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CHEERING | 0:00:19 | 0:00:23 | |
Good evening, and welcome to Watson & Oliver. I'm Ingrid Oliver. | 0:00:29 | 0:00:33 | |
I'm Ingrid Oliver. | 0:00:35 | 0:00:36 | |
LAUGHTER | 0:00:36 | 0:00:39 | |
-You done your bit? -Yes. | 0:00:41 | 0:00:42 | |
-And I'm Lorna Watson. Good evening! -CHEERING AND APPLAUSE | 0:00:46 | 0:00:51 | |
-Lorna. -Yes? -Trousers? | 0:00:55 | 0:00:57 | |
-I didn't have time. -So you thought you'd just come on in your pants? | 0:00:57 | 0:01:02 | |
That's the decision I took, yes. I didn't want to miss my cue, did I? | 0:01:02 | 0:01:07 | |
Well, you did miss your cue, so... | 0:01:07 | 0:01:09 | |
Yes, but I didn't WANT to miss my cue. | 0:01:09 | 0:01:12 | |
Well, I can't argue with that kind of logic. | 0:01:12 | 0:01:14 | |
If it's that big a deal, I can go and get them. I know where they are. | 0:01:16 | 0:01:19 | |
No, you haven't got time. | 0:01:19 | 0:01:20 | |
I know, which is why I didn't put them on in the first place! | 0:01:20 | 0:01:26 | |
-Just like you didn't have time to do up your flies properly. -What? Oh, God! | 0:01:27 | 0:01:31 | |
APPLAUSE | 0:01:31 | 0:01:34 | |
Enjoy the show. | 0:01:34 | 0:01:36 | |
Ta for seeing me. I couldn't turn to no-one else here. | 0:01:45 | 0:01:48 | |
I thought about going to Margaret at number seven, but she's got her own problems. | 0:01:48 | 0:01:52 | |
-What do you mean? -Didn't I tell you? | 0:01:52 | 0:01:54 | |
Her daughter has been seen down The Crown with Joany's lad, | 0:01:54 | 0:01:57 | |
and not two months since she was stepping out at the dance | 0:01:57 | 0:01:59 | |
-with Keith Gordon from Beaulieu Street. -You are kidding! Hold on a second. | 0:01:59 | 0:02:03 | |
Thought that'd shock you. Mind you, she's a wicked old bag is that Margaret Drummond, | 0:02:09 | 0:02:13 | |
and you're not safe from her fishwife's tongue. | 0:02:13 | 0:02:15 | |
She's called you common on many an occasion, and no mistake! | 0:02:15 | 0:02:20 | |
-I'll have her guts for garters! -Pay no heed, Irene. | 0:02:20 | 0:02:23 | |
You know, you're the only one I can rely on. | 0:02:23 | 0:02:26 | |
I want to thank you for showing me such sympathy. | 0:02:26 | 0:02:30 | |
Any time, Brenda. Roger's been ever so unkind. | 0:02:30 | 0:02:33 | |
Left me without a second thought, and then last night he telephones to say he still loves me. | 0:02:33 | 0:02:38 | |
Yeah, what do you think of that? | 0:02:38 | 0:02:41 | |
I know, I can see you're horrified. Still loves me! | 0:02:41 | 0:02:45 | |
I'm as nonplussed as you. | 0:02:45 | 0:02:47 | |
What he's up to I don't know. Even says he wants to come back! | 0:02:48 | 0:02:53 | |
So just perhaps, Irene Leonard, you should be happy for me. | 0:02:55 | 0:02:58 | |
Maybe you should be sad. | 0:03:00 | 0:03:01 | |
But hark at me going on at you. That's men! | 0:03:03 | 0:03:06 | |
What do I expect you to say? You're like me, completely... | 0:03:06 | 0:03:09 | |
Oh, what would you call it? | 0:03:09 | 0:03:10 | |
Flummoxed. Yes, that's the only word for it, Irene. Flummoxed. | 0:03:11 | 0:03:17 | |
Discombobulated, that's what we are. Totally discombobulated. | 0:03:21 | 0:03:26 | |
How did me old French teacher used to put it? | 0:03:29 | 0:03:32 | |
"Entre l'arbre et l'ecorce." That's it. | 0:03:32 | 0:03:35 | |
But come on, Irene. This moping around isn't going to achieve anything. | 0:03:38 | 0:03:42 | |
Let's stick on an 'appy face and meet the world! | 0:03:42 | 0:03:45 | |
Hello, I'm Myleene Klass, and I done a Hear'Say. | 0:03:53 | 0:03:57 | |
Likeable. | 0:03:59 | 0:04:00 | |
