Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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Stand back! Give him some air. | 0:00:21 | 0:00:23 | |
-Right. Can you tell me what happened, madam? -Please do something! He's my dad. | 0:00:23 | 0:00:26 | |
-I don't know what happened. He just collapsed. -What's his name? -Keith. | 0:00:26 | 0:00:30 | |
Right. Looks like this is your lucky day, Keith. | 0:00:30 | 0:00:32 | |
Please. Can you save him? | 0:00:32 | 0:00:34 | |
Put it this way, I've won Paramedic Of The Year five years in a row | 0:00:34 | 0:00:36 | |
and I've never lost anyone yet, so what do you think? | 0:00:36 | 0:00:39 | |
Come on, big man. Come on, Keith. Stay with me. | 0:00:39 | 0:00:42 | |
He's turning blue! | 0:00:42 | 0:00:44 | |
Listen, it's not your time, Keith. | 0:00:44 | 0:00:46 | |
I've never left a man behind and I am not about to start now. | 0:00:46 | 0:00:48 | |
He's opening his eyes. | 0:00:48 | 0:00:50 | |
Damn right he is. | 0:00:50 | 0:00:51 | |
He wants to see the face of the woman who's going to save his life. | 0:00:51 | 0:00:54 | |
Please tell me he's going to be OK! | 0:00:54 | 0:00:56 | |
Listen, I cannot stress enough that I have never, ever lost anyone. | 0:00:56 | 0:00:59 | |
Ever. OK? Just a few more seconds and we're home and dry. | 0:00:59 | 0:01:02 | |
So he's not going to die? | 0:01:02 | 0:01:04 | |
Not on my watch. | 0:01:06 | 0:01:07 | |
BLEEPING | 0:01:08 | 0:01:10 | |
But unfortunately, that's my watch over. | 0:01:10 | 0:01:12 | |
It's Sandra's watch now. | 0:01:12 | 0:01:14 | |
Right. | 0:01:16 | 0:01:18 | |
Does anyone know any medicine? | 0:01:18 | 0:01:19 | |
Good luck with it all, yeah? | 0:01:21 | 0:01:23 | |
Girls? Girls! | 0:01:32 | 0:01:35 | |
Come and see my new invention! | 0:01:35 | 0:01:37 | |
Hurrah! | 0:01:37 | 0:01:38 | |
Do hurry, Nettie! | 0:01:48 | 0:01:49 | |
I'm coming, just as fast as I can! | 0:01:49 | 0:01:52 | |
Father, Father, what is it? | 0:02:00 | 0:02:02 | |
CHUCKLES You'll see. Now, stay there. | 0:02:02 | 0:02:04 | |
Right. | 0:02:04 | 0:02:05 | |
A-ha! | 0:02:05 | 0:02:06 | |
-BOTH: -Goodness! | 0:02:06 | 0:02:08 | |
What do you think? She's a beauty, isn't she? | 0:02:08 | 0:02:10 | |
I'll say! What does it do? | 0:02:10 | 0:02:12 | |
I'll show you! | 0:02:12 | 0:02:14 | |
Now, hold this for me and hand me those goggles. | 0:02:14 | 0:02:17 | |
There. | 0:02:18 | 0:02:20 | |
Are you ready? | 0:02:21 | 0:02:24 | |
-Yes! -Yes! | 0:02:25 | 0:02:26 | |
HE LAUGHS | 0:02:26 | 0:02:28 | |
Heurgh! | 0:02:33 | 0:02:35 | |
Whoa-oh-argh-argh-argh-argh! | 0:02:35 | 0:02:39 | |
Oh-whoa-oh-whoa-ow! Ugh! Ah! | 0:02:39 | 0:02:44 | |
GLASS SMASHES | 0:02:44 | 0:02:45 | |
-Bravo! -Bravo, Daddy! | 0:02:47 | 0:02:49 | |
EXPLOSION | 0:02:52 | 0:02:55 | |
CRASH | 0:02:56 | 0:02:57 | |
Daddy? | 0:02:59 | 0:03:01 | |
Daddy? | 0:03:01 | 0:03:02 | |
For God's sake, girls... | 0:03:02 | 0:03:04 | |
HE COUGHS ..go and get your mother. | 0:03:04 | 0:03:07 | |
SAMBA MUSIC | 0:03:07 | 0:03:10 | |
MUSIC STOPS | 0:03:14 | 0:03:17 | |
DRUMBEAT | 0:03:17 | 0:03:19 | |
DRUMBEAT | 0:03:21 | 0:03:23 | |
MUSIC STARTS | 0:03:25 | 0:03:28 | |
Cup of tea, £2.90. | 0:06:54 | 0:06:57 | |
