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Oh, guys, this has been such fun, I know, and I've had such | :01:18. | :01:23. | |
and the burlesque lessons, the go-carting and the massages | :01:23. | :01:27. | |
and the kayaking and... Oh, the massive penis cake | :01:27. | :01:30. | |
with Ryan's face on it. | :01:30. | :01:32. | |
It's just that Ryan's parents are arriving early, crack of dawn, | :01:32. | :01:34. | |
so, you know, I should go. | :01:34. | :01:36. | |
You'll miss Long Dong Silver. What? | :01:36. | :01:39. | |
WOMEN WHOOP | :01:39. | :01:43. | |
Lucy, I said I didn't want a stripper! | :01:43. | :01:45. | |
Stripper! Stripper! | :01:45. | :01:47. | |
See? Your mum wants a stripper. | :01:47. | :01:49. | |
Listen. I'm sorry, Lucy, but I've got to go, OK? | :01:49. | :01:52. | |
Don't. Ow! | :01:52. | :01:54. | |
You listen to me. I'm the maid of fricking honour | :01:54. | :01:57. | |
and I've spent six months organising this bastard thing, | :01:57. | :02:00. | |
so nobody leaves until I say so. | :02:00. | :02:03. | |
So sit down, shut up and put on these furry handcuffs. | :02:03. | :02:08. | |
SLEAZY ROCK MUSIC | :02:08. | :02:10. | |
SLEAZY ROCK MUSIC | :02:10. | :02:11. | |
WOMEN CHEER AND WHOOP | :02:11. | :02:21. | |
:02:21. | :02:38. | ||
RADIO DJ: Coming up, the weather, right after this classic. | :02:38. | :02:41. | |
MUSIC: "Barcelona" by Freddie Mercury | :02:41. | :02:43. | |
# Ooh, el me habo de ti | :02:43. | :02:48. | |
# The bells are ringing out | :02:48. | :02:51. | |
OPERATIC VOCALISATION | :02:51. | :02:54. | |
# They're calling us together Guiding us forever | :02:54. | :02:59. | |
# Wish my dream would never go away | :02:59. | :03:09. | |
# Barcelona | :03:09. | :03:11. | |
# It was the first time that we met | :03:11. | :03:14. | |
# Barcelona | :03:14. | :03:16. | |
# How can I forget? | :03:16. | :03:19. | |
# The moment that you stepped into the room you took my breath away | :03:19. | :03:27. | |
# Barcelona | :03:27. | :03:31. | |
# Such a beautiful horizon | :03:31. | :03:33. | |
# Barcelona | :03:33. | :03:34. | |
# Like a jewel in the sun... # | :03:35. | :03:37. | |
OPERATIC VOCALISATION | :03:37. | :03:39. | |
Oh, no! | :03:40. | :03:43. | |
I'll call you later. | :03:43. | :03:52. | |
So! What do you think? | :03:52. | :03:55. | |
Erm... What? He's boring? | :03:55. | :03:57. | |
Mmmm... He's out of my league? | :03:57. | :03:59. | |
Um... He's too keen? Er... Bit slimy? | :03:59. | :04:03. | |
Erm... Too quiet?Mmmm... | :04:03. | :04:05. | |
Too loud? Too lairy? | :04:05. | :04:08. | |
Erm... Too intense? Um... Bit slippery? | :04:08. | :04:12. | |
Er... He's going to cheat on me? | :04:12. | :04:15. | |
Mm... He's already cheated on me? | :04:15. | :04:17. | |
Mmmm... | :04:17. | :04:18. | |
Bit nerdy? Bit creepy? Bit thin on top? | :04:18. | :04:21. | |
Erm... | :04:21. | :04:23. | |
Bit "I'll put my hand on the small of your back | :04:23. | :04:25. | |
"just so everyone knows I'm going out with you"? Mmm... | :04:25. | :04:28. | |
A bit "I've paid you a compliment so now I'll insult you"? Mmm. | :04:28. | :04:31. | |
Bit "Can I borrow your mascara"? Mmm... | :04:31. | :04:33. | |
Too "I can't have a lie in, I'm cycling to Brighton"? | :04:33. | :04:35. | |
A bit "I do the accent when I'm ordering in French restaurants"? | :04:35. | :04:38. | |
A bit "I'm so vulnerable, hold me, hold me. Oh, great, | :04:38. | :04:41. | |
"now we've had sex. Turns out I'm not so vulnerable"? | :04:41. | :04:44. | |
Mmm... Bit of a vegan? | :04:44. | :04:46. | |
Bit "I wear a hat, that's my thing"? | :04:46. | :04:48. | |