OK, all units standing by. I don't want any false moves, | 0:04:05 | 0:04:08 | |
and nothing, I repeat, nothing, happens without my direct say-so, got it? | 0:04:08 | 0:04:12 | |
And, Steve, good work. | 0:04:12 | 0:04:14 | |
OK, team. Listen up. | 0:04:16 | 0:04:18 | |
Surveillance have confirmed that Reznikov has left the Pimlico address | 0:04:18 | 0:04:22 | |
and is en route to the pickup. This is it. | 0:04:22 | 0:04:24 | |
I want a visual of every single person coming in and out of that hotel. | 0:04:24 | 0:04:28 | |
-Chris, where are we at with the security overrides? -Almost there. | 0:04:28 | 0:04:31 | |
Get there faster. We need everything in place before he arrives. | 0:04:31 | 0:04:35 | |
-Special ops are in position? -ETA - three minutes. | 0:04:35 | 0:04:38 | |
OK. It's crunch time. | 0:04:38 | 0:04:40 | |
The success of this mission depends on each and every one of you giving 100%. | 0:04:40 | 0:04:44 | |
If we work as a team, we win as a team. | 0:04:44 | 0:04:47 | |
And remember, we've been building up to this for the last 18 months. | 0:04:47 | 0:04:51 | |
In 20 minutes, it will all be over, so let's make it count. | 0:04:51 | 0:04:55 | |
-Sarah, I'm just going to... -Jenkins? | 0:04:55 | 0:04:58 | |
Yeah, is it all right if I just nip off a bit early, actually? | 0:04:58 | 0:05:02 | |
It's just I'm having a fridge delivered. Well, fridge-freezer. | 0:05:02 | 0:05:05 | |
Excuse me? | 0:05:05 | 0:05:06 | |
Well, they've already been once, and I wasn't there... | 0:05:06 | 0:05:10 | |
-SHE CHUCKLES -..so I really should be there this time. | 0:05:10 | 0:05:14 | |
-We need you here, Jenkins! -I know. -You're not seriously going, are you? | 0:05:14 | 0:05:19 | |
-Is that all right? -No! No, it's not all right! | 0:05:19 | 0:05:23 | |
Mmmm. | 0:05:24 | 0:05:25 | |
The thing is, I did only have half an hour for lunch. | 0:05:29 | 0:05:32 | |
It's supposed to be an hour, so... | 0:05:33 | 0:05:35 | |
Erm, good luck, everybody. Fingers crossed. All right? | 0:05:37 | 0:05:43 | |
-Sarah... -Give me a minute. | 0:05:43 | 0:05:45 | |
-What are we going to do without Jenkins? -I said give me a minute! | 0:05:45 | 0:05:49 | |
Jenkins, thank God! | 0:05:52 | 0:05:54 | |
Sorry, forgot my scarf! | 0:05:54 | 0:05:56 | |
Bye-bye! Bye, then! | 0:05:58 | 0:06:00 | |
97, 98, 99, 100. | 0:06:06 | 0:06:12 | |
Did you have a good day today, Wills? | 0:06:14 | 0:06:17 | |
Erm, yeah, yeah, it was a pretty good day, actually. | 0:06:17 | 0:06:19 | |
Cleaned out the chopper in the morning, erm, | 0:06:19 | 0:06:23 | |
-then I saved someone's life. -Oh, well done you! -Yeah, he was ever so grateful. | 0:06:23 | 0:06:28 | |
Then in the afternoon, I had high tea with the Obamas. | 0:06:28 | 0:06:31 | |
-Oh, I forgot they were in town. -Yeah, yeah. | 0:06:31 | 0:06:34 | |
They were on really good form, actually. | 0:06:34 | 0:06:36 | |
-Did you send them my love? -Yeah, yeah. | 0:06:36 | 0:06:38 | |
-They were really sorry to miss you. Michelle was, like, totally gutted. -Oh, sweet. | 0:06:38 | 0:06:42 | |
So what did you get up to? | 0:06:42 | 0:06:44 | |
Well, this morning I opened a couple of hospitals, | 0:06:44 | 0:06:47 | |
and then I wore a new dress which people seemed to like quite a lot, | 0:06:47 | 0:06:51 | |
because they kept taking photographs of it. | 0:06:51 | 0:06:54 | |
In the afternoon I was guest of honour at a charity gala | 0:06:54 | 0:06:56 | |
for promoting child health issues in Africa. | 0:06:56 | 0:06:59 | |
-Oh, those guys are great! -Yeah. | 0:06:59 | 0:07:01 | |
So a good day all round, then? | 0:07:01 | 0:07:04 | |
