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This programme contains very strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:06 | |
I've always loved great magicians. | 0:00:07 | 0:00:09 | |
They're the double glazing salesmen of the entertainment business. | 0:00:09 | 0:00:12 | |
Last year, with nothing but a massive curtain, | 0:00:12 | 0:00:15 | |
and an even bigger pair of balls, | 0:00:15 | 0:00:16 | |
David Copperfield made The Statue of Liberty vanish. | 0:00:16 | 0:00:19 | |
Now, you and I both know he couldn't have vanished | 0:00:21 | 0:00:23 | |
The Statue of fucking Liberty... | 0:00:23 | 0:00:26 | |
but look into his eyes. | 0:00:26 | 0:00:28 | |
Tell me he doesn't 100% believe that | 0:00:28 | 0:00:30 | |
he just made her disappear for real. | 0:00:30 | 0:00:32 | |
What you're looking at there, folks, is the secret of sales. | 0:00:32 | 0:00:35 | |
Believe in what you're selling. | 0:00:35 | 0:00:37 | |
I'd forgotten that, and it's almost cost me everything I love - | 0:00:38 | 0:00:41 | |
my wife, my kids, my money. | 0:00:41 | 0:00:44 | |
But now it's time to start taking it all back the only way I know how - | 0:00:44 | 0:00:48 | |
by selling the greatest product that exists on this beautiful planet... | 0:00:48 | 0:00:52 | |
me. | 0:00:52 | 0:00:53 | |
Aren't you going to be late for school? | 0:00:55 | 0:00:58 | |
-But we're not finished here. -Oh, I think we are, sweetheart. | 0:00:58 | 0:01:01 | |
You want me to piss away my money | 0:01:10 | 0:01:12 | |
starting a double glazing company with you? | 0:01:12 | 0:01:14 | |
I mean, that's a less nuanced version of it but, yeah. | 0:01:14 | 0:01:18 | |
Why don't you just take over at Cachet? | 0:01:18 | 0:01:21 | |
Walshy won't sell, it's his nest egg. | 0:01:21 | 0:01:23 | |
Well, I always find a man more amenable to an offer | 0:01:23 | 0:01:26 | |
when I've got his nuts clamped in a vice. | 0:01:26 | 0:01:29 | |
Are we talking metaphorical testicles here? | 0:01:29 | 0:01:33 | |
Yeah, for the minute. Now, Vincent, ever heard of a phoenix scam? | 0:01:33 | 0:01:38 | |
No, but feel free to enlighten me. | 0:01:38 | 0:01:41 | |
It's when you take a business... | 0:01:41 | 0:01:44 | |
say, a flourishing double glazing firm, | 0:01:44 | 0:01:47 | |
you siphon off all the cash | 0:01:47 | 0:01:48 | |
and at the same time, you run up crippling debts | 0:01:48 | 0:01:52 | |
until it gets wound up. | 0:01:52 | 0:01:54 | |
You see, that's a bit short-term for me. | 0:01:55 | 0:01:58 | |
I want to run my own company, build it up into a national chain. | 0:01:58 | 0:02:02 | |
And you will, young Vincent, because at this point | 0:02:03 | 0:02:07 | |
a handsome and respected local businessman steps in, | 0:02:07 | 0:02:10 | |
buys up the company for a nominal fee, say £1, | 0:02:10 | 0:02:13 | |
and a new "debt free" firm rises from the ashes of the old one. | 0:02:13 | 0:02:18 | |
The phoenix from the flames. | 0:02:18 | 0:02:20 | |
How legal is it? | 0:02:22 | 0:02:23 | |
Well, let's just say it's not completely illegal. | 0:02:23 | 0:02:26 | |
It's certainly immoral, though. | 0:02:26 | 0:02:28 | |
I mean, how would you feel about stealing Walshy's livelihood, | 0:02:28 | 0:02:31 | |
his money, his business? | 0:02:31 | 0:02:34 | |
I feel surprisingly OK about it. | 0:02:36 | 0:02:38 | |
To be honest, I'd have felt OK about letting Ronnie take | 0:02:38 | 0:02:41 | |
a shit in my mouth if it had meant I could clear my 50 grand tax bill. | 0:02:41 | 0:02:44 | |
Stage one of the plan was getting me installed as a partner at Cachet. | 0:02:44 | 0:02:48 | |
Being a greedy cocksucker, Walshy jumped on my offer to invest. | 0:02:48 | 0:02:51 | |
Do I want to know where this came from? | 0:02:51 | 0:02:52 | |
Don't shit your pants, it's all above board. | 0:02:52 | 0:02:54 | |
I re-mortgaged the house. | 0:02:54 | 0:02:56 | |
Which is partly true, Ronnie loaned me the money. | 0:02:56 | 0:02:59 | |
What I didn't mention was that | 0:02:59 | 0:03:00 | |
I'd borrowed it against Walshy's business, | 0:03:00 | 0:03:02 | |
not my house, with interest rates that were fucking eye-watering, | 0:03:02 | 0:03:05 | |
even for a shark like Ronnie. | 0:03:05 | 0:03:07 | |
-Congratulations, partner. -Best move you've ever made. | 0:03:07 | 0:03:10 | |
Fortunately, Walshy had about as much business acumen as | 0:03:10 | 0:03:12 | |
a bucket of pig shit. As long as orders were coming in, | 0:03:12 | 0:03:15 | |
he'd think business was hunky-dory. | 0:03:15 | 0:03:17 | |
But before I could start spending his money like a cunt, | 0:03:17 | 0:03:19 | |
firstly I needed to re-hire one. | 0:03:19 | 0:03:21 | |
Hello, Maureen, love. Is Brian about? | 0:03:25 | 0:03:26 | |
-SHE GROANS -Fuckface! Door. | 0:03:26 | 0:03:29 | |
