41

I only go up to winning the British Comedy Award.

0:11:410:11:46

For the first time.

0:11:460:11:48

Well, how many have you won?

0:11:480:11:50

Three.

0:11:500:11:51

Really?

0:11:510:11:52

-You cheeky bugger.

-Wow.

0:11:520:11:54

Look at that genuine shock. Genuine shock, you bastard.

0:11:540:11:57

I'm genuinely shocked - three?

0:11:570:11:59

Can you mask your genuine shock? There's an idea.

0:11:590:12:01

Grazie.

0:12:010:12:02

Seven. That's how many.

0:12:080:12:11

I thought I'd answer the silent question that was hovering.

0:12:110:12:14

-Which is...

-Buono, buono, bene.

0:12:140:12:15

What could you possibly write about that could fill,

0:12:210:12:24

what was it, 100 pages?

0:12:240:12:26

300. 300 pages, I mean, I don't know what you...?

0:12:260:12:29

Well, since you asked.

0:12:290:12:31

I was born 3rd May, 1965, South Wales, Swansea.

0:12:310:12:36

Are these the highlights?

0:12:360:12:38

In a little nursing home called, ironically enough, The Bryn,

0:12:380:12:42

given the great accolades I would enjoy later in my life

0:12:420:12:46

playing a character of that same name.

0:12:460:12:48

"Bryn" means "hill" in Welsh, and I've often wondered how different

0:12:480:12:52

my life would have been if my mother had chosen instead

0:12:520:12:55

the nearby James Bond Home for Expectant Mothers,

0:12:550:12:57

so I start with a gag.

0:12:570:12:59

And this made the final edition?

0:12:590:13:01

My parents were young when they had me, my father a car salesman.

0:13:010:13:05

We lived in Baglan, near Port Talbot.

0:13:050:13:08

I'm a bit worried there's been crossed wires here

0:13:080:13:10

because you seem to have started telling me your life story.

0:13:100:13:13

I'm reciting the book.

0:13:130:13:14

We're still on page one so settle in.

0:13:140:13:16

Have you written yours then?

0:13:200:13:22

No. No, I haven't.

0:13:220:13:24

I've written the Partridge autobiography -

0:13:240:13:26

I, Partridge, We Need to Talk About Alan.

0:13:260:13:28

-Do we?

-Yeah. Very successful. I mean very.

0:13:280:13:32

Five stars. I don't know if I've seen more five-star reviews.

0:13:340:13:40

-Ah.

-Ravioli, pasta.

0:13:440:13:48

Remind me at some point to tell you about the time I co-piloted

0:13:480:13:52

a fighter jet from RAF Norfolk. Not now but another time.

0:13:520:13:55

No, you've already told me that story, on more than one occasion.

0:13:550:13:59

No, I probably gave you the bullet points.

0:13:590:14:01

-No, it was quite extensive.

-We've got time here so...

0:14:010:14:04

No, we haven't. We really haven't.

0:14:040:14:06

-This is good.

-You know we're not that far from the hotel,

0:14:060:14:09

you know that, don't you? About ten miles.

0:14:090:14:11

-I know.

-Because I checked a thing called a map.

0:14:110:14:13

That's what they used to use in the olden days, Rob.

0:14:130:14:15

Fine, so when we get to the hotel, we'll enjoy the hotel.

0:14:150:14:18

Yeah, we could have been eating there now.

0:14:180:14:20

This is good, what's wrong with this?

0:14:200:14:22

-Nothing wrong with this.

-This is good ravioli.

0:14:220:14:24

"He possessed two of the most important ingredients of greatness,

0:14:270:14:32

"total self-confidence and super-abundant energy.

0:14:320:14:35

"He feared nobody, he was equally at home in a palace or a tavern."

0:14:350:14:40

-Tick, tick, tick.

-"A church or a brothel."

-Tick.

0:14:400:14:42

"He was totally devoid of a sense of morality, love for him..."

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-Well that's not me.

-"..had no connection with evil, it meant pleasure pure and simple."

0:14:460:14:50

That's not me I've got a moral compass.

0:14:500:14:52

Oh, yes, you have a moral compass, it's just you don't know where it is.

0:14:520:14:55

I do have a moral compass and if you gave me three days,

0:14:550:14:57

I could find it in the attic.

0:14:570:14:59

When was the last time you found yourself wondering,

0:14:590:15:02

"Oh, I wonder where my moral compass is?

