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For fuck's sake! | 0:00:04 | 0:00:05 | |
Go and get the lady officer. | 0:00:05 | 0:00:06 | |
Wait, you're saying we need to go into witness protection? | 0:00:06 | 0:00:09 | |
You'll be issued with new identities | 0:00:09 | 0:00:11 | |
and the requisite documents to accompany them. | 0:00:11 | 0:00:13 | |
There's a couple of girls causing a bit of trouble. | 0:00:13 | 0:00:15 | |
Need taking out. | 0:00:15 | 0:00:17 | |
Have you come courting? | 0:00:17 | 0:00:19 | |
Oh, my God! | 0:00:21 | 0:00:23 | |
Patrick's having a house party tonight | 0:00:23 | 0:00:24 | |
and he's very kindly invited us along. | 0:00:24 | 0:00:26 | |
He looks well fit in a suit, doesn't he? | 0:00:26 | 0:00:28 | |
-No, him! -Hm? | 0:00:28 | 0:00:31 | |
GUNSHOT | 0:00:32 | 0:00:34 | |
Hello. Let's take a look at some of your letters, shall we? | 0:00:41 | 0:00:44 | |
Ah, here's one we get quite often. | 0:00:44 | 0:00:49 | |
Dear John, I am 18 months into witpro | 0:00:49 | 0:00:53 | |
and I am powerfully sexually | 0:00:53 | 0:00:55 | |
attracted to my neighbour. | 0:00:55 | 0:00:57 | |
Now, we're not going to say that you can't have any fun. | 0:00:58 | 0:01:00 | |
You've entered witpro, not a convent - but listen up. | 0:01:00 | 0:01:03 | |
This is something that scientists - numbers bods - | 0:01:03 | 0:01:06 | |
tell us is statistically true. | 0:01:06 | 0:01:08 | |
You know someone who knows someone who knows someone who knows me, | 0:01:08 | 0:01:12 | |
John Inverdale, and that's true, even if you come from Cornwall. | 0:01:12 | 0:01:14 | |
Now, in many ways that's a lovely thought, | 0:01:16 | 0:01:17 | |
but it can also be quite chilling | 0:01:17 | 0:01:19 | |
because, whereas you could be a sweet old lady, a retired clergyman, | 0:01:19 | 0:01:23 | |
a good-natured social worker, | 0:01:23 | 0:01:25 | |
you might just as easily be a drug user with tattooed knuckles. | 0:01:25 | 0:01:30 | |
You could be anybody. | 0:01:30 | 0:01:32 | |
So, what's the lesson? | 0:01:33 | 0:01:35 | |
Be careful. Anyone can know anyone. | 0:01:35 | 0:01:38 | |
Before the physical act of love, | 0:01:38 | 0:01:41 | |
take every reasonable step to make sure you know | 0:01:41 | 0:01:44 | |
who you're bunking down with. | 0:01:44 | 0:01:46 | |
RINGING TONE | 0:02:00 | 0:02:01 | |
'Are you reporting a crime that's already happened, is happening now | 0:02:01 | 0:02:04 | |
'or that you feel may happen in the future?' | 0:02:04 | 0:02:06 | |
No, it's none of those. I'm... | 0:02:06 | 0:02:08 | |
'Right, I'm going to put you through to the community desk.' | 0:02:08 | 0:02:10 | |
-No, I've already spoken to the... -I'm so sorry, Rhons. | 0:02:10 | 0:02:14 | |
-Tell them I'm sorry. -MAN: -'Hello?' | 0:02:14 | 0:02:15 | |
-Yes, hello. -'Hello!' | 0:02:15 | 0:02:16 | |
Maybe they don't even know each other that well. | 0:02:16 | 0:02:19 | |
Hello, I'm trying to get hold of DC Wilton. | 0:02:19 | 0:02:21 | |
'DC Walton?' | 0:02:21 | 0:02:22 | |
Could have been the shooter's much nicer twin brother. | 0:02:22 | 0:02:24 | |
