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This programme contains some strong language | 0:00:02 | 0:00:05 | |
# When I was small I used to dance in my mother's bedroom | 0:00:05 | 0:00:06 | |
# Then I grew up and did it again And basically, | 0:00:06 | 0:00:07 | |
# I'm still doing the same show I did in my mother's bedroom | 0:00:07 | 0:00:10 | |
# And I'll do it to the bitter end | 0:00:10 | 0:00:12 | |
# Cos it's my Tracey Ullman's Show | 0:00:12 | 0:00:17 | |
# Tracey Ullman's Show | 0:00:17 | 0:00:19 | |
# Let's do the show, let's go | 0:00:19 | 0:00:20 | |
# Tra-acey Ullman's Show | 0:00:20 | 0:00:24 | |
# Tracey Ullman, Tracey Ullman | 0:00:24 | 0:00:27 | |
# Tracey, Tracey, Tracey, Tracey | 0:00:27 | 0:00:30 | |
# Tracey Ullman's Show | 0:00:30 | 0:00:33 | |
# Let's go! # | 0:00:33 | 0:00:34 | |
I am made up to be here today. | 0:00:34 | 0:00:38 | |
To stand before you and pass on me pearls. | 0:00:38 | 0:00:41 | |
Me! Pam Garrity! | 0:00:41 | 0:00:43 | |
Merseyside And North Cheshire's Businesswoman Of The Year | 0:00:43 | 0:00:46 | |
for five years on the trot, says this: | 0:00:46 | 0:00:49 | |
When I got pregnant at the age of 16 by that bastard | 0:00:50 | 0:00:54 | |
Tony Kelly from the Star And Garter, | 0:00:54 | 0:00:56 | |
did I let it define me? | 0:00:56 | 0:00:59 | |
Did I let it ruin my life? No. | 0:00:59 | 0:01:01 | |
I started 38 and a half different businesses - every one a hit! | 0:01:01 | 0:01:06 | |
There's me haulage company, Pam's Vans. | 0:01:07 | 0:01:10 | |
There's me vintage furniture shops, Pam's-tiques. | 0:01:10 | 0:01:13 | |
There's me pastry-based snack emporium, Pam's Pies. | 0:01:13 | 0:01:17 | |
And, of course, me Christmas decorations business, | 0:01:17 | 0:01:20 | |
Pa-Rappa-Pam-Pam. | 0:01:20 | 0:01:21 | |
And I didn't have to go down to London | 0:01:23 | 0:01:25 | |
to become a multimillionaire, no! | 0:01:25 | 0:01:27 | |
I stayed up here, a girl of me word. | 0:01:27 | 0:01:30 | |
Cut me and I bleed the North. | 0:01:30 | 0:01:33 | |
I bleed Liverpool. | 0:01:33 | 0:01:34 | |
I AM Liverpool. | 0:01:34 | 0:01:36 | |
I am anything higher up on the map than Birmingham! | 0:01:36 | 0:01:41 | |
Don't let anyone tell you | 0:01:41 | 0:01:42 | |
that you have to go down south to be a success. | 0:01:42 | 0:01:46 | |
I am a northern powerhouse. What am I? | 0:01:46 | 0:01:49 | |
-A northern powerhouse! -Cheers, kid. | 0:01:49 | 0:01:51 | |
Those braces aren't a setback, by the way. | 0:01:51 | 0:01:54 | |
The secret to my success is one word - | 0:01:55 | 0:01:58 | |
people. | 0:01:58 | 0:01:59 | |
I like people. | 0:01:59 | 0:02:01 | |
I am people. | 0:02:01 | 0:02:02 | |
Cut me and what do I bleed? | 0:02:02 | 0:02:05 | |
Liverpool! | 0:02:05 | 0:02:06 | |
And people. Yeah. | 0:02:06 | 0:02:09 | |
Thanks very much. | 0:02:09 | 0:02:11 | |
Ta-ra. Ta-ra. | 0:02:11 | 0:02:14 | |
Oh, you were an inspiration in there. | 0:02:14 | 0:02:17 | |
I am going to get you the national - no, | 0:02:17 | 0:02:20 | |
the global recognition that you deserve! | 0:02:20 | 0:02:23 | |
Yeah, global! | 0:02:23 | 0:02:25 | |
I want to be Pam-oramic. | 0:02:25 | 0:02:27 | |
I'm glad I took you on, Elaine. | 0:02:27 | 0:02:29 | |
I got loads of applications from all those PR gobshites in London, | 0:02:29 | 0:02:33 | |
-but do you know why I chose you? -Because I'm the best! | 0:02:33 | 0:02:36 | |
Because you're from Leeds. | 0:02:36 | 0:02:37 | |
Now, come on, I want you to meet some of my people. | 0:02:37 | 0:02:40 | |
Hello, I'm Dame Maggie, and I'm recording a short | 0:02:43 | 0:02:46 | |
presentation for all the wonderful directors - | 0:02:46 | 0:02:48 | |
and the substandard ones, of which there are a number. | 0:02:48 | 0:02:52 | |
I wish to show you I can play above and beyond "posh old lady". | 0:02:52 | 0:02:57 | |
You know, it's called range. | 0:02:57 | 0:02:59 | |
Here are some of my other voices. | 0:02:59 | 0:03:01 | |
Number one: | 0:03:01 | 0:03:03 | |
-STILL VERY POSH: -Are you breaking my balls, you wiseguy? | 0:03:03 | 0:03:06 | |
Tommy wants his money. Go down in the 10th, capiche? | 0:03:06 | 0:03:10 | |
That hard-boiled Italian gangster was, in fact, me. | 0:03:11 | 0:03:14 | |
Voice number two: | 0:03:14 | 0:03:15 | |
