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# The Lord is my shepherd I shall not want | 0:00:02 | 0:00:06 | |
# He maketh me to lie down in green pastures | 0:00:06 | 0:00:12 | |
# He leadeth me | 0:00:12 | 0:00:17 | |
# To silent, still water | 0:00:17 | 0:00:22 | |
# Still water. # | 0:00:26 | 0:00:31 | |
Sorry I'm late, everyone, I was glued to the footie. | 0:00:31 | 0:00:36 | |
With digital you can choose your own angles. | 0:00:36 | 0:00:39 | |
I've just watched it in front of Ginola's shorts. | 0:00:39 | 0:00:43 | |
-I was glued to the telly as well. -Are you a footie fan, Jim? | 0:00:43 | 0:00:48 | |
No, no, no. I mean I was actually glued to the telly. | 0:00:48 | 0:00:53 | |
I was trying to build an Airfix model of the spaceship Enterprise | 0:00:53 | 0:00:58 | |
and I had a bit of spillage. | 0:00:58 | 0:01:01 | |
-How did you get unstuck? -Well, I didn't. | 0:01:01 | 0:01:05 | |
Right, let's get started. First thing on the agenda | 0:01:08 | 0:01:13 | |
is this year's Christmas show. | 0:01:13 | 0:01:16 | |
Now, last year was a disappointment. | 0:01:16 | 0:01:18 | |
-Your juggling, Owen. -No-one's juggled with live puppies before. | 0:01:18 | 0:01:24 | |
-Or since. -I only dropped a couple! | 0:01:24 | 0:01:27 | |
We need this year's show to be a triumph. It is the millennium - | 0:01:29 | 0:01:34 | |
-2,000 years since Jesus' birth. -Well, we're one step ahead of you. | 0:01:34 | 0:01:40 | |
Over to you, Hugo. | 0:01:40 | 0:01:42 | |
Well, six months ago, the vicar approached me, Frank and Jim... | 0:01:42 | 0:01:48 | |
..to form a Christmas show subcommittee | 0:01:50 | 0:01:54 | |
to come up with big ideas. | 0:01:54 | 0:01:56 | |
We've been meeting once a fortnight and we're pretty excited | 0:01:56 | 0:02:01 | |
because this week we had a breakthrough. | 0:02:01 | 0:02:04 | |
What's that? | 0:02:04 | 0:02:06 | |
-We've agreed the date of the first full meeting. -Right, when's that? | 0:02:06 | 0:02:10 | |
February 10th. | 0:02:10 | 0:02:13 | |
-Next year? -Yes. -2000? -Yes. | 0:02:13 | 0:02:16 | |
-After Christmas? -Yes. | 0:02:16 | 0:02:20 | |
Hugo, we want this to be the best Christmas ever. | 0:02:20 | 0:02:23 | |
-And we don't have a show. -Sorry. | 0:02:23 | 0:02:26 | |
I could juggle with kittens. | 0:02:26 | 0:02:29 | |
They don't mind being dropped. | 0:02:29 | 0:02:32 | |
-How do you know? -Experience. | 0:02:32 | 0:02:36 | |
-Moving swiftly on. -All we need is one of us to come up with one idea for the best Christmas show ever. | 0:02:36 | 0:02:43 | |
By tomorrow. | 0:02:43 | 0:02:45 | |
Mmm. | 0:02:45 | 0:02:47 | |
I've got it. I've darn well got it! | 0:02:48 | 0:02:52 | |
Well done. | 0:02:51 | 0:02:52 | |
Listen, Christmas is all about the baby Jesus, isn't it? | 0:02:52 | 0:02:57 | |
Yes, and I warn you to be careful before you suggest juggling babies. | 0:02:57 | 0:03:02 | |
On second thoughts, perhaps I haven't got it. | 0:03:02 | 0:03:07 | |
Yes, of course, bishop, our show will be very, very special indeed. | 0:03:07 | 0:03:12 | |
We haven't decided, but I'm sure the best idea is round the corner. | 0:03:12 | 0:03:18 | |
Nice to see me, to see me nice! | 0:03:18 | 0:03:22 | |
Spoke too soon on that one. | 0:03:22 | 0:03:24 | |
I'll speak to you in January, then. | 0:03:24 | 0:03:27 | |
Oh, love to Julio, by the way. | 0:03:27 | 0:03:30 | |
And Juan too. Has his nasty piercing infection cleared up? | 0:03:30 | 0:03:34 | |
OK, bye. | 0:03:34 | 0:03:37 | |
How's it going, lady of the lump? | 0:03:37 | 0:03:39 | |
-Weird. I can feel it moving around. -Ooh! | 0:03:39 | 0:03:43 | |
You've never had anything moving around inside you, have you? | 0:03:43 | 0:03:47 | |
Not a baby, no. | 0:03:52 | 0:03:54 | |
It's amazing. It's almost as if it's alive. | 0:03:54 | 0:03:58 | |
But it IS alive, Alice. | 0:03:58 | 0:04:02 | |
Oh, yeah. Oh, brillo! | 0:04:02 | 0:04:05 | |
Do you mind if I just get on? Got a bit of a Christmas crisis. | 0:04:05 | 0:04:10 | |
I'll just sit here, then. Get out your way. Get my breath back. | 0:04:10 | 0:04:15 | |
Right, I'll just get my stuff, then. | 0:04:15 | 0:04:18 | |
-RAVE MUSIC PLAYS -Can you turn that down a bit? | 0:04:22 | 0:04:26 | |
It's a funny thought - when they're 70, babies like that one you've got in your tum | 0:04:26 | 0:04:32 | |
will go gooey over music like that. | 0:04:32 | 0:04:35 | |
The way we got sentimental about Abba, they'll get teary-eyed over Smack My Bitch Up. | 0:04:35 | 0:04:42 | |