Bit "My beard is so thin I look like a magician"? | :04:48. | :04:51. | |
"I wear more moisturiser than you and all my ex-girlfriends | :04:51. | :04:53. | |
"are models and I live in the flat above my mother?" | :04:53. | :04:55. | |
Oh, my God. I'm going to have to change the locks and my Facebook status! I can't see him again! | :04:55. | :05:01. | |
I thought he was all right. | :05:01. | :05:07. | |
ITALIAN ACCENT: Oh! | :05:07. | :05:10. | |
ITALIAN ACCENT: Eh! | :05:10. | :05:12. | |
Oh! | :05:12. | :05:15. | |
Eh! | :05:15. | :05:17. | |
Ciao bella! | :05:17. | :05:19. | |
Eh, belissima! | :05:19. | :05:21. | |
Vieni qui sexy! | :05:21. | :05:24. | |
Sexy baby! | :05:24. | :05:29. | |
BOTH: OHHHHHHHHH! | :05:29. | :05:34. | |
Lesbiana. Ah. | :05:34. | :05:37. | |
you to know that I really love you | :05:37. | :05:41. | |
and I would have been so proud to be Mrs Ryan. | :05:41. | :05:45. | |
Oh! Oh, thank God! Please! Help me! | :05:45. | :05:47. | |
I've been kidnapped by my own hen do! | :05:47. | :05:49. | |
They won't let me leave! | :05:49. | :05:50. | |
I'm afraid I can't help you, love. I'm on a stag. Wahey! | :05:50. | :05:53. | |
MEN CHEER | :05:53. | :06:03. | |
:06:03. | :06:08. | ||
Oi, L-plates. | :06:08. | :06:11. | |
We thought we'd lost you. | :06:11. | :06:13. | |
I just went to get some fresh air. What's going on? Karaoke. | :06:13. | :06:18. | |
WOMEN WHOOP | :06:18. | :06:20. | |
I've hired us a private booth. We've got it for a full five hours | :06:20. | :06:23. | |
so we can sing all the songs to Mamma Mia just like we used to | :06:23. | :06:26. | |
in the good old days, before you met Ryan. Wow(!) | :06:26. | :06:29. | |
Get in the limo. What limo? | :06:29. | :06:32. | |
THUMPING DANCE MUSIC | :06:32. | :06:33. | |
Oh, God... | :06:34. | :06:37. | |
MEN CHEER | :06:37. | :06:40. | |
Mum?! In the limo, Janet. | :06:41. | :06:46. | |
So, as a special treat, | :06:46. | :06:49. | |
your lovely Auntie Sarah's going to- read you your bedtime story. | :06:49. | :06:52. | |
I'm so excited. | :06:52. | :06:53. | |
And she'll do it really well because she's an actress | :06:53. | :06:56. | |
who's been on the stage and the radio, and the television. | :06:56. | :06:59. | |
Once. Thanks, Alice. | :06:59. | :07:01. | |
Right, story time. | :07:01. | :07:03. | |
Tales From The Big Wide Wood. Mm! | :07:03. | :07:07. | |
It was a warm day in the big wide wood | :07:08. | :07:10. | |
and Robbie the Rat was going for a walk. | :07:10. | :07:12. | |
But he suddenly realised he was hungry. | :07:12. | :07:15. | |
So he said to himself, "I want my dinner." | :07:15. | :07:18. | |
MOTHER CLEARS THROAT | :07:18. | :07:20. | |
Problem? No, no. It's just, well, | :07:20. | :07:22. | |
we tend to play Robbie as a sort of cheeky chappie cockney. | :07:23. | :07:26. | |
I can work with that. I'm a pro. | :07:26. | :07:28. | |
So Robbie the Rat said to himself | :07:28. | :07:31. | |
COCKNEY ACCENT: "I want me dinner." | :07:31. | :07:33. | |
COCKNEY ACCENT: "Hey, Robbie? You want your dinner?" | :07:33. | :07:35. | |
said Cedric the Squirrel. Oh.What? | :07:35. | :07:37. | |
It's OK, it's just you did Cedric the same as Robbie. It's OK. | :07:38. | :07:41. | |
I tend to Cedric as Northern. You know... | :07:41. | :07:45. | |
YORKSHIRE ACCENT: "Hey, Robbie! You want your dinner?" | :07:45. | :07:47. | |
OK, forget it. Nathan, I'm sorry, I think Mummy should read your | :07:47. | :07:51. | |
bedtime story tonight. No, no, no! | :07:51. | :07:53. | |
I just want it to be what Nathan's used to, that's all. | :07:53. | :07:56. | |
