Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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Later on BBC One, another format we've copied from somewhere else | 0:00:02 | 0:00:04 | |
and remade in a slightly more worthy way... | 0:00:04 | 0:00:06 | |
Your chance to watch other people | 0:00:08 | 0:00:09 | |
reading books. | 0:00:09 | 0:00:10 | |
This programme contains some strong language. | 0:00:10 | 0:00:13 | |
Pamela and Peter | 0:00:13 | 0:00:14 | |
are both reading Sense and Sensibility. | 0:00:14 | 0:00:17 | |
SHE LAUGHS | 0:00:17 | 0:00:18 | |
Oop. | 0:00:19 | 0:00:20 | |
And the Coopers have decided to read | 0:00:22 | 0:00:24 | |
50 Shades Of Grey together as a family. | 0:00:24 | 0:00:27 | |
I say, have you got to page 45? | 0:00:27 | 0:00:30 | |
-Oh, yes. -SHE LAUGHS | 0:00:30 | 0:00:32 | |
-Takes me back. -THEY LAUGH | 0:00:32 | 0:00:35 | |
God, you're so embarrassing. | 0:00:35 | 0:00:37 | |
# When I was small I used to dance in my mother's bedroom | 0:00:40 | 0:00:43 | |
# Then I grew up and did it again | 0:00:43 | 0:00:46 | |
# And basically I'm still doing the same show I did in my mother's bedroom | 0:00:47 | 0:00:51 | |
# And I'll do it to the bitter end | 0:00:51 | 0:00:53 | |
# Cos it's my Tracey Ullman Show | 0:00:53 | 0:00:58 | |
# Tracey Ullman Show Let's do the show, let's go | 0:00:58 | 0:01:01 | |
# Tracey Ullman Show | 0:01:01 | 0:01:05 | |
# Tracey Ullman Tracey Ullman | 0:01:05 | 0:01:08 | |
# Tracey Tracey Tracey Tracey | 0:01:08 | 0:01:11 | |
# Tracey Ullman Show. # | 0:01:11 | 0:01:13 | |
Let's go. | 0:01:13 | 0:01:15 | |
-How can I help? -Medium white Americano, please. | 0:01:17 | 0:01:20 | |
-Extra shot? -No, thank you. | 0:01:20 | 0:01:21 | |
-Syrup? -No, I'm good, thanks. | 0:01:21 | 0:01:23 | |
-Soya milk? -No. I'm actually in a bit of a hurry. | 0:01:23 | 0:01:26 | |
Lady breast milk she left in shop? | 0:01:26 | 0:01:28 | |
No, just a white Americano. | 0:01:28 | 0:01:30 | |
-Mini ring doughnut? -No. | 0:01:30 | 0:01:31 | |
-Cinnamon shortbread? -No. | 0:01:31 | 0:01:33 | |
Giant Malteser? | 0:01:33 | 0:01:34 | |
Looks like a giant Malteser but inside it's really a cake, | 0:01:34 | 0:01:37 | |
but it does have some Malteser in it? | 0:01:37 | 0:01:39 | |
-No. -Sting CD? | 0:01:39 | 0:01:40 | |
-No. -Times newspaper? | 0:01:40 | 0:01:42 | |
-No. -Elvis Costello CD? | 0:01:42 | 0:01:44 | |
-No. -Fresh fish? | 0:01:44 | 0:01:45 | |
What? No! | 0:01:45 | 0:01:47 | |
Boiler repair two-year warranty? | 0:01:47 | 0:01:49 | |
-Of course not. -Prize-winning novel about a sad lady? | 0:01:49 | 0:01:52 | |
I just want my coffee. Can I have it now, please? | 0:01:52 | 0:01:54 | |
Certainly. One white Americano, | 0:01:54 | 0:01:57 | |
no prize-winning novel about a sad lady, | 0:01:57 | 0:01:59 | |
no boiler repair, no fresh fish, no Elvis Costello CD, | 0:01:59 | 0:02:03 | |
no Times newspaper, no Sting CD, | 0:02:03 | 0:02:05 | |
no giant Malteser that isn't really a Malteser, | 0:02:05 | 0:02:08 | |
no cinnamon shortbread, no mini ring doughnut, no breast milk, | 0:02:08 | 0:02:11 | |
no soya milk, no syrup, no extra shot. | 0:02:11 | 0:02:14 | |
Oh, she's gone. | 0:02:14 | 0:02:17 | |
Rude lady. | 0:02:17 | 0:02:19 | |
Charles, it's Camilla. | 0:02:19 | 0:02:21 | |
Yah, I won't be long, sexy bum. | 0:02:21 | 0:02:23 | |
I've got to get a frock to wear to the big banquet. | 0:02:23 | 0:02:26 | |
You know, the old bloody whats-his-name, | 0:02:26 | 0:02:29 | |
Johnny foreigner chappie, | 0:02:29 | 0:02:31 | |
the one your dad offended. | 0:02:31 | 0:02:32 | |
No, the other one. | 0:02:33 | 0:02:35 | |
No, the other one. | 0:02:35 | 0:02:39 | |
Oh, buggeration! | 0:02:39 | 0:02:40 | |
The mare's just had a refusal at the water jump. | 0:02:40 | 0:02:43 | |
Gee up, girl! What's the matter with you? | 0:02:45 | 0:02:47 | |
ALARM BLARES | 0:02:47 | 0:02:49 | |
Stop whinnying, you bally thing! | 0:02:49 | 0:02:52 | |
Look, I've got to go. | 0:02:52 | 0:02:54 | |
Ohh! | 0:02:58 | 0:03:00 | |
-You need any help? -No, no, no. | 0:03:00 | 0:03:01 | |
I think it's best just to put it out of its misery. | 0:03:01 | 0:03:04 | |
GUNSHOT | 0:03:06 | 0:03:07 | |
-There. That should do it. -ALARM SLOWS AND STOPS | 0:03:07 | 0:03:11 | |
Which way is Knightsbridge? I think I'll walk. | 0:03:11 | 0:03:13 | |
Well, it's about 30 miles that way, I think. | 0:03:13 | 0:03:15 | |
Oh, for fuck... | 0:03:15 | 0:03:17 | |
Oh, they'll sell frocks. | 0:03:17 | 0:03:20 | |
Bloody brilliant. | 0:03:20 | 0:03:23 | |
Oh, bloody hell! | 0:03:23 | 0:03:25 | |
Hi, can I help you? | 0:03:25 | 0:03:26 | |