Yeah, Abba were a bit experimental for me. | 0:04:42 | 0:04:46 | |
-I like my music more middle of the road. -What would that be? | 0:04:46 | 0:04:50 | |
The Wombles, really. | 0:04:50 | 0:04:53 | |
Right, right. | 0:04:53 | 0:04:55 | |
They were a great band, weren't they? | 0:04:55 | 0:04:59 | |
# Remember you're a womble. # | 0:04:59 | 0:05:02 | |
Yeah, v, v funky, weren't they? | 0:05:02 | 0:05:06 | |
You never hear of them any more, do you? | 0:05:06 | 0:05:09 | |
Take That split up and Robbie Williams and Gary Barlow carried on, but what happened to the Wombles? | 0:05:09 | 0:05:17 | |
You never see Uncle Bulgaria on Later With Jools Holland. | 0:05:17 | 0:05:22 | |
Because Uncle Bulgaria was a man in a suit. | 0:05:22 | 0:05:25 | |
Uncle Bulgaria never wore a suit. | 0:05:25 | 0:05:28 | |
There was always a man inside Uncle Bulgaria. | 0:05:28 | 0:05:32 | |
I don't care what he got up to in private. | 0:05:32 | 0:05:36 | |
Many rock stars are gay. It doesn't mean he wasn't a great musician. | 0:05:38 | 0:05:44 | |
He wasn't a musician at all. He was just a costume. Uncle Bulgaria is in a box somewhere. | 0:05:44 | 0:05:50 | |
Uncle Bulgaria is dead? | 0:05:50 | 0:05:53 | |
Let's finish this before I stab you to death. | 0:05:53 | 0:05:56 | |
I have got to devise a show for people to remember for 1,000 years. | 0:05:56 | 0:06:02 | |
-That's easy! -And not Dibley's Wombling merry Christmas. | 0:06:02 | 0:06:07 | |
Oh, right. Difficult. | 0:06:07 | 0:06:10 | |
I suppose the Nativity is the obvious choice. | 0:06:10 | 0:06:14 | |
Yes, but we need to give it a twist. | 0:06:14 | 0:06:17 | |
Well, I suppose you could do it on an actual farm. | 0:06:17 | 0:06:22 | |
Not a farm, you silly girl! | 0:06:22 | 0:06:25 | |
So the audience can follow the story round the farmyard on a magical moonlit night. | 0:06:25 | 0:06:31 | |
Visit the shepherds in a real field. | 0:06:31 | 0:06:34 | |
Have Mary and Joseph in a stable with real cows - that sort of thing. | 0:06:34 | 0:06:39 | |
-Alice? -Yeah? | 0:06:41 | 0:06:44 | |
How does it feel to have your first very good idea indeed? | 0:06:44 | 0:06:48 | |
-Great, it feels great. -Good. -And here comes some more. | 0:06:48 | 0:06:54 | |
Maybe the wise men can't see Jesus when they come into the stable | 0:06:54 | 0:06:59 | |
and we'll have to go, "He's behind you!" | 0:06:59 | 0:07:03 | |
-Oh, your taxi's arrived. -Then Jesus can escape from Herod right up a sort of giant beanstalk. | 0:07:04 | 0:07:11 | |
Oh, it's a spaceship come to collect you for experiments(!) | 0:07:11 | 0:07:16 | |
KNOCKING > | 0:07:16 | 0:07:18 | |
-Enter next hopeful thespian. -Hello, vicar. -Hello, Frank. | 0:07:18 | 0:07:22 | |
-I'd like to audition for one of the wise men. -Right, here's the script. | 0:07:22 | 0:07:29 | |
I'll read the other wise men, shall I? | 0:07:29 | 0:07:32 | |
All right. Ready? | 0:07:32 | 0:07:35 | |
Here we go. "Lo, behold, a wondrous star in the East." | 0:07:35 | 0:07:40 | |
IN A FUNNY VOICE: "Let us follow it, | 0:07:40 | 0:07:43 | |
"my noble companions." | 0:07:43 | 0:07:47 | |
Right. "Perchance we will encounter the son of God." | 0:07:53 | 0:07:58 | |
STRANGE AMERICAN ACCENT: "Then we will worship him." | 0:07:58 | 0:08:04 | |
Interesting, but I don't understand the voice. | 0:08:04 | 0:08:08 | |
Well, I was just thinking, I'm playing a wise man. | 0:08:08 | 0:08:12 | |
Now, who's wise? And I thought - of course, Stephen Hawking! | 0:08:12 | 0:08:17 | |
The voice. | 0:08:19 | 0:08:21 | |
Right, right. | 0:08:21 | 0:08:24 | |
AS HAWKING: "Take this myrrh. | 0:08:24 | 0:08:27 | |
"It's very nice." | 0:08:28 | 0:08:32 | |
I can see you've really thought about this...more's the pity(!) | 0:08:32 | 0:08:37 | |
Can I call you? It's very good. | 0:08:37 | 0:08:39 | |
AS HAWKING: Thank you. | 0:08:39 | 0:08:42 | |
-Right, who's next? -It's Owen. | 0:08:42 | 0:08:46 | |
-Can you send him in? -Yes. | 0:08:46 | 0:08:48 | |
Right...Owen. | 0:08:57 | 0:09:00 | |
And...and you've come to audition for...? | 0:09:03 | 0:09:08 | |
The king! | 0:09:08 | 0:09:11 | |
Of course - there were three kings and you are one of them. | 0:09:11 | 0:09:15 | |
That's right. | 0:09:15 | 0:09:18 | |
Will you do an Elvis impression on the night? | 0:09:18 | 0:09:22 | |
It would be mad to dress up as him and not do some rock'n'rolling. | 0:09:22 | 0:09:27 | |
# Are you lonesome tonight? | 0:09:27 | 0:09:33 | |
# Do you miss me tonight? # | 0:09:33 | 0:09:37 | |
Can I just store that and come back to you? | 0:09:37 | 0:09:41 | |
