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HEN CLUCKS | 0:00:21 | 0:00:23 | |
"Romeo, Romeo! Wherefore art thou Romeo?" | 0:00:23 | 0:00:26 | |
Sorry, Dad. How old's this sad weirdo supposed to be? | 0:00:26 | 0:00:30 | |
The maid be 13, my sweet. | 0:00:30 | 0:00:32 | |
Yeah, cos I'm 13. | 0:00:32 | 0:00:34 | |
Exactly. | 0:00:34 | 0:00:35 | |
I thought it might be fun to hear my Juliet spoke in her true voice | 0:00:35 | 0:00:38 | |
before a middle-aged man with two half-coconuts down his bodice | 0:00:38 | 0:00:41 | |
gets hold of it. | 0:00:41 | 0:00:43 | |
I don't say stuff like this, Dad. | 0:00:43 | 0:00:45 | |
I'd sound like a complete turnip! | 0:00:45 | 0:00:47 | |
Yes, dear. | 0:00:47 | 0:00:48 | |
'Tis thy sweet and useful timbre I would feign here, | 0:00:48 | 0:00:51 | |
not the monosyllabic series of grunts that passes for your conversation. | 0:00:51 | 0:00:55 | |
Oh, what?! | 0:00:55 | 0:00:56 | |
GRUNTS | 0:00:56 | 0:00:57 | |
I take the view that having my romantic ingenue say, | 0:00:57 | 0:01:00 | |
"Uhh, what, shut up, Romeo, you're so weird, uhh, shut up, I hate you," | 0:01:00 | 0:01:07 | |
would be slightly less effective than mine own timeless poetry. | 0:01:07 | 0:01:11 | |
Timeless is the word, | 0:01:12 | 0:01:14 | |
as in "feels like goes on for bloody ever". | 0:01:14 | 0:01:17 | |
You've never given it a chance. | 0:01:19 | 0:01:21 | |
You've only seen Henry VI, Part 1. | 0:01:21 | 0:01:22 | |
Part 1? What, you mean there's more?! | 0:01:22 | 0:01:25 | |
I mean, don't take this wrong way, son, but, God, I was bored! | 0:01:27 | 0:01:31 | |
I thought I was actually outside my own body watching meself die. | 0:01:33 | 0:01:38 | |
He sat there cracking his nuts in the quiet bits. | 0:01:39 | 0:01:42 | |
I tried to shush him, but he would not be shushed. | 0:01:42 | 0:01:45 | |
He's a stubborn man, your father, William. A stubborn, common man. | 0:01:45 | 0:01:49 | |
Which is why you married me. Posh birds love a bit of rough. | 0:01:49 | 0:01:52 | |
I married beneath me, and now you've done the same, William. | 0:01:53 | 0:01:56 | |
And what's that supposed to mean? | 0:01:56 | 0:01:58 | |
It means that he was 17 | 0:01:58 | 0:02:00 | |
and he got a scheming little 26-year-old tithe farm milking-slap | 0:02:00 | 0:02:04 | |
up the duffington, that's what! | 0:02:04 | 0:02:06 | |
Oh, you think you're so posh, Mary Arden. | 0:02:06 | 0:02:09 | |
Like you ain't sewn into your winter knickers like everybody else. | 0:02:09 | 0:02:13 | |
I'm trying to work! | 0:02:13 | 0:02:15 | |
I've come from London to hear Sue read my Juliet. | 0:02:15 | 0:02:18 | |
Well, I'm not happy, doll. | 0:02:18 | 0:02:20 | |
Burbage pays you as an actor, not a writer. | 0:02:20 | 0:02:22 | |
It's fine. I've sent word to the theatre | 0:02:22 | 0:02:24 | |
that the two tunnels which lie beneath the bridge be blocked. | 0:02:24 | 0:02:27 | |
Pardon? | 0:02:27 | 0:02:28 | |
The two tunnels which lie beneath the bridge be blocked. | 0:02:28 | 0:02:32 | |
Two tunnels? | 0:02:33 | 0:02:34 | |
Beneath a bridge? Anyone? | 0:02:34 | 0:02:36 | |
Nose, my loves. Nose! | 0:02:38 | 0:02:40 | |
I've told Burbage that my nose be snotted and I would not work this week or next. | 0:02:40 | 0:02:44 | |
Why didn't you just say "nose"? | 0:02:44 | 0:02:46 | |
It's what I do! | 0:02:46 | 0:02:48 | |
Now, Susanna, again. | 0:02:49 | 0:02:51 | |
All right, if I have to. | 0:02:51 | 0:02:53 | |
"Romeo, Romeo! Wherefore art thou Romeo?" | 0:02:53 | 0:02:56 | |
Dad, nobody talks like this! | 0:02:56 | 0:02:58 | |
It's poetry. | 0:02:58 | 0:03:00 | |
Sometimes I regret teaching you to read. | 0:03:00 | 0:03:02 | |
I do think it could be a little less flowery, love. | 0:03:03 | 0:03:06 | |
I mean, why doesn't she just say, "Where are you, Romeo?" | 0:03:06 | 0:03:09 | |
Because, my love, it doesn't mean, "Where are you?" | 0:03:09 | 0:03:11 | |
It means, "Why are you Romeo?" | 0:03:11 | 0:03:13 | |
That's a bit weird. | 0:03:14 | 0:03:16 | |
Yeah. Romeo is just his name. | 0:03:17 | 0:03:19 | |
Well, exactly. | 0:03:19 | 0:03:20 | |
Juliet is saying, "Why are you a member of a family that I hate?" | 0:03:20 | 0:03:23 | |
People will definitely think you mean, "Romeo, where are you?" | 0:03:23 | 0:03:26 | |
That's what I thought it meant. | 0:03:26 | 0:03:28 | |
Yeah. I did, too. | 0:03:28 | 0:03:30 | |
It's bloody obvious. | 0:03:30 | 0:03:32 | |
I think, to be clear, you're going to have to have Juliet say, | 0:03:32 | 0:03:35 | |
"Romeo, Romeo! Why are you called Romeo?" | 0:03:35 | 0:03:38 | |
