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My child. | 0:00:27 | 0:00:29 | |
You wished to see me? | 0:00:30 | 0:00:32 | |
Yes, sir. I have a request. | 0:00:32 | 0:00:35 | |
It's the Widow Maroni. | 0:00:35 | 0:00:38 | |
She owes me money. | 0:00:38 | 0:00:40 | |
How much? | 0:00:43 | 0:00:45 | |
200. | 0:00:45 | 0:00:46 | |
Money... | 0:00:52 | 0:00:53 | |
Money is a dirty thing. | 0:00:55 | 0:00:57 | |
I'll see what I can do. | 0:00:58 | 0:01:00 | |
I owe your late husband very much. | 0:01:00 | 0:01:02 | |
What are you doing? | 0:01:18 | 0:01:20 | |
Oh, sorry. | 0:01:20 | 0:01:21 | |
What is this? | 0:01:24 | 0:01:27 | |
You're meant to kiss it. | 0:01:27 | 0:01:29 | |
Oh! | 0:01:29 | 0:01:30 | |
Well, I thought, you know, well, if you didn't, then I... | 0:01:30 | 0:01:34 | |
I just randomly started kissing your hand, that'd be so embarrassing. | 0:01:34 | 0:01:38 | |
No, no. I want a kiss. | 0:01:38 | 0:01:40 | |
What's wrong with you? | 0:01:40 | 0:01:42 | |
Oh, right, yes. | 0:01:42 | 0:01:44 | |
Kissy-kissy. | 0:01:45 | 0:01:46 | |
Yep, just a moment, maybe if I, just, er... | 0:01:46 | 0:01:50 | |
Are you sure you just don't want a hug? | 0:01:56 | 0:01:59 | |
No, get up, you've made it weird now! | 0:01:59 | 0:02:02 | |
No, no, just give me a minute. | 0:02:02 | 0:02:03 | |
No tongues! Get out! | 0:02:12 | 0:02:15 | |
Right, sorry. Thank you, sorry, sorry, thank you. | 0:02:15 | 0:02:20 | |
Ah, babe, you look so beautiful. | 0:02:26 | 0:02:28 | |
I can't believe I'm getting married. | 0:02:28 | 0:02:30 | |
Neither can I. | 0:02:30 | 0:02:31 | |
Er, what are these? | 0:02:33 | 0:02:34 | |
Oh, those are your bouquets. Do you like 'em? | 0:02:34 | 0:02:36 | |
-We said pink flowers. -I know but... -These are lilac, Lis. | 0:02:36 | 0:02:39 | |
I was just worried with the pink dresses... | 0:02:39 | 0:02:41 | |
I hate lilac, Lisa, you know that. | 0:02:41 | 0:02:43 | |
Seriously, I can't even look at them, they make me feel sick. | 0:02:43 | 0:02:45 | |
-Don't worry, babes. -Thanks babes. | 0:02:45 | 0:02:47 | |
-I'm sorry, Nads, I didn't know. -Just take these ones, babes. | 0:02:47 | 0:02:50 | |
-Ah, cheers -Actually, Em, those are mine. | 0:02:50 | 0:02:53 | |
So, what you saying? She can't have 'em? | 0:02:53 | 0:02:55 | |
Brilliant, so I'm going to walk down the aisle without | 0:02:55 | 0:02:57 | |
a bouquet like some freak? Thanks, Lisa. | 0:02:57 | 0:02:59 | |
I'm sorry, Nads, but I've got to have a bouquet. I'm the bride! | 0:02:59 | 0:03:03 | |
Do you know what, Lis? | 0:03:03 | 0:03:05 | |
I'm not being funny, yeah, but you're coming across | 0:03:05 | 0:03:07 | |
as really self-obsessed right now. | 0:03:07 | 0:03:09 | |
-You are. -And I know it's your wedding and that, | 0:03:09 | 0:03:11 | |
but at the end of the day, it's not all about you | 0:03:11 | 0:03:13 | |
and I'm sorry if that upsets you, | 0:03:13 | 0:03:15 | |
but I've got to speak my mind, cos I always tell it like it is, | 0:03:15 | 0:03:18 | |
cos that's just who I am. | 0:03:18 | 0:03:19 | |