HE SOBS | 0:03:29 | 0:03:31 | |
Fitzpatrick took less convincing than I'd imagined. | 0:03:31 | 0:03:34 | |
Christ, I need this job. Thank you. | 0:03:34 | 0:03:37 | |
Walshy! Get a load of that. | 0:03:38 | 0:03:41 | |
It didn't matter that we were selling our windows | 0:03:41 | 0:03:43 | |
for practically cost, | 0:03:43 | 0:03:44 | |
to Walshy's barely-educated eye, business was flying. | 0:03:44 | 0:03:47 | |
What he didn't know was that I was about to pilot it into | 0:03:47 | 0:03:49 | |
the side of a fucking mountain. | 0:03:49 | 0:03:51 | |
Here you are, boys. | 0:03:51 | 0:03:52 | |
One of my first acts as a codirector was to approve | 0:03:52 | 0:03:54 | |
company cars for the entire sales team... | 0:03:54 | 0:03:56 | |
including a nice little upgrade for moi. | 0:03:56 | 0:03:59 | |
In fact, everything got upgraded - our suits, | 0:03:59 | 0:04:02 | |
the office furniture... | 0:04:02 | 0:04:04 | |
..we even had prototype car phones fitted. | 0:04:06 | 0:04:08 | |
As communication devices, they were next to fucking useless - | 0:04:08 | 0:04:11 | |
they never worked. | 0:04:11 | 0:04:13 | |
But as toys to wind up the Millman Young pricks, they were priceless. | 0:04:13 | 0:04:17 | |
To soften the blow of Fitzpatrick's return, | 0:04:17 | 0:04:19 | |
I promoted Lavender to head of marketing | 0:04:19 | 0:04:21 | |
and gave him an unlimited budget to blow on | 0:04:21 | 0:04:23 | |
an obscenely expensive radio ad. | 0:04:23 | 0:04:25 | |
We are rolling. | 0:04:25 | 0:04:27 | |
FRETLESS BASS PLAYS | 0:04:27 | 0:04:29 | |
Right. Cut there. Sorry to interrupt. | 0:04:31 | 0:04:33 | |
What's up? | 0:04:33 | 0:04:34 | |
Erm, have you cleared this with Paul Young's label? | 0:04:34 | 0:04:36 | |
I wrote this fucking lick, mate. | 0:04:36 | 0:04:38 | |
I own this sound, all right? | 0:04:38 | 0:04:41 | |
All right. Take two. | 0:04:41 | 0:04:43 | |
Ronnie was even throwing me a kickback from | 0:04:43 | 0:04:45 | |
the extortionate interest on his loans to Cachet | 0:04:45 | 0:04:47 | |
to settle my outstanding tax affairs. | 0:04:47 | 0:04:50 | |
It was beautiful. | 0:04:50 | 0:04:51 | |
HE CHUCKLES | 0:04:53 | 0:04:54 | |
You're welcome. | 0:04:54 | 0:04:56 | |
Now, I appreciate this all might seem a little harsh on Walshy, | 0:04:57 | 0:05:00 | |
but at least this way he gets to keep £1 | 0:05:00 | 0:05:03 | |
and, more importantly, his nuts. | 0:05:03 | 0:05:04 | |
-MAN ON RADIO: -And that was Kool & the Gang there, with Celebration. | 0:05:06 | 0:05:09 | |
Now, we'll be right back with travel after this short break. | 0:05:09 | 0:05:13 | |
Essex Radio! | 0:05:13 | 0:05:15 | |
FRETLESS BASS PLAYS | 0:05:16 | 0:05:18 | |
Hang on, Sam, this is it. This is it! | 0:05:18 | 0:05:20 | |
What's happening? | 0:05:20 | 0:05:22 | |
On the radio. My ad. Sh... | 0:05:22 | 0:05:24 | |
# If your windows and doors | 0:05:24 | 0:05:25 | |
# Don't look loved and adored | 0:05:25 | 0:05:27 | |
# Time to make a change... # | 0:05:27 | 0:05:28 | |
What do you think? | 0:05:28 | 0:05:30 | |
I think I want you to stop talking and start unbuttoning my blouse. | 0:05:30 | 0:05:33 | |
Seriously though, what do you think? | 0:05:33 | 0:05:36 | |
How does it make you feel? | 0:05:36 | 0:05:38 | |
Unbelievably irritated. | 0:05:39 | 0:05:41 | |
Irritated? Why? | 0:05:41 | 0:05:44 | |
Oh, I don't know, maybe because I'm playing second fiddle | 0:05:44 | 0:05:47 | |
to a Paul Young sound-a-like jingle | 0:05:47 | 0:05:49 | |
for my shithead, soon-to-be ex-husband's business. | 0:05:49 | 0:05:52 | |
Paul Young sound-a-like? I created the bass hook on that bloody intro. | 0:05:52 | 0:05:56 | |
-ON RADIO: -'Don't forget the name, Cachet Windows and Doors.' | 0:05:56 | 0:05:58 | |
Even when we're fucking escaping Vincent there's no escaping Vincent. | 0:05:58 | 0:06:01 | |
I thought you liked our little secret rendezvous. | 0:06:01 | 0:06:03 | |
All right, saying it in French doesn't make it more romantic. | 0:06:03 | 0:06:06 | |
I'm sick of sneaking around for quickies in lay-bys. | 0:06:06 | 0:06:09 | |
-It's not a good time to go public. -What?! | 0:06:09 | 0:06:12 | |
We're not Charles and Diana, the public don't give a shit. | 0:06:12 | 0:06:14 | |
The only people that care will be the kids, | 0:06:14 | 0:06:17 | |
and Nat and Robbie like you. | 0:06:17 | 0:06:19 | |
Christ knows they want me to be happy. | 0:06:19 | 0:06:20 | |
It's not just them though, is it, it's Vincent. | 0:06:20 | 0:06:22 | |
I can't do this. | 0:06:25 | 0:06:27 | |
I love being with you. | 0:06:28 | 0:06:30 | |
I think you're kind, you're thoughtful, | 0:06:30 | 0:06:33 | |
and I really fancy you. | 0:06:33 | 0:06:35 | |
But I need to be with someone who respects me, puts me first. | 0:06:36 | 0:06:41 | |