-Very common to get one twin good and one evil. -Leanne, shut up. | 0:02:24 | 0:02:27 | |
No, DC Wilton, North Meads station. | 0:02:27 | 0:02:30 | |
Ah, see, you've come through to Chippenham, here. | 0:02:30 | 0:02:32 | |
Let me see if I can find them on the computer. | 0:02:32 | 0:02:35 | |
If I can work the bloody thing. | 0:02:35 | 0:02:37 | |
Listen to me. We are in the witness protection programme. | 0:02:37 | 0:02:41 | |
Hell, well done. I didn't know we did that. | 0:02:41 | 0:02:44 | |
My associate has a Boots Advantage card with her real name on it... | 0:02:44 | 0:02:48 | |
-(And 2,000 points.) -Now, she has left it somewhere. | 0:02:48 | 0:02:51 | |
-Do you know where? -Well, yes. | 0:02:51 | 0:02:54 | |
-Go and get it, then. That's what I'd do. -Yes, but... | 0:02:54 | 0:02:56 | |
'All right, then, ta-ta!' | 0:02:56 | 0:02:58 | |
HANG-UP TONE | 0:02:58 | 0:02:59 | |
Gah! | 0:02:59 | 0:03:01 | |
OK... | 0:03:01 | 0:03:03 | |
Right, change of plan. | 0:03:05 | 0:03:07 | |
You're going to have to go in there and get it. | 0:03:08 | 0:03:10 | |
-Why me? -Because it's your bag | 0:03:10 | 0:03:12 | |
and this situation is entirely of your doing. | 0:03:12 | 0:03:14 | |
Yeah, but what if he turns when I get in there? | 0:03:14 | 0:03:17 | |
-He's not a Staffie. -I'm serious. | 0:03:17 | 0:03:19 | |
I could be moonwalking into my death. | 0:03:19 | 0:03:21 | |
Sleepwalking, and, no, you won't be. | 0:03:21 | 0:03:22 | |
Look, we just have to act fast. | 0:03:22 | 0:03:24 | |
Listen, he probably hasn't even found your bag yet. | 0:03:24 | 0:03:26 | |
If he has, he's probably not even seen the Boots card, | 0:03:26 | 0:03:29 | |
and even if he has seen the Boots card, | 0:03:29 | 0:03:31 | |
it's highly unlikely he's clocked the name of the... | 0:03:31 | 0:03:34 | |
"Hang on a minute! Isn't that the key witness | 0:03:34 | 0:03:36 | |
"in the murder that my friend- slash-casual acquaintance- | 0:03:36 | 0:03:38 | |
"slash-family member committed?" | 0:03:38 | 0:03:40 | |
No. | 0:03:41 | 0:03:42 | |
I will come with you and wait outside. | 0:03:42 | 0:03:44 | |
-Well, you're going to have to come armed. -Come armed? | 0:03:44 | 0:03:46 | |
What, we're going to pop down the 24-hour garage | 0:03:46 | 0:03:49 | |
and see if they've got any Kalashnikovs in? | 0:03:49 | 0:03:51 | |
Hmm... We could make a weapon! | 0:03:51 | 0:03:55 | |
So, what I've done is, | 0:04:00 | 0:04:02 | |
I've got two coat hangers and I've attached them to a Marigold - | 0:04:02 | 0:04:06 | |
like Krueger. Oh, oh, OK! | 0:04:06 | 0:04:09 | |
So, we could get sachets of vinegar to squirt in the wounds. | 0:04:09 | 0:04:13 | |
Where are we going to get sachets of vinegar at this time of night? | 0:04:13 | 0:04:16 | |
We could nip to the kebab shop. | 0:04:16 | 0:04:18 | |
I actually quite fancy a shish. | 0:04:18 | 0:04:19 | |
Right, Leanne, this is taking far too long. | 0:04:19 | 0:04:21 | |
Well, I'm not going in without protection. | 0:04:21 | 0:04:23 | |
OK, we'll just have to take something we've already got. | 0:04:23 | 0:04:25 | |
