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# Nana was a suffragette Almost the last alive | 0:00:02 | 0:00:04 | |
# Nana was a suffragette, over 95 | 0:00:04 | 0:00:09 | |
# She sang Votes for women is just the beginning | 0:00:09 | 0:00:14 | |
# You haven't seen anything yet | 0:00:14 | 0:00:19 | |
# Oh, Nana was a suffragette. # | 0:00:19 | 0:00:21 | |
BIRDSONG | 0:00:21 | 0:00:23 | |
Ssh! | 0:00:27 | 0:00:28 | |
A-h-h-hem! | 0:00:31 | 0:00:32 | |
Gwen? | 0:00:32 | 0:00:34 | |
Yes, just putting out my home-made fairy cakes, Margaret. | 0:00:34 | 0:00:38 | |
No! | 0:00:50 | 0:00:52 | |
A-h-h-h-hem! | 0:00:54 | 0:00:56 | |
-Gwen? -Yes, just coming. Er... | 0:00:57 | 0:01:00 | |
Yes, um, about these, um, placards, Gwen. | 0:01:01 | 0:01:05 | |
Um, what was it exactly you said to Mr Jones from the woodyard? | 0:01:05 | 0:01:08 | |
Well, I said six by three. | 0:01:08 | 0:01:11 | |
Six by three with the poles, or six by three with the poles? | 0:01:11 | 0:01:15 | |
I'm not sure, Margaret. I'm not sure. | 0:01:15 | 0:01:17 | |
I was just very conscious not to take up too much of his time | 0:01:17 | 0:01:20 | |
as he's made them for us for nothing. | 0:01:20 | 0:01:22 | |
I'm not sure I made a hand gesture. | 0:01:22 | 0:01:24 | |
-Where were you? -Well, I was in the line at the butcher's. | 0:01:24 | 0:01:27 | |
Mr Hill, the butcher, had asked me | 0:01:27 | 0:01:29 | |
how large I wanted the beef brisket | 0:01:29 | 0:01:31 | |
for the annual St Augustine's church dinner, | 0:01:31 | 0:01:33 | |
and Mr Jones from the woodyard had just asked me | 0:01:33 | 0:01:36 | |
what dimensions I wanted our plackets to be. | 0:01:36 | 0:01:39 | |
And I looked at Mr Jones and... Oh, yes, I did gesture. | 0:01:39 | 0:01:42 | |
I gestured to Mr Hill, six by three. | 0:01:42 | 0:01:46 | |
Right. Yes, I see. | 0:01:46 | 0:01:48 | |
-They're wrong, aren't they? -No, no, Gwen. They're not wrong. | 0:01:51 | 0:01:53 | |
Oh, Margaret, I'm so sorry! I'm exhausted. | 0:01:53 | 0:01:56 | |
Mother was up all night with her pleurisy. | 0:01:56 | 0:01:59 | |
She's finally agreed to take up smoking, | 0:01:59 | 0:02:01 | |
which the doctor recommended. | 0:02:01 | 0:02:03 | |
But it just seems to keep her wide awake. | 0:02:04 | 0:02:07 | |
Good grief! Are you putting together a paddle steamer? | 0:02:08 | 0:02:12 | |
-Oh, they are wrong! -No, no, no, no, they're not. | 0:02:12 | 0:02:15 | |
They're perfect for our purpose. | 0:02:15 | 0:02:18 | |
What, a trip down the Mississippi? | 0:02:18 | 0:02:20 | |
We are putting Banbury | 0:02:20 | 0:02:21 | |
Intricate Craft Circle Politely Requests Women's Suffrage | 0:02:21 | 0:02:24 | |
firmly on the map, Mr Millar. | 0:02:24 | 0:02:25 | |
We're carrying them on a suffrage march to the post office. | 0:02:25 | 0:02:28 | |
They are wide like this so we can fit more writing on them. | 0:02:28 | 0:02:32 | |
You could fit the Testament Old and New on those. | 0:02:32 | 0:02:36 | |
I'm here! I'm here! | 0:02:36 | 0:02:38 | |
I wasn't going to come tonight | 0:02:38 | 0:02:40 | |
as I've been extremely busy with the annual ball bearings gala. | 0:02:40 | 0:02:43 | |
It wasn't a gala, Helen, it was a dinner for seven. | 0:02:43 | 0:02:47 | |
Thank you, Mother. | 0:02:47 | 0:02:48 | |
When one has spent one's life pursuing pleasure for its own sake, | 0:02:48 | 0:02:51 | |
I'm sure it's hard to imagine how complex the responsibilities | 0:02:51 | 0:02:54 | |
of dutiful married life are. | 0:02:54 | 0:02:57 | |
Yes, I'm sure as I lie on my deathbed, | 0:02:57 | 0:02:59 | |
I will cast my mind's eye back | 0:02:59 | 0:03:01 | |
over all the table arrangements I never made. | 0:03:01 | 0:03:04 | |
Not long now. | 0:03:04 | 0:03:06 | |
-Hello, Emily. -Don't speak to Emily. | 0:03:09 | 0:03:10 | |
She's being punished for indulging | 0:03:10 | 0:03:12 | |
in the most deplorable, unnatural act. | 0:03:12 | 0:03:15 | |
I was listening to Bizet. | 0:03:15 | 0:03:17 | |
Music for fallen women. | 0:03:17 | 0:03:19 | |
What's this? Are you building a windmill? | 0:03:19 | 0:03:21 | |
No, these are placards for our suffrage protest. | 0:03:21 | 0:03:25 | |
We're marching to the post office today. | 0:03:25 | 0:03:27 | |
Oh. I see you're still hellbent on attempting to captain | 0:03:27 | 0:03:31 | |
this rudderless ship of fools | 0:03:31 | 0:03:33 | |
upon the topsy-turvy seas of a motherless society. | 0:03:33 | 0:03:36 | |
If you mean campaigning for women's votes, then yes. | 0:03:36 | 0:03:39 | |
I've come today to tell you that I shan't be joining you. | 0:03:39 | 0:03:42 | |
-Oh. -No matter how hard you try to persuade me. | 0:03:42 | 0:03:44 | |
