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Good evening and welcome to Watson and Oliver! I'm Ingrid Oliver. | 0:00:29 | 0:00:32 | |
And I'm Lorna Watson. | 0:00:32 | 0:00:33 | |
ALARM WAILS | 0:00:33 | 0:00:35 | |
Oh, my God. What was that? | 0:00:38 | 0:00:40 | |
-You got too close. -What? | 0:00:40 | 0:00:44 | |
Listen, Lorna, we've been spending a lot of time together recently. | 0:00:44 | 0:00:46 | |
I just need some space, all right? | 0:00:46 | 0:00:48 | |
I thought we were going through one of our good patches? | 0:00:48 | 0:00:50 | |
We are, but I think it's good to get a bit of distance sometimes, | 0:00:50 | 0:00:54 | |
which is why I've taken some measures. | 0:00:54 | 0:00:56 | |
-What kind of measures? -A restraining order. | 0:00:56 | 0:00:59 | |
You've taken out a restraining order against me? | 0:01:00 | 0:01:02 | |
No, it's not a big deal, | 0:01:02 | 0:01:04 | |
you just have to stay five feet away from me at all times. | 0:01:04 | 0:01:07 | |
I think it's for the best. | 0:01:07 | 0:01:10 | |
-All right. If that's what you want. -It is. | 0:01:10 | 0:01:12 | |
AUDIENCE: Aah! | 0:01:16 | 0:01:18 | |
Ladies and gentlemen, welcome to Watson and Oliver... No, no, | 0:01:20 | 0:01:25 | |
that doesn't feel right. Who am I kidding? | 0:01:25 | 0:01:27 | |
You're my double act partner. I need you by my side, where you belong. | 0:01:27 | 0:01:30 | |
I don't know. | 0:01:30 | 0:01:32 | |
Come here, you. | 0:01:32 | 0:01:34 | |
All right. God, you had me worried there for a minute... | 0:01:36 | 0:01:40 | |
That's not very nice, Ingrid. | 0:01:42 | 0:01:44 | |
Enjoy the show! APPLAUSE | 0:01:48 | 0:01:51 | |
97, 98, 99, 100! | 0:01:54 | 0:01:58 | |
All done? | 0:02:00 | 0:02:02 | |
Yup. Helicopter helmet polished and ready for inspection. | 0:02:02 | 0:02:06 | |
Um, I was thinking of popping round to see Granny tomorrow, | 0:02:08 | 0:02:11 | |
-if you're around? -Oh, I'll have to check the diary. | 0:02:11 | 0:02:13 | |
-When were you thinking of doing it? -Um, let's see... | 0:02:13 | 0:02:18 | |
08:00 hours, I'm doing a Search and Rescue demonstration | 0:02:18 | 0:02:21 | |
for the Anglesey Cub Scouts. | 0:02:21 | 0:02:23 | |
Er, then I'm going to Cardiff to open a school | 0:02:23 | 0:02:26 | |
for disadvantaged Welsh children. | 0:02:26 | 0:02:28 | |
Morning's no good for me, I'm afraid. | 0:02:28 | 0:02:30 | |
I'm serving breakfast at a homeless shelter, | 0:02:30 | 0:02:32 | |
-and then I've got a charity brunch with Nelson Mandela. -Right. | 0:02:32 | 0:02:35 | |
-I'm so nervous about meeting him. -Oh, don't be, he's such a great guy. | 0:02:35 | 0:02:40 | |
Get him, er, get him to do his Morgan Freeman impression. | 0:02:40 | 0:02:44 | |
-Cracks me up. -Oh, brilliant. | 0:02:44 | 0:02:47 | |
-Er, well, what about 4:00? -Oh, no, I can't. | 0:02:47 | 0:02:50 | |
-I'm meeting the Pope at 4:00. -Um, 4:30? | 0:02:50 | 0:02:53 | |
Perfect. It's going in the diary. | 0:02:53 | 0:02:56 | |
-Visit the Queen. -Visit Granny. | 0:02:56 | 0:02:59 | |
Sorry, hasn't quite sunk in yet! Visit Granny. | 0:02:59 | 0:03:03 | |
Great. I'll let her know. | 0:03:03 | 0:03:08 | |
Should be a good day tomorrow, all in all. | 0:03:08 | 0:03:10 | |
Yeah, should be a really good day. | 0:03:10 | 0:03:12 | |
-Night, Wills. -Night, Kate. | 0:03:12 | 0:03:14 | |
-Kate? -Yes, Wills? | 0:03:20 | 0:03:24 | |
