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Ta-da! What do you think? | 0:00:22 | 0:00:24 | |
-Erm... -What? Too short? | 0:00:24 | 0:00:27 | |
Too dressy? What, too fussy? | 0:00:27 | 0:00:29 | |
-Erm... -Not my colour? Not with my skin tone? | 0:00:29 | 0:00:32 | |
-Mmm... -Too tight? Bit cleavage-y? | 0:00:32 | 0:00:35 | |
-Not cleavage-y enough? -Mmm... | 0:00:35 | 0:00:37 | |
Too last year? Too "Hello, boys"? | 0:00:37 | 0:00:39 | |
-Too big? -Mmm. | 0:00:39 | 0:00:41 | |
Too cheap? Too young? | 0:00:41 | 0:00:43 | |
-Too see-through? -Erm... | 0:00:43 | 0:00:45 | |
-Gives me pancake bum? -Mmm. | 0:00:45 | 0:00:47 | |
-Too "I bought this from a tranny shop"? -Erm... | 0:00:47 | 0:00:49 | |
-A bit too "This old thing? I just threw it on," when I blatantly didn't? -Erm... | 0:00:49 | 0:00:52 | |
-A bit too "Hey, I got a Mad Men box set and Peggy's my favourite character?" -Mmm. | 0:00:52 | 0:00:56 | |
Too "I run a shop selling overpriced candles?" | 0:00:56 | 0:00:58 | |
-Too "Don't look at me, but do look at me, but don't look at me"? -Mmm. | 0:00:58 | 0:01:02 | |
-Too "I'm a high-class prostitute but not high enough"? -Mmm. | 0:01:02 | 0:01:04 | |
-Too "I'm a sportswoman collecting an award"? -Erm... | 0:01:04 | 0:01:07 | |
-Too "I was dressed by the Romanian Gok Wan"? -Mmm. | 0:01:07 | 0:01:10 | |
Too "My mother dressed me until I was 24 and I'm stuck in the '80s | 0:01:10 | 0:01:13 | |
"and I'd rather be wearing a school uniform because it was always so much simpler then"? | 0:01:13 | 0:01:17 | |
This dress is repellent! It's disgusting, I look... | 0:01:17 | 0:01:19 | |
I look like Hitler! | 0:01:19 | 0:01:21 | |
Oh, my God! | 0:01:21 | 0:01:22 | |
I thought it looked all right. | 0:01:25 | 0:01:27 | |
So, first of all, I'd like to thank you so much | 0:01:28 | 0:01:30 | |
for taking the time to meet with me today. | 0:01:30 | 0:01:33 | |
I'd like to begin, if I may, with a brief outline of my business proposal. | 0:01:33 | 0:01:38 | |
-Sure, yes, go ahead. -By all means. | 0:01:38 | 0:01:39 | |
Thank you so much. | 0:01:39 | 0:01:41 | |
So, basically, as you can see, | 0:01:46 | 0:01:49 | |
my business is a global international business | 0:01:49 | 0:01:52 | |
which specialises in the knowledge diversification of strategic market sustainability manoeuvres | 0:01:52 | 0:01:57 | |
whilst simultaneously maximising corporate profitability expenditures. | 0:01:57 | 0:02:01 | |
Right, yeah. | 0:02:04 | 0:02:06 | |
So, moving on, if I may, | 0:02:06 | 0:02:08 | |
we are looking to implement core competence across all subdivisions | 0:02:08 | 0:02:12 | |
to enable us to optimise capital realisation strategies going forward | 0:02:12 | 0:02:16 | |
so that in the next five years... | 0:02:16 | 0:02:18 | |
COMPUTER BEEPS | 0:02:18 | 0:02:20 | |
COMPUTER BEEPS | 0:02:21 | 0:02:22 | |
..we will be the leading business provider of robust fusion solutionabilities | 0:02:23 | 0:02:27 | |
in both the global and international markets. | 0:02:27 | 0:02:32 | |
OK, yeah, sure. | 0:02:32 | 0:02:33 | |
Which is why I'm looking for a financial investment | 0:02:33 | 0:02:36 | |
funding injection package of £10 million. | 0:02:36 | 0:02:40 | |
COMPUTER BEEPS | 0:02:40 | 0:02:42 | |
So, what is it the company does? It's a global...? | 0:02:43 | 0:02:47 | |
Global international business, that's correct, yes. | 0:02:47 | 0:02:49 | |
Which is...? | 0:02:49 | 0:02:51 | |
Which is a business that is both global and international. | 0:02:51 | 0:02:55 | |
So, say we were to invest the 10 million, | 0:02:56 | 0:02:59 | |
what sort of return could we expect over the first 12 months? | 0:02:59 | 0:03:03 | |
Sure. You'd be looking at a strategic profitability influx margin | 0:03:03 | 0:03:07 | |
of between 200 to £210 million. | 0:03:07 | 0:03:13 | |
COMPUTER BEEPS | 0:03:13 | 0:03:14 | |
Sorry, just to be totally clear, the company, it's, it's a...? | 0:03:15 | 0:03:19 | |
Sure, so, it's a global international business | 0:03:19 | 0:03:22 | |
which diversifies outgoing growth potential knowledge projections | 0:03:22 | 0:03:26 | |