What's this? | 0:06:57 | 0:06:58 | |
Er, milk is down the end, with the cinnamon and stirrers. | 0:06:58 | 0:07:01 | |
Sorry, I'm going to ask you again - what is this? | 0:07:01 | 0:07:04 | |
It's a cup of tea. £2.90. | 0:07:05 | 0:07:07 | |
No. No. This is not a cup of tea. | 0:07:07 | 0:07:10 | |
This is some of the ingredients for a cup of tea, partially assembled. | 0:07:10 | 0:07:14 | |
It's a cup of tea. | 0:07:15 | 0:07:17 | |
Now, I'm not an unreasonable woman. | 0:07:17 | 0:07:19 | |
I don't expect loose-leaf tea or a porcelain teapot. | 0:07:19 | 0:07:23 | |
I don't mind a tea bag, and this is probably a very good tea bag, | 0:07:23 | 0:07:27 | |
containing the potential for a very good cup of tea, | 0:07:27 | 0:07:29 | |
but this... This is not a cup of tea. | 0:07:29 | 0:07:32 | |
This is a paper cup with a tea bag at the bottom, | 0:07:32 | 0:07:35 | |
which you've filled to the brim with super-heated water, | 0:07:35 | 0:07:37 | |
so I refer to my earlier comment - | 0:07:37 | 0:07:39 | |
this is not a cup of tea. | 0:07:39 | 0:07:41 | |
Look, I need to serve all... | 0:07:41 | 0:07:43 | |
This is Britain - a nation founded on tea. | 0:07:43 | 0:07:47 | |
Tea is a medicine. Tea is Mummy kissing it all better. | 0:07:47 | 0:07:51 | |
Tea is what you crave after a blustery walk on a crisp autumn day, | 0:07:51 | 0:07:55 | |
or after your husband leaves you for a 23-year-old Belarussian nanny. | 0:07:55 | 0:07:59 | |
Tea is love, and family and friends. | 0:08:01 | 0:08:04 | |
Tea makes you go like this when someone offers it to you - "Tea?" | 0:08:04 | 0:08:07 | |
"Ooooh, lovely!" | 0:08:07 | 0:08:09 | |
This - this does not make me want to "ooooh". | 0:08:09 | 0:08:13 | |
This makes me want to weep, for tea, and how we have betrayed it. | 0:08:13 | 0:08:17 | |
It's true. | 0:08:17 | 0:08:18 | |
I really wanted a cup of tea, but when I left the office | 0:08:19 | 0:08:22 | |
this morning, I said, "I'm going to go and get a coffee." | 0:08:22 | 0:08:25 | |
Get a coffee? | 0:08:25 | 0:08:27 | |
That's not even proper English! | 0:08:27 | 0:08:28 | |
Well said, brother. | 0:08:28 | 0:08:30 | |
Hear, hear! | 0:08:30 | 0:08:32 | |
And you there, sister - what is that you're eating? | 0:08:32 | 0:08:35 | |
A muffin. | 0:08:35 | 0:08:37 | |
That is not a muffin. | 0:08:37 | 0:08:39 | |
This is a muffin! | 0:08:39 | 0:08:40 | |
ACCORDIAN PLAYS TRADITIONAL MUSIC | 0:08:40 | 0:08:43 | |
Hazelnut latte for Terry? | 0:08:43 | 0:08:45 | |
Stop right there, Terry. | 0:08:45 | 0:08:47 | |
Do you want your name scrawled on that cup, Terry? | 0:08:47 | 0:08:50 | |
Is your name so cheap that you have is bandied about like God's own tennis ball? | 0:08:50 | 0:08:53 | |
We are British. | 0:08:53 | 0:08:55 | |
We barely give our names to our neighbours, or our uncles. | 0:08:55 | 0:08:58 | |
Let alone to complete strangers for them to butcher beyond all recognition. | 0:08:58 | 0:09:01 | |
There's no I in Terry! | 0:09:01 | 0:09:04 | |
She's right - there isn't. | 0:09:04 | 0:09:06 | |
If it be a sin to covet tea, | 0:09:06 | 0:09:11 | |
then surely I am the most offending soul alive. | 0:09:11 | 0:09:13 | |