It won't be as good a day as our wedding day. | 0:03:24 | 0:03:26 | |
BOTH: Our wedding day! | 0:03:29 | 0:03:31 | |
-That was such a great day! -It was such a good day! | 0:03:31 | 0:03:33 | |
Do you remember when I got out of the car and everyone was screaming and cheering, | 0:03:33 | 0:03:37 | |
and I was like, "I hope I don't trip on my train and fall on my face, | 0:03:37 | 0:03:40 | |
"that would be so embarrassing!" | 0:03:40 | 0:03:42 | |
And do you remember when we were standing at the altar | 0:03:42 | 0:03:44 | |
and I leant over to you and I was like, "Babe, you look beautiful"? | 0:03:44 | 0:03:47 | |
And then everyone was like trying to lip-read what I was saying | 0:03:47 | 0:03:50 | |
and I was like, "Guys, trying to have a private moment here!" | 0:03:50 | 0:03:53 | |
In front of two billion people! | 0:03:53 | 0:03:55 | |
And do you remember when you were like, | 0:03:55 | 0:03:58 | |
"I, William Arthur Philip Louis do take you, Catherine..."? | 0:03:58 | 0:04:00 | |
And I was like, "Louis?! You kept that one quiet!" | 0:04:00 | 0:04:04 | |
Ha! Ha! And do you remember, | 0:04:04 | 0:04:07 | |
do you remember when Harry wore that uniform that was clearly like, | 0:04:07 | 0:04:10 | |
way too big for him? And everyone was wondering why it didn't fit properly, | 0:04:10 | 0:04:13 | |
but he didn't care and was just being all like, "Whatevs." | 0:04:13 | 0:04:17 | |
Classic Harry! | 0:04:17 | 0:04:19 | |
And do you remember the next day, when the main story in the papers | 0:04:19 | 0:04:22 | |
was about how amazing your sister's arse was? | 0:04:22 | 0:04:24 | |
I'm not sure I do, William. | 0:04:31 | 0:04:32 | |
But I tell you what, why don't you remind me? | 0:04:32 | 0:04:36 | |
Hmm? What? | 0:04:36 | 0:04:38 | |
I said why don't you remind me how amazing my sister's bottom is? | 0:04:38 | 0:04:43 | |
Um, is this one of those times when you say something, | 0:04:44 | 0:04:49 | |
but actually, you mean the opposite? | 0:04:49 | 0:04:51 | |
-Goodnight, William. -Goodnight, Kate. | 0:04:51 | 0:04:54 | |
One scrambled egg on toast, my darlin'! | 0:04:58 | 0:05:01 | |
Two sausage baps, darlin', one bacon on white, my darlin'! | 0:05:01 | 0:05:03 | |
Crispy bacon in the sarnie, if you can, my darlin'. | 0:05:03 | 0:05:06 | |
Crispy bacon in the sarnie, if you can, my darlin'! | 0:05:06 | 0:05:08 | |
-No problem, darlin'! -No problem, darlin'. | 0:05:08 | 0:05:10 | |
-Service, darlin'! -Service, darlin'! | 0:05:10 | 0:05:11 | |
-Thanks, my darlin'. -Coming, darlin'! -Thanks, my darlin'! | 0:05:11 | 0:05:14 | |
No problem, darlin'! | 0:05:14 | 0:05:15 | |
No problem, darlin'. That's £2.85 change, my darlin'. | 0:05:15 | 0:05:17 | |
Thanks, my darlin'. | 0:05:17 | 0:05:19 | |
Thank you, my darlin'. Morning, darlin'. Yes, my darlin'? | 0:05:19 | 0:05:21 | |
Oh, yes, hello. That was quick. Um, sorry, one moment. | 0:05:21 | 0:05:25 | |
-Yes, my darlin'? -Right. Could I have please a... | 0:05:29 | 0:05:33 | |
-Coffee, darlin'? -No. | 0:05:33 | 0:05:35 | |
-Tea, my darlin'? -No, hang on. | 0:05:35 | 0:05:36 | |
Water, darlin'? Juice, my darlin'? Cup of herbal tea, my darlin'? | 0:05:36 | 0:05:39 | |
No, could I please have a... | 0:05:39 | 0:05:40 | |
Bacon sandwich, darlin'? Beans on toast, my darlin'? | 0:05:40 | 0:05:43 | |
Fried egg in a roll, my darlin'? Full English, darlin'? | 0:05:43 | 0:05:45 | |
