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APP NARRATOR: Welcome. You've made the right choice in downloading this Running Scared, | 0:00:20 | 0:00:26 | |
the motivational programme developed by qualified sports scientists | 0:00:26 | 0:00:29 | |
to get you running. | 0:00:29 | 0:00:30 | |
Are you ready? | 0:00:30 | 0:00:31 | |
OK, let's go! | 0:00:31 | 0:00:33 | |
So, let's start at nice, even pace, | 0:00:33 | 0:00:36 | |
just finding your rhythm before we... | 0:00:36 | 0:00:39 | |
Wait a minute. | 0:00:39 | 0:00:41 | |
What's that? Footsteps behind you, getting closer... | 0:00:41 | 0:00:44 | |
Oh, my God! Run! Run! Run! | 0:00:44 | 0:00:46 | |
There's a hit man behind you and he's armed! | 0:00:46 | 0:00:49 | |
He's going to take you out, he's going to take you out because you look like someone | 0:00:49 | 0:00:53 | |
who double-crossed the Mafia and the KGB! | 0:00:53 | 0:00:55 | |
GUNSHOT | 0:00:55 | 0:00:56 | |
-MALE VOICE: -Argh! I've been shot, I'm shot! | 0:00:56 | 0:00:59 | |
Don't look back! You have to get away! You have to run! | 0:00:59 | 0:01:03 | |
It's not safe! | 0:01:03 | 0:01:04 | |
You're dead meat, Emma! | 0:01:06 | 0:01:07 | |
-How do you know my name!? -You can't outrun him. | 0:01:07 | 0:01:10 | |
Your only chance is to hide, hide, hide! | 0:01:10 | 0:01:13 | |
Oh, thank God, you lost him! | 0:01:13 | 0:01:16 | |
And relax. | 0:01:16 | 0:01:18 | |
-Oh, no. -What is it?! | 0:01:18 | 0:01:21 | |
Oh, God! It's a massive swarm of killer bees! | 0:01:21 | 0:01:26 | |
And they're angry, Emma, they're angry with you! | 0:01:26 | 0:01:29 | |
BUZZING | 0:01:29 | 0:01:31 | |
Where are you going to go, what are you going to do?! | 0:01:32 | 0:01:35 | |
Congratulations. | 0:01:38 | 0:01:40 | |
You have burnt 12 calories. | 0:01:40 | 0:01:42 | |
26, 27, 28, 29, 30. | 0:01:53 | 0:01:57 | |
31, 32, 33, 34, 35, 36, 37, | 0:01:57 | 0:02:00 | |
-38, 39... -Excuse me? | 0:02:00 | 0:02:03 | |
54, 54, 56... | 0:02:03 | 0:02:05 | |
Sorry, I just... | 0:02:05 | 0:02:06 | |
I'll be with you in a second. Diane! | 0:02:06 | 0:02:09 | |
So, that's all fine, uh, there. | 0:02:09 | 0:02:13 | |
So, what am I doing? Uh, yes! | 0:02:15 | 0:02:17 | |
So, yes, I'm dealing with you. | 0:02:17 | 0:02:20 | |
How can I help you, young man? | 0:02:20 | 0:02:23 | |
It's just that I've got separated from my gran. | 0:02:23 | 0:02:26 | |
I was out in the maze and I think she might still be | 0:02:26 | 0:02:28 | |
in the agricultural exhibition in the great hall. | 0:02:28 | 0:02:31 | |
I see, so... Not a problem. | 0:02:31 | 0:02:35 | |
So... What am I doing? | 0:02:35 | 0:02:38 | |
Right! So I've done that, I've cashed up, so that's... | 0:02:38 | 0:02:41 | |
So I'll simply put out a message on the, uh, | 0:02:41 | 0:02:47 | |
on the, uh... Diane... On the, erm, Diane, love... intercom. | 0:02:47 | 0:02:52 | |
What's your gran's name? | 0:02:52 | 0:02:55 | |
Oh, Mrs Lawler. | 0:02:55 | 0:02:56 | |
Lawler. And you are? | 0:02:56 | 0:02:58 | |
David Baines. | 0:02:58 | 0:02:59 | |
Right, let's have a look for the, um... Lawler, Lawler, Lawler... | 0:02:59 | 0:03:03 | |
Law-ler, Lawler, Lawler... | 0:03:03 | 0:03:05 | |
Intercom. Right, so... | 0:03:05 | 0:03:09 | |
TANNOY FEEDBACK | 0:03:11 | 0:03:13 | |
Good after- good mor- um, hello. | 0:03:14 | 0:03:18 | |
Bit of a problem - if there's a Mrs Lawler in the, um... | 0:03:19 | 0:03:23 | |
..Mrs Lawler in the, um... Diane!? | 0:03:25 | 0:03:29 | |
Lawler in the great hall... | 0:03:29 | 0:03:33 | |
could you, um... What are you doing, Susan? | 0:03:33 | 0:03:37 | |
What are you up to? | 0:03:37 | 0:03:39 | |
Yes, that's it! | 0:03:39 | 0:03:41 | |
If there's a Mrs Lawler in the exhibition, um, | 0:03:41 | 0:03:44 | |