Christ, not even first, just not always fucking last. | 0:06:41 | 0:06:45 | |
We both agreed it's just not the right moment. | 0:06:45 | 0:06:48 | |
I've just been promoted and... Come on, what are you doing? | 0:06:48 | 0:06:52 | |
I'm going home, Martin. | 0:06:54 | 0:06:55 | |
Vincent was right, | 0:06:57 | 0:06:58 | |
-you're a pair of bollocks short of being a decent bloke. -Sam! | 0:06:58 | 0:07:01 | |
Guess what's in here? | 0:07:08 | 0:07:10 | |
A million pounds? | 0:07:10 | 0:07:12 | |
Of course not. | 0:07:12 | 0:07:13 | |
How could I fit a million in here? | 0:07:13 | 0:07:15 | |
I don't know. | 0:07:15 | 0:07:16 | |
A cheque? | 0:07:16 | 0:07:18 | |
-So, what is it? -Doesn't matter now. | 0:07:18 | 0:07:20 | |
Oh, come on, don't leave me on meathooks. | 0:07:20 | 0:07:23 | |
50,000, cash. | 0:07:25 | 0:07:27 | |
Ooh, way less than a million. | 0:07:27 | 0:07:30 | |
-So, where did you get it? -Never you mind. | 0:07:30 | 0:07:33 | |
I'll tell you where it's going, though, | 0:07:33 | 0:07:35 | |
Her Majesty's Inland fucking Revenue. | 0:07:35 | 0:07:37 | |
Wow! Are you going get to meet the Queen? | 0:07:37 | 0:07:39 | |
Not unless she works at a tax office in Southend-on-Sea. | 0:07:39 | 0:07:42 | |
She doesn't. I'm pretty sure she works in London. | 0:07:42 | 0:07:45 | |
Vincent, can I have a word? | 0:07:45 | 0:07:48 | |
This sounds serious. Is Paul Young suing us about the ad? | 0:07:48 | 0:07:50 | |
Let's go upstairs. | 0:07:50 | 0:07:52 | |
Have you been upsetting him again? | 0:07:55 | 0:07:57 | |
I know things haven't been easy between you and Sam, | 0:07:57 | 0:08:00 | |
and the last thing I want is to add to your problems... | 0:08:00 | 0:08:03 | |
It's all right, mate, I know. | 0:08:03 | 0:08:06 | |
-You what? -Sam told me. | 0:08:06 | 0:08:08 | |
I'm so sorry, mate, | 0:08:08 | 0:08:10 | |
I should have been straight with you so much earlier. | 0:08:10 | 0:08:12 | |
I hoped the promotion would have helped. | 0:08:12 | 0:08:14 | |
-That radio campaign's top-notch, by the way. -Thanks. | 0:08:14 | 0:08:18 | |
What has Sam said exactly? | 0:08:18 | 0:08:21 | |
That you've been disillusioned for a while. | 0:08:21 | 0:08:24 | |
The music business pulling at your heart strings. | 0:08:24 | 0:08:26 | |
-Was that all she said? -No. | 0:08:26 | 0:08:28 | |
Apparently I'm a narcissist, a scumbag, | 0:08:28 | 0:08:31 | |
-a terrible father and I'm going to die lonely. -No, I meant... | 0:08:31 | 0:08:34 | |
Look, mate, I know I haven't been a great boss these past few months, | 0:08:34 | 0:08:37 | |
but can you give me a few more weeks? | 0:08:37 | 0:08:39 | |
There are some big changes about to happen around here, and I need you. | 0:08:39 | 0:08:43 | |
Yeah...sure. | 0:08:45 | 0:08:47 | |
Good boy. | 0:08:47 | 0:08:49 | |
Actually, there is one thing you can help me with. | 0:08:49 | 0:08:51 | |
I want to get Sam back. | 0:08:51 | 0:08:53 | |
Really? I thought you and Robbie's teacher... | 0:08:53 | 0:08:55 | |
Nah, that's over, mate. I finished with her last month, | 0:08:55 | 0:08:58 | |
-it was just a bit of fun. -Oh. | 0:08:58 | 0:09:00 | |
And how can I help exactly? | 0:09:00 | 0:09:04 | |
You go and see her, you tell her I still love her, I need her... | 0:09:04 | 0:09:07 | |
That might be a bit weird. | 0:09:07 | 0:09:09 | |
Maybe you should talk to her yourself? | 0:09:09 | 0:09:11 | |
It's hard to have a conversation | 0:09:11 | 0:09:13 | |
while you're dodging the glasses getting launched at your head. | 0:09:13 | 0:09:15 | |
Well, maybe don't go to the house, | 0:09:15 | 0:09:17 | |
arrange to meet her on neutral territory. | 0:09:17 | 0:09:20 | |
That's a good idea. | 0:09:20 | 0:09:21 | |
And be honest about how you feel, about how much she means to you. | 0:09:21 | 0:09:24 | |
Deep down she needs to feel that she comes first. | 0:09:24 | 0:09:28 | |
Christ, not even first, just not always last. | 0:09:28 | 0:09:31 | |
Probably. | 0:09:31 | 0:09:33 | |
That is good. | 0:09:34 | 0:09:35 | |
I knew there was a reason why I employed | 0:09:35 | 0:09:37 | |
-an overeducated ponce like you. -Yeah. | 0:09:37 | 0:09:40 | |
PHONE RINGS | 0:09:40 | 0:09:41 | |
Cachet Windows... Carol. | 0:09:41 | 0:09:43 | |
What's up? Why are you whispering? | 0:09:43 | 0:09:45 | |
Because your son's teacher is in the showroom | 0:09:45 | 0:09:47 | |
and she wants to talk to you. She seems upset. | 0:09:47 | 0:09:49 | |
'Shit. Does she know I'm upstairs?' | 0:09:49 | 0:09:52 | |
No, but she's not leaving until she sees you. | 0:09:52 | 0:09:54 | |
-'Is my briefcase down there?' -Yeah. | 0:09:54 | 0:09:56 | |
Right, put it in my car and I'll sneak out the back. | 0:09:56 | 0:09:59 | |
Oh, just going to the loo. | 0:10:03 | 0:10:05 | |
Reading material. | 0:10:07 | 0:10:09 | |
It's a poo. | 0:10:09 | 0:10:11 | |