It's not a sin! | 0:09:13 | 0:09:15 | |
Tea's great! | 0:09:15 | 0:09:16 | |
Then let us make a stand, here, today. | 0:09:16 | 0:09:20 | |
We few, we happy few, we band of tea-drinkers who still remain | 0:09:20 | 0:09:25 | |
unsure on the whole milk-in-first-or-last thing. | 0:09:25 | 0:09:28 | |
-I always put mine in last. -I always put mine in first. | 0:09:28 | 0:09:31 | |
If we be mark'd to drink a hot beverage, let it be tea. | 0:09:34 | 0:09:38 | |
Every brave man and woman who fights with me here today, | 0:09:38 | 0:09:40 | |
raise your mugs, and your voices, | 0:09:40 | 0:09:43 | |
and cry, "Long live Darjeeling, Earl Grey and English Breakfast!" | 0:09:43 | 0:09:48 | |
CHEERING | 0:09:48 | 0:09:51 | |
A proper cup of tea to take away, please. | 0:10:01 | 0:10:03 | |
All right. | 0:10:03 | 0:10:05 | |
There we are. | 0:10:05 | 0:10:07 | |
All right. | 0:10:08 | 0:10:09 | |
Oh, OK. | 0:10:09 | 0:10:10 | |
This as well. | 0:10:12 | 0:10:13 | |
Oh, good. | 0:10:13 | 0:10:14 | |
-Oh, and that's yours. -Right. | 0:10:14 | 0:10:15 | |
Oh, don't forget your strainer. There you go. | 0:10:15 | 0:10:18 | |
Excuse me. Ow. Ow. | 0:10:18 | 0:10:21 | |
Hey, babe. | 0:10:57 | 0:10:58 | |
Oh, hey, hon. | 0:10:58 | 0:11:00 | |
You look really pretty, by the way. | 0:11:04 | 0:11:06 | |
That colour really suits you. | 0:11:06 | 0:11:09 | |
Thank you. | 0:11:09 | 0:11:10 | |
So, how's it going with you? | 0:11:13 | 0:11:16 | |
So you know how Harry promised me | 0:11:16 | 0:11:18 | |
I could scrub in on his triple bypass surgery? | 0:11:18 | 0:11:20 | |
Well, apparently now I'm not scrubbing in on his triple bypass surgery. | 0:11:22 | 0:11:25 | |
Yah. I sort of overheard some of the nurses talking about it. | 0:11:27 | 0:11:31 | |
What did they say? | 0:11:32 | 0:11:34 | |
They just saying you weren't scrubbing in | 0:11:34 | 0:11:36 | |
on the triple bypass surgery. | 0:11:36 | 0:11:37 | |
I can't believe they said about me. | 0:11:39 | 0:11:42 | |
So, do you know who IS scrubbing in on the triple bypass surgery? | 0:11:42 | 0:11:46 | |
Oh, hi, you guys. | 0:11:55 | 0:11:57 | |
Fancy seeing you here. | 0:11:57 | 0:11:58 | |
That colour really suits you, by the way. | 0:12:11 | 0:12:14 | |
Thank you. | 0:12:14 | 0:12:15 | |
Well... | 0:12:25 | 0:12:26 | |
Harry said I could scrub in on his triple bypass surgery, yeah? | 0:12:26 | 0:12:30 | |
So... I'll see you guys later. | 0:12:30 | 0:12:33 | |
Yeah. | 0:12:35 | 0:12:36 | |
That's SO out of order, babe. | 0:12:51 | 0:12:53 | |
Yah, I know. | 0:12:53 | 0:12:55 | |
I'm SO confused right now. | 0:12:56 | 0:12:58 | |
How's it looking out there? | 0:13:05 | 0:13:07 | |
Iceberg-tastic, Captain. | 0:13:07 | 0:13:10 | |
My God! | 0:13:10 | 0:13:11 | |
Oh, don't worry - they don't call me 20/20 Tina for nothing. | 0:13:11 | 0:13:16 | |
So we aren't going to crash into an iceberg and drown? | 0:13:16 | 0:13:19 | |
Not on my watch. | 0:13:20 | 0:13:21 | |
BELL DINGS | 0:13:25 | 0:13:26 | |
But unfortunately, that's my watch over now. Sandra? | 0:13:26 | 0:13:29 | |
Ooh! | 0:13:32 | 0:13:33 | |
Who put that there? | 0:13:34 | 0:13:35 | |
SAMBA MUSIC | 0:13:42 | 0:13:44 | |
MUSIC STOPS | 0:13:44 | 0:13:45 | |