"A member of a family that I hate?" | 0:03:39 | 0:03:42 | |
That'd do it. Although if I was being really picky, | 0:03:42 | 0:03:45 | |
Romeo is just his Christian name, isn't it? And that's not the issue. | 0:03:45 | 0:03:49 | |
It's his surname that's the problem. | 0:03:49 | 0:03:51 | |
Well, yes. Actually, I was sort of hoping people wouldn't notice that. | 0:03:51 | 0:03:55 | |
I think they might. Duh! | 0:03:56 | 0:03:59 | |
So you think she should say, | 0:03:59 | 0:04:00 | |
"Montague, Montague! Wherefore art thou Montague?" | 0:04:00 | 0:04:03 | |
No. Cos that'd sound like she's lost her cat. | 0:04:03 | 0:04:06 | |
Look, it's...probably best if you leave this to me, my love. | 0:04:09 | 0:04:12 | |
I'm-I'm on a bit of a roll. | 0:04:12 | 0:04:13 | |
I'm particularly pleased with the comedy scene where a group of rival serving men | 0:04:13 | 0:04:17 | |
exchange a series of increasingly obscure insults. | 0:04:17 | 0:04:20 | |
Will, I've told you. Don't do comedy. | 0:04:20 | 0:04:22 | |
It's not your strong point. | 0:04:22 | 0:04:24 | |
It is my strong point, wife. | 0:04:25 | 0:04:27 | |
It's just requires lengthy explanation and copious footnotes. | 0:04:27 | 0:04:30 | |
If... If you do your research, | 0:04:30 | 0:04:33 | |
my stuff is actually really funny. | 0:04:33 | 0:04:35 | |
So excited to hear about Mr Shakespeare's teen romance. | 0:04:40 | 0:04:43 | |
Such a good idea for a story. | 0:04:43 | 0:04:46 | |
Yeah, it's all right, I suppose. | 0:04:46 | 0:04:48 | |
Better than his usual stuff. | 0:04:48 | 0:04:49 | |
Has he let slip any hints about the romance plot? | 0:04:49 | 0:04:52 | |
Er, this lad falls in love with this lass, | 0:04:52 | 0:04:55 | |
and she falls in love with him... | 0:04:55 | 0:04:57 | |
and they live happily ever after. | 0:04:57 | 0:04:59 | |
Nice and short, which makes a change from his Henrys. | 0:05:00 | 0:05:03 | |
And an amazing part for a girl. Kate, | 0:05:03 | 0:05:06 | |
you've got to drop that. Just cos your mum rents rooms to my master | 0:05:06 | 0:05:09 | |
don't mean he's going to put you in one of his plays. | 0:05:09 | 0:05:12 | |
It just seems so unfair that the theatre employs men to perform female roles | 0:05:12 | 0:05:17 | |
when I, a real woman, am ready and eager. | 0:05:17 | 0:05:20 | |
Ah, Kate, splendid! | 0:05:20 | 0:05:21 | |
Store these new pages in my bureau, would you? And, Bottom, | 0:05:21 | 0:05:24 | |
bring ale and pie. | 0:05:24 | 0:05:26 | |
A "good morrow" would be nice. | 0:05:26 | 0:05:28 | |
I'm famished! | 0:05:28 | 0:05:30 | |
The coach promised a refreshment cart, but, oh, not on this particular service, | 0:05:30 | 0:05:34 | |
you'll be stunned to hear(!) | 0:05:34 | 0:05:36 | |
I hate it when they do that. | 0:05:36 | 0:05:37 | |
Plus, they were filling ruts 'twixt Stokenchurch and Chipping Norton | 0:05:37 | 0:05:42 | |
and had laid on replacement donkeys. | 0:05:42 | 0:05:45 | |
In fact, one donkey for six of us, plus bags. | 0:05:46 | 0:05:50 | |
Of course, the snortish brute guffed its last after but three furlongs | 0:05:50 | 0:05:54 | |
and they had to send for another from Birmingham. | 0:05:54 | 0:05:57 | |
We spent two nights in a hedge. | 0:05:57 | 0:06:00 | |
And did we see a single rut being filled? | 0:06:00 | 0:06:03 | |
Oh, no, I was forgetting! This is England. | 0:06:03 | 0:06:05 | |
One wouldst more likely see a toothless crone with a tooth | 0:06:05 | 0:06:09 | |
than an English rut-filler actually filling a rut! | 0:06:09 | 0:06:13 | |
Fortunately, I had my quill and ink and was able to make passing use of the time. | 0:06:13 | 0:06:17 | |
Oh, my God, Mr Shakespeare, it's brilliant. | 0:06:17 | 0:06:20 | |
Timeless. Deathless! | 0:06:20 | 0:06:22 | |
"The Most Tragical History Of Romeo And Julian." | 0:06:23 | 0:06:27 | |
Oh, yes... | 0:06:27 | 0:06:28 | |
That should be Juliet, obviously. Romeo And Julian was but a working title. | 0:06:30 | 0:06:34 | |
Early exploratory stuff. It meanteth nothing. | 0:06:35 | 0:06:38 | |
Yeah, right(!) | 0:06:38 | 0:06:40 | |
What? Well, come on, master. | 0:06:40 | 0:06:42 | |
We live in t'same house. | 0:06:42 | 0:06:44 | |
I've heard you reading out your sonnets. | 0:06:44 | 0:06:46 | |
Especially 1 to 126. | 0:06:46 | 0:06:48 | |
Those poems are about a platonic hierarchical relationship. | 0:06:48 | 0:06:52 | |
God's naughty etchings! | 0:06:52 | 0:06:54 | |
Why does everybody presume | 0:06:54 | 0:06:55 | |
that just because I write 126 love poems to an attractive boy, | 0:06:55 | 0:06:58 | |