Certainly. | 0:09:41 | 0:09:43 | |
Would it help if I slept with you? | 0:09:43 | 0:09:46 | |
-Sorry? -I've heard you can get on in acting by sleeping with the director. | 0:09:48 | 0:09:55 | |
I would be only too happy to oblige. | 0:09:55 | 0:09:58 | |
Um...no. | 0:09:58 | 0:10:01 | |
-Who's next? -It's Jim. He's come as one of the kings as well. | 0:10:01 | 0:10:05 | |
Right. I hope it isn't Martin Luther King! | 0:10:05 | 0:10:09 | |
Right. | 0:10:12 | 0:10:14 | |
He'll come back later. | 0:10:17 | 0:10:20 | |
-So, how can I help? -We'd like to play Mary and Jesus, | 0:10:21 | 0:10:27 | |
with me as Mary. | 0:10:27 | 0:10:29 | |
Oh, God! Oh, good! | 0:10:29 | 0:10:32 | |
Actually, Alice, I was banking on you for the pivotal role | 0:10:32 | 0:10:37 | |
of woman who sleeps through the entire thing in another inn. | 0:10:37 | 0:10:42 | |
Oh, that would be nice, but I want to play Mary. | 0:10:42 | 0:10:46 | |
It's just that you don't actually fit the vital requirements, I'm afraid. | 0:10:46 | 0:10:53 | |
Joseph was a carpenter | 0:10:53 | 0:10:55 | |
and, I'm afraid, Hugo just isn't, is he? | 0:10:55 | 0:11:00 | |
-Just finished them in evening class. -Right, good. | 0:11:03 | 0:11:07 | |
The crucial thing is they weren't English. Mary only spoke Hebrew. | 0:11:07 | 0:11:12 | |
SHE SPEAKS FLUENT HEBREW | 0:11:12 | 0:11:15 | |
Yep, just like that. | 0:11:19 | 0:11:21 | |
-Please? -Please? | 0:11:21 | 0:11:24 | |
I'll think about it. | 0:11:24 | 0:11:26 | |
-SHE SOBS: I want to play Mary. -It's an excellent, perfect idea. | 0:11:26 | 0:11:32 | |
-Hurrah! Ooh! -See you on the set, Reverend Spielberg. | 0:11:32 | 0:11:37 | |
Er...Hugo, | 0:11:37 | 0:11:39 | |
will your father be willing to act? | 0:11:39 | 0:11:42 | |
Absolutely. He was hoping you'd ask him to play God. | 0:11:42 | 0:11:46 | |
Actually, no. I had another part in mind. | 0:11:46 | 0:11:50 | |
THEY SPEAK IN HEBREW | 0:11:50 | 0:11:54 | |
There we are, that's for you. | 0:11:54 | 0:11:57 | |
Nice, Jim, but one of the kings wouldn't have been Billie Jean. | 0:11:57 | 0:12:03 | |
Now, then, everyone, | 0:12:10 | 0:12:12 | |
welcome to your first rehearsal. | 0:12:12 | 0:12:15 | |
Now, then, let's just whip around the circle | 0:12:15 | 0:12:20 | |
to check which parts we're playing. | 0:12:20 | 0:12:23 | |
For instance, I am Geraldine. Hi. | 0:12:23 | 0:12:25 | |
I'm your director. I'm also the announcing angel and the narrator. | 0:12:25 | 0:12:31 | |
-I'm Alice. I'm playing Mary. -I'm Hugo. I'm Joseph. | 0:12:31 | 0:12:35 | |
I'm David. I'm... | 0:12:35 | 0:12:38 | |
Herod. | 0:12:38 | 0:12:40 | |
I am Jim. | 0:12:42 | 0:12:44 | |
And I, er... No, no, no... | 0:12:44 | 0:12:49 | |
No. | 0:12:49 | 0:12:51 | |
Good, moving on. | 0:12:51 | 0:12:53 | |
I'm Owen. I'm third shepherd, first king | 0:12:53 | 0:12:57 | |
and it's my farm we're performing in for a very reasonable rent. | 0:12:57 | 0:13:01 | |
-Owen! -For free. -Yes, thank you. | 0:13:01 | 0:13:04 | |
Since this is an experimental play, | 0:13:04 | 0:13:07 | |
I would like to use the rehearsal methods from Brook's productions. | 0:13:07 | 0:13:12 | |
-Brooke Shields? -No, Peter Brook from the Royal Shakespeare Company. | 0:13:12 | 0:13:18 | |
I wouldn't mind being directed by Brooke Shields! | 0:13:18 | 0:13:24 | |
"This way to the bedroom, Jim." | 0:13:24 | 0:13:27 | |
Shut up, Jim! | 0:13:28 | 0:13:29 | |
"Andre Agassi, get out of that bed, you lazy sod! | 0:13:29 | 0:13:34 | |
"I've got Jim Trott here." | 0:13:34 | 0:13:36 | |
Can we get on, vicar? I've got a meeting in April(!) | 0:13:38 | 0:13:43 | |
I'm sorry, I'm sorry, I got carried away. | 0:13:43 | 0:13:47 | |
It's been a very long life with very little sexual experimentation. | 0:13:47 | 0:13:53 | |
In Brook's classic productions, there was a lot of improvisation | 0:13:53 | 0:13:59 | |
to enable the actors to explore the background of their characters. | 0:13:59 | 0:14:04 | |
Hugo, Alice, here we go. Let's clear the floor, make an open space. | 0:14:04 | 0:14:10 | |
Don't worry, Alice, it's just pretending. | 0:14:10 | 0:14:13 | |
Now, Alice, you're playing Mary. You're young, unmarried, a virgin and you find out you're pregnant. | 0:14:13 | 0:14:21 | |
-That happened to my cousin. -No, it didn't. | 0:14:21 | 0:14:24 | |
She gave birth three times, but she never ever had sex with a man. | 0:14:24 | 0:14:29 | |
Except me. | 0:14:29 | 0:14:30 | |