-SAME VOICE: -Get a point in for the lads, so it is. | 0:03:16 | 0:03:20 | |
That's a "point". | 0:03:20 | 0:03:22 | |
There you are, you see, it's Irish. | 0:03:22 | 0:03:24 | |
Loike a native. | 0:03:24 | 0:03:26 | |
Voice three: | 0:03:26 | 0:03:27 | |
-SAME VOICE: -Beep, beep, boop, boop, beep, Master Luke. | 0:03:28 | 0:03:33 | |
Beep-de-beep! | 0:03:33 | 0:03:34 | |
That was my droid. | 0:03:35 | 0:03:37 | |
I can do many other voices, including Cotswolds and Chilterns. | 0:03:37 | 0:03:41 | |
I look forward to hearing from you, mon. | 0:03:41 | 0:03:44 | |
There, there, I was giving you my Jamaican. | 0:03:44 | 0:03:46 | |
Or was that Scottish? | 0:03:46 | 0:03:48 | |
It could be both, you see, because Maggie's on fire! | 0:03:48 | 0:03:51 | |
Ah, that's good! | 0:04:19 | 0:04:21 | |
Thanks, Josie. | 0:04:23 | 0:04:25 | |
Now, go on, Elaine, you have a go. Come on! | 0:04:25 | 0:04:27 | |
On me, you're going to love it! | 0:04:27 | 0:04:31 | |
It's a new kind of filler called Pam-plify. | 0:04:31 | 0:04:33 | |
I love it here. | 0:04:33 | 0:04:34 | |
I love beauty. Cut me and I bleed beauty. TEXT MESSAGE | 0:04:34 | 0:04:37 | |
Oh, look at this. | 0:04:37 | 0:04:40 | |
They want you to be Mayor of Southport. | 0:04:40 | 0:04:43 | |
Oh, no frigging way - | 0:04:43 | 0:04:44 | |
I'm not going to be mayor of anywhere with "south" in the title! | 0:04:44 | 0:04:47 | |
I'm a northern powerhouse! | 0:04:47 | 0:04:49 | |
I can't have the S word on me business cards. | 0:04:49 | 0:04:52 | |
PAINED SQUEAKS | 0:04:52 | 0:04:53 | |
Elaine, stop screaming, stop screaming. | 0:04:53 | 0:04:56 | |
You're frightening everybody, hold onto me hand. | 0:04:56 | 0:04:58 | |
PHONE PLAYS LOUD DUBSTEP MUSIC | 0:05:05 | 0:05:07 | |
MUSIC STOPS | 0:05:29 | 0:05:31 | |
Right, off. | 0:05:31 | 0:05:32 | |
But, this isn't my yard. I mean, my bus stop. | 0:05:32 | 0:05:36 | |
I don't care, get off the... | 0:05:36 | 0:05:38 | |
Hang on. | 0:05:38 | 0:05:39 | |
You aren't her, are you? | 0:05:39 | 0:05:41 | |
If you mean, am I Dame Judi Dench, then, do you know what? | 0:05:41 | 0:05:44 | |
I believe I am. | 0:05:44 | 0:05:45 | |
You were amazing as Queen Victoria in, erm, Mrs Brown! | 0:05:45 | 0:05:49 | |
Oh, dear Billy Connolly carried that film. | 0:05:49 | 0:05:53 | |
I just rode a horse now and then. | 0:05:53 | 0:05:56 | |
When you're playing a real character, | 0:05:56 | 0:05:58 | |
you just try to find the truth. | 0:05:58 | 0:06:00 | |
And who cares of it goes on to make over 30 million in 20 territories? | 0:06:00 | 0:06:04 | |
I'm sorry, I've had people complaining, | 0:06:04 | 0:06:07 | |
but it can't have been about you. You're a national treasure. | 0:06:07 | 0:06:10 | |
I am! | 0:06:10 | 0:06:11 | |
I wouldn't ride the 94 bus every day, terrorising passengers | 0:06:11 | 0:06:15 | |
and flashing my tits at the security cameras | 0:06:15 | 0:06:18 | |
just because I could get away with it. | 0:06:18 | 0:06:21 | |
Nah, didn't think you would. | 0:06:21 | 0:06:22 | |
Would you like some of my M&Ms? | 0:06:22 | 0:06:24 | |
-I can't seem to handle the sugar these days. -Oh, thank you. | 0:06:24 | 0:06:28 | |
DUBSTEP RESUMES | 0:06:37 | 0:06:39 | |
Don't even go there. | 0:06:41 | 0:06:42 | |
Well, you've seen the grounds. | 0:06:49 | 0:06:52 | |
Are there any questions you'd like to ask about the school? | 0:06:52 | 0:06:56 | |
No, it all looks very impressive. | 0:06:56 | 0:06:57 | |
You have wonderful facilities, Mrs Hetherington. | 0:06:57 | 0:07:00 | |
Oh, do call me Diana, I don't like to be formal. | 0:07:00 | 0:07:03 | |
I'm a bit of a mother figure here. | 0:07:03 | 0:07:05 | |
A bosom to rest a weepy head on when somebody's missing home. | 0:07:05 | 0:07:09 | |
So, you're from Korea? | 0:07:09 | 0:07:10 | |
Yes, my company is based in Seoul. | 0:07:10 | 0:07:12 | |
We have had quite a few boys from your part of the world. | 0:07:12 | 0:07:16 | |
I remember a young Kim Jong-un, quite a character. | 0:07:16 | 0:07:20 | |
Yes, he would come back from the half hols with what | 0:07:20 | 0:07:22 | |
we would call Pyongyang brain. | 0:07:22 | 0:07:25 | |
He'd be screaming orders at the other boys in the prep room and | 0:07:25 | 0:07:28 | |
striking them across the soles of their feet with his lacrosse stick. | 0:07:28 | 0:07:31 | |
