Browse content similar to The Best Of. Check below for episodes and series from the same categories and more!
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# When I was small I used to dance in my mother's bedroom | 0:00:02 | 0:00:04 | |
# Then I grew up and did it again | 0:00:04 | 0:00:06 | |
# And basically I'm still doing the same show | 0:00:06 | 0:00:08 | |
# I did in my mother's bedroom | 0:00:08 | 0:00:10 | |
# And I'll do it till the bitter end | 0:00:10 | 0:00:12 | |
# Cos it's my Tracey Ullman's Show | 0:00:12 | 0:00:17 | |
# Tracey Ullman's Show | 0:00:17 | 0:00:19 | |
# Let's do the show, let's go | 0:00:19 | 0:00:20 | |
# Tracey Ullman's Show | 0:00:20 | 0:00:24 | |
# Tracey Ullman, Tracey Ullman | 0:00:24 | 0:00:27 | |
# Tracey, Tracey, Tracey, Tracey | 0:00:27 | 0:00:30 | |
# Tracey Ullman's Show. # | 0:00:30 | 0:00:33 | |
Let's go. | 0:00:33 | 0:00:34 | |
Merry Christmas. You're watching BBC One. | 0:00:35 | 0:00:37 | |
I'm Clare Balding and I'm your continuity announcer for today. | 0:00:37 | 0:00:40 | |
When they were doing the rota for holiday working | 0:00:40 | 0:00:42 | |
at the BBC this year, lots of people wanted to be away | 0:00:42 | 0:00:45 | |
over the Crimbo holidays, although I can't imagine why, | 0:00:45 | 0:00:48 | |
so I said, "I'll lend a hand on Christmas Eve, | 0:00:48 | 0:00:50 | |
"Christmas Day, Boxing Day, all the way through to New Year, | 0:00:50 | 0:00:54 | |
"whatever you need, because I just want to help." | 0:00:54 | 0:00:56 | |
So here I am with Producer Sue, who's given up her holibobs as well. | 0:00:56 | 0:01:00 | |
But she doesn't mind. | 0:01:00 | 0:01:02 | |
And we're having fun, aren't we, Producer Sue? | 0:01:02 | 0:01:04 | |
Now, this button plays the bits between shows. | 0:01:05 | 0:01:08 | |
Swimming hippos, skating children, and so on and so on. | 0:01:08 | 0:01:12 | |
This one repeats Mrs Brown's Boys, | 0:01:12 | 0:01:14 | |
and so does this one, and this one. | 0:01:14 | 0:01:16 | |
This kills off someone on EastEnders. | 0:01:16 | 0:01:20 | |
And what does this button do? | 0:01:20 | 0:01:21 | |
Oi! | 0:01:40 | 0:01:41 | |
I saw that. Do you want me to call the police? | 0:01:41 | 0:01:43 | |
I don't know what you mean. | 0:01:43 | 0:01:46 | |
-Oh, it's you, isn't it? -If you mean, is it Dame Judi Dench? | 0:01:46 | 0:01:49 | |
Then yes, it is. How very nice to meet you. | 0:01:49 | 0:01:52 | |
Sorry about that. | 0:01:52 | 0:01:53 | |
There must be something wrong with the security camera. | 0:01:53 | 0:01:55 | |
Yes, well, they can be temperamental. | 0:01:55 | 0:01:57 | |
I loved you in James Bond. | 0:01:57 | 0:01:59 | |
Oh! We just try to tell a good story. | 0:01:59 | 0:02:02 | |
-And thank you. -What was I thinking? | 0:02:02 | 0:02:05 | |
-Dame Judi Dench wouldn't shoplift. You're a national treasure. -Exactly. | 0:02:05 | 0:02:09 | |
And because I'm a national treasure, I could get away with anything. | 0:02:09 | 0:02:13 | |
But of course I don't. | 0:02:13 | 0:02:15 | |
Oh, what's that over there? | 0:02:15 | 0:02:17 | |
-Ah, my mistake. -Well, it's an honour meeting you. | 0:02:19 | 0:02:22 | |
Yes. Lovely to meet you, too. | 0:02:22 | 0:02:24 | |
You have such a lovely shop here. | 0:02:24 | 0:02:26 | |
SHE CACKLES | 0:02:38 | 0:02:40 | |
PHONE RINGS | 0:02:52 | 0:02:54 | |
SHE GROANS | 0:02:56 | 0:02:58 | |
Duchess of Cornwall. What the hell is it? | 0:03:03 | 0:03:05 | |
What? Oh, no, no. | 0:03:06 | 0:03:09 | |
I can't have George. | 0:03:09 | 0:03:11 | |
I've got a very busy day. | 0:03:11 | 0:03:13 | |
Yah. | 0:03:13 | 0:03:14 | |
In ten minutes I'm going to be elbow-deep in my best filly, | 0:03:14 | 0:03:17 | |
trying to turn the bally foal around. | 0:03:17 | 0:03:19 | |
What? What has he done to the baby? | 0:03:20 | 0:03:22 | |
Oh, well, I don't blame him. | 0:03:22 | 0:03:25 | |
They are horrid little things. | 0:03:25 | 0:03:27 | |
When my sister was born I shoved her on the back of our best stallion, | 0:03:27 | 0:03:31 | |
slapped its rump, and we didn't see her for five days. | 0:03:31 | 0:03:35 | |
Yah. Daddy was furious. | 0:03:35 | 0:03:37 | |