And me. | 0:14:32 | 0:14:33 | |
And me, if I'm honest. | 0:14:33 | 0:14:36 | |
-Now then, Alice, unmarried and yet pregnant, all right? -OK. | 0:14:36 | 0:14:40 | |
That very day, who comes home? Joseph, your fiance, a humble carpenter. | 0:14:40 | 0:14:47 | |
So, ooh, OK? And centre and go. | 0:14:47 | 0:14:51 | |
-Knock, knock. -Who is it? | 0:14:53 | 0:14:56 | |
It's me, Joseph, your boyfriend, a humble carpenter. | 0:14:56 | 0:15:01 | |
-Oh, come on in, Joe. Cup of tea? -Yes, please. | 0:15:01 | 0:15:06 | |
Busy day? | 0:15:06 | 0:15:09 | |
Yes, I've been carpentering all day. | 0:15:09 | 0:15:12 | |
Oh, good. | 0:15:12 | 0:15:15 | |
And yourself? Interesting day? | 0:15:15 | 0:15:17 | |
Er...well, yes, actually. | 0:15:17 | 0:15:19 | |
-I spent the morning shopping. Got you a lovely supper. -What is it? | 0:15:19 | 0:15:25 | |
Loaves and fishes. | 0:15:25 | 0:15:28 | |
A family recipe. | 0:15:28 | 0:15:31 | |
-Great. And this afternoon? -I came home and the angel of the Lord was waiting | 0:15:31 | 0:15:37 | |
who made me with child who shall be Lord of all mankind. | 0:15:37 | 0:15:42 | |
Oh, right. | 0:15:42 | 0:15:44 | |
-Hummus? -Please. -You'd react a bit more than that, wouldn't you? It's quite big news. | 0:15:44 | 0:15:51 | |
-OK, yes, sorry. Good point. -Absolutely, so centre and go. | 0:15:51 | 0:15:56 | |
A bit of a turn-up for the books, Joe. I'm pregnant | 0:15:59 | 0:16:04 | |
and God the maker of all mankind is the father. | 0:16:04 | 0:16:07 | |
Oh, oh. | 0:16:07 | 0:16:09 | |
Actually, have you got any taramasalata...? | 0:16:11 | 0:16:14 | |
No, no, no! You're completely useless. Sit down immediately! | 0:16:14 | 0:16:19 | |
I'll be Joseph. I'll show you how to do it. | 0:16:19 | 0:16:22 | |
Hello, Mary! | 0:16:22 | 0:16:25 | |
-Hello, Joseph. -Any news? -Yeah, I'm pregnant. | 0:16:25 | 0:16:29 | |
-Hang on a minute! You're telling me you're pregnant? -Yes. | 0:16:29 | 0:16:33 | |
Well, who's the father, you little scrubber! | 0:16:33 | 0:16:37 | |
-God almighty, creator of all things. -I've heard that story before(!) | 0:16:37 | 0:16:43 | |
Who is it?! | 0:16:43 | 0:16:44 | |
SHAKY VOICE: I don't know. | 0:16:44 | 0:16:47 | |
I went to the loo and the angel of the Lord was sitting on the loo. | 0:16:49 | 0:16:54 | |
Then he said, "You don't need the loo. You're pregnant." | 0:16:54 | 0:16:59 | |
Oh, forgive me! | 0:16:59 | 0:17:01 | |
Get away from me, you bastard! | 0:17:01 | 0:17:03 | |
What? | 0:17:03 | 0:17:05 | |
How could you doubt me? I'm going to Bethlehem on me own. | 0:17:05 | 0:17:11 | |
And out of character. Well done! | 0:17:13 | 0:17:15 | |
-Whisky? -Yes, please, lots. | 0:17:19 | 0:17:21 | |
I'm whacked. It's exhausting, all this directing. | 0:17:21 | 0:17:26 | |
No wonder Stanley Kubrick died. | 0:17:26 | 0:17:29 | |
Right. | 0:17:29 | 0:17:31 | |
Right. | 0:17:31 | 0:17:34 | |
Now, obviously, vicar, I'm very happy to play Herod, | 0:17:34 | 0:17:39 | |
but I did just wonder if we weren't missing a trick with him - | 0:17:39 | 0:17:44 | |
a chance to make him more rounded, to bring out his nicer side. | 0:17:44 | 0:17:49 | |
-The nicer side of Herod? -Yes. | 0:17:49 | 0:17:52 | |
You mean like the playful side of Hitler? | 0:17:52 | 0:17:56 | |
Exactly! | 0:17:56 | 0:17:58 | |
I mean, there's Herod - a cultured, sophisticated man, | 0:17:58 | 0:18:03 | |
into music, into ancient art, | 0:18:03 | 0:18:06 | |
and then he massacres just one batch of babies | 0:18:06 | 0:18:10 | |
and that's all people can remember. | 0:18:10 | 0:18:13 | |
-It's not fair. -So I have written a short singlet, | 0:18:13 | 0:18:18 | |
nothing definitive, but perhaps putting his side of things | 0:18:18 | 0:18:23 | |
a little more... Well, you know. | 0:18:23 | 0:18:27 | |
Right. | 0:18:27 | 0:18:28 | |
"Herod strokes his adoring dog, Cuddles, then turns to two soldiers. | 0:18:28 | 0:18:34 | |
"'Take a batallion of men to Judea and kiss all the babies there.' | 0:18:34 | 0:18:40 | |
"Soldier one: 'Did he say kiss all the babies?' | 0:18:40 | 0:18:44 | |
"Soldier two, who is hard of hearing: 'No, he said kill all the babies.' | 0:18:44 | 0:18:51 | |
"Soldier one: 'Oh, well, let's go and massacre them then.'" | 0:18:51 | 0:18:56 | |
-It's an interpretation. -No, it's not. | 0:18:56 | 0:19:00 | |
Naughty! | 0:19:00 | 0:19:01 | |
Come on, now, focus. | 0:19:01 | 0:19:04 | |
You're in the fields, tending your sheep, before the angel appears. | 0:19:04 | 0:19:09 | |