in the great hall, your, um... | 0:03:44 | 0:03:47 | |
What was it? Nephew or uncle? | 0:03:47 | 0:03:50 | |
Grandson. | 0:03:50 | 0:03:51 | |
That's it! | 0:03:51 | 0:03:52 | |
Where were we? Uh, yes. | 0:03:55 | 0:03:58 | |
So your grandson, David, | 0:03:58 | 0:04:01 | |
is here in the, um, where is he? | 0:04:01 | 0:04:05 | |
What are you doing, Susan? Where is he? | 0:04:05 | 0:04:08 | |
Yes, no, ticket office! | 0:04:08 | 0:04:11 | |
He's in the ticket office for collection... | 0:04:11 | 0:04:15 | |
Um, well, so actually you're now in the ticket office | 0:04:15 | 0:04:19 | |
here with me. | 0:04:19 | 0:04:23 | |
David is, is, is standing right next to you here, | 0:04:23 | 0:04:28 | |
so, uh... Thank you. | 0:04:28 | 0:04:32 | |
Thank you. We'll be off now. | 0:04:32 | 0:04:34 | |
Got there in the end, didn't we, Mrs Lawler?! Baines! | 0:04:34 | 0:04:37 | |
Lawler! | 0:04:37 | 0:04:39 | |
Honestly, how can you forget to take your own grandson with you? | 0:04:39 | 0:04:42 | |
Some people would forget their heads if they weren't screwed on properly. | 0:04:46 | 0:04:49 | |
Hi, Mike, hi, Veronica, Steve and Vicky here. | 0:04:53 | 0:04:56 | |
Just wanted to say we're running a little bit late, I'm afraid... | 0:04:56 | 0:04:59 | |
Why don't you just go without me? | 0:04:59 | 0:05:02 | |
We're just having a little bit of a wardrobe crisis, that's all. | 0:05:02 | 0:05:06 | |
The reason I'm having a wardrobe crisis | 0:05:06 | 0:05:08 | |
is because the outfit I bought specifically for today, | 0:05:08 | 0:05:11 | |
that cost me nearly £200, | 0:05:11 | 0:05:12 | |
actually makes my arms look like massive, fatty, bulging hams. | 0:05:12 | 0:05:15 | |
So if it's all right with you, Steve, | 0:05:15 | 0:05:17 | |
I'll just crack on here until I've found an outfit | 0:05:17 | 0:05:19 | |
that doesn't make me look like a sausage in a dress. | 0:05:19 | 0:05:21 | |
Oh, and for your information, | 0:05:21 | 0:05:23 | |
I'm pretty sure that Veronica will back me up on this - Hi, Veronica! | 0:05:23 | 0:05:26 | |
When a woman asks you how she looks, | 0:05:26 | 0:05:28 | |
you should try and come up with something more encouraging than "fine." | 0:05:28 | 0:05:32 | |
I didn't say you looked fine, I said you looked nice! | 0:05:32 | 0:05:35 | |
Do you see what I've to put up with? | 0:05:35 | 0:05:38 | |
I hate myself. | 0:05:38 | 0:05:40 | |
Hello. | 0:05:46 | 0:05:47 | |
You must be the new girl. I'm Alison. | 0:05:47 | 0:05:50 | |
Nice to meet you. I'm Megan. | 0:05:50 | 0:05:52 | |
Oh, I know who you are. | 0:05:52 | 0:05:53 | |
Sorry? | 0:05:53 | 0:05:55 | |
Here are the helpful elves, | 0:05:59 | 0:06:01 | |
helping others, not ourselves. | 0:06:01 | 0:06:03 | |
-Pardon? -It's OK. | 0:06:03 | 0:06:06 | |
Oh, um... | 0:06:06 | 0:06:09 | |
I'm one, too. | 0:06:09 | 0:06:10 | |
One what? | 0:06:10 | 0:06:12 | |
You're a Brownie. | 0:06:12 | 0:06:14 | |
So are you. | 0:06:14 | 0:06:16 | |
I used to be, but I left when I was like ten. | 0:06:16 | 0:06:18 | |
You didn't leave the Brownies. No-one leaves the Brownies. | 0:06:20 | 0:06:25 | |
Your moussaka's ready. | 0:06:25 | 0:06:26 | |
Oh, um... | 0:06:26 | 0:06:29 | |
Now's not the time but the time will come. | 0:06:29 | 0:06:32 | |
The time for what? | 0:06:32 | 0:06:34 | |
You might want to try that with Parmesan. I also have the cooking badge. | 0:06:34 | 0:06:38 | |
Listen, I... | 0:06:42 | 0:06:44 | |
Just tying my shoelace. | 0:06:47 | 0:06:50 | |
I'll see you around. | 0:06:50 | 0:06:52 | |
Someone's hungry. | 0:06:59 | 0:07:01 | |
Oi, you lot, keep it down! | 0:07:04 | 0:07:06 | |
Sorry, love, there's no sausages left. | 0:07:19 | 0:07:21 | |
Oh, right. | 0:07:24 | 0:07:26 | |
Oh, no. Off we go. | 0:07:30 | 0:07:33 | |
Oh, no. | 0:07:34 | 0:07:36 | |