Horses with those sort of bloodlines are damn hard to find. | 0:03:37 | 0:03:40 | |
Oh, well. | 0:03:42 | 0:03:44 | |
All right, but just for a few hours. | 0:03:44 | 0:03:46 | |
Bring the little bugger over. WHINNYING | 0:03:46 | 0:03:50 | |
What are you doing, you silly mare? | 0:03:50 | 0:03:52 | |
You'll never get the thing out on your own. | 0:03:52 | 0:03:54 | |
It's going to be a double-glover, Camilla. | 0:03:56 | 0:03:59 | |
Kay! | 0:04:08 | 0:04:09 | |
What is it, Mother? | 0:04:12 | 0:04:13 | |
They're at it again. | 0:04:13 | 0:04:15 | |
Oh, what, with the smoking? | 0:04:15 | 0:04:17 | |
Oh, Lord, it's a disgusting habit, isn't it? | 0:04:17 | 0:04:20 | |
I've told them, but they don't listen, those students. | 0:04:20 | 0:04:24 | |
Are they still there? They've been there since the Silver Jubilee. | 0:04:24 | 0:04:28 | |
Well, they'll be postgraduates now, I should imagine, but... | 0:04:28 | 0:04:32 | |
Well, I'll go and have another word and I'll tell them | 0:04:32 | 0:04:34 | |
to go and do it over by the other fence. | 0:04:34 | 0:04:36 | |
Yes, excuse me, could you just...? | 0:04:37 | 0:04:41 | |
There's a 103-year-old woman in there with a respiratory condition. | 0:04:42 | 0:04:47 | |
Kay! | 0:04:50 | 0:04:52 | |
Yes? Coming, Mother. | 0:04:52 | 0:04:54 | |
Let's try shutting the window, shall we? | 0:04:58 | 0:05:01 | |
Kay! | 0:05:01 | 0:05:03 | |
SIRENS BLARE | 0:05:03 | 0:05:05 | |
This way, Mrs Merkel. | 0:05:09 | 0:05:10 | |
We are the most important, | 0:05:17 | 0:05:18 | |
powerful people in the world and we have to meet in Cardiff. | 0:05:18 | 0:05:22 | |
It is perverse. | 0:05:22 | 0:05:24 | |
It is a joke, no? | 0:05:24 | 0:05:26 | |
It is this British irony that they are so proud of, | 0:05:26 | 0:05:30 | |
that they think nobody else understands. | 0:05:30 | 0:05:32 | |
We understand. It is not so clever. | 0:05:32 | 0:05:35 | |
-Yes. It just means actually not funny. -Exactly. | 0:05:35 | 0:05:38 | |
Make the O shape with your lips. | 0:05:38 | 0:05:41 | |
No, like this... Oh. Oh. | 0:05:41 | 0:05:44 | |
George Osborne is coming today. | 0:05:44 | 0:05:46 | |
-Oh! -Perfect. | 0:05:46 | 0:05:47 | |
What are you putting on there, Birgit? | 0:05:48 | 0:05:50 | |
Flesh colour. Natural-ish, but a nice warm flesh. | 0:05:50 | 0:05:53 | |
-Not too warm. -Nein, mein Chancellorette. | 0:05:53 | 0:05:56 | |
Oh, and careful, Birgit, | 0:05:56 | 0:05:57 | |
or we will get the pouffiness with the hair and then it's all sex bomb, | 0:05:57 | 0:06:01 | |
sex bomb, and nobody can concentrate and the whole meeting is nutzlos. | 0:06:01 | 0:06:06 | |
Now, what are we wearing for the summit? | 0:06:06 | 0:06:08 | |
How about this one? | 0:06:08 | 0:06:09 | |
Oh, nein, that one pushed down on my Bustenhalter at Davos | 0:06:09 | 0:06:13 | |
and George Soros was panting over me. | 0:06:13 | 0:06:15 | |
And then Berlusconi, he had to go to the bathroom for a long time. | 0:06:15 | 0:06:20 | |
His hair dye, it was running, running down his cheeks. | 0:06:20 | 0:06:24 | |
This one? | 0:06:24 | 0:06:25 | |
I'm not sitting in a window in Amsterdam! | 0:06:25 | 0:06:28 | |
Then let's go with the old faithful. | 0:06:28 | 0:06:30 | |
What is this smell? | 0:06:32 | 0:06:33 | |
SHE SNIFFS | 0:06:33 | 0:06:35 | |
Obama! | 0:06:35 | 0:06:36 | |
With a hint of David Cameron's Penhaligon cologne. | 0:06:37 | 0:06:41 | |
He's a hugger. | 0:06:41 | 0:06:42 | |
Oh... | 0:06:44 | 0:06:45 | |
Birgit, do you remember when we went to that dinner at Windsor Castle | 0:06:45 | 0:06:49 | |
with that carpet with a terrible pattern that gave us all a headache? | 0:06:49 | 0:06:53 | |
And the British toilets with the incompetent flush. | 0:06:53 | 0:06:55 | |
I like to speak to the Queen in German. | 0:06:55 | 0:06:58 | |
She pretends not to understand me, | 0:06:58 | 0:07:01 | |
until you insult her children. | 0:07:01 | 0:07:03 | |
Then she hears every word. | 0:07:03 | 0:07:06 | |
THEY LAUGH | 0:07:06 | 0:07:08 | |
That was splendid, Producer Sue. | 0:07:11 | 0:07:13 | |