I must be... | 0:06:58 | 0:07:00 | |
..I must be some kind of bechambered hugger-tugger. | 0:07:01 | 0:07:04 | |
Juliet is an utterly amazing part. | 0:07:04 | 0:07:07 | |
Yes, I really think I've got her voice. | 0:07:07 | 0:07:10 | |
You have, you have. She's perfect. | 0:07:10 | 0:07:13 | |
The real challenge will be to find an actor to do her justice. | 0:07:13 | 0:07:17 | |
Master Condell was quite brilliant as Queen Margaret in my Henrys. | 0:07:17 | 0:07:20 | |
But I fear he'd be too old to play the ingenue. | 0:07:20 | 0:07:23 | |
On the other hand, I don't want a boy. | 0:07:23 | 0:07:25 | |
These downy-scrotumed squeakers lack depth. | 0:07:25 | 0:07:28 | |
Ahem. | 0:07:28 | 0:07:30 | |
Pardon, Kate? | 0:07:30 | 0:07:31 | |
Leaping amphibian caught in the ruby pipe | 0:07:31 | 0:07:34 | |
which starts with a swallow but knows naught of birds. | 0:07:34 | 0:07:37 | |
Pardon? | 0:07:38 | 0:07:39 | |
I think he means, have you got a frog in your throat? | 0:07:42 | 0:07:44 | |
But you can never be sure with him. | 0:07:44 | 0:07:46 | |
KNOCK AT DOOR | 0:07:46 | 0:07:48 | |
I'll get it. | 0:07:49 | 0:07:50 | |
As if anyone else was ever going to! | 0:07:50 | 0:07:52 | |
Yes, Bottom. Or, alternatively, I could get it and you could write a play | 0:07:52 | 0:07:55 | |
and use the money you earn to pay me. | 0:07:55 | 0:07:58 | |
Except, hang on, no, that wouldn't work, because you can't read or write. | 0:07:58 | 0:08:01 | |
So perhaps our current distribution of labour is the sensible and equitable one. | 0:08:01 | 0:08:05 | |
That's just mean, that is. | 0:08:06 | 0:08:09 | |
Ahem. | 0:08:11 | 0:08:12 | |
What? | 0:08:12 | 0:08:13 | |
I was hinting that the answer to your Juliet dilemma could be... | 0:08:13 | 0:08:18 | |
Oh, Kate, don't go there. | 0:08:19 | 0:08:21 | |
Lady-acting is illegal. | 0:08:21 | 0:08:23 | |
Beside which, girls can't act. | 0:08:23 | 0:08:26 | |
Just as they cannot practise law, cure the sick, | 0:08:26 | 0:08:29 | |
handle financial matters or stand for any office. | 0:08:29 | 0:08:32 | |
But no woman has ever been allowed to try any of those things. | 0:08:33 | 0:08:36 | |
Because they can't do them! | 0:08:36 | 0:08:38 | |
God's bodikins, Kate, what's not to get? | 0:08:39 | 0:08:41 | |
Now, please, forget this nonsense and let me focus. | 0:08:41 | 0:08:44 | |
It's not Juliet I'm worried about, it's Romeo. | 0:08:44 | 0:08:47 | |
I can't seem to get a handle on him. | 0:08:47 | 0:08:48 | |
His character eludes me. | 0:08:48 | 0:08:50 | |
Master Robert Greene is without. | 0:08:52 | 0:08:53 | |
Rob Greene... | 0:08:53 | 0:08:54 | |
who doth hate my gutlings? | 0:08:54 | 0:08:56 | |
What does he want? | 0:08:56 | 0:08:57 | |
Ahh... | 0:08:57 | 0:08:58 | |
Master Shaky Poet! | 0:08:58 | 0:09:01 | |
A word, if you please. | 0:09:01 | 0:09:02 | |
Shakespeare, Master Greene. My name is Shakespeare. | 0:09:02 | 0:09:05 | |
I know your name, sirrah. | 0:09:05 | 0:09:07 | |
I was addressing you by trade. | 0:09:07 | 0:09:08 | |
Shaky Poet. | 0:09:08 | 0:09:10 | |
Just as I would address a house-builder as Master Builder | 0:09:10 | 0:09:13 | |
or a ship's carpenter as Master Carpenter. | 0:09:13 | 0:09:15 | |
What would you call a bear-baiter, Mr Greene? | 0:09:15 | 0:09:17 | |
Master Baiter. | 0:09:17 | 0:09:18 | |
See what I did there? Brilliant. Loved it. | 0:09:20 | 0:09:22 | |
I am come on a mission of great delicacy. | 0:09:23 | 0:09:27 | |
My nephew, Florian Greene, has fallen for a most unsuitable girl - | 0:09:27 | 0:09:33 | |
the Lady Rosaline, daughter of a mere country knight. | 0:09:33 | 0:09:37 | |
There can of course be no question of such a lowly match, | 0:09:37 | 0:09:39 | |
so the boy must be kept from her. | 0:09:39 | 0:09:41 | |
And what part of this unedifying tale of upper-class entitlement | 0:09:41 | 0:09:45 | |
is of interest to me? | 0:09:45 | 0:09:46 | |
Florian travels to Cambridge next week to take his place at the university. | 0:09:46 | 0:09:51 | |
You must keep him here till then. | 0:09:51 | 0:09:53 | |
You see, this lowly boarding house is far from court. | 0:09:53 | 0:09:58 | |
And Miss Rosaline will never find him here. | 0:09:58 | 0:10:00 | |
I am a busy writer, sirrah. Why should I do this? | 0:10:00 | 0:10:03 | |
Because I am Master of the Queen's Revels, | 0:10:03 | 0:10:05 | |
and if you don't, I will deny your plays licence. | 0:10:05 | 0:10:10 | |
You mean you're corruptly using your public position | 0:10:10 | 0:10:12 | |
to further your own private interests? | 0:10:12 | 0:10:14 | |
Er, duh! | 0:10:14 | 0:10:16 | |