-Yes. -I'm not a suffragette. -Right. -And I never will be. | 0:03:44 | 0:03:47 | |
-No. -Goodbye. -Goodbye. | 0:03:47 | 0:03:49 | |
Well, I'm sure we'd all love it if you'd stay. | 0:03:55 | 0:03:58 | |
Yes, yes, please, Helen. Please stay. | 0:03:58 | 0:04:00 | |
Oh, well, very well, if you insist, I will. | 0:04:02 | 0:04:04 | |
But I will not participate, | 0:04:04 | 0:04:05 | |
I will merely observe and criticise...constructively. | 0:04:05 | 0:04:09 | |
How very selfless of you. Thank you, Helen. | 0:04:09 | 0:04:12 | |
-Right, so shall we get on with... -Not at all. | 0:04:12 | 0:04:15 | |
..painting these placards? | 0:04:15 | 0:04:17 | |
Right, well, shall I talk you through the various bits and bobs? | 0:04:17 | 0:04:20 | |
-Bits and bobs? -The brushes and paints to paint the signs. | 0:04:20 | 0:04:23 | |
It's a complicated business | 0:04:23 | 0:04:25 | |
and it can't be approached with any degree of slapdash. | 0:04:25 | 0:04:29 | |
There's art in it. | 0:04:29 | 0:04:30 | |
You can't dip brushes like you're dipping toffee apples. | 0:04:30 | 0:04:33 | |
I know that. I've recently read Ruskin's Placards of Venice. | 0:04:33 | 0:04:37 | |
I think I know what I'm doing. | 0:04:37 | 0:04:38 | |
Right, well, just remember to thin the paint with the turps. | 0:04:38 | 0:04:41 | |
Turps? Ruskin didn't mention turps. | 0:04:41 | 0:04:44 | |
Hang on. Why don't I do one? You've got enough placards. | 0:04:44 | 0:04:48 | |
Now, this is a one-inch horsehair Merriweather. | 0:04:48 | 0:04:51 | |
The second most expensive you can buy. | 0:04:51 | 0:04:54 | |
Dip it in lightly. Just a little. You don't want to clog it. | 0:04:54 | 0:04:58 | |
Now, what do you want me to write? | 0:04:58 | 0:05:00 | |
Oh, er...down with men? | 0:05:00 | 0:05:03 | |
Down with men. Right-ho. | 0:05:03 | 0:05:05 | |
So...lightly as you go. | 0:05:05 | 0:05:07 | |
Paint it right out till the brush is empty and then dip again. | 0:05:07 | 0:05:11 | |
Oh, right. Had Michelangelo been a caretaker... | 0:05:11 | 0:05:15 | |
Yes? | 0:05:15 | 0:05:17 | |
Well, had he been a caretaker, he would have... | 0:05:17 | 0:05:19 | |
I don't understand. | 0:05:19 | 0:05:20 | |
Well, I'm just saying if he had been a caretaker, | 0:05:20 | 0:05:23 | |
he would have paid a lot of attention to his brushes. | 0:05:23 | 0:05:25 | |
Oh! Goodness. | 0:05:25 | 0:05:27 | |
I wasn't... It was just a passing... Please, I... | 0:05:27 | 0:05:29 | |
I'm a bit worried about these plackets, Margaret. | 0:05:31 | 0:05:33 | |
-I'm not sure if we'll be able to lift them up high. -Really? | 0:05:33 | 0:05:37 | |
Oh, yes. Um... No, I'm sure it'll be fine. | 0:05:37 | 0:05:41 | |
I'm sure it'll be fine. Just... | 0:05:41 | 0:05:43 | |
The gravity exerts a downward force | 0:05:46 | 0:05:48 | |
and the floor exerts an upward force. | 0:05:48 | 0:05:51 | |
And seeing as both forces are of equal magnitude | 0:05:51 | 0:05:55 | |
and in opposite direction, they balance each other out. | 0:05:55 | 0:05:58 | |
It's simply a case of just finding perfect equilibrium. | 0:05:58 | 0:06:01 | |
Like this. | 0:06:01 | 0:06:03 | |
Agh! | 0:06:03 | 0:06:04 | |
Mr Millar? | 0:06:06 | 0:06:08 | |
I think this is commonly known as falling at the first hurdle. | 0:06:09 | 0:06:12 | |
Don't worry, Mrs Unwin. I have a solution. | 0:06:12 | 0:06:15 | |
There are many ways to wrangle a pole. | 0:06:15 | 0:06:17 | |
Indeed. | 0:06:17 | 0:06:20 | |
I shall be back with technical reinforcements. | 0:06:20 | 0:06:22 | |
Let's get on with painting the placards. | 0:06:22 | 0:06:25 | |
Everyone, there's been a suffrage attack | 0:06:26 | 0:06:29 | |
on the statue of Venus in the Banbury library. | 0:06:29 | 0:06:32 | |
It's in the papers! | 0:06:32 | 0:06:33 | |
Oh! Yes. | 0:06:33 | 0:06:35 | |
"The attack is believed to have been carried out by suffragettes. | 0:06:35 | 0:06:38 | |
"The suspects are still at large | 0:06:38 | 0:06:39 | |
"and the police are calling for witnesses." | 0:06:39 | 0:06:42 | |
-Do you want to see, Helen? -No, thank you. | 0:06:42 | 0:06:44 | |
-They axed off her blubbery Mabels! -Goodness! | 0:06:44 | 0:06:47 | |
And they painted out her flannery Ann! | 0:06:47 | 0:06:49 | |
Why would they do such a thing? | 0:06:49 | 0:06:51 | |
Because she's more than just her flannery Ann | 0:06:51 | 0:06:53 | |
and her blubbery Mabels, Gwen! | 0:06:53 | 0:06:55 | |
-Emily! -She's not an object. | 0:06:55 | 0:06:57 | |
Well, she's a statue, which technically is an object. | 0:06:57 | 0:07:00 | |
I've spent many GLORIOUS afternoons being an object of desire. | 0:07:00 | 0:07:06 | |
When I worked as a governess for the Tutti Filangieri's in Napoli, | 0:07:07 | 0:07:12 | |