Oh, hello, have you come to clean the studio? | 0:07:14 | 0:07:16 | |
Can I help? Why don't you take the day off? | 0:07:16 | 0:07:18 | |
It is Christmas, after all. | 0:07:18 | 0:07:20 | |
I can do that for you. | 0:07:20 | 0:07:21 | |
Oh, sherry! | 0:07:21 | 0:07:23 | |
-Shall we drink it? -Oh, festive tipple. | 0:07:23 | 0:07:25 | |
Yes, please. | 0:07:25 | 0:07:26 | |
ELECTRICITY CRACKLES | 0:07:26 | 0:07:28 | |
Whoops-a-daisy. Oh, clumsy Clare. ALARM BLARES | 0:07:28 | 0:07:31 | |
Clare, I think you've just unplugged Radio 4. | 0:07:31 | 0:07:34 | |
SHE GASPS | 0:07:34 | 0:07:35 | |
I'm a clot. How will people be able to complain about what | 0:07:35 | 0:07:38 | |
The Archers is like these days if they can't even hear The Archers? | 0:07:38 | 0:07:41 | |
Yes, but Radio 4 is monitored by Trident submarines. | 0:07:41 | 0:07:44 | |
If they can't hear it they might think we're under attack | 0:07:44 | 0:07:47 | |
-and launch a missile. -Oh, is that what happens? | 0:07:47 | 0:07:49 | |
Yes, I'm afraid so. | 0:07:49 | 0:07:51 | |
But in a post-apocalyptic world, somebody will have to set up | 0:07:51 | 0:07:54 | |
a hospital and a police station and a government, | 0:07:54 | 0:07:56 | |
and provide some decent coverage for Crufts. | 0:07:56 | 0:07:59 | |
We could make ourselves really useful, | 0:07:59 | 0:08:01 | |
and then I could present a programme about how we did it all. | 0:08:01 | 0:08:04 | |
-ALARM STOPS -I think that's it. -Even better. | 0:08:04 | 0:08:06 | |
Phew! | 0:08:06 | 0:08:08 | |
What's next, Producer Sue? | 0:08:08 | 0:08:10 | |
HORSES WHINNY, DOGS BARK | 0:08:14 | 0:08:16 | |
THUD | 0:08:16 | 0:08:18 | |
-Morning, ma'am. -Oh, you blithering idiot. | 0:08:18 | 0:08:20 | |
-I beg your pardon? -You've run over Fifi's paw. | 0:08:20 | 0:08:22 | |
Oh, my God! | 0:08:22 | 0:08:24 | |
Erm, is there a vet nearby? | 0:08:24 | 0:08:26 | |
There. Kindest thing to do. | 0:08:28 | 0:08:30 | |
Right, bar's open. 11am. | 0:08:30 | 0:08:32 | |
-G&T, anybody? -Er, no, thank you. | 0:08:32 | 0:08:35 | |
Are you sure you'll be all right with His Royal Highness? | 0:08:35 | 0:08:37 | |
Yes, of course. Looking after children's like falling off a horse, | 0:08:37 | 0:08:41 | |
only less fun. | 0:08:41 | 0:08:43 | |
Right, come on, sprog, heel. | 0:08:43 | 0:08:45 | |
Now, do you want to stick a horse's uterus back in | 0:08:45 | 0:08:48 | |
-or do you want to drown a kitten in a barrel? -Kitten. | 0:08:48 | 0:08:51 | |
Kitten? Quite right. Got to be done. | 0:08:51 | 0:08:53 | |
Runt of the litter, just like Uncle Edward. | 0:08:53 | 0:08:56 | |
-Tractor. -Tractor? I don't see why not. | 0:08:56 | 0:08:59 | |
Let's go and play with the tractor. | 0:08:59 | 0:09:01 | |
Ladies and gents, Silver Surfers is about you and your needs, | 0:09:03 | 0:09:08 | |
so why don't you tell me why you'd like to get on the web? | 0:09:08 | 0:09:11 | |
Well, my grandson posts videos on the YouTube | 0:09:11 | 0:09:15 | |
and I'd really like to watch those. | 0:09:15 | 0:09:17 | |
-What's your grandson's name? -Archie Atkins. | 0:09:17 | 0:09:21 | |
You just type his name in the box there and... | 0:09:21 | 0:09:25 | |
Ah, there he is. | 0:09:25 | 0:09:27 | |
As you can see, class, Archie's videos are quite poor quality. | 0:09:28 | 0:09:31 | |
When you see somebody getting it wrong online in this way, | 0:09:31 | 0:09:34 | |
it's important to point it out to them. | 0:09:34 | 0:09:36 | |
We can either post a comment saying he has a voice like a girl or, | 0:09:36 | 0:09:41 | |
option two, how everyone here wishes he were dead. | 0:09:41 | 0:09:44 | |
-What will it be? -Oh, I don't think... | 0:09:44 | 0:09:45 | |
Wishes he were dead! | 0:09:45 | 0:09:48 | |
It seems a little cruel. | 0:09:48 | 0:09:50 | |
No, that's the brilliant thing about the web, Ethel, | 0:09:50 | 0:09:53 | |
there's no need to bother with all those everyday pleasantries | 0:09:53 | 0:09:56 | |
that slow us down so much in real life. | 0:09:56 | 0:09:59 | |
"Wish you were dead, loser." | 0:09:59 | 0:10:02 | |
Ooh! | 0:10:03 | 0:10:05 | |
It's quite normal to experience a real thrill | 0:10:05 | 0:10:07 | |