But he'd calm down eventually and come to me | 0:07:31 | 0:07:34 | |
for some beans on toast and a bit of a cuddle! | 0:07:34 | 0:07:36 | |
Kyung-woo doesn't like toast or beans. | 0:07:36 | 0:07:38 | |
Oh, well, not to worry. | 0:07:38 | 0:07:40 | |
Cook is very good at catering to our overseas students. | 0:07:40 | 0:07:43 | |
She bought a wok in Dorchester, | 0:07:43 | 0:07:45 | |
and she's turning our old fountain into a shrimp farm. | 0:07:45 | 0:07:48 | |
EXPLOSION Oh! Get down! Down! | 0:07:48 | 0:07:51 | |
EXPLOSIONS CONTINUE Just stay down. | 0:07:51 | 0:07:52 | |
Oh, it's a false alarm! | 0:07:55 | 0:07:56 | |
It's just Mr Sampson firing up the lawnmower. | 0:07:56 | 0:07:59 | |
Oh, I thought the Gaddafi boys had returned. | 0:07:59 | 0:08:02 | |
They were so angry when they didn't make the first XI. | 0:08:02 | 0:08:05 | |
They were charging around with their automatic rifles | 0:08:05 | 0:08:07 | |
and their battery-powered kitchen knives. | 0:08:07 | 0:08:11 | |
Mr Sampson, don't mow there! | 0:08:11 | 0:08:14 | |
We've got four oligarchs' choppers landing there this afternoon. | 0:08:14 | 0:08:19 | |
The last time the Russians were here, | 0:08:19 | 0:08:21 | |
they did rather churn up the playing fields. | 0:08:21 | 0:08:23 | |
And then Mr Slack, our groundsman, complained. | 0:08:23 | 0:08:25 | |
We had to bury him in a lead-lined coffin. | 0:08:25 | 0:08:29 | |
Some isotope or other, dropped in his cocoa. | 0:08:29 | 0:08:32 | |
If you'd like to follow, I'll show you the Tony Blair Library. | 0:08:32 | 0:08:36 | |
Tony Blair? | 0:08:36 | 0:08:37 | |
I know. We lost our charitable status last year, | 0:08:37 | 0:08:40 | |
so we can't afford to be too fussy about our friends. | 0:08:40 | 0:08:44 | |
I've just taking Elaine here to my beauty salon, Pam-per. | 0:08:49 | 0:08:53 | |
You can't tell, can you? | 0:08:53 | 0:08:54 | |
No, she's good, Josie. | 0:08:54 | 0:08:56 | |
She's got a very steady hand, and that's what you need, Carly, | 0:08:56 | 0:08:59 | |
isn't it? Oh, no, you're one of the lucky ones! | 0:08:59 | 0:09:01 | |
Because of your hyperactive thyroid, you don't wrinkle. | 0:09:01 | 0:09:05 | |
I envy our Carly, I really do, Elaine. Because fat don't crack. | 0:09:05 | 0:09:09 | |
How is Glam Pam? | 0:09:09 | 0:09:11 | |
God, I love this business! What do I love, Carl? | 0:09:11 | 0:09:14 | |
This business. | 0:09:14 | 0:09:15 | |
Cut me and I bleed frocks. | 0:09:15 | 0:09:17 | |
Now, show us the latest on the website, girls. | 0:09:17 | 0:09:20 | |
Basically, Beyonce was wearing this frock on the red carpet | 0:09:20 | 0:09:23 | |
19 minutes ago, and already we've got two girls | 0:09:23 | 0:09:25 | |
walking around the Arndale Centre in a copy. | 0:09:25 | 0:09:27 | |
Yous lot are good, aren't they good? | 0:09:27 | 0:09:30 | |
But we need to cut down on these times. | 0:09:30 | 0:09:32 | |
I want these copycat frocks online | 0:09:32 | 0:09:34 | |
before the celebrity has even got out the limo. | 0:09:34 | 0:09:37 | |
-Do you get me? -Yeah. | 0:09:37 | 0:09:39 | |
Do you want one of these, Elaine? | 0:09:39 | 0:09:40 | |
Oh, come on, I reckon you're Beyonce's size, don't you, Carly? | 0:09:40 | 0:09:43 | |
Go on! Go on, Elaine, go on! | 0:09:43 | 0:09:45 | |
We're branching out into gastric bands in 2017. Pam's Bands. | 0:09:48 | 0:09:52 | |
Now, I'm not saying that you need it or anything, | 0:09:52 | 0:09:55 | |
but I'd love you to have one, on me, any colour. | 0:09:55 | 0:09:58 | |
-You wouldn't see the colour. -No, but you'd know. | 0:09:58 | 0:10:01 | |
Ey, you want me to give you a hand there? | 0:10:02 | 0:10:04 | |
This is our rabbit, and she's called Megan. | 0:10:04 | 0:10:07 | |
Does anybody want to stroke Megan? | 0:10:07 | 0:10:09 | |
Are you sure? | 0:10:10 | 0:10:12 | |
What if she jumps on your face and chews it off and sucks the juice | 0:10:12 | 0:10:16 | |
out of your eyes and then crunches your little bones with her paws? | 0:10:16 | 0:10:20 | |
Not that rabbits do that. | 0:10:21 | 0:10:24 | |
Oh-oh, I don't think she wants to cuddle you now, Megan. | 0:10:24 | 0:10:28 | |
Never mind. | 0:10:28 | 0:10:29 | |
I'm going to have to do it. | 0:10:29 | 0:10:31 | |
No, I'm sending it back to Bratislava. | 0:10:33 | 0:10:35 | |