to increase its strategic sustainability margins, mmm. | 0:03:26 | 0:03:30 | |
Sorry, what is it? Sustainability diversification...? | 0:03:31 | 0:03:35 | |
Knowledge diversification projections, yes. | 0:03:35 | 0:03:38 | |
Richard? | 0:03:39 | 0:03:41 | |
Erm, where's the company based? | 0:03:41 | 0:03:44 | |
It's a globally-based company. | 0:03:44 | 0:03:46 | |
On this globe, for example, where exactly would you say it's based? | 0:03:46 | 0:03:50 | |
Mmm, well, it's probably easier to say where it isn't based | 0:03:50 | 0:03:53 | |
than where it is based. | 0:03:53 | 0:03:55 | |
-So, where isn't it based, then? -Globally speaking? -Yeah. | 0:03:55 | 0:03:58 | |
Luxembourg. | 0:03:58 | 0:04:00 | |
DANCE MUSIC PLAYS | 0:04:02 | 0:04:05 | |
# You cast a spell on me Spell on me | 0:04:13 | 0:04:15 | |
# You hit me like the sky fell on me Fell on me | 0:04:15 | 0:04:19 | |
# And I decided you look well on me Well on me... # | 0:04:19 | 0:04:23 | |
Tamara, can I have a word with you, please? | 0:04:23 | 0:04:25 | |
I'm just having a dance. | 0:04:25 | 0:04:27 | |
Toilets, Tamara. Now. | 0:04:27 | 0:04:29 | |
-What's going on? -What do you mean? | 0:04:36 | 0:04:39 | |
Do you like that bloke? | 0:04:39 | 0:04:40 | |
That bloke on the dance floor? Yeah, he was nice. | 0:04:40 | 0:04:42 | |
-What about Nathan? -What about Nathan? | 0:04:42 | 0:04:45 | |
You and Nathan have only just split up | 0:04:45 | 0:04:46 | |
and you're already dancing up next to some random. | 0:04:46 | 0:04:48 | |
-Nathan split up with me, Emma. -Emma, I don't... | 0:04:48 | 0:04:51 | |
-Stay out of this, Lise. -Right. | 0:04:51 | 0:04:52 | |
Right, the thing about me is, yeah, I'm a really honest person. | 0:04:52 | 0:04:55 | |
-She is. -So I'm not going to pretend you're not coming off really easy, | 0:04:55 | 0:04:58 | |
cos I can't lie to you. And I'm sorry if that upsets you, | 0:04:58 | 0:05:00 | |
but I'm not going to not tell the truth, cos I just can't do that, | 0:05:00 | 0:05:03 | |
-cos this is who I am. -That's who she is. | 0:05:03 | 0:05:05 | |
I'm sorry, but I'm not going to change who I am for no-one, | 0:05:05 | 0:05:07 | |
-so don't ask me to cos I won't do it. -Deal with it. | 0:05:07 | 0:05:09 | |
Cos I'm a really honest person and that's just who I am. | 0:05:09 | 0:05:11 | |
Just like I'm not going to stand here and be all two-faced | 0:05:11 | 0:05:14 | |
-and say you look nice in that dress... -Don't. | 0:05:14 | 0:05:16 | |
..when what you actually look like is a massive fat banana. | 0:05:16 | 0:05:19 | |
-You really do. -And I'm sorry if that upsets you but I've gotta be myself, yeah, | 0:05:19 | 0:05:22 | |
-cos I'm a really honest person. -She is. | 0:05:22 | 0:05:24 | |
And if you don't like that, then I'm sorry, | 0:05:24 | 0:05:26 | |
but I ain't never going to not be myself because then I'd be lying to myself, and I can't do that, | 0:05:26 | 0:05:30 | |
-cos I'm a really honest person and that's just who I am. -That's just who she is. | 0:05:30 | 0:05:33 | |
I think that's enough now, guys. | 0:05:33 | 0:05:35 | |
By the way, Lisa slept with Nathan while you were at your nan's. | 0:05:41 | 0:05:45 | |
Don't worry about it, Lise, he'd slept with half of Romford by the time he got to you. | 0:05:47 | 0:05:51 | |
Just got to be honest, haven't you? | 0:05:53 | 0:05:55 | |
Absolutely. | 0:05:55 | 0:05:57 | |
Oh, thank goodness you've come. | 0:06:13 | 0:06:15 | |
We do what we can. | 0:06:15 | 0:06:17 | |
Can I get you a cup of tea? | 0:06:18 | 0:06:20 | |
I'll get these bad boys down first. Where are the Jerries? | 0:06:20 | 0:06:24 | |
Oh, er, the mice? Erm, well, they're over there. | 0:06:25 | 0:06:28 | |
Cupboard by the cooker. | 0:06:28 | 0:06:30 | |
-So, what now? -Now... | 0:06:41 | 0:06:45 | |
we wait. | 0:06:45 | 0:06:47 | |
So, is it a good time for pest control? | 0:06:50 | 0:06:52 | |
I can't talk about that, Madam. | 0:06:52 | 0:06:54 | |
OK. | 0:06:54 | 0:06:55 | |
TRAP SNAPS, MOUSE SQUEAKS | 0:06:57 | 0:06:58 | |
Oh, God, there it goes. | 0:06:58 | 0:07:00 | |