# When I'm in your neighbourhood you'd better duck | 0:04:25 | 0:04:28 | |
# Cos Ice Cube is crazy as fuck | 0:04:28 | 0:04:30 | |
# As I leave, believe I'm stompin' | 0:04:30 | 0:04:32 | |
# But when I come back, boy I'm comin' straight outta Compton | 0:04:32 | 0:04:36 | |
# Compton, Compton Compton, Compton. # | 0:04:35 | 0:04:38 | |
Mmmmm. | 0:04:46 | 0:04:48 | |
Evening, love! | 0:04:48 | 0:04:49 | |
-Only me. -No, it's nothing. | 0:04:50 | 0:04:52 | |
It's only Tony coming in. | 0:04:52 | 0:04:54 | |
I'm just nipping up on the computer, love. | 0:04:54 | 0:04:56 | |
Check those car insurance prices. | 0:04:56 | 0:04:59 | |
-Again. -Tony, can't you hear I'm on the phone? | 0:04:59 | 0:05:01 | |
I'm trying to have a private conversation here. | 0:05:01 | 0:05:04 | |
See what I have to put up with? | 0:05:05 | 0:05:06 | |
Anyway, where was I? | 0:05:08 | 0:05:10 | |
Yeah. | 0:05:10 | 0:05:11 | |
So, I know his condition's come back because I share a bathroom with him. | 0:05:11 | 0:05:16 | |
I'm sorry to be graphic, Julie. | 0:05:18 | 0:05:20 | |
'He can't have egg - | 0:05:22 | 0:05:23 | |
'and I know he's been having it, because he's gassy in the night.' | 0:05:23 | 0:05:27 | |
You...there? | 0:05:35 | 0:05:38 | |
ALERT CHIMES | 0:05:41 | 0:05:42 | |
'Tony?! | 0:05:46 | 0:05:48 | |
'Have you got your shoes on?' | 0:05:48 | 0:05:49 | |
No. | 0:05:49 | 0:05:50 | |
ALERT CHIMES | 0:05:50 | 0:05:51 | |
ALERT CHIMES | 0:06:05 | 0:06:07 | |
Even though we've never met, | 0:06:11 | 0:06:14 | |
I feel you are my best friend. | 0:06:14 | 0:06:19 | |
I want to... | 0:06:19 | 0:06:23 | |
..hold you. | 0:06:26 | 0:06:27 | |
Mate, mate, mate, put "and balls". | 0:06:38 | 0:06:40 | |
"I want to hold your cock and balls." | 0:06:40 | 0:06:44 | |
Yeah, yeah, yeah! | 0:06:44 | 0:06:45 | |
And, and, and... | 0:06:45 | 0:06:47 | |
say you've got a finger up your arse. | 0:06:47 | 0:06:49 | |
-Shut up, man! -Oh... | 0:06:49 | 0:06:52 | |
ALERT CHIMES | 0:06:52 | 0:06:53 | |
It would be my honour. | 0:06:55 | 0:06:58 | |
Regards, Tony. | 0:07:00 | 0:07:03 | |
GUNSHOT | 0:07:03 | 0:07:04 | |
OK. Now, remember, keep it brisk. | 0:07:04 | 0:07:06 | |
Ask for the bag. You don't even need to go in. | 0:07:06 | 0:07:08 | |
OK? All right, off you go. | 0:07:08 | 0:07:10 | |
Off you go. | 0:07:10 | 0:07:11 | |
Hello? | 0:07:27 | 0:07:29 | |
Oh, Mystique, hello. | 0:07:29 | 0:07:30 | |
-Good to see you. -Hiya! | 0:07:31 | 0:07:33 | |
What it is, is, I, um... | 0:07:33 | 0:07:35 | |
Is that vinegar? | 0:07:35 | 0:07:36 | |
Yes... | 0:07:40 | 0:07:41 | |
Don't like to turn up as a guest without a bottle of something. | 0:07:41 | 0:07:45 | |
In this case, Sarson's. | 0:07:45 | 0:07:47 | |
All right. OK, come on in. | 0:07:47 | 0:07:49 | |
Er, OK, I mean, I don't want to interrupt if you... | 0:07:49 | 0:07:51 | |
No, I was just doing some laundry. | 0:07:51 | 0:07:53 | |
I'm glad you came, actually - | 0:07:53 | 0:07:54 | |
I didn't get a chance to say goodbye last night. | 0:07:54 | 0:07:56 | |
SHE MOUTHS | 0:07:59 | 0:08:00 | |
HE CLEARS HIS THROAT | 0:08:03 | 0:08:05 | |
It's a shared communal area. | 0:08:10 | 0:08:12 | |
Yeah, so, I actually left something here... | 0:08:14 | 0:08:16 | |
