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# When I was small I used to dance in my mother's bedroom | 0:00:02 | 0:00:04 | |
# Then I grew up and did it again | 0:00:04 | 0:00:06 | |
# And basically | 0:00:06 | 0:00:07 | |
# I'm still doing the same show I did in my mother's bedroom | 0:00:07 | 0:00:10 | |
# And I'll do it till the bitter end | 0:00:10 | 0:00:12 | |
# Cos it's my Tracey Ullman's Show | 0:00:12 | 0:00:17 | |
# Tracey Ullman's Show | 0:00:17 | 0:00:19 | |
# Let's do the show, let's go | 0:00:19 | 0:00:20 | |
# Tracey Ullman's Show | 0:00:20 | 0:00:24 | |
# Tracey Ullman, Tracey Ullman | 0:00:24 | 0:00:27 | |
# Tracey, Tracey, Tracey, Tracey | 0:00:27 | 0:00:30 | |
# Tracey Ullman's Show | 0:00:30 | 0:00:33 | |
# Let's go! # | 0:00:33 | 0:00:34 | |
This programme contains some strong language. | 0:00:34 | 0:00:40 | |
Kay! | 0:00:40 | 0:00:42 | |
What is it, Mother? | 0:00:44 | 0:00:46 | |
They're at it again. | 0:00:46 | 0:00:47 | |
Oh, what, with the smoking? | 0:00:47 | 0:00:49 | |
Oh, lord. It's a disgusting habit, isn't it? | 0:00:49 | 0:00:52 | |
I've told them, but they don't listen. | 0:00:52 | 0:00:54 | |
Hm, those students. | 0:00:54 | 0:00:56 | |
Are they still there? | 0:00:56 | 0:00:58 | |
They've been there since the Silver Jubilee. | 0:00:58 | 0:01:00 | |
Well, they'd be postgraduates now, I should imagine, but...hm. | 0:01:00 | 0:01:04 | |
Well, I'll go and have another word. | 0:01:04 | 0:01:06 | |
I'll tell them to go and do it over by the other fence. | 0:01:06 | 0:01:09 | |
Oh. Yes, excuse me, could you just please...? | 0:01:09 | 0:01:13 | |
There's 103-year-old woman in there with a respiratory condition. | 0:01:14 | 0:01:20 | |
-Kay! -Yes? KAY'S MOTHER GASPS FOR AIR | 0:01:22 | 0:01:25 | |
Coming, Mother. | 0:01:25 | 0:01:27 | |
We'll try shutting the window, shall we? | 0:01:30 | 0:01:33 | |
Kay! | 0:01:33 | 0:01:35 | |
PHONE RINGS | 0:01:36 | 0:01:40 | |
Hello. Party Pieces. Carole Middleton speaking. | 0:01:43 | 0:01:47 | |
Oh, hello, Pamela. | 0:01:47 | 0:01:49 | |
Yeah, I thought you were after some balloons. | 0:01:49 | 0:01:52 | |
Oh, lunch at the club would be lovely, | 0:01:52 | 0:01:54 | |
but I'm afraid I'm a bit busy today. | 0:01:54 | 0:01:56 | |
Yes, we've got my grandson. | 0:01:56 | 0:01:58 | |
King-sitting, Michael calls it. | 0:01:59 | 0:02:02 | |
I know, it's such a lovely age. Yeah. | 0:02:02 | 0:02:05 | |
I know they could afford childcare, but we do so enjoy doing it. | 0:02:05 | 0:02:09 | |
They're here. | 0:02:09 | 0:02:10 | |
RAPIDLY: Anyway, lovely talking. Speak soon. Got to go. Bye. | 0:02:10 | 0:02:13 | |
-Now, did you lock the warehouse door? -Oh, God! | 0:02:13 | 0:02:16 | |
-It's fine - I'll do it on my way out. -Out? | 0:02:16 | 0:02:18 | |
Yeah, I couldn't get out of it - I'm meeting a supplier. | 0:02:18 | 0:02:21 | |
-He's very big in bouncy castles. -SHE SIGHS | 0:02:21 | 0:02:24 | |
But I'll have my phone on, | 0:02:24 | 0:02:26 | |
though reception's a bit patchy on the ninth hole... | 0:02:26 | 0:02:29 | |
and four through six. | 0:02:29 | 0:02:30 | |
DOORBELL RINGS | 0:02:30 | 0:02:33 | |
-Morning, sir. -Don't mind me. Just heading out. -Ah. | 0:02:33 | 0:02:36 | |
See you later, then, darling. | 0:02:36 | 0:02:38 | |
Don't curtsy to your own grandson. | 0:02:38 | 0:02:40 | |
Well, he always looks at me as if I should. | 0:02:40 | 0:02:44 | |
We shall pick him up at six. | 0:02:44 | 0:02:46 | |
Oh, actually, could you make it two? I have a hair appointment at three. | 0:02:46 | 0:02:49 | |
Hair? | 0:02:49 | 0:02:51 | |
I have to attend a women and business function tomorrow, and... | 0:02:51 | 0:02:54 | |
Is this in connection with your party ephemera business? | 0:02:54 | 0:02:56 | |
-Yes. -Ah. -Problem? | 0:02:56 | 0:02:58 | |
Well, it's just that I feel the Royal household | 0:02:58 | 0:03:00 | |
would rather you didn't draw attention to all of that. | 0:03:00 | 0:03:03 | |
Oh, are they saying don't go? | 0:03:03 | 0:03:04 | |
Well, it's entirely up to you, but, yes. | 0:03:04 | 0:03:06 | |
I see. | 0:03:06 | 0:03:08 | |
So, six o'clock then. 6.30 if the traffic is bad. | 0:03:08 | 0:03:11 | |
-Swords! -Oh! | 0:03:11 | 0:03:12 | |
And His Highness would like to play swords. | 0:03:12 | 0:03:14 | |