I've got to be true to myself, cos if I'm not being true to myself, | 0:03:19 | 0:03:22 | |
-then I'm lying to myself. -Don't do that. | 0:03:22 | 0:03:24 | |
And I ain't never going to do that, cos I'm such an honest person. | 0:03:24 | 0:03:27 | |
-She is. -Em, it's her wedding day! -Back off, Mish. | 0:03:27 | 0:03:30 | |
I'm not going to stand here and pretend I don't know for a fact | 0:03:30 | 0:03:32 | |
you think you look like Kate Middleton right now. | 0:03:32 | 0:03:34 | |
You actually look like Em's nan and she's like 100 years old. | 0:03:34 | 0:03:37 | |
-She's well ancient. -You probably can't hear what I'm saying cos you're so in love with yourself. | 0:03:37 | 0:03:41 | |
I ain't never going to not tell the truth, | 0:03:41 | 0:03:43 | |
-just cos it's like your special day or something. -That's right. | 0:03:43 | 0:03:46 | |
I'd be two-faced and that's just not what I'm about, | 0:03:46 | 0:03:48 | |
cos I'm about keeping it real, cos I'm a really honest person. | 0:03:48 | 0:03:51 | |
-That's just who I am. -Who she is. | 0:03:51 | 0:03:53 | |
I chose you to be bridesmaids, cos you're my ugliest friends | 0:03:53 | 0:03:56 | |
and I knew you wouldn't upstage me on my big day. | 0:03:56 | 0:03:59 | |
What? Just being honest. | 0:04:00 | 0:04:03 | |
OK, so next up is the fight sketch. | 0:04:07 | 0:04:09 | |
Gareth and myself have had a chat about this and we think | 0:04:09 | 0:04:11 | |
the best way to go about this one is to bring in some body doubles. | 0:04:11 | 0:04:14 | |
-Oh, OK. -Great. | 0:04:14 | 0:04:16 | |
We've asked them to come in today, actually, | 0:04:16 | 0:04:18 | |
so we can block it through. | 0:04:18 | 0:04:19 | |
Shall I just go and... | 0:04:19 | 0:04:20 | |
Grab them, we'll have a look, see what we think. | 0:04:20 | 0:04:23 | |
Do you want to come in? | 0:04:27 | 0:04:28 | |
Oh! Hello, hi, I'm Lorna, nice to meet you. | 0:04:31 | 0:04:35 | |
Hi, wow gosh, it's like looking in a mirror! | 0:04:36 | 0:04:39 | |
-I think it's uncanny. -That's brilliant! | 0:04:39 | 0:04:42 | |
I think you're being a little generous there, no? | 0:04:42 | 0:04:44 | |
-And Ingrid, this is your body double. -Great. | 0:04:44 | 0:04:48 | |
Thanks for coming in.. | 0:04:49 | 0:04:51 | |
Hi. | 0:04:55 | 0:04:57 | |
Guys, I don't think this is going to work actually. | 0:04:58 | 0:05:01 | |
Oh, yeah, God, sorry. | 0:05:01 | 0:05:02 | |
Wow, Ingy, that's amazing. | 0:05:12 | 0:05:15 | |
That's quite, er, freaky, actually. | 0:05:15 | 0:05:17 | |
You know, with the wig on, | 0:05:17 | 0:05:19 | |
I actually genuinely can't tell who's who. | 0:05:19 | 0:05:21 | |
Sorry, sorry, can you all not see one fairly major problem here? | 0:05:21 | 0:05:26 | |
Oh, yes, I know he's a man, | 0:05:26 | 0:05:27 | |
but we're not showing faces, so it won't be a problem. | 0:05:27 | 0:05:30 | |
I didn't mean that. Well, there's that as well, yes. | 0:05:30 | 0:05:32 | |
It's just that... well, you know.. | 0:05:32 | 0:05:34 | |
-He's... -What? | 0:05:37 | 0:05:39 | |
Erm... Well, he's... | 0:05:39 | 0:05:42 | |
And I'm... | 0:05:43 | 0:05:45 | |