MUSIC STARTS | 0:13:45 | 0:13:49 | |
MUSIC STOPS | 0:13:49 | 0:13:52 | |
MUSIC STARTS | 0:13:52 | 0:13:56 | |
MUSIC STOPS | 0:13:56 | 0:13:59 | |
MUSIC STARTS | 0:14:02 | 0:14:05 | |
-Oh! -Oh, hello Eve! | 0:14:23 | 0:14:25 | |
Good morning, Anne! | 0:14:25 | 0:14:26 | |
How are you today? | 0:14:26 | 0:14:27 | |
Yes, yes - well, thank you. And you? | 0:14:27 | 0:14:29 | |
Oh, couldn't be better. Yes, Derek's just got a promotion. | 0:14:29 | 0:14:33 | |
-Oh. -Thus the pagoda. | 0:14:33 | 0:14:35 | |
Oh, yes, yes. It's lovely. Ours is handworked wrought iron, of course. | 0:14:35 | 0:14:40 | |
You pay a bit more for it but it's worth it. | 0:14:40 | 0:14:42 | |
Oh, lovely! | 0:14:42 | 0:14:43 | |
Bit bright for me, but I've always said you had modern tastes. | 0:14:43 | 0:14:48 | |
How's Peter? | 0:14:48 | 0:14:49 | |
Yes, good, good, yes! | 0:14:49 | 0:14:51 | |
New job in Hong Kong, so busy, busy, busy! | 0:14:51 | 0:14:54 | |
Well, aren't we all? | 0:14:54 | 0:14:55 | |
Well, I must dash - we're taking delivery of a new microwave. | 0:14:55 | 0:14:58 | |
Oh, right, yes. | 0:14:58 | 0:14:59 | |
-Handy little gadgets, aren't they? -Mm. -Not that we need one, what with the Aga. | 0:14:59 | 0:15:03 | |
Keeps the kitchen warm too, which is nice, so... | 0:15:03 | 0:15:05 | |
Little bit too warm in the summer, though. | 0:15:05 | 0:15:07 | |
Not if you know how to use it. | 0:15:07 | 0:15:09 | |
I have trouble enough setting the, er, temperature | 0:15:09 | 0:15:12 | |
-on the underfloor heating... -Right. -..and that's state-of-the-art. | 0:15:12 | 0:15:16 | |
Yes, well I must pop off. | 0:15:16 | 0:15:18 | |
Off to look at a new car. | 0:15:18 | 0:15:19 | |
See, the boot on the old one isn't big enough to carry all the luggage | 0:15:19 | 0:15:22 | |
that we're taking on our round-the-world cruise | 0:15:22 | 0:15:24 | |
to celebrate our grandson getting into Oxford University | 0:15:24 | 0:15:27 | |
to study medicine and economics. | 0:15:27 | 0:15:28 | |
I'm going to Mars. | 0:15:30 | 0:15:32 | |
Sorry, what? | 0:15:34 | 0:15:35 | |
I am going to Mars. | 0:15:35 | 0:15:37 | |
Mars, Anne? | 0:15:37 | 0:15:39 | |
Yes, Eve, Mars - the Red Planet. Mars. | 0:15:39 | 0:15:42 | |
Right. | 0:15:44 | 0:15:46 | |
Well...we'll all look forward to that, then. | 0:15:46 | 0:15:50 | |
-ON TV: -'Ten, nine, eight, seven, six... | 0:16:01 | 0:16:07 | |
'That's a negative for launch. All stop. Repeat, launch is NOT go. | 0:16:07 | 0:16:13 | |
'Sorry to say this but it seems like we do have a problem.' | 0:16:13 | 0:16:15 | |
It doesn't look like we'll be seeing the launch today. | 0:16:15 | 0:16:18 | |
I told you she was full of shit. | 0:16:20 | 0:16:22 | |
Ooh! | 0:16:28 | 0:16:29 | |
Oh. | 0:16:29 | 0:16:30 | |
Look what I bought! | 0:16:32 | 0:16:33 | |
Oh. | 0:16:36 | 0:16:37 | |
-WEAKLY: -Yay! | 0:16:37 | 0:16:38 | |
And I'm not going to lose this one, | 0:16:38 | 0:16:40 | |
because this is the umpteenth board game I've had to buy, | 0:16:40 | 0:16:43 | |
cos the other ones keep disappearing. Fancy a game? | 0:16:43 | 0:16:45 | |
Mm, no, you're all right, actually. | 0:16:45 | 0:16:48 | |