A bit of chatter. Make something up. | 0:19:09 | 0:19:11 | |
Right. Right. | 0:19:11 | 0:19:14 | |
Fellow shepherds, did anyone see Ground Force last night? | 0:19:15 | 0:19:20 | |
No, no... Oh, yes, that Charlie Dimmock! | 0:19:20 | 0:19:24 | |
She can propagate my seedlings any time. | 0:19:24 | 0:19:28 | |
No, no. | 0:19:28 | 0:19:29 | |
When she leans over it's like two pumpkins rolling in a growbag! | 0:19:29 | 0:19:34 | |
And lo, an angel of the Lord appeared before them. | 0:19:34 | 0:19:40 | |
Shall I prompt you for this bit? | 0:19:40 | 0:19:42 | |
OK, but I am a vicar - I do actually know it. | 0:19:42 | 0:19:46 | |
-Just in case. -OK. | 0:19:46 | 0:19:49 | |
Be not afraid, for I am an angel of the Lord | 0:19:49 | 0:19:53 | |
and I bring you glad tidings of great joy. | 0:19:53 | 0:19:56 | |
-For tonight... -No, no, no! It's a dramatic pause, do you see? | 0:19:56 | 0:20:01 | |
It looked like you'd forgotten it. | 0:20:01 | 0:20:04 | |
For I am an angel of the Lord | 0:20:04 | 0:20:07 | |
and I bring you glad tidings of great joy. | 0:20:07 | 0:20:12 | |
-For tonight... -No, the pause. -But you paused a bit longer than you did in the first pause. | 0:20:13 | 0:20:21 | |
-I thought you'd forgotten it. -I'll start again. You don't say anything. | 0:20:21 | 0:20:27 | |
We won't say anything. Not even our lines? | 0:20:27 | 0:20:31 | |
Yes, your lines! | 0:20:31 | 0:20:33 | |
-You've got to have a prompt. -Right, Frank can prompt me, can't he? | 0:20:33 | 0:20:39 | |
-Yes. -Thank you. | 0:20:39 | 0:20:41 | |
She's not very angelic, is she? | 0:20:41 | 0:20:44 | |
And lo, | 0:20:46 | 0:20:48 | |
an angel of the Lord appeared before them... | 0:20:48 | 0:20:52 | |
-Be not afraid... -No, be afraid! | 0:20:52 | 0:20:55 | |
Be very afraid! | 0:20:57 | 0:21:01 | |
Oh, yes. | 0:21:01 | 0:21:03 | |
Oh, yes. | 0:21:03 | 0:21:05 | |
Sorry to disturb you, vicar. | 0:21:09 | 0:21:11 | |
No, that's absolutely fine. | 0:21:11 | 0:21:15 | |
Oh! | 0:21:15 | 0:21:16 | |
-Yum! -Yeah! | 0:21:16 | 0:21:19 | |
-The thing is, I'm a bit worried about this giving birth business. -Oh. | 0:21:20 | 0:21:25 | |
I watched a video of a birth last night and it looked really horrible. | 0:21:25 | 0:21:31 | |
I don't want my baby bursting through my stomach. | 0:21:31 | 0:21:35 | |
Was it called Alien by any chance? | 0:21:38 | 0:21:41 | |
That's right. | 0:21:41 | 0:21:44 | |
Right, right. | 0:21:44 | 0:21:46 | |
Also, I've heard that mothers-to-be should avoid unnecessary strain. | 0:21:46 | 0:21:52 | |
So maybe I shouldn't be acting in the play at all, cos it is pretty stressful. | 0:21:52 | 0:21:58 | |
Oh, Alice, I'm sorry, but you've only got one line, haven't you? | 0:21:58 | 0:22:03 | |
"But I am great with child." Six words. | 0:22:03 | 0:22:07 | |
I'm worried I'm going to forget them and the worry might cause me damage. | 0:22:07 | 0:22:13 | |
I see your point, but on the other hand, | 0:22:13 | 0:22:16 | |
if you leave me high and dry, this fist will cause you damage | 0:22:16 | 0:22:22 | |
in the face department - obviously, the choice is yours. | 0:22:22 | 0:22:27 | |
-I think it will be OK. -Yeah, I think so, I really do. | 0:22:28 | 0:22:33 | |
Ah-ah-ah! sorry! | 0:22:33 | 0:22:35 | |
Can you sod off now? I'd like to be alone with Sean Bean. | 0:22:35 | 0:22:40 | |
Isn't he lovely! | 0:22:40 | 0:22:43 | |
Ooh, you've nicked my cake! | 0:22:43 | 0:22:47 | |
Right, everyone, thank you for an excellent day's rehearsal | 0:22:47 | 0:22:51 | |
after a slightly shaky start. | 0:22:51 | 0:22:55 | |
-What do you think? -About that? -What? | 0:22:55 | 0:22:59 | |
Well, I just don't think it IS the greatest story ever told. | 0:22:59 | 0:23:04 | |
There's the one about people who were burgled who thought the robbers hadn't taken anything. | 0:23:04 | 0:23:11 | |
Then they developed their photos and found photos of the robbers with toothbrushes up their bottoms. | 0:23:11 | 0:23:18 | |
So you think I should write "the second greatest story ever told"? | 0:23:18 | 0:23:23 | |
Yes. A man got out of a car and his wife heard banging on the roof. | 0:23:23 | 0:23:29 | |
The police said, "Get out and don't look round." But she did look round | 0:23:29 | 0:23:34 | |
and it was a lunatic banging her husband's severed head on the roof. | 0:23:34 | 0:23:39 | |
Perhaps I should just write "one of the top ten stories ever told". | 0:23:39 | 0:23:44 | |
That's forgetting Jackie Collins' stories - The Bitch, The Stud. | 0:23:44 | 0:23:49 | |