-There's trouble. -Here it comes. | 0:07:36 | 0:07:38 | |
-Someone's off. -Hold your horses. | 0:07:38 | 0:07:40 | |
-There she is. -Don't you start. | 0:07:40 | 0:07:42 | |
-Watch it, you. -Oh, happy days. | 0:07:42 | 0:07:44 | |
What you got there, then, Pat? Peas and mash, is it? | 0:07:48 | 0:07:50 | |
That's right. | 0:07:50 | 0:07:52 | |
Oh, gone vegetarian, have you? | 0:07:52 | 0:07:53 | |
I've gone vegetarian. You gone vegetarian? | 0:07:53 | 0:07:56 | |
-Your guess is as good as mine. -I bet you do. -Oh! | 0:07:56 | 0:07:58 | |
BOTH: Oh, dear. | 0:08:00 | 0:08:02 | |
No, seriously Pat, that's all you're having, is it? | 0:08:02 | 0:08:06 | |
-Well, they ran out of sausages so... -Oh, right. Yeah. | 0:08:06 | 0:08:10 | |
I'm always last in line, see. | 0:08:10 | 0:08:12 | |
Yeah. | 0:08:12 | 0:08:14 | |
I miss meat. | 0:08:14 | 0:08:16 | |
Course you do, Pat. | 0:08:18 | 0:08:20 | |
Listen, this might be your lucky day. | 0:08:20 | 0:08:23 | |
Oh, my lucky day, is it? | 0:08:23 | 0:08:26 | |
Well, that'd be telling, | 0:08:26 | 0:08:29 | |
but keep it on the down low, yeah? | 0:08:29 | 0:08:31 | |
Sausage! I don't believe it. | 0:08:33 | 0:08:36 | |
You yanking my chain? | 0:08:36 | 0:08:38 | |
Not if I can help it. Tell you what, there'll be a very disappointed Terry | 0:08:38 | 0:08:42 | |
waiting for me back home. Mr Twinkles loves his scraps, he does. | 0:08:42 | 0:08:45 | |
But, well, I won't tell if you won't. | 0:08:45 | 0:08:47 | |
Well, I've got some transfers coming in from Broadmoor, so... | 0:08:49 | 0:08:51 | |
-Pat? -What? -I said I'd better go. | 0:08:51 | 0:08:54 | |
Oh yeah, yeah. | 0:08:54 | 0:08:56 | |
You might want to blow on that, it's been in my pocket. | 0:08:56 | 0:09:00 | |
Oh, right. | 0:09:00 | 0:09:02 | |
See you later, mischief. | 0:09:02 | 0:09:04 | |
Pat? | 0:09:04 | 0:09:06 | |
Oh, yeah, not if I see you first. | 0:09:06 | 0:09:08 | |
It takes two to tango! | 0:09:08 | 0:09:09 | |
That's what they all say! | 0:09:12 | 0:09:14 | |
Bon appetit, Pat. Bon appetit. | 0:09:14 | 0:09:17 | |
OK, hello, Veronica and Mike. | 0:09:19 | 0:09:22 | |
MOOING | 0:09:22 | 0:09:23 | |
What was that? | 0:09:23 | 0:09:26 | |
Did you hear that? | 0:09:26 | 0:09:28 | |
I did try to call but you're obviously busy getting married, | 0:09:28 | 0:09:32 | |
so not to worry. | 0:09:32 | 0:09:33 | |
It's just that I seem to have got a bit lost, actually. | 0:09:33 | 0:09:36 | |
So if you could you call me back if you get a mo, that'd be grand. | 0:09:36 | 0:09:41 | |
Obviously only if you get a chance, obviously. | 0:09:41 | 0:09:44 | |
It's just that I did follow the directions to the church | 0:09:44 | 0:09:47 | |
and I definitely went through Kent | 0:09:47 | 0:09:50 | |
but I must have taken a wrong turn somewhere | 0:09:50 | 0:09:53 | |
because I seem to have ended up in... | 0:09:53 | 0:09:56 | |
France. | 0:09:56 | 0:09:57 | |
Madame? 'Allo? | 0:09:59 | 0:10:00 | |
Yes, go away! | 0:10:00 | 0:10:02 | |
No, go away, thank you! | 0:10:02 | 0:10:05 | |
Bonjour, thank you. | 0:10:05 | 0:10:06 | |
I don't know if you can see this, erm... | 0:10:06 | 0:10:09 | |
Madame, 'allo, 'allo? | 0:10:09 | 0:10:12 | |
OK. If I'm not back in a week, then call the police. | 0:10:12 | 0:10:14 | |
GO AWAY, YOU DIRTY LITTLE MAN! | 0:10:14 | 0:10:16 | |
Time for your two o'clock meeting. | 0:10:21 | 0:10:22 | |
-What meeting? -Follow me. | 0:10:22 | 0:10:24 | |
Hello, Megan. | 0:10:37 | 0:10:39 | |
What is this? | 0:10:39 | 0:10:40 | |
I told you. No-one leaves the Brownies. | 0:10:40 | 0:10:42 | |
Our work goes on. | 0:10:46 | 0:10:48 | |
We make the office a better place, one good turn at a time. | 0:10:48 | 0:10:51 | |
Who do you think cleans up the cups every night? Sally. | 0:10:51 | 0:10:54 | |