I will have the boy sent to you this e'en bound tight, | 0:10:18 | 0:10:21 | |
for his blood runs hot. | 0:10:21 | 0:10:23 | |
I myself will return in a week for a farewell dinner. | 0:10:23 | 0:10:27 | |
Good day. | 0:10:27 | 0:10:28 | |
Zounds! I am due at the theatre to discuss my new romance, | 0:10:30 | 0:10:34 | |
but now must play nursey-nursey wipey-nosey | 0:10:34 | 0:10:36 | |
to a rogering, roistering student clodhopper! | 0:10:36 | 0:10:40 | |
And all because Robert Greene be made Master of Revels. | 0:10:40 | 0:10:43 | |
Why be he Master of Revels? | 0:10:43 | 0:10:44 | |
What qualifies him to be my judge? | 0:10:44 | 0:10:47 | |
He's posh and he went to Cambridge. | 0:10:47 | 0:10:49 | |
Exactly. | 0:10:49 | 0:10:50 | |
His very birth did guarantee him advancement | 0:10:50 | 0:10:52 | |
whilst mine precluded it. | 0:10:52 | 0:10:54 | |
It is almost as if there be suspended over this scepter'd isle | 0:10:54 | 0:10:57 | |
a ceiling made of glass... | 0:10:57 | 0:10:59 | |
..against which men of lower birth, such as I, must always bonk our noggins. | 0:11:00 | 0:11:05 | |
D'you think that's why you're going a bit bald? | 0:11:06 | 0:11:08 | |
I am not going bloody bald. | 0:11:10 | 0:11:12 | |
I have a very big brain. | 0:11:12 | 0:11:14 | |
Mr Burbage, I am the senior actor of female roles in this company. | 0:11:18 | 0:11:23 | |
My dear Condell, the ingenue in Master Shakespeare's promised play | 0:11:23 | 0:11:27 | |
is a maid of 13 summers, | 0:11:27 | 0:11:29 | |
a young bud scarce yet in bloom. | 0:11:29 | 0:11:31 | |
And your point? | 0:11:31 | 0:11:32 | |
I think it seeks an actor that doesn't have to shave his ears. | 0:11:34 | 0:11:37 | |
Good morrow! Good morrow, all. | 0:11:39 | 0:11:41 | |
Don't you "good morrow" me, Mr Shakespeare. | 0:11:41 | 0:11:43 | |
This new romance you're writing... | 0:11:43 | 0:11:45 | |
Aye. Romeo And Julian. Juliet. | 0:11:45 | 0:11:47 | |
As I said. | 0:11:47 | 0:11:48 | |
Romeo And Juliet. | 0:11:48 | 0:11:50 | |
Burbage says you want me to play some bloody nanny. | 0:11:50 | 0:11:53 | |
The nurse is a fine comedy role. | 0:11:53 | 0:11:55 | |
Oh! Comedy. Ooh! | 0:11:55 | 0:11:57 | |
Don't give it to him, then. | 0:11:57 | 0:11:59 | |
I can do comedy. Yeah... | 0:12:00 | 0:12:02 | |
But only in London, yeah? Not really Florence, is it? | 0:12:02 | 0:12:05 | |
Yes, we all know you worked in Italy, Kempe. | 0:12:05 | 0:12:07 | |
Ooh, did I get an award? | 0:12:07 | 0:12:10 | |
Can't remember. | 0:12:10 | 0:12:11 | |
Oh, that's right, I did. Yeah. A proper one. | 0:12:11 | 0:12:13 | |
Not English. Italian, yeah? | 0:12:13 | 0:12:16 | |
Commedia dell'arte. Mm! | 0:12:16 | 0:12:18 | |
Heard of it? | 0:12:18 | 0:12:19 | |
Since you became big in Italy, Kempe, an insufferable smuglington hast thou become! | 0:12:19 | 0:12:24 | |
Yeah, but an insufferable smuglington who's big in Italy. | 0:12:24 | 0:12:27 | |
I am the senior lady actor and I insist on playing Juliet! | 0:12:27 | 0:12:31 | |
Look, the play isn't even finished. | 0:12:31 | 0:12:33 | |
I'm stuck on the character of my Romeo. | 0:12:33 | 0:12:35 | |
And what's more, as yet I don't have an ending. | 0:12:35 | 0:12:38 | |
Surely our young lovers will live happily ever after. | 0:12:38 | 0:12:41 | |
Hmm. Well, that's the obvious ending. | 0:12:41 | 0:12:43 | |
Yes. | 0:12:43 | 0:12:44 | |
The ending the crowd will want. | 0:12:44 | 0:12:47 | |
Yes. | 0:12:47 | 0:12:48 | |
So I thought I'd kill them instead. | 0:12:48 | 0:12:50 | |
Kill them? | 0:12:52 | 0:12:53 | |
Our teenage sweethearts? | 0:12:53 | 0:12:55 | |
Yes. Theatre should be challenging. | 0:12:55 | 0:12:57 | |
And entertaining. | 0:12:57 | 0:12:59 | |
Mainly challenging. Oh! | 0:12:59 | 0:13:01 | |
I just need to work out a decent double death plot. | 0:13:02 | 0:13:05 | |
I can do dying! I'm good at dying. | 0:13:05 | 0:13:08 | |
Hmm, yeah! | 0:13:08 | 0:13:09 | |
On stage every night. Oh! | 0:13:09 | 0:13:10 | |
Who said that? Oh, I did, so... | 0:13:12 | 0:13:15 | |
Mr Shakespeare, I need this role. | 0:13:16 | 0:13:19 | |
I can woo Romeo. I know I can. | 0:13:19 | 0:13:21 | |
Let me show you. Find a way for me to prove it. | 0:13:21 | 0:13:24 | |
Bit sad, though. Begging. | 0:13:25 | 0:13:28 | |
GRUNTING: We've had a delivery! | 0:13:30 | 0:13:34 | |
Lock up the beef and ale, Bottom. Tell the poor to bar their doors. | 0:13:34 | 0:13:38 | |
We unleash the most parasitic creature in Christendom... | 0:13:38 | 0:13:42 | |
the English posh boy. | 0:13:42 | 0:13:43 | |