Well, then, swords it shall be. | 0:03:14 | 0:03:16 | |
-Which is treason. -What? -It's a grey area. | 0:03:16 | 0:03:19 | |
It's certainly best to avoid contact and to let him win. | 0:03:19 | 0:03:22 | |
There are two plastic swords in his play kit - | 0:03:22 | 0:03:24 | |
the sharper is his. | 0:03:24 | 0:03:27 | |
Oh. Erm... Anything else I need to know treasonwise? | 0:03:27 | 0:03:31 | |
Oh, if in doubt, just Google it. | 0:03:31 | 0:03:34 | |
Right. | 0:03:34 | 0:03:35 | |
HE SCREAMS AND GIGGLES George. George. | 0:03:35 | 0:03:37 | |
Don't do that. Don't do that. | 0:03:37 | 0:03:40 | |
Oh! There we go. Try not to do that. Try not to do that. | 0:03:40 | 0:03:43 | |
Oh! George, George. | 0:03:43 | 0:03:46 | |
We'll do whatever you like. | 0:03:47 | 0:03:49 | |
Warehouse! | 0:03:49 | 0:03:51 | |
No, no, you can't go into the warehouse. | 0:03:51 | 0:03:53 | |
-No, do you want to do a puzzle? -No. | 0:03:53 | 0:03:55 | |
-Do you want to do some colouring, then? -No! Door! | 0:03:55 | 0:03:59 | |
-Look, we can't go to the warehouse - not after the last time. -Peasants! | 0:03:59 | 0:04:03 | |
Where did you learn that word? | 0:04:03 | 0:04:05 | |
Grandpa. | 0:04:05 | 0:04:06 | |
HE THUMPS ON DOOR No, no, no! Not that door! | 0:04:06 | 0:04:08 | |
Yep. | 0:04:17 | 0:04:18 | |
It's five minutes past - that's two of us losing revenue. | 0:04:18 | 0:04:21 | |
Caffe Nero open on time, | 0:04:21 | 0:04:23 | |
and they've offered me a window seat. | 0:04:23 | 0:04:25 | |
That's on now? | 0:04:26 | 0:04:28 | |
Right, good morning to you. I am Dame Maggie Smith. | 0:04:28 | 0:04:30 | |
I'm just recording a tape-ette to demonstrate my range | 0:04:30 | 0:04:34 | |
to wit my suitability for one of those films full of roaring cars. | 0:04:34 | 0:04:39 | |
There's the Australian one, | 0:04:39 | 0:04:41 | |
erm, Peevish Max, Very Much Miffed Max, and... | 0:04:41 | 0:04:45 | |
Well, it's one of those two. | 0:04:45 | 0:04:46 | |
And there's The Fast And The, erm... | 0:04:46 | 0:04:49 | |
Oh, what is it? It's another word that means...high dudgeon. Yes. | 0:04:49 | 0:04:53 | |
I have a driving licence. | 0:04:53 | 0:04:56 | |
It's clean, | 0:04:56 | 0:04:57 | |
except for the double parking incident in Camden, | 0:04:57 | 0:05:00 | |
but talk to Alan Bennett if you wish to know whose fault that was. | 0:05:00 | 0:05:03 | |
So, let's be off. | 0:05:05 | 0:05:06 | |
We do mirror, signal, manoeuvre, and...holy shit-ola! | 0:05:06 | 0:05:13 | |
Someone's on my tail. I'm in a car chase. | 0:05:13 | 0:05:16 | |
Oh, I'm really, I'm really, really flooring it now, as they say. | 0:05:16 | 0:05:20 | |
28mph - only two under the limit. | 0:05:20 | 0:05:23 | |
Get off my car, you ruffian! | 0:05:23 | 0:05:25 | |
Bang, bang, bang, bang. | 0:05:25 | 0:05:26 | |
That was me. That's me shooting one of the feds... | 0:05:26 | 0:05:28 | |
or someone trying to sell me flowers at the lights. | 0:05:28 | 0:05:31 | |
So, there we are. | 0:05:31 | 0:05:33 | |
I'm eminently castable | 0:05:33 | 0:05:35 | |
for any muscle car franchise you wish to reboot. | 0:05:35 | 0:05:39 | |
And just a couple of things - | 0:05:39 | 0:05:40 | |
I don't like changing lanes or turning right at junctions, | 0:05:40 | 0:05:44 | |
but I can jump from one moving car to another while firing a crossbow. | 0:05:44 | 0:05:48 | |
It's just one of the things you pick up in rep, darling. | 0:05:49 | 0:05:53 | |
Oh, Jose, somebody left a fiver underneath that saucer. | 0:05:55 | 0:05:58 | |
HE SNIGGERS I'm just kidding. | 0:06:00 | 0:06:03 | |
Sorry, mate. Love the bants. | 0:06:03 | 0:06:04 | |
You know when I first transitioned into being my own boss - | 0:06:04 | 0:06:07 | |
and that was very much my move, by the way - | 0:06:07 | 0:06:10 | |
I thought I'd miss the whole office thing, you know? | 0:06:10 | 0:06:12 | |
The guys, the teasing, | 0:06:12 | 0:06:13 | |
what was incorrectly called bullying at the tribunal before I left, | 0:06:13 | 0:06:17 | |
but this is just as good. | 0:06:17 | 0:06:19 | |
Except nobody wants to buy your apps. | 0:06:19 | 0:06:22 | |
Well, if that was banter, that's not how you do it. No... | 0:06:22 | 0:06:26 | |
Er, go round the lead, love. Go round the lead. Yep. | 0:06:26 | 0:06:28 | |