She's got a covert washing-up badge. | 0:10:56 | 0:10:59 | |
Who do you think bakes the birthday cakes? Rachel. | 0:10:59 | 0:11:01 | |
She's got the baking birthday cakes badge. | 0:11:01 | 0:11:03 | |
Do you want me to go on? | 0:11:03 | 0:11:05 | |
Who does the toilets? | 0:11:05 | 0:11:06 | |
That's... Private contractors. But everything else is us. | 0:11:06 | 0:11:11 | |
Join us, Megan! Help us help the world! | 0:11:11 | 0:11:13 | |
This all sounds really great, but, erm, I think | 0:11:13 | 0:11:16 | |
you've got the wrong girl. | 0:11:16 | 0:11:18 | |
Walking away! Not exactly the Brownie way. | 0:11:18 | 0:11:22 | |
You swore an oath to do your best, to do your duty to God... | 0:11:22 | 0:11:26 | |
I was eight years old! | 0:11:27 | 0:11:29 | |
To serve the Queen. | 0:11:29 | 0:11:30 | |
-ALL: -To help other people and to keep the Brownie Guide law. | 0:11:30 | 0:11:35 | |
I can't, all right? | 0:11:35 | 0:11:37 | |
(Megan, what are you so scared of?) | 0:11:38 | 0:11:41 | |
That dress! I really hated that dress! | 0:11:41 | 0:11:45 | |
But it's the dress that gives the Brownies their power! | 0:11:47 | 0:11:50 | |
We wore this thing week in, week out | 0:11:50 | 0:11:52 | |
when we were at our most emotionally vulnerable. | 0:11:52 | 0:11:55 | |
But we survived. | 0:11:55 | 0:11:56 | |
(And we thrived.) | 0:11:56 | 0:11:58 | |
Brownies, we live in an age where no-one cares any more. | 0:11:59 | 0:12:03 | |
Help desks that don't help. | 0:12:03 | 0:12:05 | |
Good Samaritans that don't Samarit good! | 0:12:05 | 0:12:08 | |
Megan, it's time to take the Brownie Way out of the office | 0:12:08 | 0:12:12 | |
and into the streets. | 0:12:12 | 0:12:13 | |
It's time to do a good turn for the world! Are ya with me? | 0:12:14 | 0:12:17 | |
-Let's do this! -Yes! | 0:12:22 | 0:12:24 | |
-TOGETHER: -Brownies lend a hand! | 0:12:24 | 0:12:28 | |
Megan, you're up! Help that old lady carry her shopping across the street. | 0:12:34 | 0:12:38 | |
-Hey, do you need any help? -No, I'm fine, dear. | 0:12:39 | 0:12:42 | |
-Says she's fine. -What?! | 0:12:42 | 0:12:45 | |
She says she's all right, so... | 0:12:45 | 0:12:46 | |
-Why won't you let us help you? -No, I'm all right. | 0:12:51 | 0:12:53 | |
Just let us help you. Be much easier if you just let us help you! | 0:12:53 | 0:12:57 | |
No, thank you! | 0:12:57 | 0:12:59 | |
Be much easier! Why won't you let us help you?! | 0:12:59 | 0:13:02 | |
OLD WOMAN WHIMPERS AND CRIES OUT | 0:13:02 | 0:13:04 | |
Brownies lend a hand! | 0:13:14 | 0:13:15 | |
Brownies lend a hand! | 0:13:19 | 0:13:21 | |
Oi! Cyclist! | 0:13:24 | 0:13:26 | |
I'm going to help you! | 0:13:26 | 0:13:27 | |
I'm going to help you so good! | 0:13:27 | 0:13:29 | |
I'm not in a mood. I just want some fresh air, woman! God! | 0:13:31 | 0:13:36 | |
-'Allo, Rodg. -Oh, all right, Pete? | 0:13:36 | 0:13:38 | |
You all right, mate? | 0:13:42 | 0:13:43 | |
No, I'm not. Bloody livid. Second place, can you believe it!? | 0:13:43 | 0:13:48 | |
Bloody joke! Yeah, well they can take their second place | 0:13:48 | 0:13:51 | |
and shove it up their... | 0:13:51 | 0:13:53 | |
God! Son of a bitch! | 0:13:53 | 0:13:56 | |
And I don't know what you're staring at, either! | 0:13:59 | 0:14:01 | |
He's a Pug. That's just his eyes. | 0:14:01 | 0:14:04 | |
Yeah, well, that's inbreeding for you. | 0:14:04 | 0:14:06 | |
So who won, then? | 0:14:07 | 0:14:09 | |
Who do you think? John Pierre! | 0:14:09 | 0:14:11 | |
What, again?! | 0:14:11 | 0:14:13 | |
Shouldn't be allowed, mate. Coming over here, taking all our rosettes. | 0:14:13 | 0:14:17 | |
Bonjour! | 0:14:17 | 0:14:18 | |
Oh, all right, Jean Pierre? Well done, mate. I like your collar. | 0:14:18 | 0:14:23 | |