Vegetarian English, darlin'? Bacon and egg on toast, my darlin'? | 0:05:45 | 0:05:48 | |
No, I think I'll just get a sausage sandwich to go. | 0:05:48 | 0:05:52 | |
Please? | 0:05:55 | 0:05:57 | |
-Darling? -One sausage sandwich to go, my darlin'! | 0:06:00 | 0:06:03 | |
That's £1.85, darlin'. Sauce is on the side, my darlin'. | 0:06:03 | 0:06:05 | |
Thank you, darling. | 0:06:05 | 0:06:07 | |
-Service, darlin'! -Service, darlin'! No problem, darlin'. -Coming, darlin'! | 0:06:07 | 0:06:11 | |
Hello. I'm Keira Knightley, | 0:06:17 | 0:06:20 | |
and I done a film. | 0:06:20 | 0:06:22 | |
Pouty face. | 0:06:22 | 0:06:24 | |
# I dreamed I heard a nightingale | 0:06:35 | 0:06:41 | |
# Who sang sweet song from yonder hill | 0:06:41 | 0:06:48 | |
# My ears delight in wondering | 0:06:48 | 0:06:55 | |
# My heart | 0:06:55 | 0:06:58 | |
# Remembers still. # | 0:06:58 | 0:07:05 | |
-Bravo! Bravo! -Very good. Very good indeed! | 0:07:05 | 0:07:08 | |
BOTH: Nah. | 0:07:08 | 0:07:10 | |
Miss Lavender, you play magnificently! | 0:07:10 | 0:07:13 | |
I assure you my playing is, at best, adequate. | 0:07:13 | 0:07:15 | |
BOTH: My playing is, at best, adequate. | 0:07:15 | 0:07:18 | |
And you, Miss Honeywell... | 0:07:18 | 0:07:19 | |
I beg of you, sir, to reserve your praise | 0:07:19 | 0:07:21 | |
for one who is more deserving. | 0:07:21 | 0:07:23 | |
You can be assured, Miss Honeywell, | 0:07:23 | 0:07:25 | |
that there is none more deserving of my praise than you... | 0:07:25 | 0:07:30 | |
-Do something! -Like what? | 0:07:30 | 0:07:32 | |
Oh... Look at me! | 0:07:33 | 0:07:35 | |
That is to say, Miss Rutherford and I also play a little. | 0:07:38 | 0:07:43 | |
-Indeed? -Indeed. -Indeed. | 0:07:43 | 0:07:46 | |
-Indeed. -Indeed. -Indeed. | 0:07:46 | 0:07:49 | |
Very well, then, you must play for us. | 0:07:50 | 0:07:52 | |
Oh, we couldn't possibly! We couldn't! | 0:07:52 | 0:07:56 | |
It would be too much. | 0:07:56 | 0:07:57 | |
Please do not ask us again, Mr Bridgewater. | 0:07:57 | 0:08:00 | |
Yes, please do not ask us again. | 0:08:00 | 0:08:02 | |
Very well, shall we move through to the... | 0:08:02 | 0:08:04 | |
-Well, if you absolutely insist! -Yes, if we must! | 0:08:04 | 0:08:06 | |
Really, Mr Bridgewater, you are so very persuasive. | 0:08:06 | 0:08:08 | |
# Look at me, look at me I'm going to sing a song | 0:08:17 | 0:08:20 | |
# I'm going to sing a song I'm going to sing a song | 0:08:20 | 0:08:23 | |
# I'm now singing a song I'm singing a song | 0:08:23 | 0:08:25 | |
# Fa, fa, fa, fa, fa I am singing a song | 0:08:25 | 0:08:28 | |
# Don't look at her, look at me-e-eee | 0:08:28 | 0:08:31 | |
# Don't look at her Look at me, not she | 0:08:31 | 0:08:33 | |
# Fa fa faaa, fa fa faa Fa fa fa fa fa fa faaa | 0:08:33 | 0:08:36 | |
# Lucy! | 0:08:36 | 0:08:38 | |
# And look at me I am fingering the keys | 0:08:38 | 0:08:41 | |
# Fingering, fingering, fingering the keys with a tra la la laaa | 0:08:41 | 0:08:46 | |
# La la la la I'm fingering the keys | 0:08:46 | 0:08:49 | |
# Black or white It's all the same to me | 0:08:49 | 0:08:51 | |
# Fingering, fingering, fingering the keys | 0:08:51 | 0:08:54 | |
# Fingering, fingering, fingering | 0:08:54 | 0:08:55 | |
# Fingering, fingering, fingering | 0:08:55 | 0:08:57 | |
# Fingering, fingering, fingering | 0:08:57 | 0:08:59 | |
# fingering, fingering, fingering | 0:08:59 | 0:09:01 | |
# Fingering, fingering, fingering | 0:09:01 | 0:09:03 | |
# Fingering the keys! # | 0:09:03 | 0:09:05 | |
Ahem... Dinner is served. | 0:09:11 | 0:09:15 | |