SHE EXHALES | 0:07:00 | 0:07:01 | |
-Are you all right? -Yeah, no, I'm fine. | 0:07:01 | 0:07:04 | |
TRAP SNAPS, MOUSE SQUEAKS | 0:07:04 | 0:07:06 | |
Gah! | 0:07:06 | 0:07:07 | |
Are you sure you're all right? | 0:07:10 | 0:07:11 | |
Yeah, nope, you think you get used to it, and... | 0:07:11 | 0:07:13 | |
TRAP SNAPS, MOUSE SQUEALS | 0:07:13 | 0:07:15 | |
Oh! | 0:07:15 | 0:07:16 | |
Look, is there something I can get you? | 0:07:16 | 0:07:18 | |
No, it's, erm... It's just that, erm... | 0:07:18 | 0:07:22 | |
Killing things is the part of the job that I hate, so... | 0:07:22 | 0:07:25 | |
Isn't that the main part of the job? | 0:07:25 | 0:07:27 | |
Yeah, which is what makes it very, very hard. | 0:07:27 | 0:07:30 | |
I love the other stuff, so... | 0:07:30 | 0:07:33 | |
The uniform, the people, the smell of rodenticide in the morning. | 0:07:33 | 0:07:37 | |
-Just not the poisoning of the rodents. -Yeah. | 0:07:37 | 0:07:40 | |
Someone's son, someone's daughter, you know? | 0:07:40 | 0:07:42 | |
Not really... | 0:07:42 | 0:07:43 | |
TWO TRAPS SNAP | 0:07:43 | 0:07:45 | |
SHE SIGHS | 0:07:47 | 0:07:49 | |
That's a mummy and a daddy, and two babies. | 0:07:49 | 0:07:51 | |
Oh, that's a shame. | 0:07:51 | 0:07:53 | |
All right, give me a minute. | 0:07:53 | 0:07:54 | |
SHE EXHALES | 0:07:55 | 0:07:57 | |
May God have mercy on us all. | 0:07:59 | 0:08:02 | |
-RADIO: -"Next up, that 1985 hit from Falco, Rock Me Amadeus." | 0:08:09 | 0:08:14 | |
# Rock me all the time to the top | 0:08:15 | 0:08:18 | |
# Er war ein Punker Und er lebte in der grossen Stadt | 0:08:18 | 0:08:20 | |
# Es war Wien war Vienna Wo er alles tat | 0:08:20 | 0:08:23 | |
# Er hatte Schulden denn er trank Doch ihn liebten alle Frauen | 0:08:23 | 0:08:26 | |
# Und jede rief Come and rock me Amadeus | 0:08:26 | 0:08:29 | |
# Er war Superstar Er war popular | 0:08:29 | 0:08:31 | |
# Er war so exaltiert Because er hatte Flair | 0:08:31 | 0:08:34 | |
# Er war ein Virtuose War ein Rockidol | 0:08:34 | 0:08:37 | |
# Und alles rief Come on and rock me Amadeus | 0:08:37 | 0:08:39 | |
# Amadeus, Amadeus Amadeus | 0:08:39 | 0:08:42 | |
# Amadeus, Amadeus Amadeus... # | 0:08:42 | 0:08:45 | |
POLICE SIREN BLARES | 0:08:45 | 0:08:46 | |
# Oh, oh, oh, Amadeus | 0:08:46 | 0:08:49 | |
# Come on, rock me, Amadeus | 0:08:49 | 0:08:51 | |
# Amadeus, Amadeus Amadeus | 0:08:51 | 0:08:53 | |
# Amadeus, Amadeus Amadeus | 0:08:53 | 0:08:56 | |
# Amadeus, Amadeus Oh, oh, oh, Amadeus | 0:08:56 | 0:08:59 | |
# Hey! | 0:08:59 | 0:09:01 | |
# Es war um 1780 Und es war in Wien | 0:09:01 | 0:09:04 | |
# No plastic money any more Die Banken gegen ihn | 0:09:04 | 0:09:07 | |
# Woher die Schulden kamen War wohl jedermann bekannt | 0:09:07 | 0:09:10 | |
# Er war ein Mon der Frauen Frauen liebten seinen Punk | 0:09:10 | 0:09:12 | |
# Er war Superstar Er war so popular | 0:09:12 | 0:09:15 | |
# Er war so exaltiert Because er hatte Flair | 0:09:15 | 0:09:18 | |
# Er war ein Virtuose War ein Rockidol | 0:09:18 | 0:09:20 | |
# Und alles rief Come on and rock me Amadeus | 0:09:20 | 0:09:23 | |
# Amadeus, Amadeus Amadeus | 0:09:23 | 0:09:26 | |
# Amadeus, Amadeus Amadeus | 0:09:26 | 0:09:28 | |
# Amadeus, Amadeus Oh, oh, oh, Amadeus | 0:09:28 | 0:09:32 | |
# Come on, rock me, Amadeus... # | 0:09:32 | 0:09:34 | |
Oi! Denim. Crisp packet. | 0:09:34 | 0:09:36 | |
Bin. Now. | 0:09:36 | 0:09:39 | |
Lucky we were here. | 0:09:40 | 0:09:41 | |
Unbelievable. See that? | 0:09:41 | 0:09:43 | |
Good morning, Susan. | 0:09:47 | 0:09:49 | |
Ah, erm, er, yes. | 0:09:49 | 0:09:50 | |
I'll be with you in a second, er, Lord Blakely. | 0:09:50 | 0:09:53 | |
Right, so, vase, trifle, and china, so that's... | 0:09:53 | 0:09:58 | |
So, erm, where were we? | 0:09:58 | 0:10:00 | |
Um, er, yes, and a good morning to you, too, Lord Blakely! | 0:10:00 | 0:10:05 | |
Got there in the end, didn't we?! | 0:10:05 | 0:10:07 | |
I was just coming in to check they'd brought in my blue jasper? | 0:10:07 | 0:10:11 | |
Ah, 234 years she's been in the family. | 0:10:11 | 0:10:15 | |
What a beauty, eh? | 0:10:15 | 0:10:17 | |