-I don't follow. -OK, just look at him, Gareth. | 0:05:47 | 0:05:50 | |
-What you talking about, darlin? -Are you serious? | 0:05:55 | 0:06:00 | |
No? | 0:06:00 | 0:06:01 | |
He's bloody enormous!!! | 0:06:03 | 0:06:04 | |
Sorry. | 0:06:04 | 0:06:06 | |
Darling... | 0:06:07 | 0:06:08 | |
-You're exactly the same size. -What?!! Don't be ridiculous! | 0:06:11 | 0:06:15 | |
Really?! | 0:06:18 | 0:06:21 | |
Yeah. | 0:06:21 | 0:06:22 | |
Really? | 0:06:22 | 0:06:24 | |
Oh, God! | 0:06:24 | 0:06:26 | |
Guys will you just, erm, I'm just going to... | 0:06:26 | 0:06:29 | |
Erm... I'll see... | 0:06:29 | 0:06:33 | |
Actually, his bottom isn't quite right. | 0:06:37 | 0:06:41 | |
Do you think we could get some kind of padding or..? | 0:06:41 | 0:06:43 | |
-Oh, yes, no problem. -Large it up. | 0:06:43 | 0:06:47 | |
We can make it... | 0:06:47 | 0:06:49 | |
I know I shouldn't have any of these, but I have to say, | 0:06:49 | 0:06:52 | |
-I've been so good today. -Oh, have you? | 0:06:52 | 0:06:54 | |
Yeah, I've barely had anything at all. | 0:06:54 | 0:06:57 | |
So, for breakfast what did I have? | 0:06:57 | 0:06:59 | |
I had a small bowl of porridge... | 0:06:59 | 0:07:01 | |
'Here we go.' | 0:07:01 | 0:07:02 | |
with just a little a teaspoon of honey and skimmed milk, | 0:07:02 | 0:07:05 | |
then, I had, what did I have? | 0:07:05 | 0:07:07 | |
Oh, then I had a glass of orange juice... | 0:07:07 | 0:07:08 | |
Oh, and then I had a pear just before lunch. | 0:07:08 | 0:07:11 | |
Lunch was, er... | 0:07:11 | 0:07:13 | |
'Please, stop talking.' | 0:07:13 | 0:07:14 | |
Then I had like a low fat pot of natural yoghurt, | 0:07:14 | 0:07:17 | |
with just like a slice of... | 0:07:17 | 0:07:19 | |
'Oh, my God, she's going to do the entire day.' | 0:07:19 | 0:07:22 | |
Then I had a chicken breast with like a basic salad... | 0:07:22 | 0:07:24 | |
so that was kind of like lettuce, tomato, carrot... | 0:07:24 | 0:07:27 | |
BABY CRIES | 0:07:36 | 0:07:39 | |
It's your turn. | 0:07:42 | 0:07:43 | |
Oh, can't you go? I'm shattered. | 0:07:44 | 0:07:47 | |
No, I've got a very important meeting tomorrow. | 0:07:47 | 0:07:50 | |
Have you? | 0:07:50 | 0:07:51 | |
I told you. We've got a team building breakfast first thing. | 0:07:51 | 0:07:56 | |
Suppose I'd better go, then. | 0:07:56 | 0:07:59 | |
Oh, no, I forgot. I've got that COBRA meeting tomorrow. | 0:07:59 | 0:08:05 | |
Maybe you should go after all. | 0:08:05 | 0:08:07 | |
It's your turn! | 0:08:07 | 0:08:10 | |
CRYING CONTINUES | 0:08:10 | 0:08:12 | |
You know, as Prime Minister, | 0:08:15 | 0:08:17 | |
I could technically order you to go feed the baby. | 0:08:17 | 0:08:20 | |
-I order you to go feed the baby! -What? No way! | 0:08:22 | 0:08:27 | |
Oh, dear, I'm afraid that is treason. | 0:08:27 | 0:08:29 | |
-What? How is that treason? -You're disobeying the Queen. | 0:08:29 | 0:08:32 | |
-No I'm not! -Yes, you are. | 0:08:32 | 0:08:34 | |
The Queen, ordered me to form a government, | 0:08:34 | 0:08:36 | |
and as head of that government, I'm telling you to go feed the baby. | 0:08:36 | 0:08:39 | |
