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I just think if we're going to win this account, | 0:00:20 | 0:00:22 | |
we need to prioritise our strengths, | 0:00:22 | 0:00:24 | |
so that's logistics, focus our energies on European experience... | 0:00:24 | 0:00:29 | |
Sorry...what are you doing? | 0:00:29 | 0:00:31 | |
Oh, keep going, I'm listening. I just don't want to walk on the cracks. | 0:00:31 | 0:00:35 | |
Right, erm. | 0:00:35 | 0:00:37 | |
So, yeah, we need projections of our costings | 0:00:37 | 0:00:40 | |
so I'll speak to David and set up a meeting as soon as possible. | 0:00:40 | 0:00:43 | |
Actually, do you mind not doing that? You're not six. | 0:00:43 | 0:00:46 | |
-I know I'm not six. -Well, then why won't you walk on the cracks? It's childish. | 0:00:46 | 0:00:50 | |
Look, we have an image to maintain, | 0:00:50 | 0:00:51 | |
we're meant to be professionals, remember? | 0:00:51 | 0:00:53 | |
SHE SCREAMS | 0:00:53 | 0:00:55 | |
PHONE RINGS | 0:00:55 | 0:00:56 | |
Hi, Joanne? Yeah, it's Caroline, Katie won't make the meeting. | 0:00:57 | 0:01:01 | |
Bear got her. | 0:01:01 | 0:01:03 | |
This one's in from Middlesex... | 0:01:06 | 0:01:09 | |
What's the situation? | 0:01:09 | 0:01:10 | |
RTA - truck driver. | 0:01:10 | 0:01:12 | |
What happened? | 0:01:12 | 0:01:14 | |
Impact to the chest. Missed his turning but took it anyway. | 0:01:14 | 0:01:17 | |
He's in shock. BP 50/30. | 0:01:17 | 0:01:19 | |
We need to act fast. | 0:01:19 | 0:01:21 | |
Nurse, call radiology. Tell them we'll need a portable chest scan. | 0:01:21 | 0:01:24 | |
Nurse, not so fast. What's his BP? | 0:01:24 | 0:01:26 | |
140. | 0:01:26 | 0:01:28 | |
He'll need eight milligrams of adrenaline | 0:01:28 | 0:01:30 | |
and three milligrams of atropine. | 0:01:30 | 0:01:33 | |
We're struggling find the family. | 0:01:35 | 0:01:37 | |
So no information on any allergies? | 0:01:37 | 0:01:39 | |
'Fraid not. | 0:01:39 | 0:01:41 | |
I'll tread carefully. | 0:01:41 | 0:01:43 | |
He's crashing! | 0:01:51 | 0:01:53 | |
Then let's get things moving. | 0:01:53 | 0:01:56 | |
Doctors, we're running out of time. | 0:02:06 | 0:02:08 | |
-Come on, then. -Good luck. | 0:02:08 | 0:02:11 | |
Doctors, your hands! | 0:02:13 | 0:02:14 | |
CAMERA CLICKS | 0:02:29 | 0:02:30 | |
KNOCK ON DOOR | 0:02:31 | 0:02:32 | |
In! | 0:02:32 | 0:02:34 | |
Your husband, Prime Minister. | 0:02:34 | 0:02:36 | |
Oh, hello, darling. Everything all right? | 0:02:36 | 0:02:39 | |
Mike and Lucy have been waiting next door for almost an hour. | 0:02:39 | 0:02:42 | |
Mike and Lucy? Why? | 0:02:42 | 0:02:44 | |
We're having dinner with them, remember? | 0:02:44 | 0:02:46 | |
-It's been in the diary for weeks. -Yes, yes, of course, I remember. | 0:02:46 | 0:02:49 | |
Absolutely. Lovely boozy Mike and lovely chatty Lucy. | 0:02:49 | 0:02:52 | |
Yes, well, Lucy's brought their wedding photos with her. | 0:02:52 | 0:02:55 | |
She's very keen to show them to you. | 0:02:55 | 0:02:56 | |
That sounds...great. I'll just switch this off. | 0:02:56 | 0:02:59 | |
Oh! Oh, no! | 0:03:01 | 0:03:03 | |
What is it? | 0:03:03 | 0:03:05 | |
It's an e-mail from the...Europe. Looks like it's all kicking off. | 0:03:05 | 0:03:08 | |
Really? | 0:03:08 | 0:03:10 | |
Yes, looks like I'll have to have a little chat with our friends across the channel. | 0:03:10 | 0:03:13 | |
Sort their mess out. As per. Get me Merkel! | 0:03:13 | 0:03:17 | |
Yes, looks like the future of our economy and the jobs of millions | 0:03:17 | 0:03:20 | |
of British men and women are going to be decided by my actions over | 0:03:20 | 0:03:23 | |
the next few hours, yikes, so I probably won't be able to make... | 0:03:23 | 0:03:27 | |
-Oh, no, you don't. -What? | 0:03:27 | 0:03:29 | |
-Tonight, we are having dinner with our friends. -YOUR friends. | 0:03:29 | 0:03:32 | |
And if you think for a second that I'm | 0:03:32 | 0:03:35 | |
