Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
So, I've got some big news. | 0:00:02 | 0:00:03 | |
-I'm buying a flat. -Oh, wow! Amazing! | 0:00:05 | 0:00:08 | |
What, like a buy-to-let sort of thing? You go, girl. | 0:00:08 | 0:00:11 | |
-No, I'll be living in the flat. -Right, OK. | 0:00:11 | 0:00:15 | |
OK! | 0:00:15 | 0:00:17 | |
So, you'll be the landlady and I'll be your lodger. | 0:00:17 | 0:00:20 | |
That'll be funny. | 0:00:20 | 0:00:21 | |
No, Leanne, it's a one-bed flat. | 0:00:21 | 0:00:24 | |
Right. So...? | 0:00:24 | 0:00:26 | |
I'm moving out, Leanne. | 0:00:27 | 0:00:29 | |
We won't be flatmates any more. | 0:00:33 | 0:00:34 | |
Um... | 0:00:39 | 0:00:41 | |
OK, wow! | 0:00:47 | 0:00:48 | |
-Congratulations. I'm so happy for you. -OK. | 0:00:48 | 0:00:51 | |
Are you going to miss me? | 0:00:51 | 0:00:53 | |
God, yeah. Of course, I'll miss you. | 0:00:55 | 0:00:58 | |
Feels like we've lived together for forever. | 0:00:58 | 0:01:00 | |
Two years, eight months. | 0:01:00 | 0:01:01 | |
You're the longest one by two years. | 0:01:01 | 0:01:03 | |
-So, where is this flat? -Bedminster. | 0:01:07 | 0:01:10 | |
Bedminster? That's, like, the other side of Bristol. | 0:01:10 | 0:01:12 | |
-You're going to be so far away. -Yeah, shame. | 0:01:12 | 0:01:15 | |
I'll have to stay when over when I visit. | 0:01:15 | 0:01:18 | |
-I don't... -Oh, can we go by Londis? | 0:01:18 | 0:01:19 | |
I need to stock up on some crisps and Tampax. | 0:01:19 | 0:01:22 | |
I'm coming on tomorrow. I'll get some for you as well. | 0:01:22 | 0:01:24 | |
-Oh, no, I'm good actually, I'm not... -Rhona, girls who live together, | 0:01:24 | 0:01:28 | |
flow together. Science fact. | 0:01:28 | 0:01:29 | |
DOOR OPENS | 0:01:56 | 0:01:59 | |
Ladies...thank you for your time. | 0:01:59 | 0:02:03 | |
Here's a leaflet | 0:02:03 | 0:02:05 | |
that you may find helpful. | 0:02:05 | 0:02:07 | |
And I'm required to pass on. | 0:02:10 | 0:02:11 | |
We've no further questions for you tonight, | 0:02:12 | 0:02:14 | |
so we'll arrange a car to take you home. | 0:02:14 | 0:02:17 | |
-KNOCKING -Excuse me. | 0:02:17 | 0:02:19 | |
INAUDIBLE | 0:02:23 | 0:02:25 | |
What the fuck?! | 0:02:33 | 0:02:35 | |
For fuck's sake! | 0:02:35 | 0:02:37 | |
All right, go and get the lady officer. | 0:02:37 | 0:02:39 | |
Now, in our communication with a suspect's solicitor, | 0:02:54 | 0:02:57 | |
we were required to inform him | 0:02:57 | 0:02:58 | |
that two eyewitnesses had positively identified his client. | 0:02:58 | 0:03:02 | |
During this process, it appears that, regretfully, | 0:03:02 | 0:03:07 | |
your names were involuntarily misnonredacted. | 0:03:07 | 0:03:10 | |
(What does that mean?) | 0:03:10 | 0:03:11 | |
By which you mean...? | 0:03:11 | 0:03:13 | |
Your names were inadvertently passed on to the defence's legal team. | 0:03:13 | 0:03:16 | |
The good news is that, at least until this goes to trial, | 0:03:16 | 0:03:19 | |
you'll both be granted protective witness status. Let me assure you... | 0:03:19 | 0:03:23 | |
Wait, you're saying we need to go into witness protection? | 0:03:23 | 0:03:25 | |
SHE GASPS | 0:03:25 | 0:03:27 | |
You'll be issued with new identities | 0:03:27 | 0:03:29 | |
and the requisite documents to accompany them. | 0:03:29 | 0:03:31 | |
I want to talk to your boss. No, in fact, MP. | 0:03:31 | 0:03:32 | |
Get my MP on the phone. | 0:03:32 | 0:03:34 | |
Can I just say you've come to the right person for this? | 0:03:34 | 0:03:36 | |
I've got a BTEC in Performance Arts, | 0:03:36 | 0:03:39 | |
so I know all about creating character. | 0:03:39 | 0:03:41 | |