You want to break through a tape, run a marathon! | 0:06:28 | 0:06:31 | |
Controversial feminist MP Sally Preston | 0:06:33 | 0:06:35 | |
joined forces with the opposition today | 0:06:35 | 0:06:37 | |
in a surprise move. | 0:06:37 | 0:06:39 | |
The Fem Fight independent was appointed | 0:06:39 | 0:06:41 | |
Shadow Minister for Youth and the Community. | 0:06:41 | 0:06:43 | |
BIG BEN RINGS | 0:06:43 | 0:06:45 | |
OK, so that's my schedule for today. | 0:06:45 | 0:06:48 | |
Darren will be my liaison on all local issues through Pippa's office, | 0:06:48 | 0:06:52 | |
and if there are any press requests, they should just go directly to Jen. | 0:06:52 | 0:06:56 | |
Any questions? | 0:06:56 | 0:06:57 | |
Any not about the tits thing? | 0:06:57 | 0:07:00 | |
Look, we've been through this. | 0:07:00 | 0:07:02 | |
To cover them up suggests an inherent shame in possessing them. | 0:07:02 | 0:07:05 | |
We have to take the tit out of titillation. | 0:07:05 | 0:07:08 | |
They're just a bit...distracting. | 0:07:08 | 0:07:11 | |
Because of the ingrained patriarchal values of your mucky magazines? | 0:07:11 | 0:07:15 | |
No, they just move a lot. It's like being waved at. | 0:07:15 | 0:07:19 | |
Well, just pretend they're not there. | 0:07:19 | 0:07:20 | |
-As though they're covered up. -Yes. I mean, no. I mean... | 0:07:20 | 0:07:23 | |
Just acknowledge they're there and then forget about them | 0:07:23 | 0:07:26 | |
whilst always being aware that they're there...without staring. | 0:07:26 | 0:07:31 | |
OK? Now, what are the papers saying? | 0:07:31 | 0:07:33 | |
So, we've got Storm In A D-cup, | 0:07:33 | 0:07:36 | |
Breast Of Luck, | 0:07:36 | 0:07:39 | |
Little City's Big Titties | 0:07:39 | 0:07:40 | |
and Big Boob Sal Gets All Members Standing, | 0:07:40 | 0:07:44 | |
and that was in The Guardian. | 0:07:44 | 0:07:46 | |
Jesus Christ. They're bloody animals. | 0:07:46 | 0:07:48 | |
Is there anything we can do about this? | 0:07:48 | 0:07:50 | |
Not that. | 0:07:50 | 0:07:51 | |
IN AMERICAN ACCENT: Oh, Hal, look at this face. | 0:07:55 | 0:07:59 | |
Look at the little British cheeks, they're red like apples. | 0:07:59 | 0:08:02 | |
-Oh, it could be Mr Pickwick. -Like something from Dickens. | 0:08:02 | 0:08:07 | |
"It was the best of times, it was the worst of times." | 0:08:07 | 0:08:11 | |
Hal, you have any pocket change? | 0:08:11 | 0:08:13 | |
Oh, which one do I give him? | 0:08:13 | 0:08:16 | |
One of these? These are incredible. Like a pentagram. | 0:08:16 | 0:08:19 | |
Pentagram, hexagon, dodecahedron - | 0:08:19 | 0:08:22 | |
everyone individually crafted, classic British design. | 0:08:22 | 0:08:27 | |
And look at these. | 0:08:27 | 0:08:28 | |
In the States, all our notes are just green, | 0:08:28 | 0:08:31 | |
but here, oh, they're soft, autumnal colours, | 0:08:31 | 0:08:35 | |
like a moor, like Dartmoor. | 0:08:35 | 0:08:38 | |
You've got your purples, you've got your browns. | 0:08:38 | 0:08:41 | |
And on every one, this incredible senior. | 0:08:41 | 0:08:43 | |
-Mm-hm. -She's quite a gal. | 0:08:43 | 0:08:45 | |
In America, if they put an older woman on a note, | 0:08:45 | 0:08:47 | |
who would it be? Meryl Streep? | 0:08:47 | 0:08:49 | |
Yeah. Caitlyn Jenner. | 0:08:49 | 0:08:51 | |
Here you are, my good man. | 0:08:51 | 0:08:52 | |
Take this dodecahedron and buy your hound some roast beef. | 0:08:52 | 0:08:57 | |
Oh, yes, Pamela, you definitely worry more - | 0:09:01 | 0:09:04 | |
they're not your own. Yeah. | 0:09:04 | 0:09:07 | |
Oh, George, what are you doing with your sandwich? Uh-oh. | 0:09:07 | 0:09:09 | |
Pamela, I've got to go. | 0:09:09 | 0:09:12 | |
George. No, no, no, no, ham doesn't go in the DVD player, | 0:09:12 | 0:09:16 | |
and phones don't go down toilets | 0:09:16 | 0:09:18 | |
-and cats don't go into dishwashers, do they? -Yes! | 0:09:18 | 0:09:21 | |
Oh, well, we're going to have to agree to disagree on that one. | 0:09:21 | 0:09:24 | |
Warehouse! | 0:09:24 | 0:09:25 | |
No, George, I told you we can't go in the warehouse. | 0:09:25 | 0:09:28 | |
Open door. | 0:09:28 | 0:09:30 | |
All right, we'll open the door, but only if we're quick, all right? | 0:09:30 | 0:09:34 | |
Warehouse! | 0:09:34 | 0:09:35 | |