when you click that send button. | 0:10:07 | 0:10:09 | |
Now, is there anyone else who'd like some help? | 0:10:09 | 0:10:13 | |
I've always enjoyed sending pictures of my penis to young ladies, | 0:10:13 | 0:10:17 | |
but the cost of stamps nowadays... | 0:10:17 | 0:10:19 | |
I don't suppose I could do it on the web? | 0:10:19 | 0:10:21 | |
Oh, you've no idea, Stan. | 0:10:21 | 0:10:23 | |
All you do is create a JPEG of your dick pic, attach it to an e-mail, | 0:10:23 | 0:10:27 | |
and that will appear in the inboxes of young women across the globe, | 0:10:27 | 0:10:31 | |
-all for free. -Oh. | 0:10:31 | 0:10:32 | |
I'll be handing out a help sheet on that later. | 0:10:32 | 0:10:36 | |
Yes, Joyce? | 0:10:36 | 0:10:37 | |
I'm quite keen on inciting religious violence and racial hatred. | 0:10:37 | 0:10:43 | |
Is there anything on the internet to help with that? | 0:10:43 | 0:10:45 | |
Oh, no, I'm afraid not. | 0:10:45 | 0:10:48 | |
Oh. | 0:10:48 | 0:10:49 | |
That is a shame. | 0:10:49 | 0:10:50 | |
I'm just kidding. Let's fire up the dark web. | 0:10:50 | 0:10:53 | |
Ooh! | 0:10:53 | 0:10:54 | |
That's £19.50. | 0:11:14 | 0:11:16 | |
AMERICAN ACCENT: May I just say how much I enjoyed riding backwards? | 0:11:16 | 0:11:19 | |
Here you are, my good man. | 0:11:20 | 0:11:21 | |
-Cheers. -Cheers! | 0:11:21 | 0:11:24 | |
It's a beautiful language. | 0:11:24 | 0:11:25 | |
It's a beautiful country. | 0:11:25 | 0:11:27 | |
I hope it rains later. | 0:11:27 | 0:11:29 | |
It's so quaint wet. | 0:11:29 | 0:11:30 | |
Oh, the room is beautiful. | 0:11:33 | 0:11:35 | |
Will you look at this view? | 0:11:36 | 0:11:39 | |
Look at this light. | 0:11:39 | 0:11:40 | |
Turner painted in this light. | 0:11:40 | 0:11:42 | |
It's so roomy, Hal. | 0:11:42 | 0:11:45 | |
And look at this rail! | 0:11:45 | 0:11:47 | |
You get in, you get out. | 0:11:47 | 0:11:50 | |
It's so thoughtful. | 0:11:50 | 0:11:52 | |
It's a courtesy, I would say. | 0:11:52 | 0:11:55 | |
They are a very courteous people. | 0:11:55 | 0:11:58 | |
Paper's thin, but in an elegant sort of way. | 0:11:59 | 0:12:02 | |
Like an after-dinner mint, refined. | 0:12:02 | 0:12:05 | |
Oh, Hal, come and look! | 0:12:05 | 0:12:07 | |
What? | 0:12:07 | 0:12:09 | |
It's a British pubic hair. | 0:12:09 | 0:12:11 | |
-How do you know it's British? -It's smaller. | 0:12:16 | 0:12:19 | |
And it's kind of curlier, but it's a tighter curl. | 0:12:19 | 0:12:23 | |
It's the breeding. It's refined, like a short-haired breed. | 0:12:23 | 0:12:28 | |
SHE GASPS It's gone. | 0:12:30 | 0:12:33 | |
Left foot is go and right foot is clutch, | 0:12:36 | 0:12:39 | |
and then you'll work it out as you go. | 0:12:39 | 0:12:41 | |
And try to avoid Grandad's organic gooseberries, all right? | 0:12:41 | 0:12:45 | |
Down on the left. Down on your left. | 0:12:47 | 0:12:50 | |
Oh, Jesus, sprog, it can't be that difficult. | 0:12:50 | 0:12:52 | |
No, don't accelerate! | 0:12:52 | 0:12:55 | |
GLASS SHATTERS | 0:12:58 | 0:12:59 | |
Bloody hell. | 0:12:59 | 0:13:00 | |
(We should wake Howard up. | 0:13:11 | 0:13:13 | |
(It's time to close.) | 0:13:13 | 0:13:16 | |
(He smells disgusting today.) | 0:13:16 | 0:13:17 | |
(Eau de Howard. | 0:13:17 | 0:13:19 | |
(I'll even miss that. | 0:13:20 | 0:13:21 | |
(Let me stamp the last book.) | 0:13:22 | 0:13:24 | |
(Leanne... | 0:13:27 | 0:13:28 | |
(Why are we still whispering?) | 0:13:28 | 0:13:30 | |
(What?) | 0:13:30 | 0:13:31 | |
Well, there's no need for it any more, is there? | 0:13:31 | 0:13:34 | |
(You're right.) | 0:13:34 | 0:13:35 | |
What are you doing? | 0:13:37 | 0:13:38 | |
Well... | 0:13:38 | 0:13:40 | |
I've worn these rubber-soled shoes all of these years to be quiet, | 0:13:40 | 0:13:45 | |
and I'm going to my tap class tonight | 0:13:45 | 0:13:47 | |
and I've always wanted to do this. | 0:13:47 | 0:13:50 | |
-CLACK -Ah! | 0:13:51 | 0:13:53 | |
Oh! | 0:13:55 | 0:13:56 | |
Tidy, tamping, lush | 0:13:57 | 0:14:00 | |
Let it out, what a rush | 0:14:00 | 0:14:03 | |
No reason, prayer or bribery | 0:14:03 | 0:14:06 | |
Could save our poor old library. | 0:14:06 | 0:14:08 | |