Ergo, if you disobey me, you're actually disobeying the Queen. | 0:08:39 | 0:08:42 | |
Well, you'll just have to clap me in irons | 0:08:42 | 0:08:44 | |
and lock me in the tower, because it's your turn! | 0:08:44 | 0:08:48 | |
If that's your final answer, Jeff, | 0:08:48 | 0:08:50 | |
then I'm sorry, but you leave me absolutely no choice but... | 0:08:50 | 0:08:54 | |
ALARMS RING | 0:08:57 | 0:09:00 | |
Hah! | 0:09:02 | 0:09:04 | |
Oh God! Oh God! | 0:09:08 | 0:09:10 | |
Fine! You win! | 0:09:10 | 0:09:12 | |
POLICE DOGS BARK | 0:09:12 | 0:09:15 | |
Signor Santanos, please follow me, your guest is already here. | 0:09:25 | 0:09:28 | |
For your discretion. | 0:09:28 | 0:09:30 | |
Senor. | 0:09:30 | 0:09:32 | |
Gracias. | 0:09:36 | 0:09:38 | |
And, erm, bring us a bottle of your finest champagne. | 0:09:39 | 0:09:42 | |
Ola, my darling. | 0:09:44 | 0:09:46 | |
Carlos! | 0:09:48 | 0:09:49 | |
Hey, what is wrong with your head? | 0:09:52 | 0:09:54 | |
Oh, it's nothing. | 0:09:54 | 0:09:57 | |
I was in a china shop and, well, you know how it goes. | 0:09:57 | 0:10:00 | |
My clumsy little Toro. | 0:10:00 | 0:10:02 | |
Ahem, Your champagne, Sir. | 0:10:04 | 0:10:06 | |
Gracias. | 0:10:06 | 0:10:08 | |
And do you know what you'd like to order? | 0:10:08 | 0:10:11 | |
Si, for me I will have the vegetarian tagine. | 0:10:11 | 0:10:16 | |
And would it be possible to have that with a little bowl of grass? | 0:10:16 | 0:10:20 | |
I'll ask chef. And for you, sir? | 0:10:20 | 0:10:23 | |
-I will have the fillet of beef. -Carlos! | 0:10:23 | 0:10:26 | |
Oh, my darling. I'm so sorry. I will just take a salad, thank you. | 0:10:26 | 0:10:30 | |
Sweetie, how is your friend? | 0:10:32 | 0:10:36 | |
Oh, he's still at the vets, it doesn't look good. | 0:10:36 | 0:10:41 | |
Unfortunately, that final spear that you drove into his lungs | 0:10:41 | 0:10:44 | |
is causing some complications. | 0:10:44 | 0:10:47 | |
I'm sorry to hear that. I hope he makes it. | 0:10:47 | 0:10:49 | |
He was a good bull. | 0:10:49 | 0:10:50 | |
Si. | 0:10:50 | 0:10:52 | |
Toro, there is something I want to ask you. | 0:10:52 | 0:10:54 | |
What I want to ask you is... | 0:10:56 | 0:10:57 | |
Will you marry me? | 0:11:04 | 0:11:05 | |
But, Carlos! | 0:11:08 | 0:11:09 | |
It fits! | 0:11:14 | 0:11:16 | |
Carlos, I want to say yes, | 0:11:16 | 0:11:20 | |
but your people and my people, they'll never allow it! | 0:11:20 | 0:11:23 | |
Then we must move to a place where a bull and a matador can be together. | 0:11:23 | 0:11:26 | |
-Norfolk? -Si, we leave tonight. | 0:11:26 | 0:11:31 | |
Oh, no, they have found us. | 0:11:39 | 0:11:41 | |
Amigos! Como estas? | 0:11:58 | 0:12:00 | |
Where is the bull? | 0:12:06 | 0:12:07 | |
Hey, Pedro, nice cape? | 0:12:07 | 0:12:10 | |
Where is the bull? | 0:12:10 | 0:12:12 | |
There is no bull here. | 0:12:12 | 0:12:14 | |
Toro, run! | 0:12:19 | 0:12:21 | |
But I have no incentive! | 0:12:21 | 0:12:23 | |
Thirsty, exhausted with blood trickling out of my nose, | 0:12:34 | 0:12:39 | |
I made my solemn vow, that no man would be a party to the | 0:12:39 | 0:12:43 | |