Yes, the, er, the vase, that's on display. | 0:10:17 | 0:10:20 | |
Good. Right, well, Fiona Bruce is just outside in the courtyard. | 0:10:20 | 0:10:23 | |
I'll be bringing her in in a sec to take a look at it, | 0:10:23 | 0:10:26 | |
and I dare say she'll be wanting a taste of your delicious trifle, Susan. | 0:10:26 | 0:10:30 | |
Shan't be long. | 0:10:30 | 0:10:31 | |
Oh, er, yes, right. Fiona Bruce! Um... | 0:10:31 | 0:10:36 | |
Diane, we've got a code red celebrity situation happening down here, my love! | 0:10:38 | 0:10:42 | |
"Oh, hello, Mrs Bruce. | 0:10:45 | 0:10:48 | |
"Er, Miss Bruce. I mean, Ms Bruce. | 0:10:48 | 0:10:51 | |
"Hello, Fiona Bruce. Would you care for some trifle?" | 0:10:51 | 0:10:54 | |
That's all, er, set. | 0:10:57 | 0:10:59 | |
WASP BUZZES | 0:10:59 | 0:11:03 | |
BUZZING CONTINUES | 0:11:10 | 0:11:15 | |
What are you doing, wasp? | 0:11:18 | 0:11:21 | |
What are you doing? | 0:11:21 | 0:11:23 | |
BUZZING CONTINUES | 0:11:23 | 0:11:26 | |
BUZZING STOPS | 0:11:32 | 0:11:35 | |
Oh! | 0:11:38 | 0:11:39 | |
BUZZING RESUMES | 0:11:39 | 0:11:41 | |
Diane? | 0:11:41 | 0:11:44 | |
Can you come down, my love?! | 0:11:44 | 0:11:45 | |
BUZZING CONTINUES | 0:11:45 | 0:11:47 | |
BUZZING STOPS | 0:11:47 | 0:11:49 | |
BUZZING RESUMES | 0:11:49 | 0:11:51 | |
Ooh! | 0:11:53 | 0:11:55 | |
Diane, we've got an A-list sting potential | 0:11:55 | 0:11:58 | |
with Bruce in transit, my darlin'. | 0:11:58 | 0:12:01 | |
Susan, this is Fiona Bruce... | 0:12:05 | 0:12:07 | |
CHINA SMASHES | 0:12:13 | 0:12:14 | |
Bruce! | 0:12:14 | 0:12:16 | |
WASP BUZZES | 0:12:19 | 0:12:20 | |
HE YELLS, VASE SMASHES | 0:12:20 | 0:12:22 | |
My jasper! | 0:12:22 | 0:12:23 | |
BUZZING CONTINUES | 0:12:23 | 0:12:25 | |
BUZZING STOPS | 0:12:29 | 0:12:30 | |
Got ya, you bleeder! | 0:12:32 | 0:12:35 | |
Not you, Bruce. | 0:12:35 | 0:12:37 | |
DIANE! | 0:12:39 | 0:12:40 | |
RADIO: # It's everything about you You, you | 0:12:40 | 0:12:43 | |
BOTH: # Everything about you you, you | 0:12:43 | 0:12:47 | |
# It's everything that you do Do, do | 0:12:47 | 0:12:51 | |
# Everything about you... # | 0:12:51 | 0:12:54 | |
MUSIC CONTINUES | 0:12:56 | 0:12:59 | |
-Hey, Fi. -Hey, Bea. | 0:13:05 | 0:13:07 | |
-Hey, Melissa. -Hey, Clarissa. | 0:13:07 | 0:13:09 | |
Thank you for taking us to the concert, Mr Beckford. | 0:13:09 | 0:13:11 | |
It's my absolute pleasure, Melissa. | 0:13:11 | 0:13:14 | |
-Did you have a nice birthday? -Yah, I had a really nice birthday. | 0:13:14 | 0:13:18 | |
Do you want to see my presents? | 0:13:18 | 0:13:19 | |
Totally. | 0:13:19 | 0:13:20 | |
I got a One Direction pencil case. | 0:13:20 | 0:13:23 | |
That's nice. | 0:13:23 | 0:13:24 | |
I got a One Direction Velcro purse. | 0:13:24 | 0:13:27 | |
I like that. | 0:13:27 | 0:13:28 | |
I got a One Direction ringbinder. | 0:13:28 | 0:13:30 | |
That's nice. | 0:13:30 | 0:13:32 | |
I got a One Direction lunchbox. | 0:13:32 | 0:13:34 | |
I really like that. | 0:13:34 | 0:13:36 | |
I got a One Direction flask. | 0:13:36 | 0:13:38 | |
That's nice. | 0:13:38 | 0:13:39 | |
I got a One Direction hot water bottle. | 0:13:39 | 0:13:42 | |
I like that. I think it's really nice. | 0:13:42 | 0:13:45 | |
And I got a Take That calendar. | 0:13:45 | 0:13:48 | |
It's from my aunty Catherine. | 0:13:52 | 0:13:55 | |
She's, like, bipolar. | 0:13:55 | 0:13:58 | |
'I guess it was a night like any other. | 0:14:05 | 0:14:07 | |
'I was writing up a story about a district attorney who was living way beyond his means. | 0:14:07 | 0:14:11 | |
'He was waving more notes than a fat kid in gym class.' | 0:14:11 | 0:14:14 | |
Night, Ginger. | 0:14:16 | 0:14:17 | |
Good night, Joe. | 0:14:17 | 0:14:19 | |
'That's his yacht. Pretty, ain't she? | 0:14:19 | 0:14:21 | |
'And I guess the girl's not bad either. | 0:14:21 | 0:14:23 | |
'I had it all figured out. Just another DA on the take, | 0:14:23 | 0:14:25 | |
'another actress on the make. So far, so blah, right?' | 0:14:25 | 0:14:28 | |
Good night, Joe. | 0:14:28 | 0:14:29 | |
'Boy, could I be more wrong?' | 0:14:29 | 0:14:31 | |
'It was no good. I couldn't sleep. | 0:14:33 | 0:14:35 | |