Stay your hand a moment, Bottom. Have you your dagger handy? | 0:13:45 | 0:13:48 | |
Do you think he's dangerous? | 0:13:48 | 0:13:49 | |
Possibly. These Oxbridge yobbos are extraordinarily strong, | 0:13:49 | 0:13:53 | |
having spent their entire lives with literarily enough to eat. | 0:13:53 | 0:13:56 | |
They join clubs called the Burst Ballsack and the Fisted Peasant... | 0:13:59 | 0:14:03 | |
..where they gorge and fight and roger and quaff | 0:14:05 | 0:14:08 | |
till they coat the walls with gut porridge. | 0:14:08 | 0:14:10 | |
A bit jealous, are we? Bloody jealous! | 0:14:10 | 0:14:13 | |
Particularly as when they graduate, they all get to be bishops and ambassadors | 0:14:13 | 0:14:16 | |
and members of the privy council. | 0:14:16 | 0:14:18 | |
In England, I'm afraid it's not what you know, | 0:14:18 | 0:14:20 | |
it's what dead farmyard animals you rogered at university! | 0:14:20 | 0:14:24 | |
We can put it off no longer. | 0:14:25 | 0:14:26 | |
Unleash the posh boy! | 0:14:26 | 0:14:28 | |
Rosaline... | 0:14:36 | 0:14:38 | |
Rosaline! | 0:14:38 | 0:14:39 | |
Wherefore art thou Rosaline? | 0:14:39 | 0:14:41 | |
Goodness. This is spooky. | 0:14:41 | 0:14:43 | |
He's asking why his beloved's name is Rosaline. | 0:14:43 | 0:14:46 | |
Actually, I think he's asking where Rosaline is. | 0:14:48 | 0:14:52 | |
Probably best to leave the linguistic interpretation to me. | 0:14:52 | 0:14:55 | |
Where are you, Rosaline? | 0:14:55 | 0:14:57 | |
Where are you? | 0:14:57 | 0:14:58 | |
I wish I knew where you were. | 0:14:58 | 0:14:59 | |
Gonna admit I was right? | 0:15:01 | 0:15:02 | |
O brutal love. | 0:15:03 | 0:15:05 | |
Despised love. | 0:15:05 | 0:15:07 | |
Love is the angry thorn upon the false rose, and I... | 0:15:07 | 0:15:11 | |
am a prick. | 0:15:11 | 0:15:13 | |
Blimey, have we got to spend a week with this arse-mungel? | 0:15:15 | 0:15:19 | |
Resist your thuggish interjections, Bottom. | 0:15:19 | 0:15:21 | |
I see in this lovelorn loon the very model of my Romeo. | 0:15:21 | 0:15:25 | |
O thou rude and deceiving table! | 0:15:25 | 0:15:28 | |
Four legs hast thou, yet none are Rosaline's. | 0:15:29 | 0:15:33 | |
I would cut off every one and eat upon the floor | 0:15:33 | 0:15:36 | |
for but one glance at Rosaline's sweet knees. | 0:15:36 | 0:15:39 | |
I'm sorry, but this bloke's a total wankington. | 0:15:40 | 0:15:43 | |
You must make allowance for his youth and ardour. | 0:15:44 | 0:15:47 | |
Curse the floor that doth not support Rosaline. | 0:15:47 | 0:15:51 | |
Curse the ceiling that doth not shelter Rosaline. | 0:15:52 | 0:15:55 | |
Curse the bondsman that doth not serve Rosaline. | 0:15:59 | 0:16:03 | |
Well, maybe he's a bit of a wankington. | 0:16:03 | 0:16:05 | |
Sirrah, who are you? | 0:16:06 | 0:16:08 | |
My name is Will Shakespeare, Master Florian. | 0:16:08 | 0:16:10 | |
And I've been charged with keeping you safe till you go to university. | 0:16:10 | 0:16:13 | |
Never. | 0:16:13 | 0:16:15 | |
I will leave this place at once and search the world until I find my Rosaline. | 0:16:15 | 0:16:19 | |
I'm afraid that's out of the question. | 0:16:19 | 0:16:21 | |
Then I will kill myself. | 0:16:21 | 0:16:23 | |
Rosaline, Rosaline! Wherefore art thou Rosaline? | 0:16:23 | 0:16:26 | |
Mr Shakespeare, I've learned one of Juliet's speeches, | 0:16:26 | 0:16:29 | |
and if you'll just let me show you what I... | 0:16:29 | 0:16:31 | |
Kate, I'm really, really busy! | 0:16:31 | 0:16:34 | |
"What's in a name? That which we call a rose | 0:16:34 | 0:16:36 | |
"By any other name would smell as sweet." | 0:16:36 | 0:16:38 | |
Not now, Kate! Sorry. | 0:16:38 | 0:16:40 | |
Now, Master Florian, don't be foolish. | 0:16:40 | 0:16:43 | |
You're going to have to put Rosaline out of your mind. | 0:16:43 | 0:16:46 | |
Rosaline? | 0:16:46 | 0:16:48 | |
Who's this foul trollop Rosaline? | 0:16:50 | 0:16:52 | |
Why, your love, I thought. | 0:16:52 | 0:16:54 | |
Kate... | 0:16:54 | 0:16:55 | |
Kate be my love. I will love none but my Kate. | 0:16:56 | 0:17:00 | |
Kate? You... You... You mean, our Kate? | 0:17:00 | 0:17:03 | |
Where she breathes, flowers bloom. | 0:17:04 | 0:17:06 | |
Where she sings, pixies dance. | 0:17:06 | 0:17:08 | |
Her most blowingly flatulent fartle-barfle | 0:17:08 | 0:17:11 | |
be more sweetly scented than all the perfumes of Arabia! | 0:17:11 | 0:17:17 | |
Well, you see, you're wrong there. She's not a bad-looking bird, | 0:17:17 | 0:17:20 | |
but let me tell you, if she leaves one hanging in a room, | 0:17:20 | 0:17:22 | |
you're still chewing on it an hour later. | 0:17:22 | 0:17:24 | |