buying your guff about Angela Merkel and a European crisis, | 0:03:35 | 0:03:38 | |
then you really must think I'm a very stupid man indeed. | 0:03:38 | 0:03:41 | |
KNOCK ON DOOR | 0:03:41 | 0:03:43 | |
Angela Merkel to see you about the European crisis, Prime Minister. | 0:03:45 | 0:03:49 | |
-Frances! -Angela! | 0:03:49 | 0:03:50 | |
SHE SPEAKS GERMAN | 0:03:50 | 0:03:53 | |
SHE REPLIES IN GERMAN | 0:03:59 | 0:04:03 | |
She's really not happy. | 0:04:19 | 0:04:21 | |
I think we're looking at an all-nighter here, my love. Do you mind? | 0:04:33 | 0:04:36 | |
No. God, no, of course. | 0:04:36 | 0:04:37 | |
I'll tell Mike and Lucy something came up. | 0:04:37 | 0:04:39 | |
-Thanks, darling. -See you later. | 0:04:39 | 0:04:41 | |
Bye...um...Angela. | 0:04:43 | 0:04:45 | |
Dummkopf! | 0:04:52 | 0:04:54 | |
MERKEL LAUGHS | 0:04:54 | 0:04:56 | |
So, erm, this is me. | 0:04:57 | 0:05:00 | |
Wow. Nice neighbourhood. | 0:05:00 | 0:05:03 | |
Mm. Oh. | 0:05:03 | 0:05:05 | |
Look, erm, I know this is the first date | 0:05:10 | 0:05:13 | |
but, erm, I don't suppose you wanted to come in for a quick drink? | 0:05:13 | 0:05:16 | |
I'd love to. | 0:05:16 | 0:05:17 | |
Come on, then. | 0:05:17 | 0:05:19 | |
SHE SIGHS So, here we are! | 0:05:22 | 0:05:24 | |
Oh, gosh, this place is a real tip, actually, sorry...let me just erm... | 0:05:25 | 0:05:29 | |
That's better. So, just, er, make yourself at home, really. | 0:05:30 | 0:05:35 | |
Wait, this is...what? | 0:05:35 | 0:05:39 | |
Oh, drinks! Sorry, I'll just...I'll get them. | 0:05:39 | 0:05:41 | |
So, we've got, er, skinny latte, er, or....Coke? | 0:05:43 | 0:05:49 | |
No...thanks. Sarah? | 0:05:49 | 0:05:52 | |
-Yep? -Do you live on a bench?! | 0:05:52 | 0:05:54 | |
Well, "benchette". | 0:05:56 | 0:05:58 | |
Yeah, it's tad cosy, but the boards are original, which is nice. | 0:05:58 | 0:06:03 | |
But...your bedroom...?! | 0:06:03 | 0:06:05 | |
Ooh, easy tiger. | 0:06:05 | 0:06:07 | |
Let me just slip into something a little more...comfortable. | 0:06:07 | 0:06:11 | |
Oh! | 0:06:23 | 0:06:25 | |
CHIMES | 0:06:25 | 0:06:26 | |
So, where were we? | 0:06:31 | 0:06:34 | |
Sarah, I'm not entirely happy with... | 0:06:37 | 0:06:40 | |
Ssh! | 0:06:40 | 0:06:41 | |
Can I borrow some money, please? | 0:06:45 | 0:06:48 | |
MUSIC: "I Don't Feel Like Dancin'" by Scissor Sisters | 0:06:51 | 0:06:54 | |
# Wake up in the morning with a head like "what you done?" | 0:06:54 | 0:06:57 | |
# This used to be the life but I don't need another one | 0:06:57 | 0:07:01 | |
WHISTLE BLOWS | 0:07:01 | 0:07:03 | |
# Good luck cuttin' nothin' carrying on, you wear them gowns | 0:07:03 | 0:07:06 | |
# So how come I feel so lonely when you're up getting down? | 0:07:06 | 0:07:10 | |
# So I play along when I hear that special song | 0:07:10 | 0:07:14 | |
# I'm gonna be the one who gets it right | 0:07:14 | 0:07:19 | |
# You better know when you're swingin' round the room | 0:07:19 | 0:07:24 | |
# Look's like the magic's solely yours tonight | 0:07:24 | 0:07:27 | |
# But I don't feel like dancin' When the old Joanna plays | 0:07:27 | 0:07:32 | |
# My heart could take a chance But my two feet can't find a way | 0:07:32 | 0:07:37 | |
# You'd think that I could muster up a little soft, shoop devil sway | 0:07:37 | 0:07:41 | |
# But I don't feel like dancin' No sir, no dancin' today | 0:07:41 | 0:07:45 | |
# Don't feel like dancin', dancin' Even if I find nothin' better to do | 0:07:45 | 0:07:49 | |
# Don't feel like dancin', dancin' | 0:07:49 | 0:07:52 | |
# Why'd you break it down when I'm not in the mood? | 0:07:52 | 0:07:54 | |
# Don't feel like dancin', dancin' | 0:07:54 | 0:07:56 | |
# Rather be home with the phone when I can't get down with you... # | 0:07:56 | 0:08:02 | |
MUSIC ENDS | 0:08:06 | 0:08:09 | |
MUSIC: "True" by Spandau Ballet | 0:08:12 | 0:08:15 | |