I'd say. Padded bally jackets for £9.99. | 0:03:26 | 0:03:30 | |
-I'll take one of those. -What size are you? | 0:03:30 | 0:03:33 | |
I'm about 16 hands. | 0:03:33 | 0:03:34 | |
I'm rather wide in the withers. | 0:03:34 | 0:03:37 | |
Right. Um... So, one of these? | 0:03:37 | 0:03:40 | |
I'll take the whole rack. | 0:03:40 | 0:03:42 | |
And, oh, a box of those animal-print jodhpurs. | 0:03:42 | 0:03:46 | |
-Oh, these? -Yeah. | 0:03:46 | 0:03:48 | |
These are actually leggings. | 0:03:48 | 0:03:50 | |
You say organic potato, I say organic potata. | 0:03:50 | 0:03:54 | |
-And is there anything else I can help you with? -I need a ball gown. | 0:03:54 | 0:03:57 | |
Something quite long. | 0:03:57 | 0:03:58 | |
I don't want to show the whole flower show. | 0:03:58 | 0:04:00 | |
Um... We don't really have ballgowns. | 0:04:00 | 0:04:03 | |
Oh! Sold out? I knew I'd left it too late. | 0:04:03 | 0:04:06 | |
Oh! What about one of those sodding sashes that always get stuck between | 0:04:06 | 0:04:10 | |
your boobs? I hate these. | 0:04:10 | 0:04:12 | |
Whenever you go to take a wazz, the dangly bit always dips in the lavvy. | 0:04:12 | 0:04:16 | |
Oh, well, I shall just these with my wellies. | 0:04:18 | 0:04:22 | |
I mean, what does "Formal" really mean, anyway? | 0:04:22 | 0:04:25 | |
How many mother-in-laws is that? | 0:04:25 | 0:04:28 | |
Oh, that'll be £84, please. | 0:04:28 | 0:04:30 | |
So that's four big mother-in-laws... | 0:04:30 | 0:04:32 | |
-LAUGHTER AND APPLAUSE -and one little mother-in-law. | 0:04:32 | 0:04:37 | |
Thank you. | 0:04:37 | 0:04:39 | |
Actually, do you have any sexy underwear? | 0:04:39 | 0:04:42 | |
Yeah. We do, yeah. | 0:04:42 | 0:04:43 | |
Hmm, I'm looking for something in tweed. | 0:04:43 | 0:04:46 | |
Right,... | 0:04:54 | 0:04:56 | |
-Susie... -Is it true? | 0:05:02 | 0:05:05 | |
-Is what true? -Don't bullshit me, Jeff. | 0:05:05 | 0:05:07 | |
All right, it's true. | 0:05:09 | 0:05:10 | |
For God's sake, I've had the ten o'clock slot | 0:05:10 | 0:05:13 | |
since Tony Blair got in. | 0:05:13 | 0:05:14 | |
It's not a demotion. | 0:05:14 | 0:05:16 | |
We just think you'd be more suited to a lower-profile daytime slot. | 0:05:16 | 0:05:20 | |
But Nicole isn't even a news person. | 0:05:20 | 0:05:22 | |
She's good at her job. | 0:05:22 | 0:05:23 | |
Yeah, and she's 20 years younger than me. | 0:05:23 | 0:05:26 | |
-It's not about age. -Then what is it about? | 0:05:26 | 0:05:29 | |
Well... | 0:05:30 | 0:05:32 | |
You keep bringing your cats in. | 0:05:32 | 0:05:34 | |
-My cats? -Yes. | 0:05:34 | 0:05:36 | |
It was all right when it was just Trixie, | 0:05:36 | 0:05:38 | |
but there are eight or nine of them now. | 0:05:38 | 0:05:40 | |
Well, Huw Edwards brings his dog in. | 0:05:40 | 0:05:42 | |
One dog. And he keeps it in his dressing room. | 0:05:42 | 0:05:45 | |
It doesn't stop me doing my job. | 0:05:45 | 0:05:47 | |
Let me show you something. | 0:05:47 | 0:05:49 | |
This is you from last night. | 0:05:50 | 0:05:52 | |
ON SCREEN: Police are still searching for two men | 0:05:52 | 0:05:55 | |
believed to be responsible for Thursday's daring | 0:05:55 | 0:05:57 | |
Bond Street jewellery robbery. | 0:05:57 | 0:06:00 | |
SHE MAKES KISSING SOUNDS | 0:06:00 | 0:06:03 | |
Forest fires continued to rage in California, the National Guard... | 0:06:03 | 0:06:08 | |
You're a very handsome boy. | 0:06:08 | 0:06:10 | |
Yes, you are. Oooh. There's a handsome boy. | 0:06:10 | 0:06:14 | |
Say hello to the viewers. Off you go, now. | 0:06:14 | 0:06:17 | |
Riots on the streets of Athens. | 0:06:17 | 0:06:19 | |
Scores of protesters are injured... | 0:06:19 | 0:06:21 | |
BABY TALK: Yes, they are! | 0:06:21 | 0:06:24 | |
Yes, they are. | 0:06:24 | 0:06:27 | |
You see the problem? | 0:06:29 | 0:06:31 | |
Yes. | 0:06:31 | 0:06:33 | |
But when was the last time you saw a mouse around here? | 0:06:33 | 0:06:36 | |
Fair point. | 0:06:37 | 0:06:39 | |
Listen to that rain, Mother. | 0:06:41 | 0:06:43 | |
It's been bucketing down all morning. | 0:06:43 | 0:06:45 | |
What's this one called? | 0:06:45 | 0:06:47 | |
Was it Storm Jo, Storm Jeffrey? | 0:06:47 | 0:06:50 | |
Storm Julian? | 0:06:50 | 0:06:51 | |
People nowadays don't know what a storm is. | 0:06:51 | 0:06:54 | |
That's just a wet wind. | 0:06:54 | 0:06:56 | |
Oh, Mother, look... | 0:07:00 | 0:07:03 | |
the house is flooding. | 0:07:03 | 0:07:05 | |
Oh, we've got to get out of here. | 0:07:05 | 0:07:07 | |
Hop on, Mother, I'll give you a piggyback to the door. | 0:07:07 | 0:07:10 | |
-Come on. -It's just a bit of water. | 0:07:10 | 0:07:12 | |