What good is it to me if it's eating behind my back? | 0:10:35 | 0:10:38 | |
Givenchy said it looked really well, | 0:10:38 | 0:10:40 | |
and we all know what that means. Mmm. | 0:10:40 | 0:10:42 | |
Oh, shut the front door! | 0:10:44 | 0:10:46 | |
Tatiana, I'll call you right back. | 0:10:46 | 0:10:49 | |
Gypsy skirt! | 0:10:49 | 0:10:50 | |
Oi! Gypsy skirt! | 0:10:50 | 0:10:53 | |
Gypsy skirt! | 0:10:53 | 0:10:54 | |
Oh, my God, look at you! Look at you! | 0:10:54 | 0:10:57 | |
My God, you are gorgeous. Let me take a picture. | 0:10:57 | 0:11:00 | |
-Let me take a picture! -What you doing?! | 0:11:00 | 0:11:02 | |
Oh, relax, I'm from Isis. | 0:11:02 | 0:11:04 | |
The model agency! The goddess of beauty! | 0:11:04 | 0:11:07 | |
Stop that girl! Stop that girl! | 0:11:07 | 0:11:08 | |
She stole my phone! | 0:11:08 | 0:11:10 | |
Oi! | 0:11:10 | 0:11:11 | |
I haven't nicked anything. | 0:11:12 | 0:11:13 | |
Steph Moore, I represented Charlize Theron | 0:11:13 | 0:11:16 | |
before the restraining order. | 0:11:16 | 0:11:17 | |
You see, there's no need to be... | 0:11:17 | 0:11:19 | |
Wait a minute. | 0:11:19 | 0:11:21 | |
-How tall are you? -Eh? | 0:11:21 | 0:11:22 | |
How dare you? | 0:11:25 | 0:11:27 | |
I'm looking for girls that are 5'8" plus, and you've got to be...? | 0:11:27 | 0:11:30 | |
-5'1". -5'1". | 0:11:30 | 0:11:32 | |
Oh, I threw away two slices of cucumber for you, bitch! | 0:11:32 | 0:11:35 | |
Ooh, you've got loads of tension in there. | 0:11:45 | 0:11:49 | |
You must be really worried about something. | 0:11:49 | 0:11:52 | |
Something really quite terrible. | 0:11:52 | 0:11:54 | |
So, whatever we've brought into the room, | 0:11:57 | 0:12:00 | |
let's just put it to one side | 0:12:00 | 0:12:03 | |
and just take the coupon. | 0:12:03 | 0:12:05 | |
The...coupon of relaxation. | 0:12:06 | 0:12:09 | |
Try to imagine a board. | 0:12:18 | 0:12:22 | |
Write your problems on that board, | 0:12:22 | 0:12:25 | |
and then just rub it out. | 0:12:25 | 0:12:27 | |
What was that? | 0:12:27 | 0:12:29 | |
Erm... | 0:12:29 | 0:12:31 | |
I just dropped a warm towel on your back. | 0:12:31 | 0:12:34 | |
Warm, moist towel. | 0:12:34 | 0:12:37 | |
And I'm going to rub it all over your back. | 0:12:37 | 0:12:39 | |
There are notes of oregano and pineapple in it. | 0:12:39 | 0:12:45 | |
Which are essential. | 0:12:46 | 0:12:47 | |
As is ham. | 0:12:49 | 0:12:51 | |
Here we are. | 0:12:56 | 0:12:58 | |
Now, gather round, gather round, everyone. | 0:12:58 | 0:13:01 | |
Here we are finally in the throne room. | 0:13:01 | 0:13:04 | |
It is at the end of the processional arrangement of rooms, | 0:13:04 | 0:13:07 | |
meaning that you have to go through an awful lot of rather unimpressive | 0:13:07 | 0:13:11 | |
ones to get to this point, but I think it's worth it in the end. | 0:13:11 | 0:13:15 | |
Sometimes, the best things really do come to those who wait. | 0:13:15 | 0:13:19 | |
And it's brighter, isn't it, then the other rooms? | 0:13:24 | 0:13:27 | |
I've never really noticed that before. | 0:13:27 | 0:13:28 | |
Not great for the tapestries, but then, hey, | 0:13:28 | 0:13:31 | |
there's more to life than textiles, isn't there? | 0:13:31 | 0:13:33 | |
Like walks on the beach, and picnics in the park, | 0:13:33 | 0:13:37 | |
and lazy mornings in bed. | 0:13:37 | 0:13:38 | |
And, oh! | 0:13:38 | 0:13:40 | |
Just look at those roses! | 0:13:40 | 0:13:42 | |
-And is that Anne, there? -Oh, no, no, no. | 0:13:42 | 0:13:44 | |
This is Catherine Parr, that is Henry VIII's sixth and, | 0:13:44 | 0:13:48 | |
I'm glad to say, final wife. | 0:13:48 | 0:13:50 | |
She'd been married before, but then, so was he. | 0:13:50 | 0:13:52 | |
And that means she has experience, which I think counts for a lot. | 0:13:52 | 0:13:57 | |
Not least in the bedroom, because, you know, these 25-year-olds, | 0:13:57 | 0:14:01 | |
they might have the all the right lumps and bumps, | 0:14:01 | 0:14:04 | |
but they don't know what they're doing, do they? | 0:14:04 | 0:14:06 | |
TEXT MESSAGE Oh, I do apologise! | 0:14:06 | 0:14:09 | |
I shouldn't really have this on. Dear me. | 0:14:09 | 0:14:11 | |
So what happened to Catherine after he died? | 0:14:19 | 0:14:22 | |
What? | 0:14:22 | 0:14:24 | |
What happened? | 0:14:24 | 0:14:25 | |
Oh. She got back with the ex. | 0:14:25 | 0:14:27 | |