'Something had gotten under my skin. Something in those photographs. | 0:14:35 | 0:14:38 | |
'Something stank like three-day-old fish. | 0:14:38 | 0:14:41 | |
'And it wasn't my three-day-old fish. | 0:14:41 | 0:14:43 | |
'I just had to take a closer look at those photographs.' | 0:14:44 | 0:14:47 | |
Hi, Joe. | 0:14:50 | 0:14:51 | |
'What was wrong with that picture? | 0:14:55 | 0:14:56 | |
'What was eating away at me like a piranha at a pool party?' | 0:14:56 | 0:14:59 | |
Come on, Ginger, you're looking at this all wrong. | 0:14:59 | 0:15:02 | |
'And then I saw it!' | 0:15:07 | 0:15:08 | |
My God! | 0:15:12 | 0:15:14 | |
'I had a grenade in my hand, and I'd pulled out the pin! | 0:15:15 | 0:15:17 | |
'I needed to call Joe, my editor, not Joe the photographer. | 0:15:17 | 0:15:20 | |
'Or Joe the cleaner.' | 0:15:20 | 0:15:21 | |
PHONE RINGS | 0:15:21 | 0:15:23 | |
It's 3am, Ginger! This better be good. | 0:15:23 | 0:15:26 | |
She has cellulite, Joe! I'm going to win the Pulitzer with this! | 0:15:28 | 0:15:32 | |
Forget it, Ginger! You're off the story. | 0:15:32 | 0:15:34 | |
I've had a tip-off the VP's selling nuclear secrets to the Chinese. | 0:15:34 | 0:15:37 | |
How's your Mandarin? | 0:15:37 | 0:15:38 | |
Put Jimmy on the Chinese nukes! An actress has orange peel skin! | 0:15:38 | 0:15:41 | |
Don't you see? | 0:15:41 | 0:15:42 | |
And I'm telling you now to drop it, Ginger! | 0:15:42 | 0:15:45 | |
People don't want to know about the physical | 0:15:45 | 0:15:47 | |
imperfections of the rich and famous! It just don't sell. | 0:15:47 | 0:15:49 | |
I remember when I was just a cub reporter working for an editor | 0:15:49 | 0:15:52 | |
who didn't care what would sell. | 0:15:52 | 0:15:54 | |
The only thing that editor cared about was the truth. | 0:15:54 | 0:15:57 | |
And the truth is an actress has got slightly bumpy thighs. | 0:15:57 | 0:16:00 | |
People need to know, Joe. Maybe not today, maybe not tomorrow, | 0:16:00 | 0:16:04 | |
but in three months' time while they're waiting for the dentist. | 0:16:04 | 0:16:07 | |
Goddamn it! I'm going to run this story! | 0:16:10 | 0:16:12 | |
Oh, you won't regret it, Joe! | 0:16:12 | 0:16:14 | |
Hold the front page! We're running with "Famous Lady Has Bumpy Thighs"! | 0:16:14 | 0:16:18 | |
Think I'll make a drink. | 0:16:22 | 0:16:24 | |
What do you want, Sal, tea or coffee? | 0:16:28 | 0:16:31 | |
Erm... | 0:16:31 | 0:16:33 | |
Sally Marshall. I'm from the future. Listen carefully. | 0:16:36 | 0:16:39 | |
We don't have much time. | 0:16:39 | 0:16:40 | |
The future of the planet lies in your hands. | 0:16:40 | 0:16:43 | |
You must choose tea. Do you understand? It's your destiny. | 0:16:43 | 0:16:47 | |
It's vitally important that you choose tea! I must go. | 0:16:47 | 0:16:50 | |
Choose tea. | 0:16:50 | 0:16:51 | |
Sal? Tea or coffee? | 0:16:55 | 0:16:57 | |
Er...tea, please, dad? | 0:16:59 | 0:17:01 | |
Oh, no, we're out of bags. | 0:17:01 | 0:17:04 | |
Do you want to pop to the shop, darlin'? | 0:17:05 | 0:17:07 | |
Don't worry about it, Dad, I'll just have a coffee. | 0:17:12 | 0:17:15 | |
Oh, well, thanks a lot, Sally Marshall. | 0:17:19 | 0:17:22 | |
Seriously. Thanks a... Argh! Laser in the face! | 0:17:24 | 0:17:29 | |
Actually, Dad, have you got a biscuit? | 0:17:34 | 0:17:36 | |
If you could marry one of One Direction, who would you marry? | 0:17:38 | 0:17:41 | |
I'd marry Niall. He's really nice. | 0:17:41 | 0:17:44 | |
Oh, he's so nice. | 0:17:44 | 0:17:45 | |
He's nice, isn't he? | 0:17:45 | 0:17:47 | |
Yeah, Niall's really nice. | 0:17:47 | 0:17:49 | |
I really like Niall. | 0:17:49 | 0:17:50 | |
Yeah, I really like Niall. I think he's really nice. | 0:17:50 | 0:17:53 | |
Yeah, I like Niall, but I also really like Liam. | 0:17:53 | 0:17:57 | |
ALL OTHERS: Really? Do you like Liam? | 0:17:57 | 0:18:00 | |
Literally. I think Liam's eyes are so nice. | 0:18:00 | 0:18:03 | |
Yeah. I really like Liam's left eye. | 0:18:03 | 0:18:06 | |
I like Liam's left eye, but I also really like Liam's right eye. | 0:18:06 | 0:18:11 | |