So, no school today? | 0:10:14 | 0:10:17 | |
No, because guess who's been suspended for having an | 0:10:17 | 0:10:20 | |
inappropriate relationship with a student's parent? | 0:10:20 | 0:10:23 | |
Do you know how long I had to train to become a teacher? | 0:10:23 | 0:10:26 | |
Three years. | 0:10:26 | 0:10:28 | |
Three years of my life down the toilet | 0:10:28 | 0:10:30 | |
along with my fucking reputation. | 0:10:30 | 0:10:32 | |
Think I'll just nip to the little boy's room too. | 0:10:33 | 0:10:36 | |
-Right, Carol, you got it. -I popped it on your car. | 0:10:39 | 0:10:42 | |
-You mean in my car. -No, on it, it was locked. | 0:10:42 | 0:10:44 | |
It's a fucking convertible, Carol, the roof's down. | 0:10:44 | 0:10:47 | |
Well, there's no need to be rude. I'm the one doing a favour. | 0:10:47 | 0:10:49 | |
Or as I like to call it, your job. | 0:10:49 | 0:10:51 | |
And your BMW's not convertible. | 0:10:51 | 0:10:53 | |
No, but I traded the BMW in for a Mercedes | 0:10:53 | 0:10:55 | |
-four fucking weeks ago, remember? -Oh, yeah. | 0:10:55 | 0:11:00 | |
-So, where's my fucking money, Carol? -On your BMW. | 0:11:00 | 0:11:03 | |
ENGINE STARTS | 0:11:03 | 0:11:05 | |
-Fitzpatrick's BMW. -Fucking hell! Brian! | 0:11:05 | 0:11:08 | |
Brian! Brian! Fuck. | 0:11:10 | 0:11:12 | |
Get that shitheap out of my way! | 0:11:21 | 0:11:24 | |
TRUCK ENGINE REVS | 0:11:24 | 0:11:26 | |
-They're stuck together. -Yeah, no shit, Professor Fuckwit. | 0:11:32 | 0:11:36 | |
Fucking useless piece of shit! | 0:11:39 | 0:11:42 | |
Get Fitzpatrick on that fucking car phone right now! | 0:11:47 | 0:11:49 | |
-Vincent. -Not now! -No, I need to speak to you. | 0:11:49 | 0:11:52 | |
That bitch of a wife of yours has spoken to the head | 0:11:52 | 0:11:54 | |
-and I've been suspended. -Any luck? -I can't connect the call. | 0:11:54 | 0:11:57 | |
You keep fucking trying. I'm holding you responsible. | 0:11:57 | 0:11:59 | |
Did you hear what I said? | 0:11:59 | 0:12:01 | |
I'll get out on the road, try and track him down. | 0:12:01 | 0:12:03 | |
-I said that bitch... -Watch your fucking mouth! | 0:12:03 | 0:12:05 | |
She's reported me. I've been suspended. | 0:12:05 | 0:12:07 | |
Save the crocodile tears, sweetheart. | 0:12:07 | 0:12:09 | |
You loved playing with fire, so did I. | 0:12:09 | 0:12:10 | |
Don't start acting like one of your first year fucking infants | 0:12:10 | 0:12:13 | |
because you got your fingers burned. | 0:12:13 | 0:12:15 | |
Fuck you, Vincent. | 0:12:17 | 0:12:19 | |
It won't connect. Useless fucking phones! | 0:12:19 | 0:12:21 | |
Fuck. | 0:12:22 | 0:12:23 | |
Fuck, fuck, fuck. | 0:12:27 | 0:12:29 | |
Anything? | 0:12:29 | 0:12:31 | |
I think I'm going to be sick. | 0:12:31 | 0:12:34 | |
PHONE RINGS | 0:12:34 | 0:12:35 | |
Hello, Cachet... Oh, thank God! | 0:12:35 | 0:12:37 | |
It's him. He's with Lavender. | 0:12:37 | 0:12:40 | |
Where the fuck is my money, Brian? | 0:12:40 | 0:12:42 | |
What do you mean you don't know? | 0:12:42 | 0:12:44 | |
Well, don't bother setting foot inside this place | 0:12:46 | 0:12:48 | |
until you find my briefcase. | 0:12:48 | 0:12:51 | |
Yes, that does fucking mean you'll be sacked again! | 0:12:51 | 0:12:54 | |
-Good news? -No, not good news. | 0:12:55 | 0:12:57 | |
And if my money doesn't turn up for | 0:12:57 | 0:13:00 | |
my tax hearing this afternoon, you will be sacked too. | 0:13:00 | 0:13:02 | |
Should I call the police? | 0:13:04 | 0:13:06 | |
OK, but just ask them if it's been handed in, all right? | 0:13:08 | 0:13:11 | |
Do not mention the money. | 0:13:11 | 0:13:13 | |
The last thing I need is the Old Bill sniffing about. | 0:13:13 | 0:13:15 | |
Yeah, got it. Incognito. | 0:13:15 | 0:13:18 | |
PHONE RINGS | 0:13:18 | 0:13:20 | |
Hello, Thurrock Police. How may I help? | 0:13:20 | 0:13:22 | |
-IRISH ACCENT: -I'd like to report a missing briefcase, | 0:13:22 | 0:13:25 | |
-so I would, so I would. -I'm sorry? | 0:13:25 | 0:13:27 | |
A briefcase, yer big eejit. | 0:13:27 | 0:13:29 | |
It fell out of a car somewhere in the West Essex area. | 0:13:29 | 0:13:32 | |
Can you hold the line? I just need to grab one of my superiors. | 0:13:32 | 0:13:36 | |
Get me someone from Bomb Squad. | 0:13:36 | 0:13:38 | |
I've got a suspected coded message from the IRA here. | 0:13:38 | 0:13:40 | |
'Sorry, I didn't quite catch your name?' | 0:13:40 | 0:13:43 | |
Get a move on, arseholes! | 0:13:44 | 0:13:46 | |
CAR HORN BLARES | 0:13:46 | 0:13:48 | |
I can't go back to selling diet pills. | 0:13:48 | 0:13:50 | |
Those pyramid scheme wankers are already after me for three grand. | 0:13:50 | 0:13:53 | |
We'll find it, all right? Where else have you been? | 0:13:53 | 0:13:56 | |
Nowhere. We've been fucking everywhere. | 0:13:56 | 0:13:59 | |