My Kate doth teach the candles to burn bright. | 0:17:29 | 0:17:32 | |
Kate, Kate! | 0:17:32 | 0:17:34 | |
Zounds! I've got to get some of this stuff down. | 0:17:34 | 0:17:37 | |
He is my Romeo, all right. | 0:17:38 | 0:17:40 | |
And what a bit of luck, him going all diddly-doodah over our Kate! | 0:17:40 | 0:17:44 | |
We'd thought to be his jailer | 0:17:44 | 0:17:45 | |
but what better chains to keep him close than those of love? | 0:17:45 | 0:17:48 | |
Mr Shakespeare... | 0:17:50 | 0:17:52 | |
Something quite interesting has just happened. | 0:17:52 | 0:17:54 | |
Yes, I know, Kate. Master Florian has taken a shine to you. | 0:17:54 | 0:17:57 | |
Just string him along for a week, will you? | 0:17:57 | 0:17:59 | |
Let him sing beneath your balcony, write you sonnets, that sort of thing. | 0:17:59 | 0:18:02 | |
I'm sure it's nothing serious. | 0:18:02 | 0:18:04 | |
It is... | 0:18:04 | 0:18:06 | |
quite serious. | 0:18:06 | 0:18:08 | |
He's asked me to marry him. | 0:18:08 | 0:18:09 | |
Well... | 0:18:09 | 0:18:10 | |
Well, that's very sweet... | 0:18:10 | 0:18:12 | |
Marry?! | 0:18:12 | 0:18:13 | |
He can't marry you! | 0:18:13 | 0:18:15 | |
Robert Greene thought Rosaline not good enough for his precious Florian | 0:18:15 | 0:18:19 | |
and she be the daughter of a knight. | 0:18:19 | 0:18:21 | |
Your mum washes my puffling pants! | 0:18:21 | 0:18:24 | |
Yes, but 'tis not Robert Greene who would marry me. | 0:18:24 | 0:18:27 | |
'Tis Florian. | 0:18:27 | 0:18:28 | |
And when he does, my station will be somewhat elevated... | 0:18:28 | 0:18:32 | |
considerably, I might add, | 0:18:32 | 0:18:34 | |
above you own. | 0:18:34 | 0:18:35 | |
But...but, Kate, if you marry Florian, his uncle will blame me | 0:18:35 | 0:18:40 | |
and never license another of my plays. | 0:18:40 | 0:18:42 | |
Hmm! It's not my problem, though, is it? | 0:18:42 | 0:18:45 | |
Particularly since you won't let me play Juliet, even though I'd be brilliant, | 0:18:46 | 0:18:50 | |
and it's my dream. HE SIGHS | 0:18:50 | 0:18:52 | |
But, Kate, you know very well that it is illegal | 0:18:52 | 0:18:55 | |
for girls to do anything interesting. | 0:18:55 | 0:18:58 | |
Thus... | 0:18:58 | 0:18:59 | |
our only recourse is to marry, | 0:18:59 | 0:19:01 | |
and if we can marry rich, besotted idiots, then... | 0:19:01 | 0:19:05 | |
all the better. | 0:19:05 | 0:19:06 | |
Bottom, we have to stop this marriage. | 0:19:08 | 0:19:11 | |
We must distract the boy! Well, that shouldn't be difficult. | 0:19:11 | 0:19:13 | |
The randy little ponce fancies anything in a skirt. | 0:19:13 | 0:19:15 | |
That's right. Yes, of course. | 0:19:15 | 0:19:17 | |
So...so all we need to do is find someone in a skirt whom he definitely can't marry. | 0:19:17 | 0:19:21 | |
Oh, my God, it's so obvious! | 0:19:23 | 0:19:24 | |
Woo-hoo, masters! | 0:19:26 | 0:19:28 | |
See, here I am! | 0:19:28 | 0:19:31 | |
Mistress Sauce Quickly, a shy but biddable young maid, | 0:19:31 | 0:19:35 | |
who is all ripe... | 0:19:35 | 0:19:37 | |
and hot and drippy. | 0:19:37 | 0:19:39 | |
Players! | 0:19:39 | 0:19:40 | |
MUSIC BEGINS | 0:19:40 | 0:19:42 | |
# She that craves her true love's joy | 0:19:44 | 0:19:47 | |
# With a hey, ho, the wind and the rain | 0:19:47 | 0:19:50 | |
# Will do the lot for a handsome boy | 0:19:50 | 0:19:53 | |
# For the maid, she bonketh every day. # | 0:19:53 | 0:19:58 | |
Well, Master Florian? What... | 0:19:58 | 0:20:00 | |
What think you of Mistress Sauce Quickly? | 0:20:01 | 0:20:03 | |
Does she not make | 0:20:03 | 0:20:05 | |
your loins tremble and your codpiece cry, "Woof, woof"? | 0:20:05 | 0:20:09 | |
Are you blind? She looks like a man in a dress! | 0:20:09 | 0:20:12 | |
SIMPERS | 0:20:12 | 0:20:13 | |
Besides, I am spoken for my Kate. | 0:20:13 | 0:20:15 | |
Ah, but Kate be pure and chaste till wed... | 0:20:15 | 0:20:18 | |
while Mistress Sauce Quickly doth promise the lot before dinner. | 0:20:18 | 0:20:22 | |
Not a bad point, actually. | 0:20:24 | 0:20:25 | |
Sweet, good night! | 0:20:31 | 0:20:33 | |
This bud of love by summer's ripening breath | 0:20:34 | 0:20:38 | |
May prove a beauteous flower when next we meet. | 0:20:38 | 0:20:42 | |
Good night. | 0:20:42 | 0:20:44 | |
Good night! | 0:20:44 | 0:20:45 | |
As sweet repose and rest | 0:20:45 | 0:20:47 | |
Come to thy heart as that within my breast! | 0:20:47 | 0:20:52 | |
Sorry, Mistress Sauce Quickly, that does it. Kate's the one for me. | 0:20:59 | 0:21:03 | |
I shall stand beneath Kate's balcony | 0:21:03 | 0:21:06 | |