We are so in there! | 0:09:24 | 0:09:26 | |
Tell me something I don't know. | 0:09:26 | 0:09:28 | |
Oh, Ruth, you haven't got a spare paper clip, have you? | 0:09:33 | 0:09:38 | |
No, sorry, I've run out. | 0:09:38 | 0:09:41 | |
Holly, could you pass me the stapler, please? | 0:09:50 | 0:09:52 | |
Oh, I'm sorry, Ruth, I'm using it. | 0:09:52 | 0:09:55 | |
Sorry, Ruth, can I borrow your...? | 0:10:08 | 0:10:10 | |
My what, Holly? My hole punch? Hmm? | 0:10:10 | 0:10:13 | |
My Post-its? My Tipp-Ex? | 0:10:13 | 0:10:15 | |
I tell you what, why don't you just take it all, yeah? | 0:10:15 | 0:10:22 | |
And while you're at it, why don't you take my boyfriend as well? | 0:10:22 | 0:10:24 | |
Oh, hang on a minute... | 0:10:24 | 0:10:26 | |
YOU ALREADY HAVE! | 0:10:26 | 0:10:29 | |
Eurghhhh! | 0:10:52 | 0:10:54 | |
NO! | 0:10:56 | 0:10:57 | |
Woah! | 0:11:01 | 0:11:03 | |
Yah! | 0:11:03 | 0:11:04 | |
Argh! | 0:11:10 | 0:11:12 | |
Ugh! | 0:11:13 | 0:11:14 | |
Agh! | 0:11:20 | 0:11:22 | |
Ladies, when you've got a minute, could you email over | 0:11:26 | 0:11:30 | |
the balance sheets for the last quarter? | 0:11:30 | 0:11:32 | |
-Of course, Simon. -No problem, Simon. | 0:11:32 | 0:11:35 | |
Ruth, could you pass me the accounts file, please? | 0:11:41 | 0:11:44 | |
The Prime Minister. | 0:11:58 | 0:12:01 | |
Thank you, Mr Speaker. | 0:12:01 | 0:12:02 | |
I am here today to urge this house to vote in favour | 0:12:03 | 0:12:08 | |
of our National Health reform bill. | 0:12:08 | 0:12:11 | |
The Department of Health has worked ceaselessly for the past few months | 0:12:11 | 0:12:15 | |
to create a health package that will see shorter waiting lists, | 0:12:15 | 0:12:19 | |
more beds for patients, | 0:12:19 | 0:12:22 | |
more money invested in state-of-the-art medical equipment. | 0:12:22 | 0:12:27 | |
But more importantly than all of this, | 0:12:29 | 0:12:32 | |
we aim to give power back to those people who deserve it most. | 0:12:32 | 0:12:38 | |
Our tireless Health Workers. | 0:12:38 | 0:12:40 | |
The GPs, nurses and doctors | 0:12:40 | 0:12:45 | |
without whom the NHS simply would not and could not exist. | 0:12:45 | 0:12:49 | |
I now give the floor to the Minister for Health, | 0:12:50 | 0:12:54 | |
who will outline the bill in detail | 0:12:54 | 0:12:56 | |
and take any questions you may have, before we put it to a final vote. | 0:12:56 | 0:13:01 | |
Jenkins! | 0:13:05 | 0:13:07 | |
Where are you going? You've got to read out the bill! | 0:13:07 | 0:13:10 | |
Sorry, it's just, I was wondering if I could nip off a bit early? | 0:13:10 | 0:13:14 | |
What? | 0:13:14 | 0:13:16 | |
We've been working on this for months, you can't leave now! | 0:13:16 | 0:13:20 | |
The thing is, Mr Crumbles is at the vets and they shut at 6:00, so... | 0:13:20 | 0:13:23 | |
The vet's? | 0:13:23 | 0:13:25 | |
What it is, | 0:13:25 | 0:13:27 | |
is...he swallowed one of my driving gloves last week. | 0:13:27 | 0:13:32 | |
Not all of it came out the other end, so they're trying to, | 0:13:33 | 0:13:36 | |
you know, extract it. | 0:13:36 | 0:13:39 | |
Jenkins, you have to stay and vote, or the bill may not be passed! | 0:13:39 | 0:13:43 | |