Do you want a drink? | 0:08:16 | 0:08:17 | |
We have a particularly nice bottle of Chateau de Strongbow. | 0:08:17 | 0:08:21 | |
-Yeah! -Some, er, Pringles to go with it? | 0:08:22 | 0:08:25 | |
Yes, Pringles would be good. | 0:08:27 | 0:08:29 | |
Mmm... | 0:08:36 | 0:08:38 | |
I, er, oh, just realised, um... | 0:08:38 | 0:08:41 | |
when I came over last night, I think I left my... | 0:08:41 | 0:08:44 | |
You left your bag. | 0:08:44 | 0:08:46 | |
Yay, my bag! | 0:08:46 | 0:08:47 | |
I know your little secret, Mystique. | 0:08:50 | 0:08:52 | |
Your name isn't Mystique at all, is it? | 0:08:56 | 0:08:58 | |
Your name... | 0:09:00 | 0:09:01 | |
..is Lisa Smith. | 0:09:02 | 0:09:04 | |
Oh, yes! Lisa Smith. | 0:09:05 | 0:09:08 | |
Yep, that's me, Lisa Smith. | 0:09:08 | 0:09:10 | |
That's my big secret, ha. | 0:09:10 | 0:09:12 | |
You got me. Aw, wow! | 0:09:12 | 0:09:15 | |
I haven't been called Lisa Smith since, well... | 0:09:15 | 0:09:17 | |
..since I lived in Las Vegas for the first time. | 0:09:18 | 0:09:22 | |
You see, there was already a Lisa Smith registered | 0:09:22 | 0:09:24 | |
-at the pole dancers' union. -HE COUGHS | 0:09:24 | 0:09:27 | |
Ever since then, people just call me Mystique. | 0:09:27 | 0:09:30 | |
I guess it's because I look like a Mystique. | 0:09:30 | 0:09:33 | |
And because I tell people it's my name. | 0:09:33 | 0:09:35 | |
Ooh, those Pringles have gone straight through me. | 0:09:37 | 0:09:39 | |
Do you mind if I use your loo? | 0:09:39 | 0:09:41 | |
No, no, no, no, no! | 0:10:09 | 0:10:11 | |
Huh, hiya! You, er, Patrick's housemate? | 0:10:34 | 0:10:37 | |
Y-yeah. | 0:10:37 | 0:10:38 | |
Had a bit of a mixed grill this morning, | 0:10:39 | 0:10:41 | |
so, just a bit of a big one. | 0:10:41 | 0:10:43 | |
Helping it round the bend. | 0:10:44 | 0:10:45 | |
-Oh, sorry! God, sorry... -Here, let me... -No, it's OK. | 0:10:56 | 0:10:59 | |
It's fine. | 0:10:59 | 0:11:00 | |
Is this... | 0:11:03 | 0:11:04 | |
a little waistcoat? | 0:11:04 | 0:11:06 | |
Just a hobby thing, no big deal. | 0:11:06 | 0:11:08 | |
There's lots of them - and little bow ties, too. | 0:11:08 | 0:11:11 | |
Oh, what is this? | 0:11:11 | 0:11:12 | |
OK. I mean, it's really no big thing, but as a hobby - well, | 0:11:14 | 0:11:20 | |
more of a small business - I, um, I collect and restore | 0:11:20 | 0:11:25 | |
vintage bears. | 0:11:25 | 0:11:28 | |
You mean like teddy bears? | 0:11:30 | 0:11:31 | |
Sure, yeah, you can call them that. | 0:11:32 | 0:11:34 | |
I'm...basically a semi-professional antiques dealer, | 0:11:34 | 0:11:38 | |
and I...specialise in bear. | 0:11:38 | 0:11:42 | |
Show me your bears. | 0:11:42 | 0:11:43 | |
Leanne. | 0:11:49 | 0:11:50 | |
Yeah, so this is my workstation. | 0:11:55 | 0:11:57 | |
It's just tools and stuff, not very interesting. | 0:11:57 | 0:12:00 | |
This is amazing! | 0:12:00 | 0:12:03 | |
Oh, thank you. | 0:12:03 | 0:12:05 | |
Yeah, it's something I've done for a while now. | 0:12:05 | 0:12:07 | |
I don't really like to shout about it. | 0:12:07 | 0:12:09 | |
You know, people can be pretty small-minded. | 0:12:09 | 0:12:11 | |