-# Here us scream -Argh! | 0:14:10 | 0:14:11 | |
-# Hear us shout -Argh! | 0:14:11 | 0:14:13 | |
# Stamp us in and stamp us out | 0:14:13 | 0:14:15 | |
# Our arses sacked, no ifs or buts | 0:14:15 | 0:14:18 | |
# By a bunch of Tory cuts | 0:14:18 | 0:14:20 | |
# VHS, the old format | 0:14:20 | 0:14:23 | |
# Don't need any more of that | 0:14:23 | 0:14:26 | |
# No more Bergerac | 0:14:26 | 0:14:27 | |
# The Darling Buds Of May | 0:14:27 | 0:14:29 | |
# In 20 years no-one watched you anyway | 0:14:29 | 0:14:31 | |
# Large print, fiction | 0:14:31 | 0:14:34 | |
# Throw it all away | 0:14:34 | 0:14:35 | |
# But I'll take that | 0:14:36 | 0:14:39 | |
# Fifty Shades Of Grey | 0:14:39 | 0:14:42 | |
# No more shush or quiet, please | 0:14:42 | 0:14:44 | |
# End of the line for the libraries | 0:14:44 | 0:14:47 | |
# New world's got a digital look | 0:14:47 | 0:14:49 | |
# Kindle killed the library book | 0:14:49 | 0:14:52 | |
# No place to rest on a rainy day | 0:15:13 | 0:15:18 | |
# Or hide from bullies if you're clever or you're gay | 0:15:18 | 0:15:23 | |
# No more room for the elderly to read the news for free | 0:15:23 | 0:15:27 | |
# New world's got a digital look | 0:15:27 | 0:15:31 | |
# Kindle killed the library book | 0:15:31 | 0:15:33 | |
# New world's got a digital look | 0:15:34 | 0:15:38 | |
# Because Kindle, Amazon | 0:15:38 | 0:15:41 | |
# Xbox, iPlayer | 0:15:41 | 0:15:43 | |
# YouTube, Twitter | 0:15:43 | 0:15:45 | |
# And in many ways porn | 0:15:45 | 0:15:47 | |
# Killed the library! # | 0:15:47 | 0:15:50 | |
Argh! | 0:15:50 | 0:15:52 | |
IN WELSH: | 0:15:55 | 0:15:59 | |
# Oh, Howard, babe | 0:16:15 | 0:16:18 | |
# We will miss your sweet bouquet | 0:16:27 | 0:16:31 | |
# Shakespeare, Shelley and Stephen King | 0:16:37 | 0:16:42 | |
# King, King | 0:16:42 | 0:16:43 | |
# Travel section, order and crime | 0:16:43 | 0:16:46 | |
# Order, order, crime | 0:16:46 | 0:16:48 | |
# Medical emergency and sexual health | 0:16:48 | 0:16:52 | |
# Sex, sex, sex | 0:16:52 | 0:16:53 | |
# Politics and nursery rhyme | 0:16:53 | 0:16:58 | |
# Oh, hold on to your libraries | 0:16:58 | 0:17:04 | |
# Before some horrible twat | 0:17:04 | 0:17:07 | |
# Twattity twat, twat | 0:17:07 | 0:17:09 | |
# Buys them all and converts them | 0:17:09 | 0:17:13 | |
# Into luxury flats | 0:17:13 | 0:17:19 | |
# Luxury flats. # | 0:17:19 | 0:17:22 | |
Cheers. | 0:17:25 | 0:17:27 | |
Do you know what, Producer Sue? | 0:17:27 | 0:17:28 | |
This might be my best Christmas ever. | 0:17:28 | 0:17:30 | |
Isn't it marvellous, being allowed to be at work? | 0:17:30 | 0:17:33 | |
Not really, no. | 0:17:33 | 0:17:35 | |
Oh, Producer Sue, what's the matter? | 0:17:35 | 0:17:37 | |
I was rather hoping to go home, have dinner with my family. | 0:17:37 | 0:17:40 | |
And miss the fun here? | 0:17:40 | 0:17:42 | |
Yes. | 0:17:42 | 0:17:44 | |
Gosh, how odd. | 0:17:44 | 0:17:45 | |
Clare, when did you last have a holiday? | 0:17:46 | 0:17:48 | |
Well, I did have that whole weekend off in May, | 0:17:48 | 0:17:51 | |
although I did the documentary about the royal family on the Saturday. | 0:17:51 | 0:17:54 | |
-I give up. -Shall I, erm...? | 0:17:54 | 0:17:56 | |
No, don't worry about that, Producer Sue, allow me. | 0:17:56 | 0:17:59 | |
I'm Dame Maggie Smith and this is my Christmas message to the nation. | 0:17:59 | 0:18:04 | |
The Queen deserves a year off, and let's face it, | 0:18:04 | 0:18:06 | |
some people say she's gone a bit stale. | 0:18:06 | 0:18:09 | |
Not me. Au contraire. | 0:18:09 | 0:18:11 | |
This is a time for reflection. | 0:18:12 | 0:18:15 | |
Regret for those who have passed on | 0:18:15 | 0:18:18 | |
and more regret for those who are still lingering about. | 0:18:18 | 0:18:21 | |
It's time to spare a thought for those less fortunate than ourselves, | 0:18:22 | 0:18:27 | |
like those with just the one Oscar. | 0:18:27 | 0:18:30 | |
Poor dears. | 0:18:30 | 0:18:32 | |
It's a time when we ought to think of giving gifts, | 0:18:32 | 0:18:36 | |
and by we, I mean you. | 0:18:36 | 0:18:38 | |