There really is nothing you would call acting involved. | 0:03:41 | 0:03:44 | |
One starts with the shoes. Through the shoes, one finds the walk. | 0:03:44 | 0:03:48 | |
Is this all really absolutely necessary? | 0:03:49 | 0:03:51 | |
I'm afraid the murder you witnessed was part of a gang-related feud | 0:03:51 | 0:03:54 | |
over the sale of bootleg cigarettes. | 0:03:54 | 0:03:56 | |
The people it involved are considered highly organised | 0:03:56 | 0:03:59 | |
and extremely dangerous. | 0:03:59 | 0:04:01 | |
What's this? I asked for a Mini Milk. | 0:04:15 | 0:04:18 | |
-Mate, that's worth five Mini Milks. -Don't care. | 0:04:18 | 0:04:20 | |
I ain't selling it, am I? I want to eat it. | 0:04:20 | 0:04:23 | |
-I want to eat a Mini Milk. -Boys... | 0:04:23 | 0:04:25 | |
Look, I got a job for yous, ain't I? This one's come from upstairs. | 0:04:29 | 0:04:33 | |
The Osama Bin Big Bollocks himself, yeah? | 0:04:33 | 0:04:36 | |
Said he wants my soldiers, DJ Safe As Fuck... | 0:04:36 | 0:04:39 | |
DJ Sound As Fuck. | 0:04:39 | 0:04:40 | |
And, er... | 0:04:42 | 0:04:44 | |
-Appraisal. -Wants my boys DJ Sound As Fuck and Appraisal on this one. | 0:04:44 | 0:04:49 | |
There's a couple of girls causing a bit of trouble. | 0:04:49 | 0:04:51 | |
They need taking out. | 0:04:51 | 0:04:52 | |
See where I'm coming from? | 0:04:52 | 0:04:55 | |
Now, er... | 0:04:55 | 0:04:56 | |
Have any of you lads ever handled one of these before? | 0:04:56 | 0:05:00 | |
Yeah, yeah, of course, man. | 0:05:00 | 0:05:03 | |
Loads of times. | 0:05:03 | 0:05:04 | |
We're cool. | 0:05:05 | 0:05:07 | |
MUSIC: Lapdance by N.E.R.D. | 0:05:10 | 0:05:12 | |
# I'm an outlaw | 0:05:12 | 0:05:14 | |
# Quick on the draw... # | 0:05:14 | 0:05:16 | |
Get one with the porn! | 0:05:16 | 0:05:17 | |
PHONE RINGS | 0:05:21 | 0:05:23 | |
Hello, I'm John Inverdale. | 0:05:35 | 0:05:37 | |
Usually, it gives me, and others, | 0:05:37 | 0:05:39 | |
a great deal of joy when I say that. | 0:05:39 | 0:05:41 | |
But today I say it in an altogether more sombre tone, | 0:05:41 | 0:05:43 | |
because if you're watching this video, it means you been placed, | 0:05:43 | 0:05:46 | |
or are about to be placed in police witness protection. | 0:05:46 | 0:05:50 | |
First up, I want to talk about "legends", | 0:05:51 | 0:05:54 | |
and I don't mean Beefy Botham or Sting. | 0:05:54 | 0:05:56 | |
Legend is police terminology for your new identity | 0:05:56 | 0:06:00 | |
and the requisite documents that come with it. | 0:06:00 | 0:06:03 | |
Sarah Penn. | 0:06:09 | 0:06:11 | |
Lisa Smith. | 0:06:13 | 0:06:14 | |
Li-sa Smith... | 0:06:15 | 0:06:17 | |
My mind's filling up with ideas already. | 0:06:19 | 0:06:21 | |
Who is Lisa Smith? | 0:06:21 | 0:06:23 | |
What are her dreams? | 0:06:23 | 0:06:25 | |
Can I see a statement of exactly | 0:06:25 | 0:06:26 | |
what you're going to tell my employers? | 0:06:26 | 0:06:28 | |
Do you know, I think Lisa Smith hasn't always been happy. | 0:06:28 | 0:06:32 | |
-I'll make sure it's run by you. -There's a darkness to Lisa Smith. | 0:06:32 | 0:06:36 | |
Something in her past. | 0:06:36 | 0:06:37 | |
If I can ask you to hand over any cards? | 0:06:37 | 0:06:39 | |
Debit cards, credit cards, anything that identifies you. | 0:06:39 | 0:06:42 | |
But she'd be strong. Well, she's had to be. | 0:06:42 | 0:06:46 | |
From now on, I need you to only use these names, even in private. | 0:06:46 | 0:06:51 | |
There are bank cards and PIN numbers in there. | 0:06:51 | 0:06:53 | |
The account will be topped up weekly | 0:06:53 | 0:06:55 | |