OK, well, but just for a minute, OK? | 0:09:35 | 0:09:37 | |
Now, no touching the toys, but I know you like it in here. | 0:09:41 | 0:09:46 | |
Just let me put you down here so I can get the crown. | 0:09:47 | 0:09:51 | |
You see, George? I'm a shiny crown now. | 0:09:53 | 0:09:55 | |
SHE GASPS George! Er, George, George, George. | 0:09:55 | 0:09:58 | |
No, no, no. That's old hen party stock. | 0:09:58 | 0:10:01 | |
Don't tell Mummy and Daddy we still have that. | 0:10:01 | 0:10:03 | |
MUSIC: Sex Bomb by Tom Jones | 0:10:03 | 0:10:05 | |
Don't... Don't climb up there. | 0:10:05 | 0:10:07 | |
No, George. George, George, don't open that box. | 0:10:07 | 0:10:11 | |
HE SCREAMS Look, George... | 0:10:11 | 0:10:13 | |
No, no, no, no. | 0:10:16 | 0:10:17 | |
No, George. No. | 0:10:17 | 0:10:19 | |
George, listen to me, listen, listen. | 0:10:19 | 0:10:21 | |
Oh! PARTY HORN WHISTLES | 0:10:21 | 0:10:23 | |
Hello, I'm Cynthia from Guyana Zoological Park. | 0:10:28 | 0:10:31 | |
And this must be the squirrel monkey. | 0:10:31 | 0:10:33 | |
Yes, you know, she's off to be mated. | 0:10:33 | 0:10:35 | |
I've explained what happens | 0:10:35 | 0:10:37 | |
when two squirrel monkeys love each other very, very much. | 0:10:37 | 0:10:41 | |
Well, all the paperwork seems to be in order. | 0:10:42 | 0:10:44 | |
I will take the animal from here. | 0:10:44 | 0:10:46 | |
One, the animal has a name - it's Elsa, | 0:10:46 | 0:10:49 | |
cos she loves Frozen. | 0:10:49 | 0:10:51 | |
And two, I think that Elsa and I would like to know | 0:10:51 | 0:10:54 | |
a little bit more about her new... | 0:10:54 | 0:10:55 | |
WHISPERS: ..boyfriend. | 0:10:55 | 0:10:56 | |
The male has no genetic abnormalities. | 0:10:59 | 0:11:01 | |
Yeah, but...is he gentle? | 0:11:01 | 0:11:03 | |
Is he the sort of monkey that will hold her afterwards? | 0:11:03 | 0:11:07 | |
I'm sure it will be a very beautiful experience for them both. | 0:11:07 | 0:11:12 | |
Did you hear what the lady said there, Elsa? Yeah? | 0:11:12 | 0:11:15 | |
She understands everything I say. | 0:11:15 | 0:11:18 | |
Sometimes I dress the squirrel monkeys in baby clothes, | 0:11:18 | 0:11:21 | |
but they're so little that you have to get the ones for prematures. | 0:11:21 | 0:11:24 | |
I need to leave for the airport. | 0:11:25 | 0:11:27 | |
Right, this nice lady's going to take you now. | 0:11:27 | 0:11:30 | |
Remember what I told you about technique, all right? | 0:11:30 | 0:11:33 | |
Don't let your new fella do anything to you that you don't want to do. | 0:11:33 | 0:11:36 | |
All right, you respect yourself and he will respect you. | 0:11:36 | 0:11:40 | |
You know, you don't have to go through with this - | 0:11:40 | 0:11:43 | |
you just say the word. No-one's going to think the worse of you. | 0:11:43 | 0:11:45 | |
You've been everything to me | 0:11:47 | 0:11:49 | |
since I moved those pygmy hippos to Whipsnade. | 0:11:49 | 0:11:52 | |
SOBBING: Just go. Just go before I embarrass myself. Go, go. | 0:11:56 | 0:12:01 | |
He'll never love you like I love you! | 0:12:05 | 0:12:07 | |
Well, fine! Just go, then, slut! | 0:12:08 | 0:12:12 | |
So, Sally, it's your first day | 0:12:15 | 0:12:17 | |
as Shadow Minister for Youth and Communities. | 0:12:17 | 0:12:20 | |
You've got a lot of support from young people. | 0:12:20 | 0:12:22 | |
I just wondered why do you think that is? | 0:12:22 | 0:12:24 | |
Well, I think an increasing number of young people | 0:12:24 | 0:12:27 | |
are politically engaged, | 0:12:27 | 0:12:28 | |
and they appreciated the conviction of my stance | 0:12:28 | 0:12:31 | |
and they realised that I could bring that resolve | 0:12:31 | 0:12:34 | |
to a wide range of important political issues. | 0:12:34 | 0:12:37 | |
Absolutely, yeah. Those are fair points. | 0:12:37 | 0:12:40 | |
Er... So, er, Sally Preston, our newly elected feminist MP | 0:12:41 | 0:12:46 | |
is with us for the next half-hour, | 0:12:46 | 0:12:48 | |
so stay tuned to 97-99 FM | 0:12:48 | 0:12:51 | |
or you can, of course, watch us online via our webcam. | 0:12:51 | 0:12:55 | |
Right, er, there's some texts coming in just now. | 0:12:58 | 0:13:01 | |
Mos from Fife says they're watching this in the common room | 0:13:01 | 0:13:04 | |