-Yeah. -They think, "Gay!" | 0:12:11 | 0:12:13 | |
It's like, yeah, whatever! | 0:12:13 | 0:12:14 | |
It's gay to appreciate Victorian craftsmanship, is it? | 0:12:14 | 0:12:17 | |
God, it's so detailed. | 0:12:17 | 0:12:19 | |
It's like a snowflake. | 0:12:19 | 0:12:21 | |
I tell you one thing, people soon stop laughing | 0:12:21 | 0:12:23 | |
when they see the prices that these bad boys go for. | 0:12:23 | 0:12:25 | |
-Yeah, I bet. -One bear, this Moss Bros suit. | 0:12:25 | 0:12:29 | |
Two bears, last year's holiday. | 0:12:29 | 0:12:31 | |
Magaluf, half-board. | 0:12:31 | 0:12:33 | |
Wow! I mean, I once sold a Beanie Baby for £12, | 0:12:33 | 0:12:37 | |
but this is a whole 'nother league. | 0:12:37 | 0:12:39 | |
Thanks. It's... | 0:12:39 | 0:12:42 | |
It's nice to meet someone | 0:12:42 | 0:12:43 | |
who actually appreciates this kind of stuff. | 0:12:43 | 0:12:45 | |
I mean, this might sound weird to someone outside the community | 0:12:47 | 0:12:51 | |
but, um...I name every bear. | 0:12:51 | 0:12:54 | |
Er, I like to think of each one as an individual. | 0:12:55 | 0:12:58 | |
I actually, um, draw up a little birth certificate for each one. | 0:12:58 | 0:13:01 | |
Well, each one is special to me. | 0:13:03 | 0:13:05 | |
It's kind of like they're my children. | 0:13:05 | 0:13:09 | |
Leanne. | 0:13:15 | 0:13:17 | |
Leanne. | 0:13:18 | 0:13:20 | |
Leanne? | 0:13:21 | 0:13:23 | |
-Evening. -Evening. | 0:13:39 | 0:13:41 | |
Oh, God... | 0:14:05 | 0:14:06 | |
Oh, God, oh, God! | 0:14:16 | 0:14:19 | |
Shit! | 0:14:21 | 0:14:22 | |
LEANNE GIGGLES | 0:14:22 | 0:14:24 | |
SHE MOANS WITH PLEASURE | 0:14:24 | 0:14:26 | |
Oh, yes! | 0:14:30 | 0:14:31 | |
For fuck's sake, Leanne! | 0:14:31 | 0:14:33 | |
Tell me some of their names. | 0:14:33 | 0:14:35 | |
-Charlie Littlepockets. -Ooh, yeah. | 0:14:35 | 0:14:37 | |
Tommy...Top...Hat. | 0:14:37 | 0:14:40 | |
Oh, yes, Tommy Top Hat! | 0:14:40 | 0:14:43 | |
GUNSHOT | 0:14:43 | 0:14:44 | |
Stunning. | 0:15:20 | 0:15:22 | |
OK. OK, let's do this shit. | 0:15:29 | 0:15:32 | |
It's come-to-fucking-daddy time. | 0:15:33 | 0:15:36 | |
Regards, Tony. | 0:15:57 | 0:15:58 | |
Ooh, ooh, ooh! Tell him to stick his balls up his arse. | 0:16:02 | 0:16:04 | |
Mate, maybe he's shit himself? | 0:16:25 | 0:16:28 | |
He's not going to do it. | 0:16:29 | 0:16:31 | |
You should have told him balls up the arse. | 0:16:31 | 0:16:34 | |
ALERT CHIMES | 0:16:39 | 0:16:40 | |
THEY GASP | 0:16:40 | 0:16:41 | |
Ohh, what?! No! | 0:16:41 | 0:16:43 | |
Here I am, my darling. | 0:16:43 | 0:16:46 | |
All that I am. | 0:16:47 | 0:16:48 | |
And all that I am I give to you. | 0:16:50 | 0:16:53 | |
Press record, press record! | 0:16:53 | 0:16:55 | |
It would be my pleasure. | 0:17:00 | 0:17:02 | |
Just... | 0:17:04 | 0:17:05 | |
build up a head of steam. | 0:17:05 | 0:17:08 | |
There. | 0:17:08 | 0:17:09 | |
You like this, do you? | 0:17:09 | 0:17:11 | |
If the strokes are too fast, or, indeed, too slow, | 0:17:12 | 0:17:16 | |
do pipe up. | 0:17:16 | 0:17:18 | |
We aim to please. | 0:17:21 | 0:17:23 | |
How about a bit of this? | 0:17:26 | 0:17:28 | |