and you'll also find £60 of vouchers for George at Asda. | 0:06:55 | 0:06:58 | |
-Ooh! -OK, if you're ready, I'll take you to your accommodation. | 0:06:58 | 0:07:01 | |
-SHE GASPS -Ooh, exciting! | 0:07:01 | 0:07:03 | |
HORN BLARES | 0:07:05 | 0:07:07 | |
HELICOPTER WHIRS | 0:07:07 | 0:07:08 | |
'You have reached your...' | 0:07:13 | 0:07:15 | |
This is nice and it's bang in the centre of Swindon. | 0:07:19 | 0:07:22 | |
Right. I thought you were supposed to match our current living situation. | 0:07:24 | 0:07:28 | |
I don't understand. | 0:07:28 | 0:07:29 | |
We live in a Victorian conversion with period features. | 0:07:29 | 0:07:33 | |
I'm not seeing cornicing. | 0:07:33 | 0:07:34 | |
You lived in a two-bed, this is a two-bad. | 0:07:34 | 0:07:37 | |
Hey, there's a lovely smell of egg in here. | 0:07:37 | 0:07:40 | |
I'll be in touch. | 0:07:40 | 0:07:41 | |
Er, actually... | 0:07:41 | 0:07:43 | |
if you think about it, | 0:07:43 | 0:07:45 | |
I was in the process of moving out of the flat I share with Leanne. | 0:07:45 | 0:07:48 | |
-Ah! -Sorry, Lisa. | 0:07:48 | 0:07:50 | |
So, technically, shouldn't I be given a place of my own? | 0:07:50 | 0:07:54 | |
I'm sorry, we're not required to budget for that. | 0:07:54 | 0:07:57 | |
And there's no sort of top-up system? | 0:07:58 | 0:08:01 | |
Is there an equivalent of BUPA? | 0:08:03 | 0:08:04 | |
God, look at this place! | 0:08:12 | 0:08:15 | |
It'll feel like home once we've got a Glade plug-in. | 0:08:15 | 0:08:18 | |
The police are effing morons! | 0:08:25 | 0:08:27 | |
Hey, this will cheer you up. | 0:08:27 | 0:08:29 | |
Guess who held on to her Boots advantage card? | 0:08:29 | 0:08:32 | |
Leanne, that'll have your name on it. | 0:08:32 | 0:08:34 | |
Yeah, and 2,000 points! | 0:08:34 | 0:08:36 | |
-That's the business end of a femidom. -No, I'm serious, Leanne. | 0:08:36 | 0:08:39 | |
You need to cut that up. | 0:08:39 | 0:08:41 | |
-Seriously, this affects both of us. -OK, OK, | 0:08:41 | 0:08:45 | |
But you owe me at least ten Meal Deals. | 0:08:45 | 0:08:47 | |
God. | 0:08:48 | 0:08:49 | |
Morning, all. Well, here we are. Day one of WitPro. | 0:08:54 | 0:08:57 | |
What should you do? | 0:08:57 | 0:08:59 | |
Well, I'll tell you what you shouldn't do. | 0:08:59 | 0:09:01 | |
You shouldn't just sit around, knees knocking, | 0:09:01 | 0:09:04 | |
chewing on your fingernails. | 0:09:04 | 0:09:05 | |
It can be a while before your legend is tested, | 0:09:05 | 0:09:08 | |
so best get the first one out the way. | 0:09:08 | 0:09:10 | |
Something nice and simple. | 0:09:10 | 0:09:11 | |
You're going to register with your local dentist. | 0:09:11 | 0:09:14 | |
So, put your shoes on, get off the sofa | 0:09:14 | 0:09:17 | |
and get ready to say, | 0:09:17 | 0:09:18 | |
"Aaaaaaaaaaaaah." | 0:09:18 | 0:09:22 | |
Oh, nice. | 0:09:34 | 0:09:36 | |
Is that a character detail? | 0:09:36 | 0:09:37 | |
-No, it's a mild asthma attack. -Oh. | 0:09:37 | 0:09:40 | |
Hi, we'd like to register as new patients. | 0:09:44 | 0:09:48 | |
Because we've just moved here, because of, with our jobs, | 0:09:48 | 0:09:50 | |
from a different area to this one. | 0:09:50 | 0:09:52 | |
OK, well, let's get you on the system. | 0:09:52 | 0:09:55 | |
Who wants to go first? | 0:09:55 | 0:09:58 | |
My name is Sarah Penn, I live at 39 Woodbridge Court, | 0:09:58 | 0:10:00 | |
I work in the public sector. | 0:10:00 | 0:10:03 | |
Fine, and, er, can I get your NHS number? | 0:10:03 | 0:10:06 | |
Seven. | 0:10:07 | 0:10:08 | |
Seven. | 0:10:11 | 0:10:12 | |
-Is that another seven or...? -Seven. | 0:10:12 | 0:10:17 | |