and strum my lute! | 0:21:06 | 0:21:08 | |
If that's a figure of speech, don't let the watchman catch you. | 0:21:12 | 0:21:14 | |
Oh, well, in that case, perhaps I'll just play her some music. | 0:21:16 | 0:21:20 | |
GENTLE MUSIC | 0:21:22 | 0:21:24 | |
I should be angry with you for pinching my lines like that. | 0:21:28 | 0:21:32 | |
But you did do them rather well. | 0:21:32 | 0:21:33 | |
The verse is so beautiful. | 0:21:33 | 0:21:36 | |
Look, Kate, crazy as it sounds, | 0:21:37 | 0:21:40 | |
perhaps Juliet would be better played by a girl. | 0:21:40 | 0:21:43 | |
And so... | 0:21:44 | 0:21:45 | |
If I were at some point to try, and I only say "try", | 0:21:45 | 0:21:48 | |
to help you become an actor, | 0:21:48 | 0:21:52 | |
would you prefer that to marrying a pervy posh boy? | 0:21:52 | 0:21:55 | |
Oh, Mr Shakespeare, you know I would! But... | 0:21:55 | 0:21:58 | |
But I am promised now, and that is binding in law. | 0:21:58 | 0:22:01 | |
Well, then, we must come up with a plan to get this boy to give you up. | 0:22:01 | 0:22:06 | |
And I've got a corker. | 0:22:06 | 0:22:08 | |
Even better than a middle-aged man in lipstick? | 0:22:08 | 0:22:11 | |
Yes. Even better than that. | 0:22:11 | 0:22:13 | |
Good e'en, old apothecary. | 0:22:26 | 0:22:28 | |
Good e'en, my master. A dark night for business. | 0:22:28 | 0:22:31 | |
Perhaps thy business be dark also? | 0:22:32 | 0:22:35 | |
Yes, well, I... I suppose it is a bit. | 0:22:35 | 0:22:38 | |
My...friend loves this girl... | 0:22:38 | 0:22:41 | |
I see, my master. | 0:22:41 | 0:22:42 | |
And this "friend" has a spotted cod-dangle and a murky discharge? | 0:22:42 | 0:22:48 | |
Not at all. | 0:22:48 | 0:22:49 | |
You take bat spit and goat snot and rub upon your... | 0:22:49 | 0:22:53 | |
I mean, your friend's... | 0:22:53 | 0:22:55 | |
Apothecary, I be not poxed. | 0:22:55 | 0:22:57 | |
I just need a simple potion that will render a person seemingly dead | 0:22:57 | 0:23:02 | |
but from which they will fully recover at the appropriate moment. | 0:23:02 | 0:23:05 | |
Well, we have Play Dead. | 0:23:05 | 0:23:07 | |
Or else you could buy my own brand of the mixture, which is exactly the same | 0:23:07 | 0:23:11 | |
but half the price. | 0:23:11 | 0:23:13 | |
Hm, I... I think I'll stick to the popular brand, thank you. | 0:23:13 | 0:23:16 | |
I'm happy to pay a little more for the nebulous sense of comfort | 0:23:16 | 0:23:20 | |
that a public brand imbues. | 0:23:20 | 0:23:22 | |
Master Florian! | 0:23:27 | 0:23:28 | |
I come with a message from your true love, Kate. | 0:23:28 | 0:23:30 | |
Why, sirrah, if you speak Kate's words, then you are her mouth. | 0:23:30 | 0:23:33 | |
Er, not really. | 0:23:33 | 0:23:35 | |
And so must I kiss thee. | 0:23:35 | 0:23:37 | |
No, this is not consensual! | 0:23:37 | 0:23:40 | |
Oh! Oh, urgh! | 0:23:40 | 0:23:41 | |
God! | 0:23:41 | 0:23:42 | |
Your breath doth stink like you dine on dung. | 0:23:42 | 0:23:45 | |
Deliver your message and be gone. | 0:23:45 | 0:23:47 | |
Mistress Kate has gone to the local chapel. | 0:23:47 | 0:23:51 | |
Her countenance was dark and wild. I fear some madness is come upon her. | 0:23:51 | 0:23:54 | |
She called for you, master. Hurry lest you be too late. | 0:23:54 | 0:23:56 | |
BIRD CAWS | 0:23:58 | 0:24:00 | |
Right, Kate, you swig the potion, Florian finds you, | 0:24:03 | 0:24:06 | |
thinks you dead and breaks off the engagement. | 0:24:06 | 0:24:09 | |
I can't see how it can possibly go wrong. | 0:24:09 | 0:24:11 | |
Well, to play Juliet... | 0:24:11 | 0:24:14 | |
EXHALES | 0:24:18 | 0:24:19 | |
GATE CREAKS | 0:24:21 | 0:24:22 | |
But soft, he comes! | 0:24:22 | 0:24:23 | |
Oh... | 0:24:25 | 0:24:27 | |
So dark. | 0:24:27 | 0:24:30 | |
I fear my love's not here, | 0:24:30 | 0:24:31 | |
for surely her bright eyes would be a lantern in the gloom. | 0:24:31 | 0:24:34 | |
Knob. Shh! | 0:24:34 | 0:24:36 | |
What's this? | 0:24:36 | 0:24:37 | |
My Kate lies cold. | 0:24:38 | 0:24:40 | |
Does she sleep? | 0:24:40 | 0:24:41 | |
No, she is dead! | 0:24:44 | 0:24:45 | |
Now will he say, "Oh, well, bad luck. | 0:24:45 | 0:24:48 | |
"I'll just have to forget about her and go to Cambridge." | 0:24:48 | 0:24:51 | |
Poisoned. | 0:24:51 | 0:24:53 | |
Dead from poison? | 0:24:53 | 0:24:55 | |
Dead! | 0:24:55 | 0:24:56 | |
"Oh, well, win some, lose some, plenty more totty in Cambridge." | 0:24:56 | 0:25:00 | |
If Kate be dead, then Florian need not live. | 0:25:00 | 0:25:04 | |
Perchance some trace of poison does linger on her lips. | 0:25:04 | 0:25:08 | |