# Huh huh huh hu-uh huh | 0:08:22 | 0:08:26 | |
# Huh huh huh hu-uh huh | 0:08:33 | 0:08:36 | |
# So true, funny how it seems | 0:08:51 | 0:08:54 | |
# Always in time | 0:08:54 | 0:08:57 | |
# But never in line for dreams | 0:08:57 | 0:09:00 | |
# Head over heels when toe to toe | 0:09:00 | 0:09:06 | |
# This is the sound of my soul... # | 0:09:06 | 0:09:10 | |
-Hi, Ingrid! -Oh, hello. Good weekend? | 0:09:12 | 0:09:15 | |
Yeah, yeah, it was great. | 0:09:15 | 0:09:16 | |
Had a good old catch up with Valerie, | 0:09:16 | 0:09:19 | |
so, yeah, it was lots of fun! | 0:09:19 | 0:09:21 | |
PHONE RINGS, VALERIE RINGTONE | 0:09:21 | 0:09:23 | |
It's Valerie. | 0:09:23 | 0:09:25 | |
# Why don't you come on over, Valerie | 0:09:25 | 0:09:28 | |
# Why don't you come on over, Valerie | 0:09:28 | 0:09:32 | |
# Why don't you come on... # | 0:09:32 | 0:09:34 | |
Hello. Hi, Valerie! | 0:09:34 | 0:09:37 | |
Yeah, no, I just got in. | 0:09:37 | 0:09:40 | |
SHE LAUGHS | 0:09:41 | 0:09:43 | |
Oh, you crack me up. All right, bye. | 0:09:43 | 0:09:47 | |
What's with the new ringtone? | 0:09:49 | 0:09:50 | |
Oh, I just set up specific ringtones for certain people. | 0:09:50 | 0:09:54 | |
Oh. Right, long train journey, then? | 0:09:54 | 0:09:56 | |
I've got Starman for my brother. | 0:09:56 | 0:09:57 | |
You know, cos he likes David Bowie and he's a little star. | 0:09:57 | 0:10:01 | |
Aw, that's quite nice, actually. | 0:10:01 | 0:10:03 | |
Having a ringtone to say how really feel about somebody. What's mine? | 0:10:03 | 0:10:07 | |
Hm? Oh. Nothing. | 0:10:07 | 0:10:10 | |
Oh. Is it Beautiful by Christina Aguilera? | 0:10:10 | 0:10:13 | |
No. | 0:10:14 | 0:10:16 | |
Erm...ooh, You're My Best Friend by Queen? | 0:10:16 | 0:10:19 | |
-Yeah. -Aw! | 0:10:21 | 0:10:23 | |
That's what I've got for you! | 0:10:23 | 0:10:25 | |
Let's have a listen. | 0:10:25 | 0:10:26 | |
PHONE DIALS | 0:10:26 | 0:10:28 | |
PSYCHO THEME RINGTONE | 0:10:30 | 0:10:33 | |
Hello? | 0:10:56 | 0:10:57 | |
Hello, Lorna. It's your former best friend here. | 0:10:59 | 0:11:03 | |
But I suppose you already knew that because I've got a special ringtone. | 0:11:03 | 0:11:06 | |
-Ingrid, don't be like that -I'm going out. | 0:11:08 | 0:11:10 | |
But I chose it for a good reason, | 0:11:10 | 0:11:12 | |
cos you're really intense and you like...showers. | 0:11:12 | 0:11:16 | |
SHE SIGHS | 0:11:16 | 0:11:17 | |
PHONE DIALS | 0:11:17 | 0:11:19 | |
RINGTONE | 0:11:20 | 0:11:21 | |
It's stupid Lorna. | 0:11:21 | 0:11:23 | |
It's stupid Lorna. | 0:11:23 | 0:11:25 | |
It's stupid Lorna. | 0:11:25 | 0:11:27 | |
It's stupid Lorna. | 0:11:27 | 0:11:29 | |
It's stupid Lorna. | 0:11:29 | 0:11:30 | |
It's stupid Lorna. | 0:11:30 | 0:11:33 | |
It's stupid Lorna. | 0:11:33 | 0:11:35 | |
It's stupid Lorna. | 0:11:35 | 0:11:37 | |
It's stupid... | 0:11:37 | 0:11:38 | |
RINGTONE STOPS | 0:11:38 | 0:11:40 | |
MICROWAVE BEEPS | 0:11:43 | 0:11:44 | |
-You seen my phone? I left it in here. -No. | 0:11:48 | 0:11:51 | |
Yeah, you have. You're holding it in your hand. | 0:11:51 | 0:11:53 | |
No, that's my phone. | 0:11:53 | 0:11:54 | |
No, it's not, it's got my screen saver. | 0:11:54 | 0:11:57 | |
Stupid Lorna. Stupid Lorna. Stupid Lorna... | 0:12:07 | 0:12:09 | |
Hello, girls. | 0:12:13 | 0:12:14 | |
Just letting you know that Mummy's stuck at work again | 0:12:14 | 0:12:16 | |
so she won't be home before bedtime. I'm so sorry. | 0:12:16 | 0:12:20 | |
They've gone left! | 0:12:20 | 0:12:21 | |
DOGS BARKING, GUNSHOTS | 0:12:21 | 0:12:23 | |
I'm out! Harris! | 0:12:28 | 0:12:30 | |
GUNFIRE, SHOUTING | 0:12:30 | 0:12:32 | |
Here you go. Oh, hello! | 0:12:32 | 0:12:35 | |
This is Sergeant Harris. He works for Mummy. | 0:12:35 | 0:12:38 | |
Well, not "for". | 0:12:38 | 0:12:39 | |
-It's an inter-departmental liaison, so I work WITH... -Get down! | 0:12:39 | 0:12:43 | |
GUNFIRE | 0:12:43 | 0:12:46 | |
So have a lovely sleep | 0:12:46 | 0:12:48 | |