confidential knowledge of operations that I would forever carry... | 0:12:43 | 0:12:47 | |
..in my fighter's heart. | 0:12:49 | 0:12:51 | |
That's Secrets of the SAS, £15.99. | 0:12:51 | 0:12:54 | |
I'll be in the foyer to sign copies. | 0:12:54 | 0:12:56 | |
APPLAUSE | 0:12:56 | 0:12:57 | |
Thank you, Derek, sorry, I mean, Mr A. | 0:12:57 | 0:13:03 | |
We're privileged now to offer you something of a coup. | 0:13:03 | 0:13:06 | |
Indeed her latest offering, A Darker Shade of Beige, | 0:13:06 | 0:13:09 | |
has been called the latest voice in middle-aged Mummy erotic literature. | 0:13:09 | 0:13:15 | |
Expect things to get steamy now as we welcome E.L. Phillips. | 0:13:15 | 0:13:18 | |
Nice to see you all this afternoon. | 0:13:29 | 0:13:33 | |
I've been asked to read a bit from my book, A Darker Shade. | 0:13:33 | 0:13:37 | |
Chapter seven. | 0:13:38 | 0:13:39 | |
Eleanor wandered into the beautifully appointed kitchen. | 0:13:45 | 0:13:49 | |
There he was, brooding, enigmatic, perched against the Aga, | 0:13:49 | 0:13:56 | |
with fingers casually caressing one of her lovely French pans, | 0:13:56 | 0:14:00 | |
which she always left out to give it that rural look she'd seen | 0:14:00 | 0:14:03 | |
in that Sophie Dahl photo shoot in Homes and Gardens. | 0:14:03 | 0:14:07 | |
She was just reaching for her Kath Kidston apron, when he pounced. | 0:14:09 | 0:14:13 | |
Grabbing, um... | 0:14:13 | 0:14:15 | |
Grabbing, grabbing... | 0:14:16 | 0:14:17 | |
Well, grabbing both actually, of her... | 0:14:19 | 0:14:23 | |
Basically, so then he... | 0:14:24 | 0:14:26 | |
Then he sort of... | 0:14:26 | 0:14:28 | |
spanks her, um... | 0:14:28 | 0:14:30 | |
spanks her, um.... | 0:14:30 | 0:14:33 | |
on the bottom and then... | 0:14:33 | 0:14:38 | |
Then, oh, yes, then, here we are... | 0:14:38 | 0:14:42 | |
They stood embracing against the antique table. | 0:14:42 | 0:14:46 | |
He smiled at her, thrusting his.... | 0:14:46 | 0:14:50 | |
Well, yes, thrusting his erm... | 0:14:50 | 0:14:54 | |
Thrusting his, you know, his dingle dangle. | 0:14:54 | 0:14:58 | |
His oojamaflip! | 0:14:58 | 0:15:01 | |
Um, anyway, and then she... | 0:15:01 | 0:15:04 | |
Then she... | 0:15:04 | 0:15:05 | |
Then she does a... | 0:15:05 | 0:15:07 | |
You know, does a... | 0:15:07 | 0:15:09 | |
She sort of treats him to a erm.... | 0:15:09 | 0:15:12 | |
Thinga-me-bob. | 0:15:14 | 0:15:16 | |
And then, yes, he sort of ties her up on the um... | 0:15:16 | 0:15:20 | |
You know, sort of throws her down on the... | 0:15:20 | 0:15:22 | |
Well, it's a nice slate floor from Fired Earth, actually... | 0:15:25 | 0:15:29 | |
And... | 0:15:29 | 0:15:30 | |
Yes, that's pretty much it actually, that's chapter seven. | 0:15:32 | 0:15:36 | |
-Thank you. -Has anybody got any questions? | 0:15:38 | 0:15:42 | |
Oh, no! | 0:15:43 | 0:15:45 | |
Don't listen to Michelle. | 0:15:47 | 0:15:48 | |
She's hardly the best person to dish out relationship advice. | 0:15:48 | 0:15:51 | |
She's been divorced three times! | 0:15:51 | 0:15:53 | |
Yeah. | 0:15:53 | 0:15:54 | |