What's the hold up? | 0:13:59 | 0:14:01 | |
Oh, fuck. | 0:14:06 | 0:14:08 | |
Not very clever, was it, sir? Now, could you turn around, please? | 0:14:13 | 0:14:16 | |
We've a got suspect package on the roundabout. | 0:14:16 | 0:14:19 | |
Nothing's getting through until the Bomb Squad have investigated. | 0:14:19 | 0:14:22 | |
Oh, you're joking. | 0:14:22 | 0:14:23 | |
Yeah, excuse me, officer. What kind of package? | 0:14:23 | 0:14:26 | |
-Vincent, I've found it! -'You beauty.' | 0:14:26 | 0:14:29 | |
'Where are you, I'll meet you on the way to the tax office.' | 0:14:29 | 0:14:31 | |
I'm on the roundabout outside the refinery. | 0:14:31 | 0:14:33 | |
'OK. I'm on my way.' | 0:14:33 | 0:14:35 | |
Oh, and one more thing. | 0:14:35 | 0:14:36 | |
Could you hurry up because the police kind of think it's | 0:14:36 | 0:14:39 | |
an IRA bomb and they want to conduct a controlled explosion? | 0:14:39 | 0:14:42 | |
'You useless mother...' | 0:14:42 | 0:14:44 | |
Sorry for the trouble, officer. | 0:14:47 | 0:14:50 | |
Aren't you going to open it? Make sure nothing's missing. | 0:14:50 | 0:14:52 | |
Yeah, of course. | 0:14:52 | 0:14:54 | |
Yep, that seems to be all good. | 0:14:56 | 0:14:58 | |
Sir, can I ask what you're doing with such a large amount of cash? | 0:14:58 | 0:15:01 | |
Well, you can, but unless the Iron Curtain has shifted | 0:15:01 | 0:15:03 | |
3,000 miles west, I don't have to fucking answer. | 0:15:03 | 0:15:06 | |
Well, perhaps you'd prefer to accompany me to | 0:15:06 | 0:15:08 | |
the station for further questioning about today's incident. | 0:15:08 | 0:15:11 | |
Look, mate, I'm having a day from hell here, all right? | 0:15:11 | 0:15:13 | |
Please, give me a break. The money's to pay a tax bill. | 0:15:13 | 0:15:16 | |
-I have a hearing in 30 minutes. -Well, why not just say that then? | 0:15:16 | 0:15:18 | |
I should have, I just have this natural aversion to authority | 0:15:18 | 0:15:21 | |
that makes me behave like an arsehole. | 0:15:21 | 0:15:23 | |
I'm hoping I can just apologise and be on my way... | 0:15:23 | 0:15:26 | |
Control, this is PC 486. | 0:15:26 | 0:15:28 | |
I need you to contact someone at Inland Revenue in Southend-on-Sea | 0:15:28 | 0:15:31 | |
-and check that... -Quick as we fucking can. | 0:15:31 | 0:15:33 | |
Sorry, take your time. | 0:15:35 | 0:15:37 | |
Check if they have an appointment with a Mr Vincent Swan. | 0:15:37 | 0:15:40 | |
Once my story did check out, all that was left was to close | 0:15:43 | 0:15:46 | |
this heart attack inducing chapter of my life. | 0:15:46 | 0:15:48 | |
This is actually highly irregular, Mr Swan. | 0:15:51 | 0:15:56 | |
Most of our clients pay by cheque or banker's draft. | 0:15:56 | 0:16:00 | |
And you appear... | 0:16:00 | 0:16:02 | |
-..to be £50 short. -Yeah. | 0:16:04 | 0:16:06 | |
I had to bung that to Lavender after you made him finger you | 0:16:06 | 0:16:09 | |
behind the bins. Let's call it compensation for his trauma. | 0:16:09 | 0:16:12 | |
OK. | 0:16:14 | 0:16:16 | |
Well, that all seems to be in order. | 0:16:17 | 0:16:19 | |
Thank you, Mr Swan. | 0:16:21 | 0:16:24 | |
I wish I could say the pleasure was all mine, | 0:16:26 | 0:16:29 | |
but as you and I both know, it was mainly yours. | 0:16:29 | 0:16:32 | |
Ciao. | 0:16:32 | 0:16:33 | |
As it goes, paying tax felt better than I'd imagined. | 0:16:36 | 0:16:39 | |
Probably helps that it was all Walshy's cash. | 0:16:39 | 0:16:42 | |
Now time to make The Statue of Liberty reappear in my life, | 0:16:42 | 0:16:44 | |
or as I like to call her, Sam. | 0:16:44 | 0:16:49 | |
-PHONE RINGS -Millman Young. How may I help you? | 0:16:49 | 0:16:51 | |
SPEAKERPHONE: 'Can you take a piss in Little Prick's coffee for me?' | 0:16:51 | 0:16:54 | |
Right, I'm hanging up now, Vincent. | 0:16:54 | 0:16:56 | |
'Sam, Sam, don't, it's important. Sorry, bad joke. | 0:16:56 | 0:16:59 | |
'It's about Robbie.' | 0:16:59 | 0:17:01 | |
What's happened? You didn't forget to pick him up did you? | 0:17:01 | 0:17:03 | |
'No, he's with me. I've just had a problem, my car's packed in. | 0:17:03 | 0:17:06 | |
'Can you come and get him? | 0:17:06 | 0:17:07 | |
'I'm at a client's house - 23, The Old Yews, | 0:17:07 | 0:17:10 | |
'on the new estate just off Southend Road.' | 0:17:10 | 0:17:12 | |
I'm at work, Vincent. I can't be there for half an hour. | 0:17:12 | 0:17:15 | |
'That's great. Thanks, babe.' | 0:17:15 | 0:17:17 | |
Don't call me fucking babe! | 0:17:17 | 0:17:19 | |
Here she comes, the love of my life, your beautiful mother. | 0:17:21 | 0:17:25 | |
All right, wish me luck. | 0:17:25 | 0:17:27 | |
What the fuck is this, Vincent? Sorry, Robbie. | 0:17:34 | 0:17:37 | |
This is our new family abode. Chez Swan. | 0:17:37 | 0:17:40 | |
Are you deranged? We're getting a divorce. | 0:17:40 | 0:17:43 | |