and Mummy will see you first thing in the morning. | 0:12:48 | 0:12:50 | |
BLOWS KISSES | 0:12:50 | 0:12:52 | |
Right, I'm going for door! Cover me! Go! Go! Go! | 0:12:52 | 0:12:55 | |
Right, so, er, that's the cheese...er...there. So that's done. | 0:12:58 | 0:13:06 | |
So, what are you doing, Susan? What are you doing? | 0:13:06 | 0:13:09 | |
BELL RINGS | 0:13:09 | 0:13:10 | |
Oh, right! | 0:13:10 | 0:13:13 | |
So, that's good. Yes. | 0:13:13 | 0:13:16 | |
Good morning, Madame. | 0:13:16 | 0:13:18 | |
Ah, yes, be with you in just a second. | 0:13:18 | 0:13:20 | |
Erm, yes, so that's off. | 0:13:20 | 0:13:22 | |
Greaseproof paper's there, cheese is here, greaseproof paper. Yes? | 0:13:22 | 0:13:25 | |
Pardonnez moi, Madame? Vous parlez francais? | 0:13:25 | 0:13:28 | |
Ah, right. Yes. No. Yes. No. Erm, sorry. Where are we? | 0:13:29 | 0:13:34 | |
Where were we? France! Le France! Le francais. | 0:13:34 | 0:13:37 | |
Erm, French. Yes, erm, so...em... | 0:13:37 | 0:13:41 | |
Bonsoir. Oh, oh. What are you saying, Susan? That's evening. | 0:13:41 | 0:13:44 | |
Buongiorno. No, Italian! | 0:13:44 | 0:13:47 | |
Jour, I mean bonjour! Bonjour, jour. Jour. Bonjour to you...erm... | 0:13:47 | 0:13:51 | |
Welcome to Blakely Manor. | 0:13:51 | 0:13:53 | |
Right. Done the bonjour bit, so that's done. | 0:13:53 | 0:13:56 | |
Er, yes, so...you want to entree? | 0:13:56 | 0:13:59 | |
Vous voulez-vous voulez voulez voulez...? | 0:13:59 | 0:14:02 | |
Enter, yes. But we do not to speak too good of English so.... | 0:14:02 | 0:14:06 | |
Um. No. Yes. So...attendez...attendez, la... | 0:14:06 | 0:14:11 | |
While I get the, er, the er...French audio guides. | 0:14:11 | 0:14:16 | |
Les...les....les....Walkmans. Les Walkmans. | 0:14:16 | 0:14:21 | |
Les Marches Hommes. | 0:14:21 | 0:14:24 | |
Marches Hommes for the audio. Attendez. Attendez. Attendez. | 0:14:24 | 0:14:29 | |
What are you looking for, Susan? Audio, audio, audio, audio, audio, audio... | 0:14:29 | 0:14:35 | |
Right, got those! | 0:14:35 | 0:14:37 | |
Er, oh dear. Who's left these in a...erm...? | 0:14:37 | 0:14:40 | |
Diane! | 0:14:40 | 0:14:42 | |
Someone's left these in a bit of a... | 0:14:42 | 0:14:45 | |
Er, right, so... | 0:14:45 | 0:14:47 | |
That's, er, £4.50 each for entry plus the audio commentary. | 0:14:47 | 0:14:52 | |
So, that's £2.50 each, so, that's, er... | 0:14:52 | 0:14:54 | |
No, that just goes round there. No, I'll do that. Thank you. No. | 0:14:54 | 0:14:57 | |
I don't know if you're helping me or I'm helping you now! | 0:14:57 | 0:15:00 | |
No. I'll just take that, cos you haven't paid for it yet. | 0:15:00 | 0:15:03 | |
Eight, nine, ten, 11. I'll just...er... | 0:15:03 | 0:15:06 | |
Thank you and...that's £14 please. | 0:15:06 | 0:15:10 | |
But, er, I would also like to buy some cheese. | 0:15:10 | 0:15:13 | |
Yes. Right. Cheese. Yes. Le chezz. Erm...yes, so, right... | 0:15:13 | 0:15:20 | |
Ein, ein... Ein moment. | 0:15:20 | 0:15:23 | |
One second, I'll just pop these...pop these back on. | 0:15:23 | 0:15:28 | |
How do I pop these back on? | 0:15:28 | 0:15:30 | |
Can't get my hands in the...thing. That'll do. Doesn't matter. | 0:15:30 | 0:15:34 | |
Sweaty fingers. Been one of those days. But lovely day for a...right! | 0:15:34 | 0:15:40 | |
Move these for the cheese. Er, yes... | 0:15:40 | 0:15:44 | |
Right. | 0:15:44 | 0:15:45 | |
But we only want half of this, please. | 0:15:45 | 0:15:49 | |
You only want half? | 0:15:49 | 0:15:51 | |
Yes, right. So, how do I...what do I...? | 0:15:51 | 0:15:54 | |
I just need to, er...I don't think we've got anything to cut | 0:15:54 | 0:15:58 | |
the, erm, erm, er...Diane! I need to cut the French! | 0:15:58 | 0:16:01 | |
I mean cheese! I mean chez! No! Erm, what are you doing, Susan? | 0:16:01 | 0:16:05 | |
What are you doing? I need to find a knife! | 0:16:05 | 0:16:08 | |
Oh! Look, Prince Harry! | 0:16:08 | 0:16:10 | |