Hampers from Fortnum's and Berry Brothers are acceptable, | 0:18:38 | 0:18:42 | |
but do not buy a goat in my name. | 0:18:42 | 0:18:46 | |
Whenever will I get the chance to feed it? | 0:18:46 | 0:18:49 | |
With my knees. | 0:18:49 | 0:18:51 | |
But in the main, it's a time for hitting the sherry | 0:18:51 | 0:18:54 | |
from one of the aforementioned hampers - | 0:18:54 | 0:18:56 | |
oh, Selfridges, if you must - | 0:18:56 | 0:18:58 | |
and then drunk dialling Benedict Cumberbatch and informing him | 0:18:58 | 0:19:03 | |
of exactly what one would do to him if one was 40 years younger. | 0:19:03 | 0:19:07 | |
And it would take all 12 days, I can tell you. | 0:19:08 | 0:19:12 | |
Well, Barbara, I have to say that this is a hugely impressive CV. | 0:19:14 | 0:19:17 | |
Thank you. | 0:19:17 | 0:19:19 | |
We've seen a lot of candidates over the last few months | 0:19:19 | 0:19:21 | |
and this is amongst the most impressive. | 0:19:21 | 0:19:23 | |
Thanks. Project management is really my specialist area. | 0:19:23 | 0:19:26 | |
I think you can see from my CV that I really do have a lot of experience | 0:19:26 | 0:19:32 | |
with team leadership. | 0:19:32 | 0:19:33 | |
There was just one thing on it, | 0:19:33 | 0:19:35 | |
and I know that Peter and Fiona are curious about it as well. | 0:19:35 | 0:19:39 | |
As we were preparing for the interview, | 0:19:39 | 0:19:41 | |
we googled your name, and it comes up quite a few times, actually, | 0:19:41 | 0:19:45 | |
that you've been convicted of crimes against humanity. | 0:19:45 | 0:19:48 | |
What's that about? | 0:19:48 | 0:19:50 | |
Well, I decided to leave that off the CV | 0:19:50 | 0:19:52 | |
because I think that it's always best to be honest with people. | 0:19:52 | 0:19:57 | |
-Honest? -Well, in the sense that it's something that happened in the past | 0:19:57 | 0:20:00 | |
and it isn't really relevant any more, | 0:20:00 | 0:20:03 | |
and I would really rather focus on the last two years. | 0:20:03 | 0:20:06 | |
So, what are the details? | 0:20:06 | 0:20:08 | |
Of the, er, what, the crimes against humanity? | 0:20:08 | 0:20:10 | |
-Yes. -Well, I was convicted about two years ago | 0:20:10 | 0:20:14 | |
in The Hague of crimes against humanity in my absence | 0:20:14 | 0:20:18 | |
and, well, that's about it, really. | 0:20:18 | 0:20:21 | |
Was this a genocide or something? | 0:20:21 | 0:20:23 | |
It was a genocide, yes. | 0:20:23 | 0:20:25 | |
So how many people would have died? | 0:20:25 | 0:20:28 | |
Well, the UN reckons about 15,000, | 0:20:28 | 0:20:30 | |
but I think it was more like 20, maybe 30. | 0:20:30 | 0:20:34 | |
And what was your role in this? | 0:20:34 | 0:20:35 | |
Largely organisational. | 0:20:35 | 0:20:37 | |
I was responsible for the transport and general administrative stuff. | 0:20:37 | 0:20:42 | |
A lot of burials obviously had to be undertaken, | 0:20:42 | 0:20:46 | |
and if you look at it purely in those terms, | 0:20:46 | 0:20:49 | |
I was very successful. | 0:20:49 | 0:20:51 | |
Did you try and stop the genocide at any stage? | 0:20:51 | 0:20:53 | |
I did try to stop it at one stage, | 0:20:53 | 0:20:56 | |
but ultimately it was just easier to go along with it. | 0:20:56 | 0:21:00 | |
Yes, I'm just looking up crimes against humanity here | 0:21:00 | 0:21:03 | |
and it defines it as murder, massacres, extermination, | 0:21:03 | 0:21:08 | |
human experimentation, kidnappings, | 0:21:08 | 0:21:12 | |
unjust imprisonment, slavery and cannibalism. | 0:21:12 | 0:21:16 | |
Guilty as charged. | 0:21:19 | 0:21:20 | |
And the sentence for crimes against humanity was in your absence? | 0:21:22 | 0:21:27 | |
Yes, I wasn't in court, and again, to be completely honest, | 0:21:27 | 0:21:31 | |
it was 25 years. | 0:21:31 | 0:21:33 | |
And you're on the run now, are you? | 0:21:33 | 0:21:35 | |
Yeah. | 0:21:35 | 0:21:36 | |
OK. | 0:21:36 | 0:21:38 | |
I think we are all agreed, that won't... | 0:21:38 | 0:21:42 | |
..be a problem. | 0:21:43 | 0:21:45 | |
It's still a hugely impressive CV. | 0:21:45 | 0:21:48 | |
Yes, it's definitely the best we've seen. | 0:21:48 | 0:21:50 | |