And Beatrix Potter - she wrote lovely stories. | 0:23:49 | 0:23:53 | |
Newsroom South East's local stories. | 0:23:53 | 0:23:56 | |
Sorry, can we stop right there? | 0:23:56 | 0:23:59 | |
Can I remind you all a little bit of the story we're telling here? | 0:23:59 | 0:24:05 | |
2,000 years ago, a baby is born in a stable, the poorest of the poor. | 0:24:05 | 0:24:11 | |
Yet during his lifetime, he says things that are so astonishing, | 0:24:11 | 0:24:16 | |
that millions of people are still living their lives by them today. | 0:24:16 | 0:24:21 | |
He said, "Love thy neighbour." He told us to turn the other cheek, whatever people might do to us. | 0:24:21 | 0:24:29 | |
Does that include Simon bonking you like a beachball? | 0:24:29 | 0:24:32 | |
Yes, it does, Owen. | 0:24:34 | 0:24:36 | |
Sadly, it does. | 0:24:36 | 0:24:39 | |
But most astonishingly, | 0:24:39 | 0:24:42 | |
I believe that this tiny, little baby boy | 0:24:42 | 0:24:45 | |
actually was the son of God. | 0:24:45 | 0:24:48 | |
And when he was younger than I am today, he was brutally crucified | 0:24:48 | 0:24:54 | |
for simply telling people to love each other. | 0:24:54 | 0:24:57 | |
The men who did it thought, "He's dead and gone." Yet here we are, | 0:24:57 | 0:25:03 | |
2,000 years later, | 0:25:03 | 0:25:06 | |
in a village in the middle of England | 0:25:06 | 0:25:10 | |
doing a play about his birth. | 0:25:10 | 0:25:14 | |
Now, I think that's a pretty great story. | 0:25:14 | 0:25:18 | |
ALL: Yes. | 0:25:18 | 0:25:20 | |
Yes, all right, it's a good poster. Leave it as it is. | 0:25:20 | 0:25:25 | |
Thank you, although the toothbrush one is gripping. We can do it next year. | 0:25:25 | 0:25:31 | |
Frank can play the toothbrush. | 0:25:31 | 0:25:33 | |
Yes, please. | 0:25:33 | 0:25:36 | |
Ooh, ooh, ooh! | 0:25:44 | 0:25:47 | |
Ooh. | 0:25:48 | 0:25:50 | |
DOG BARKS | 0:25:50 | 0:25:54 | |
Right, it's time to get going. | 0:25:56 | 0:25:59 | |
Break a leg and if you feel like improvising, just go for it. | 0:25:59 | 0:26:05 | |
Ooh! | 0:26:05 | 0:26:07 | |
Oh, I think it's started. | 0:26:07 | 0:26:09 | |
Exactly like that. She's very good at it. Well done, Alice. | 0:26:09 | 0:26:14 | |
All right, everyone, give 'em hell! | 0:26:14 | 0:26:16 | |
Actually, no, give them a quite heavenly evening, please. | 0:26:16 | 0:26:21 | |
And Jim, I'm sorry, I think this beard is far too long. | 0:26:21 | 0:26:26 | |
Oh, no, no... | 0:26:26 | 0:26:28 | |
Yes, you could be right. | 0:26:28 | 0:26:31 | |
Hello, everybody. | 0:26:31 | 0:26:34 | |
Hi. Welcome to the farmyard Nativity. | 0:26:34 | 0:26:38 | |
I hope you all enjoy watching it as much as we enjoyed rehearsing it. | 0:26:38 | 0:26:44 | |
We haven't charged anybody anything to come in, so at the end there will be two angels at the gate. | 0:26:44 | 0:26:52 | |
All donations will be welcome. | 0:26:52 | 0:26:56 | |
Here we go... | 0:26:56 | 0:26:58 | |
I'd just like to say I'll be here slaughtering Daisy tomorrow. | 0:26:58 | 0:27:02 | |
So order your Christmas beef after the show. | 0:27:02 | 0:27:06 | |
Right, thank you very much, Owen. | 0:27:06 | 0:27:10 | |
And it came to pass that there was a decree from Caesar Augustus | 0:27:10 | 0:27:16 | |
that all the world should be taxed. | 0:27:16 | 0:27:19 | |
And Joseph went to Bethlehem with Mary, his espoused wife, | 0:27:19 | 0:27:24 | |
who was great with child and riding upon a donkey. | 0:27:24 | 0:27:29 | |
But the donkey did run away | 0:27:34 | 0:27:37 | |
during rehearsals this afternoon, so in the end | 0:27:37 | 0:27:41 | |
she actually turned up on a small motorised lawnmower. | 0:27:41 | 0:27:45 | |
And so Mary and Joseph came unto an inn in Bethlehem | 0:27:48 | 0:27:54 | |
and knocked upon the door. | 0:27:54 | 0:27:58 | |
Innkeeper, have you a room where we may rest? | 0:27:58 | 0:28:03 | |
No, no, no. | 0:28:03 | 0:28:05 | |
No, no, no. No room in the inn. | 0:28:05 | 0:28:09 | |
We're fully booked because of the millennium. | 0:28:09 | 0:28:14 | |
(But I am great with child.) | 0:28:16 | 0:28:19 | |
Also I am great with child, so it's particularly awkward. | 0:28:19 | 0:28:24 | |
(You, you.) | 0:28:24 | 0:28:26 | |
Oh, sorry! | 0:28:26 | 0:28:28 | |
But also I am great with child. | 0:28:29 | 0:28:33 | |
Oh, I forgot it! | 0:28:33 | 0:28:36 | |
(In that case, I have a stable you can use.) | 0:28:36 | 0:28:40 | |
In that case, the vicar has a stable you can use. | 0:28:40 | 0:28:45 | |