Ooh, Merci! | 0:14:23 | 0:14:24 | |
What? | 0:14:24 | 0:14:25 | |
"I like your collar"(!) | 0:14:25 | 0:14:27 | |
Well, I do like his collar! It's got all them sparkly bits on it. | 0:14:27 | 0:14:31 | |
Listen, I've been meaning to ask you. | 0:14:31 | 0:14:32 | |
you've been doing this for a while, right? | 0:14:32 | 0:14:35 | |
Dogs' years. Why? What's up? | 0:14:35 | 0:14:38 | |
Well, it's just that, sometimes, | 0:14:38 | 0:14:39 | |
when I'm on the judging table, the rosette guy sort of... | 0:14:39 | 0:14:42 | |
lifts up my tail and... | 0:14:42 | 0:14:43 | |
-You know. -Perfectly normal. | 0:14:44 | 0:14:46 | |
Oh, right. Good. I wasn't sure if I should be reporting that, or... | 0:14:46 | 0:14:50 | |
No, it's totally legit, mate. | 0:14:50 | 0:14:52 | |
Well, that's me. I suppose I better go and brush my fur. | 0:14:53 | 0:14:57 | |
Well, your looking good to me, mate. | 0:14:57 | 0:14:59 | |
Yeah, proper dogs bollocks. | 0:14:59 | 0:15:00 | |
Oh, sorry, mate. Sorry. | 0:15:00 | 0:15:03 | |
-No, you're all right. -Yeah. | 0:15:03 | 0:15:04 | |
How is it down there? Is it all healed up then? | 0:15:04 | 0:15:06 | |
Yeah, all good. Yeah, was a bit sore for a while, | 0:15:06 | 0:15:09 | |
had to wear a cone on me head to stop me nibbling at me... | 0:15:09 | 0:15:11 | |
-All right, mate. -Oh, sorry, mate. | 0:15:11 | 0:15:13 | |
Must be nervous. I talk a lot when I'm nervous. | 0:15:13 | 0:15:16 | |
Don't be nervous, mate! | 0:15:16 | 0:15:18 | |
Eh? Look at you! You're in your prime! Yeah. | 0:15:18 | 0:15:22 | |
You got great lines, lovely, wet nose. | 0:15:22 | 0:15:25 | |
I reckon you got it sewn up this year! | 0:15:25 | 0:15:27 | |
-Oh, sorry, mate, I didn't mean to... -No, you're all right. | 0:15:27 | 0:15:30 | |
-Thanks a lot. -Yeah. -Well, I'll see you later then. | 0:15:30 | 0:15:33 | |
Yeah. Don't forget. Balls of steel, yeah? | 0:15:33 | 0:15:36 | |
Oh, sorry, mate! | 0:15:36 | 0:15:39 | |
See you later...bud. | 0:15:39 | 0:15:41 | |
What? | 0:15:44 | 0:15:45 | |
Oh. | 0:15:47 | 0:15:49 | |
Hello, Adrian. I forgot you worked here. | 0:15:49 | 0:15:51 | |
So, | 0:15:51 | 0:15:53 | |
anything you want to tell me? No? | 0:15:53 | 0:15:55 | |
You don't want to tell me what happened last night? | 0:15:56 | 0:15:59 | |
Cos I thought you were coming to that after work drinks do | 0:15:59 | 0:16:02 | |
I told you about, remember? | 0:16:02 | 0:16:03 | |
Not that you said you'd come or anything, | 0:16:03 | 0:16:05 | |
I just presumed that you'd want to meet my friends given | 0:16:05 | 0:16:07 | |
that that would be the next logical step in our relationship. | 0:16:07 | 0:16:10 | |
I mean, I've met all your friends, Adrian. | 0:16:10 | 0:16:12 | |
Well, I say 'met', it was more of a wave, really, | 0:16:12 | 0:16:15 | |
cos they don't let members of the public past the gates. | 0:16:15 | 0:16:17 | |
But they can put a face to the name, which is more | 0:16:17 | 0:16:20 | |
than can be said for my friends, Adrian. | 0:16:20 | 0:16:22 | |
Adrian, I'm joking. Look, something came up. I get it. | 0:16:24 | 0:16:29 | |
Don't beat yourself up about it. There'll be other drinks dos. | 0:16:29 | 0:16:31 | |
It's not a big deal. | 0:16:31 | 0:16:33 | |
Although I did tell everyone you were going to be there, | 0:16:33 | 0:16:35 | |
so bit embarrassing for me when you didn't turn up. | 0:16:35 | 0:16:38 | |
Thanks a lot, Adrian! | 0:16:38 | 0:16:39 | |
Look. | 0:16:39 | 0:16:41 | |
All I'm saying is, | 0:16:42 | 0:16:44 | |
if this is going to work, you've got to let me in. | 0:16:44 | 0:16:47 | |
I can't get close to you if you don't let me in, Adrian. | 0:16:49 | 0:16:52 | |
Oh, God, why can't I quit you? | 0:16:52 | 0:16:55 | |
Adrian, no, no, no, no! | 0:16:55 | 0:16:59 | |