the baron took a shine to me | 0:07:12 | 0:07:14 | |
and we lay in his orchard discussing beauty and truth | 0:07:14 | 0:07:19 | |
in the shade of his rare plums. | 0:07:19 | 0:07:22 | |
Eva, what is a flannery Ann? | 0:07:24 | 0:07:28 | |
Your, er... Your pompom la bute. | 0:07:28 | 0:07:30 | |
Your Jennifer. | 0:07:33 | 0:07:34 | |
Your Michaelmas Avenue. | 0:07:35 | 0:07:37 | |
-Your vagina, Gwen! -Emily! | 0:07:37 | 0:07:40 | |
Emily, there is a child present. | 0:07:40 | 0:07:43 | |
Oh, are we doing placards? Oh, that's exciting! | 0:07:43 | 0:07:47 | |
What can I write on mine, Margaret? | 0:07:47 | 0:07:49 | |
Oh, um... | 0:07:49 | 0:07:50 | |
taxation without representation is tyranny? | 0:07:50 | 0:07:54 | |
All right. | 0:07:54 | 0:07:55 | |
Do we have to write slogans, or can we just do patterns? | 0:07:57 | 0:08:00 | |
We're a protest group, Gwen, not a children's nursery! | 0:08:00 | 0:08:03 | |
Yes, but I don't see why we can't decorate them. | 0:08:03 | 0:08:05 | |
Perhaps with some flowers in the corner. | 0:08:05 | 0:08:07 | |
It is vital one studies one's canvas | 0:08:07 | 0:08:10 | |
before one commits one's brush to it. | 0:08:10 | 0:08:12 | |
When I studied painting under Jacopo Tonillieri in Roma, | 0:08:12 | 0:08:17 | |
he would insist that I paint naked to add frisson to my brush. | 0:08:17 | 0:08:21 | |
-Did it work? -It certainly did. | 0:08:24 | 0:08:27 | |
Could you please spare us | 0:08:29 | 0:08:30 | |
this catalogue of lecherous trysts, Mother? | 0:08:30 | 0:08:34 | |
No! | 0:08:34 | 0:08:35 | |
-Eva? -Yes, Gwen? | 0:08:36 | 0:08:39 | |
You know your...well, your flannery Ann...? | 0:08:39 | 0:08:43 | |
Yes, Gwen. | 0:08:43 | 0:08:45 | |
Um...how does the... Well, does it join up? | 0:08:45 | 0:08:49 | |
Is that... Is that how the kittens come out? | 0:08:49 | 0:08:52 | |
Join up with what, Gwen? | 0:08:55 | 0:08:56 | |
Well, does it join up with your soldier's mitten? | 0:08:56 | 0:08:59 | |
-Your what? -Your rear guard. | 0:09:01 | 0:09:04 | |
Your reserve constabulary. | 0:09:04 | 0:09:05 | |
Oh! No. | 0:09:05 | 0:09:07 | |
So, where do they come from? | 0:09:07 | 0:09:10 | |
Oh, dear, sweet, innocent Gwen. | 0:09:10 | 0:09:12 | |
They come from heaven. | 0:09:12 | 0:09:15 | |
Through the fiery furnace of hell. | 0:09:16 | 0:09:18 | |
Oh, no, I've ruined mine! | 0:09:20 | 0:09:22 | |
Oh, I'm sure you haven't. | 0:09:22 | 0:09:24 | |
Oh! No, look, everyone. | 0:09:24 | 0:09:26 | |
Yes, she has. | 0:09:29 | 0:09:31 | |
Yes. So I see. I see. | 0:09:31 | 0:09:32 | |
Don't worry, Eva, everyone will know what you mean. | 0:09:32 | 0:09:35 | |
I just didn't want anyone to know that I couldn't spell tyranny. | 0:09:36 | 0:09:39 | |
Nor taxation. | 0:09:42 | 0:09:44 | |
Nor representation. | 0:09:44 | 0:09:45 | |
Nor is. | 0:09:47 | 0:09:49 | |
Did you hear about Mrs Latham and the General's eldest son? | 0:09:51 | 0:09:55 | |
-Oh, yes! -He's quite exquisite, though, is he not? | 0:09:55 | 0:09:58 | |
She's no better than she should be. | 0:09:58 | 0:10:00 | |
I heard they were at it in the kitchen | 0:10:00 | 0:10:02 | |
and Fran the scullery maid walked in and found them. | 0:10:02 | 0:10:05 | |
Apparently, he was in nothing but his boots. | 0:10:05 | 0:10:07 | |
Troppo-troppo non-stoppo! | 0:10:07 | 0:10:10 | |
Listen to yourselves! | 0:10:10 | 0:10:12 | |
This is all just a little game for you, isn't it? | 0:10:12 | 0:10:15 | |
You provincial gossips! | 0:10:15 | 0:10:16 | |
Nothing but a petty distraction from | 0:10:16 | 0:10:17 | |
the loveless servitude of your empty lives. | 0:10:17 | 0:10:19 | |
Well, I hope I never end up like you. | 0:10:19 | 0:10:23 | |
Oh, really, Emily? | 0:10:23 | 0:10:24 | |
And how exactly do you think you will succeed | 0:10:24 | 0:10:27 | |
where all these women have failed? | 0:10:27 | 0:10:29 | |
It's perfectly obvious. | 0:10:29 | 0:10:31 | |
I will simply choose never to fall in love. | 0:10:31 | 0:10:33 | |
That is a woman's downfall. | 0:10:33 | 0:10:35 | |
To succumb to the vanity and idiocy of romance! | 0:10:35 | 0:10:38 | |
Sorry I'm late. | 0:10:38 | 0:10:40 | |
Ladies. Miss Emily. | 0:10:41 | 0:10:43 | |
Late for what? | 0:10:43 | 0:10:45 | |
For the meeting. | 0:10:45 | 0:10:46 | |
-This is our woman's suffrage meeting, Thomas. -Yes. | 0:10:46 | 0:10:48 | |
-And you wish to join us? -Very much so. | 0:10:48 | 0:10:50 | |
Absolutely! | 0:10:50 | 0:10:52 | |
Welcome! Welcome! Piu sono meglio! | 0:10:52 | 0:10:56 | |
I don't think my Charlie would like it | 0:10:56 | 0:10:58 | |
if he knew I was in a group with other men. | 0:10:58 | 0:11:01 | |
Please, please, do not think of me as a man. | 0:11:01 | 0:11:04 | |