-Oh, come on! -No, I think I might just turn in. | 0:16:48 | 0:16:50 | |
Lorna, it's 6.30. | 0:16:50 | 0:16:52 | |
Gosh, is it that late already? Night, then. | 0:16:52 | 0:16:54 | |
Lorna, why don't you want to play Monopoly with me? | 0:16:54 | 0:16:57 | |
-I do. -Well, you clearly don't. | 0:16:57 | 0:16:59 | |
Well, no, it's just... You know, you get a bit competitive, that's all. | 0:16:59 | 0:17:03 | |
I don't, do I? | 0:17:03 | 0:17:04 | |
Yeah, you do. | 0:17:04 | 0:17:06 | |
You're a really bad loser, actually. | 0:17:06 | 0:17:08 | |
Well, surely no-one LIKES losing. | 0:17:08 | 0:17:09 | |
I don't mind losing. | 0:17:09 | 0:17:11 | |
Surely no-one normal likes losing. | 0:17:11 | 0:17:13 | |
Come on. Just one game? | 0:17:15 | 0:17:17 | |
I dunno. | 0:17:17 | 0:17:18 | |
I'll let you wear my flip-flops! | 0:17:18 | 0:17:20 | |
-All weekend? -Mm-hm. | 0:17:20 | 0:17:22 | |
All right, then. | 0:17:22 | 0:17:25 | |
-Just the one game, though. -Right. | 0:17:25 | 0:17:26 | |
Honestly, the way you're carrying on, you'd think I was some kind of monster. | 0:17:26 | 0:17:29 | |
-Right, highest number starts. -Yep. | 0:17:29 | 0:17:31 | |
-Two. -Bad luck. | 0:17:34 | 0:17:36 | |
Higher than a two, higher than a two. | 0:17:36 | 0:17:38 | |
Come on, come on, come on, come on, come on. | 0:17:38 | 0:17:41 | |
Gargh! | 0:17:45 | 0:17:46 | |
Argh! | 0:17:46 | 0:17:48 | |
Gah! | 0:17:48 | 0:17:49 | |
Argh! | 0:17:49 | 0:17:50 | |
Argh! | 0:17:50 | 0:17:51 | |
Argh! | 0:17:51 | 0:17:53 | |
Hnuh! | 0:17:53 | 0:17:54 | |
Hnuh! | 0:17:54 | 0:17:55 | |
-Argh! -Ingrid! | 0:17:55 | 0:17:57 | |
Ingrid! | 0:17:57 | 0:17:58 | |
SHE CHOKES AND COUGHS | 0:18:00 | 0:18:02 | |
I AM a monster. | 0:18:02 | 0:18:04 | |
You must never let me play this again. | 0:18:10 | 0:18:12 | |
Hey, boy. | 0:18:49 | 0:18:50 | |
Hey, boy. How's it going? | 0:18:50 | 0:18:52 | |
Not so good, actually. | 0:18:52 | 0:18:54 | |
I sort of told Araminta | 0:18:54 | 0:18:55 | |
she could scrub in on my triple bypass surgery. | 0:18:55 | 0:18:58 | |
Oh, I thought Georgiana was scrubbing in | 0:18:58 | 0:19:00 | |
on your triple bypass surgery? | 0:19:00 | 0:19:01 | |
Yah, no, she was. | 0:19:01 | 0:19:04 | |
Doctor? | 0:19:04 | 0:19:05 | |
I thought I'd find you two in here. | 0:19:09 | 0:19:11 | |
Josephina. | 0:19:11 | 0:19:12 | |
Hey, hon. | 0:19:12 | 0:19:14 | |
Harry, can I have a word? | 0:19:20 | 0:19:22 | |
Yah, no, of course. | 0:19:22 | 0:19:23 | |
I just think you should know that Georgiana's, like, really upset | 0:19:28 | 0:19:31 | |
that you've asked Araminta to scrub in on your triple bypass surgery. | 0:19:31 | 0:19:35 | |
Josephina, can I have a word, please? | 0:19:39 | 0:19:42 | |
Araminta. | 0:19:42 | 0:19:43 | |
Yah, no, of course. | 0:19:43 | 0:19:45 | |
I, er... | 0:19:49 | 0:19:51 | |
I just think that you shouldn't go around meddling | 0:19:51 | 0:19:54 | |
in people's triple bypass surgeries when it's none of your business. | 0:19:54 | 0:19:58 | |
Well, isn't this cosy? | 0:20:06 | 0:20:08 | |
-ALL: -Georgiana. | 0:20:08 | 0:20:10 | |
Looks like you got what you wanted, Harry. | 0:20:14 | 0:20:17 | |
I hope you and Araminta are really happy doing triple bypass | 0:20:17 | 0:20:20 | |