-Now, this is weird. -What? What's weird? | 0:15:54 | 0:15:57 | |
This. That's so odd, I've just had a really bizarre flashback to a dream | 0:15:57 | 0:16:01 | |
I had last night. | 0:16:01 | 0:16:02 | |
'Oh, great.' | 0:16:02 | 0:16:03 | |
It was exactly like this, right, except you weren't there | 0:16:03 | 0:16:06 | |
-and it wasn't on a balcony. -Mm-hm. | 0:16:06 | 0:16:08 | |
And, um, oh, I know where it was, it was in a massive field... | 0:16:08 | 0:16:11 | |
'Other people's dreams, my favourite.' | 0:16:11 | 0:16:14 | |
No, no, it wasn't. It was, I know! | 0:16:14 | 0:16:16 | |
It was the old playing fields from my old school. | 0:16:16 | 0:16:20 | |
There was this massive group of people and they were playing cricket. | 0:16:20 | 0:16:24 | |
So I go over to them but I was running this B&B on the beach | 0:16:24 | 0:16:27 | |
and then, then I was in Hawaii... | 0:16:27 | 0:16:29 | |
Right! | 0:16:29 | 0:16:31 | |
And you know who was there? | 0:16:31 | 0:16:32 | |
-Go on. -Steve Guttenberg. Do you remember him? -Wow! | 0:16:32 | 0:16:35 | |
MUSIC BLARES FROM UPSTAIRS | 0:16:35 | 0:16:36 | |
Fi, will you please turn that music down? | 0:16:36 | 0:16:40 | |
I tell you what, I envy you two having the boys. | 0:16:41 | 0:16:44 | |
I am totally outnumbered in my own home. | 0:16:44 | 0:16:47 | |
She's got her friend Bea round. | 0:16:47 | 0:16:49 | |
The amount of bloody time that girl spends here, | 0:16:49 | 0:16:51 | |
I'm going to start charging her parents rent. | 0:16:51 | 0:16:53 | |
They'd probably pay it if it meant getting rid of her for a bit. | 0:16:53 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:58 | |
Oh, hi, Bea. | 0:16:59 | 0:17:00 | |
Hey, Mr and Mrs Edwards. | 0:17:00 | 0:17:03 | |
Mum, can me and Bea show you our dance routine? | 0:17:03 | 0:17:06 | |
No, darling. We're just in the middle of dinner. | 0:17:06 | 0:17:09 | |
-Please? -I don't think now's the time, OK? | 0:17:09 | 0:17:12 | |
But, it's really quick. | 0:17:12 | 0:17:14 | |
Yah, it's like, so quick. | 0:17:14 | 0:17:15 | |
Listen, I don't think Liz and John want to see you do a dance routine, OK? | 0:17:15 | 0:17:19 | |
But it's really nice. | 0:17:19 | 0:17:21 | |
Yah, it's a really nice dance routine. | 0:17:21 | 0:17:24 | |
Yah, I really like it. It's really nice. | 0:17:24 | 0:17:28 | |
Hey, we'd love to see your dance routine, wouldn't we, Liz? | 0:17:33 | 0:17:36 | |
MUSIC: Notorious by The Saturdays. | 0:17:43 | 0:17:46 | |
No, not yet. | 0:17:46 | 0:17:47 | |
-OK, that's enough. -TURNS MUSIC OFF | 0:19:02 | 0:19:05 | |
Did you like it? | 0:19:09 | 0:19:12 | |
Yes, goodness, it was, um, very nice. | 0:19:12 | 0:19:15 | |
Can we do another one, please? | 0:19:15 | 0:19:17 | |
No! | 0:19:17 | 0:19:18 | |
Thanks very much. Bye -bye! | 0:19:19 | 0:19:22 | |
What if he calls me a bitch? | 0:19:24 | 0:19:26 | |
-This is your first redundancy, Liz, be positive. -OK. | 0:19:26 | 0:19:29 | |
But there is always the chance that they will call you a bitch. That's the hell of HR, I'm afraid. | 0:19:29 | 0:19:33 | |
-Right. -KNOCKING | 0:19:33 | 0:19:35 | |