-Yeah, really good day. -Great. | 0:07:04 | 0:07:06 | |
-Right, then, time for bed, I think. -Yeah. | 0:07:06 | 0:07:09 | |
-Night, Wills. -Night, Kate. | 0:07:09 | 0:07:10 | |
-Kate? -Yes, Wills? | 0:07:16 | 0:07:20 | |
It wasn't as good a day as our wedding day. | 0:07:20 | 0:07:22 | |
-BOTH: Our wedding day! -That was such a great day! -It was such a good day! | 0:07:24 | 0:07:28 | |
I was so nervous, remember? I was trying not to show it, | 0:07:28 | 0:07:32 | |
-because there were two billion people watching. Seriously, two billion! -What's that all about? | 0:07:32 | 0:07:37 | |
I was trying to keep things light-hearted, remember? | 0:07:37 | 0:07:40 | |
I was like to your dad, "Hey, don't worry about it. Just a small family gathering!" | 0:07:40 | 0:07:44 | |
Not! Remember when I tried to get into the car outside the hotel, and there was this screen up, | 0:07:44 | 0:07:49 | |
but you could still see me, but you couldn't totally see me, | 0:07:49 | 0:07:52 | |
and I was, like, "Oh, no, guys, stop looking at my dress! You'll ruin the surprise!" | 0:07:52 | 0:07:56 | |
Then Beatrice and Eugey arrived, and everyone wondered why Beatrice was wearing a pretzel on her head. | 0:07:56 | 0:08:01 | |
You couldn't get the ring on my finger. I was like, | 0:08:01 | 0:08:04 | |
"Everyone's going to think I've got really fat fingers now, | 0:08:04 | 0:08:07 | |
-"even though I literally haven't eaten for three weeks!" -Yeah. Sausage finger alert! | 0:08:07 | 0:08:11 | |
Remember when your sister bent over to pick up your train, and everyone was like, | 0:08:11 | 0:08:15 | |
"Whoa, look at the arse on that!" | 0:08:15 | 0:08:17 | |
Because I don't. That is definitely not what I remember at all. | 0:08:23 | 0:08:26 | |
Have you changed your hair? | 0:08:26 | 0:08:29 | |
-Good night, William. -Night, Kate. | 0:08:29 | 0:08:31 | |
Three full English, darling! One no mushroom, darling, one no sausage, darling. Yes, my darling? | 0:08:36 | 0:08:41 | |
-Service, darling! -Service, darling! | 0:08:41 | 0:08:43 | |
-Bacon sandwich, please, darling. -Coming, darling! -Bacon sandwich? | 0:08:43 | 0:08:47 | |
We got white bread, darling, we got floury bap, we got toasted panini, we got baguette, darling. | 0:08:47 | 0:08:51 | |
-White sliced, darling. -Ketchup, brown sauce, darling? -Ketchup. -Bacon sandwich with ketchup and white! | 0:08:51 | 0:08:57 | |
-And a cup of tea, darling. -Service! -Service, darling! One cup of tea, my darling? | 0:08:57 | 0:09:00 | |
-Coming, darling! -That's £2.45, please, darling. -£2.45? | 0:09:00 | 0:09:04 | |
-Yes, £2.45, please, my darling. -2.45, darling. | 0:09:04 | 0:09:07 | |
-That's £2.45, thank you, my darling, and one cup of tea, darling. -Service, darling! -Service! | 0:09:07 | 0:09:11 | |
-Thanks, my darling. -Thanks. -Coming, darling. -Yes, my darling? | 0:09:11 | 0:09:15 | |
-Three egg rolls, darling. -Three egg rolls? -That's right, darling. | 0:09:15 | 0:09:18 | |
-Service, darling. -That's £2.80, please, my darling. | 0:09:18 | 0:09:21 | |
-Coming, darling. -Egg rolls, darling. -There you go, darling. -That's £3, darling. | 0:09:21 | 0:09:25 | |
-Keep the change, darling. -Service, darling! -Thanks, darling. | 0:09:25 | 0:09:28 | |
-Coming, darling. -Thank you, darling. -Who's next? Yes, darling. -Service, darling! -Service, darling! | 0:09:28 | 0:09:33 | |
-Darling? -Yes, darling? -Any mustard, darling? | 0:09:33 | 0:09:35 | |
-Sorry, my darling. Kath, my darling? -Coming, darling. -Mustard, darling. -Yes, my darling. | 0:09:35 | 0:09:40 | |
-Service, darling! -Yes, my darling? | 0:09:40 | 0:09:42 | |