I want to watch the end of Cash In The Attic. | 0:07:12 | 0:07:15 | |
Well, all right, Mother. | 0:07:15 | 0:07:16 | |
Ahhh! | 0:07:18 | 0:07:19 | |
Ooh! That's all your fault. | 0:07:21 | 0:07:24 | |
I told you not to change our electricity supplier. | 0:07:24 | 0:07:27 | |
Good evening and welcome to Dame Maggie Smith's YouTube channel. | 0:07:32 | 0:07:36 | |
I'm now a vlogger, like a Zoella or a PewDiePie... | 0:07:36 | 0:07:41 | |
only with a proper name that doesn't make you want to vomit into a sock. | 0:07:41 | 0:07:46 | |
I wish to thank my sponsors, | 0:07:46 | 0:07:48 | |
without whose money I most certainly wouldn't be doing this. | 0:07:48 | 0:07:52 | |
So, if you skipped over their adverts, | 0:07:52 | 0:07:55 | |
go back at once and buy yourself a walk-in bath. | 0:07:55 | 0:07:59 | |
Today, I will present a "What's In The Bag?" video. | 0:08:00 | 0:08:05 | |
There are many thousands of these on the internet, and for research, | 0:08:05 | 0:08:08 | |
I watched exactly none of them. | 0:08:08 | 0:08:11 | |
Why would you want to nose into a bag unless you were a security guard | 0:08:11 | 0:08:15 | |
or a horse? | 0:08:15 | 0:08:17 | |
Still, times change, | 0:08:17 | 0:08:18 | |
and I must join the hideous freak show | 0:08:18 | 0:08:21 | |
that is the modern age. | 0:08:21 | 0:08:24 | |
Firstly, we find... | 0:08:24 | 0:08:26 | |
Julian Fellowes' telephone number. | 0:08:26 | 0:08:30 | |
Well, I shan't be needing that again. | 0:08:30 | 0:08:33 | |
And, oh, this is a stunt poo from The Lady In The Van. | 0:08:33 | 0:08:37 | |
At least I hope it's a stunt poo. | 0:08:38 | 0:08:41 | |
Oh, my goodness! | 0:08:42 | 0:08:44 | |
I had no idea that was in there. | 0:08:44 | 0:08:47 | |
Oh, and there's a little BAFTA nestling down there. | 0:08:47 | 0:08:50 | |
And, oh, what's this? | 0:08:50 | 0:08:52 | |
Oh, my Rear Of The Year award, 1958. | 0:08:52 | 0:08:56 | |
And... Oh... | 0:08:56 | 0:08:59 | |
This is either a Tic Tac | 0:08:59 | 0:09:01 | |
or one of Henry Fonda's hallucinogens. | 0:09:01 | 0:09:04 | |
It's a Tic Tac, more's the pity. | 0:09:06 | 0:09:09 | |
Now... Oh, this is something I shall always treasure. | 0:09:10 | 0:09:14 | |
Some advice sent to me by Elizabeth Taylor | 0:09:14 | 0:09:18 | |
when I was a young actress. | 0:09:18 | 0:09:21 | |
"Stay away from Richard Burton, you skinny bitch." | 0:09:21 | 0:09:25 | |
Advice I certainly heeded... | 0:09:25 | 0:09:28 | |
most of the time. | 0:09:28 | 0:09:30 | |
Elaine, I've just had an amazing thought, | 0:09:35 | 0:09:37 | |
and I'm not being self-obsessed or nothing, | 0:09:37 | 0:09:39 | |
but how about a movie made about my life? | 0:09:39 | 0:09:42 | |
Pam Garrity, Northern Powerhouse. | 0:09:42 | 0:09:45 | |
One woman's rise from the arse end of nowhere | 0:09:45 | 0:09:48 | |
-to the cream of the frigging crop. -I can see thingy playing you. | 0:09:48 | 0:09:51 | |
-Who? -Jennifer Lawrence. | 0:09:51 | 0:09:53 | |
What part of America is she from? | 0:09:53 | 0:09:55 | |
-The north, I think. -Love that bitch. | 0:09:55 | 0:09:58 | |
Get on to her people. Tell her to start practising her Scouse accent. | 0:09:58 | 0:10:02 | |
-Is my two o'clock here? -Yeah. -Who is it again? | 0:10:02 | 0:10:05 | |
-Your son, Larry. -Oh, my God! | 0:10:05 | 0:10:08 | |
How could I forget? My Larry. Oh, I love my Larry! | 0:10:08 | 0:10:11 | |
Call me psychic, Elaine, but I knew that lad was gay in the womb. | 0:10:11 | 0:10:14 | |
And do you know what? I was made up for meself cos I love the gays. | 0:10:14 | 0:10:19 | |
I was weaned on queenery. | 0:10:19 | 0:10:20 | |
I spent half me life dancing backwards in gay clubs | 0:10:20 | 0:10:23 | |
to Frankie Goes To Hollywood. Yeah. | 0:10:23 | 0:10:26 | |
Cut me and I bleed Relax. | 0:10:26 | 0:10:28 | |
Show him in. | 0:10:29 | 0:10:30 | |
Larry, your mum. | 0:10:30 | 0:10:32 | |
-Hiya, Mam. -Oh, look at him! | 0:10:32 | 0:10:35 | |
Isn't he gorgeous? He's gorgeous, isn't he, Elaine? | 0:10:35 | 0:10:37 | |
And you can't shag him cos he's a gay. | 0:10:37 | 0:10:39 | |
Give me a hug, you massive bender. | 0:10:39 | 0:10:41 | |
Listen, Mam. I've got some news. | 0:10:42 | 0:10:44 | |
I've met someone. | 0:10:44 | 0:10:45 | |
And he's asked me to marry him and I want you to meet him. | 0:10:45 | 0:10:48 | |
Ooh. | 0:10:50 | 0:10:51 | |
My first gay wedding! | 0:10:52 | 0:10:54 | |
Oh! What's his name? | 0:10:54 | 0:10:56 | |
-Tom. -Oh, that's a great northern name, isn't it? | 0:10:56 | 0:10:59 | |
I'm going to go and get him. Tom! | 0:10:59 | 0:11:01 | |
Oh, Elaine! Elaine! | 0:11:01 | 0:11:02 | |