Oh. Well, good for her. | 0:14:27 | 0:14:30 | |
-What? -Erm... | 0:14:30 | 0:14:32 | |
As a widow, I mean, moving on. | 0:14:32 | 0:14:34 | |
That's not moving on! | 0:14:34 | 0:14:36 | |
That's going back. | 0:14:36 | 0:14:38 | |
That's going back! | 0:14:38 | 0:14:39 | |
So... | 0:14:43 | 0:14:44 | |
Which way do we go from here? | 0:14:44 | 0:14:46 | |
Oh... | 0:14:46 | 0:14:47 | |
I've no idea. | 0:14:47 | 0:14:49 | |
Hello, I'm line judge Margaret MacDonald. | 0:14:55 | 0:14:58 | |
You may remember me from the 1996 Wimbledon quarter-finals, | 0:14:58 | 0:15:01 | |
when a Jana Novotna serve bounced up my skirt. | 0:15:01 | 0:15:04 | |
SIGHS | 0:15:04 | 0:15:05 | |
Today, I'm going to show you how not to crumble | 0:15:05 | 0:15:07 | |
when hit by a high-speed serve. | 0:15:07 | 0:15:09 | |
And my son, Edmund, is going to help. | 0:15:09 | 0:15:12 | |
The most important thing by far is not to burst into tears, | 0:15:12 | 0:15:15 | |
even it does get you a hug from Stefan Edberg | 0:15:15 | 0:15:18 | |
and your photo in all the newspapers. | 0:15:18 | 0:15:20 | |
Helen Chalmers. | 0:15:20 | 0:15:22 | |
You have two choices - one, pretend it didn't happen. | 0:15:22 | 0:15:25 | |
Two, enjoy it and be energised. | 0:15:25 | 0:15:27 | |
And, three, maybe share the joke with the crowd. | 0:15:27 | 0:15:31 | |
-Are you ready, Edmund? -The surgeon said you shouldn't do this any more. | 0:15:31 | 0:15:34 | |
-Are you ready, Edmund? -Fine. | 0:15:34 | 0:15:37 | |
Ow! | 0:15:37 | 0:15:38 | |
So, big smile, wave at the crowd. | 0:15:39 | 0:15:42 | |
Maybe a little joke. | 0:15:42 | 0:15:43 | |
It's all right, I've had my children! | 0:15:43 | 0:15:46 | |
Ah, right. It shouldn't matter... | 0:15:47 | 0:15:50 | |
how many times it happens...! | 0:15:50 | 0:15:51 | |
Two, maybe three... | 0:15:51 | 0:15:53 | |
four times... | 0:15:53 | 0:15:55 | |
And... Ow! | 0:15:55 | 0:15:57 | |
And... Ouch! | 0:15:57 | 0:15:59 | |
Right, and there you have it, | 0:15:59 | 0:16:00 | |
everything you need to become a Wimbledon line... | 0:16:00 | 0:16:03 | |
Argh! ..judge. | 0:16:03 | 0:16:05 | |
And truly live the dream. | 0:16:05 | 0:16:08 | |
Stop now, Edmund! Stop, you little bastard! | 0:16:08 | 0:16:11 | |
Edmund! Edmund! Edmund! | 0:16:11 | 0:16:12 | |
-Well. -What is it? | 0:16:19 | 0:16:21 | |
They want you to be the new Dragon on Dragons' Den. | 0:16:21 | 0:16:25 | |
I'd weep tears of joy, Lainey, but I'm hard as nails, me. | 0:16:25 | 0:16:29 | |
Cut me and nails is what I bleed, do you get me? | 0:16:29 | 0:16:32 | |
-There's one slight problem. -What is it? | 0:16:32 | 0:16:34 | |
Hit me, right between the eyes, I can take it. | 0:16:34 | 0:16:36 | |
Is it Deborah Meaden, is she jealous of me success? | 0:16:36 | 0:16:39 | |
Well, leave it with me, I'll butter her up. | 0:16:39 | 0:16:41 | |
Tell her I loved her in Strictly Come Dancing - | 0:16:41 | 0:16:43 | |
lying bitch that I am! | 0:16:43 | 0:16:45 | |
Every time she high kicked in the Argentinian tango, I vommed! | 0:16:45 | 0:16:49 | |
They're filming the new series in Bristol. | 0:16:49 | 0:16:51 | |
-Where? -Bristol. | 0:16:51 | 0:16:52 | |
Where's that? | 0:16:53 | 0:16:55 | |
Well... | 0:16:55 | 0:16:56 | |
Don't do this to me, Lainey. | 0:16:56 | 0:16:58 | |
It's down south. | 0:16:58 | 0:17:00 | |
Tell them to bring it 200 miles up the M1, | 0:17:01 | 0:17:04 | |
or this bitch ain't playing ball. | 0:17:04 | 0:17:07 | |
Haven't they ever heard of Media City? | 0:17:07 | 0:17:09 | |
Now, I don't want you to take this the wrong way, Tonya. | 0:17:13 | 0:17:16 | |
You've heard of the book Lean In: Women, Work And The Will To Lead? | 0:17:16 | 0:17:19 | |
Well, I've written one - it's called | 0:17:19 | 0:17:21 | |
Straighten Your Back, Love, And Stand The Fuck Up. | 0:17:21 | 0:17:23 | |
Look at this, fitness! | 0:17:25 | 0:17:27 | |
It's a global opportunity, you know what I mean, Elaine? | 0:17:27 | 0:17:29 | |
I want to crack the Chinese market. | 0:17:29 | 0:17:31 | |
I love China, but it's got to be North China. | 0:17:31 | 0:17:34 | |
Cut me and I bleed... Erm... | 0:17:34 | 0:17:36 | |
Google the name of a city in Northern China. | 0:17:36 | 0:17:39 | |
Beijing. | 0:17:40 | 0:17:41 | |
Cut me and I bleed Beijing, babe. | 0:17:41 | 0:17:44 | |