Right, er... | 0:16:19 | 0:16:20 | |
Let's just call it £10 for the lot, shall we? | 0:16:25 | 0:16:28 | |
Do you take euros? | 0:16:28 | 0:16:30 | |
Diane! | 0:16:32 | 0:16:34 | |
Next up, Charles and Eddie. Would I Lie To You? | 0:16:37 | 0:16:40 | |
# Look into my eyes | 0:16:42 | 0:16:44 | |
# Can't you see they're open wide | 0:16:44 | 0:16:46 | |
# Would I lie to you, baby? Would I lie to you? | 0:16:46 | 0:16:51 | |
# Oh, yeah | 0:16:51 | 0:16:52 | |
# Don't you know it's true | 0:16:52 | 0:16:54 | |
# Girl, there's no-one else but you | 0:16:54 | 0:16:56 | |
# Would I lie to you, baby? Yeah | 0:16:56 | 0:17:00 | |
# Everybody wants to know the truth | 0:17:01 | 0:17:07 | |
# In my arms is the only proof | 0:17:07 | 0:17:11 | |
# I'm telling you baby you will never find another girl | 0:17:11 | 0:17:16 | |
# In this heart of mine | 0:17:16 | 0:17:19 | |
# Oh | 0:17:19 | 0:17:21 | |
-# Look into my eyes -Look into my eyes | 0:17:21 | 0:17:23 | |
# Can't you see they're open wide | 0:17:23 | 0:17:25 | |
# Would I lie to you, baby? Would I lie to you? | 0:17:25 | 0:17:29 | |
# Oh, yeah | 0:17:29 | 0:17:31 | |
# Everybody's got their history | 0:17:31 | 0:17:33 | |
# History | 0:17:33 | 0:17:35 | |
# On every page, a mystery | 0:17:35 | 0:17:37 | |
# It's a mystery | 0:17:37 | 0:17:40 | |
# You can read my diary, you're in every line | 0:17:40 | 0:17:44 | |
# Jealous minds are never satisfied | 0:17:44 | 0:17:48 | |
# I'm telling you, baby you will never find another girl | 0:17:48 | 0:17:54 | |
-# In this heart of mine -In this heart of mine | 0:17:54 | 0:17:57 | |
# Woo! | 0:17:57 | 0:17:59 | |
# Look into my... # Oh! | 0:17:59 | 0:18:01 | |
Do you know, I get so annoyed with all our friends | 0:18:02 | 0:18:06 | |
obsessing about when we're going to get married. | 0:18:06 | 0:18:08 | |
I mean, I know we've been together for, what, seven years now, | 0:18:08 | 0:18:11 | |
but just because they've all conformed to this ridiculous | 0:18:11 | 0:18:15 | |
social stereotype doesn't mean that we have to. | 0:18:15 | 0:18:17 | |
No, I was never one of those girls that | 0:18:17 | 0:18:20 | |
fantasised about you know, the "fairytale wedding", | 0:18:20 | 0:18:22 | |
with the dresses and the bridesmaids. | 0:18:22 | 0:18:24 | |
SHE LAUGHS | 0:18:24 | 0:18:25 | |
I mean, we love each other, right? | 0:18:25 | 0:18:27 | |
And that's all that counts. | 0:18:27 | 0:18:29 | |
No, I don't need some piece of paper to... | 0:18:29 | 0:18:32 | |
Izzy? | 0:18:32 | 0:18:34 | |
Oh, my God! Mark! Yes! Yes! Yes, I will marry you! | 0:18:34 | 0:18:38 | |
DINERS APPLAUD | 0:18:38 | 0:18:40 | |
Thank you. Thank you so much! Thank you! | 0:18:40 | 0:18:43 | |
Oh, my God, I thought you'd never ask. | 0:18:43 | 0:18:46 | |
I love you so much. Come here! | 0:18:46 | 0:18:49 | |
Oh, my God! | 0:18:49 | 0:18:51 | |
You were you going to ask about the, erm, napkin. | 0:18:58 | 0:19:00 | |
Yep, yes. | 0:19:00 | 0:19:01 | |
It's, it's stuck under your chair. | 0:19:04 | 0:19:05 | |
No, I haven't got it, you need to lift up, lift up your chair. | 0:19:05 | 0:19:08 | |
Got it. Got it. | 0:19:08 | 0:19:10 | |
Can we have the bill, please? | 0:19:12 | 0:19:13 | |
-But I was going to get a pudding. -Don't you dare. | 0:19:13 | 0:19:16 | |
Can I help you? | 0:19:18 | 0:19:19 | |
Oh, this colour looks well good on you, babes. | 0:19:27 | 0:19:29 | |
You should wear it Saturday night. | 0:19:29 | 0:19:31 | |
-Do you reckon? -Definitely. | 0:19:31 | 0:19:32 | |
Oh, yeah, I look proper fit, don't I? | 0:19:34 | 0:19:37 | |
Nadia? Emma? Customer waiting? | 0:19:38 | 0:19:42 | |
Customer. | 0:19:42 | 0:19:44 | |
Can I help you, madam? | 0:19:50 | 0:19:52 | |
Oh, yes, thank you. | 0:19:52 | 0:19:54 | |
I'm going to my daughter's graduation next week, | 0:19:54 | 0:19:56 | |
she got a first in Classics at Warwick University. | 0:19:56 | 0:20:00 | |