Book me Castle Howard for a month. | 0:11:02 | 0:11:04 | |
This lad's going to get spliced in style. | 0:11:04 | 0:11:06 | |
We'll get the set of Coronation Street and get Oasis back together, | 0:11:06 | 0:11:09 | |
cos they can play at the reception. | 0:11:09 | 0:11:11 | |
We could get Mel B to sing. | 0:11:11 | 0:11:12 | |
No, forget that. Mel B gets on me tits. | 0:11:12 | 0:11:15 | |
-Here he is, Mam. -Oh, come here. | 0:11:15 | 0:11:18 | |
We're just planning your wedding, lad. | 0:11:18 | 0:11:21 | |
Elaine, we can do food stations. | 0:11:21 | 0:11:23 | |
We'll have organic mushy peas and a hotpot fountain. | 0:11:23 | 0:11:26 | |
Say hello to your mother-in-law. | 0:11:26 | 0:11:28 | |
Oh, my God! He's gorgeous! | 0:11:28 | 0:11:30 | |
You all right, Mrs G? It's a pleasure to meet you. | 0:11:30 | 0:11:34 | |
Say that again, slower. | 0:11:34 | 0:11:35 | |
You all right, Mrs G? It's a pleasure to meet you. | 0:11:35 | 0:11:38 | |
Get out of my office, | 0:11:41 | 0:11:43 | |
you soft southern shite! | 0:11:43 | 0:11:46 | |
And you... | 0:11:54 | 0:11:56 | |
You dirty git! | 0:11:56 | 0:11:58 | |
You disgust me! | 0:11:58 | 0:12:00 | |
-But I love him, Mam. -Are you intent on bringing shame to this family? | 0:12:00 | 0:12:04 | |
To the name Garrity? | 0:12:04 | 0:12:05 | |
You might as well have taken a dagger and shoved it in my heart, lad! | 0:12:05 | 0:12:08 | |
-Mam... -If you marry that c-c-c-ockney knobhead, | 0:12:08 | 0:12:13 | |
you can consider yourself cut from my will. | 0:12:13 | 0:12:15 | |
Now, get out! I can't bear to look at you! | 0:12:15 | 0:12:17 | |
Elaine, | 0:12:21 | 0:12:23 | |
get me Saturday Night Sunday Morning on YouTube. | 0:12:23 | 0:12:26 | |
Consider it dialysis. | 0:12:26 | 0:12:28 | |
-Where's your mother now? -She's up in the attic. | 0:12:30 | 0:12:33 | |
I'm not going! | 0:12:33 | 0:12:36 | |
She says it's a load a fuss about nothing. | 0:12:36 | 0:12:38 | |
You see, there's a mark on our wall from the 1954 flood, | 0:12:38 | 0:12:41 | |
and it's not up there yet, so she says were staying put. | 0:12:41 | 0:12:44 | |
Just out of interest, if you were to save us, how would you do it? | 0:12:45 | 0:12:49 | |
I'd lift you through this window and into my boat. | 0:12:49 | 0:12:53 | |
Through this window? You'd lift me?! | 0:12:53 | 0:12:55 | |
Yes. | 0:12:55 | 0:12:56 | |
I think you'd find that tricky. I'm very pear shaped. | 0:12:56 | 0:13:00 | |
Mother calls me a Heffalump. | 0:13:00 | 0:13:02 | |
She says I've got a very wide pubic bone. | 0:13:02 | 0:13:05 | |
We're taking everyone down to the community centre, | 0:13:05 | 0:13:07 | |
there's blankets down there, and tea. | 0:13:07 | 0:13:09 | |
Oh, that sounds lovely. | 0:13:09 | 0:13:11 | |
Will there be sandwiches? | 0:13:11 | 0:13:12 | |
-Yes, I think so. -And maybe a singsong? | 0:13:12 | 0:13:15 | |
I'm sure you could start one. | 0:13:15 | 0:13:16 | |
SHE LAUGHS | 0:13:16 | 0:13:18 | |
Oh, well, in that case... | 0:13:18 | 0:13:20 | |
Tell the man to go away. | 0:13:20 | 0:13:22 | |
Oh... | 0:13:22 | 0:13:24 | |
-I'm sorry, eh... -Dan. | 0:13:24 | 0:13:26 | |
Oh, I'm sorry, Dan. | 0:13:26 | 0:13:28 | |
Look, we'll keep an eye on the situation. | 0:13:29 | 0:13:31 | |
If the water levels get too high, we'll be back. | 0:13:31 | 0:13:33 | |
Right. Right. Yes. Save me some sandwiches. | 0:13:33 | 0:13:36 | |
All right. | 0:13:36 | 0:13:37 | |
Oh, be careful of Mother's runner beans. | 0:13:38 | 0:13:41 | |
-'Sup, Hassan? -Yo. | 0:13:46 | 0:13:48 | |
They're back. | 0:13:48 | 0:13:50 | |
HE RAPS: # You were warned And here they are | 0:13:50 | 0:13:53 | |
# It's the arrival of the dread death star | 0:13:53 | 0:13:55 | |
# It's doom for us No room for doubt | 0:13:55 | 0:13:57 | |
# Posh people moving in And moving us out | 0:13:57 | 0:14:00 | |
HIPHOP BACKING TRACK | 0:14:02 | 0:14:03 | |
# Hello, guys, I'm Kate and I work in planning | 0:14:03 | 0:14:05 | |
# I'll get straight to the point - we've got a really good plan in | 0:14:05 | 0:14:09 | |
# We're so excited about this community | 0:14:09 | 0:14:11 | |
# We want to preserve its dynamic diversity | 0:14:11 | 0:14:13 | |
# We want to communicate and integrate | 0:14:13 | 0:14:15 | |
# Integrate? You mean segregate, Kate | 0:14:15 | 0:14:18 | |
# Whoa, man You don't like our plan? | 0:14:18 | 0:14:20 | |
# Damn your plan and I ain't your man | 0:14:20 | 0:14:23 | |
# Would you like to rap challenge me? | 0:14:23 | 0:14:25 | |
# I listened to Grandmaster Flash at university | 0:14:25 | 0:14:28 | |
# Hush now, honey Go play with your money | 0:14:28 | 0:14:30 | |
# Dr Dre and Eminem, I'm down, I'm hip with all of them. # | 0:14:30 | 0:14:34 | |
-BOTH: -Oooh! | 0:14:34 | 0:14:35 | |