Mmm. Can we maybe do it tomorrow? | 0:13:43 | 0:13:46 | |
No! | 0:13:46 | 0:13:47 | |
It's summer recess tomorrow, we're all off for six weeks. | 0:13:48 | 0:13:51 | |
If we don't do it now, it may never happen. | 0:13:51 | 0:13:53 | |
Mmm... The thing is, I did only have half an hour for lunch. | 0:13:53 | 0:13:57 | |
What? | 0:13:59 | 0:14:01 | |
It's technically supposed to be an hour. | 0:14:01 | 0:14:03 | |
But with this kicking off, muggins here only got half an hour, so... | 0:14:03 | 0:14:06 | |
You're not serious? | 0:14:06 | 0:14:07 | |
Well, Dave had an hour. Didn't you, Dave? | 0:14:07 | 0:14:10 | |
Anna had an hour, didn't you, Anna? I tell you what I'll do... | 0:14:10 | 0:14:15 | |
I'll leave this with you, OK? It's all fairly straightforward. | 0:14:15 | 0:14:19 | |
And if anyone asks, I'm a yes. OK? | 0:14:19 | 0:14:23 | |
So good luck with it all, yeah? | 0:14:23 | 0:14:25 | |
All right, then, see you later, then. Bye, then. | 0:14:25 | 0:14:29 | |
Bye-bye. Bye. | 0:14:29 | 0:14:32 | |
Well, um, I, er... | 0:14:34 | 0:14:39 | |
Sorry, I haven't finished the crossword. Bye-bye! | 0:14:39 | 0:14:44 | |
Hands where I can see 'em, please, Jefferies. | 0:14:50 | 0:14:53 | |
Oh, no. | 0:15:06 | 0:15:07 | |
-Oh, no. -There she is. | 0:15:09 | 0:15:12 | |
-'Ere she comes. -Off she goes. | 0:15:12 | 0:15:14 | |
-'Ere I am. -Someone's off. | 0:15:14 | 0:15:16 | |
-There she is. -Don't you start. | 0:15:16 | 0:15:18 | |
-'Ere she goes. -I don't believe it. | 0:15:18 | 0:15:20 | |
'Ere it comes. | 0:15:20 | 0:15:21 | |
-'Ello, trouble. -'Ello, yourself. -What you up to, then? | 0:15:21 | 0:15:24 | |
I'm waiting to open a bank account, ain't I?! | 0:15:24 | 0:15:26 | |
That's funny, cos I don't see no bank round 'ere. | 0:15:26 | 0:15:28 | |
Well, maybe you need glasses. | 0:15:28 | 0:15:30 | |
-You saying I need glasses? -Maybe I am. Maybe I ain't. | 0:15:30 | 0:15:33 | |
-Oh. -Oh, dear. | 0:15:35 | 0:15:37 | |
No, seriously, Pat, what are you up to? It's your birthday today, innit? | 0:15:37 | 0:15:42 | |
Yeah, that's right. | 0:15:42 | 0:15:44 | |
I thought I might get a family visit, you know. | 0:15:44 | 0:15:47 | |
Yeah, right. | 0:15:47 | 0:15:50 | |
Ain't seen them for five years, so... | 0:15:50 | 0:15:52 | |
Yeah. Of course. | 0:15:52 | 0:15:54 | |
Well, they're probably just running late or something. | 0:15:54 | 0:15:57 | |
Yeah. That's probably it. | 0:15:57 | 0:15:59 | |
I tell you what, I could have a birthday chat with ya, if you like? | 0:15:59 | 0:16:05 | |
To be honest, I could do with a chat myself. | 0:16:05 | 0:16:07 | |
(I don't think that's a very good idea.) | 0:16:07 | 0:16:11 | |
Yeah, well, I've got stuff I should be getting on with anyway, so... | 0:16:17 | 0:16:21 | |
-Parole Board and that. -Yeah. | 0:16:21 | 0:16:24 | |
Well, have a good one, Pat. | 0:16:24 | 0:16:27 | |
Oh, er, I've cleared it with upstairs. | 0:16:27 | 0:16:30 | |
Oh, great. I love the Bee Gees. | 0:16:34 | 0:16:36 | |
Yeah, I remember you saying. Well, I'll see you later, Pat. | 0:16:36 | 0:16:39 | |
-Not if I see you first! -Oh, off she goes. | 0:16:39 | 0:16:42 | |
-'Ere it comes. -There she is. | 0:16:42 | 0:16:44 | |
-Off we go. -I'll believe that when I see it. | 0:16:44 | 0:16:47 | |
-I'll bet you will. -Happy birthday, trouble. | 0:16:47 | 0:16:50 | |