I don't know where she gets her brains from, certainly not from me. | 0:20:00 | 0:20:03 | |
Well, anyway, I've just bought a lovely red dress | 0:20:03 | 0:20:06 | |
and I was just trying to find a lipstick to go with it. | 0:20:06 | 0:20:09 | |
I thought, I thought perhaps this one. What do you think? | 0:20:09 | 0:20:12 | |
What I think is, is that you're too old for that lipstick. | 0:20:12 | 0:20:15 | |
I beg your pardon? | 0:20:15 | 0:20:16 | |
Ah, she's losing her hearing, you're too old for that lipstick. | 0:20:16 | 0:20:19 | |
Nadia! Emma! Apologise to the lady immediately. | 0:20:19 | 0:20:23 | |
What? I'm just being honest. She can't wear that lipstick | 0:20:23 | 0:20:25 | |
cos of all them wrinkles she's got round her mouth. | 0:20:25 | 0:20:28 | |
She's right. It'll leak everywhere. | 0:20:28 | 0:20:30 | |
I'm sorry if that upsets you, but it's the truth and I'm not gonna | 0:20:30 | 0:20:33 | |
stand here and tell a blatant lie cos that's what you wanna hear. | 0:20:33 | 0:20:35 | |
-Don't. -Cos I wouldn't be being myself and I've gotta be true to myself. | 0:20:35 | 0:20:39 | |
-Always. -And I'm never gonna apologise for being myself. | 0:20:39 | 0:20:41 | |
-Don't. -Cos then I'd be lying to myself | 0:20:41 | 0:20:43 | |
and I'm never gonna do that cos I'm a really honest person. | 0:20:43 | 0:20:46 | |
-She is. -And that's just who I am. | 0:20:46 | 0:20:47 | |
-Emma, I'm warning you... -Can I be honest, Michelle? | 0:20:47 | 0:20:50 | |
-You're coming off really aggressive right now. -You are actually. | 0:20:50 | 0:20:53 | |
I know you're having a rough time cos Ted left you for a 22-year-old | 0:20:53 | 0:20:56 | |
but maybe if you took more care of yourself in the lady area... | 0:20:56 | 0:20:58 | |
-Bit of a tidy. -..He wouldn't have gone. | 0:20:58 | 0:21:00 | |
I'm sorry if that upsets you, but I'm not gonna not tell the truth | 0:21:00 | 0:21:03 | |
just cos you don't wanna hear it. Sometimes the truth hurts. | 0:21:03 | 0:21:05 | |
-It does. -If you don't want to hear it, you shouldn't ask me | 0:21:05 | 0:21:08 | |
cos I'll speak the truth cos I'm such an honest person and... | 0:21:08 | 0:21:10 | |
-That's just who I am. -That's just who she is. -Get out. | 0:21:10 | 0:21:13 | |
We will get out. We're getting out right now. | 0:21:13 | 0:21:16 | |
Oh, and by the way, the 22-year-old Ted's shacked up with? It's Beth. | 0:21:18 | 0:21:23 | |
We seen 'em down Ritzy. | 0:21:23 | 0:21:25 | |
I knew it. | 0:21:25 | 0:21:27 | |
-You've just got to be honest, haven't you? -Absolutely. | 0:21:27 | 0:21:29 | |
Hello and welcome to Realistic Cooking. I'm Shirley. | 0:21:40 | 0:21:44 | |
And I'm Jenny. | 0:21:44 | 0:21:45 | |
Tonight I'm going to be showing you how to make a realistic lamb casserole. | 0:21:45 | 0:21:48 | |
I'm going to do what most people do, and make a pudding quite badly. | 0:21:48 | 0:21:51 | |
Right, so let's start with that casserole. | 0:21:51 | 0:21:53 | |
Now, for your casserole, you're going to need some lamb. | 0:21:53 | 0:21:56 | |
Most cuts will do, although I didn't make it to the shops in time, | 0:21:56 | 0:21:59 | |
so I'm making my lamb with chicken. | 0:21:59 | 0:22:02 | |
Will any chicken do, Shirley? | 0:22:02 | 0:22:03 | |
Well this is all I had in the freezer, so it'll have to. | 0:22:03 | 0:22:06 | |
OK. Now we're going to want some body to the casserole, | 0:22:06 | 0:22:09 | |
so we're going to add some vegetables. | 0:22:09 | 0:22:11 | |
Err, carrots work well, as do leeks and onions. | 0:22:11 | 0:22:14 | |
-What have you got there? -Oh, some broccoli. | 0:22:14 | 0:22:15 | |
As I said, I didn't make it to the shops in time. | 0:22:15 | 0:22:17 | |
I'm going to put that into the casserole dish and, | 0:22:17 | 0:22:20 | |
as you can see, I haven't actually cleaned that | 0:22:20 | 0:22:22 | |
since the last time I last used it. | 0:22:22 | 0:22:23 | |