Sorry about her, um, she's a little bit nervous. | 0:10:17 | 0:10:21 | |
Um, she had an experience when she was younger. | 0:10:21 | 0:10:24 | |
-Dentist put his thingy in her mouth. -No, no, that didn't happen. | 0:10:25 | 0:10:29 | |
Bless her. Abuse memory. They cover it up. | 0:10:29 | 0:10:31 | |
Your dentist here, he doesn't do that, does he? | 0:10:31 | 0:10:34 | |
Well, actually, Dr Prakesh is a lady. | 0:10:34 | 0:10:36 | |
Ah, did you hear that, Sarah? | 0:10:36 | 0:10:38 | |
Lady dentist, hasn't even got a thingy. | 0:10:38 | 0:10:41 | |
We haven't got our NHS numbers. Is that going to be a problem? | 0:10:41 | 0:10:44 | |
No, that's fine. | 0:10:44 | 0:10:46 | |
Can I get your name? | 0:10:46 | 0:10:48 | |
My name is... | 0:10:48 | 0:10:50 | |
..Mystique. | 0:10:51 | 0:10:53 | |
Mystique? | 0:10:53 | 0:10:55 | |
And could you spell that for me? | 0:10:55 | 0:10:58 | |
Ooh, now you're asking! | 0:10:58 | 0:10:59 | |
M... | 0:10:59 | 0:11:00 | |
You on the internet there? Can we google it? | 0:11:03 | 0:11:06 | |
Mystique? What the fuck?! | 0:11:07 | 0:11:09 | |
I just felt, in the moment, this woman's not called Lisa. | 0:11:09 | 0:11:12 | |
Oh, for god's sake, this isn't Inside The Actors' Studio! | 0:11:12 | 0:11:15 | |
This is trying not to get murdered in Swindon. | 0:11:15 | 0:11:17 | |
Well, I like to ad-lib a little. Keeps it fresh. | 0:11:17 | 0:11:19 | |
That bit that you did about the dentist | 0:11:19 | 0:11:21 | |
-putting his thingy in your mouth - great! -You said that. | 0:11:21 | 0:11:24 | |
All right, it's not about taking credit for this bit or that. | 0:11:24 | 0:11:26 | |
I'm just saying, it was a nice detail. | 0:11:26 | 0:11:28 | |
It brought the character to life, | 0:11:28 | 0:11:29 | |
and I could tell she really enjoyed it. | 0:11:29 | 0:11:31 | |
Look, we don't want her to enjoy it, we want her to not think about it. | 0:11:31 | 0:11:35 | |
Is someone cross with themselves because she thinks she was rubbish? | 0:11:36 | 0:11:39 | |
Mmm. | 0:11:39 | 0:11:41 | |
You were fine and you're going to get even better. | 0:11:41 | 0:11:45 | |
Until then, I got absolutely no problem with picking up the slack. | 0:11:45 | 0:11:48 | |
Now, we've got 60 quid's worth of George at Asda vouchers | 0:11:48 | 0:11:53 | |
burning holes in our pockets. | 0:11:53 | 0:11:55 | |
-Let's dress Sarah and Monique. -Mystique. | 0:11:55 | 0:11:57 | |
Yes, I like that! Monique Mystique. | 0:11:57 | 0:12:00 | |
Next! | 0:12:05 | 0:12:06 | |
-You killed a man before? -Nah... | 0:12:12 | 0:12:14 | |
In the end, he pulled through. | 0:12:14 | 0:12:16 | |
-What about you? -Yeah, mate. | 0:12:18 | 0:12:20 | |
-When? -On holiday. | 0:12:20 | 0:12:23 | |
Corfu. | 0:12:23 | 0:12:24 | |
Guy slagged off my pedalo. | 0:12:26 | 0:12:27 | |
Bang! | 0:12:27 | 0:12:29 | |
Smashed his windpipe. | 0:12:30 | 0:12:31 | |
Now I can't set foot on the island. | 0:12:34 | 0:12:36 | |
Or book a holiday through Thomson direct. | 0:12:38 | 0:12:40 | |
Next! | 0:12:40 | 0:12:41 | |
We want to look at the register. | 0:12:45 | 0:12:47 | |
The election thing with the, um, people's names and shit. | 0:12:47 | 0:12:52 | |
Can I ask why? | 0:12:52 | 0:12:53 | |
Fucking...school? | 0:12:55 | 0:12:56 | |
Certainly. | 0:12:57 | 0:12:58 | |
Yeah, well, I've just moved to the area, you see, | 0:13:01 | 0:13:03 | |
with my friend Sarah, who's also single, like me, single. | 0:13:03 | 0:13:07 | |
-OK, well then, you should definitely come. -Hmmm. | 0:13:07 | 0:13:10 | |
They don't do peach frappes, so I got you a tea. Hello? | 0:13:10 | 0:13:14 | |
Sarah, this is Patrick. | 0:13:14 | 0:13:16 | |