# So, listen up, fool name a subject for this rap duel | 0:14:35 | 0:14:38 | |
# The ten signs of gentrification | 0:14:38 | 0:14:40 | |
# Drop the beat | 0:14:40 | 0:14:41 | |
HIP-HOP BEAT AND SCRATCHING | 0:14:43 | 0:14:44 | |
# Number one | 0:14:46 | 0:14:47 | |
# Coffee shops on every corner, damn it, man, it sucks | 0:14:47 | 0:14:49 | |
# Costa, Nero, costs so dear full of star schmucks | 0:14:49 | 0:14:51 | |
-# Two. -Everybody moans "More homes for the city," | 0:14:51 | 0:14:53 | |
# Be glad, not sad we're making them pretty | 0:14:53 | 0:14:56 | |
# We're going to build them good, | 0:14:56 | 0:14:57 | |
# We're going to build them tall | 0:14:57 | 0:14:58 | |
-# Three. -That's right three will be affordable | 0:14:58 | 0:15:00 | |
-# Four. -My brother lost his chicken shop, they took away his lease | 0:15:00 | 0:15:02 | |
# Great! Fewer children who are morbidly obese | 0:15:02 | 0:15:05 | |
# Drowning in grease like your niece | 0:15:05 | 0:15:07 | |
# Processed meat-eaters meet type II diabetes | 0:15:07 | 0:15:09 | |
# Pop-up food stalls with a posh name | 0:15:09 | 0:15:11 | |
# Overpriced burgers which all taste the same | 0:15:11 | 0:15:14 | |
# Food will be good in the neighbourhood | 0:15:14 | 0:15:16 | |
# Foodies instead of hoodies | 0:15:16 | 0:15:17 | |
# Sourdough pizza meets a craft beer, gastropubs, bistros | 0:15:17 | 0:15:21 | |
# Round the corner, Waitrose | 0:15:21 | 0:15:22 | |
# Stop, wait a minute | 0:15:22 | 0:15:23 | |
# It gets worse for the nurses with all the stresses | 0:15:23 | 0:15:26 | |
# Working in the messes of the NHSes | 0:15:26 | 0:15:28 | |
# They're moving us out and we won't we won't be back | 0:15:28 | 0:15:30 | |
# Good luck when you get that heart attack | 0:15:30 | 0:15:33 | |
-# Number five. -The people who clean-up and mop up your shit | 0:15:33 | 0:15:36 | |
# Have to move out cos they can't afford it | 0:15:36 | 0:15:38 | |
-# Six. -No more scary dogs chewing up babies faces | 0:15:38 | 0:15:40 | |
# Labradoodle poodles doing doo-doo in nice places | 0:15:40 | 0:15:42 | |
-# Seven. -Yummy mummies working on their mummy tummies | 0:15:42 | 0:15:44 | |
# Spinning and grinning and getting thin in Pilates | 0:15:44 | 0:15:46 | |
-# Eight. -Shops too expensive to hop and shop and drop in | 0:15:46 | 0:15:49 | |
-# Nine. -Great new bars to pop and flop and bop in | 0:15:49 | 0:15:51 | |
-# Great for the rich -Great for the tourist | 0:15:51 | 0:15:54 | |
# Man, it's a bitch if you happen to be the poorest | 0:15:54 | 0:15:57 | |
-# Number ten. -Number ten? | 0:15:57 | 0:15:58 | |
# The tube | 0:15:58 | 0:16:00 | |
-SINGS: -# The tube | 0:16:00 | 0:16:01 | |
# There could be a freaking tube! | 0:16:01 | 0:16:03 | |
# Just do | 0:16:05 | 0:16:06 | |
# Just think | 0:16:06 | 0:16:07 | |
# Crossrail, Citylink | 0:16:07 | 0:16:10 | |
# Give me my chance to be in the right spot | 0:16:10 | 0:16:12 | |
# A tube'll make the neighbourhood hot, hot, hot! # | 0:16:12 | 0:16:15 | |
A tube would be cool. | 0:16:15 | 0:16:17 | |
Nonzo! | 0:16:17 | 0:16:18 | |
THEY SING: # Gentrifying | 0:16:18 | 0:16:19 | |
# Can't pay the rent you're cryin' | 0:16:19 | 0:16:22 | |
# Gotta move to Brent you're sighin' | 0:16:22 | 0:16:24 | |
# And what about my Brenda also meant to die? | 0:16:24 | 0:16:27 | |
# Wake up, wise up see where this leads | 0:16:27 | 0:16:29 | |
# The needy man bleeds while the greedy man feeds | 0:16:29 | 0:16:32 | |
# And moves everyone to Leeds | 0:16:32 | 0:16:34 | |
# I'm glad we got to integrate and communicate, cos next week | 0:16:37 | 0:16:41 | |
# We're going to detonate | 0:16:41 | 0:16:43 | |
# Be sure to get out and get a good view | 0:16:43 | 0:16:45 | |
# This place is blowing up with or without you. # | 0:16:45 | 0:16:48 | |
I've had a lucky life, but there's something I really regret. | 0:17:00 | 0:17:05 | |
Oh, Mum, there's nothing to regret. | 0:17:05 | 0:17:07 | |
I really wish I'd taken more pictures of my lunch | 0:17:09 | 0:17:11 | |
and put them online. | 0:17:11 | 0:17:13 | |
Chicken and chips, take a picture, put it online. | 0:17:14 | 0:17:17 | |
Tuna salad, take a picture, put it online. | 0:17:17 | 0:17:20 | |
Packet of crisps and an apple, | 0:17:20 | 0:17:22 | |
take a picture, put it online. | 0:17:22 | 0:17:24 | |
I...I always thought there'd be another day to show people | 0:17:24 | 0:17:28 | |
what I was about to eat. | 0:17:28 | 0:17:31 | |
Oh, Mum. | 0:17:31 | 0:17:32 | |
Don't let it be too late for you. | 0:17:32 | 0:17:34 | |