Yeah, he's got a really nice right eye, I really like it. | 0:18:11 | 0:18:15 | |
I'd marry Harry. | 0:18:15 | 0:18:16 | |
Oh, I really like Harry! | 0:18:16 | 0:18:18 | |
Yeah, I really like Harry. He's got really nice hair. | 0:18:18 | 0:18:21 | |
Yeah, his hair's so nice. | 0:18:21 | 0:18:23 | |
It's such nice hair. | 0:18:23 | 0:18:25 | |
-Yeah, he's got really nice hair. I really like it. -Yeah. | 0:18:25 | 0:18:28 | |
Do you not like Zayn's hair? | 0:18:29 | 0:18:31 | |
-Right! That's it! -CAR HORN BEEPS | 0:18:31 | 0:18:34 | |
It's like a part of me likes Zayn's hair | 0:18:40 | 0:18:43 | |
but another part of me doesn't like Zayn's hair. | 0:18:43 | 0:18:46 | |
ALL OTHERS: Totally. | 0:18:46 | 0:18:47 | |
Is there a story there, Ginger? Is there anything in it? | 0:18:50 | 0:18:52 | |
Oh, there's a story, Joe. There's a story all right. | 0:18:52 | 0:18:54 | |
You just need to know what you're looking for. Open your eyes! | 0:18:54 | 0:18:57 | |
There's a slight overhang on her waistband | 0:18:57 | 0:18:59 | |
like the top of a muffin - a muffin-top! | 0:18:59 | 0:19:01 | |
-Hold the front page! -Not so fast! | 0:19:01 | 0:19:03 | |
Bump muffin top to page four! This is dynamite! | 0:19:03 | 0:19:06 | |
Look at this famous man - he has small pockets of fat on his torso! | 0:19:06 | 0:19:09 | |
-He's got man-boobs! -Moobs? | 0:19:09 | 0:19:11 | |
I could kiss you, Joe! Now you're talking like a real newspaperman! | 0:19:11 | 0:19:15 | |
But wait! Bump moobs to page six! Look at this famous lady! | 0:19:15 | 0:19:19 | |
My God! | 0:19:19 | 0:19:20 | |
There's no clear demarcation where her calves end and her ankles begin! | 0:19:20 | 0:19:23 | |
She's got cankles! | 0:19:23 | 0:19:25 | |
Hold the front page! We're running with cankles! | 0:19:25 | 0:19:28 | |
Hello, girls. | 0:19:34 | 0:19:35 | |
Just letting you know that Mummy's stuck at work again, | 0:19:35 | 0:19:38 | |
so Mummy won't be home for bedtime tonight. | 0:19:38 | 0:19:41 | |
Will you hold the camera still? | 0:19:41 | 0:19:42 | |
-I'll give you a list of names in a minute, all right? -Hurry up! | 0:19:42 | 0:19:46 | |
That's Sergey. He's a baddie. | 0:19:46 | 0:19:48 | |
Hello! We're not baddies. We have legitimate aims. | 0:19:48 | 0:19:52 | |
No, they don't. | 0:19:52 | 0:19:53 | |
Oh! I like your pyjamas. Are they kittens? | 0:19:53 | 0:19:57 | |
-Don't tell him anything! -Ha-ha! | 0:19:57 | 0:19:59 | |
Right! Be good for Daddy. | 0:20:07 | 0:20:09 | |
And, Rosie, don't jump on the bed, all right? | 0:20:09 | 0:20:11 | |
Mummy will be home as soon as she can steal a helicopter. | 0:20:11 | 0:20:15 | |
Hello. I'm Denise May and welcome back to Treat Yourself TV. | 0:20:19 | 0:20:23 | |
Well, you've certainly been treating yourselves tonight | 0:20:23 | 0:20:26 | |
because the genuine multi-gemstone Flamingo Princess droplet earrings | 0:20:26 | 0:20:29 | |
with matching quartz studded Flamingo cameo has almost sold out. | 0:20:29 | 0:20:33 | |
Only 50,000 left in stock, so what are you waiting for? | 0:20:33 | 0:20:37 | |
Pick up the phone and treat yourselves. | 0:20:37 | 0:20:39 | |
Moving on to our next item, and here to present it is Lenora. | 0:20:39 | 0:20:43 | |
Hello, Lenora. | 0:20:43 | 0:20:45 | |
Oh! Hello, Denise. | 0:20:45 | 0:20:47 | |
So, I'm here today to introduce to you a brand-new product | 0:20:47 | 0:20:51 | |
that I'm so excited about, I really am. | 0:20:51 | 0:20:53 | |
So it's called the Globaliser, and basically | 0:20:54 | 0:20:57 | |
it's an international facilitating device that not only promotes | 0:20:57 | 0:21:01 | |
structural stability on multiple levels, but also distributes | 0:21:01 | 0:21:05 | |
independent strengthening functionalities... | 0:21:05 | 0:21:07 | |
globally speaking. | 0:21:07 | 0:21:09 | |
So, it's a kind of, erm... | 0:21:09 | 0:21:10 | |
well, it's, you know, the kind of thing you'd use | 0:21:10 | 0:21:13 | |
when, obviously, when you wanted to, erm... | 0:21:13 | 0:21:16 | |
-Globalise. That's correct, yes. -Great, great! | 0:21:16 | 0:21:18 | |