It was so funny! | 0:13:16 | 0:13:17 | |
Patrick left his receipt thingy in the cash machine, | 0:13:17 | 0:13:20 | |
but I chased him and gave it to him. | 0:13:20 | 0:13:22 | |
Yeah, it was a close call. I'm actually still shaking. | 0:13:22 | 0:13:24 | |
-You cheeky... He's taking the piss! -Hm. | 0:13:24 | 0:13:28 | |
Patrick's having a house party tonight | 0:13:28 | 0:13:30 | |
and he's very kindly invited us along. | 0:13:30 | 0:13:32 | |
Yeah, one of my flatmates is a really talented beatboxer, | 0:13:32 | 0:13:36 | |
but he's away for the weekend, so it's a perfect time for a party. | 0:13:36 | 0:13:39 | |
Oh, shit! | 0:13:39 | 0:13:41 | |
We can't because we've got that, um, thing. | 0:13:41 | 0:13:45 | |
What thing? | 0:13:45 | 0:13:46 | |
You know, that bloody, um... | 0:13:46 | 0:13:47 | |
..christening. | 0:13:50 | 0:13:51 | |
What, tonight? | 0:13:51 | 0:13:53 | |
Oh, tonight? | 0:13:53 | 0:13:54 | |
Sorry, I thought you meant the party was on, um, Sunday morning. | 0:13:55 | 0:13:59 | |
-So we can go then? -Yes. | 0:13:59 | 0:14:01 | |
Amazing. | 0:14:02 | 0:14:03 | |
And you were talking to that guy because...? | 0:14:05 | 0:14:08 | |
Rhona, he clearly looked at my baps. | 0:14:08 | 0:14:10 | |
Now, if I don't say hello, how suspicious is that? | 0:14:10 | 0:14:13 | |
We've got to be careful, Leanne, he could be anyone. | 0:14:13 | 0:14:15 | |
He's a student nurse. I asked him. | 0:14:15 | 0:14:18 | |
He's basically doing a degree in being lovely. | 0:14:18 | 0:14:20 | |
Well, we're obviously not going to that party. | 0:14:20 | 0:14:23 | |
Rhona, we have to act natural, | 0:14:23 | 0:14:25 | |
and that means we can't run a mile every time boys talk to us. | 0:14:25 | 0:14:28 | |
We're two normal girls, | 0:14:28 | 0:14:29 | |
and when normal girls get asked to parties, they say yes. | 0:14:29 | 0:14:33 | |
-I just feel like it's risky. -Well, I'm going. | 0:14:33 | 0:14:35 | |
You're more than welcome to join me. | 0:14:35 | 0:14:38 | |
OK, we go for one hour, tops. | 0:14:39 | 0:14:41 | |
That's the way. | 0:14:41 | 0:14:42 | |
We could do with a bit of nightlife. | 0:14:42 | 0:14:44 | |
Have you ever been out in Swindon? It's mental! | 0:14:44 | 0:14:47 | |
A bit like Gloucester, | 0:14:47 | 0:14:49 | |
only not so stuck-up. | 0:14:49 | 0:14:50 | |
BUZZER SOUNDS | 0:14:54 | 0:14:55 | |
HE SNIFFS | 0:14:57 | 0:14:59 | |
Are you ringing for flat two? | 0:15:02 | 0:15:04 | |
They're not in. | 0:15:04 | 0:15:07 | |
I don't know when they'll be back. | 0:15:07 | 0:15:09 | |
-Can I help you? -Do you know 'em? -Oh, yes! | 0:15:09 | 0:15:13 | |
Lovely girls. They always shut the back gate. | 0:15:13 | 0:15:17 | |
I sometimes accept parcels on their behalf. | 0:15:17 | 0:15:22 | |
Have you come courting? | 0:15:22 | 0:15:24 | |
DOORBELL | 0:15:27 | 0:15:28 | |
MUSIC: Daft Punk Is Playing At My House by LCD Soundsystem | 0:15:28 | 0:15:32 | |
Hi. | 0:15:44 | 0:15:46 | |
H-hi. | 0:15:46 | 0:15:47 | |
Sarah. Penn. | 0:15:49 | 0:15:51 | |
I work in the public sector. | 0:15:54 | 0:15:56 | |
Manage a small team. | 0:15:56 | 0:15:57 | |
Six years I lived in Saudi with that particular husband | 0:16:06 | 0:16:09 | |
and I wanted for nothing. | 0:16:09 | 0:16:11 | |
Servants, perfumes, fine silks, | 0:16:12 | 0:16:14 | |
but there were two things I wasn't allowed. | 0:16:14 | 0:16:17 | |
My freedom | 0:16:17 | 0:16:18 | |
and a Facebook account. | 0:16:18 | 0:16:20 | |
Oh, wow. | 0:16:20 | 0:16:21 | |
Hi, I'm Sarah. | 0:16:23 | 0:16:25 | |
I work in the public sector, I manage a small team. | 0:16:25 | 0:16:28 | |