Haven't I been hurt enough? Hm? | 0:17:02 | 0:17:04 | |
I'm sorry it has to be this way, Adrian... | 0:17:04 | 0:17:07 | |
But it's over. | 0:17:07 | 0:17:08 | |
You know what that was, don't you? Our first fight. | 0:17:24 | 0:17:28 | |
Remember that for the wedding speech. | 0:17:28 | 0:17:31 | |
Can I have borrow some of your lip gloss? | 0:17:44 | 0:17:46 | |
-You like my lipgloss? -Yeah, it's really nice. | 0:17:46 | 0:17:49 | |
It's nice, isn't it? | 0:17:49 | 0:17:51 | |
Do you like my hat? | 0:17:51 | 0:17:53 | |
Yeah, I really like it. It's really nice. | 0:17:53 | 0:17:55 | |
BOYS: Hey. | 0:18:00 | 0:18:01 | |
-Hey. -Hey. | 0:18:01 | 0:18:04 | |
Shall we go in? | 0:18:15 | 0:18:17 | |
Yeah, we should totally go in. | 0:18:17 | 0:18:19 | |
Four tickets for Zombies Versus Woolly Mammoths, please. | 0:18:31 | 0:18:33 | |
You got ID? | 0:18:33 | 0:18:35 | |
No. | 0:18:35 | 0:18:36 | |
Well then, I can't let you in. (It's an 'R' rating.) | 0:18:36 | 0:18:40 | |
Oh, OK. Cool. | 0:18:40 | 0:18:44 | |
There is a film about to start in screen six, | 0:18:45 | 0:18:48 | |
Teenage Vampires In Love? | 0:18:48 | 0:18:50 | |
Do you want to go see Teenage Vampires In Love? | 0:18:51 | 0:18:54 | |
I don't know. Do you want to go see Teenage Vampires In Love? | 0:18:54 | 0:18:58 | |
I don't know. | 0:18:58 | 0:19:00 | |
Yeah. OK, whatever, sure. Four tickets. Thanks. | 0:19:08 | 0:19:13 | |
WOMAN IN FILM: 'Who are you?' | 0:19:17 | 0:19:19 | |
-MAN IN FILM: -'I'm... I'm a teenage vampire.' | 0:19:19 | 0:19:22 | |
-He's nice. -Yeah, he's really nice. | 0:19:23 | 0:19:26 | |
'I really like you, Ella.' | 0:19:33 | 0:19:35 | |
'I really like you too. Rupert.' | 0:19:36 | 0:19:39 | |
'Kiss me!' | 0:19:43 | 0:19:45 | |
'It's too dangerous!' | 0:19:45 | 0:19:47 | |
'I don't care! Kiss me!' | 0:19:47 | 0:19:49 | |
'Rupert, your teeth are growing!' | 0:20:02 | 0:20:05 | |
'I can't fight it! It's who I am!' | 0:20:05 | 0:20:08 | |
'Rupert! What are you doing?!' | 0:20:09 | 0:20:12 | |
'Oh, my God! No! Noooooo!' | 0:20:12 | 0:20:16 | |
SNARLING AND CHOMPING | 0:20:16 | 0:20:17 | |
G'day, Veronica and Mike. Brian and Pam here. | 0:20:30 | 0:20:33 | |
Sorry we can't be there on your big day, | 0:20:33 | 0:20:36 | |
but in case you'd forgotten, me and Pam are Australian. | 0:20:36 | 0:20:39 | |
That's a 24-hour flight you're talking about there. | 0:20:39 | 0:20:42 | |
Not to mention the price of the flaming plane tickets. | 0:20:42 | 0:20:44 | |
-Tell them, Pam. -Well, they're not cheap. | 0:20:44 | 0:20:47 | |
And then there's the time difference. | 0:20:47 | 0:20:49 | |
Did you think about that? | 0:20:49 | 0:20:50 | |
Did you think about me and Pam having major jetlag? | 0:20:50 | 0:20:53 | |
-Tell them, Pam. -No, you didn't. | 0:20:53 | 0:20:56 | |
Not to mention work. | 0:20:56 | 0:20:57 | |
You got any idea how hard it is for Pam to find cover at the shop? | 0:20:57 | 0:21:01 | |
Tell them about Sheila being off sick, love. | 0:21:01 | 0:21:03 | |
-Well, Sheila's off sick again. -Told you. | 0:21:03 | 0:21:06 | |
Something to do with her thyroid apparently. | 0:21:06 | 0:21:09 | |
Yeah, don't go on about it, love. | 0:21:09 | 0:21:10 | |
And then there's all the other expenses. | 0:21:10 | 0:21:12 | |
The overpriced hotels, the booze, the taxis. | 0:21:12 | 0:21:15 | |
I don't know who you think we are. | 0:21:15 | 0:21:17 | |
Tell them who they think we are, Pam. | 0:21:17 | 0:21:19 | |
Well, we think you think we might be Brad Pitt. | 0:21:19 | 0:21:22 | |
Now, I'm not an unreasonable man, am I, Pam? | 0:21:22 | 0:21:25 | |
What? | 0:21:27 | 0:21:28 | |
But I don't think you thought this through properly, | 0:21:28 | 0:21:31 | |
because if you had, you wouldn't be asking me and Pam here to remortgage | 0:21:31 | 0:21:34 | |