Yes, I think we're all in agreement. | 0:21:50 | 0:21:52 | |
So, welcome to the bank. | 0:21:52 | 0:21:54 | |
Thank you. | 0:21:54 | 0:21:56 | |
Haaaa! | 0:22:02 | 0:22:03 | |
Pat, pit, pit, pot, putt. Ha-ha, ha-ha, ha-ha, ha-ha. | 0:22:03 | 0:22:06 | |
I bet you get this on every movie you do, Judi, | 0:22:06 | 0:22:09 | |
but it's such an honour working with you. | 0:22:09 | 0:22:11 | |
Oh, I'm just playing pretend. | 0:22:11 | 0:22:15 | |
Actually, the main reason I decided to do this | 0:22:15 | 0:22:17 | |
was so I could work with you. | 0:22:17 | 0:22:19 | |
And it's DAME Judi, by the way. | 0:22:19 | 0:22:22 | |
-Can I just check your make-up, Mr Grint? -Yeah, sure. | 0:22:23 | 0:22:26 | |
-What's this? -Oh, it was awful. | 0:22:41 | 0:22:43 | |
Somebody came over and did such terrible damage to your tablet. | 0:22:43 | 0:22:47 | |
What, who was it? | 0:22:47 | 0:22:48 | |
An extra, I think. | 0:22:48 | 0:22:50 | |
I wanted to shout but I couldn't. | 0:22:50 | 0:22:52 | |
-I was quite afraid. -Unbelievable. | 0:22:52 | 0:22:54 | |
You know, the same thing happened to Rickman and Cumberbatch. | 0:22:54 | 0:22:57 | |
Yes, that was very unfortunate. | 0:22:57 | 0:23:00 | |
Both on days they were working with you. | 0:23:00 | 0:23:02 | |
Well, I'm sure you're not suggesting it could have been me. | 0:23:02 | 0:23:06 | |
I'm a national treasure! | 0:23:06 | 0:23:08 | |
I would hardly break all your devices | 0:23:08 | 0:23:11 | |
just for the thrill of getting away with it. | 0:23:11 | 0:23:14 | |
No. No, of course not. Sorry. | 0:23:14 | 0:23:18 | |
-It's an unfortunate accident. -Yeah. | 0:23:18 | 0:23:21 | |
It's backed up, my laptop's in my trailer. | 0:23:21 | 0:23:23 | |
That's got my whole life on it, | 0:23:23 | 0:23:25 | |
so as long as no-one sets that on fire... | 0:23:25 | 0:23:27 | |
Oh, God forbid. | 0:23:27 | 0:23:29 | |
A plume of smoke would be seen for miles around. | 0:23:29 | 0:23:32 | |
Will you tell the director I'll be right back? | 0:23:33 | 0:23:36 | |
This is a bit of aromatherapy. | 0:23:41 | 0:23:45 | |
It's jasmine, | 0:23:45 | 0:23:46 | |
which is both helpful and beneficial. | 0:23:46 | 0:23:50 | |
I'm just going to pop it over here. | 0:23:50 | 0:23:53 | |
SOOTHING MUSIC PLAYS | 0:23:53 | 0:23:55 | |
Now, if something smells a bit burny, | 0:23:56 | 0:23:59 | |
that's the dusky notes. | 0:23:59 | 0:24:01 | |
Very dusky and very woody. | 0:24:01 | 0:24:05 | |
I'm just going to pop the music up, to really soothe you. VOLUME INCREASES | 0:24:13 | 0:24:18 | |
(Hello. Fire brigade, please. | 0:24:20 | 0:24:22 | |
(Yes, can they pop over as soon as they can?) | 0:24:22 | 0:24:26 | |
You may notice it's a bit hot in the room. | 0:24:26 | 0:24:30 | |
That's to relax you and to soothe you. | 0:24:30 | 0:24:33 | |
SHE MOUTHS | 0:24:54 | 0:24:57 | |
SHE COUGHS | 0:24:58 | 0:25:00 | |
Yes, it's natural to cough, you're just letting the toxins out. | 0:25:00 | 0:25:04 | |
Chancellor Merkel, the staff would love | 0:25:09 | 0:25:11 | |
if you could join them for drinks. | 0:25:11 | 0:25:13 | |
Oh, let's stay, Angela. | 0:25:13 | 0:25:14 | |
A drink would be nice after the long summit. | 0:25:14 | 0:25:16 | |
Well, I've been in a room all day talking, talking, | 0:25:16 | 0:25:19 | |
while Birgit here has been having fun at the London Dungeon, ja? | 0:25:19 | 0:25:22 | |
Ja, but I got you an Anne Boleyn fridge magnet | 0:25:22 | 0:25:25 | |
and apparel from Accessorize. | 0:25:25 | 0:25:28 | |
Oh, I love Accessorize. | 0:25:28 | 0:25:30 | |
They have the best hair ties and the flipfen-flopfen. | 0:25:30 | 0:25:33 | |
-Flippen-floppen. -Flippen-floppen, ja. | 0:25:33 | 0:25:35 | |
Let me get you a glass of champagne, ladies. | 0:25:35 | 0:25:37 | |
How is my hair, Birgit? Not too sexy and pouffy. | 0:25:38 | 0:25:41 | |
I don't want to look like a strumpet in front of the staff, ja? | 0:25:41 | 0:25:44 | |
-A few words, Chancellor? -APPLAUSE | 0:25:44 | 0:25:47 | |
I have been talking, talking all day. | 0:25:47 | 0:25:50 | |
Then sing, sing! | 0:25:50 | 0:25:52 | |