surgeries together. | 0:20:20 | 0:20:21 | |
Doctor! | 0:20:22 | 0:20:23 | |
I never want to speak to you again. | 0:20:30 | 0:20:31 | |
MACHINE BLEEPS RAPIDLY | 0:20:31 | 0:20:35 | |
I'll go. | 0:20:35 | 0:20:36 | |
Georgiana, wait! | 0:20:37 | 0:20:38 | |
Josephina, wait! | 0:20:40 | 0:20:42 | |
Hey, Roman, wait for me, boy! | 0:20:44 | 0:20:46 | |
Wait... What about our triple bypass surgery? | 0:20:46 | 0:20:50 | |
Hey, babe. | 0:20:51 | 0:20:53 | |
Oh, my God. Adrian, is that you? | 0:21:02 | 0:21:04 | |
I almost didn't recognise you there for a minute. | 0:21:06 | 0:21:09 | |
It's me, Sarah. | 0:21:09 | 0:21:11 | |
From that night in the pub, remember? | 0:21:11 | 0:21:13 | |
You're not stalking me, are you? Only joking. | 0:21:13 | 0:21:17 | |
No, seriously, it's good to see you again, actually. God, what was it? | 0:21:17 | 0:21:21 | |
Six months ago? I don't know - something like that, anyway. | 0:21:21 | 0:21:24 | |
Yeah, no, my office is just round the corner so, er... | 0:21:24 | 0:21:28 | |
Did I tell you I'm a lawyer? I can't remember. Probably did. | 0:21:28 | 0:21:31 | |
Yeah, and it's quite a big firm, actually, | 0:21:31 | 0:21:33 | |
so, er, got a really good reputation, so I'm just going to stick with it | 0:21:33 | 0:21:36 | |
for now and then weigh up my options in a couple of years. | 0:21:36 | 0:21:39 | |
See how I feel. Now I'm waffling. Oh, no - it's official. | 0:21:39 | 0:21:42 | |
Yeah, no, cos didn't you come back to mine or something? | 0:21:42 | 0:21:47 | |
I can't really remember, it was that long ago. | 0:21:47 | 0:21:49 | |
Well, six months ago, so not THAT long ago. | 0:21:49 | 0:21:51 | |
God, that was a big night. Total mayhem. | 0:21:51 | 0:21:54 | |
And then you sort of stayed at mine for, like, the whole weekend. | 0:21:54 | 0:21:57 | |
And didn't we watch... Didn't we watch Born Free together, or something? | 0:21:57 | 0:22:00 | |
A bit random. I probably cried, did I? | 0:22:00 | 0:22:02 | |
And then - what was it - you left, and then never called me again, | 0:22:02 | 0:22:06 | |
even though you said you would. Blah-blah-blah. | 0:22:06 | 0:22:09 | |
Not that it matters, cos it was a one-night stand, so... | 0:22:09 | 0:22:11 | |
Well, two night-stand, actually. Yeah, no, it's a shame | 0:22:11 | 0:22:14 | |
you didn't let me know where I stood, though, cos I've sort of been | 0:22:14 | 0:22:16 | |
in limbo for half a year, wondering whether or not to pursue other men, | 0:22:16 | 0:22:19 | |
because I thought you and me had a connection. | 0:22:19 | 0:22:21 | |
Anyway, listen, I'm going to be late for work so, er... | 0:22:23 | 0:22:27 | |
I guess I'll see you around, sailor. | 0:22:27 | 0:22:30 | |
I meant soldier, not sailor, | 0:22:38 | 0:22:39 | |
cos you're not a sailor so that doesn't make sense. | 0:22:39 | 0:22:42 | |
Anyway, take care of yourself. | 0:22:42 | 0:22:45 | |
VOICES TALKING OVER EACH OTHER | 0:22:52 | 0:22:56 | |
Ma'am, we've got Agent Green on the line. She's made it into the mainframe but she needs some help. | 0:22:56 | 0:23:00 | |
Right. Put her on speaker. Agent Green? | 0:23:00 | 0:23:03 | |
'Chief, chief - we have a code red. | 0:23:03 | 0:23:05 | |