our flaming house just so as we can fly half way round the flaming | 0:21:34 | 0:21:37 | |
world to watch you two flaming galahs getting flaming hitched. | 0:21:37 | 0:21:41 | |
Anyway. | 0:21:41 | 0:21:42 | |
Congratulations and have an amazing day. | 0:21:42 | 0:21:45 | |
-Bottoms up! -Ah, what a couple, eh, Pam? | 0:21:45 | 0:21:48 | |
Oh, they're the best, Bri. | 0:21:48 | 0:21:50 | |
If you'd like to step this way, Mr Secretary General. | 0:21:54 | 0:21:56 | |
This is Ms Speedy. | 0:21:56 | 0:21:58 | |
She'll be your chief bodyguard during your visit | 0:21:58 | 0:22:00 | |
-and will be giving you a quick security debrief. -Thank you. | 0:22:00 | 0:22:05 | |
The eagle has landed. I repeat, the eagle has landed. Over. | 0:22:05 | 0:22:08 | |
-It's a pleasure to meet you, Ms... -Shh. | 0:22:08 | 0:22:11 | |
We have company. | 0:22:11 | 0:22:12 | |
Room service. | 0:22:17 | 0:22:19 | |
You were saying? | 0:22:29 | 0:22:31 | |
I'm impressed. You're very thorough, Ms Speedy. | 0:22:31 | 0:22:35 | |
Just doing my job, Your Excellency. | 0:22:35 | 0:22:37 | |
How did you know? | 0:22:41 | 0:22:42 | |
I'm afraid that's classified. Shall we begin the debrief? | 0:22:42 | 0:22:46 | |
By all means. | 0:22:46 | 0:22:47 | |
For the next three days, wherever you go, I go. Any questions? | 0:22:47 | 0:22:53 | |
No, I don't think so. | 0:22:53 | 0:22:54 | |
Press this and they'll have you in an armoured vehicle en route to the airport | 0:22:57 | 0:23:01 | |
quicker than you can say, "Help me, I don't want to die". | 0:23:01 | 0:23:03 | |
-I understand. -Which leads me to my final point. | 0:23:03 | 0:23:06 | |
Don't fall in love with me. | 0:23:08 | 0:23:10 | |
I'm sorry? | 0:23:11 | 0:23:12 | |
-Don't fall in love with me. -Don't fall in love with you? | 0:23:12 | 0:23:15 | |
If you fall in love with me and we're out in the field | 0:23:15 | 0:23:18 | |
and the shit hits the fan, you might try and protect me. | 0:23:18 | 0:23:20 | |
I'll be telling you to run and you won't be listening cos you'll be so in love with me. | 0:23:20 | 0:23:24 | |
And there'll be a terrorist | 0:23:24 | 0:23:25 | |
and he'll see that you're in love with me, and then to get to you, | 0:23:25 | 0:23:28 | |
he'll shoot me in the leg and then there'll be blood everywhere, | 0:23:28 | 0:23:31 | |
and I'll be shouting to you to get the hell out of there, | 0:23:31 | 0:23:33 | |
but you'll be too busy turning your jacket it into a tourniquet cos you're so in love with me. | 0:23:33 | 0:23:38 | |
And I'll be slipping in and out of consciousness, and you'll cradle me in your arms shouting, | 0:23:38 | 0:23:42 | |
"Nooo!" cos you're in love with me, and there's nothing worse | 0:23:42 | 0:23:44 | |
than watching someone suffer when you're in love with them. | 0:23:44 | 0:23:47 | |
And you'll resign from the UN, buy a gun and spend the rest | 0:23:47 | 0:23:50 | |
of your days tracking down the guy who shot the woman you were in love | 0:23:50 | 0:23:53 | |
with, with only one thought running through your despair-ravaged mind. | 0:23:53 | 0:23:56 | |
Revenge. | 0:23:56 | 0:23:57 | |
If that is all, I have a meeting with the Prime Minister. | 0:23:58 | 0:24:01 | |
At 1500 hours. Yes, Your Excellency. | 0:24:01 | 0:24:03 | |
The eagle is on the move. Over. | 0:24:03 | 0:24:06 | |
And don't worry, I can assure you I won't be falling in love with you. | 0:24:06 | 0:24:10 | |
Then why have you just opened the door for me? | 0:24:10 | 0:24:13 | |
Guys, I'm taken myself off detail. | 0:24:17 | 0:24:20 | |
He's fallen in love with me, big time. | 0:24:20 | 0:24:22 | |
Right, come on, you lot. | 0:24:25 | 0:24:26 | |
Laundry's not going to do itself. | 0:24:28 | 0:24:30 | |
Quick as you can. | 0:24:30 | 0:24:32 | |