OK! Well, shall we take a look at it? I'm sure it will become clearer. | 0:21:18 | 0:21:21 | |
Absolutely. | 0:21:21 | 0:21:23 | |
So this is it. | 0:21:27 | 0:21:29 | |
And if I can just direct your optical organs to this global | 0:21:29 | 0:21:32 | |
accessibility display panel, | 0:21:32 | 0:21:35 | |
not only does it enable you to instigate key variables | 0:21:35 | 0:21:38 | |
of existing core manoeuvres, | 0:21:38 | 0:21:40 | |
but it also promotes intrinsic sensibility fluctuations, | 0:21:40 | 0:21:44 | |
on a global scale. | 0:21:44 | 0:21:46 | |
I don't know if you can see this at home actually, | 0:21:46 | 0:21:49 | |
but the detail on this is really rather special. | 0:21:49 | 0:21:52 | |
Just look at the finish here. And the shape. | 0:21:52 | 0:21:56 | |
It really is very unique indeed. | 0:21:56 | 0:21:58 | |
Lenora, talk us through it in a bit more detail. | 0:21:58 | 0:22:00 | |
What are we actually looking at here? | 0:22:00 | 0:22:03 | |
Well, it's very simple, Denise. | 0:22:03 | 0:22:05 | |
So, basically, this bit opens up like this, | 0:22:05 | 0:22:09 | |
and then you have your immobiliser there...and then of course | 0:22:09 | 0:22:13 | |
you have your flexibility accentuaters, | 0:22:13 | 0:22:16 | |
but then you have your standard global enhancement activators | 0:22:16 | 0:22:20 | |
here, | 0:22:20 | 0:22:22 | |
here, and thus. | 0:22:22 | 0:22:25 | |
And what's this bit? | 0:22:26 | 0:22:27 | |
That's the handle, Denise. | 0:22:27 | 0:22:29 | |
So that, for example, you can take it with you to work | 0:22:29 | 0:22:32 | |
or to the supermarket. | 0:22:32 | 0:22:34 | |
Lenora, where are our viewers most likely to use this? | 0:22:35 | 0:22:38 | |
Well, Denise, it can be used pretty much anywhere, | 0:22:38 | 0:22:40 | |
but personally I like to use it in my living room and at barbecues. | 0:22:40 | 0:22:45 | |
And how much will one of these set you back? | 0:22:47 | 0:22:50 | |
-Well, it usually retails at a price of six million pounds. -Oh! | 0:22:50 | 0:22:54 | |
But tonight, and for one night only, we have a special promotional offer | 0:22:54 | 0:22:59 | |
of just two million pounds. | 0:22:59 | 0:23:02 | |
-Gosh! So that's a saving of... -Just four million pounds, yes. | 0:23:02 | 0:23:07 | |
Well, I don't know about you at home, | 0:23:07 | 0:23:09 | |
but I can definitely see myself buying a Globaliser. | 0:23:09 | 0:23:12 | |
So why don't you? Come on. | 0:23:12 | 0:23:14 | |
Pick up the phone and treat yourself. | 0:23:14 | 0:23:16 | |
And, for a limited period only, | 0:23:16 | 0:23:17 | |
Lenora, tell us what you're giving away. | 0:23:17 | 0:23:20 | |
Well, Denise, with every purchase of the Globaliser, | 0:23:20 | 0:23:22 | |
we're giving away a free fibre dispersal catalyst | 0:23:22 | 0:23:26 | |
completely free of charge. | 0:23:26 | 0:23:27 | |
And that is a... | 0:23:30 | 0:23:31 | |
A hairbrush! Of course! | 0:23:32 | 0:23:34 | |
Well, that's me sold! | 0:23:34 | 0:23:36 | |
I'll tell you what, if I wasn't at work, I'd be buying myself a Globaliser right now. | 0:23:36 | 0:23:39 | |
You can have this one if you like, Denise. | 0:23:39 | 0:23:42 | |
Oh! I do like. Thank you very much! | 0:23:42 | 0:23:45 | |
See you after the break. | 0:23:45 | 0:23:47 | |
That's two million pounds, please. | 0:23:47 | 0:23:49 | |
-KNOCK AT DOOR -Come in! | 0:24:00 | 0:24:03 | |
Good morning, Prime Minister. | 0:24:03 | 0:24:05 | |
-No rest for the wicked, eh? -There's your morning schedule. | 0:24:05 | 0:24:08 | |
Thank you, Mark. | 0:24:08 | 0:24:09 | |
Mummy, Mummy, look! | 0:24:11 | 0:24:13 | |
Oh, that's lovely, darling. | 0:24:13 | 0:24:14 | |
HE MAKES LOUD NOISE | 0:24:14 | 0:24:16 | |
Don't forget it's your day to take the kids to school. | 0:24:16 | 0:24:20 | |
Mum, I think I drank too much chocolate milk. | 0:24:22 | 0:24:26 | |
Yes, well done, darling. That's today, is it? | 0:24:26 | 0:24:28 | |
Yes, it's on the calendar. | 0:24:28 | 0:24:30 | |
Oh, right, well, if it's on the calendar(!) | 0:24:30 | 0:24:32 | |
HE RETCHES | 0:24:32 | 0:24:34 | |
What is it you're doing again? | 0:24:36 | 0:24:38 | |