Happy birthday, yourself. | 0:16:50 | 0:16:52 | |
Oh, dear. Cracks me up. | 0:16:52 | 0:16:55 | |
I think you'll find the room more than agreeable. | 0:17:03 | 0:17:05 | |
It's a superior suite for an honeymooning couple, | 0:17:05 | 0:17:07 | |
such as yourselves. | 0:17:07 | 0:17:09 | |
A very comfy bed, madam. And so is yours, sir. | 0:17:09 | 0:17:12 | |
I don't have a finer room to give | 0:17:12 | 0:17:14 | |
if the King himself were to stay, carrying his ermine knapsack | 0:17:14 | 0:17:17 | |
and collection of ceremonial jockstraps with him. | 0:17:17 | 0:17:19 | |
We have all the mod cons here at Lyndhurst Guest House, | 0:17:19 | 0:17:22 | |
and we pride ourselves on the coldest showers this side of Ipswich. | 0:17:22 | 0:17:25 | |
Breakfast is served in the dining room at 6:15, | 0:17:25 | 0:17:28 | |
with final rashers at 6:30 sharp, | 0:17:28 | 0:17:30 | |
because I like to have the curtains down and steam-ironed by 9:00, | 0:17:30 | 0:17:33 | |
or else I'll never get on with oiling the banisters. | 0:17:33 | 0:17:35 | |
And as me mother used to say, "We ain't Welsh!" | 0:17:35 | 0:17:38 | |
Now, before I let you retire, | 0:17:38 | 0:17:40 | |
I'll just need to see your 'proof of marriage statement' | 0:17:40 | 0:17:42 | |
from the vicar, and the gentleman's Empire birth certificate, | 0:17:42 | 0:17:44 | |
and a letter of consent from your Member of Parliament, Madam. | 0:17:44 | 0:17:47 | |
I don't suppose this newly-married lark is a ruse, but if it is, | 0:17:47 | 0:17:50 | |
I should warn you, I won't have no unlawful conjugals under my roof! | 0:17:50 | 0:17:54 | |
Not even if the King himself burst into my quarters, | 0:17:54 | 0:17:56 | |
his pert bare bottom cheeks sticking out from his ermine undergarments | 0:17:56 | 0:18:00 | |
and demanding the sort of Brighton and Hove revelries | 0:18:00 | 0:18:02 | |
you read about in any variety of penny dreadfuls! | 0:18:02 | 0:18:05 | |
But hark at me going on, spoiling your special day. | 0:18:05 | 0:18:08 | |
You go and enjoy yourselves, and remember, | 0:18:08 | 0:18:11 | |
if you stain the sheets, I'll have you arrested. | 0:18:11 | 0:18:14 | |
Oh, hello. I'm Keira Knightley, | 0:18:20 | 0:18:23 | |
and I done another film. Pouty face. | 0:18:23 | 0:18:26 | |
Ladies and gentlemen, I'd like to let you in on a little secret. | 0:18:29 | 0:18:33 | |
Erm, I'm actually a classically trained violinist. | 0:18:33 | 0:18:39 | |
No doubt some of you have already heard me play. | 0:18:39 | 0:18:41 | |
I do a lot of work at Glyndebourne, on the High Street there, | 0:18:41 | 0:18:45 | |
just outside the Pound Shop. | 0:18:45 | 0:18:47 | |
Anyway, I... | 0:18:47 | 0:18:49 | |
I... Right a bit. | 0:18:53 | 0:18:55 | |
-Left a bit. -You just said go right. | 0:18:55 | 0:18:58 | |
I'd like to take this opportunity to play | 0:18:58 | 0:19:00 | |
a piece of music by a great guy who I like to call Jo. | 0:19:00 | 0:19:03 | |
Or as you probably know him, Johann Sebastian Bach. | 0:19:03 | 0:19:07 | |
Just leave it, please. Leave it. | 0:19:07 | 0:19:10 | |
Please enjoy. | 0:19:14 | 0:19:15 | |
-And... -Delivery for Miss Watson? | 0:19:18 | 0:19:21 | |
Oh, thank you very much, Mr Postman. Thank you. | 0:19:21 | 0:19:27 | |
-And... -Oh, these are lovely. | 0:19:27 | 0:19:29 | |
-Lorna, do you mind? -Sorry, carry on. | 0:19:29 | 0:19:33 | |