And I said, "Well, Hassan, we have a phrase in English. | 0:16:31 | 0:16:35 | |
"'If you love someone, set 'em free'." | 0:16:35 | 0:16:38 | |
And I took my burka off | 0:16:38 | 0:16:41 | |
and I threw it into the champagne fountain. | 0:16:41 | 0:16:43 | |
And I said, "Hey, just because this is the public sector | 0:16:48 | 0:16:50 | |
"doesn't mean I'm afraid to bang a few heads together." | 0:16:50 | 0:16:53 | |
Do you know what I'm saying? | 0:16:53 | 0:16:55 | |
I manage a small team - that means a few things. | 0:16:57 | 0:16:59 | |
-RADIO: -Earlier today, police were called to a house in the Easton | 0:17:01 | 0:17:04 | |
area of Bristol following reports of gunfire. | 0:17:04 | 0:17:07 | |
A spokesman for the police confirmed | 0:17:07 | 0:17:09 | |
a 76-year-old woman was found dead at the scene. | 0:17:09 | 0:17:11 | |
Her name has not yet been released. | 0:17:11 | 0:17:14 | |
In other news... | 0:17:14 | 0:17:16 | |
Mate, I know what you're going through. | 0:17:16 | 0:17:20 | |
You should have seen me in Corfu. | 0:17:20 | 0:17:23 | |
Couldn't even finish my egg and chips. | 0:17:23 | 0:17:26 | |
But you became a man today. | 0:17:26 | 0:17:27 | |
Respect. | 0:17:29 | 0:17:30 | |
I'll do the next one. | 0:17:32 | 0:17:33 | |
You've kinda got me in the mood for it now, actually. | 0:17:34 | 0:17:38 | |
Someone's having a good time! | 0:17:54 | 0:17:56 | |
This guy is a scream! | 0:17:56 | 0:17:58 | |
Whoo! | 0:17:58 | 0:18:00 | |
-I'm Mystique. -Ooh! | 0:18:00 | 0:18:02 | |
Sorry... | 0:18:08 | 0:18:09 | |
-Look! -What? | 0:18:30 | 0:18:32 | |
Him. | 0:18:32 | 0:18:34 | |
Oh, yeah! | 0:18:35 | 0:18:37 | |
Patrick looks well fit in a suit, doesn't he? | 0:18:38 | 0:18:40 | |
No, him! | 0:18:40 | 0:18:42 | |
Hm? | 0:18:42 | 0:18:43 | |
Oh, bums. | 0:18:54 | 0:18:55 | |
Wakey-wakey, Rhons! | 0:18:59 | 0:19:02 | |
Hey, that was a bit of a close shave last night, wasn't it? | 0:19:02 | 0:19:05 | |
What are the odds? | 0:19:05 | 0:19:07 | |
Oh, well, all's well that ends well. | 0:19:08 | 0:19:12 | |
Probably laugh about it in a few years. I made you a cuppa. | 0:19:12 | 0:19:16 | |
-Oh, you're up. -Yes. | 0:19:16 | 0:19:18 | |
How come? | 0:19:18 | 0:19:20 | |
I can't do this any more. It's too dangerous. | 0:19:20 | 0:19:23 | |
What, are you going to go to the police? | 0:19:24 | 0:19:26 | |
They got us into this mess in the first place. | 0:19:26 | 0:19:28 | |
No, I am going to do what I always do. I'm going to sort it out myself. | 0:19:28 | 0:19:32 | |
It's that Virgin Media contract all over again. | 0:19:32 | 0:19:35 | |
S...So, what are you going to do? | 0:19:37 | 0:19:40 | |
I'm going to talk to these people, strike a deal. | 0:19:40 | 0:19:42 | |
What, the baddies?! | 0:19:42 | 0:19:44 | |
-Are you mad? -Leanne, these are businesspeople. | 0:19:44 | 0:19:46 | |
All they want to do is sell their illegal fags without any hassle. | 0:19:46 | 0:19:50 | |
-The police said... -Of course the police are going to say | 0:19:50 | 0:19:52 | |
they're bloodthirsty murder-bastards - | 0:19:52 | 0:19:55 | |
-they want us to testify. -Well, they shot that guy! | 0:19:55 | 0:19:58 | |
That was a precision hit. Strictly business. | 0:19:58 | 0:20:00 | |
Listen, I have seen Breaking Bad, I've seen...most of The Wire. | 0:20:01 | 0:20:06 | |
We're only in danger if they think that we're a threat. Think about it. | 0:20:06 | 0:20:10 | |
If they can avoid bloodshed, they will. I mean, you've not read | 0:20:11 | 0:20:15 | |
Freakonomics, but bloodshed is bad for business. | 0:20:15 | 0:20:18 | |