Full English, love, extra beans, love, and a cup of coffee, love. | 0:09:42 | 0:09:47 | |
Trish! | 0:09:50 | 0:09:52 | |
Yes, my love? Morning, my love! What can I get you, my love? | 0:09:55 | 0:09:58 | |
Hello, I'm Myleene Klass, and I done a classical. | 0:10:02 | 0:10:07 | |
SKILFUL PIANO MUSIC | 0:10:07 | 0:10:11 | |
Approachable. | 0:10:12 | 0:10:14 | |
(Oh, God.) | 0:10:24 | 0:10:25 | |
Mr Bridgewater, Sir Thomas. | 0:10:25 | 0:10:28 | |
Miss Deeps, Miss Rutherford. | 0:10:28 | 0:10:30 | |
You are returned from London, I see. | 0:10:30 | 0:10:32 | |
-Indeed. Our business there did not detain us long. -Indeed? -Indeed. | 0:10:32 | 0:10:36 | |
-Indeed? -Indeed. | 0:10:36 | 0:10:39 | |
And what brings you to Whitborough on this fine summer's morn? | 0:10:39 | 0:10:43 | |
We are off to purchase pincushions from Mrs Pinkerton-Pye of Pippering Place! | 0:10:43 | 0:10:47 | |
-You see, I mislaid my pincushion, didn't I, Catherine? -Yes! | 0:10:47 | 0:10:50 | |
-She's for ever mislaying her pincushions, aren't you, Lucy? -Yes! | 0:10:50 | 0:10:54 | |
I could not retain ownership of a pincushion if my life were dependent on it! | 0:10:54 | 0:10:57 | |
GIRLS GIGGLE | 0:10:59 | 0:11:03 | |
THEY CONTINUE GIGGLING | 0:11:06 | 0:11:08 | |
I trust you'll be attending Brigadier Burnham's biennial ball at Banbury? | 0:11:10 | 0:11:14 | |
-But of course. -I too shall be attending, Sir Thomas. | 0:11:14 | 0:11:17 | |
-Good. -Our dance cards are as yet untroubled by a single name, Mr Bridgewater. | 0:11:17 | 0:11:21 | |
We've been saving our slots, you see. | 0:11:21 | 0:11:24 | |
For two very special gentlemen. | 0:11:26 | 0:11:28 | |
Yes, we eagerly await the filling of our slots by two very special gentlemen. | 0:11:28 | 0:11:32 | |
Splendid. Well, sadly, we must take our leave of you. | 0:11:32 | 0:11:36 | |
-So soon? -We must away to London. -Again? You have just come from thence. | 0:11:36 | 0:11:39 | |
-Yes, well, we must away again immediately. Good day to you both. -BOTH: Good day! | 0:11:39 | 0:11:43 | |
Goodbye! | 0:11:43 | 0:11:44 | |
Oh, my God. They want it. | 0:11:47 | 0:11:49 | |
They want it, all right. They want it big time! | 0:11:49 | 0:11:52 | |
And I tell you what - we're going to give it to them. | 0:11:52 | 0:11:55 | |
Hey! I'm Candy. | 0:12:01 | 0:12:04 | |
And I'm April. | 0:12:04 | 0:12:06 | |
BOTH: And we're Hugh Hefner's new girlfriends! Yay! | 0:12:06 | 0:12:11 | |
SHE GIGGLES | 0:12:16 | 0:12:17 | |
So this is my bedroom, and as you can see, | 0:12:17 | 0:12:20 | |
I really played around with the colours in here. | 0:12:20 | 0:12:23 | |
So, we have light pinks, baby pinks, pastel pinks... | 0:12:23 | 0:12:27 | |
I'm cartwheeling! | 0:12:27 | 0:12:29 | |
..candy floss pinks, Barbie pinks, and, you know, pink pinks! | 0:12:32 | 0:12:37 | |
This is me when I did the July centrefold. | 0:12:39 | 0:12:42 | |
I'm the Statue of Liber-titty! | 0:12:43 | 0:12:45 | |
That's so cute, right? | 0:12:48 | 0:12:51 | |
-I know, right? -Right! | 0:12:51 | 0:12:53 | |
So this is my favourite picture of Hef. | 0:12:57 | 0:13:00 | |
He's so adorable! | 0:13:01 | 0:13:02 | |
Look at me, upside down in my tiny shorts! | 0:13:05 | 0:13:08 | |
And even though he's, like, 102, he's still, like, really, really sexy. | 0:13:08 | 0:13:13 | |
Look at my boobs! They're upside down and on my face! | 0:13:13 | 0:13:18 | |
He's so hot that just looking at him really turns me on. | 0:13:18 | 0:13:21 | |
Yeah, he's so hot! | 0:13:23 | 0:13:26 | |
-We're both very much in love with him, right? -Right. | 0:13:29 | 0:13:33 | |
KNOCK AT DOOR | 0:13:33 | 0:13:35 | |