Get my purse. Look... | 0:17:35 | 0:17:37 | |
Go down to the canteen, | 0:17:37 | 0:17:38 | |
get yourself a piece of quiche and stick it on Tumblr, | 0:17:38 | 0:17:41 | |
because tomorrow might never come. | 0:17:41 | 0:17:44 | |
It won't be long now. | 0:17:47 | 0:17:48 | |
'Gram it, Sal. | 0:17:56 | 0:17:57 | |
Is that one of mine? | 0:18:04 | 0:18:05 | |
What, this? | 0:18:06 | 0:18:07 | |
No, no, no. The book. Is that one of mine? | 0:18:07 | 0:18:10 | |
Who are you? | 0:18:10 | 0:18:11 | |
Germaine Greer. | 0:18:11 | 0:18:13 | |
Feminist icon and former lover of Frederico Fellini. | 0:18:13 | 0:18:16 | |
I practically invented sex. | 0:18:16 | 0:18:18 | |
Why are you looking at me like that? | 0:18:19 | 0:18:20 | |
Have you never seen nipples on a woman's hips before? | 0:18:20 | 0:18:23 | |
You should be thanking me, you know. | 0:18:24 | 0:18:26 | |
I was a clitoral pioneer. | 0:18:26 | 0:18:28 | |
Nobody was talking about them in Melbourne before I came along. | 0:18:28 | 0:18:31 | |
Ditto vaginas. | 0:18:31 | 0:18:33 | |
That's right, sir. | 0:18:33 | 0:18:34 | |
I said vaginas. | 0:18:34 | 0:18:37 | |
It's Latin, meaning scabbard or sheath. | 0:18:37 | 0:18:40 | |
Did you know that? | 0:18:40 | 0:18:42 | |
Sorry, can you not invade my space? | 0:18:42 | 0:18:43 | |
Oh, when did students get so intolerant?! | 0:18:43 | 0:18:47 | |
In my world, you can say anything you want. | 0:18:47 | 0:18:49 | |
I told the Australian PM she had a fat arse once, | 0:18:49 | 0:18:52 | |
and nobody batted an eyelid. | 0:18:52 | 0:18:54 | |
Well, they did, but I meant it n a nice way. | 0:18:54 | 0:18:57 | |
-Yeah, I actually find that really offensive. -Good. Good! | 0:18:57 | 0:19:00 | |
Get angry! | 0:19:00 | 0:19:01 | |
Somebody needs to, now that I've been silenced by the media. | 0:19:01 | 0:19:05 | |
They called me a radical when I was young, | 0:19:05 | 0:19:08 | |
but you're not allowed to be controversial | 0:19:08 | 0:19:11 | |
once your areolas head south. | 0:19:11 | 0:19:13 | |
I'm intellectually homeless. | 0:19:14 | 0:19:16 | |
Can't even get a seat on BBC Four. | 0:19:17 | 0:19:20 | |
And all because I'm old. | 0:19:20 | 0:19:21 | |
There's no other possible explanation. | 0:19:21 | 0:19:24 | |
Minister, I'm going to have to ask the question again, | 0:19:27 | 0:19:30 | |
and I'm going to keep on asking it until I get an answer. | 0:19:30 | 0:19:33 | |
Have you ever held shares in an offshore company? | 0:19:33 | 0:19:37 | |
-CAT MEOWS -Yes, all right, I did. I did. | 0:19:37 | 0:19:40 | |
I did. Can you get off me, please? | 0:19:40 | 0:19:42 | |
I'm actually allergic. | 0:19:42 | 0:19:43 | |
Kay? | 0:19:46 | 0:19:47 | |
Kay? | 0:19:48 | 0:19:49 | |
Kay?! | 0:19:51 | 0:19:53 | |
I'm coming, mother! | 0:19:53 | 0:19:55 | |
Oh! I found some groceries floating around down there. | 0:19:55 | 0:19:58 | |
I managed to rescue the Branston and some golden breadcrumbs. | 0:19:58 | 0:20:02 | |
Did you get my biscuits? | 0:20:02 | 0:20:04 | |
Yes, I got your biscuits. | 0:20:04 | 0:20:05 | |
There's quite a riptide down there by the washing machine. | 0:20:06 | 0:20:09 | |
People do seem to be leaving, Mother. | 0:20:11 | 0:20:13 | |
They're all getting in canoes and paddling away. | 0:20:13 | 0:20:15 | |
Babies. | 0:20:15 | 0:20:17 | |
A lot of fuss about nothing. | 0:20:17 | 0:20:18 | |
It's just a bit of damp. | 0:20:18 | 0:20:20 | |
You brought the wrong biscuits. | 0:20:22 | 0:20:23 | |
I want the Garibaldis. | 0:20:23 | 0:20:25 | |
But they're in the pantry. | 0:20:25 | 0:20:27 | |
It's like the Poseidon Adventure down there, Mum. | 0:20:27 | 0:20:29 | |
I'll have to free-dive for them. | 0:20:31 | 0:20:32 | |
I want the Garibaldis. | 0:20:32 | 0:20:34 | |
Let me take something to help me breathe. | 0:20:37 | 0:20:39 | |
Let me know if you need any help. | 0:20:49 | 0:20:52 | |
I'm just after a card for our Shirley. | 0:20:52 | 0:20:54 | |
Oh, lovely. | 0:20:54 | 0:20:56 | |
Well, they're all in sections. | 0:20:56 | 0:20:58 | |
There's cheeky over there, then you get crude, and there's adult, | 0:20:58 | 0:21:03 | |
and then there's obscene and here's downright offensive. | 0:21:03 | 0:21:07 | |
I'm actually just after a birthday card. | 0:21:07 | 0:21:09 | |
Oh, they're all birthday cards. | 0:21:09 | 0:21:11 | |
So, what's she like? | 0:21:11 | 0:21:12 | |
Does she drink too much Prosecco? | 0:21:13 | 0:21:15 | |
Does she eat too much cake? | 0:21:16 | 0:21:18 | |
Does she like getting bummed? | 0:21:19 | 0:21:20 | |
-I'm not sure she really does, really. -Oh. | 0:21:21 | 0:21:24 | |