I don't want to live with you ever again, | 0:17:43 | 0:17:45 | |
you terrible wanker. Sorry, Robbie. | 0:17:45 | 0:17:48 | |
Sam, I know I fucked up. Sorry, Robbie. | 0:17:48 | 0:17:50 | |
You have every right to hate me, but I want you back. | 0:17:50 | 0:17:53 | |
I need you back. Plus, I've just put down a non-refundable deposit | 0:17:53 | 0:17:57 | |
for ten grand on this place so, please, just have a look? | 0:17:57 | 0:17:59 | |
-Please, Mum, have a look. It's fucking amazing in there. -Robbie! | 0:17:59 | 0:18:02 | |
Right, Vincent, five minutes. | 0:18:04 | 0:18:06 | |
Come on. After you. | 0:18:06 | 0:18:07 | |
Is there any way you can stop the deposit from being taken? | 0:18:09 | 0:18:12 | |
You see, my soon to be ex-husband isn't a well man, Philip. | 0:18:12 | 0:18:15 | |
He's lost his marbles. | 0:18:15 | 0:18:17 | |
I only show people around. I don't really have a say in that. | 0:18:17 | 0:18:20 | |
Don't listen to her, Philip. | 0:18:20 | 0:18:22 | |
Once she understands that I'm a changed man | 0:18:22 | 0:18:24 | |
and I would never cheat on her again, we'll take it. | 0:18:24 | 0:18:28 | |
That's his problem, you see, Philip. | 0:18:28 | 0:18:30 | |
He doesn't understand how embarrassing this is for you or me. | 0:18:30 | 0:18:34 | |
He thinks he can buy his way out of any problem. | 0:18:34 | 0:18:37 | |
On a scale of one to ten, Philip, | 0:18:37 | 0:18:39 | |
how insanely wrong would you say it is | 0:18:39 | 0:18:41 | |
to cheat on your wife with your son's primary school teacher? | 0:18:41 | 0:18:44 | |
Do you want to see the garden? | 0:18:45 | 0:18:47 | |
It's a fucking 11. It's off the chart. | 0:18:47 | 0:18:50 | |
And I'm the idiot who did it. I am. | 0:18:50 | 0:18:52 | |
But I'm also the idiot dying here, | 0:18:52 | 0:18:54 | |
trying to find a way to make it right. | 0:18:54 | 0:18:57 | |
I should've respected her, Philip. | 0:18:59 | 0:19:01 | |
I adore her. | 0:19:01 | 0:19:02 | |
I should have made her feel like she was my first and only thought | 0:19:04 | 0:19:09 | |
instead of making her feel like she was my last. | 0:19:09 | 0:19:11 | |
Is it OK if I pop downstairs and let you both have a think about it? | 0:19:14 | 0:19:17 | |
No, you stay, Philip. | 0:19:17 | 0:19:19 | |
You need to see me beg. | 0:19:20 | 0:19:21 | |
If it's too late, Sam, | 0:19:25 | 0:19:27 | |
tell me, and I'll leave you to get on with the rest of your life. | 0:19:27 | 0:19:31 | |
I'm so sorry, baby. | 0:19:31 | 0:19:32 | |
I lost my way. | 0:19:34 | 0:19:37 | |
It's always been you that made my world turn and I fucked it. | 0:19:37 | 0:19:41 | |
But I need you. | 0:19:41 | 0:19:43 | |
I can't do any of it without you. | 0:19:43 | 0:19:45 | |
So I'm begging for one last chance. | 0:19:48 | 0:19:50 | |
In front of Philip. | 0:19:52 | 0:19:54 | |
Begging. | 0:19:55 | 0:19:56 | |
Look at me begging, Philip! | 0:19:56 | 0:19:58 | |
So come on, Sam. If not for me, | 0:19:59 | 0:20:02 | |
do it for Philip. | 0:20:02 | 0:20:03 | |
Get off the floor, you wally. | 0:20:07 | 0:20:09 | |
What do you say? | 0:20:10 | 0:20:11 | |
No more lying. No more cheating. | 0:20:13 | 0:20:16 | |
I was a fool, Sam. | 0:20:16 | 0:20:17 | |
I'll never do anything again to risk losing you. | 0:20:17 | 0:20:20 | |
Can we even afford this place? | 0:20:20 | 0:20:22 | |
Yes, baby. I've cleared my tax bill, I'm a partner in the business. | 0:20:22 | 0:20:26 | |
You say the word and it is yours. | 0:20:26 | 0:20:27 | |
Yeah, yes. | 0:20:29 | 0:20:31 | |
I fucking love it! | 0:20:31 | 0:20:32 | |
Oh, my God. | 0:20:32 | 0:20:33 | |
Right, Philip, before we close the deal on the asking price right now, | 0:20:39 | 0:20:42 | |
we're going to need to test-run that Jacuzzi bath. | 0:20:42 | 0:20:45 | |
And it is a deal breaker for us, I'm afraid, isn't it, Sam? | 0:20:45 | 0:20:47 | |
Absolutely, Philip. | 0:20:47 | 0:20:49 | |
How do you feel about that, Philip? | 0:20:49 | 0:20:51 | |
Er, OK. | 0:20:51 | 0:20:52 | |
That's great stuff. | 0:20:52 | 0:20:54 | |
Now can you pop downstairs and keep an eye on Robbie? | 0:20:54 | 0:20:56 | |
We'll be with you shortly. | 0:20:56 | 0:20:58 | |
You're such a plum. A great big sexy plum. | 0:21:00 | 0:21:03 | |
Tony, there's a suit out there wants a word with you. | 0:21:09 | 0:21:12 | |
What fucking now? | 0:21:14 | 0:21:16 | |
Excuse me, Mr Walsh? | 0:21:16 | 0:21:18 | |
Depends. Who's looking for me? | 0:21:18 | 0:21:20 | |
I mean him. Shit. | 0:21:20 | 0:21:23 | |
Mr Walsh, I'm a legal representative for Farrell's Debt Collection. | 0:21:23 | 0:21:27 | |
I'm serving Cachet Windows and Doors with a statutory demand | 0:21:27 | 0:21:31 | |
for unpaid debts of £798,000 | 0:21:31 | 0:21:36 | |
Very good, you're very good. | 0:21:38 | 0:21:39 | |