So Mary and Joseph went into the stable the innkeeper kindly offered, | 0:28:45 | 0:28:51 | |
there to make preparations for the birth of the Holy child. | 0:28:51 | 0:28:57 | |
Oh, I can feel it coming! | 0:29:02 | 0:29:04 | |
-That's good. -No, I really can. | 0:29:04 | 0:29:07 | |
Oh! | 0:29:07 | 0:29:09 | |
-She was good, wasn't she? -Very convincing. -I was good, wasn't I? | 0:29:10 | 0:29:15 | |
-No. -No. | 0:29:15 | 0:29:18 | |
And at that time in Jerusalem | 0:29:19 | 0:29:22 | |
Herod had heard of the impending birth of the king of the Jews | 0:29:22 | 0:29:28 | |
and he was sore troubled, for Herod was a cruel and jealous king. | 0:29:28 | 0:29:34 | |
Soldiers go forth unto Bethlehem and kill all the infants there, | 0:29:34 | 0:29:39 | |
for I shall have no other king but me. | 0:29:39 | 0:29:43 | |
-And so... -But... | 0:29:43 | 0:29:46 | |
kill them gently... | 0:29:46 | 0:29:49 | |
for I am not as cruel and jealous as some would have me be. | 0:29:49 | 0:29:55 | |
-And so... -In fact... | 0:29:55 | 0:29:58 | |
I really love children, indeed I see some in my court | 0:29:58 | 0:30:03 | |
and would give them many gifts of sweets and chocolates - for you. | 0:30:03 | 0:30:09 | |
-Thank you, Herod. -And for you. -Thank you, Herod. | 0:30:09 | 0:30:13 | |
-And for you. -I love you, Herod. | 0:30:13 | 0:30:17 | |
And meanwhile in the fields, some shepherds were tending their flock. | 0:30:18 | 0:30:24 | |
SHEEP BAA | 0:30:24 | 0:30:27 | |
Improvise. | 0:30:27 | 0:30:30 | |
See that ewe over there? She's pretty. | 0:30:31 | 0:30:34 | |
No, no, no. Yes, I wouldn't mind giving her one. | 0:30:34 | 0:30:38 | |
And lo, an angel of the Lord appeared before them | 0:30:38 | 0:30:43 | |
and they were sore afraid. | 0:30:43 | 0:30:45 | |
Be not afraid, for I am an angel of the Lord | 0:30:50 | 0:30:57 | |
and I bring you tidings of great joy. | 0:30:57 | 0:31:01 | |
For tonight... | 0:31:04 | 0:31:05 | |
I know, you pillock! | 0:31:05 | 0:31:08 | |
Sorry, sorry. | 0:31:08 | 0:31:11 | |
Great joy. | 0:31:12 | 0:31:16 | |
Wow, you're good! | 0:31:18 | 0:31:21 | |
-Oh! -I mean, this is a Judi Dench-type quality performance. | 0:31:21 | 0:31:26 | |
And so it was that the three wise men who looked like the shepherds, | 0:31:26 | 0:31:32 | |
but who were completely different people, approached the stable | 0:31:32 | 0:31:36 | |
riding camels, or doing very good camel-riding impressions. | 0:31:36 | 0:31:41 | |
And as they came unto the manger, | 0:31:43 | 0:31:46 | |
they saw Mary who was great with child and looking rather hot. | 0:31:46 | 0:31:52 | |
Aagh! | 0:31:52 | 0:31:55 | |
And in the company of only some cattle | 0:31:55 | 0:31:58 | |
and her husband, Joseph. | 0:31:58 | 0:32:01 | |
Oh, my God! | 0:32:01 | 0:32:03 | |
Oh! | 0:32:08 | 0:32:09 | |
Jesus, she's having a baby! | 0:32:09 | 0:32:12 | |
The line is, "Look, she's having a baby Jesus." | 0:32:12 | 0:32:17 | |
No, she really IS having a baby. Have a look! | 0:32:17 | 0:32:21 | |
Oh! Ugh! | 0:32:22 | 0:32:25 | |
Vicar! | 0:32:27 | 0:32:29 | |
Excuse me one second. Thank you. | 0:32:29 | 0:32:32 | |
What are you doing?! We've got them in the palm of our hands. | 0:32:32 | 0:32:38 | |
Aagh! Oh, my God! | 0:32:38 | 0:32:40 | |
Oh, my God! We must have some towels. | 0:32:40 | 0:32:44 | |
-Owen, run and get some towels. -I haven't got any. -No towels? | 0:32:44 | 0:32:48 | |
-Why would I? -To dry yourself after a bath. -I don't have a bath. | 0:32:48 | 0:32:53 | |
-Would anyone here have some towels? -You could use these? | 0:32:53 | 0:32:59 | |
My entire costume is made of towels. | 0:32:59 | 0:33:03 | |
No, no, no! | 0:33:05 | 0:33:07 | |
Excuse us. Is there a doctor in the house? | 0:33:07 | 0:33:10 | |
-I'm a vet. -Could you come and help? | 0:33:10 | 0:33:13 | |
Over my dead body. | 0:33:13 | 0:33:16 | |
I'm not having my grandchild brought into the world by James Heriot. | 0:33:16 | 0:33:20 | |
It's common sense, surely! | 0:33:20 | 0:33:23 | |
Oh, dear! | 0:33:23 | 0:33:24 | |
Are you sure it's a good idea having Herod take care of Jesus? | 0:33:24 | 0:33:30 | |
He's not Herod now. He's Mr Horton. | 0:33:30 | 0:33:34 | |
Oh, yes! | 0:33:34 | 0:33:36 | |
Come on, push, push! > | 0:33:36 | 0:33:39 | |
-Come on, Geraldine, give us a hand. -All right. | 0:33:39 | 0:33:43 | |
Breathe. | 0:33:43 | 0:33:46 | |
It hurts! | 0:33:46 | 0:33:48 | |
Next time you get a contraction, hang on to my hand, grip it as tight as you like. | 0:33:48 | 0:33:55 | |