0:15:020:15:05

"I could do with it now."

0:15:050:15:06

When I've needed it, I've managed to root it out.

0:15:060:15:08

But when? What sort of occasions would they have been?

0:15:080:15:10

This is what I'm curious to know.

0:15:100:15:12

OK, when I appeared before the Leveson Inquiry,

0:15:120:15:15

I think I probably laid my hands on my moral compass then.

0:15:150:15:17

Cost me £450,000 in legal fees when I tried to sue News International

0:15:170:15:21

and it doesn't make you very popular with certain people.

0:15:210:15:24

But you know it's the right thing to do,

0:15:240:15:26

so that's why I'm different from Casanova.

0:15:260:15:28

Byron had a...17-year-old mistress.

0:15:360:15:39

She was married to a 60-year-old nobleman and they all lived together,

0:15:390:15:43

everybody knew about it, and of course, they were then exiled

0:15:430:15:46

to Pisa because they were fighting for the Carbonari.

0:15:460:15:49

-Really?

-Yeah.

0:15:490:15:51

I mean I like Carbonara but you know...

0:15:510:15:53

-Would you fight for one?

-No.

-No?

0:15:530:15:55

No, I mean Italian food's nice but it's not that good.

0:15:550:15:57

-Do you know what I'd fight for?

-I'd fight for a curry.

0:15:570:15:59

-I might fight after a curry.

-I'd fight for a seafood linguine,

0:15:590:16:02

I think, that would get my gander.

0:16:020:16:03

Yeah, a good spag bol, I wouldn't fight but you know, I'd...

0:16:030:16:06

Stamp your feet?

0:16:060:16:07

No, I'd flick someone on the side of their ear, quite painfully.

0:16:070:16:10

Flick someone like at school.

0:16:100:16:12

Like that, like that. "Ah, fuck off."

0:16:120:16:14

Boys at school used to do that, didn't they? I used to hate that.

0:16:140:16:16

-Were you a flicker or were you...?

-I was a flicker and a flickee.

0:16:160:16:19

I was neither, but I watched at the side

0:16:190:16:21

and I saw the flickers and I felt...

0:16:210:16:23

I felt what they were doing was wrong and I felt sympathy for the flicked.

0:16:230:16:27

And the afflicted?

0:16:270:16:28

For the afflicted, yes.

0:16:280:16:30

No, I got in there, you know, and I was, you know.

0:16:300:16:32

Oh, yeah, you saw injustice and you went in to sort it out.

0:16:320:16:36

-I did, you know.

-All right.

0:16:360:16:39

Did you front a campaign called Flicked Off?

0:16:390:16:42

Protecting the victims of flicking.

0:16:420:16:44

-Grazie.

-Prego.

0:16:520:16:53

Hello.

0:16:550:16:56

Hey, how's it going?

0:16:560:16:58

Great, great, we're a bit... Well, it's all right, we're a bit lost.

0:16:580:17:01

Oh, dear, well, I'm sorry to hear that.

0:17:010:17:04

I'm just calling to remind you that I'm coming out tomorrow.

0:17:040:17:07

Oh, great, that's good.

0:17:070:17:09

With Yolanda, the photographer.

0:17:090:17:11

What, the same photographer as last time?

0:17:110:17:13

Yeah, yeah. Is that OK?

0:17:130:17:16

Well, who booked her?

0:17:160:17:18

I don't know, I think it was the Observer.

0:17:180:17:20

Is that a problem? Because I can always try to change it.

0:17:200:17:23

No, no, that would be rude.

0:17:230:17:25

I'm sure it'll be fine.

0:17:250:17:27

All right, great...for you.

0:17:270:17:29

All right, well, listen, I'll see you tomorrow.

0:17:290:17:33

-Can't wait.

-All right, lovey. Take care, ta-ra.

0:17:330:17:35

So our photographer who's coming tomorrow

0:17:400:17:43

is the same one we had last time.

0:17:430:17:46

-Really?

-Yeah. Yolanda.

0:17:460:17:49

The one you slept with?

0:17:490:17:50

Yeah.

0:17:500:17:52

Is that going to be awkward?

0:17:520:17:54

Be interesting.

0:17:540:17:56

How do you do it?

0:17:560:17:57

Just take your trousers off...

0:17:590:18:01

-Serious question.

-And your underpants, socks optional.

0:18:010:18:04

I'm seriously asking you, how do you do it?