# Skiddle-bab, skiddle-bab, skiddle-bab, do-da | 0:25:53 | 0:25:56 | |
# Skiddle-bab, skiddle-bab, skiddle-bab, do | 0:25:56 | 0:25:58 | |
# My economists told me we'd be talking a week | 0:25:58 | 0:26:01 | |
# I said, darling, all these figures, to me it's all Greek | 0:26:01 | 0:26:04 | |
# Everybody, everywhere wants some money | 0:26:04 | 0:26:07 | |
# And they wonder why we Germans don't find things funny | 0:26:07 | 0:26:09 | |
# If you bail out a nation you expect a little gratitude | 0:26:09 | 0:26:12 | |
# But let me tell you, baby, all you get's a lot of attitude | 0:26:12 | 0:26:15 | |
# One long never-ending economic wreck | 0:26:15 | 0:26:18 | |
# At the end of which is Germany, signing every cheque | 0:26:18 | 0:26:20 | |
# I'm the honey with the money and, honey, it ain't funny | 0:26:20 | 0:26:23 | |
# When the honey with the money has to shell out all the money | 0:26:23 | 0:26:26 | |
# And it's funny how the countries that are sunny need the money | 0:26:26 | 0:26:29 | |
# And whose idea was the Eurozone? | 0:26:29 | 0:26:31 | |
# Skiddle-bab, skiddle-bab, skiddle-bab, do-da | 0:26:31 | 0:26:34 | |
# Far, far, far on the autobahn | 0:26:34 | 0:26:37 | |
# Scoo-da-da, scoo-da-da, scoo-da-da, scooden-daden | 0:26:37 | 0:26:40 | |
# Neunundneunzig luftballons | 0:26:40 | 0:26:42 | |
# The pain in Spain gives me a migraine | 0:26:42 | 0:26:45 | |
# They exploit us all in Portugal | 0:26:45 | 0:26:48 | |
# Go to Slovakia, they just attack-a ya | 0:26:48 | 0:26:51 | |
# When you're hanging out with Putin don't put your foot in | 0:26:51 | 0:26:54 | |
# Or else Putin will put his boot in | 0:26:54 | 0:26:57 | |
# There's an inner brute in Vladimir Putin | 0:26:57 | 0:27:00 | |
# Mamma mia, the mess in Crimea | 0:27:00 | 0:27:02 | |
# Crimea, Crimea | 0:27:02 | 0:27:04 | |
# Cry me a river | 0:27:04 | 0:27:07 | |
# Oh, what you gonna do? # | 0:27:07 | 0:27:09 | |
Sing, sing! | 0:27:09 | 0:27:11 | |
# I like soul and R&B | 0:27:11 | 0:27:13 | |
# And Eurovision secretly | 0:27:13 | 0:27:15 | |
# I speak Russian fluently | 0:27:15 | 0:27:16 | |
# Good accent, apparently | 0:27:16 | 0:27:18 | |
# Got a degree in chemistry | 0:27:18 | 0:27:20 | |
# At Leipzig University | 0:27:20 | 0:27:22 | |
# I've never taken LSD | 0:27:22 | 0:27:24 | |
# But she drinks beer occasionally | 0:27:24 | 0:27:25 | |
# Favourite sandwich, BLT | 0:27:25 | 0:27:27 | |
# Her middle name is Dorothea | 0:27:27 | 0:27:29 | |
# Eins, zwei, drei, vier | 0:27:29 | 0:27:31 | |
# Get me an Uber over here | 0:27:31 | 0:27:33 | |
# Ja. # | 0:27:33 | 0:27:34 | |
CHEERING AND APPLAUSE | 0:27:34 | 0:27:36 | |
Ready? | 0:27:36 | 0:27:38 | |
Everybody have a wonderful time. | 0:27:38 | 0:27:40 | |
THEY LAUGH | 0:27:42 | 0:27:44 | |
DOOR CLICKS Oh! | 0:27:44 | 0:27:45 | |
Hello, ladies. | 0:27:45 | 0:27:47 | |
Hello. We thought everyone had gone home for Crimbles. | 0:27:47 | 0:27:50 | |
Chance would be a fine thing. | 0:27:50 | 0:27:52 | |
Well, look, if you want to head off, I'd be happy to help out. | 0:27:52 | 0:27:55 | |
Here, let me wear the hat. | 0:27:55 | 0:27:57 | |
Merry Christmas. | 0:27:57 | 0:27:59 | |
Ta very much. | 0:27:59 | 0:28:00 | |
Great! We're going to be security guards, Producer Sue. | 0:28:00 | 0:28:03 | |
We're going to stay here all night. | 0:28:03 | 0:28:05 | |
I thought we were going home. | 0:28:05 | 0:28:06 | |
No, we've got the whole BBC to ourselves and no security guard. | 0:28:06 | 0:28:10 | |
We could do anything we want. | 0:28:10 | 0:28:12 | |
What have you always wanted to do? | 0:28:12 | 0:28:14 | |
There must be something. | 0:28:14 | 0:28:15 | |
Bong. | 0:28:17 | 0:28:19 | |
Bong. | 0:28:19 | 0:28:20 | |
Bong. | 0:28:20 | 0:28:21 | |
Bong. | 0:28:21 | 0:28:23 | |
And now the shipping forecast. | 0:28:23 | 0:28:25 | |
Viking, North Utsire, | 0:28:26 | 0:28:29 | |
South Utsire. | 0:28:29 | 0:28:31 | |
West Forties. | 0:28:31 | 0:28:33 | |
Fog patches at first. | 0:28:33 | 0:28:35 | |
Mainly good. | 0:28:35 | 0:28:36 | |
Merry Christmas. | 0:28:38 | 0:28:39 | |
Do you know, there's something I've always wanted to do, too. | 0:28:40 | 0:28:44 | |
STEADY TONE | 0:28:44 | 0:28:46 |