Come on, get your kit on, | 0:17:44 | 0:17:46 | |
there's a Pam Slam boxing class in ten minutes. | 0:17:46 | 0:17:48 | |
-Let's go. -Pam... -Come on. -Please... | 0:17:48 | 0:17:51 | |
Got to get that bum tighter. Tight, tight, tight! | 0:17:51 | 0:17:54 | |
Got to be dead tight. | 0:17:54 | 0:17:55 | |
-FROM LAPTOP: -'I don't like it, Dom, | 0:17:59 | 0:18:00 | |
'it doesn't shout, "add to basket" to me.' | 0:18:00 | 0:18:02 | |
That one as well? | 0:18:02 | 0:18:03 | |
Right, really, Dmitri, you know, thanks for your honest feedback. | 0:18:03 | 0:18:06 | |
It helps me learn, | 0:18:06 | 0:18:08 | |
and I've learned something on all three projects you've just turned down. | 0:18:08 | 0:18:11 | |
Are you sure there's nothing in Find My Washing Machine? | 0:18:11 | 0:18:14 | |
-'Doesn't click with our vision.' -Nope? OK. | 0:18:14 | 0:18:17 | |
Well, I shall just regroup with myself and let... | 0:18:17 | 0:18:19 | |
He's lost his connection, so... | 0:18:21 | 0:18:23 | |
Well. | 0:18:23 | 0:18:24 | |
That was good. | 0:18:24 | 0:18:26 | |
Better off without him. | 0:18:26 | 0:18:28 | |
Got no overheads, because I work here. | 0:18:28 | 0:18:30 | |
And soon I won't have the flat, | 0:18:30 | 0:18:31 | |
so there'll be even less overheads, | 0:18:31 | 0:18:33 | |
and, well, you don't really need anywhere to sleep, do you? | 0:18:33 | 0:18:36 | |
It's a 24-hour society. I'll just go from coffee bar to coffee bar. | 0:18:36 | 0:18:40 | |
It's... | 0:18:40 | 0:18:41 | |
It's all... It's all great. | 0:18:41 | 0:18:43 | |
-What's this? -You have been coming here for one year today. | 0:18:49 | 0:18:53 | |
This is your anniversary panini. It's on us. | 0:18:53 | 0:18:56 | |
Tuna melt. That's my favourite. | 0:18:56 | 0:18:58 | |
Cake would make more sense? | 0:19:00 | 0:19:01 | |
-Cake does not have best before date of today, so... -Oh. | 0:19:01 | 0:19:04 | |
Well, I'm going to let you in on a secret. | 0:19:06 | 0:19:09 | |
I know you think I'm a successful businessman and a role model, | 0:19:09 | 0:19:13 | |
but it's been a very difficult year. | 0:19:13 | 0:19:16 | |
And this has been the nicest thing that anyone's done from me in ages. | 0:19:16 | 0:19:20 | |
Next year will be different. | 0:19:20 | 0:19:22 | |
Someone will buy your paradigm-changing mobile platforms. | 0:19:22 | 0:19:25 | |
Yeah. | 0:19:25 | 0:19:27 | |
I know I don't always drop a tip in that paper cup. | 0:19:27 | 0:19:30 | |
You never put a tip in the paper cup. | 0:19:30 | 0:19:32 | |
But I just want to say thank you. | 0:19:32 | 0:19:33 | |
Because, you know, I've learned something. | 0:19:33 | 0:19:37 | |
45-year-old white men | 0:19:37 | 0:19:39 | |
are the most discriminated-against group on the planet. | 0:19:39 | 0:19:42 | |
Still, could be worse, | 0:19:42 | 0:19:44 | |
could be working a dead-end job in a coffee shop or something! | 0:19:44 | 0:19:49 | |
We closed now. | 0:19:49 | 0:19:51 | |
Aw! | 0:19:51 | 0:19:52 | |
Come on, bants between buds? | 0:19:52 | 0:19:54 | |
Now. | 0:19:54 | 0:19:56 | |
Nobody needs to find their washing machine. It is in kitchen. | 0:19:56 | 0:20:00 | |
Well, tell me that 12 months ago! | 0:20:00 | 0:20:02 | |
Tatiana, it was stunning. It was so beautiful. | 0:20:04 | 0:20:07 | |
I said to it, you're amazing, | 0:20:07 | 0:20:09 | |
and it was like, "But I'm already signed!" | 0:20:09 | 0:20:11 | |
And it was already signed. Yeah. To Cyclone! | 0:20:11 | 0:20:13 | |
That's what I said to it! Yeah. | 0:20:13 | 0:20:16 | |
Any word from Burberry? | 0:20:16 | 0:20:18 | |
Oh, bollocks. | 0:20:18 | 0:20:19 | |
Yeah, well, what about Svetlana? She's quite alien-y? | 0:20:19 | 0:20:22 | |
Oh. | 0:20:22 | 0:20:24 | |
I've got to go, I'll call you back. | 0:20:24 | 0:20:26 | |
Oi! Ginger! | 0:20:26 | 0:20:28 | |
You're just what Burberry's looking for! | 0:20:28 | 0:20:30 | |
I'm from Isis! | 0:20:30 | 0:20:31 | |
SCREAMS | 0:20:31 | 0:20:32 | |
Oh, for God's sake, it's a model agency! | 0:20:32 | 0:20:34 | |
She was the goddess of beauty! | 0:20:34 | 0:20:37 | |
Oh, come back, you stupid thing! | 0:20:37 | 0:20:39 | |
Give me that. Give - give me! Give me that! Give me that! | 0:20:39 | 0:20:42 | |
Look, you've got a really editorial face! | 0:20:44 | 0:20:47 | |
What are you doing? | 0:20:47 | 0:20:48 | |