What? Did Vincent put you up to this? Is this a wind-up? | 0:21:39 | 0:21:43 | |
If you do not respond to this demand within seven days, | 0:21:43 | 0:21:45 | |
we'll file a winding-up petition at the High Court, after which | 0:21:45 | 0:21:48 | |
your bank accounts will be frozen. | 0:21:48 | 0:21:50 | |
HE KNOCKS | 0:22:00 | 0:22:02 | |
Hello, mate. What's up? | 0:22:04 | 0:22:06 | |
Look, I wasn't straight with you earlier today. | 0:22:06 | 0:22:08 | |
Don't worry about it. Look, mate, I'm kind of busy. | 0:22:08 | 0:22:10 | |
It won't take long. I'm going to say what I've got to say, | 0:22:10 | 0:22:12 | |
-then I'm going to go. -OK. | 0:22:12 | 0:22:14 | |
Don't be such a drama queen. | 0:22:14 | 0:22:15 | |
It's Sam. | 0:22:15 | 0:22:17 | |
What? What about Sam can't wait until tomorrow? | 0:22:17 | 0:22:19 | |
No, it's Sam. Behind you. | 0:22:22 | 0:22:24 | |
Yeah. We've been introduced. | 0:22:25 | 0:22:27 | |
QUIETLY: Hey, look, mate, | 0:22:27 | 0:22:29 | |
that gubbins you told me about putting her first did the trick. | 0:22:29 | 0:22:31 | |
You are a bona fide marriage saver. | 0:22:31 | 0:22:33 | |
Well, go on! Quick, have your say. | 0:22:36 | 0:22:39 | |
Nat's baby-sitting Robbie | 0:22:39 | 0:22:40 | |
so I've still got several hours of making up to enjoy. | 0:22:40 | 0:22:43 | |
Doesn't seem important now. I'll catch you tomorrow. | 0:22:43 | 0:22:46 | |
OK. I might be late. | 0:22:46 | 0:22:47 | |
'In the end, Ronnie administered Walshy's final coup de grace | 0:22:53 | 0:22:56 | |
'with a pound coin rather than a testicular vice.' | 0:22:56 | 0:22:59 | |
This is complete fucking bollocks. | 0:23:00 | 0:23:03 | |
'Walshy signed the business over to Ronnie for a coin. | 0:23:05 | 0:23:09 | |
'It was that or be declared bankrupt and lose everything. | 0:23:09 | 0:23:12 | |
'Walshy came to collect his things the next day. | 0:23:12 | 0:23:14 | |
'I almost felt sorry for the poor sap.' | 0:23:14 | 0:23:17 | |
No hard feelings, eh, Tony? | 0:23:17 | 0:23:18 | |
That's right, now fuck off | 0:23:22 | 0:23:24 | |
in that Range Rover my hard graft allowed you to buy. | 0:23:24 | 0:23:27 | |
SMASHING | 0:23:39 | 0:23:41 | |
Ouch. Some hard feelings, clearly. | 0:23:41 | 0:23:44 | |
Now, I appreciate the last few days have probably been a bit... | 0:23:47 | 0:23:51 | |
unsettling, but as far as you boys are concerned | 0:23:51 | 0:23:55 | |
it's business as usual. | 0:23:55 | 0:23:56 | |
And I know it seems a bit rough on Walshy, but don't forget | 0:23:56 | 0:24:00 | |
he made this rod for his own back. | 0:24:00 | 0:24:02 | |
Yeah, by hiring you. | 0:24:02 | 0:24:04 | |
And by rod you definitely mean knife for his back? | 0:24:04 | 0:24:07 | |
All right, fine, let's get it all out now. | 0:24:07 | 0:24:09 | |
I've got a desk delivery for a Mr Farrell. | 0:24:09 | 0:24:12 | |
-First floor, mate. -No-one said anything about any stairs. | 0:24:12 | 0:24:16 | |
Do your own furniture arranging, pal. | 0:24:16 | 0:24:18 | |
Cheeky bastard. That's everything that's wrong with Britain today. | 0:24:18 | 0:24:22 | |
Don't worry, guys. I've got this. | 0:24:22 | 0:24:24 | |
New headed paper. | 0:24:27 | 0:24:29 | |
Take a look at that, boys. | 0:24:29 | 0:24:31 | |
Wow, that is headed paper all right. | 0:24:32 | 0:24:34 | |
Yeah, with one very small but hugely important change. | 0:24:34 | 0:24:37 | |
Look where it lists the new company directors. | 0:24:37 | 0:24:40 | |
Director. Singular. | 0:24:40 | 0:24:43 | |
Your name's not on there, mate. | 0:24:43 | 0:24:44 | |
What the fuck? Carol, get the printers on the phone right now. | 0:24:45 | 0:24:48 | |
I'm not paying for this until it's been corrected. | 0:24:48 | 0:24:50 | |
That is what we ordered. | 0:24:50 | 0:24:52 | |
Ronnie popped in on Tuesday and told me to take your name off. | 0:24:52 | 0:24:55 | |
What? Are you sure? | 0:24:55 | 0:24:56 | |
Yeah, it was definitely Ronnie. He had his face. | 0:24:56 | 0:24:59 | |
This is obviously Ronnie's idea of a wind-up. | 0:24:59 | 0:25:01 | |
Yeah, or his idea of a stitch up. | 0:25:01 | 0:25:04 | |
Look, I have to pop out for a bit. | 0:25:04 | 0:25:05 | |
You two lazy pricks can haul this fucking monstrosity | 0:25:05 | 0:25:08 | |
up into Walshy's... Ronnie's office. | 0:25:08 | 0:25:10 | |
You're joking. It looks like it weighs more than an actual Roller. | 0:25:10 | 0:25:13 | |
I'm fucking not. Get it done. | 0:25:13 | 0:25:15 | |
OK, boss. I really enjoyed today's pep talk(!) | 0:25:17 | 0:25:19 | |
GUNSHOT | 0:25:33 | 0:25:35 | |
Pull! | 0:25:37 | 0:25:38 | |
GUNSHOT | 0:25:38 | 0:25:39 | |
Vincent, my old mucker! | 0:25:41 | 0:25:43 | |
What a wonderful day to be alive. | 0:25:43 | 0:25:45 | |
How's the office shaping up? | 0:25:45 | 0:25:47 | |