It brings police attention. | 0:20:18 | 0:20:20 | |
If they can be assured we won't testify, | 0:20:20 | 0:20:23 | |
they'll have no reason or wish to do us any harm. | 0:20:23 | 0:20:27 | |
Hmmm... | 0:20:27 | 0:20:29 | |
Rhona, hon, I know you're feeling kind of shaky because I had to | 0:20:30 | 0:20:33 | |
save you at the dentist, but honestly, | 0:20:33 | 0:20:36 | |
you're not in any danger at all. | 0:20:36 | 0:20:39 | |
You're with a BTEC-qualified actress, | 0:20:39 | 0:20:42 | |
and I am more than happy to use my gifts to keep you from harm. | 0:20:42 | 0:20:46 | |
-Listen to me... -In fact, I've got some ideas about Sarah Penn, | 0:20:46 | 0:20:50 | |
-and I'd be delighted to workshop them with you. -Listen to me! | 0:20:50 | 0:20:53 | |
You are the problem! You are fucking terrible at acting. | 0:20:53 | 0:20:58 | |
It is your acting that is going to get me killed! | 0:20:58 | 0:21:01 | |
That is why I am doing this, you silly, silly shit! | 0:21:01 | 0:21:05 | |
SHE CLEARS HER THROAT | 0:21:26 | 0:21:28 | |
Boys, I'm, erm... | 0:21:29 | 0:21:32 | |
looking to score a medium portion of ecstasies. | 0:21:32 | 0:21:35 | |
No? Not to worry, should probably have an early night anyway. | 0:21:38 | 0:21:42 | |
But before I go, | 0:21:42 | 0:21:43 | |
I just wanted to put the word out there about something... | 0:21:43 | 0:21:48 | |
get it out on the street, as it were. | 0:21:48 | 0:21:51 | |
Now, I presume you boys heard about the shooting on Parsons Lane? | 0:21:51 | 0:21:56 | |
Well, my client, | 0:21:57 | 0:21:59 | |
the person I represent, | 0:21:59 | 0:22:01 | |
was a witness to that. | 0:22:01 | 0:22:04 | |
Now, obviously, the po-po have been on her balls trying to | 0:22:04 | 0:22:09 | |
get her to talk, but my client is a woman of business | 0:22:09 | 0:22:13 | |
and she wants it to be known that she is willing to cut a deal. | 0:22:13 | 0:22:18 | |
So if the interested party would like to meet with me, | 0:22:19 | 0:22:25 | |
I will be in the Ambassador's Lounge strip club from four. | 0:22:25 | 0:22:29 | |
I'll be the lady who doesn't have her tits out. | 0:22:31 | 0:22:33 | |
Community leaders in Bristol's Easton district expressed shock | 0:22:51 | 0:22:55 | |
today following the shooting of a pensioner in her own home. | 0:22:55 | 0:22:58 | |
The 76-year-old, whose body was discovered last night... | 0:22:58 | 0:23:01 | |
-Look, I can't talk now, I'm nearly there. -Rhona, wait... | 0:23:03 | 0:23:05 | |
Don't worry, I know what I'm doing. I'm meeting them at a strip club, | 0:23:05 | 0:23:09 | |
the one near Robert Dyas. | 0:23:09 | 0:23:10 | |
It's safe for them, it's where they like to do business. | 0:23:10 | 0:23:13 | |
Rhona, please, stop... | 0:23:13 | 0:23:14 | |
You'd know if you'd gotten past episode three of The Sopranos. | 0:23:14 | 0:23:18 | |
-Oh, I'll call you later. -No, Rhona - I mean Sarah - if you refuse... | 0:23:19 | 0:23:23 | |
Oh, bums. | 0:23:23 | 0:23:25 | |
Mate! | 0:23:25 | 0:23:27 | |
Mate! | 0:23:28 | 0:23:29 | |
I know where one of them is, and it's brilliant. | 0:23:31 | 0:23:34 | |
# Talk dirty to me | 0:23:40 | 0:23:42 | |
# Talk dirty to me | 0:23:45 | 0:23:46 | |
# Get jazzy on me | 0:23:49 | 0:23:51 | |
# You know the words to my songs... # | 0:23:51 | 0:23:53 | |
Would you mind just keeping an eye on that while I nip to the ladies? | 0:23:53 | 0:23:57 | |
I presume you have a ladies. For the performers and lesbians? | 0:23:57 | 0:24:02 | |
Great! | 0:24:04 | 0:24:06 | |
Mate, this is going to be sweet. | 0:24:08 | 0:24:10 | |
We'll have a few beers, a few quick fucks, then we'll drop the body. | 0:24:10 | 0:24:14 | |