< Where's my two favourite bunny-wunnies? | 0:13:35 | 0:13:39 | |
< It's a quarter to five, time for sleepy cuddles! | 0:13:39 | 0:13:43 | |
BOTH RETCH | 0:13:43 | 0:13:45 | |
< Hugh needs his sleepy cuddles. | 0:13:45 | 0:13:48 | |
BOTH RETCH | 0:13:48 | 0:13:51 | |
< Who's going to be the lucky girl tonight? | 0:13:51 | 0:13:53 | |
BOTH RETCH | 0:13:53 | 0:13:56 | |
I guess it's your turn, so... | 0:13:57 | 0:14:00 | |
No, because I did it last night, so it's your turn, right? | 0:14:00 | 0:14:04 | |
Right, but I think I'm coming down with something, so... | 0:14:04 | 0:14:07 | |
Right. I have toothache, so... | 0:14:07 | 0:14:10 | |
-Right. I have a fever. -I have mouth ulcers. | 0:14:10 | 0:14:13 | |
-My glands are swollen. -My gums are receding. | 0:14:13 | 0:14:15 | |
-I have conjunctivitis! -I have gingivitis! | 0:14:15 | 0:14:18 | |
-I have bronchitis! -I'm unconscious! | 0:14:18 | 0:14:22 | |
What? No, you're not! | 0:14:22 | 0:14:24 | |
Damn it! | 0:14:35 | 0:14:36 | |
< Come on, honey. Time for beddy-byes! | 0:14:36 | 0:14:39 | |
Coming, puffin! | 0:14:39 | 0:14:42 | |
< Don't forget my special pump! | 0:14:42 | 0:14:44 | |
SHE RETCHES | 0:14:44 | 0:14:47 | |
Ladies and gentlemen, we've got a bit of a treat for you this evening. I'm very excited. | 0:14:50 | 0:14:55 | |
So without further ado, please give a very warm welcome to a very special guest - Mr John Barrowman! | 0:14:55 | 0:15:00 | |
CHEERING AND APPLAUSE | 0:15:00 | 0:15:03 | |
Hello! Hi! | 0:15:05 | 0:15:08 | |
Good evening. Hello, I'm John Barrowman, and thank you, thank you. | 0:15:10 | 0:15:14 | |
-It's so great to have you here, John. -Thanks, it's really, really great to be here. -Yeah. | 0:15:14 | 0:15:19 | |
-OK. -OK. So, I've chosen the duet | 0:15:25 | 0:15:29 | |
-we're going to be singing at the end of the show. -Hold on, we're doing a duet? | 0:15:29 | 0:15:33 | |
Because I thought I was doing a solo from my new hit musical called John Barrowman, | 0:15:33 | 0:15:37 | |
starring me, John Barrowman, written by me, John Barrowman, | 0:15:37 | 0:15:41 | |
with original songs by me, John Barrowman. | 0:15:41 | 0:15:43 | |
No. You see, I really want to get into musicals, | 0:15:46 | 0:15:49 | |
so you're here to help me showcase my vocal talents. | 0:15:49 | 0:15:53 | |
Oh. Oh, I didn't know you could sing. | 0:15:53 | 0:15:55 | |
-Oh! Oh, I can sing. -Really? | 0:15:55 | 0:15:58 | |
Yeah. I sing all the notes. | 0:15:58 | 0:16:00 | |
C, B, E flat, W. | 0:16:00 | 0:16:04 | |
-Wow, that's quite a range! -Thank you. | 0:16:04 | 0:16:07 | |
So, anyway, I've written a song especially for this evening. | 0:16:07 | 0:16:11 | |
I've highlighted your bits here. | 0:16:11 | 0:16:13 | |
-Also, is Lorna going to be involved in the finale? -Oh, no. No, no. | 0:16:13 | 0:16:17 | |
No, Lorna won't be. It'll just be the two of us. | 0:16:17 | 0:16:20 | |
-OK. -Yeah, it's not really her thing, to be honest. | 0:16:20 | 0:16:22 | |
OK, because I wouldn't want to do anything to upset anybody, | 0:16:22 | 0:16:26 | |
because John Barrowman doesn't upset people. | 0:16:26 | 0:16:29 | |
John Barrowman is a good man. John Barrowman is kind and sensitive. | 0:16:29 | 0:16:32 | |
John Barrowman makes people's dreams come true! | 0:16:32 | 0:16:35 | |
You don't need to worry about her, John. She hates musicals. | 0:16:40 | 0:16:43 | |
Yeah. She really doesn't want to be in a musical whatsoever. | 0:16:43 | 0:16:46 | |
-At all. -All right, OK. -OK? So... | 0:16:46 | 0:16:49 | |
I didn't get it! Unbelievable. Too old, apparently. | 0:16:52 | 0:16:56 | |
God, I love musicals! | 0:16:58 | 0:17:00 | |