Oh, no. | 0:24:32 | 0:24:33 | |
-Oh, no. -There she is. | 0:24:34 | 0:24:37 | |
Off we go. | 0:24:37 | 0:24:39 | |
Oi, trouble! | 0:24:39 | 0:24:41 | |
Where you going to in such a hurry, eh? | 0:24:41 | 0:24:43 | |
Oh, don't tell me. Going to the theatre, are you? | 0:24:43 | 0:24:46 | |
Going West End, are you? | 0:24:46 | 0:24:48 | |
I'm going West End, you going West End? | 0:24:48 | 0:24:50 | |
Oh, no, off she goes! Eh, Pat? | 0:24:50 | 0:24:53 | |
Pat? | 0:24:53 | 0:24:54 | |
Pat Taylor, stop right there! | 0:24:54 | 0:24:56 | |
What are you lot staring at? Eyes front. | 0:24:58 | 0:25:01 | |
Pat. Look at me, Pat. | 0:25:04 | 0:25:06 | |
What's going on? You ignoring me or something? | 0:25:08 | 0:25:11 | |
Is it something I've said? | 0:25:11 | 0:25:14 | |
You do know I wasn't being sarcastic when I said your hair looked nice? | 0:25:14 | 0:25:17 | |
Yeah. | 0:25:17 | 0:25:18 | |
-It's not cos I didn't put you in goal, is it? -Nah. | 0:25:18 | 0:25:21 | |
Well then what is it, Pat? You can tell me. | 0:25:21 | 0:25:23 | |
They think I'm a snitch. | 0:25:26 | 0:25:27 | |
-You what? -They think I'm a snitch so I can't talk to you no more. | 0:25:29 | 0:25:32 | |
Who thinks you're a snitch, Pat? | 0:25:32 | 0:25:33 | |
-We do! -Eyes front! | 0:25:33 | 0:25:35 | |
Right. | 0:25:39 | 0:25:41 | |
There's only one thing for it. | 0:25:41 | 0:25:43 | |
Punch me in the face, Pat. | 0:25:45 | 0:25:47 | |
-What? -You heard. Punch me in the face. | 0:25:47 | 0:25:51 | |
-I can't punch you in the face. -I can take it. I'm a big girl. | 0:25:51 | 0:25:54 | |
# Snitch and the officer sitting in a tree, k-i-s-s... # | 0:25:54 | 0:25:59 | |
In your face! | 0:25:59 | 0:26:01 | |
Nice one, Pat! | 0:26:02 | 0:26:04 | |
Right. You lot, show's over. | 0:26:04 | 0:26:06 | |
Laundry duty, now! | 0:26:06 | 0:26:07 | |
Blimey. She's stronger than she looks, that one. | 0:26:16 | 0:26:20 | |
Oh, dear! | 0:26:20 | 0:26:21 | |
I would like to sing a song for you now that is very close | 0:26:25 | 0:26:29 | |
to my heart. Perhaps you know it. | 0:26:29 | 0:26:32 | |
It's called El Tigre de Pasion. | 0:26:32 | 0:26:35 | |
APPLAUSE | 0:26:36 | 0:26:38 | |
MUSIC BEGINS | 0:26:38 | 0:26:40 | |
Actually, I can see one or two of you don't know it. | 0:26:53 | 0:26:55 | |
So for you, I will explain. It is from a saying in my country, | 0:26:55 | 0:27:00 | |
'Escondida el catalpa por de nada, de nada, de nada'. | 0:27:00 | 0:27:04 | |
Enjoy. | 0:27:04 | 0:27:05 | |
Actually, now I say it out loud, it doesn't really make any sense, | 0:27:14 | 0:27:17 | |
but it means this, if you give your love to another, | 0:27:17 | 0:27:20 | |
you can never take it back, even if the person you give it to... | 0:27:20 | 0:27:24 | |
(does not want it.) | 0:27:24 | 0:27:26 | |
Basically, it is the story of me and Raul, the great love of my life, | 0:27:34 | 0:27:38 | |
at least he was until he left me for that waitress in Vegas. | 0:27:38 | 0:27:42 | |
But in the end the joke was on him, because she died. | 0:27:42 | 0:27:46 | |
Not that I'm saying I'm happy she died, although she did deserve it. | 0:27:46 | 0:27:50 | |
This song is for broken-hearted people everywhere. | 0:27:50 | 0:27:54 | |
If you're asking if me and Raul still have chemistry, then sure, | 0:27:58 | 0:28:01 | |
sure we do. Will it ever work? I don't think so, | 0:28:01 | 0:28:04 | |
because I am the dove and he is the bastard mountain cat that I adore. | 0:28:04 | 0:28:08 | |
Really there is only one thing left to say... | 0:28:08 | 0:28:11 | |
APPLAUSE AND CHEERING | 0:28:14 | 0:28:17 | |
Subtitles by Red Bee Media Ltd | 0:28:22 | 0:28:25 | |
For more material just press the red button, | 0:28:39 | 0:28:43 | |
and what I mean by that is this... | 0:28:43 | 0:28:45 |