-and they've just bunked off history... -Oh! | 0:13:04 | 0:13:06 | |
..and Jake from Hull says he's just had a... | 0:13:06 | 0:13:08 | |
Oh! Can't say that. | 0:13:08 | 0:13:09 | |
Yes, well, I'm going to be in New York that week, | 0:13:12 | 0:13:15 | |
but why don't we try to have lunch at The Ivy the week after? | 0:13:15 | 0:13:18 | |
Er, darling, I have to go. | 0:13:18 | 0:13:20 | |
I'll call you back. | 0:13:20 | 0:13:22 | |
Oi! Oi! What do you think you're doing? | 0:13:32 | 0:13:34 | |
-Right, you're going to pay for that. -Oh... Oh... | 0:13:34 | 0:13:36 | |
Oh, my God. I can't believe it. | 0:13:36 | 0:13:39 | |
-You're Judi Dench. -The very same. | 0:13:40 | 0:13:43 | |
Actually, it's Dame Judi Dench. | 0:13:43 | 0:13:45 | |
Right. God, I'm so embarrassed. | 0:13:45 | 0:13:47 | |
I thought you were keying my car, but you couldn't have been. | 0:13:47 | 0:13:50 | |
Oh, no, of course not. I'm a national treasure. | 0:13:50 | 0:13:53 | |
-Can I get a photo? -Yes. How charming. Shall we? | 0:13:53 | 0:13:57 | |
You didn't see who did do it, did you? | 0:13:57 | 0:13:58 | |
No, I'm afraid I didn't, but it definitely wasn't me, | 0:13:58 | 0:14:03 | |
even though I could probably get away with that, | 0:14:03 | 0:14:05 | |
being a national treasure, | 0:14:05 | 0:14:06 | |
but it's not like I go around setting fire to skips | 0:14:06 | 0:14:10 | |
-or throwing cats into the sea just because I can. -No. | 0:14:10 | 0:14:14 | |
My wife is not going to believe this. | 0:14:14 | 0:14:16 | |
Shakespeare In Love - one of her favourite films. | 0:14:16 | 0:14:18 | |
CHUCKLING: Oh, that. | 0:14:18 | 0:14:19 | |
Yes, I got the Oscar, and it was only eight minutes of screen time. | 0:14:19 | 0:14:23 | |
I felt rather sorry for the other actors. | 0:14:23 | 0:14:26 | |
Oh, man, this is going to cost me a fortune. | 0:14:26 | 0:14:29 | |
Yes, yes. | 0:14:29 | 0:14:30 | |
Well, such a pleasure to meet you. | 0:14:33 | 0:14:36 | |
Oh, yeah, likewise. | 0:14:36 | 0:14:37 | |
SHE WHISTLES | 0:14:37 | 0:14:40 | |
Oh! Sh... What?! Who's done that?! | 0:14:42 | 0:14:46 | |
These are meerkats. Who loves meerkats? | 0:14:49 | 0:14:54 | |
Yeah, that's cos you've seen them on the telly. | 0:14:54 | 0:14:56 | |
Well, some of us have always loved meerkats, | 0:14:56 | 0:14:59 | |
and they know that, don't you? | 0:14:59 | 0:15:02 | |
Yeah. Don't worry, they'll be gone soon. | 0:15:02 | 0:15:05 | |
Any guesses as to who this might be? | 0:15:09 | 0:15:12 | |
Taylor Swift. | 0:15:13 | 0:15:15 | |
Er, it's Anne of Cleves, wife number...? | 0:15:15 | 0:15:18 | |
-Six? -Three? -Two? | 0:15:18 | 0:15:20 | |
Four, that's right. | 0:15:20 | 0:15:22 | |
But Anne lived in Germany, | 0:15:22 | 0:15:24 | |
so Henry decided to do something new, | 0:15:24 | 0:15:27 | |
and because a friend told him he had nothing to lose, | 0:15:27 | 0:15:30 | |
he signed up... | 0:15:30 | 0:15:32 | |
Er, he signed up Hans Holbein, a renowned artist of the age, | 0:15:32 | 0:15:36 | |
who went to Germany to paint a portrait of Anne | 0:15:36 | 0:15:40 | |
on which he could judge her potential as a companion. | 0:15:40 | 0:15:45 | |
Well, nothing to be embarrassed about. | 0:15:45 | 0:15:47 | |
You know, he's a busy man with a demanding job, running a company. | 0:15:47 | 0:15:50 | |
Certainly, the description that accompanied the picture | 0:15:50 | 0:15:53 | |
was, I think, a fair reflection of what you'd be getting. | 0:15:53 | 0:15:57 | |
You know, the middling beauty, | 0:15:57 | 0:15:59 | |
it said, "Very short and resolute countenance." | 0:15:59 | 0:16:02 | |
Certainly she liked the pictures of him. | 0:16:02 | 0:16:05 | |
You know, he seemed very nice, | 0:16:05 | 0:16:06 | |
so it only remained to see if he would like her back, | 0:16:06 | 0:16:10 | |
and from the picture, it seemed he did. | 0:16:10 | 0:16:13 | |
SHE SIGHS And then they met. | 0:16:14 | 0:16:16 | |
Hm. Something of a mistake in hindsight. | 0:16:16 | 0:16:21 | |
Apparently, she was not what he was expecting. | 0:16:21 | 0:16:24 | |
The picture did not, in his opinion, fully represent the reality, | 0:16:24 | 0:16:28 | |
despite being relatively recent and taken in natural light, | 0:16:28 | 0:16:31 | |
unlike most of his! | 0:16:31 | 0:16:33 | |