0:18:040:18:07

-It's reputation.

-You're famous?

0:18:070:18:10

No, although I don't see any reason to not use everything

0:18:100:18:14

you've got in your arsenal.

0:18:140:18:16

People say, "Oh, she only slept with you because you're famous."

0:18:160:18:18

And you say, "They only slept with you because you're good looking and young."

0:18:180:18:22

They sleep with me because of my semi-justified reputation

0:18:220:18:25

for being something of a Lothario.

0:18:250:18:27

But it was the same with Byron and Shelley, Casanova.

0:18:270:18:31

Byron said he felt like he was 60 because he'd had so many affairs,

0:18:310:18:34

-36 when he died.

-Yeah, well, he's still...

0:18:340:18:37

Ten years younger than us, and a bit.

0:18:370:18:39

So we are more than ten years older than him now

0:18:390:18:44

when he was complaining about how old he felt.

0:18:440:18:48

We're ten years ahead of that.

0:18:480:18:50

His girlfriend was still half his age.

0:18:500:18:52

When he was in pieces, Shelley fell in love with a 17-year-old.

0:18:520:18:56

She was only 17.

0:18:560:18:59

-AS MICHAEL CAINE:

-She was only, she was only 16 years old.

0:19:000:19:03

AS MICHAEL CAINE: No, she was only 17 years old.

0:19:030:19:06

Sounds good.

0:19:060:19:08

Do you miss Misha?

0:19:080:19:09

Misha was in her mid-20s, you know that, don't you?

0:19:090:19:12

Yeah, I'm saying she's younger.

0:19:120:19:13

But it's not like a connection with the 17-year-old.

0:19:130:19:16

No, I was trying to ask you a serious question

0:19:160:19:18

in a sensitive way. Do you miss her?

0:19:180:19:20

Yes.

0:19:230:19:24

She's the last chance I had to have a real, you know...

0:19:260:19:29

We came together through our mutual enthusiasm

0:19:290:19:33

for sexual intercourse, and that could easily have evolved

0:19:330:19:38

into a family and children and growing old but...

0:19:380:19:42

it was not to be.

0:19:420:19:44

I try not to think about it really, otherwise I get depressed.

0:19:460:19:49

What's the optimum age for a woman, for a man's partner?

0:19:510:19:54

-We'll age.

-Most men, mid-20s. 26, maybe?

0:19:540:19:58

You know, old enough to be a woman and have a rounded view of life,

0:19:580:20:02

but young enough not to have acquired baggage

0:20:020:20:06

that they then off load onto you.

0:20:060:20:08

As I grow older, I've looked at a photo album the other day,

0:20:080:20:12

as I get older in the pictures, my girlfriend stays the same age.

0:20:120:20:16

They're like Doctor Whos, they just keep changing.

0:20:160:20:19

Would you like to drive, because I've had a lot to drink.

0:20:220:20:25

I will drive because I...

0:20:250:20:27

But would you drive in an orderly manner, not as if

0:20:270:20:29

you're Emerson Fittipaldi taking part in the Paris-Dakar Rally

0:20:290:20:32

and not instructing me on how you change down before a corner.

0:20:320:20:36

I will neither drive like Emerson Fittipaldi,

0:20:360:20:39

neither will I drive like a district nurse.

0:20:390:20:42

I will drive briskly but safely.

0:20:420:20:44

How do you rate the wild boar?

0:20:450:20:47

Very nice, quite aggressive.

0:20:470:20:49

An aggressive meat.

0:20:490:20:51

-They come at you.

-Yeah.

0:20:510:20:53

Once they're on the plate, you're safe, I think, as a rule.

0:20:530:20:56

Grazie.

0:20:560:20:57

I'll get this, Steve, please.

0:20:570:20:59

It's time to play, Guess The Amount.

0:21:010:21:04

Contestant today is Steve Coogan.

0:21:040:21:06

The Observer's picking up the tab.

0:21:060:21:08

Yeah, all right.

0:21:080:21:09

Steve comes from the town of Pedantry in the North of England.

0:21:090:21:12

Steve, is the amount, A - 76.50 euro,

0:21:120:21:16

B - 350 euro,

0:21:160:21:18

or C - 2,475,000 euro.

0:21:180:21:22

Remember, Steve I can only take your first answer.

0:21:220:21:25

A.

0:21:250:21:27

Is the right answer, you're going home richer, well done.

0:21:270:21:30

Good night, everybody.