'I've managed to infiltrate section four, | 0:23:05 | 0:23:07 | |
'but they've rigged the place with a complex explosive. | 0:23:07 | 0:23:10 | |
'We've got 73 seconds until this place blows. How do I disarm the bomb?' | 0:23:10 | 0:23:13 | |
Right, keep calm, Agent Green. Get me some visuals. | 0:23:13 | 0:23:15 | |
Everyone else, I need silence. | 0:23:15 | 0:23:17 | |
There's a damn good operative there we need bringing back alive. OK... | 0:23:17 | 0:23:20 | |
Elegant, very elegant. | 0:23:20 | 0:23:23 | |
Agent Green, I want you to do exactly as I tell you - | 0:23:23 | 0:23:25 | |
that way we'll bring you back with all your bits intact. | 0:23:25 | 0:23:27 | |
-I'm all ears, ma'am. -Good. | 0:23:27 | 0:23:29 | |
Now, remove the casing, slide your left hand down the right-hand side. | 0:23:29 | 0:23:33 | |
OK, good. | 0:23:33 | 0:23:34 | |
No, don't touch the electricals - it's a very delicate mechanism. | 0:23:34 | 0:23:37 | |
-Done, ma'am! -Good. | 0:23:37 | 0:23:38 | |
Now, I want you to quickly move the... The... You know, the thingy. | 0:23:38 | 0:23:44 | |
-The fuse? -No, God, don't touch that. | 0:23:44 | 0:23:46 | |
-The chemical capsule? -No, it's, um, it's greeny-blue... | 0:23:46 | 0:23:49 | |
-There's nothing green here, ma'am. -Gosh. Um... OK. What's it called? | 0:23:49 | 0:23:53 | |
Um... Um. Oh, I know - it rhymes with, um, with what's-his-face. | 0:23:53 | 0:23:57 | |
-What's-his-face? -You know. The one from that film, um... | 0:23:57 | 0:23:59 | |
I think Daryl Hannah strangles him with her thighs, or something. | 0:23:59 | 0:24:02 | |
-She's either a mermaid... -Oh, Splash? -..or a robot? -Blade Runner? -Yes! | 0:24:02 | 0:24:06 | |
-Yes. -Harrison Ford? It rhymes with Harrison Ford? -No, wait, what? | 0:24:06 | 0:24:09 | |
-I'm going to need to push you for an answer, ma'am - we've got 50 seconds! -Is he the sexy one in Jurassic Park? | 0:24:09 | 0:24:14 | |
-Oh, Sam Neill? -40 seconds! I'm going to make a guess, ma'am! -Oh, no, | 0:24:14 | 0:24:17 | |
don't - you'll detonate it. It's got either a Y in it, or a G. | 0:24:17 | 0:24:20 | |
I tell you what - I'll Google it. Load up the old Nokia. | 0:24:20 | 0:24:24 | |
-Ma'am, it'll blow the place to pieces. -Gosh, that is so like me. | 0:24:24 | 0:24:27 | |
Tip of my tongue. | 0:24:27 | 0:24:28 | |
If you don't give me this word in the next six seconds... | 0:24:28 | 0:24:31 | |
-Pretty Woman! He was in Pretty Woman! -Richard Gere! -Yes! | 0:24:31 | 0:24:35 | |
Thank you. Right, the rear rotor arm, that's it - the rear rotor arm! | 0:24:35 | 0:24:38 | |
Slide it back under the optical cross-connect switch | 0:24:38 | 0:24:40 | |
and disconnect the red wire from the detonator. | 0:24:40 | 0:24:43 | |
Weapon neutralised, ma'am! | 0:24:43 | 0:24:44 | |
Good work, Agent Green. Didn't doubt you for a second. | 0:24:44 | 0:24:48 | |
Now get yourself out of there. I don't want another one of my agents | 0:24:48 | 0:24:51 | |
turned into a terrorist windsock. | 0:24:51 | 0:24:53 | |
Understood, ma'am! | 0:24:53 | 0:24:54 | |
I just need the code for the door! | 0:24:55 | 0:24:57 | |
BEEPING Ma'am? | 0:24:57 | 0:25:00 | |
BEEPING CONTINUES | 0:25:00 | 0:25:02 | |