Suffice to say the union was not consummated, | 0:16:34 | 0:16:37 | |
which I think you can only take as an insult, | 0:16:37 | 0:16:39 | |
no matter how tired he is. | 0:16:39 | 0:16:41 | |
But he's Head of Church and State, isn't he? | 0:16:41 | 0:16:43 | |
I mean, he's God's gift to women! | 0:16:43 | 0:16:45 | |
Well, good luck with finding another Jane Seymour, | 0:16:45 | 0:16:48 | |
you fat, grey, boss-eyed heap of...! | 0:16:48 | 0:16:50 | |
Shh! | 0:16:50 | 0:16:52 | |
Oh, yes, quite right. | 0:16:52 | 0:16:54 | |
Yes, let's not obsess over one little... | 0:16:54 | 0:16:57 | |
Er, there's so many more to discover on our tour, | 0:16:57 | 0:16:59 | |
so let's all just... | 0:16:59 | 0:17:00 | |
..keep looking. | 0:17:02 | 0:17:03 | |
Keep looking. | 0:17:05 | 0:17:06 | |
-WOMEN: -News not boobs! News not boobs! | 0:17:10 | 0:17:14 | |
Yeah, but surely we are on the same side. | 0:17:14 | 0:17:16 | |
Absolutely, which is great, it's just that, erm... | 0:17:16 | 0:17:20 | |
Wahey! | 0:17:20 | 0:17:22 | |
..to the untrained eye, it's confusing. | 0:17:22 | 0:17:25 | |
Just to have your name on the petition would be plenty, really. | 0:17:25 | 0:17:28 | |
OK, OK. Would you like a photo with me signing the...? | 0:17:28 | 0:17:31 | |
No, no, I think the signature does it, to be honest. | 0:17:31 | 0:17:34 | |
OK. There you are. | 0:17:34 | 0:17:35 | |
Well, good luck with it all. | 0:17:35 | 0:17:37 | |
-Are they...? -Erm... | 0:17:41 | 0:17:43 | |
One is a bit, but there's Vaseline in the car. | 0:17:43 | 0:17:46 | |
Thanks. So, where to next? | 0:17:46 | 0:17:48 | |
Well, I'm afraid the mosque have cancelled. | 0:17:48 | 0:17:50 | |
Oh. Did they say why? | 0:17:50 | 0:17:51 | |
-Well, just straight to the primary school, then. -Erm... | 0:17:53 | 0:17:56 | |
-Do we have anything? -Well, The Sun called again. | 0:17:59 | 0:18:02 | |
The answer is still no. | 0:18:02 | 0:18:04 | |
ORGAN MUSIC PLAYS | 0:18:07 | 0:18:09 | |
Sorry. Very, very sorry. | 0:18:12 | 0:18:14 | |
So sorry, so sorry. | 0:18:14 | 0:18:16 | |
It was the traffic. SHE CATCHES BREATH | 0:18:16 | 0:18:18 | |
We are gathered here today | 0:18:19 | 0:18:21 | |
to say goodbye to, er, er... | 0:18:21 | 0:18:25 | |
Angela | 0:18:25 | 0:18:27 | |
and to reflect on her life | 0:18:27 | 0:18:28 | |
as we recall the many wonderful traits and achievements | 0:18:28 | 0:18:31 | |
that made Angela...Hewitt such a special and unique person. | 0:18:31 | 0:18:38 | |
Angela's work as head of molecular research | 0:18:38 | 0:18:43 | |
at the University of South Dako... | 0:18:43 | 0:18:45 | |
Not that one. Er... | 0:18:46 | 0:18:48 | |
Angela was a popular person with a great many friends - | 0:18:52 | 0:18:56 | |
536 to be precise - | 0:18:56 | 0:19:00 | |
and when it came to relationships, | 0:19:00 | 0:19:02 | |
it was complicated for Angela. | 0:19:02 | 0:19:05 | |
But still she loved to entertain, | 0:19:05 | 0:19:08 | |
often regaling her friends with pithy anecdotes | 0:19:08 | 0:19:11 | |
about her journey to work, the weather in the garden | 0:19:11 | 0:19:14 | |
and how much she was looking forward to wine o'clock. | 0:19:14 | 0:19:18 | |
Although she was also, of course, a great lover of food, | 0:19:20 | 0:19:24 | |
keeping an exhaustive visual record of favourite meals. | 0:19:24 | 0:19:29 | |
I'm sure we can all hear her voice now, | 0:19:29 | 0:19:32 | |
stating, as only she could, "Nom, nom, nom." | 0:19:32 | 0:19:36 | |
But Angela also had a serious side. | 0:19:37 | 0:19:40 | |
Wars, to Angela's mind, were generally a bad thing, | 0:19:40 | 0:19:44 | |
as was...Kim Kardashian's new hair, | 0:19:44 | 0:19:47 | |
opinions she would freely share with her beloved Twitter. | 0:19:47 | 0:19:51 | |
Yes, she had only 12 followers, | 0:19:51 | 0:19:54 | |
but let us not forget, so did Jesus. | 0:19:54 | 0:19:57 | |
So, please join me now as we celebrate Angela's life | 0:19:58 | 0:20:03 | |
by singing together her favourite... | 0:20:03 | 0:20:06 | |
One of her top ten songs of last year. | 0:20:08 | 0:20:11 | |
MUSIC: Gangnam Style by PSY | 0:20:13 | 0:20:16 | |
# Oppa Gangnam Style | 0:20:20 | 0:20:22 | |
# Oppa Gangnam Style... # | 0:20:24 | 0:20:26 | |
Come on. | 0:20:26 | 0:20:28 | |