0:21:300:21:31

That's good. That's the wine as well, everything in there.

0:21:310:21:35

-But it is in the middle of nowhere, you know what I mean?

-Yes, I know.

0:21:350:21:38

Factor in taxi fares, it would be 300 euro.

0:21:380:21:41

MUSIC: "You Oughta Know" by Alanis Morissette

0:21:410:21:43

ROB SINGING ALONG: # Is she perverted like me?

0:21:430:21:45

# Would she go down on you in a theatre? #

0:21:450:21:49

You're stretching all the vowel sounds out. It's very staccato.

0:21:490:21:52

"Du, du, du, du, du, du,"

0:21:520:21:54

you're doing, "da, da, de da, de da."

0:21:540:21:56

Oh, I'm sorry!

0:21:560:21:58

"La, la, la." Her whole thing is anger.

0:21:580:22:01

Anger comes out like a machine gun, a rapid "da, da, da, da."

0:22:010:22:04

Our new coach on the voice, Steve Coogan.

0:22:040:22:07

If you've never been angry because a man has dumped you, because...

0:22:070:22:11

Well, of course I have. How can you be so insensitive?

0:22:110:22:15

Of course I have, and I think you know who he was.

0:22:150:22:18

Well, channel it. Channel it.

0:22:180:22:20

I think you know only too well which incident I'm referring to.

0:22:200:22:23

Look me in the eye and tell me you don't.

0:22:230:22:25

# It's not fair to deny me

0:22:250:22:28

-STEVE AS ROGER MOORE:

-# And I'm here to remind you

0:22:280:22:33

# Of the mess you left when you went away

0:22:330:22:37

# It's not fair to remind you... #

0:22:370:22:41

Roger Moore sings the very best of Alanis Morissette,

0:22:410:22:44

including You Oughta Know.

0:22:440:22:47

# You seem very calm

0:22:470:22:50

# Things seem peaceful now... #

0:22:500:22:54

Oh, like being at home.

0:22:540:22:57

Like all your fans.

0:22:580:23:00

ROB SINGS: # Cos the love that you gave that we made wasn't able

0:23:020:23:05

# To make it enough for you to be open wide

0:23:050:23:08

# Open wide! #

0:23:080:23:10

She doesn't say open wide again like that, ever.

0:23:100:23:13

# Open wide. #

0:23:130:23:14

Could we sing it without you correcting me?

0:23:140:23:17

# But you're still alive

0:23:170:23:19

# And I'm here

0:23:190:23:22

# To remind you

0:23:220:23:24

# of the mess you left when you went away

0:23:240:23:28

# It's not fair

0:23:280:23:31

# To deny me

0:23:310:23:33

# Of the cross I bear... #

0:23:330:23:35

Wow, look at that. Isn't that beautiful?

0:23:350:23:38

Yeah.

0:23:380:23:40

So you have reserved the Duke of Genoa suite and Napoleon suite.

0:23:420:23:46

Which is bigger?

0:23:460:23:47

Oh, both are very nice.

0:23:470:23:49

-Yeah.

-I think I should have the Napoleon.

0:23:490:23:52

-If it's based on height.

-Or complex.

0:23:520:23:55

This is your sitting room.

0:23:570:23:58

Right.

0:23:580:23:59

And this is your bedroom.

0:24:010:24:02

You have a beautiful view.

0:24:050:24:07

Wow, that is...stunning.

0:24:070:24:12

I'm going to show your friend his room.

0:24:120:24:15

OK, of course, yeah.

0:24:150:24:18

I like your uniform. You look like an air stewardess.

0:24:180:24:21

That's, that's...in a good way.

0:24:210:24:24

And this is your room.

0:24:290:24:31

Amazing.

0:24:320:24:33

Yes, it's my favourite room.

0:24:330:24:35

Yeah, I'll bet.

0:24:350:24:36

Hi, Rob, it's Donna.

0:24:530:24:55

I'm just calling to check you got my e-mail with the script pages?

0:24:550:24:59

No, I haven't. What is it? What's the part?

0:24:590:25:02

It's a really good part. It's a supporting role,

0:25:020:25:05

but you're going to be great in it because it's very sympathetic

0:25:050:25:08

and people will love you in it, really.

0:25:080:25:10

You'll be playing an accountant for the Mob.

0:25:100:25:13

Oh, brilliant, all right. Comedy?

0:25:130:25:15

No, it's a thriller.