Peter! Hilary Swimmer, Head of HR. Ignore me. | 0:19:37 | 0:19:41 | |
I'm just here to observe, as Liz's mentor. | 0:19:41 | 0:19:44 | |
-That's fine. -I think you know Liz. -Yes. | 0:19:44 | 0:19:46 | |
Liz'll be the one sacking you today | 0:19:46 | 0:19:48 | |
-You're sacking me? -Liz? | 0:19:48 | 0:19:51 | |
Right, so... Thank you for coming in, Pete. | 0:19:51 | 0:19:54 | |
As you know, we've had a difficult year | 0:19:54 | 0:19:56 | |
-and projections have been poor. -So I'm out? | 0:19:56 | 0:19:58 | |
Jeez, slow down, will you? Can I just say "Sandwich", Liz? | 0:19:58 | 0:20:01 | |
-Always give them a bit of good news first. -OK, um... | 0:20:01 | 0:20:04 | |
Your punctuality is really good and you've been a brilliant | 0:20:04 | 0:20:07 | |
designated first-aider but management did a 360... | 0:20:07 | 0:20:11 | |
-Can I go now? -Sit down and cut her some slack, will you? | 0:20:11 | 0:20:13 | |
She's never sacked anyone before and you being all hysterical | 0:20:13 | 0:20:17 | |
and flappy about it is the last thing she needs. In your own time, Liz. | 0:20:17 | 0:20:20 | |
And they were all ticking the same boxes. | 0:20:20 | 0:20:22 | |
-Close it down, Liz! -We want to leverage you downwards. | 0:20:22 | 0:20:25 | |
-Time for the knockout! -Offboard you, so to speak | 0:20:25 | 0:20:27 | |
-For God's sake woman, DO it! -You're fired! -Yes! | 0:20:27 | 0:20:31 | |
Come on! That's what I'm talkin' about. | 0:20:31 | 0:20:33 | |
Got there in the end, eh, Liz, didn't she Pete?! | 0:20:33 | 0:20:36 | |
Classic bad news sandwich. | 0:20:36 | 0:20:39 | |
Bad news sandwich? | 0:20:39 | 0:20:40 | |
In that case, where's my positive topping? | 0:20:41 | 0:20:44 | |
Ooh, Liz? | 0:20:45 | 0:20:47 | |
He's thrown you a curve ball there, what are you going to do? | 0:20:47 | 0:20:50 | |
-Ahem. -Close it down Liz. Come on. Think. What does he want? | 0:20:50 | 0:20:53 | |
You can take the chair? | 0:20:53 | 0:20:54 | |
How do you sleep at night? | 0:21:01 | 0:21:02 | |
I was supposed to offer him the redundancy package! | 0:21:10 | 0:21:13 | |
And the penny drops. | 0:21:13 | 0:21:14 | |
Don't beat yourself up, Liz, that was a great chair. | 0:21:14 | 0:21:17 | |
Finally! Where's my husband? I want to take him home. | 0:21:24 | 0:21:29 | |
I'm afraid there were some...complications. | 0:21:29 | 0:21:34 | |
Complications? | 0:21:34 | 0:21:35 | |
Yes. Your husband he...he didn't make it. | 0:21:38 | 0:21:43 | |
-Are you all right? -Yeah, just give me a minute, sorry. | 0:22:00 | 0:22:04 | |
Cut! | 0:22:17 | 0:22:19 | |
What's going on, Sophie? | 0:22:21 | 0:22:23 | |
I'm so sorry, this is my first crying scene | 0:22:23 | 0:22:25 | |
-and I just can't seem to... -Can someone get the crying coach! | 0:22:25 | 0:22:28 | |
-The what? -Crying coach? | 0:22:28 | 0:22:31 | |
Jan Peters, Crying Coach. | 0:22:32 | 0:22:35 | |
Give me two minutes, I'll have her blubbing in no time. | 0:22:35 | 0:22:38 | |
OK, thank you, my love. I need you to look at me. | 0:22:38 | 0:22:41 | |
If you could just... Look at me. | 0:22:41 | 0:22:44 | |