-What you wearing those for, so ridiculous. -You're scaring me! | 0:20:48 | 0:20:51 | |
Who said fashion was easy? | 0:20:51 | 0:20:53 | |
Oh. | 0:20:53 | 0:20:54 | |
Actually, your face is rather dull. | 0:20:54 | 0:20:57 | |
Good proportions, but nothing that says, "billboard". | 0:20:57 | 0:21:00 | |
Leave me alone! | 0:21:00 | 0:21:01 | |
Argh! | 0:21:01 | 0:21:03 | |
Oh, God, are you all right? | 0:21:03 | 0:21:04 | |
My tooth's come out! My tooth! | 0:21:04 | 0:21:06 | |
Really? | 0:21:06 | 0:21:07 | |
How big's the gap? | 0:21:07 | 0:21:10 | |
Smile. | 0:21:10 | 0:21:11 | |
Oh, God, baby! | 0:21:11 | 0:21:13 | |
Get ready to make millions! | 0:21:13 | 0:21:16 | |
Let me Polaroid you, let me Polaroid you! | 0:21:16 | 0:21:18 | |
Tatiana! Call Burberry, I've found one. | 0:21:19 | 0:21:23 | |
Yeah, I'll have couriered over, a small bike should do it. | 0:21:23 | 0:21:27 | |
Shit, where did it go? Where did it go?! | 0:21:27 | 0:21:30 | |
Where is it?! Where is it?! | 0:21:30 | 0:21:32 | |
HUMMING A TUNE | 0:21:36 | 0:21:39 | |
What's wrong with your mouth? | 0:21:39 | 0:21:41 | |
It's lipstick, Mummy, I'm going out, aren't I? | 0:21:41 | 0:21:44 | |
Going to the theatre, remember? | 0:21:44 | 0:21:46 | |
Going to see Aspects Of Love with my Michael Ball. | 0:21:46 | 0:21:50 | |
There, dinner's in the blender, | 0:21:50 | 0:21:52 | |
and I've left your pills in size order. | 0:21:52 | 0:21:55 | |
Your fibre drink's in the fridge. | 0:21:55 | 0:21:57 | |
I've gone for butterscotch, but she can pop a banana in there | 0:21:57 | 0:22:00 | |
if you think you can handle it. | 0:22:00 | 0:22:02 | |
She?! | 0:22:02 | 0:22:03 | |
Oh, not her again? | 0:22:03 | 0:22:05 | |
Oh, no, that Eastern European carer won't come any more. | 0:22:05 | 0:22:10 | |
Not after the last time. | 0:22:10 | 0:22:11 | |
All that stuff you said about ethnic cleansing. | 0:22:11 | 0:22:14 | |
You can be very forthright, Mummy. | 0:22:14 | 0:22:17 | |
No, Adelaide's coming. | 0:22:17 | 0:22:19 | |
You know, your friend Elspeth's little girl? | 0:22:19 | 0:22:23 | |
Well, I say little. | 0:22:23 | 0:22:25 | |
She's ten years older than me! | 0:22:25 | 0:22:27 | |
You know, the one that didn't get married? | 0:22:27 | 0:22:30 | |
Ooh, I'm ever so excited. | 0:22:30 | 0:22:32 | |
The last time I went out on my own, | 0:22:32 | 0:22:34 | |
you had to sign the consent form for the school trip to Whipsnade. | 0:22:34 | 0:22:39 | |
And I got that picture with the black rhinoceros. | 0:22:39 | 0:22:42 | |
It's extinct now. | 0:22:42 | 0:22:43 | |
That's me done. | 0:22:45 | 0:22:47 | |
Have you got a 10p for the phone? | 0:22:47 | 0:22:49 | |
Oh, I won't be able to call you, Mummy. | 0:22:49 | 0:22:51 | |
Not during the show. | 0:22:51 | 0:22:53 | |
Oh, fine. | 0:22:53 | 0:22:55 | |
We'll just see if I'm still alive when you get back. | 0:22:55 | 0:22:58 | |
You've got a very vivid imagination, Mother. Very vivid. | 0:22:58 | 0:23:02 | |
It's five-to, where can she be? | 0:23:06 | 0:23:09 | |
PHONE RINGS | 0:23:09 | 0:23:11 | |
Kentham 3340? | 0:23:14 | 0:23:16 | |
Yes? | 0:23:16 | 0:23:18 | |
Oh, no! | 0:23:19 | 0:23:21 | |
Oh, I'm so sorry! | 0:23:21 | 0:23:23 | |
Yes, well, thank you for letting us know. | 0:23:23 | 0:23:25 | |
Adelaide won't be coming over, Mother. | 0:23:29 | 0:23:31 | |
A neighbour found her in the hallway... | 0:23:31 | 0:23:34 | |
Old age, apparently. | 0:23:34 | 0:23:36 | |
Well. | 0:23:39 | 0:23:40 | |
I'd best blend those faggots. | 0:23:40 | 0:23:43 | |
Perhaps later we can watch Les Miserables. | 0:23:43 | 0:23:46 | |
Songbirds! | 0:23:46 | 0:23:47 | |
Again? | 0:23:47 | 0:23:48 | |
Well, you know best, Mummy. | 0:23:50 | 0:23:52 | |
I love people. | 0:23:59 | 0:24:00 | |
Have I told you, Elaine? Cut me and I bleed people. TEXT MESSAGE | 0:24:00 | 0:24:04 | |
What's that? | 0:24:04 | 0:24:06 | |
-Do you want the good news or the bad news? -The bad news, hit me. | 0:24:06 | 0:24:09 | |
-Dragons' Den won't budge. -They're dead to me. What's the good news? | 0:24:09 | 0:24:13 | |
They're offering you a peerage. | 0:24:13 | 0:24:16 | |
A title. | 0:24:16 | 0:24:17 | |
Lady Pam! | 0:24:17 | 0:24:19 | |
-I'm Lady Pam? -Yes, you are! | 0:24:19 | 0:24:21 | |
-I'm Lady Pam! -Yes! | 0:24:21 | 0:24:23 | |