More as a pupil, one whom you can educate and illuminate | 0:11:04 | 0:11:07 | |
as to the nature of your truthful, fearless, human hearts. | 0:11:07 | 0:11:10 | |
You... | 0:11:10 | 0:11:13 | |
you, you, you...you are unhappy cogs | 0:11:13 | 0:11:17 | |
worn down by the grinding mechanics of male society. | 0:11:17 | 0:11:19 | |
Cogs that would break free of the system | 0:11:19 | 0:11:21 | |
and shatter the machine for ever! | 0:11:21 | 0:11:23 | |
And though I am not a cog, I can act as a spanner. | 0:11:23 | 0:11:25 | |
A spanner in the works of your oppression. | 0:11:27 | 0:11:29 | |
Yours to... Hmm... Yours to use at will. | 0:11:29 | 0:11:33 | |
A tool of protest. Thank you. | 0:11:33 | 0:11:35 | |
Bravo! We have ourselves a spanner! | 0:11:35 | 0:11:38 | |
What do you think? Shall we use this tool? | 0:11:39 | 0:11:41 | |
Gwen, will there be enough cake? | 0:11:43 | 0:11:44 | |
-Oh, yes, there's plenty of fairy cakes left. -Fairy cake, Thomas? | 0:11:44 | 0:11:47 | |
Oh, thank you. Did you make these, Miss Rapier? | 0:11:47 | 0:11:50 | |
Er...n... Yes, yes! Absolutely positively made those myself, yes. | 0:11:50 | 0:11:55 | |
Very firm. | 0:12:01 | 0:12:03 | |
Did you read about the attack on Venus? | 0:12:04 | 0:12:07 | |
Yes. Isn't it wonderful? | 0:12:07 | 0:12:09 | |
Oh, um, I could never consciously set about | 0:12:09 | 0:12:12 | |
mutilating such a fine depiction of gentle beauty. | 0:12:12 | 0:12:16 | |
Shouldn't this battle be waged with the pen rather than by the mallet? | 0:12:17 | 0:12:21 | |
Well, I suppose the weight of one's weapons | 0:12:21 | 0:12:24 | |
depends on the strength of one's wrists. | 0:12:24 | 0:12:27 | |
This is the sort of thing we should be doing! | 0:12:27 | 0:12:30 | |
Not picketing some stupid postbox. | 0:12:30 | 0:12:33 | |
I chose the post office because of its proximity, | 0:12:33 | 0:12:35 | |
but I'm perfectly open to any suggestions for suffrage action. | 0:12:35 | 0:12:38 | |
Anyone? | 0:12:38 | 0:12:39 | |
We could shout. | 0:12:41 | 0:12:42 | |
Shout! Very good, Gwen. | 0:12:42 | 0:12:44 | |
Shout. Anyone else? | 0:12:44 | 0:12:47 | |
Arson! | 0:12:47 | 0:12:48 | |
Arson. Yes, good. | 0:12:48 | 0:12:51 | |
We could set fire to something. | 0:12:51 | 0:12:53 | |
Again, good. | 0:12:56 | 0:12:58 | |
Ride a horse bareback through the town completely naked | 0:12:58 | 0:13:02 | |
with garlands in our hair. | 0:13:02 | 0:13:04 | |
They do that sort of thing in Wiltshire all the time. | 0:13:04 | 0:13:07 | |
We are not in Wiltshire! | 0:13:07 | 0:13:08 | |
And we're not celebrating harvest festival. We're protesting! | 0:13:08 | 0:13:11 | |
I think we should chain ourselves to something. | 0:13:11 | 0:13:14 | |
Chains. Very good, very good! | 0:13:14 | 0:13:16 | |
-Kidnap the Prime Minister! -Er...well, um... | 0:13:16 | 0:13:19 | |
You will do no such thing! | 0:13:19 | 0:13:20 | |
-Blow up Parliament! -Er...yes. | 0:13:20 | 0:13:24 | |
I-I-I'm writing these down, | 0:13:24 | 0:13:25 | |
but that doesn't necessarily mean I agree with them. | 0:13:25 | 0:13:28 | |
-Kill the King! -Sit down, Emily! | 0:13:28 | 0:13:30 | |
I'm not going to write that down because I don't think any of us | 0:13:30 | 0:13:33 | |
want to face the death penalty, now, do we? | 0:13:33 | 0:13:36 | |
I did rather think that preventing people from posting letters | 0:13:36 | 0:13:39 | |
-does set just the right tone. -Thank you, Thomas. | 0:13:39 | 0:13:41 | |
We're not doing that, are we, Margaret? | 0:13:41 | 0:13:43 | |
What if it's an important letter? An order of wool, for example? | 0:13:43 | 0:13:47 | |
Or a birthday card for a little kitten? | 0:13:47 | 0:13:51 | |
A detailed letter of complaint to Banbury Council? | 0:13:51 | 0:13:54 | |
A letter to a married man trapped in a loveless hell? | 0:13:54 | 0:13:57 | |
Er, yes, well, we don't have to if no-one wants to. | 0:13:57 | 0:14:01 | |
We could just go to the post office | 0:14:01 | 0:14:03 | |
and stand near the postbox and shout. | 0:14:03 | 0:14:05 | |
Well done, Gwen. | 0:14:05 | 0:14:07 | |
We're supposed to be disturbing things, aren't we? | 0:14:07 | 0:14:09 | |
If we're worried about inconveniencing people, | 0:14:09 | 0:14:11 | |
surely we're missing the point. | 0:14:11 | 0:14:13 | |
-You're right, Emily, you're right. -Ladies. Thomas? | 0:14:13 | 0:14:15 | |
-Frank. -I knew we had something. | 0:14:15 | 0:14:17 | |
Excellent! What have you brought us? | 0:14:17 | 0:14:19 | |
They're from the marching band. | 0:14:19 | 0:14:21 | |
You just hook on your drum, or in this case, pop up your placard. | 0:14:21 | 0:14:25 | |