So just finish the story. It's fine. | :07:56. | :07:59. | |
Although, erm... I will say that Robbie is cockney, | :07:59. | :08:03. | |
Cedric the Squirrel is Northern, | :08:03. | :08:05. | |
Danny the Dog is from... New Zealand? | :08:05. | :08:07. | |
Mildred the Mouse is Brummie | :08:07. | :08:10. | |
and Ralph the Rabbit is from Northern Ireland. | :08:10. | :08:13. | |
Near Portadown. | :08:13. | :08:16. | |
Three villages to the east. | :08:16. | :08:19. | |
YORKSHIRE ACCENT: "Hey, Robbie! | :08:19. | :08:21. | |
"You want your dinner? I've got some nuts." | :08:21. | :08:23. | |
COCKNEY ACCENT: "Thank you, Cedric. Maybe I will," said Robbie. | :08:23. | :08:27. | |
NEW ZEALAND ACCENT: "Hey, Robbie," said Danny the Dog. | :08:27. | :08:30. | |
"You want your dinner? I've got some biscuits." | :08:30. | :08:33. | |
Was that Australian? Biscuits? 'Buscuts'. | :08:33. | :08:38. | |
COCKNEY ACCENT: Thank you, Danny. Maybe I will." said Robbie. | :08:38. | :08:42. | |
MIDLANDS ACCENT: "Hey, Robbie," said Mildred the Mouse. | :08:42. | :08:44. | |
"You want your dinner? I've got some berries." | :08:44. | :08:47. | |
Maybe I will," said Robbie. | :08:47. | :08:51. | |
NORTHERN IRISH ACCENT: "Hey, Robbie," said Ralph the Rabbit. | :08:52. | :08:54. | |
"You want your dinner? I've got some carrots." | :08:54. | :08:59. | |
COCKNEY ACCENT: "Thank you, Ralph. Maybe I will." said Robbie. | :08:59. | :09:03. | |
Robbie couldn't decide what to have and he was about to go home. | :09:03. | :09:06. | |
So all his friends offered their favourite food one last time. | :09:06. | :09:14. | |
YORKSHIRE ACCENT: "My acorns are very nice," said Cedric. | :09:14. | :09:17. | |
NEW ZEALAND ACCENT: "My biscuits are delicious," said Danny. | :09:17. | :09:20. | |
MIDLANDS ACCENT: "My berries are very juicy," said Mildred. | :09:20. | :09:23. | |
NORTHERN IRISH ACCENT "My carrots are crunchy," said Ralph. | :09:23. | :09:26. | |
And so they all went to Robbie's house for tea. Yes! Nailed it! | :09:27. | :09:31. | |
Can I have another story? | :09:31. | :09:39. | |
The Adventures Of Billy Badger, And His 100 International Friends. | :09:39. | :09:47. | |
PRISON DOOR CLOSES | :09:47. | :09:52. | |
Here we go. | :09:52. | :09:57. | |
Oh, no! | :09:57. | :09:59. | |
Oh, no! | :09:59. | :10:01. | |
There she is. 'Ere it comes. | :10:01. | :10:04. | |
Rather you than me. Someone's off. | :10:04. | :10:06. | |
Hark at her. If you catch my drift. | :10:06. | :10:08. | |
Don't you start. I'll bet you do. | :10:08. | :10:10. | |
THEY LAUGH | :10:10. | :10:12. | |
BOTH: Oh, dear. | :10:12. | :10:14. | |
So, what you up to today then, Pat? | :10:14. | :10:15. | |
Got any plans, have ya? | :10:15. | :10:17. | |
I'm joining the circus, ain't I? | :10:17. | :10:18. | |
Oh, 'ere she goes. Joining the circus, are ya? | :10:18. | :10:20. | |
I'm joining the circus. You joining the circus? | :10:20. | :10:22. | |
Don't mind if I do. Easy for you to say. | :10:22. | :10:24. | |
Oh, she's off again. There she is. 'Ere it comes. | :10:24. | :10:27. | |
Off she goes. | :10:27. | :10:30. | |
THEY SIGH | :10:30. | :10:32. | |
No seriously, Pat, it's your big day today, innit? | :10:33. | :10:35. | |
That's right. | :10:36. | :10:37. | |
I'm going home, ain't I? | :10:37. | :10:40. | |
Yeah, I know. | :10:40. | :10:44. | |
Can't believe it's been six long years, | :10:44. | :10:47. | |
feels like six months, don't it? | :10:47. | :10:48. | |
Six weeks more like. Try six days. | :10:48. | :10:50. | |
Or six minutes. Six seconds. | :10:50. | :10:54. | |