Oh, my God! It's John Barrowman! | 0:17:01 | 0:17:04 | |
-Hey. -What's John Barrowman doing here? I love John Barrowman. | 0:17:04 | 0:17:08 | |
He's so kind and sensitive. He makes people's dreams come true. | 0:17:08 | 0:17:13 | |
Yeah, well, Ingrid invited me to... | 0:17:13 | 0:17:16 | |
-OK. -I called John Barrowman because I'm going to sing a song with him at the end of the show. | 0:17:19 | 0:17:25 | |
OK? Good. | 0:17:25 | 0:17:26 | |
You know, I really wouldn't want to get in-between anything here, if you know what I mean, OK? | 0:17:26 | 0:17:32 | |
-Oh, you're not in the middle of anything, John. -OK. | 0:17:32 | 0:17:35 | |
So, anyway, I thought maybe if we just play around | 0:17:43 | 0:17:47 | |
with the harmonies a little bit, and then... | 0:17:47 | 0:17:50 | |
-Can I do a duet with you, please? -You know, I'd love to, but... -John, focus, please! | 0:17:50 | 0:17:55 | |
-We need to rehearse right now. Come on. -OK. | 0:17:55 | 0:17:58 | |
-I'm so sorry. -John! -I'll see you later. | 0:17:58 | 0:18:01 | |
Maybe one day I'll be in a musical. | 0:18:11 | 0:18:14 | |
Maybe one day I'll get the chance to sing. | 0:18:15 | 0:18:17 | |
-# I... -Psst! | 0:18:19 | 0:18:22 | |
-John, what are you doing? -Oh, it's no problem. | 0:18:22 | 0:18:25 | |
Listen, I think I left my wallet. | 0:18:25 | 0:18:27 | |
Psst, Lorna! Quick, huddle up! | 0:18:27 | 0:18:30 | |
OK. I think I've found a way to work you into the finale. | 0:18:31 | 0:18:36 | |
Great! Thanks, John! | 0:18:38 | 0:18:40 | |
You're welcome. | 0:18:40 | 0:18:41 | |
-OK. -Here's your wallet. | 0:18:47 | 0:18:48 | |
Thank you very much. | 0:18:48 | 0:18:50 | |
-Lorna. -Yes? | 0:18:56 | 0:18:58 | |
There was £20 in this wallet. | 0:18:58 | 0:19:00 | |
-I was going to buy tap shoes with that. -Sorry. | 0:19:04 | 0:19:08 | |
Selfish. | 0:19:11 | 0:19:12 | |
Tidy that cell, Matthews. | 0:19:16 | 0:19:18 | |
Grow up, Jeffries! | 0:19:21 | 0:19:22 | |
Oh, no. | 0:19:26 | 0:19:27 | |
-Oh, no! -Off we go! | 0:19:27 | 0:19:31 | |
-Here she comes! -There she is! | 0:19:31 | 0:19:33 | |
-Here I am! -There's trouble! | 0:19:33 | 0:19:35 | |
-Don't you start! -Someone's off! -There she is! | 0:19:35 | 0:19:38 | |
Morning, mischief. You had your breakfast, then? | 0:19:38 | 0:19:41 | |
-I've had my breakfast. You had yours? -Cheeky! -I bet you have! -That's not what I heard. -Oh, yeah? | 0:19:41 | 0:19:45 | |
-What you had, then? -Porridge. -Porridge, is it? | 0:19:45 | 0:19:48 | |
No, thanks, I've already eaten! | 0:19:50 | 0:19:52 | |
Oh, dear! | 0:19:54 | 0:19:55 | |
S, what you up to today, then? Doing anything nice? | 0:19:55 | 0:19:58 | |
-Don't mind if I do! -Oh, yeah? Got plans, have you? | 0:19:58 | 0:20:01 | |
I'm going on holiday, ain't I? | 0:20:02 | 0:20:04 | |
Going on holiday, are you? Go on, where you off to? | 0:20:04 | 0:20:06 | |
-Tuscany. -Going to Tuscany, are you? -I'm going to Tuscany, are you going to Tuscany? | 0:20:06 | 0:20:11 | |
-As the actress said to the bishop. -Oh, bishop, is it? What bishop's that, then? | 0:20:11 | 0:20:15 | |
Wouldn't you like to know! | 0:20:15 | 0:20:17 | |
BOTH CHUCKLE | 0:20:17 | 0:20:19 | |
No, seriously, pet. What are you doing today? | 0:20:20 | 0:20:24 | |
Oh, I thought I'd just sit in my cell. | 0:20:24 | 0:20:26 | |
Yeah. | 0:20:28 | 0:20:29 | |
Yeah. | 0:20:29 | 0:20:30 | |
Well, I could pop by later if you fancy some company. | 0:20:32 | 0:20:35 | |
I can't, I've got slops duty. | 0:20:35 | 0:20:38 | |
Oh, yeah, of course, slops. I forgot it was Monday. | 0:20:38 | 0:20:41 | |