-ALL: -# Oppa Gangnam Style... # | 0:20:28 | 0:20:29 | |
# Hey, sexy lady | 0:20:30 | 0:20:33 | |
# Oppa Gangnam Style... # | 0:20:34 | 0:20:36 | |
SHE SIGHS AND YAWNS | 0:20:37 | 0:20:40 | |
Well, Jesus...just one more of these. | 0:20:40 | 0:20:44 | |
Mm. Ooh, that's strong. | 0:20:47 | 0:20:50 | |
Oh, he's asleep. | 0:20:50 | 0:20:52 | |
My little heir to the throne. | 0:20:54 | 0:20:56 | |
He's so lovely when he's asleep. DOOR OPENS | 0:20:56 | 0:20:59 | |
Christ. What do you think you're doing? | 0:20:59 | 0:21:01 | |
I told you not to let him in here. | 0:21:01 | 0:21:03 | |
But he asked. | 0:21:03 | 0:21:05 | |
If you keep giving in to him, he'll end up spoilt. | 0:21:05 | 0:21:08 | |
Of course he's going to be spoilt - he's in the fucking Royal family. | 0:21:08 | 0:21:12 | |
-Have you been drinking? -No. | 0:21:12 | 0:21:16 | |
Maybe... | 0:21:16 | 0:21:17 | |
Just a couple of willies. | 0:21:17 | 0:21:19 | |
Oh, so what do you think it was? | 0:21:24 | 0:21:27 | |
-Hard to tell. -Hm. | 0:21:27 | 0:21:29 | |
Some kind of cage for an av-iary. | 0:21:29 | 0:21:32 | |
-This was a Victorian fairground. -Oh. | 0:21:32 | 0:21:34 | |
This is like Coney Island - it's all that's left of it. | 0:21:34 | 0:21:37 | |
Oh, that's right. | 0:21:37 | 0:21:39 | |
Oh, it's so charmingly British. | 0:21:39 | 0:21:41 | |
Like a British version of the Cyclone, right? | 0:21:41 | 0:21:44 | |
-This was the Wall of Death. -The Wall of Death. | 0:21:44 | 0:21:47 | |
It was lined with planks, huge wooden planks, | 0:21:47 | 0:21:50 | |
and steam trains would go round and round going higher and higher. | 0:21:50 | 0:21:53 | |
I can see the women pressed against the walls | 0:21:53 | 0:21:56 | |
with their crinolines against the ironwork. | 0:21:56 | 0:21:59 | |
-Faster and faster. -A marvel of the Steam Age. | 0:21:59 | 0:22:03 | |
Designed by I-sambard Kingdom Brunel. | 0:22:03 | 0:22:07 | |
British ingenuity at its best. Well, it's a wonderful thing. | 0:22:07 | 0:22:13 | |
Brunel, he designed the log flume too - I'm pretty sure. | 0:22:13 | 0:22:16 | |
Or was at Robert Louis Stevenson? | 0:22:16 | 0:22:18 | |
Er, yeah, I can see you again, Tryg. I can see you again. | 0:22:19 | 0:22:22 | |
I've got you right there, and, Tryg, Tryg, as I explained, | 0:22:22 | 0:22:25 | |
it is a revolutionary business model, | 0:22:25 | 0:22:27 | |
and designers will be paid, but in experience and savvy. | 0:22:27 | 0:22:31 | |
We're closing now. | 0:22:31 | 0:22:32 | |
I'm talking to Norway, talking to... | 0:22:32 | 0:22:34 | |
We're closed, sir. | 0:22:34 | 0:22:36 | |
All right. Well, pass on Sky Nosh if you want to, Tryg, | 0:22:36 | 0:22:40 | |
but when somebody else is delivering Cornish pasties by drone, | 0:22:40 | 0:22:43 | |
you know, you're going to regret it, yeah? | 0:22:43 | 0:22:46 | |
And don't turn off the Wi-Fi - I'm still on the call. | 0:22:46 | 0:22:49 | |
HE SIGHS | 0:22:49 | 0:22:51 | |
Yeah, just to remind you, | 0:22:53 | 0:22:55 | |
it is called a service industry you're in. | 0:22:55 | 0:22:57 | |
-Er, everything all right? -Yeah, absolutely. | 0:23:03 | 0:23:06 | |
Hello, sexy. | 0:23:06 | 0:23:07 | |
Ignore her. | 0:23:08 | 0:23:09 | |
Hi, your Royal George-geousness. | 0:23:09 | 0:23:13 | |
So, we won't be seeing him next week because it's Granny Camilla's turn. | 0:23:13 | 0:23:17 | |
Well, actually, the Duchess is in Papua New Guinea | 0:23:17 | 0:23:19 | |
next week and the week after, | 0:23:19 | 0:23:21 | |
and then there's a Highland games | 0:23:21 | 0:23:22 | |
and then the Duchy original jam tasting, so... | 0:23:22 | 0:23:25 | |
Of course there is. | 0:23:25 | 0:23:26 | |
Sex bomb! Sex bomb! | 0:23:26 | 0:23:29 | |
Where did you learn that, Your Highness? | 0:23:29 | 0:23:31 | |
Don't curtsy. | 0:23:34 | 0:23:35 | |
IN SCOTTISH ACCENT: Come all ye, all ye with e-tickets | 0:23:38 | 0:23:42 | |
for a historical tour of murder and horror does begin. | 0:23:42 | 0:23:48 | |
Halt! I hear cries from the past | 0:23:48 | 0:23:51 | |
for it was on this very corner, | 0:23:51 | 0:23:53 | |
one Molly McRae, a lady of the night, | 0:23:53 | 0:23:56 | |
a whore, if you will, | 0:23:56 | 0:23:58 | |
was brutally slain. | 0:23:58 | 0:24:01 | |
The year was 2013. | 0:24:01 | 0:24:03 | |