What's smaller than a second? | :10:54. | :10:56. | |
Listen, I, er... I got you a little present. | :10:56. | :10:59. | |
It's nothing much, just, er, a book on Tuscany. | :10:59. | :11:03. | |
Oh, grazie mille. | :11:03. | :11:06. | |
Prego, Pat. | :11:06. | :11:08. | |
I know you've always wanted to go so...maybe now you can. | :11:08. | :11:13. | |
Well, I've always fancied going Tuscany myself. | :11:13. | :11:21. | |
Yeah, well, I've got Mr Twinkles at home | :11:22. | :11:24. | |
so makes travelling a bit difficult. | :11:24. | :11:27. | |
Y'know, likes his routine. | :11:27. | :11:29. | |
He's a fussy eater as well so... | :11:29. | :11:33. | |
Jean? Oh, all right, Bill? Didn't see you there. | :11:33. | :11:36. | |
Right, Pat. Time to go. | :11:36. | :11:42. | |
Out you come then. Out I come then. | :11:42. | :11:48. | |
Well, I guess this is it. Looks like it. | :11:48. | :11:56. | |
Ow! Ow! | :11:56. | :11:57. | |
Right, well, I'll see ya later then. | :11:57. | :11:59. | |
Yeah, see ya later. | :11:59. | :12:01. | |
MUSIC: "Goodbye" by Spice Girls | :12:01. | :12:09. | |
Oh, Pat! I forgot my suitcase. | :12:09. | :12:12. | |
Oh, yeah, course. | :12:12. | :12:16. | |
Arrivederci, Pat. | :12:16. | :12:19. | |
DOOR CLOSES Arrivederci. | :12:19. | :12:22. | |
# Listen little child | :12:22. | :12:25. | |
# There will come a day | :12:25. | :12:29. | |
# When you will be able... # | :12:29. | :12:32. | |
Sshh. | :12:32. | :12:34. | |
I won't tell if you won't. | :12:34. | :12:35. | |
Cheers. | :12:35. | :12:41. | |
I'll just pop this in your box for later. Wink wink. | :12:41. | :12:48. | |
"So... | :12:48. | :12:50. | |
"What's with the champagne, Sarah?"- I hear you ask. | :12:51. | :12:54. | |
"Bit much for a Tuesday, isn't it?" | :12:54. | :12:56. | |
Well, not when you've just found out | :12:56. | :12:57. | |
you're being transferred to the New York office it isn't, Adrian. | :12:57. | :13:00. | |
Which is exactly what's just happened to me, by the way. | :13:00. | :13:04. | |
Yeah. | :13:04. | :13:07. | |
No, it's going to be so great for my career, you know? | :13:07. | :13:10. | |
The money, the experience, I'd be crazy to turn it down. | :13:10. | :13:13. | |
Not that anyone's asked me to... | :13:13. | :13:16. | |
yet. | :13:16. | :13:18. | |
This is my home, Adrian, you know? | :13:18. | :13:22. | |
I've got great friends, family, a great flat, | :13:22. | :13:27. | |
as you know cos you've been there, in my bed...blah, blah, blah. | :13:27. | :13:31. | |
It's going to be really hard to say goodbye, you know? | :13:31. | :13:34. | |
Yeah, shame I can't take everyone with me really. | :13:35. | :13:37. | |
Do you fancy coming to New York with me actually? | :13:37. | :13:40. | |
That would be weird, wouldn't it? Or would it? | :13:40. | :13:43. | |
You and me in the Big Apple, | :13:43. | :13:46. | |
creating memories together. | :13:46. | :13:49. | |
But what about your work, Adrian? | :13:49. | :13:51. | |
Your whole life's here. You can't just give everything up. | :13:51. | :13:55. | |
This is crazy. It would never work! | :13:55. | :13:58. | |
Or would it? I mean, I'm prepared to give it a shot if you are. | :13:58. | :14:01. | |
Listen, Adrian, I know how much you- want this but I can't let you do it. | :14:01. | :14:04. | |
Sssh. | :14:04. | :14:06. | |
Don't make it harder than it already is. | :14:06. | :14:10. | |
Goodbye, Adrian. | :14:10. | :14:13. | |
Chin strap. | :14:13. | :14:23. | |
:14:23. | :14:27. | ||
Adrian! | :14:27. | :14:28. | |
Oh, my God, people are watching! | :14:28. | :14:38. | |
:14:38. | :14:40. | ||