-Well, I've got cell inspections and that, anyway, so... -Yeah, yeah. | 0:20:43 | 0:20:48 | |
-All right, well, I'll see you later, pet. -See you later. Don't do anything I wouldn't do! | 0:20:48 | 0:20:52 | |
-Oh, no. -Oh, no! -She's off again! | 0:20:52 | 0:20:55 | |
-Here we go! -There she is! -Here it comes! | 0:20:55 | 0:20:58 | |
-I'll see you later, trouble. -Not if I see you first! | 0:20:58 | 0:21:01 | |
Oh, dear. What is she like? | 0:21:01 | 0:21:04 | |
Good evening, and welcome to Question Hour. | 0:21:16 | 0:21:19 | |
Tonight, we come from the historic town of Hastings, | 0:21:19 | 0:21:21 | |
and with me on the panel, ready to answer the questions you want answering, | 0:21:21 | 0:21:25 | |
Shadow Chancellor Sarah Lane, Peter Damon, columnist for the Guardian, | 0:21:25 | 0:21:30 | |
and Junior Minister for Health, Justin Tooth. | 0:21:30 | 0:21:34 | |
Unfortunately, because of transport strikes, | 0:21:34 | 0:21:36 | |
not all our audience could be here tonight, | 0:21:36 | 0:21:39 | |
but I'm sure we'll have an excellent debate regardless. | 0:21:39 | 0:21:41 | |
And our first question comes from Karen Wainwright. | 0:21:41 | 0:21:46 | |
Oh, hello! Erm...yes... | 0:21:49 | 0:21:53 | |
Why doesn't the moon marry the sun? | 0:21:53 | 0:21:56 | |
Why doesn't the moon marry the sun? | 0:21:59 | 0:22:01 | |
Interesting question, but are you sure you don't want to ask something more topical, | 0:22:01 | 0:22:05 | |
like about today's strike, for instance? | 0:22:05 | 0:22:07 | |
No, I'd like to stick with my original question, please. | 0:22:07 | 0:22:11 | |
Why doesn't the moon marry the sun? Would anyone like to...? | 0:22:13 | 0:22:17 | |
No, no-one wants to answer that question. | 0:22:17 | 0:22:19 | |
OK, we'll move on to the next question, | 0:22:19 | 0:22:22 | |
which comes from Miss Karen Wainwright. | 0:22:22 | 0:22:24 | |
Yes. What are these? | 0:22:24 | 0:22:27 | |
Peter Damon, we'll start with you. | 0:22:29 | 0:22:32 | |
Why doesn't the moon marry the sun? | 0:22:32 | 0:22:34 | |
No, we're not on that question now. | 0:22:34 | 0:22:37 | |
Trust me, they're not going to answer the other one. | 0:22:37 | 0:22:40 | |
Have we had any more arrivals yet? No? | 0:22:40 | 0:22:42 | |
-OK. On to the next question, which is from... -Yes. | 0:22:42 | 0:22:45 | |
Who would win in a fight between a silverback gorilla and some cheese? | 0:22:45 | 0:22:49 | |
Sarah Lane, today's transport strikes will cause more harm than good to those taking part. | 0:22:49 | 0:22:55 | |
-Do you agree? -Yes, I quite agree. You see, ordinary... -Sorry, we're not on that one now. | 0:22:55 | 0:23:00 | |
-I'm allowed to rephrase a little. -But that wasn't even close. | 0:23:00 | 0:23:03 | |
But no matter, I've got lots more questions. | 0:23:03 | 0:23:05 | |
-Oh, have you(?) -Yes. | 0:23:05 | 0:23:07 | |
Why don't we actually bake Alaska? | 0:23:07 | 0:23:10 | |
Unless you got a question that's something we can actually answer, I'll have to ask you to leave. | 0:23:10 | 0:23:15 | |
Very well. Then I have a question for this lady here. | 0:23:15 | 0:23:18 | |
How exactly do you become a sound person? | 0:23:18 | 0:23:21 | |
Next week's programme will be coming from Rhyl, | 0:23:21 | 0:23:25 | |
where we WILL have an audience, or I will be booking myself into a spa. | 0:23:25 | 0:23:29 | |
What's the time, Mr Wolf? What's the square root of Tuesday? | 0:23:29 | 0:23:33 | |
Where did you get that hat? Where did you get that hat? | 0:23:33 | 0:23:36 | |
Hello, I'm Myleene Klass, and I done a jungle. | 0:23:39 | 0:23:43 | |
And then I done a presenting! | 0:23:44 | 0:23:47 | |