That's just what happens, so let's go with it. | 0:22:23 | 0:22:25 | |
Jen! Do you want to talk us through your pudding? | 0:22:25 | 0:22:27 | |
Sure, yes. Well, I was going to show you how to make a tarte Tatin. | 0:22:27 | 0:22:31 | |
Then of course I realised that I didn't know what that was | 0:22:31 | 0:22:34 | |
so I'm just going to make apple pie instead. | 0:22:34 | 0:22:36 | |
Now, as you can see, I've already made the pastry case for this, | 0:22:36 | 0:22:39 | |
and if you look carefully, Shirley, | 0:22:39 | 0:22:41 | |
you can see that this bit here is completely burnt. | 0:22:41 | 0:22:43 | |
It is, yeah. And of course, all around here as well. | 0:22:43 | 0:22:45 | |
Pretty much everywhere, really. | 0:22:45 | 0:22:47 | |
And that's because I was on the phone to a friend | 0:22:47 | 0:22:49 | |
and simply forgot all about it. That will happen. | 0:22:49 | 0:22:51 | |
If it's not the phone, it's someone at the door, | 0:22:51 | 0:22:53 | |
or the kids getting on your tits | 0:22:53 | 0:22:55 | |
and you may as well just accept that the whole thing is going to be | 0:22:55 | 0:22:57 | |
burnt to buggery and move on. | 0:22:57 | 0:22:59 | |
Anyway, what I'm going to do next is get some apples, | 0:22:59 | 0:23:02 | |
or in my case, grapes. | 0:23:02 | 0:23:03 | |
Oh, unusual. | 0:23:03 | 0:23:05 | |
Yes. Well, that's what the moron from my home supermarket | 0:23:05 | 0:23:07 | |
delivery service decided was the closest thing to apples. So his bad. | 0:23:07 | 0:23:11 | |
While you half-heartedly wash those, | 0:23:11 | 0:23:13 | |
I'm going to carry on with making my lamb and carrot casserole, | 0:23:13 | 0:23:15 | |
which I'm making with chicken and broccoli. | 0:23:15 | 0:23:17 | |
I'm going to pop some cauliflower in there as well. | 0:23:17 | 0:23:20 | |
-Why's that? -Oh, because it needed eating up, frankly. | 0:23:20 | 0:23:22 | |
-Is it on the turn? -Oh, It's doing summersaults. | 0:23:22 | 0:23:25 | |
But I'm two glasses of white wine down so I couldn't give a toss. | 0:23:25 | 0:23:27 | |
Now the stock is very important. | 0:23:27 | 0:23:29 | |
So it's just a shame that I haven't got any. | 0:23:29 | 0:23:32 | |
Of course, you can make your own by simply boiling down the bones. | 0:23:32 | 0:23:36 | |
THEY LAUGH | 0:23:36 | 0:23:38 | |
Just taking the piss. As if! | 0:23:38 | 0:23:40 | |
So water it is. | 0:23:40 | 0:23:42 | |
Now, you can also use white wine, but frankly why pour it on food | 0:23:42 | 0:23:45 | |
when you could be pouring it down your neck instead. | 0:23:45 | 0:23:47 | |
We'll shove it in the oven. Time to watch a some Downton Abbey | 0:23:47 | 0:23:50 | |
and it should be done. | 0:23:50 | 0:23:51 | |
-MICROWAVE BEEPS -Jenny. | 0:23:51 | 0:23:53 | |
Yes, well, erm...my grape flan's all but finished. | 0:23:53 | 0:23:59 | |
And by finished I mean ruined. | 0:23:59 | 0:24:00 | |
As you can see, I've accidentally put it in a microwave | 0:24:00 | 0:24:03 | |
instead of the oven, so the grapes have all been exploded | 0:24:03 | 0:24:06 | |
and the pastry's gone soggy. | 0:24:06 | 0:24:07 | |
Now all we have to do is pop that in the bin. | 0:24:07 | 0:24:10 | |
I'll turn off the oven, because frankly no one's going to want to | 0:24:10 | 0:24:12 | |
eat chicken, broccoli and cauliflower in water. | 0:24:12 | 0:24:15 | |
-And go and order a takeaway. -Still watch Downton though. | 0:24:15 | 0:24:17 | |
Oh, yes. BOTH: See you next week. | 0:24:17 | 0:24:20 | |
CAT MEOWS | 0:24:30 | 0:24:32 | |
Mornin', nurse! | 0:24:40 | 0:24:42 | |
'Midwifery is the very stuff of life. | 0:24:42 | 0:24:45 | |
'A midwife is in the thick of it, she sees it all. | 0:24:45 | 0:24:49 | |
'I knew nothing of poverty or filth...' | 0:24:49 | 0:24:52 | |
Apples and pears? Dog and bones? | 0:24:52 | 0:24:54 | |
'Of families sleeping four to a bed...' | 0:24:54 | 0:24:57 | |
She's in there. | 0:24:57 | 0:25:01 | |