MUSIC: "Dancing Queen" by ABBA | :14:40. | :14:48. | |
Well, well, well, | :14:48. | :14:49. | |
looks like our little hen's trying to fly the coop. | :14:49. | :14:53. | |
You're insane. | :14:53. | :14:55. | |
Maybe I am. | :14:55. | :14:57. | |
But I'm not letting you leave until I've shown you | :14:57. | :14:59. | |
what an amazing and thoughtful friend I am. | :14:59. | :15:02. | |
No! This stops now. | :15:02. | :15:07. | |
How long have we all been here? | :15:07. | :15:09. | |
Haven't you got homes to go back to? | :15:09. | :15:11. | |
She's right. | :15:11. | :15:13. | |
Who are you? | :15:13. | :15:15. | |
Becky Turner. | :15:15. | :15:16. | |
See? These aren't even my real friends. | :15:16. | :15:20. | |
I haven't seen half these people since secondary school. | :15:20. | :15:23. | |
Nobody leaves until I say so. | :15:23. | :15:27. | |
Well, I guess I'll have to fight my way out. | :15:27. | :15:34. | |
ROCK MUSIC PLAYS | :15:34. | :15:44. | |
:15:44. | :15:46. | ||
THEY SCREAM | :15:46. | :15:56. | |
:15:56. | :16:02. | ||
HISSING | :16:02. | :16:11. | |
THEY SCREAM | :16:11. | :16:18. | |
METAL CLICKS | :16:18. | :16:27. | |
Come on, everyone. Let's get out of here! | :16:27. | :16:34. | |
Mum! | :16:34. | :16:41. | |
You're kidding me! | :16:41. | :16:43. | |
Lorna!? I want a biscuit. | :16:43. | :16:45. | |
Do you? | :16:45. | :16:47. | |
Yes! | :16:47. | :16:49. | |
That's what you really want? | :16:49. | :16:50. | |
Yes, where are they?! | :16:50. | :16:51. | |
Ingrid... | :16:51. | :16:54. | |
Come here. | :16:54. | :16:57. | |
Are you going to give me a biscuit? | :16:57. | :16:58. | |
I've got something better than biscuits. | :16:58. | :17:01. | |
Oh, no, this is going to be a metaphorical thing, isn't it? | :17:01. | :17:05. | |
I have truth. | :17:05. | :17:06. | |
There it is. | :17:06. | :17:08. | |
I have truth about you and your life. | :17:08. | :17:10. | |
I'd rather have a biscuit. | :17:10. | :17:12. | |
What's the problem? | :17:12. | :17:14. | |
The problem is that I want a biscuit. | :17:14. | :17:16. | |
And yet you don't. What could I say to you | :17:16. | :17:18. | |
that would genuinely convince you that I genuinely wanted a biscuit? | :17:18. | :17:23. | |
You could tell me | :17:23. | :17:25. | |
that you've never really connected with your father. | :17:25. | :17:28. | |
I've never really connected with my father. Now give me a biscuit. | :17:28. | :17:31. | |
I knew it! Give me a biscuit. | :17:31. | :17:32. | |
Or have you, as I am now suspecting, | :17:32. | :17:35. | |
eaten all the biscuits? | :17:35. | :17:38. | |
Call him. | :17:38. | :17:43. | |
Hello, Dad. | :17:43. | :17:44. | |
Oh, hi. Yeah, good thank you. | :17:44. | :17:48. | |
Listen, Dad, I've got something I'd like to ask you. Could you do me a favour? | :17:48. | :17:51. | |
Could you bring round some biscuits? | :17:51. | :17:53. | |
Yeah, Lorna's eaten them all. | :17:53. | :17:56. | |
Yeah, she's pretending she hasn't by coming up with this psychobabble, | :17:56. | :17:59. | |
which is why I'm calling you, but erm... | :17:59. | :18:02. | |
Yeah! | :18:02. | :18:03. | |
Yeah, she is isn't she? | :18:03. | :18:06. | |
Yeah! | :18:06. | :18:07. | |
All right then, Dad, well, thanks very much. Love you. Bye. | :18:07. | :18:11. | |
You have eaten them all, haven't you? | :18:11. | :18:12. | |
Yes. The whole pack. | :18:13. | :18:16. | |
I wasn't even hungry. | :18:16. | :18:18. | |
Really? | :18:18. | :18:20. | |
I hate myself. | :18:20. | :18:24. | |
Why doesn't my mum ever call? | :18:24. | :18:26. | |
Oh, come here you, hug it out. Yeah. | :18:26. | :18:29. | |