A kiss and I will share her fate. | 0:25:08 | 0:25:10 | |
Blimey. | 0:25:11 | 0:25:13 | |
He's taking it a bit harder than I expected. | 0:25:13 | 0:25:15 | |
And yet no friendly drop remains. | 0:25:15 | 0:25:18 | |
Perchance she did brush her teeth | 0:25:19 | 0:25:21 | |
and then gargle after drinking it. | 0:25:21 | 0:25:23 | |
Thus... | 0:25:24 | 0:25:27 | |
with a dagger I die! | 0:25:27 | 0:25:29 | |
No, no. She-She be not dead! | 0:25:29 | 0:25:31 | |
The potion only made her seem dead. She'll wake up any second! | 0:25:31 | 0:25:35 | |
Bolingbrokes! | 0:25:35 | 0:25:37 | |
He dies. | 0:25:40 | 0:25:42 | |
Now cracks a noble heart! | 0:25:44 | 0:25:47 | |
Good night, sweet idiot. | 0:25:49 | 0:25:51 | |
Thy heart was big, | 0:25:53 | 0:25:55 | |
thy brain...tiny. | 0:25:55 | 0:25:58 | |
Soft! I wake. | 0:25:59 | 0:26:01 | |
Did the plan work? | 0:26:01 | 0:26:02 | |
Did Florian find my still body, think me dead | 0:26:02 | 0:26:05 | |
and depart for Cambridge with a shrug? | 0:26:05 | 0:26:07 | |
Well, two out of three ain't bad. | 0:26:07 | 0:26:09 | |
Right, good. Don't panic, we can deal with this. | 0:26:11 | 0:26:15 | |
We just need another brilliant plan. | 0:26:15 | 0:26:18 | |
Welcome, Master Greene, | 0:26:18 | 0:26:20 | |
to young Florian's farewell feast. | 0:26:20 | 0:26:23 | |
Burbage and his company and Mistress Sauce Quickly have joined us | 0:26:23 | 0:26:27 | |
to make of it a merry evening. | 0:26:27 | 0:26:28 | |
Excellent, excellent. | 0:26:28 | 0:26:30 | |
Come, Florian, embrace your uncle! | 0:26:30 | 0:26:32 | |
He looks half dead. | 0:26:36 | 0:26:37 | |
He is, Master Greene. He is. | 0:26:39 | 0:26:41 | |
I did a bit of serious roistering with young Flozza last night. | 0:26:41 | 0:26:44 | |
Buckets of oysters, barrels of ale! | 0:26:44 | 0:26:47 | |
THEY LAUGH | 0:26:47 | 0:26:49 | |
Come, sirrah, your hand. | 0:26:49 | 0:26:51 | |
Good lad. | 0:26:51 | 0:26:53 | |
Cold, stiff, unbending - just as a gentleman should be. | 0:26:53 | 0:26:58 | |
Dinner is served, my masters. Shall we? | 0:27:01 | 0:27:04 | |
So I said to Johnny Heminges - lovely actor, sweet, sweet man... | 0:27:04 | 0:27:08 | |
I said to Johnny, "Have you ever played Gammer Gurton's Needle"? | 0:27:08 | 0:27:11 | |
He said, "I've played Gammer Gurton, ducky, but the needle came from props!" | 0:27:11 | 0:27:16 | |
THEY LAUGH | 0:27:16 | 0:27:17 | |
Brilliant, Burbage! | 0:27:22 | 0:27:23 | |
I always say there's nothing more fascinating | 0:27:23 | 0:27:25 | |
than actors talking about themselves! | 0:27:25 | 0:27:28 | |
Tell us more! | 0:27:29 | 0:27:31 | |
What about Florian? Thou hast not touched thy food. | 0:27:31 | 0:27:34 | |
Posh boys must quaff and gorge whilst others starve. | 0:27:34 | 0:27:38 | |
Can't keep this up much longer. Let's go for it. | 0:27:39 | 0:27:41 | |
Tell me, Florian, have you seen anything of the fair Rosaline | 0:27:41 | 0:27:45 | |
who once you did love so well? | 0:27:45 | 0:27:47 | |
Rosaline? Who is Rosaline?! | 0:27:47 | 0:27:49 | |
You said you loved me! Your Kate! | 0:27:49 | 0:27:52 | |
Kate? Love Kate? Thou said thou didst love me! | 0:27:52 | 0:27:56 | |
Your Mistress Sauce Quickly. | 0:27:56 | 0:27:57 | |
Bravo, lad! I see you've been roistering, as a varsity man should. | 0:27:59 | 0:28:04 | |
And, Master Shakespeare, | 0:28:04 | 0:28:05 | |
it seems you have cured my nephew of all silly notions of romance. | 0:28:05 | 0:28:12 | |
Well, yes, I think you could say we've done that. | 0:28:12 | 0:28:14 | |
Bra-vo. | 0:28:16 | 0:28:18 | |
THUD | 0:28:22 | 0:28:23 | |
But look now, what's this? | 0:28:26 | 0:28:28 | |
Why, he's passed out in his plate. You'd think he was at Cambridge already! | 0:28:29 | 0:28:34 | |
THEY LAUGH | 0:28:34 | 0:28:36 | |
HEN CLUCKS | 0:28:38 | 0:28:40 | |
We took him to Cambridge, where, not surprisingly, | 0:28:40 | 0:28:43 | |
they found him cold, unco-operative | 0:28:43 | 0:28:45 | |
and expecting advancement without effort or talent. | 0:28:45 | 0:28:48 | |
In short, a perfect member of the English Establishment. | 0:28:50 | 0:28:54 | |
Although he will have decomposed long before he graduates, | 0:28:54 | 0:28:57 | |
I imagine he'll get a first. | 0:28:57 | 0:28:59 | |
Amazing tale, husband. | 0:29:01 | 0:29:02 | |
Particularly the bit about the maid drugging herself in a tomb, | 0:29:02 | 0:29:07 | |
only for her young lover to think her dead and killing himself before she wakes up. | 0:29:07 | 0:29:12 | |
Yes. | 0:29:12 | 0:29:14 | |
If only I could think of an ending for my play as easily. | 0:29:14 | 0:29:17 |