-And... -What a lovely man! | 0:19:35 | 0:19:37 | |
-Right, go on, then! Who are they from? -Geoff. -Who's Geoff? | 0:19:37 | 0:19:39 | |
-My conductor. -What conductor? | 0:19:39 | 0:19:41 | |
At the London Philharmonic. | 0:19:41 | 0:19:43 | |
-You play for the London Philharmonic Orchestra? -Lead Cello. | 0:19:43 | 0:19:46 | |
We did a gig last night, so Geoff sent me these to say thank you. | 0:19:46 | 0:19:49 | |
So you're quite good, then? | 0:19:49 | 0:19:51 | |
Grade Nine. | 0:19:51 | 0:19:53 | |
I thought there were only eight grades. | 0:19:53 | 0:19:55 | |
Not when you get to my level. | 0:19:55 | 0:19:58 | |
How did I not know this? | 0:19:58 | 0:20:00 | |
-What? -This is brilliant news! -Is it? | 0:20:00 | 0:20:04 | |
It's goodbye, Pound Shop, and hello, Royal Albert Hall. | 0:20:04 | 0:20:06 | |
-What do you mean? -Huddle up. Lorna! | 0:20:06 | 0:20:09 | |
We should join forces and put together a sexy classical music act. | 0:20:10 | 0:20:16 | |
Yeah? Classical music's all about being sexy these days. | 0:20:16 | 0:20:19 | |
Catherine Jenkins, Myleene Klass, Paul Potts... All sexy. | 0:20:19 | 0:20:23 | |
And if we can be sexier than them, we will make an absolute fortune. | 0:20:23 | 0:20:26 | |
Yeah? You in? | 0:20:26 | 0:20:29 | |
-Go on, then. -Good girl. | 0:20:29 | 0:20:32 | |
Ingrid, I'm not very good at doing sexy. | 0:20:35 | 0:20:39 | |
Well, I'm going to teach you everything I know about sexy, | 0:20:39 | 0:20:42 | |
which is a whole lot. OK? | 0:20:42 | 0:20:44 | |
-Really? -Yeah. | 0:20:46 | 0:20:48 | |
I don't suppose they do sexy at the London Philharmonic. | 0:20:48 | 0:20:51 | |
Well, you haven't seen Janet play glockenspiel. | 0:20:51 | 0:20:55 | |
You haven't seen me play naked flute. | 0:20:55 | 0:20:58 | |
Good morning, Mr Handsome. | 0:21:10 | 0:21:12 | |
Good morning, Mr Handsome. | 0:21:12 | 0:21:14 | |
Good morning, Mr... | 0:21:14 | 0:21:16 | |
Good morning, Mr Handsome. | 0:21:16 | 0:21:19 | |
Baps. | 0:21:19 | 0:21:21 | |
Your 9:00 has been rescheduled for Tuesday. | 0:21:23 | 0:21:26 | |
You have a 10:00 meeting with Mr Langley, | 0:21:26 | 0:21:28 | |
brunch is at the Meridien, Donald will meet you there, | 0:21:28 | 0:21:31 | |
followed by a 3:00 pitch with Mr Hinkman, | 0:21:31 | 0:21:33 | |
that's the toothpaste account. Oh, and your wife called... | 0:21:33 | 0:21:37 | |
Let me guess, lipstick on my collar? | 0:21:37 | 0:21:40 | |
-Morning, Ted. -John. | 0:21:40 | 0:21:42 | |
-Baps. -I'll be right outside. | 0:21:42 | 0:21:45 | |
-Thank you, Baps. -Can I get some fries with those? | 0:21:45 | 0:21:47 | |
Hey, congratulations on the brassiere account, Ted. | 0:21:50 | 0:21:53 | |
-You really came through for us. -Well, you know what they say? | 0:21:53 | 0:21:55 | |
Don't sell the steak, sell the sizzle. | 0:21:55 | 0:21:58 | |
I'll drink to that. | 0:21:58 | 0:22:00 | |
HE BUZZES INTERCOM | 0:22:04 | 0:22:06 | |
Baps, could you come in here, please? | 0:22:06 | 0:22:08 | |
-Baps. -Move my meeting from 3:00 to 3:30, will you? | 0:22:11 | 0:22:14 | |
Yes, Mr Handsome. | 0:22:14 | 0:22:15 | |
-Thank you, Baps. -I'll be right outside. | 0:22:15 | 0:22:18 | |
If I had a hammer, I'd frame 'em. | 0:22:18 | 0:22:20 | |
So how's married life treating you, John? | 0:22:28 | 0:22:31 | |
It isn't. Can you believe that she wants a divorce? | 0:22:31 | 0:22:34 | |