What a good idea. They're absolutely perfect, Frank. | 0:14:25 | 0:14:28 | |
I don't think you step into it, Gwen. I think you put it over your head. | 0:14:28 | 0:14:32 | |
No, no, no. You're doing it all wrong. Let me demonstrate. | 0:14:32 | 0:14:36 | |
Are you suffragetting, Thomas? | 0:14:36 | 0:14:37 | |
Yes, I am, as a matter of fact, Frank. | 0:14:37 | 0:14:39 | |
Do you want me to pop back and get you a marching band belt? | 0:14:39 | 0:14:42 | |
-No, no, I think I can manage perfectly well, thank you. -Oh. | 0:14:42 | 0:14:45 | |
Can I help you, Miss Emily? | 0:14:45 | 0:14:47 | |
Yargh! | 0:14:50 | 0:14:52 | |
I'm all right. I'm quite all right. | 0:14:55 | 0:14:58 | |
I have a congenital wrist condition. | 0:14:58 | 0:15:00 | |
How are you managing, ladies? | 0:15:01 | 0:15:03 | |
These are wonderful, Frank. Just absolutely perfect! | 0:15:03 | 0:15:06 | |
Good evening! | 0:15:13 | 0:15:14 | |
Oh, it is now. | 0:15:14 | 0:15:16 | |
Good evening, officer. May we be of assistance? | 0:15:18 | 0:15:20 | |
Are you the Banbury Intricate Craft Circle | 0:15:20 | 0:15:22 | |
Politely Requests Women's Suffrage? | 0:15:22 | 0:15:24 | |
They are, I'm not. I'm just here. | 0:15:24 | 0:15:27 | |
Right, who's in charge? | 0:15:27 | 0:15:28 | |
Goodness only knows. Frankly, it's a Rangoon fiasco. | 0:15:28 | 0:15:31 | |
Well, it was Margaret's idea. | 0:15:33 | 0:15:35 | |
Margaret. Right. | 0:15:35 | 0:15:37 | |
Margaret? Margaret Northcote? | 0:15:37 | 0:15:40 | |
You do recognise me! Hello, John! | 0:15:40 | 0:15:43 | |
I spent my summers on John's father's farm. | 0:15:45 | 0:15:48 | |
Ooh, John! | 0:15:48 | 0:15:50 | |
-What are you doing here? -Investigating a crime. | 0:15:52 | 0:15:55 | |
-What a surprise to see you. -Yes. | 0:15:55 | 0:15:57 | |
We were always up to something in those hay bales, weren't we? | 0:15:57 | 0:16:00 | |
Ladies and sailors, ladies and shepherds, ladies and highwaymen. | 0:16:00 | 0:16:04 | |
-Stand and deliver! -Yes, of course. | 0:16:04 | 0:16:06 | |
-You won all my marbles. -I gave them you back, though. | 0:16:08 | 0:16:10 | |
Yes, you did, you did. I still have them all. | 0:16:10 | 0:16:12 | |
Only just. | 0:16:12 | 0:16:14 | |
To what do we owe this pleasure, John? | 0:16:14 | 0:16:16 | |
I'm here to investigate a terrible act of vandalism | 0:16:16 | 0:16:19 | |
that was carried out on a statue in Banbury library. | 0:16:19 | 0:16:21 | |
-They axed off her blubbery Mabels. -Indeed. | 0:16:21 | 0:16:24 | |
I don't want to make any assumptions, | 0:16:24 | 0:16:26 | |
but Miss Reid from the baker's on Thrumchurch Street | 0:16:26 | 0:16:28 | |
-told me there was a suffrage group meeting here. -How dare she! | 0:16:28 | 0:16:32 | |
What a...cow! | 0:16:32 | 0:16:33 | |
-Gwen! -Sorry. | 0:16:33 | 0:16:35 | |
I thought I'd pop down and ask you a few questions | 0:16:35 | 0:16:37 | |
and then let you get back to your...whatever it is. | 0:16:37 | 0:16:40 | |
You don't think we did it, do you? | 0:16:40 | 0:16:42 | |
-No, no. Just routine. -Do you have any clues? | 0:16:42 | 0:16:44 | |
The only things left at the scene | 0:16:44 | 0:16:46 | |
were a mouldy cheese sandwich on stale bread | 0:16:46 | 0:16:48 | |
and a chunk of peanut brittle. | 0:16:48 | 0:16:50 | |
Well, we are suffragettes, but we're very low-key. | 0:16:50 | 0:16:53 | |
We're just taking these placards on a march to the post office. | 0:16:53 | 0:16:56 | |
Yes, they look like you're about to barricade yourselves in. | 0:16:56 | 0:16:59 | |
As I say, I'm sure you've got nothing to do with it. | 0:16:59 | 0:17:03 | |
Kidnap PM. | 0:17:03 | 0:17:05 | |
Blow up Parliament. | 0:17:05 | 0:17:07 | |
Oh, no, no, no, no, no, don't worry about that, John. | 0:17:07 | 0:17:09 | |
That was... It was... We were... Just a... | 0:17:09 | 0:17:12 | |
"Kill the King". | 0:17:14 | 0:17:15 | |
Emily! You are not going out like that! | 0:17:15 | 0:17:17 | |
-Officer, she's not a suffragette. -Yes, I am. | 0:17:17 | 0:17:20 | |
No, you're not! You're a naughty girl! | 0:17:20 | 0:17:22 | |
Well, be that as it may, I need to speak to you all individually. | 0:17:22 | 0:17:25 | |
I'm sorry, Margaret. I'm going to have to file a full report on this. | 0:17:25 | 0:17:28 | |
-"Kill the King" and everything. -I understand, John. | 0:17:28 | 0:17:30 | |
-Officer Thackeray. -Sorry, John... Sir... Officer Thackeray. | 0:17:30 | 0:17:34 | |
I'm sure it's all very innocent. | 0:17:34 | 0:17:36 | |
-Is there somewhere I can use for interviews? -The kitchen? | 0:17:36 | 0:17:38 | |
-Right. Who would like to be interviewed first? -Me! | 0:17:38 | 0:17:41 | |
-The one that got away. -Oh, stop it, Myrtle! | 0:17:43 | 0:17:45 | |