-I'm Lady frigging Pam! -Yes. | 0:24:23 | 0:24:26 | |
I feel dead humbled in a really northern way! | 0:24:26 | 0:24:30 | |
If I was on speaking terms with me mam, she'd be made up for me. | 0:24:30 | 0:24:34 | |
Oh, Lainey! | 0:24:34 | 0:24:35 | |
Oh, you in the House of Lords! | 0:24:37 | 0:24:39 | |
This is the recognition you deserve! | 0:24:39 | 0:24:42 | |
Ey, hang on. | 0:24:42 | 0:24:43 | |
They don't expect me to go to London, do they? | 0:24:43 | 0:24:45 | |
But that's where the House of Lords is. | 0:24:45 | 0:24:47 | |
Oh, Elaine, have you learned nothing today? | 0:24:47 | 0:24:50 | |
I don't bleed the South, I bleed up here, the North, | 0:24:50 | 0:24:52 | |
I'm a northern powerhouse. | 0:24:52 | 0:24:54 | |
Why is it all about down there? | 0:24:54 | 0:24:56 | |
When up here is so fierce? | 0:24:56 | 0:24:58 | |
-What's this, Lainey? -An Eccles cake. -Exactly. | 0:25:01 | 0:25:04 | |
It's not a Chipping Norton cake, it's not a bleeding Cambridge cake, it's an Eccles cake! | 0:25:04 | 0:25:08 | |
From the North, from Eccles, | 0:25:08 | 0:25:10 | |
with the pain of a hundred LS Lowry paintings | 0:25:10 | 0:25:13 | |
writ through it in raisins! | 0:25:13 | 0:25:15 | |
The North puts the N in my DNA. | 0:25:15 | 0:25:17 | |
DRUM ROLL | 0:25:17 | 0:25:19 | |
Ladies and gentlemen, please welcome to the stage | 0:25:19 | 0:25:21 | |
our very own northern powerhouse, Pam Garrity! | 0:25:21 | 0:25:24 | |
# The Angel of the North, she guides me | 0:25:25 | 0:25:28 | |
# Guides me | 0:25:28 | 0:25:29 | |
# The soul of Gracie Fields beside me | 0:25:29 | 0:25:32 | |
# No-one of my kin ever shagged a southern snob | 0:25:32 | 0:25:36 | |
# I was born with a Lyons spoon in me gob | 0:25:36 | 0:25:40 | |
# Knocked up when I was 16 | 0:25:40 | 0:25:42 | |
# 16 | 0:25:42 | 0:25:43 | |
# By that bastard Tony Kelly | 0:25:43 | 0:25:45 | |
# Such a bastard | 0:25:45 | 0:25:47 | |
# Six kids, six dads, six lads, all mad | 0:25:47 | 0:25:50 | |
# You should see the stretch marks on me belly | 0:25:50 | 0:25:53 | |
# Belly | 0:25:53 | 0:25:54 | |
# I bleed the North, I need the North | 0:25:54 | 0:25:57 | |
# And with Pam's Pies, I feed the North | 0:25:57 | 0:26:01 | |
# I Pam what I Pam, and to be like I am | 0:26:01 | 0:26:04 | |
# You got to Pam like a Pam, pa-ram-pa-Pam-Pam | 0:26:04 | 0:26:07 | |
# Hey-hey-hey | 0:26:07 | 0:26:10 | |
# So did I live on benefits | 0:26:10 | 0:26:13 | |
# Benefits | 0:26:13 | 0:26:14 | |
# With me little kids and moan? | 0:26:14 | 0:26:16 | |
# She didn't moan | 0:26:16 | 0:26:17 | |
# I filled out form G78 | 0:26:17 | 0:26:20 | |
# Took out a Government Enterprise Scheme Allowance Loan | 0:26:20 | 0:26:24 | |
# I started Pam's Pies, Pam's-tiques | 0:26:24 | 0:26:26 | |
# Glam Pam, Wham Pam | 0:26:26 | 0:26:28 | |
# Pam Care, Pam-per | 0:26:28 | 0:26:30 | |
# Pam's Jams, Pam's Hams | 0:26:30 | 0:26:31 | |
# Pam's Scams! | 0:26:31 | 0:26:33 | |
Oi, enough of that, that's a stereotype. | 0:26:33 | 0:26:35 | |
# I bleed the North, I need the North | 0:26:35 | 0:26:38 | |
# And with Pam's Vans, I speed the North | 0:26:38 | 0:26:41 | |
# I Pam what I Pam, and to be like I am | 0:26:41 | 0:26:45 | |
# You got to Pam like a Pam, pa-ram-pa-Pam-Pam | 0:26:45 | 0:26:48 | |
# Hey-hey-hey | 0:26:48 | 0:26:50 | |
# Flat caps and mushy peas, that's the past, no more please | 0:26:51 | 0:26:55 | |
# Clogs and northern misery, that image went away | 0:26:55 | 0:26:58 | |
# On the plane with Morrissey, when he pissed off to LA | 0:26:58 | 0:27:01 | |
# I bleed the North, I need the North | 0:27:01 | 0:27:05 | |
# And with Pam's Plants, I seed the North | 0:27:05 | 0:27:09 | |
# I Pam what I Pam, and to be like I am | 0:27:09 | 0:27:12 | |
# You got to Pam like a Pam, pa-ram-pa-Pam-Pam | 0:27:12 | 0:27:15 | |
# Hey-hey-hey | 0:27:15 | 0:27:18 | |
-Cos what am I? -A powerhouse! | 0:27:18 | 0:27:21 | |
-And what aren't I? -A shithouse! | 0:27:21 | 0:27:23 | |
-You're not wrong there. -Shithouse! | 0:27:23 | 0:27:26 | |
-That's enough. -# Pam, Pam, Pam | 0:27:26 | 0:27:28 | |
Come up here, George Osborne. | 0:27:28 | 0:27:32 | |
Like my digital platforms, I give great reception. | 0:27:32 | 0:27:36 | |
# Cut me and what do I bleed? | 0:27:36 | 0:27:39 | |
# The North! # | 0:27:39 | 0:27:40 |