You know what they say... | 0:22:34 | 0:22:35 | |
Men only hit what they aim at? | 0:22:35 | 0:22:37 | |
-One man's meat is another man's poison. -I'll drink to that. | 0:22:37 | 0:22:41 | |
HE BUZZES INTERCOM | 0:22:44 | 0:22:45 | |
Baps, could you come in here, please? | 0:22:45 | 0:22:48 | |
-Baps. -Move my meeting from 3:30 to 4:00, will you? | 0:22:50 | 0:22:53 | |
-Yes, Mr Handsome. -Thank you, Baps. -I'll be right outside. | 0:22:53 | 0:22:57 | |
If I had a jet, I'd take 'em on holiday. | 0:22:57 | 0:22:59 | |
So where are we at with the Hilton account? | 0:23:04 | 0:23:06 | |
These are difficult times, Ted. The man's nervous. | 0:23:06 | 0:23:09 | |
-Why don't you let me talk to him? -I'll drink to that. | 0:23:09 | 0:23:11 | |
HE BUZZES INTERCOM | 0:23:15 | 0:23:16 | |
Baps, could you come in here, please? | 0:23:16 | 0:23:18 | |
-Baps. -Move my meeting from 4:00 to 4:30, will you? | 0:23:18 | 0:23:21 | |
-Yes, Mr Handsome. -Thank you, Baps. -I'll be right outside. | 0:23:21 | 0:23:24 | |
If I squeeze 'em, do they make a noise? | 0:23:24 | 0:23:26 | |
Baps, could you come in here, please? | 0:23:33 | 0:23:35 | |
Baps. | 0:23:36 | 0:23:38 | |
-Thank you, Baps. -I'll be right outside. | 0:23:38 | 0:23:40 | |
Ahooa! Ahooa! | 0:23:40 | 0:23:43 | |
HE BUZZES INTERCOM | 0:23:56 | 0:23:59 | |
COUGHING | 0:23:59 | 0:24:01 | |
Baps. | 0:24:01 | 0:24:02 | |
Baps. | 0:24:10 | 0:24:12 | |
-SLAP! -Ow! | 0:24:12 | 0:24:13 | |
-SLAP! -Ow! | 0:24:13 | 0:24:14 | |
-PUNCH! -Ow! | 0:24:15 | 0:24:17 | |
-I'll be right outside. -Thank you, Baps. | 0:24:17 | 0:24:20 | |
Hello, I'm Keira Knightley, and I done an advert. | 0:24:28 | 0:24:32 | |
And then I done another film. | 0:24:35 | 0:24:37 | |
Bloody hell, I just done another film, just then! | 0:24:41 | 0:24:45 | |
Double pout. | 0:24:47 | 0:24:49 | |
CLASSICAL MUSIC | 0:24:55 | 0:24:57 | |
-Oh! Just... -Oh! Ow! | 0:25:14 | 0:25:18 | |
-I've broken my shoe. -Take it off. | 0:25:36 | 0:25:39 | |
It's a pretty flammable dress. | 0:25:43 | 0:25:45 | |
THEY PLAY: "Sex Bomb" | 0:25:51 | 0:25:57 | |
I haven't got any wind! Can someone get me some...wind? | 0:26:01 | 0:26:05 | |
Thank you. | 0:26:09 | 0:26:11 | |
THEY PLAY: "I'm Too Sexy" | 0:26:11 | 0:26:14 | |
No, Lorna, Lorna, sexy. Sexy, like this. | 0:26:14 | 0:26:19 | |
Lorna! Lorna! Too much! Too much. | 0:26:27 | 0:26:30 | |
Sorry. | 0:26:30 | 0:26:33 | |
SHE PLAYS: "Just A Little" | 0:26:33 | 0:26:37 | |
Your turn. | 0:26:46 | 0:26:47 | |
SHE PLAYS: "EastEnders Theme Tune" | 0:26:51 | 0:26:54 | |
Lorna, not sexy. | 0:26:56 | 0:27:00 | |
THEY PLAY CLASSICAL MUSIC | 0:27:00 | 0:27:05 | |
RIPPING | 0:27:35 | 0:27:37 | |
APPLAUSE | 0:27:37 | 0:27:40 | |
-Thank you. -Thank you so much. | 0:27:40 | 0:27:43 | |
-How you feeling? -Yeah, I'm feeling pretty sexy, actually. -Told you. | 0:27:45 | 0:27:50 | |
Surely you will not say no to a nibble on my almond puffs? | 0:27:50 | 0:27:54 | |
Ou sont les lapins? | 0:27:54 | 0:27:56 | |
-I'm saying if your nails weren't so long... -Aah! | 0:27:56 | 0:27:58 | |
Papa wants his snuggle cuddles! > | 0:27:58 | 0:28:01 | |
What are you doing, Susan? What are you doing? | 0:28:03 | 0:28:06 | |
Oh, it's from Barbara Broccoli. | 0:28:06 | 0:28:08 | |
Apparently, I'm down to the last two to play James Bond! | 0:28:08 | 0:28:11 | |
Subtitles by Red Bee Media Ltd | 0:28:17 | 0:28:20 |