I'm pitching to the Swiss, first thing. | 0:24:38 | 0:24:40 | |
Right, yes, of course you are. | 0:24:40 | 0:24:42 | |
-See you later. -Yes. See you later. | 0:24:42 | 0:24:43 | |
Oh, God! I don't believe it. We're going to war! | 0:24:47 | 0:24:51 | |
What? | 0:24:51 | 0:24:53 | |
Yes, I've just had a text from the Foreign Secretary | 0:24:53 | 0:24:55 | |
and it looks like we're going to war, so I'm probably going to have to go in early, I'm afraid. | 0:24:55 | 0:24:59 | |
I didn't hear you get a text message. | 0:24:59 | 0:25:01 | |
No, well my phone is on silent so... | 0:25:01 | 0:25:03 | |
PHONE RINGS | 0:25:03 | 0:25:06 | |
Pushed the thingy by mistake there. | 0:25:06 | 0:25:08 | |
Looks like you're going to have to take the children to school. Sorry about that. | 0:25:08 | 0:25:11 | |
The Foreign Secretary told you we're going to war...in a text? | 0:25:11 | 0:25:15 | |
Yes, I should probably have a word with him about that, actually. | 0:25:15 | 0:25:18 | |
Bit unprofessional. | 0:25:18 | 0:25:20 | |
-Let me see it. -What? | 0:25:20 | 0:25:21 | |
Show me the text. | 0:25:21 | 0:25:22 | |
I can't. | 0:25:22 | 0:25:23 | |
It's...it's classified. | 0:25:23 | 0:25:25 | |
Show me the text or I'm going. | 0:25:25 | 0:25:27 | |
There - see? | 0:25:29 | 0:25:31 | |
Frances, are you pretending we've gone to war | 0:25:31 | 0:25:34 | |
so you don't have to take the kids to school? | 0:25:34 | 0:25:36 | |
Oh, my God, Jeff! How could you even think that? | 0:25:39 | 0:25:42 | |
You're right. I'm sorry. | 0:25:43 | 0:25:45 | |
Thank you. | 0:25:45 | 0:25:46 | |
Aha-ha-ha-ha-haa! | 0:25:54 | 0:25:55 | |
ALARM RINGS | 0:26:04 | 0:26:07 | |
I told you it was classified. | 0:26:14 | 0:26:16 | |
Bye, boys! Be good for Daddy. | 0:26:16 | 0:26:19 | |
Bye, darling! | 0:26:20 | 0:26:21 | |
# Hello | 0:26:27 | 0:26:29 | |
# I'd like to introduce myself to you | 0:26:29 | 0:26:33 | |
# I'm that girl from all those adverts | 0:26:33 | 0:26:35 | |
# That your boyfriend wishes he was married to | 0:26:35 | 0:26:39 | |
# I'm cute | 0:26:39 | 0:26:41 | |
# I sound just like a baby when I sing | 0:26:41 | 0:26:44 | |
# I can play the ukelele | 0:26:44 | 0:26:47 | |
# And do cartwheels in the rain, that's just my thing | 0:26:47 | 0:26:50 | |
# I wear dark-rimmed retro spectacles | 0:26:50 | 0:26:54 | |
# And ankle socks with brogues | 0:26:54 | 0:26:55 | |
# Now I'm rolling in a meadow in my girly vintage clothes | 0:26:55 | 0:27:00 | |
# That's right, I'm kooky girl | 0:27:00 | 0:27:03 | |
# And my favourite mode of transport | 0:27:03 | 0:27:05 | |
# Is a bicycle with a basket on the front | 0:27:05 | 0:27:10 | |
# For flowers and French baguettes | 0:27:10 | 0:27:12 | |
# Cos I'm a kooky girl | 0:27:12 | 0:27:15 | |
# Look, a fountain! Now I'm in it | 0:27:15 | 0:27:17 | |
# How original! Who can resist my quirky charms? | 0:27:17 | 0:27:22 | |
# Adorable, cutesy, nerdy # She's feminine and flirty | 0:27:22 | 0:27:26 | |
# Kooky girl | 0:27:26 | 0:27:28 | |
# If you need someone to advertise your bank or mobile phones | 0:27:30 | 0:27:35 | |
# Or your dating website needs more hits, we'll make it more well known | 0:27:35 | 0:27:40 | |
# Yes, we are kooky girls | 0:27:40 | 0:27:44 | |
# We're all over your TV | 0:27:44 | 0:27:46 | |
# Like Zooey Deschanel | 0:27:46 | 0:27:48 | |
# We're the quirky girl army # We're so non-threatening | 0:27:48 | 0:27:52 | |
# Men and women both love me | 0:27:52 | 0:27:54 | |
# We'll sell you anything | 0:27:54 | 0:27:56 | |
# Cos we look so flippin' twee... # | 0:27:56 | 0:27:59 | |
Right, what do you want? | 0:28:00 | 0:28:02 | |
We've got digital cameras, we've got perfumes, mortgage deals... | 0:28:02 | 0:28:05 | |
-Quick! It's the fuzz! -Laters. | 0:28:05 | 0:28:07 | |
POLICE SIREN WAILS | 0:28:10 | 0:28:13 | |
So the transmission is concluded but there is additional material | 0:28:42 | 0:28:46 | |
if you digitate the red protuberance, right now. | 0:28:46 | 0:28:50 | |
Push the red button for more. | 0:28:50 | 0:28:52 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:57 |