I said look at me! | 0:22:45 | 0:22:46 | |
-Ow! -What the...! | 0:22:47 | 0:22:48 | |
OK, let's just get the waterworks up and running, shall we? | 0:22:48 | 0:22:52 | |
We haven't got long. | 0:22:52 | 0:22:53 | |
Um, any childhood traumas we can access here, hm? | 0:22:53 | 0:22:57 | |
No, not really. | 0:22:57 | 0:22:59 | |
-Family illness? -No. We've been very lucky. | 0:22:59 | 0:23:02 | |
You're a massive ham! | 0:23:03 | 0:23:05 | |
You're entitled to your opinion. | 0:23:05 | 0:23:07 | |
Yep, won't be a second. | 0:23:08 | 0:23:09 | |
Hello, hello. Your father never loved you! | 0:23:11 | 0:23:16 | |
I'm an actress...that's kind of par for the course. | 0:23:16 | 0:23:19 | |
Oh, come on! | 0:23:27 | 0:23:29 | |
Fake. | 0:23:29 | 0:23:31 | |
Right, positions everyone, we need to get this, OK. | 0:23:31 | 0:23:34 | |
-A few more seconds. I really think I could crack her. -Please. | 0:23:34 | 0:23:37 | |
Action! | 0:23:37 | 0:23:39 | |
Finally! Where's my husband? I want to take him home. | 0:23:39 | 0:23:43 | |
I'm afraid there were some...complications. | 0:23:43 | 0:23:48 | |
Complications? | 0:23:48 | 0:23:50 | |
Yes. Your husband he... He didn't make it. | 0:23:54 | 0:23:59 | |
I love this place. | 0:24:27 | 0:24:29 | |
Oh, yeah it's nice, isn't it? | 0:24:29 | 0:24:31 | |
I just feels so tucked-away, you know what I mean? | 0:24:31 | 0:24:33 | |
Like a little secret. It reminds me of a place Steve and I visited for our anniversary... | 0:24:33 | 0:24:37 | |
'Oh, no, not the Prague story again.' | 0:24:37 | 0:24:39 | |
Do you remember, when we went to Prague? | 0:24:39 | 0:24:42 | |
Or Praha, as they call it, the sexy Czechs. | 0:24:42 | 0:24:45 | |
-I've got some pictures somewhere... -'Of course you have.' | 0:24:45 | 0:24:48 | |
Here we go, there was this one day, | 0:24:48 | 0:24:50 | |
we got up at the crack of dawn, skipped breakfast completely, | 0:24:50 | 0:24:53 | |
spent the WHOLE day trekking around the city. I tell you what, they have the most amazing architecture... | 0:24:53 | 0:24:58 | |
'Oh, piss off!' | 0:24:58 | 0:24:59 | |
Jose! My brother! | 0:25:48 | 0:25:51 | |
Toro! Toro! | 0:25:51 | 0:25:53 | |
Toro! Toro! | 0:25:53 | 0:25:54 | |
Toro! | 0:25:54 | 0:25:56 | |
Toro! | 0:26:57 | 0:26:58 | |
Nooo! Nooo! | 0:27:14 | 0:27:18 | |
You killed him! | 0:27:18 | 0:27:20 | |
Carlos? Carlos! | 0:27:23 | 0:27:25 | |
Shhh...Shhh my little one. | 0:27:26 | 0:27:30 | |
If only we had been born in another time, another place. | 0:27:32 | 0:27:37 | |
If only you had been born a cow. | 0:27:38 | 0:27:40 | |
Si. | 0:27:40 | 0:27:41 | |
-SINGS: -There's a place | 0:27:45 | 0:27:52 | |
# For us somewhere... | 0:27:52 | 0:27:57 | |
BOTH: # A place for us... # | 0:27:57 | 0:28:01 | |
Carlos? Carlos! | 0:28:05 | 0:28:09 | |
Moooooo! | 0:28:14 | 0:28:18 | |
MOOOOO! | 0:28:21 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 | |
If you'd like to, see a bit more of, ooh! | 0:28:53 | 0:28:57 | |
Watson and Oliver um, | 0:28:57 | 0:29:00 | |
then if you could just press the little red...button. | 0:29:00 | 0:29:03 |