Here you are, darling. Oh, thanks, Dad. | :18:29. | :18:38. | |
What am I going to do? | :18:38. | :18:40. | |
Have another biscuit. | :18:40. | :18:42. | |
Ooh, lovely. | :18:42. | :18:45. | |
Your dad brought these round very fast. | :18:45. | :18:47. | |
This isn't real. He was an actor. | :18:47. | :18:51. | |
Oh, yeah. | :18:51. | :18:53. | |
Thought he was younger than you. | :18:53. | :19:03. | |
:19:03. | :19:04. | ||
GERMAN ACCENT: Hey! | :19:04. | :19:06. | |
Hi! | :19:06. | :19:08. | |
Hey! | :19:08. | :19:11. | |
Hi! | :19:11. | :19:13. | |
Hey! | :19:13. | :19:16. | |
Hi, Fraulein! | :19:16. | :19:19. | |
Hey, sexy! | :19:19. | :19:22. | |
Hi, sexy baby! | :19:22. | :19:24. | |
Komm sofort hierher, ich will Geschlechtsverkehr mit dir haben! | :19:24. | :19:29. | |
BOTH: Oooohhhhhhhh!! | :19:29. | :19:34. | |
Lesbisch. Mm. | :19:34. | :19:44. | |
:19:44. | :19:47. | ||
Hello, and welcome to Realistic Festive Cooking. I'm Shirley. | :19:47. | :19:51. | |
And I'm ever so slightly drunk, actually. | :19:51. | :19:53. | |
Now, today we'll be talking you through how to make the perfect Christmas dinner. | :19:53. | :19:59. | |
Not really! | :19:59. | :20:01. | |
Just how to get through it all without killing someone. | :20:01. | :20:04. | |
Now Christmas Day is all about preparation. | :20:04. | :20:06. | |
More specifically, while you're cooking you'll have a constant stream of elderly relatives | :20:06. | :20:10. | |
coming up to you telling you you're doing it all wrong. | :20:10. | :20:12. | |
Now, I've prepared for this by lining up four bottles of sherry. | :20:12. | :20:18. | |
Don't forget that as it's Christmas Day you are allowed | :20:18. | :20:20. | |
to start drinking as early as you like. | :20:20. | :20:23. | |
Super, so while you open those I'm going to tend to my turkey. | :20:23. | :20:26. | |
Now the aim here is to keep the moisture in, | :20:26. | :20:29. | |
so we'll need a bit of tin foil for that. | :20:29. | :20:31. | |
And as you can see, my five-year-old has used all my tin foil making a robot. | :20:31. | :20:35. | |
So, what I've done is, I've gone to the fridge and I found this, | :20:35. | :20:38. | |
dirty bit of foil which was covering a half-eaten steak and kidney pie | :20:38. | :20:42. | |
so I'm just going to pop that on there. | :20:42. | :20:44. | |
As you can see, it's far too small to cover it properly | :20:44. | :20:47. | |
so it'll no doubt come out drier than the Sahara desert. Jenny?! | :20:47. | :20:50. | |
Mmm, | :20:50. | :20:51. | |
quick tip if you are worried about dry turkey, | :20:51. | :20:55. | |
my advice would just be to get over yourself really. | :20:55. | :20:58. | |
So we'll just put that into the oven | :20:58. | :21:00. | |
and until it's nice and brown on the outside | :21:00. | :21:02. | |
but still frozen in the middle, a sort of turkey Alaska, if you will. | :21:02. | :21:06. | |
Let's face it, Jenny, it's all about aiming low, isn't it? | :21:06. | :21:09. | |
Very much so, Shirley, which leads us onto the pud. | :21:09. | :21:13. | |
Now, as you can see I've made a Christmas pudding and I... | :21:13. | :21:17. | |
Sorry, Jen, think you accidentally said "made" there. | :21:17. | :21:19. | |
Did I? Oh, so sorry. | :21:19. | :21:22. | |
I really am off my face! | :21:22. | :21:25. | |
So, as you can see I've bought a Christmas pudding. | :21:25. | :21:27. | |
And they come in all shapes and sizes | :21:27. | :21:29. | |
and obviously you get what you pay for, | :21:29. | :21:31. | |
so my family are getting a very average pudding. | :21:32. | :21:34. | |