Been screaming the house down all morning, she has. | 0:25:01 | 0:25:04 | |
'In short, I knew nothing of life itself.' | 0:25:04 | 0:25:08 | |
Thank you...commoners. | 0:25:10 | 0:25:12 | |
'Never in all my days, had I seen such squalor. | 0:25:14 | 0:25:17 | |
'I crossed over to the bed and said...' | 0:25:18 | 0:25:21 | |
Mrs Harris, I'm... | 0:25:21 | 0:25:22 | |
'Mrs Harris, I'm Nurse Nancy.' | 0:25:22 | 0:25:24 | |
Yes, I'll take it from here. Thank you. | 0:25:24 | 0:25:26 | |
'Sorry.' | 0:25:26 | 0:25:27 | |
How are you feeling, Mrs Harris? | 0:25:27 | 0:25:29 | |
Well, Nurse, I've been diddlin' on me rinky dinks for the last | 0:25:29 | 0:25:32 | |
square 'n fivepence, trying to scraggle out a tiggywink. | 0:25:32 | 0:25:35 | |
Right. Um... | 0:25:35 | 0:25:37 | |
Oh! Well, we'd better get this baby delivered then, hadn't we? | 0:25:41 | 0:25:45 | |
Can I go down the pub now? | 0:25:45 | 0:25:47 | |
No, Mr Harris. We need hot water and clean towels. | 0:25:47 | 0:25:50 | |
Hot water and clean towels? | 0:25:50 | 0:25:51 | |
Yes, Mr Harris. As many as you can find. | 0:25:51 | 0:25:54 | |
Right-o then. | 0:25:54 | 0:25:55 | |
Now, I'm just going to examine you, Mrs Harris, so try to relax. | 0:25:55 | 0:26:00 | |
Well, that all looks fine. Is this your first child, Mrs Harris? | 0:26:07 | 0:26:11 | |
Not exactly. | 0:26:11 | 0:26:13 | |
Golly. | 0:26:15 | 0:26:17 | |
Here you go, Nurse, hot water and clean towels. | 0:26:18 | 0:26:21 | |
Thank you, Mr Harris. | 0:26:21 | 0:26:23 | |
Can I go down the pub now? | 0:26:23 | 0:26:24 | |
No, Mr Harris. We need hot water and clean towels. | 0:26:24 | 0:26:27 | |
As many as you can find. | 0:26:27 | 0:26:29 | |
Right-o then. | 0:26:29 | 0:26:30 | |
He seems like a good man, Mrs Harris. | 0:26:30 | 0:26:32 | |
He's all right. | 0:26:32 | 0:26:34 | |
I suppose you're wondering if I've got a fella. | 0:26:34 | 0:26:37 | |
SHE MOANS IN PAIN | 0:26:37 | 0:26:38 | |
Well you see, there's this one chap who I sort of like, | 0:26:38 | 0:26:41 | |
but I don't know if I actually love him. | 0:26:41 | 0:26:43 | |
Have you ever had that? | 0:26:43 | 0:26:45 | |
SHE GRUNTS | 0:26:45 | 0:26:47 | |
No, I don't suppose you have. | 0:26:47 | 0:26:49 | |
And then there's this other fella, who I'm madly in love with, | 0:26:49 | 0:26:52 | |
but he's married so you see, it's sort of really complicated. | 0:26:52 | 0:26:56 | |
SHE SCREAMS | 0:26:56 | 0:26:57 | |
Oh, I know what you're thinking, Mrs Harris, with this flawless skin | 0:26:57 | 0:27:00 | |
and glossy hair, there's no chance of me being on my own for long. | 0:27:00 | 0:27:04 | |
And do you know what, Mrs Harris? I think you're probably right. | 0:27:04 | 0:27:09 | |
SHE SCREAMS | 0:27:09 | 0:27:11 | |
We've run out of hot water and clean towels. | 0:27:11 | 0:27:14 | |
-So I got these instead. -Thank you, Mr Harris. | 0:27:14 | 0:27:16 | |
Oh! Oh! It's coming, the baby's coming! | 0:27:16 | 0:27:20 | |
Right, Mrs Harris! Push! | 0:27:20 | 0:27:25 | |
SHE SCREAMS, BABY CRIES | 0:27:25 | 0:27:28 | |
Well done, Mrs Harris. You've done it! | 0:27:28 | 0:27:30 | |
What is it, Nurse? Let me see. | 0:27:30 | 0:27:32 | |
It's... | 0:27:32 | 0:27:34 | |
A cockney. | 0:27:34 | 0:27:35 | |
Sounds like I've arrived just in time. | 0:27:36 | 0:27:39 | |
Sister Bridget! | 0:27:39 | 0:27:41 | |
Is it the end of the episode yet? | 0:27:41 | 0:27:43 | |
Yes, Sister. | 0:27:43 | 0:27:45 | |
Lovely. Well, that can only mean one thing. | 0:27:45 | 0:27:48 | |
Tea and cake? | 0:27:51 | 0:27:53 | |
-Oooh, lovely. -Yes, please. | 0:27:53 | 0:27:56 | |
'Looking around that room, I no longer saw squalor and filth | 0:27:56 | 0:28:01 | |
'and cockneys, I saw only squalor and filth and cockneys and...cake.' | 0:28:01 | 0:28:08 | |
Can I go down the pub now? | 0:28:09 | 0:28:11 | |
ALL: No, Mr Harris! | 0:28:11 | 0:28:14 | |
Subtitles by Red Bee Media Ltd | 0:28:33 | 0:28:36 |