Ask me anything you like. | 0:17:49 | 0:17:51 | |
Right. Yes, well, I intend to. | 0:17:51 | 0:17:54 | |
I'm an open book. | 0:17:54 | 0:17:56 | |
-Name? -Myrtle Von Heckling. | 0:17:57 | 0:18:00 | |
-Age? -Guess. | 0:18:00 | 0:18:02 | |
-I'm sorry? -See if you can guess. | 0:18:03 | 0:18:05 | |
Where were you last night between the hours of 10pm and 11pm? | 0:18:07 | 0:18:11 | |
In bed. | 0:18:11 | 0:18:13 | |
Alone? | 0:18:13 | 0:18:15 | |
Alas. | 0:18:15 | 0:18:17 | |
Right, in bed alone. | 0:18:17 | 0:18:20 | |
Can anyone verify that? | 0:18:20 | 0:18:22 | |
No, because you were alone, obviously. Yes. | 0:18:23 | 0:18:27 | |
Who do you think it was, Margaret? | 0:18:30 | 0:18:32 | |
Someone who likes peanut brittle and cheese sandwiches, I imagine. | 0:18:32 | 0:18:37 | |
I like cheese sandwiches! Did I do it? | 0:18:37 | 0:18:40 | |
I don't know, Gwen. Did you? | 0:18:41 | 0:18:43 | |
I don't think so! | 0:18:43 | 0:18:44 | |
You'd know if you did or not, Gwen. | 0:18:44 | 0:18:46 | |
-How? -You'd remember, Gwen. | 0:18:46 | 0:18:48 | |
Oh, yes, of course. Sorry. | 0:18:48 | 0:18:50 | |
Thank you, Mrs Von Heckling. | 0:18:51 | 0:18:53 | |
Miss. | 0:18:53 | 0:18:54 | |
-Who's next? -Gwen, would you mind? | 0:18:56 | 0:18:58 | |
Margaret, if I do not return, | 0:19:00 | 0:19:02 | |
will someone take Mother her fresh poultice? | 0:19:02 | 0:19:04 | |
Yes. Yes, I will. | 0:19:04 | 0:19:05 | |
But don't worry, Gwen. You will return, it's just routine. | 0:19:05 | 0:19:08 | |
She has the look of a guilty woman. | 0:19:12 | 0:19:14 | |
Now, there's no need to be nervous. | 0:19:15 | 0:19:17 | |
-I just want to ask you a few simple... -Yes. | 0:19:17 | 0:19:19 | |
..questions. What's your... | 0:19:19 | 0:19:20 | |
Gwen Rapier, 3 Dundonald Street, Banbury, Oxfordshire. | 0:19:20 | 0:19:24 | |
-And what's... -Seamstress. | 0:19:24 | 0:19:25 | |
Who... | 0:19:25 | 0:19:26 | |
My mother. | 0:19:26 | 0:19:28 | |
-Have you... -No, never. | 0:19:28 | 0:19:29 | |
I had a proposal from Kenneth Hillingdon, | 0:19:29 | 0:19:31 | |
but Mother forced me to turn him down. She said he was a simpleton. | 0:19:31 | 0:19:34 | |
-Were... -No, I was never in love with him, | 0:19:34 | 0:19:36 | |
but he had a kind heart and I felt he loved me deeply. | 0:19:36 | 0:19:39 | |
No, Miss Rapier, I wanted to ask you where. | 0:19:39 | 0:19:41 | |
Oh, sorry. Um, with my mother. | 0:19:41 | 0:19:44 | |
-Right. All evening? -Yes. | 0:19:44 | 0:19:45 | |
Thank you. You may go. | 0:19:45 | 0:19:47 | |
Oh, thank God! Oh! Thank you! | 0:19:47 | 0:19:49 | |
Just to re-iterate, we have no intention of killing the King. | 0:19:49 | 0:19:53 | |
You've done very well, Gwen. | 0:19:53 | 0:19:55 | |
Try not to undo that good. | 0:19:55 | 0:19:57 | |
-Could you send in the next person, please? -Right. | 0:19:57 | 0:20:00 | |
I'm in the clear! | 0:20:03 | 0:20:05 | |
Helen, you're next. | 0:20:05 | 0:20:07 | |
If I must. | 0:20:07 | 0:20:08 | |
Mrs Helen Bute, wife of Samuel Bute, | 0:20:14 | 0:20:16 | |
owner of the Bute Ball Bearing Company. | 0:20:16 | 0:20:19 | |
Sponsor of the Banbury Flyers, the Banbury Rovers | 0:20:19 | 0:20:22 | |
and the Banbury Waterboatmen. | 0:20:22 | 0:20:23 | |
Thank you. Er... | 0:20:23 | 0:20:26 | |
I think what you are trying to say is, | 0:20:26 | 0:20:27 | |
"Thank you, Mrs Bute, that will be all." | 0:20:27 | 0:20:29 | |
Yes, yes. Thank you, Mrs Bute, that will be all. | 0:20:31 | 0:20:34 | |
-You are too kind. -Would you send in the next one? | 0:20:40 | 0:20:42 | |
No. | 0:20:44 | 0:20:45 | |
Who's next, please? | 0:20:48 | 0:20:50 | |
-Um, Eva? Would you...? -Oh. | 0:20:50 | 0:20:52 | |
Let me just get this right. You've got... | 0:20:52 | 0:20:55 | |
14. Yes, 14 children. | 0:20:55 | 0:20:58 | |
Liberty, Charity, Patience, | 0:20:58 | 0:20:59 | |
Providence, Prudence, Justina, | 0:20:59 | 0:21:01 | |
Earnestina, Constance, Clemence, | 0:21:01 | 0:21:03 | |
Chastity, Virginity, | 0:21:03 | 0:21:04 | |
Abstinence, Moderation and John. | 0:21:04 | 0:21:06 | |
That's 13 girls, 1 boy. | 0:21:08 | 0:21:11 | |
Last night, you were... | 0:21:11 | 0:21:12 | |
Last night, Virginity was locked | 0:21:12 | 0:21:14 | |
in the coalhole by Chastity and Abstinence | 0:21:14 | 0:21:16 | |
because she'd smashed Chastity's doll on the fire grate. | 0:21:16 | 0:21:18 | |
Virginity, she's got a terrible temper. | 0:21:18 | 0:21:20 | |
She gets that from her father's side. He's hot-headed. | 0:21:20 | 0:21:23 | |
He weren't there last night, | 0:21:23 | 0:21:24 | |
otherwise they wouldn't dare behave like that in front of him. | 0:21:24 | 0:21:27 | |
They gave the key to Liberty, who's two, | 0:21:27 | 0:21:29 | |