I want to say Celine Dion... | 0:25:02 | 0:25:04 | |
SAMBA MUSIC | 0:25:05 | 0:25:08 | |
MUSIC STOPS | 0:25:12 | 0:25:13 | |
DIFFERENT SAMBA MUSIC IN DISTANCE | 0:25:13 | 0:25:16 | |
ORIGINAL MUSIC STARTS | 0:25:16 | 0:25:19 | |
MUSIC STOPS | 0:25:23 | 0:25:25 | |
OTHER MUSIC INTENSIFIES | 0:25:25 | 0:25:27 | |
ORIGINAL MUSIC STARTS | 0:25:27 | 0:25:30 | |
MUSIC STOPS | 0:25:34 | 0:25:35 | |
OTHER MUSIC PLAYS | 0:25:35 | 0:25:36 | |
ORIGINAL MUSIC STARTS | 0:25:36 | 0:25:38 | |
OTHER MUSIC PLAYS | 0:25:38 | 0:25:41 | |
BOTH MELODIES PLAY OVER EACH OTHER | 0:25:41 | 0:25:45 | |
MUSIC STOPS | 0:25:47 | 0:25:49 | |
BOTH MELODIES PLAY OVER EACH OTHER | 0:25:52 | 0:25:56 | |
Thank you for coming so quickly(!) | 0:26:26 | 0:26:27 | |
I don't know what's wrong. It just sort of... | 0:26:27 | 0:26:30 | |
Oh, great(!) Just my luck. | 0:26:30 | 0:26:34 | |
Are you OK? You're not hurt or anything? | 0:26:34 | 0:26:36 | |
Just thought I'd get a priority service, what with being a woman, on my own. | 0:26:36 | 0:26:39 | |
Well, we're here within 30 minutes as promised, so... | 0:26:39 | 0:26:42 | |
I thought at least they'd send a...man. | 0:26:42 | 0:26:43 | |
Never mind. PC gone mad. | 0:26:43 | 0:26:47 | |
-Let's take a look at the engine, shall we? -Finally - thank you(!) | 0:26:47 | 0:26:50 | |
I don't mean to be rude - we're not here to chat about chocolate and shoes. | 0:26:50 | 0:26:54 | |
OK, Looks like you've got air trapped in the coolant lines. | 0:26:54 | 0:26:57 | |
The whole system's overheated. | 0:26:57 | 0:26:58 | |
Oh, right. I'll call my husband. He'll give us a second opinion. | 0:26:58 | 0:27:01 | |
Well, the car's done about 70,000 miles, so that's spot-on for a blown head gasket. | 0:27:01 | 0:27:05 | |
Darling? Yes, the breakdown man's here, only, well - you talk to HER. | 0:27:05 | 0:27:10 | |
Tell him what you think's wrong - he'll be able to help. | 0:27:10 | 0:27:12 | |
OK... | 0:27:13 | 0:27:14 | |
Hello? | 0:27:14 | 0:27:16 | |
Right, yeah, I see. OK, thank you, bye. | 0:27:16 | 0:27:21 | |
What did he say? | 0:27:21 | 0:27:22 | |
He said he's a primary school teacher and doesn't know | 0:27:22 | 0:27:24 | |
a thing about cars, so you should just leave it to the experts. | 0:27:24 | 0:27:27 | |
So when are they getting here? | 0:27:27 | 0:27:30 | |
OK, I'm just going to, er, call the tow truck, | 0:27:30 | 0:27:33 | |
get you off to a garage. | 0:27:33 | 0:27:35 | |
Calling for backup - at last. | 0:27:35 | 0:27:37 | |
Hello. Yeah, I need a tow truck. | 0:27:37 | 0:27:39 | |
Honestly. | 0:27:41 | 0:27:43 | |
Oh, no?! | 0:27:45 | 0:27:47 | |
Right... | 0:27:47 | 0:27:48 | |
Let's get it on the truck. | 0:27:51 | 0:27:52 | |
This is... This is ridiculous! | 0:27:52 | 0:27:53 | |
You can't possibly... You're a...woman! | 0:27:53 | 0:27:56 | |
I'm going to flag down some proper help. | 0:27:57 | 0:28:00 | |
Mind the road! | 0:28:00 | 0:28:01 | |
Can I get some proper hel... | 0:28:01 | 0:28:03 | |
TYRES SCREECH | 0:28:03 | 0:28:05 | |
God? | 0:28:11 | 0:28:12 | |
Welcome. | 0:28:13 | 0:28:15 | |
Oh, you've got to be kidding me?! | 0:28:15 | 0:28:18 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 |