No, actually, we'll drop the body first, then we'll have the fucks. | 0:24:14 | 0:24:18 | |
Cos you know what women are like. They see you drop a body, | 0:24:18 | 0:24:21 | |
they ain't going to make you pay for your fucks. | 0:24:21 | 0:24:24 | |
Talking of which, give me the gun. I'm going to do this one. | 0:24:27 | 0:24:32 | |
Oh, my God, Rhona, you're not dead! Come to me. | 0:24:45 | 0:24:48 | |
LOUDLY: Sorry, I don't know anyone called Rhona. | 0:24:48 | 0:24:51 | |
What are you doing here?! I said I'm taking care of this. | 0:24:51 | 0:24:54 | |
Oh, my God. | 0:25:02 | 0:25:04 | |
Oh, my God! These people ARE bloodthirsty murder-bastards! | 0:25:04 | 0:25:08 | |
Come on. | 0:25:08 | 0:25:09 | |
-That's them, that's them! -Oh, my God, our lives are going to end here, | 0:25:20 | 0:25:23 | |
in the Ambassador's Lounge near Robert Dyas. | 0:25:23 | 0:25:25 | |
The police are going to see my brown pants, and they don't match! | 0:25:25 | 0:25:28 | |
What are we going to do? | 0:25:28 | 0:25:30 | |
Erm...all right, listen. | 0:25:30 | 0:25:32 | |
I've got a plan, but it involves a certain amount of acting... | 0:25:32 | 0:25:36 | |
and you getting your ninnies out. | 0:25:36 | 0:25:38 | |
-COCKNEY ACCENT: -Get out, you slag! | 0:25:40 | 0:25:42 | |
I take you in off the streets and this is how you repay me? | 0:25:42 | 0:25:46 | |
Selling it on the side in the bogs! | 0:25:46 | 0:25:48 | |
This is a classy establishment. | 0:25:48 | 0:25:51 | |
I will not have brasses dragging it down to the gutter! | 0:25:51 | 0:25:56 | |
You're fired! | 0:25:56 | 0:25:57 | |
That was brilliant! | 0:26:00 | 0:26:01 | |
-They totally bought it. COCKNEY ACCENT: -Come on! | 0:26:01 | 0:26:03 | |
I'm going to stay in cockney till the train, if it's all the same. | 0:26:03 | 0:26:06 | |
Let's get aht o' here! | 0:26:06 | 0:26:08 | |
How...how come he's got Visa Electron, then, if he ain't 18? | 0:26:11 | 0:26:15 | |
I'm scared, Rhons. | 0:26:18 | 0:26:20 | |
Like, more than when I saw Paranormal Activity 4 on my own | 0:26:20 | 0:26:24 | |
-and that old man tried to talk to me. -I know, mate. | 0:26:24 | 0:26:28 | |
Listen... | 0:26:32 | 0:26:34 | |
..thanks for saving me today. Seriously, you were amazing. | 0:26:35 | 0:26:38 | |
-You don't have to say that. -No, I mean it. | 0:26:38 | 0:26:41 | |
For a second or two, I honestly felt like I was being | 0:26:41 | 0:26:43 | |
chucked out the Queen Vic by Barbara Windsor. | 0:26:43 | 0:26:46 | |
Thank you! | 0:26:46 | 0:26:48 | |
That is the highest compliment you can pay an actor. | 0:26:48 | 0:26:51 | |
We'll be all right if we just stick together, yeah? | 0:26:54 | 0:26:56 | |
-Yeah. -Come here. | 0:26:56 | 0:26:58 | |
By the way, um, if I tell you something, please don't shout at me. | 0:26:59 | 0:27:04 | |
-W-what is it? -Well, you know my Boots card with my name on it? | 0:27:07 | 0:27:12 | |
-Mm... -I...didn't cut it up. | 0:27:12 | 0:27:16 | |
OK. Um, let's cut it up now, shall we? | 0:27:17 | 0:27:23 | |
And I lost it, with my purse, | 0:27:23 | 0:27:27 | |
in my bag. | 0:27:27 | 0:27:29 | |
Right. | 0:27:31 | 0:27:33 | |
And I think I know where it is. | 0:27:33 | 0:27:35 | |
I will come with you and wait outside. | 0:27:53 | 0:27:55 | |
Well, you're going to have to come armed. | 0:27:55 | 0:27:57 | |
Ha... Hiya! | 0:28:01 | 0:28:02 | |
Mate? It's me. | 0:28:02 | 0:28:04 | |
We got him. And I mean we fucking got him. | 0:28:04 | 0:28:08 | |
I know your little secret, Mystique. | 0:28:11 | 0:28:13 | |
Your name isn't Mystique at all, is it? | 0:28:13 | 0:28:15 |