Well, a lot of people seem to, | 0:21:24 | 0:21:26 | |
cos they make an awful lot of cards about that. | 0:21:26 | 0:21:28 | |
Do you not have any cards that just have pictures of animals or birds? | 0:21:28 | 0:21:32 | |
Yes, yes, we do. | 0:21:32 | 0:21:33 | |
Er, there's this one here. | 0:21:33 | 0:21:36 | |
Oh, lovely! | 0:21:36 | 0:21:39 | |
"I got you a hairy pussy." | 0:21:39 | 0:21:41 | |
And this one. | 0:21:42 | 0:21:43 | |
"You're a tit"? | 0:21:43 | 0:21:44 | |
Er... | 0:21:44 | 0:21:45 | |
It does say "You're a tit", yeah. | 0:21:45 | 0:21:47 | |
She's not your sister, is she? Cos these are very popular. | 0:21:48 | 0:21:52 | |
"You may be my sister, but you're still a bitch." | 0:21:52 | 0:21:55 | |
No, she's just a neighbour. | 0:21:55 | 0:21:57 | |
Oh, that's a shame, isn't it? | 0:21:57 | 0:21:58 | |
Oh! Is that a "Keep Calm And Carry On" range? | 0:21:58 | 0:22:01 | |
That's a World War II slogan, isn't it? | 0:22:01 | 0:22:04 | |
Maybe this'd be more appropriate. | 0:22:04 | 0:22:06 | |
"Keep calm and carry on drinking." | 0:22:06 | 0:22:08 | |
"Keep calm and carry on shagging." | 0:22:08 | 0:22:10 | |
"Keep calm and..." Oh. | 0:22:10 | 0:22:12 | |
Do you not have any cards at all that aren't rude? | 0:22:12 | 0:22:14 | |
No, they're mostly the funny ones. | 0:22:14 | 0:22:17 | |
But we do have this range. | 0:22:18 | 0:22:19 | |
They're made by a woman in the village and they're on brown card, | 0:22:19 | 0:22:23 | |
so you know they're classy. | 0:22:23 | 0:22:24 | |
And she's stuck pieces of paper on them | 0:22:24 | 0:22:26 | |
to make flowers and butterflies. | 0:22:26 | 0:22:29 | |
Oh, that's pretty. | 0:22:29 | 0:22:30 | |
How much is that? | 0:22:30 | 0:22:32 | |
£7.50. | 0:22:32 | 0:22:33 | |
Maybe Shirley does like being bummed. | 0:22:36 | 0:22:37 | |
AMOROUS NOISES | 0:22:42 | 0:22:45 | |
Oh! | 0:22:45 | 0:22:46 | |
Ooh, that is good! | 0:22:46 | 0:22:47 | |
Oh! | 0:22:49 | 0:22:50 | |
Right, bedtime. | 0:22:52 | 0:22:53 | |
What, what? No, no. | 0:22:54 | 0:22:56 | |
Oh, no. | 0:22:56 | 0:22:58 | |
Oh, your father was just looking for his keys. | 0:22:58 | 0:23:01 | |
Oh, you can't go! | 0:23:01 | 0:23:03 | |
Movie night's for all my new family. | 0:23:03 | 0:23:06 | |
Mick refused to buy a colour TV, so this is such a treat for me, y'all. | 0:23:06 | 0:23:10 | |
Sit down or you're out of the will. | 0:23:10 | 0:23:12 | |
Right, so, what shall we watch? | 0:23:15 | 0:23:17 | |
Let's watch Tim Burton's Batman. | 0:23:17 | 0:23:19 | |
I did my acting in that film. | 0:23:19 | 0:23:21 | |
We're watching Crocodile Dundee. | 0:23:22 | 0:23:24 | |
We watched that last week! | 0:23:24 | 0:23:25 | |
So? You got a problem with that? | 0:23:25 | 0:23:27 | |
-No, no, no. -I love Crocodile Dundee. | 0:23:27 | 0:23:29 | |
Yes, let's watch Crocodile Dundee. It's my favourite film. | 0:23:29 | 0:23:32 | |
Paul Hogan is the greatest actor in the world. | 0:23:32 | 0:23:34 | |
OK. Well, fire up the Blu-ray. | 0:23:34 | 0:23:36 | |
Jerry, er... | 0:23:38 | 0:23:40 | |
do you want some popcorn? | 0:23:40 | 0:23:41 | |
Oh, no. Not for me, sweetie. | 0:23:41 | 0:23:43 | |
Go on, Jerry. | 0:23:46 | 0:23:47 | |
-Have some popcorn. -No, I'm fine. | 0:23:47 | 0:23:49 | |
I'm watching my figure. | 0:23:49 | 0:23:51 | |
I'll watch it for you! | 0:23:51 | 0:23:52 | |
Ha, boom-boom! | 0:23:52 | 0:23:53 | |
Jerry, I really think you should try the popcorn. | 0:23:55 | 0:23:57 | |
I really don't want any. | 0:23:57 | 0:23:59 | |
I'll try the popcorn. | 0:23:59 | 0:24:00 | |
No, no! | 0:24:00 | 0:24:02 | |
Agh! Oh, God! | 0:24:02 | 0:24:04 | |
-You're not supposed to try the popcorn! -Oh, Dad! -That's gross! | 0:24:04 | 0:24:07 | |
Rupert, what is wrong with you? | 0:24:07 | 0:24:09 | |
Can't a man hide his pecker in his own popcorn once in a while | 0:24:09 | 0:24:13 | |
without getting grief about it? | 0:24:13 | 0:24:14 | |
I'm never eating popcorn again! | 0:24:14 | 0:24:16 | |
Can you imagine them all in that community centre now, Mum? | 0:24:22 | 0:24:26 | |
With the sandwiches and the singing? | 0:24:26 | 0:24:29 | |
We could have wowed them with our new thermos. | 0:24:29 | 0:24:32 | |
I'm cold. | 0:24:32 | 0:24:33 | |
I think we've got a roll of old lagging up here somewhere. | 0:24:34 | 0:24:37 | |
We could wrap ourselves in that. | 0:24:37 | 0:24:40 | |
Look at all this junk. | 0:24:40 | 0:24:42 | |
We might find some cash in our attic, Mother. | 0:24:42 | 0:24:44 | |
Oh, dear. | 0:24:44 | 0:24:47 | |
What's all this? | 0:24:47 | 0:24:48 | |
It's a postcard. | 0:24:49 | 0:24:51 | |