And then I done a modelling! | 0:23:48 | 0:23:50 | |
I've pretty much done it all, really! | 0:23:53 | 0:23:55 | |
Girl-next-door. | 0:23:58 | 0:24:00 | |
# I've never seen a face | 0:24:24 | 0:24:30 | |
# As perfect as the one I'm seeing now | 0:24:30 | 0:24:37 | |
# Her cheekbones so defined | 0:24:37 | 0:24:40 | |
# Her skin tone so sublime | 0:24:40 | 0:24:43 | |
# She's like a swan | 0:24:43 | 0:24:45 | |
# Or a very successful international supermodel | 0:24:45 | 0:24:50 | |
# Her beauty makes me tingle | 0:24:52 | 0:24:54 | |
# I can't believe she's still single... # | 0:24:54 | 0:24:56 | |
Neither can I. | 0:24:56 | 0:24:58 | |
# She's the one | 0:24:58 | 0:25:01 | |
-# I'm the one -She's the only one | 0:25:01 | 0:25:04 | |
# I'm the only one We'll get a cottage in the country | 0:25:04 | 0:25:09 | |
# Torchwood makes a lot of money | 0:25:09 | 0:25:11 | |
# I'm the one | 0:25:11 | 0:25:14 | |
# Oooh | 0:25:14 | 0:25:18 | |
# But wait a minute Who is that stage left? | 0:25:18 | 0:25:23 | |
-# It's me -Hello | 0:25:23 | 0:25:25 | |
# Beauty beyond compare | 0:25:25 | 0:25:28 | |
# I prefer them with blonde hair | 0:25:28 | 0:25:32 | |
# Watch how I walk and sing at the same time | 0:25:32 | 0:25:35 | |
# Amazing. | 0:25:35 | 0:25:37 | |
-# Thank you... # -What are you doing? | 0:25:37 | 0:25:39 | |
# Now I'll sit down on a chair | 0:25:39 | 0:25:41 | |
# Then get up and walk to there | 0:25:41 | 0:25:45 | |
# You're the one | 0:25:45 | 0:25:46 | |
# I'm the one | 0:25:46 | 0:25:48 | |
# You're the only one | 0:25:48 | 0:25:50 | |
# I'm the only one | 0:25:50 | 0:25:52 | |
-# You are ruining my song... # -No, I'm not! | 0:25:52 | 0:25:55 | |
# Can't you both just get along? | 0:25:55 | 0:25:58 | |
# I'm the one | 0:25:58 | 0:25:59 | |
# No, I'm the one | 0:25:59 | 0:26:01 | |
# You're the only one | 0:26:01 | 0:26:03 | |
-# Who is? -Which one? | 0:26:03 | 0:26:04 | |
# There will never be another | 0:26:04 | 0:26:08 | |
# Do you have an older brother? | 0:26:08 | 0:26:11 | |
# Not the one | 0:26:11 | 0:26:13 | |
Take it to the bridge, everybody! | 0:26:13 | 0:26:15 | |
# The thing is, girls, you need to know | 0:26:15 | 0:26:18 | |
# I'm only here to promote my show | 0:26:18 | 0:26:21 | |
# Neither of you's quite right for me | 0:26:21 | 0:26:24 | |
# I don't do heterosexuality | 0:26:24 | 0:26:33 | |
Key change! | 0:26:33 | 0:26:34 | |
# I'm the one | 0:26:34 | 0:26:37 | |
# I'm John Barrowman | 0:26:37 | 0:26:40 | |
# I can act and I can sing | 0:26:40 | 0:26:43 | |
# I'm pretty great at everything | 0:26:43 | 0:26:46 | |
# Oh, I'm the one | 0:26:46 | 0:26:48 | |
# He's off on one | 0:26:48 | 0:26:50 | |
# I'm John Barrowman | 0:26:50 | 0:26:53 | |
# I'm a Yankee Doodle Dandy | 0:26:53 | 0:26:56 | |
# I'm more popular than Gandhi | 0:26:56 | 0:27:00 | |
# I'm the one | 0:27:00 | 0:27:03 | |
# Television's John Barrowman...! # | 0:27:03 | 0:27:11 | |
CHEERING | 0:27:11 | 0:27:15 | |
APPLAUSE | 0:27:20 | 0:27:23 | |
Thank you very much! | 0:27:25 | 0:27:26 | |
Thank you, everybody. I am John Barrowman. Good night! | 0:27:29 | 0:27:34 | |
Wooo! | 0:27:38 | 0:27:39 | |
CHEERING AND APPLAUSE | 0:27:39 | 0:27:41 | |
God, someone likes the sound of their own voice! | 0:27:46 | 0:27:49 | |
Oh, give it to me! | 0:27:53 | 0:27:56 | |
I had a Jedi take him on holiday. | 0:27:56 | 0:27:58 | |
Oh, dear. Cracks me up! | 0:27:58 | 0:28:01 | |
Jenkins, where are you going? | 0:28:01 | 0:28:03 | |
I should warn you, I won't have no unlawful conjugals under my roof. | 0:28:06 | 0:28:09 | |
Subtitles by Red Bee Media Ltd | 0:28:24 | 0:28:27 |