But what I will do | :21:34. | :21:35. | |
is cover it in so much booze that they won't notice. | :21:35. | :21:38. | |
And are you going to present that pudding on some kind of decorative plate, Jenny? | :21:38. | :21:42. | |
In an ideal world, Shirley, yes, | :21:42. | :21:44. | |
but I've actually used up all of the available receptacles in the kitchen | :21:44. | :21:47. | |
and I can't be bothered to wash anything up, | :21:47. | :21:49. | |
so what I'm going to do, is I'm going to take this Frisbee here, | :21:49. | :21:53. | |
which I found wrapped up under the tree. | :21:53. | :21:55. | |
I'm just going to pop the pudding on that instead. | :21:55. | :21:57. | |
As you can see I'm now doing some dousing, Shirley. | :21:57. | :22:01. | |
Now ideally this would be covered in brandy | :22:01. | :22:03. | |
but, erm, sadly I drank all of that last night after an argument with my husband, | :22:04. | :22:11. | |
No, I don't think so but this is my husband's favourite beer. | :22:11. | :22:13. | |
So in a way, I win. Super. | :22:13. | :22:15. | |
How about a sherry? | :22:15. | :22:17. | |
Don't mind if I do. | :22:17. | :22:25. | |
ETA three minutes. That's three minutes. Over. | :22:25. | :22:28. | |
So my PA tells me you recently worked with a good friend of mine. | :22:28. | :22:31. | |
Al Pacino? | :22:31. | :22:32. | |
I'm afraid that's classified. | :22:32. | :22:36. | |
But he's alive, isn't he? | :22:36. | :22:37. | |
Welcome to the Baftas. | :22:37. | :22:39. | |
Thank you. | :22:39. | :22:40. | |
OK, so here's how it's going to work. | :22:40. | :22:42. | |
I'll be two paces behind you at all times. | :22:42. | :22:45. | |
I'll be your eyes, I'll be your ears. | :22:45. | :22:47. | |
Just do what you've got to do and let me handle the rest. OK. | :22:47. | :22:50. | |
or take a photo for you, forget it. | :22:50. | :22:53. | |
I'm here for one reason only and that's to keep you safe. | :22:53. | :22:55. | |
Comprendez? I understand. | :22:55. | :22:59. | |
I've got agents positioned in the audience and on the roof. | :22:59. | :23:02. | |
Press this panic button and they'll have you back in the car | :23:02. | :23:05. | |
quicker than you can say, "It's not my time to die." | :23:05. | :23:08. | |
Clive! Hey, it's good to see ya. | :23:08. | :23:11. | |
Oh, my God! | :23:11. | :23:12. | |
Keep moving. | :23:12. | :23:14. | |
That's Roger White! He's hosting the show! | :23:14. | :23:17. | |
Not any more he isn't. | :23:17. | :23:19. | |
Which brings me to my last point. | :23:19. | :23:21. | |
Don't fall in love with me. | :23:22. | :23:24. | |
I'm sorry, what? | :23:24. | :23:25. | |
I can't keep you safe if you fall in love with me. | :23:25. | :23:27. | |
Do you understand? | :23:27. | :23:29. | |
What on earth are you talking about?! | :23:29. | :23:34. | |
Look, you might not want to fall in love with me, | :23:34. | :23:37. | |
but you could fall in love with me, and if you do fall in love with me | :23:37. | :23:40. | |
then I won't be able to protect you when the shit hits the fan. | :23:40. | :23:42. | |
Cos there'll be this crazed fan in the audience, | :23:43. | :23:45. | |
and she'll be walking towards you, | :23:45. | :23:46. | |
and she'll have this camera and she'll be shouting your name, | :23:46. | :23:49. | |
and I'll know she's trouble cos I will have already spotted | :23:49. | :23:52. | |
the tattoo of your face on her face which is always a worry. | :23:52. | :23:55. | |
Anyway, she'll start taking photos of you | :23:55. | :23:57. | |
but you won't be listening | :23:57. | :24:00. | |