Nothing's really changed, other than your desk has arrived. | 0:25:47 | 0:25:51 | |
Which is what I need to talk to you about. | 0:25:51 | 0:25:52 | |
What, the desk? Want me to get you one? Gorgeous, innit? | 0:25:52 | 0:25:55 | |
Not the fucking desk, Ronnie. | 0:25:55 | 0:25:57 | |
Why did you take my name off the paperwork as a director? | 0:25:57 | 0:25:59 | |
Because you're not a director, Vincent. | 0:25:59 | 0:26:01 | |
Pull! | 0:26:03 | 0:26:05 | |
GUNSHOTS | 0:26:05 | 0:26:07 | |
Fuck me, Ronnie, do you have to? | 0:26:07 | 0:26:09 | |
The deal was I helped you fuck over Walshy | 0:26:09 | 0:26:12 | |
and then we run the business as partners. | 0:26:12 | 0:26:13 | |
Yeah, there's been a complication. | 0:26:13 | 0:26:15 | |
It turns out that as a former director of Cachet | 0:26:15 | 0:26:18 | |
you've been barred by the Companies House | 0:26:18 | 0:26:20 | |
from becoming a director of the new business for five years. | 0:26:20 | 0:26:22 | |
I'm sorry, mate, but it was unforeseen. | 0:26:22 | 0:26:26 | |
Bollocks was it. | 0:26:26 | 0:26:27 | |
Pull! | 0:26:28 | 0:26:30 | |
GUNSHOTS | 0:26:30 | 0:26:31 | |
What about my partnership? | 0:26:33 | 0:26:34 | |
We can still be partners in the business, Vinny, | 0:26:34 | 0:26:36 | |
just not in a legal sense. | 0:26:36 | 0:26:38 | |
More like hombres. | 0:26:38 | 0:26:39 | |
HE CHUCKLES | 0:26:39 | 0:26:41 | |
I'll tell you what, Ronnie - | 0:26:41 | 0:26:42 | |
you can stick your hombres up your hombrarsehole. | 0:26:42 | 0:26:45 | |
I wanted to run my own business. | 0:26:45 | 0:26:46 | |
If I can't do it at Cachet | 0:26:46 | 0:26:48 | |
then I'll fuck off and find a proper investor elsewhere. | 0:26:48 | 0:26:51 | |
Have a go. | 0:26:52 | 0:26:54 | |
Fuck. | 0:26:54 | 0:26:55 | |
Nah, I'm all right. | 0:26:55 | 0:26:57 | |
No, I want you to have a go. | 0:26:57 | 0:26:59 | |
Fucking... | 0:26:59 | 0:27:00 | |
You ever fired a gun before? | 0:27:02 | 0:27:03 | |
No. | 0:27:03 | 0:27:05 | |
Oh, it's easy. | 0:27:05 | 0:27:06 | |
You just look the target straight in the eye and gently pull the trigger. | 0:27:06 | 0:27:10 | |
Then you try not to smile as they disintegrate in front of your eyes. | 0:27:11 | 0:27:15 | |
Apparently it makes you look psychotic. | 0:27:15 | 0:27:18 | |
-Pull! -GUNSHOT | 0:27:18 | 0:27:19 | |
Ah, fuck! | 0:27:19 | 0:27:20 | |
HE GROANS | 0:27:20 | 0:27:22 | |
You'd be advised to remember that now I own the business outright, | 0:27:23 | 0:27:26 | |
that money you borrowed off Cachet belongs to me. | 0:27:26 | 0:27:30 | |
So while you owe me £50,000, young Vincent, | 0:27:30 | 0:27:33 | |
it'll be very much in your interest to remain my hombre. | 0:27:33 | 0:27:37 | |
Now go on, get back to work, | 0:27:38 | 0:27:40 | |
and make sure they don't put a scratch in my desk. | 0:27:40 | 0:27:43 | |
Cost me a fucking fortune, that, son. | 0:27:43 | 0:27:45 | |
Pull! | 0:27:45 | 0:27:46 | |
GUNSHOT | 0:27:46 | 0:27:47 | |
YELLING | 0:27:49 | 0:27:51 | |
-Don't! -Put it down, put it down, put it down. | 0:27:51 | 0:27:53 | |
Fuck! | 0:27:53 | 0:27:54 | |
-Oh, for fuck's sake. -Oh, look what you done now. | 0:27:54 | 0:27:57 | |
I didn't do that. It's not my fault. | 0:27:57 | 0:27:59 | |
Every so often karma can pop up and kick you in the bollocks, | 0:27:59 | 0:28:02 | |
but the way I see it, | 0:28:02 | 0:28:03 | |
you've got to break a few eggs to make an omelette. | 0:28:03 | 0:28:05 | |
Only now I was cooking with psychotic eggs | 0:28:05 | 0:28:07 | |
with a penchant for violence. | 0:28:07 | 0:28:09 | |
And maybe you reap what you sow, but believe me, | 0:28:09 | 0:28:12 | |
I'd rather reap a harvest of ill-gotten gains than fight | 0:28:12 | 0:28:15 | |
over a handful of slim pickings with the rest of you fucking plebs. | 0:28:15 | 0:28:18 | |
CHILDREN LAUGH AND PLAY | 0:28:22 | 0:28:26 | |
Come here, my little Swans. | 0:28:27 | 0:28:29 | |
Go and fight over who gets the biggest room. | 0:28:31 | 0:28:33 | |
-Oldest gets it! -Right, I'll have to kill you, then! | 0:28:33 | 0:28:37 | |
Not bad, eh? | 0:28:37 | 0:28:39 | |
Thank you, Vincent. | 0:28:39 | 0:28:40 | |
You deserve it. | 0:28:41 | 0:28:43 | |
From now on we're in this together. | 0:28:43 | 0:28:45 | |
I've heard that one before. | 0:28:45 | 0:28:46 | |
I know, but I promise. | 0:28:46 | 0:28:49 | |
No more lies. | 0:28:49 | 0:28:50 | |
Shhh. | 0:28:59 | 0:29:01 | |
MUSIC: The Night by Frankie Valli and The Four Seasons | 0:29:01 | 0:29:04 | |
# Beware of his promise | 0:29:04 | 0:29:06 | |
# Believe what I say | 0:29:08 | 0:29:12 | |
# Before I go forever | 0:29:15 | 0:29:18 | |
# Be sure of what you say | 0:29:21 | 0:29:25 | |
# So he paints a pretty picture | 0:29:26 | 0:29:29 | |
# And he tells you that he needs you... # | 0:29:29 | 0:29:31 |