so only the good Lord knows where that went! | 0:21:29 | 0:21:31 | |
It was the housekeeper's night off, | 0:21:31 | 0:21:33 | |
so cook and I, we had to bash down the door | 0:21:33 | 0:21:34 | |
with my husband's bronze lion doorstop. | 0:21:34 | 0:21:36 | |
-Well, I think that's... -Bless the little pigeon! | 0:21:36 | 0:21:39 | |
She was fast asleep on a pile of coal | 0:21:39 | 0:21:41 | |
by the time we smashed the door down! | 0:21:41 | 0:21:43 | |
I knew I probably should give her a punishment | 0:21:43 | 0:21:45 | |
for smashing Chastity's doll, but I just didn't have the heart. | 0:21:45 | 0:21:48 | |
See, my feeling is Virginity's punishment | 0:21:48 | 0:21:50 | |
had already been meted out by Chastity and Abstinence. | 0:21:50 | 0:21:53 | |
Yes, well, thank you for your time, Mrs, er... | 0:21:53 | 0:21:55 | |
Do you have any children? | 0:21:55 | 0:21:57 | |
Would you just send in Margaret, please? | 0:21:57 | 0:22:00 | |
Of course. | 0:22:01 | 0:22:03 | |
Your turn, Margaret! | 0:22:06 | 0:22:07 | |
Right. Yes. | 0:22:07 | 0:22:09 | |
# John and Margaret sitting in a tree. # | 0:22:11 | 0:22:14 | |
Mother! | 0:22:14 | 0:22:15 | |
Well...this really couldn't be any worse for Margaret, could it? | 0:22:17 | 0:22:21 | |
Huh! I mean, picketing the post office. What a catastrophic idea! | 0:22:21 | 0:22:26 | |
I thought we should picket Betty's sweet shop. | 0:22:26 | 0:22:28 | |
She's always very miserly with her peanut brittle. | 0:22:28 | 0:22:30 | |
If they was going to picket anywhere, | 0:22:30 | 0:22:32 | |
it should be Mrs Allam's cheesemonger's on Gridley Hill. | 0:22:32 | 0:22:35 | |
She once sold me mouldy cheddar and told me it was blue Leicester. | 0:22:35 | 0:22:38 | |
Or that dreadful bakery on Thrumchurch Street | 0:22:38 | 0:22:42 | |
run by that slattern - Miss Reid. | 0:22:42 | 0:22:44 | |
The one who shopped us over. | 0:22:44 | 0:22:46 | |
Why anyone would let her near flour, | 0:22:46 | 0:22:48 | |
eggs and a mixing bowl with those hands! | 0:22:48 | 0:22:50 | |
Oh, I know! Have you seen them? | 0:22:50 | 0:22:51 | |
She's got filthy fingers like burnt sausages. | 0:22:51 | 0:22:54 | |
Well... | 0:23:05 | 0:23:06 | |
..this is... | 0:23:06 | 0:23:08 | |
However could we have guessed we'd be in such a situation? | 0:23:08 | 0:23:11 | |
Ah, it's just routine. Nothing to worry about. | 0:23:11 | 0:23:14 | |
Right, just going to ask you a few questions. | 0:23:15 | 0:23:17 | |
You know my name, obviously. | 0:23:17 | 0:23:19 | |
Not your married name. | 0:23:19 | 0:23:20 | |
It's Thackeray... Unwin. | 0:23:20 | 0:23:22 | |
Yes, Unwin. I'm married. Married. | 0:23:22 | 0:23:25 | |
12 long years. | 0:23:25 | 0:23:26 | |
Extraordinary, isn't it, | 0:23:30 | 0:23:31 | |
that we should meet like this, again, | 0:23:31 | 0:23:34 | |
after all these years? | 0:23:34 | 0:23:36 | |
You remembered my name. | 0:23:36 | 0:23:38 | |
Yes. Well, I'm good with names, faces. | 0:23:38 | 0:23:41 | |
It helps in my profession. | 0:23:41 | 0:23:43 | |
Yes. You must be professional. | 0:23:43 | 0:23:46 | |
What's your address? | 0:23:46 | 0:23:48 | |
14 Lavender Road, Banbury, obviously. And yours? | 0:23:48 | 0:23:52 | |
Um... | 0:23:55 | 0:23:56 | |
No. just...just ask your questions. | 0:23:56 | 0:24:00 | |
Right, I will. Where were you last night? | 0:24:00 | 0:24:03 | |
My husband was in his bedroom, reading, and... | 0:24:04 | 0:24:07 | |
..I was in mine...alone... | 0:24:09 | 0:24:11 | |
on my own...writing. | 0:24:11 | 0:24:15 | |
Were you there all night? | 0:24:15 | 0:24:17 | |
I can't do this! | 0:24:17 | 0:24:19 | |
I must think of my son Cecil. | 0:24:19 | 0:24:21 | |
Was he awake? | 0:24:24 | 0:24:25 | |
He sleeps fitfully. He wears callipers. | 0:24:25 | 0:24:27 | |
Well, I, er...I think that's all. Thank you. | 0:24:29 | 0:24:32 | |
Yes. Yes. Goodbye, John. | 0:24:32 | 0:24:34 | |
Thank you for being strong for both of us. | 0:24:34 | 0:24:36 | |
It's the right thing to do. | 0:24:36 | 0:24:37 | |
-Goodbye. -Bye, then. | 0:24:41 | 0:24:43 | |
Yes, you can't look up. | 0:24:44 | 0:24:46 | |
It's too painful. I understand. Goodbye. | 0:24:46 | 0:24:49 | |
SHE SIGHS | 0:24:51 | 0:24:53 | |
Oh! Oh, yes. | 0:24:55 | 0:24:57 | |
-Sorry. -Yes. | 0:24:57 | 0:24:59 | |
Right. Well, I'm off. | 0:24:59 | 0:25:00 | |
Wait! Aren't you going to interview me? | 0:25:00 | 0:25:03 | |
-I don't really see there's any... -What if I did it? | 0:25:03 | 0:25:05 | |
But you didn't! Be quiet, Emily! | 0:25:05 | 0:25:06 | |
I did! I did it! Arrest me! | 0:25:06 | 0:25:08 | |
She didn't. She was with me all evening. | 0:25:08 | 0:25:10 | |