It's coming! | 0:33:55 | 0:33:56 | |
-OK. -Here it comes! | 0:33:56 | 0:33:59 | |
-OK. -Here it comes! | 0:33:59 | 0:34:01 | |
-Aagh! -Yeaow! | 0:34:01 | 0:34:03 | |
Ya bitch! Ah-ah-ah-ah! | 0:34:03 | 0:34:06 | |
Oh, oh, oh! | 0:34:06 | 0:34:09 | |
Thank you. | 0:34:09 | 0:34:11 | |
Oh, my God, here comes another one! | 0:34:11 | 0:34:13 | |
Please! | 0:34:13 | 0:34:15 | |
Can't we do something? We are the three wise men. | 0:34:23 | 0:34:27 | |
No, no, no, we are the kings. Oh, right! | 0:34:27 | 0:34:31 | |
Most kings are brain-dead, inbred cretins. | 0:34:31 | 0:34:35 | |
Deep breathing. Deeper, deeper. | 0:34:37 | 0:34:39 | |
ALICE: Oh! | 0:34:39 | 0:34:41 | |
-Oh! -Here's Hugo. | 0:34:41 | 0:34:44 | |
-Oh, my God! -Oh, my God! | 0:34:44 | 0:34:46 | |
Just one more push. Oh, my God, I can see the head! | 0:34:46 | 0:34:51 | |
God, I hope that is a head! | 0:34:51 | 0:34:54 | |
It's very realistic. | 0:34:55 | 0:34:57 | |
It's coming. It's coming. | 0:34:57 | 0:35:00 | |
ALICE MOANS | 0:35:00 | 0:35:04 | |
Aagh! | 0:35:04 | 0:35:05 | |
BABY CRIES | 0:35:05 | 0:35:07 | |
AUDIENCE APPLAUDS | 0:35:07 | 0:35:10 | |
And there, in a stable, | 0:35:18 | 0:35:21 | |
2,000 years ago, | 0:35:21 | 0:35:24 | |
God himself took part in the miracle of birth | 0:35:24 | 0:35:28 | |
and Mary held in her arms | 0:35:28 | 0:35:31 | |
a very special and very realistic child. | 0:35:31 | 0:35:35 | |
Brillo pads! | 0:35:37 | 0:35:40 | |
Most excellent. | 0:35:40 | 0:35:42 | |
One, two... One, two, three... | 0:35:42 | 0:35:45 | |
four. | 0:35:45 | 0:35:48 | |
LOUDLY: # Silent night | 0:35:48 | 0:35:52 | |
# Holy night... # Ssh! | 0:35:52 | 0:35:56 | |
QUIETLY: # All is calm | 0:35:56 | 0:36:01 | |
# All is bright | 0:36:01 | 0:36:06 | |
# Round yon virgin mother and child... | 0:36:06 | 0:36:13 | |
SHEEP BAAS | 0:36:13 | 0:36:16 | |
# Holy infant so tender and mild | 0:36:16 | 0:36:24 | |
# Sleep in heavenly peace | 0:36:24 | 0:36:34 | |
# Sleep in heavenly peace. # | 0:36:34 | 0:36:43 | |
-SOFTLY: -Merry Christmas to you all. | 0:36:44 | 0:36:48 | |
She really is the most beautiful baby. | 0:36:50 | 0:36:55 | |
-Thank you. Could I just check something with you, vicar? -Mmm. | 0:36:55 | 0:37:00 | |
Have I actually given birth to the son of God? | 0:37:00 | 0:37:04 | |
Because I find it a bit of a responsibility. | 0:37:04 | 0:37:08 | |
-No, Alice, you haven't. -Oh, phew! | 0:37:08 | 0:37:12 | |
Apart from anything, she's a girl, isn't she? | 0:37:12 | 0:37:16 | |
So she is. Good clue. | 0:37:16 | 0:37:20 | |
-Have you thought of any names? -Yeah. Go on, Alice. | 0:37:20 | 0:37:25 | |
Well, we've thought about it long and hard | 0:37:25 | 0:37:29 | |
and we'd like to name her after you. | 0:37:29 | 0:37:32 | |
Oh, guys! | 0:37:32 | 0:37:35 | |
Oh, I don't know what to say! | 0:37:35 | 0:37:37 | |
So I'm calling her "Vicar". | 0:37:37 | 0:37:40 | |
Or Geraldine. | 0:37:43 | 0:37:46 | |
Oh, Geraldine! | 0:37:46 | 0:37:49 | |
Oh, even better! | 0:37:49 | 0:37:51 | |
Splendid-o! | 0:37:51 | 0:37:53 | |
Yes...Geraldine. | 0:37:53 | 0:37:56 | |
Good choice. | 0:37:56 | 0:37:57 | |
Excellent choice. | 0:37:57 | 0:38:00 | |
Subtitles by Jayne MacKinnon BBC - 1999 | 0:38:19 | 0:38:23 | |
-A little Christmas gagette for you. -Great. | 0:38:30 | 0:38:34 | |
-Santa Claus goes to the doctor. -Oh, dear! | 0:38:34 | 0:38:38 | |
He says, "Doctor, I think I've got a mince pie stuck up my bottom." | 0:38:38 | 0:38:43 | |
I wonder how that got there! | 0:38:43 | 0:38:46 | |
So the doctor says, "OK, Mr Claus, bend over, please. | 0:38:46 | 0:38:51 | |
"Oh, yes, you do have a mince pie stuck up your bottom, | 0:38:51 | 0:38:56 | |
"but you're in luck - I've got some cream for that." | 0:38:56 | 0:39:00 | |
You see? Cream for the mince pie. | 0:39:03 | 0:39:05 | |
-You mean he's going to take it out and eat it? -No... -It's not hygienic. | 0:39:05 | 0:39:10 | |
No, he isn't because it's a joke. | 0:39:10 | 0:39:14 | |
Doctors - what are they going to do next? Take out your appendix and have it with bacon and egg? | 0:39:14 | 0:39:21 | |
-Just leaving planet Earth. -Take out your tonsils... | 0:39:21 | 0:39:25 | |
# Jesus Christ was born on Christmas day... # | 0:39:25 | 0:39:28 | |
To save us all from Satan's power. That's you. | 0:39:28 | 0:39:32 | |
I'm not eating it, no way. Not if it's been up Santa's arse. | 0:39:34 | 0:39:39 | |
I'm sticking to brandy snaps. | 0:39:41 | 0:39:43 |