They found her in three different plastic bags round the back of Lidl. | 0:24:03 | 0:24:08 | |
Now, come on, fellow travellers, lest the ghouls pursue us. | 0:24:08 | 0:24:13 | |
-Oo-ooh! -Ooh, who is this? | 0:24:13 | 0:24:16 | |
My name is Romana. I am from Hungary. | 0:24:16 | 0:24:19 | |
I was barista, | 0:24:19 | 0:24:20 | |
but in 2014 my boyfriend strangled me outside that pub | 0:24:20 | 0:24:25 | |
after he said I'd been sleeping with his mate, | 0:24:25 | 0:24:27 | |
although I hadn't, as the inquest proved. | 0:24:27 | 0:24:31 | |
Return to the spirit world, Romana! | 0:24:31 | 0:24:34 | |
-May you find peace there. -Oo-ooh! Oo-ooh! | 0:24:34 | 0:24:37 | |
Erm, excuse me, that's really horrible. | 0:24:37 | 0:24:40 | |
Well, it's a murder horror tour. | 0:24:40 | 0:24:42 | |
But we thought it would be about past stuff. | 0:24:42 | 0:24:44 | |
-Well, it is in the past. -More in the past. | 0:24:44 | 0:24:46 | |
Well, so, if someone's throat was slashed 100 years ago, | 0:24:46 | 0:24:48 | |
that's entertainment, | 0:24:48 | 0:24:50 | |
but if they were slowly garrotted yesterday | 0:24:50 | 0:24:52 | |
behind Waverley Station bowling alley, then that's bad, is it? | 0:24:52 | 0:24:54 | |
Well, yeah. | 0:24:54 | 0:24:56 | |
We just wanted a nice, normal death and horror tour. | 0:24:56 | 0:24:59 | |
Well, there's no refunds, pal. | 0:24:59 | 0:25:00 | |
Well, I'm going to give you a really bad review on TripAdvisor. | 0:25:00 | 0:25:03 | |
Well, I can write ten good ones for every one of your bad ones. | 0:25:03 | 0:25:06 | |
THEY LAUGH IN DISBELIEF | 0:25:06 | 0:25:09 | |
Well, OK. | 0:25:09 | 0:25:10 | |
My apologies to everybody. | 0:25:10 | 0:25:12 | |
There are some souls that do not want to hear about the dark side. | 0:25:12 | 0:25:17 | |
Now, where were we? | 0:25:17 | 0:25:18 | |
Let us move on to the site of the great Pizza Hut mass maiming! | 0:25:18 | 0:25:24 | |
I'm home! | 0:25:27 | 0:25:28 | |
-MAN: -'Hi! How was it?' | 0:25:28 | 0:25:30 | |
Oh, you know. | 0:25:30 | 0:25:32 | |
Mummy, I'm a princess. | 0:25:32 | 0:25:34 | |
No, you're going to be an astronaut, like we discussed. | 0:25:34 | 0:25:37 | |
Now, would you be a darling and go and get Mummy's bra? | 0:25:37 | 0:25:40 | |
My tits are killing me. | 0:25:41 | 0:25:44 | |
WATER EMPTIES INTO PLUGHOLE | 0:25:45 | 0:25:48 | |
Hal? Did you hear that sound? | 0:25:49 | 0:25:52 | |
-Huh? -Did you hear that? | 0:25:52 | 0:25:54 | |
It is just such a distinctly British sound. | 0:25:54 | 0:25:57 | |
Like a babbling brook. | 0:25:57 | 0:25:58 | |
The flow is gentler here, I find. | 0:25:58 | 0:26:01 | |
-A babbling brook? -A babbling brook - exactly. | 0:26:01 | 0:26:04 | |
Wordsworth might have written about that sound. | 0:26:04 | 0:26:07 | |
Not like back home where the flow is ferocious by comparison. | 0:26:07 | 0:26:12 | |
I find this more preferable - it's relaxing. | 0:26:12 | 0:26:15 | |
Like the flush - I like how you have to try twice. | 0:26:15 | 0:26:18 | |
Like the Queen launching a ship - | 0:26:18 | 0:26:20 | |
that first swing of the bottle doesn't always work, | 0:26:20 | 0:26:23 | |
but the second one, you bet ya. | 0:26:23 | 0:26:25 | |
Yeah. Well, once is enough for the locals. | 0:26:25 | 0:26:28 | |
It's the diet, you see. | 0:26:28 | 0:26:30 | |
Nothing heavier than a scone. | 0:26:30 | 0:26:32 | |
It's sc-on. | 0:26:32 | 0:26:33 | |
No, it's either. I asked at reception. | 0:26:33 | 0:26:36 | |
They're so polite. They make it so you can't be wrong. | 0:26:36 | 0:26:39 | |
Aw. | 0:26:39 | 0:26:41 | |
And the shower - so gentle. | 0:26:41 | 0:26:43 | |
I mean, why get yourself wet all at once? | 0:26:43 | 0:26:45 | |
You know, what's the rush? | 0:26:45 | 0:26:47 | |
Yeah, while we stand there under a jet like a fire hydrant. | 0:26:47 | 0:26:51 | |
Huh, it's no wonder we're shrinking. | 0:26:51 | 0:26:53 | |
Well, the Queen... | 0:26:53 | 0:26:54 | |
Well, I mean, she looks bigger now than she did on the stamps - | 0:26:54 | 0:26:57 | |
what does that tell you? | 0:26:57 | 0:26:58 | |
Do you think we could make our shower English? | 0:26:58 | 0:27:01 | |
Sure. | 0:27:02 | 0:27:04 | |
I'll just break it a little. | 0:27:04 | 0:27:06 | |
You're so smart! | 0:27:07 | 0:27:09 |