To me. | 0:24:51 | 0:24:52 | |
"Could I have the honour of accompanying you to the cinema | 0:24:52 | 0:24:56 | |
"this Saturday to see Doctor Zhivago?" | 0:24:56 | 0:24:58 | |
Oh, it's from a man, inviting me to the pictures. | 0:25:00 | 0:25:04 | |
Oh, this is 1965. | 0:25:04 | 0:25:06 | |
I suppose I've missed that now. | 0:25:06 | 0:25:08 | |
I don't know how that got there. | 0:25:08 | 0:25:10 | |
What else is up here, mother? | 0:25:12 | 0:25:13 | |
Nothing. | 0:25:13 | 0:25:15 | |
KNOCKING | 0:25:15 | 0:25:17 | |
I'm afraid we're going to have to evacuate you, ladies. | 0:25:17 | 0:25:19 | |
Oh, it's Dan. That's Dan. | 0:25:19 | 0:25:21 | |
Hello, Dan. How did you get up there? | 0:25:21 | 0:25:23 | |
He's like Spider-Man, Mum, shimmying up the side of buildings. | 0:25:24 | 0:25:28 | |
Tell him to keep his sticky substances to himself. | 0:25:28 | 0:25:31 | |
Right, you're not safe, OK? | 0:25:32 | 0:25:34 | |
We're going to have to get you out. | 0:25:34 | 0:25:35 | |
Here we go. | 0:25:35 | 0:25:37 | |
Here you go, Mum. | 0:25:37 | 0:25:38 | |
You'll need a sturdier ladder than that for her. | 0:25:38 | 0:25:41 | |
Will you be staying the night in the community centre as well, Dan? | 0:25:41 | 0:25:45 | |
Because I expect we should all have to huddle close for warmth. | 0:25:45 | 0:25:48 | |
I must warn you, I've got very cold feet. | 0:25:48 | 0:25:51 | |
Mother says it's like sleeping next to an iceberg. | 0:25:51 | 0:25:54 | |
Oh! Ooh, Dan! | 0:25:54 | 0:25:56 | |
"Darling, Kay, will you marry me?" | 0:25:57 | 0:25:59 | |
"Dear, Kay Clark, I'm pleased to offer you a place..." | 0:25:59 | 0:26:01 | |
"...very pleased to offer you the position of customer service advisor... | 0:26:01 | 0:26:04 | |
"We're all going to France and we'd love you to come..." | 0:26:04 | 0:26:06 | |
"Dear, Kay, why haven't you replied to my letters?" | 0:26:06 | 0:26:08 | |
It's an honour to present the award for Best British Newcomer, | 0:26:18 | 0:26:24 | |
but before I do, I just want to say that our industry must be open | 0:26:24 | 0:26:28 | |
to all voices and backgrounds, not just the elite. | 0:26:28 | 0:26:32 | |
How are we going to hear working-class stories | 0:26:32 | 0:26:34 | |
if there are no working-class actors? | 0:26:34 | 0:26:37 | |
Thank you. Thank you. | 0:26:39 | 0:26:41 | |
And the nominees for Best British Newcomer are... | 0:26:41 | 0:26:45 | |
Henry Osmond Wells | 0:26:45 | 0:26:47 | |
for Gay Cambridge Spies. | 0:26:47 | 0:26:48 | |
Lucia Wentworth | 0:26:52 | 0:26:54 | |
for Thin Woman In A Floaty Dress. | 0:26:54 | 0:26:56 | |
Hugo Wilkes, ninth Earl of Buckinghamshire, | 0:26:58 | 0:27:01 | |
for Help, I'm A Disabled Oxford Boffin. | 0:27:01 | 0:27:03 | |
And finally, Terry Marsh | 0:27:07 | 0:27:10 | |
for Council Estate Jack-Up. | 0:27:10 | 0:27:12 | |
And the winner is... | 0:27:15 | 0:27:17 | |
Terry Marsh, Council Estate Jack-Up! | 0:27:21 | 0:27:23 | |
Yay! Yay! | 0:27:27 | 0:27:28 | |
Oh! | 0:27:31 | 0:27:32 | |
Well done, Tel! | 0:27:34 | 0:27:35 | |
Job well done, mate! | 0:27:35 | 0:27:36 | |
Thanks. | 0:27:37 | 0:27:38 | |
I'm gobsmacked. I mean, I just... | 0:27:38 | 0:27:41 | |
Hang on... | 0:27:41 | 0:27:43 | |
This ain't my name. | 0:27:43 | 0:27:44 | |
Just take the award, Terry, take the award. | 0:27:44 | 0:27:46 | |
This says Hugo Wilkes, ninth Earl of Buckingham. | 0:27:46 | 0:27:50 | |
Oh, you cocked it up, mate! | 0:27:50 | 0:27:51 | |
Roz, it don't matter who the actor is or where he's from. | 0:27:51 | 0:27:56 | |
Look, what matters is the quality of the work. | 0:27:56 | 0:27:58 | |
Hugo, get up here. | 0:27:58 | 0:28:00 | |
Woohoo! | 0:28:02 | 0:28:03 | |
That's yours, mate. | 0:28:03 | 0:28:04 | |
Woo! OMG! | 0:28:04 | 0:28:06 | |
Never thought I'd win this tonight, but, erm, just because an actor | 0:28:06 | 0:28:10 | |
comes from what some people might call a privileged background, | 0:28:10 | 0:28:13 | |
doesn't mean that he hasn't had to fight for every inch of his career. | 0:28:13 | 0:28:17 | |
It isn't easy trying to act when the bank is calling | 0:28:17 | 0:28:21 | |
you every day, asking you to run its futures division. | 0:28:21 | 0:28:24 | |
Or choosing whether to rehearse or | 0:28:24 | 0:28:26 | |
go on a skiing holiday with some really great guys. | 0:28:26 | 0:28:30 | |
So this is for all those who believe in art | 0:28:30 | 0:28:33 | |
and for everyone who wants to bring back fox hunting. | 0:28:33 | 0:28:35 | |
Yeah, fox hunting! | 0:28:35 | 0:28:37 | |
Right, leg it, Tel! Leg it! | 0:28:44 | 0:28:45 | |
Yeah, up the fucking workers! | 0:28:48 | 0:28:49 |