0:25:150:25:17

Really, why me?

0:25:170:25:19

You're perfect for the part. You look like an accountant,

0:25:190:25:23

and also you're totally unknown in America, which is what they want.

0:25:230:25:27

Yes, very good.

0:25:270:25:29

Yes, you've got to put yourself on tape and e-mail me.

0:25:290:25:32

Yeah, I can do that. I can have it with you by tomorrow.

0:25:320:25:35

Oh, this is good news, this is exciting.

0:25:350:25:37

It is. It is exciting, yeah. How's Steve?

0:25:370:25:40

He's fine, he's fine. He's a bit pissed off

0:25:400:25:43

about the show ending, but other than that, you know, same as ever.

0:25:430:25:47

Che bella palazzo.

0:26:010:26:03

It's the sort of place that Byron would have rented.

0:26:030:26:07

Ciao, buonasera.

0:26:100:26:12

-Buonasera.

-Buonasera.

0:26:120:26:14

She's got a lovely gait.

0:26:140:26:16

Probably padlocked.

0:26:160:26:18

Oh, yes.

0:26:200:26:21

There's very little separating Byron from Brydon.

0:26:210:26:26

-Yeah.

-Just a D. That's all there is.

0:26:260:26:28

Yeah, but the almost anagram of your names

0:26:300:26:33

is the only thing that you would have shared, isn't it,

0:26:330:26:37

because what Byron represented is probably the antithesis of you,

0:26:370:26:41

because he was shaking the tree from the word go,

0:26:410:26:44

until when he popped his clogs, and that ain't you, mate. And...

0:26:440:26:49

I'm not a risk taker. I'll admit that, although I have played Risk.

0:26:490:26:53

And he's a good swimmer.

0:26:530:26:55

Again, yeah, yeah.

0:26:550:26:56

He struggled with his weight when he was in Italy,

0:26:560:26:59

not many people know that about him, he was a bloater.

0:26:590:27:02

OK, so maybe now, Rob, we're finding something more solid.

0:27:020:27:05

Like him, I am fighting the Carbonara.

0:27:050:27:08

Oh, this is lovely.

0:27:080:27:09

You could sit here for a good seven or eight minutes more.

0:27:090:27:13

MUSIC: "Go No More A-Roving" by Leonard Cohen

0:27:150:27:20

AS AL PACINO: You know when I imagined where we'd be,

0:27:260:27:29

ten years ago, this is it.

0:27:290:27:31

When I imagined where we'd be, ten years ago,

0:27:310:27:36

this is what I wanted.

0:27:360:27:40

AS DUSTIN HOFFMAN: I love you. I love this city, I love this house.

0:27:400:27:43

AS MARLON BRANDO: Now when I imagined where we'd be, ten years ago,

0:27:430:27:47

this is what I wanted.

0:27:470:27:49

You know. You know.

0:27:490:27:52

IN VARIOUS VOICES: You know. You know. You know.

0:27:520:27:58

AS WOODY ALLEN: There's too much going on, I can't just close the door

0:28:050:28:08

and leave it behind, you know. My head has to be out there.

0:28:080:28:13

IN SIGMUND FREUD VOICE: I think it is very unlikely you'll get this part

0:28:170:28:21

and you have to come to terms with it I'm afraid, it's very unlikely.

0:28:210:28:24

I know.

0:28:240:28:25

Well, why you bother then?

0:28:250:28:27

Oh, you know, give it a go.

0:28:270:28:29

But I think it's very unlikely.

0:28:290:28:30

I know.

0:28:300:28:32

Then why are you doing it?

0:28:320:28:34

AS SEAN CONNERY: Why are you doing it, you fucking idiot?

0:28:340:28:37

Because I think I might get it.

0:28:390:28:40

I think it's very unlikely that you'll get it.

0:28:400:28:43

Why?

0:28:430:28:44

Because you are an inferior talent.

0:28:440:28:47

Really? You think so.

0:28:470:28:49

Yes, I do.

0:28:490:28:51

Well, I can hardly hear you.

0:28:510:28:53

Why is that?

0:28:530:28:54

Because your head is up your fucking arse.

0:28:540:28:58

# The night was made for loving

0:28:580:29:02

# And the day returns too soon

0:29:020:29:09

# Yet we'll go no more a-roving

0:29:090:29:15

# by the light of the moon

0:29:150:29:21

# We'll go no more a-roving... #

0:29:210:29:24

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