What colour paint did you use to paint out her... | 0:25:10 | 0:25:13 | |
Flannery Ann? | 0:25:13 | 0:25:15 | |
Um... B-lue? | 0:25:15 | 0:25:18 | |
Yell...? | 0:25:19 | 0:25:20 | |
Red? | 0:25:21 | 0:25:23 | |
FAINT WHISTLE > | 0:25:23 | 0:25:24 | |
You're all perfectly innocent. | 0:25:24 | 0:25:26 | |
Now, if you'll excuse me, I shall leave you to get on with your... | 0:25:26 | 0:25:29 | |
whatever it is. Ladies. Frank. Thomas. | 0:25:29 | 0:25:32 | |
FAINT COMMOTION | 0:25:32 | 0:25:34 | |
Officer Thackeray. | 0:25:35 | 0:25:36 | |
Right. Come on, everyone, placards up. Let's get to the post office. | 0:25:40 | 0:25:43 | |
I am abstaining. | 0:25:43 | 0:25:45 | |
Everyone except Helen! | 0:25:45 | 0:25:46 | |
Oh! Mrs Unwin, the post office shuts in five minutes. | 0:25:49 | 0:25:52 | |
-Oh, no! -Shall I | 0:25:52 | 0:25:54 | |
pop down the road and see if they'll stay open for a bit longer? | 0:25:54 | 0:25:57 | |
Would you, Frank? Would you? | 0:25:57 | 0:25:59 | |
I know Bob from the Vegetable Grower's Guild. | 0:25:59 | 0:26:01 | |
Do you think we need a signal to alert us to danger? | 0:26:01 | 0:26:04 | |
What, like a whistle? | 0:26:04 | 0:26:05 | |
Oh, I never whistle, it's common. | 0:26:05 | 0:26:07 | |
Everyone can whistle, can't they? THEY WHISTLE | 0:26:07 | 0:26:10 | |
We don't need a whistle! Can't we just go?! | 0:26:10 | 0:26:12 | |
How about a bird call? | 0:26:12 | 0:26:13 | |
What about an owl? We can all do an owl, can't we? Owl? | 0:26:13 | 0:26:15 | |
THEY IMITATE TAWNY OWL | 0:26:15 | 0:26:17 | |
Yes. On your own, Gwen. | 0:26:19 | 0:26:21 | |
SHE HOWLS | 0:26:21 | 0:26:23 | |
-Yes, not your wolf, Gwen, your owl. -That was my owl. | 0:26:23 | 0:26:26 | |
SHE HOWLS | 0:26:26 | 0:26:27 | |
That's definitely a wolf. | 0:26:27 | 0:26:28 | |
We can we all do a wolf, can't we? THEY HOWL | 0:26:28 | 0:26:31 | |
Argh! I can't stand this! I can't bear it any longer! | 0:26:33 | 0:26:36 | |
I wish to be turned inside out and rolled on the salting room floor. | 0:26:36 | 0:26:40 | |
Anything! Anything but this interminable inaction! | 0:26:40 | 0:26:43 | |
Can't we just do something?! Somebody just DO something! | 0:26:43 | 0:26:46 | |
Up the women! Huzzah! | 0:26:48 | 0:26:50 | |
-SMASH -Oh! | 0:26:50 | 0:26:52 | |
Oh, no! | 0:26:57 | 0:26:59 | |
< WHISTLE BLOWS | 0:26:59 | 0:27:00 | |
GWEN HOWLS | 0:27:00 | 0:27:01 | |
Yes, all right, Gwen, thank you. Yes, yes. | 0:27:01 | 0:27:03 | |
Who threw this? | 0:27:03 | 0:27:06 | |
I did! | 0:27:06 | 0:27:07 | |
No, I threw it. Arrest ME! | 0:27:07 | 0:27:09 | |
No, you didn't! Be quiet, Emily! | 0:27:09 | 0:27:11 | |
Who has been consorting with Miss Reid | 0:27:11 | 0:27:13 | |
from the Thrumchurch Street bakery? | 0:27:13 | 0:27:14 | |
I have! I'm sorry, everyone! | 0:27:16 | 0:27:19 | |
Gwen! How could you? | 0:27:19 | 0:27:21 | |
I just didn't have time to make our tiffin! | 0:27:21 | 0:27:23 | |
I would never ever normally buy shop-bought cakes, officer! | 0:27:23 | 0:27:27 | |
Well, it was Miss Reid, Mrs Allam the cheesemonger | 0:27:27 | 0:27:30 | |
and Betty from the sweet shop who attacked the Venus. | 0:27:30 | 0:27:32 | |
No! | 0:27:32 | 0:27:34 | |
Am I an accomplice? Are you going to arrest me? | 0:27:34 | 0:27:37 | |
Margaret, Mother's poultice is in the larder on the meat shelf. | 0:27:37 | 0:27:40 | |
Please don't force-feed me! | 0:27:40 | 0:27:42 | |
No, that won't be necessary. | 0:27:42 | 0:27:44 | |
As far as I can see, the only crime you've committed | 0:27:44 | 0:27:46 | |
is buying cakes from Miss Reid's bakery. | 0:27:46 | 0:27:48 | |
I recognised it because I use them as slow compost on my courgettes. | 0:27:48 | 0:27:52 | |
Do you really? | 0:27:54 | 0:27:55 | |
Yes. They work a treat. | 0:27:55 | 0:27:57 | |
Anyway, it turns out you're not the only suffragettes in Banbury. | 0:27:57 | 0:28:00 | |
They're calling themselves the Free Suffragette Army. | 0:28:00 | 0:28:03 | |
Now, that IS a strong name, don't you think, Margaret? | 0:28:03 | 0:28:07 | |
The post office will stay open for ten more minutes! | 0:28:08 | 0:28:11 | |
All right, come on, then. Placards up. | 0:28:11 | 0:28:15 | |
No. Put that down, Emily. Carry your grandmother's. | 0:28:15 | 0:28:18 | |
UNINTELLIGIBLE AND OUT OF TUNE SINGING | 0:28:20 | 0:28:22 | |
# Nana was a suffragette | 0:28:41 | 0:28:44 | |
# It's as if she's still alive | 0:28:44 | 0:28:46 | |
# Nana was a suffragette | 0:28:46 | 0:28:48 | |
# Their voices still survive | 0:28:48 | 0:28:50 | |
# Singing Votes for women is just the beginning | 0:28:50 | 0:28:56 | |
# You haven't seen anything yet...# | 0:28:56 | 0:29:00 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:03 |