because you'll be too busy trying to get me in the photos with you | :24:00. | :24:02. | |
cos you're so in love with me. | :24:03. | :24:04. | |
Then she'll see that you're in love with me | :24:04. | :24:06. | |
and then she'll rip open her shirt | :24:06. | :24:07. | |
strapped to her chest | :24:07. | :24:10. | |
her to take the brunt of the blast | :24:10. | :24:13. | |
you'll then jump on top of me, | :24:13. | :24:15. | |
and then before she detonates, | :24:15. | :24:17. | |
you'll tell me you can't think of a better way to go | :24:17. | :24:19. | |
than physically on top of me, cos that's how in love with me you are. | :24:19. | :24:22. | |
And then she'll pull the trigger, | :24:22. | :24:23. | |
all over the red carpet | :24:23. | :24:26. | |
and you'll never find out if you won the Bafta for best actor in a leading role. | :24:26. | :24:29. | |
More champagne, sir? | :24:29. | :24:31. | |
No, thank you. | :24:31. | :24:39. | |
By the way, my mum said to tell you | :24:39. | :24:41. | |
you were really great in that film about the tortoise and the... thing with the... | :24:41. | :24:46. | |
Are we done? Affirmative. | :24:46. | :24:49. | |
All agents on stand-by. Over. | :24:49. | :24:51. | |
Oh, don't worry, I definitely won't be falling in love with you, | :24:52. | :24:56. | |
I'm gay. | :24:56. | :24:58. | |
So was George Michael. | :24:58. | :25:01. | |
guys, it's happened again. | :25:01. | :25:04. | |
And I'm not even wearing deodorant. | :25:04. | :25:11. | |
Rrrglh! | :25:11. | :25:13. | |
Niknik! | :25:13. | :25:15. | |
Rrrglh! | :25:15. | :25:19. | |
Niknik! | :25:19. | :25:20. | |
Rrrglh! | :25:20. | :25:24. | |
Niknik! | :25:24. | :25:26. | |
Ooooohhhhh! | :25:26. | :25:30. | |
Venus muncher. | :25:30. | :25:36. | |
Oi, Pat! | :25:36. | :25:39. | |
Oh, oh sorry. | :25:39. | :25:41. | |
MUSIC: "You Raise Me Up" by Westlife | :25:41. | :25:44. | |
Yeah, well, so anyway I said... | :25:44. | :25:49. | |
# When troubles come | :25:49. | :25:52. | |
# And my heart burdened be | :25:52. | :25:58. | |
# Then I am still And wait here in the silence... # | :25:58. | :26:05. | |
'Oh, there she is!' | :26:05. | :26:06. | |
# Until you come and sit awhile with me | :26:06. | :26:15. | |
# You raise me up, so I can stand on mountains | :26:15. | :26:23. | |
# You raise me up to walk on stormy seas... # | :26:23. | :26:29. | |
Oh, no! | :26:29. | :26:32. | |
Oh, no. | :26:32. | :26:33. | |
Morning, stranger! | :26:33. | :26:35. | |
Don't you start. What you doing back in 'ere then? | :26:35. | :26:37. | |
I robbed a bank. didn't I? | :26:37. | :26:40. | |
Oh. 'ere we go. Robbed a bank, did ya? | :26:40. | :26:42. | |
'Ere it comes. | :26:42. | :26:44. | |
Barclays. On the high street. | :26:44. | :26:45. | |
Oh, right, yeah, I know it. | :26:45. | :26:47. | |
Then went to the nearest police station and turned herself in. | :26:47. | :26:52. | |
What am I like, eh? | :26:52. | :26:55. | |
Trouble, that's what you're like. | :26:55. | :26:57. | |
Oh, off he goes. | :26:57. | :26:59. | |
There he is, 'ere it comes. | :26:59. | :27:03. | |
Right, well, Bill, I'll take it from 'ere. Thanks very much. | :27:03. | :27:08. | |
Right then, you. | :27:08. | :27:11. | |
Let's pop you back in your cell, shall we? | :27:11. | :27:13. | |
Yeah, pop me back in my cell then. | :27:13. | :27:19. | |
What happened at the bank then, Pat? | :27:19. | :27:29. | |
:27:29. | :28:00. | ||
Well, that's the end of the show, but if you'd like to see more... | :28:00. | :28:02. | |
that likes pressing red buttons. | :28:02. | :28:05. | |
..then press the red button. | :28:05. | :28:07. |