Does that make your... | 0:17:37 | 0:17:38 | |
..your fanny feel nice? | 0:17:39 | 0:17:42 | |
You... | 0:17:42 | 0:17:43 | |
..naughty... | 0:17:45 | 0:17:46 | |
..bitch! | 0:17:48 | 0:17:49 | |
Do tell me if any of this is a bit strong. | 0:17:49 | 0:17:52 | |
Sing? | 0:17:54 | 0:17:55 | |
OK, w-what do you want me to...? | 0:17:57 | 0:17:59 | |
# Oh, Danny Boy | 0:18:02 | 0:18:04 | |
# The pipes, the pipes are calling | 0:18:06 | 0:18:10 | |
# From glen to glen | 0:18:10 | 0:18:13 | |
-# And down the mountainside... # -Yeah, Benny, mate, it's me. | 0:18:13 | 0:18:18 | |
We got him. | 0:18:18 | 0:18:20 | |
-# The summer's gone... # -And I mean we fucking got him! | 0:18:20 | 0:18:22 | |
# And all the flowers are dying... # | 0:18:22 | 0:18:25 | |
GUNSHOT | 0:18:25 | 0:18:26 | |
SHE GRUNTS | 0:18:40 | 0:18:41 | |
What the fuck, Leanne?! | 0:18:46 | 0:18:47 | |
Rhona! | 0:18:47 | 0:18:48 | |
-Are you OK? -I'm not OK. | 0:18:53 | 0:18:55 | |
For fuck's sake, Leanne, seriously! | 0:18:55 | 0:18:57 | |
Hey, guess what happened with me and Patrick last night! | 0:18:59 | 0:19:03 | |
I know. Leanne, have you fully lost your mind? | 0:19:03 | 0:19:07 | |
No. No, no, no. Look, it's totally fine. | 0:19:07 | 0:19:10 | |
Patrick is absolutely lovely. | 0:19:10 | 0:19:12 | |
He collects and restores teddies and he gives them all names. | 0:19:12 | 0:19:17 | |
And he pals out with blokes that shoot people. | 0:19:18 | 0:19:21 | |
Rhona, I've seen the man's eBay ratings - | 0:19:21 | 0:19:25 | |
five stars, a pleasure to do business with, | 0:19:25 | 0:19:28 | |
item exactly as described. | 0:19:28 | 0:19:31 | |
Now tell me that's the seller profile of a bad guy. | 0:19:31 | 0:19:33 | |
Get dressed, we need to get out of here. | 0:19:33 | 0:19:35 | |
DOOR OPENS | 0:19:35 | 0:19:36 | |
-Oh, no. -Get under the... | 0:19:38 | 0:19:40 | |
Good morning. | 0:19:52 | 0:19:54 | |
-Morning. -Are you in a hurry to get anywhere, or, erm...? | 0:19:54 | 0:19:58 | |
I could spare another five minutes. | 0:19:59 | 0:20:03 | |
I reckon I can give you seven. | 0:20:04 | 0:20:06 | |
-Mm! -SHE GIGGLES | 0:20:07 | 0:20:10 | |
Oh, that tickles! | 0:20:10 | 0:20:12 | |
Oh, I love it. Yeah, there, there! | 0:20:14 | 0:20:16 | |
Oh, God, yeah, oh! | 0:20:16 | 0:20:18 | |
Ooh, you're thorough! Oh, yes, yeah. | 0:20:18 | 0:20:22 | |
Oh, I love it. | 0:20:22 | 0:20:23 | |
GUNSHOT | 0:20:23 | 0:20:24 | |
It was unbelievable. | 0:20:26 | 0:20:27 | |
I was so shocked. | 0:20:27 | 0:20:29 | |
So, I said to him, "That might be all right in India, | 0:20:29 | 0:20:33 | |
"or wherever you're from, but it is not all right in North Somerset," | 0:20:33 | 0:20:37 | |
and then we got up and we walked out, didn't we, Tony? | 0:20:37 | 0:20:40 | |
We did. | 0:20:40 | 0:20:42 | |
We did indeed. | 0:20:43 | 0:20:44 | |
Now, if you'll excuse me, I must go and inspect the plumbing. | 0:20:44 | 0:20:48 | |
I know you, don't I? | 0:20:59 | 0:21:00 | |
No, sorry. Don't think so. | 0:21:03 | 0:21:04 | |
No, no. Definitely seen your face before. | 0:21:06 | 0:21:09 | |
I doubt it. | 0:21:09 | 0:21:11 | |
Look, I'm not being rude, but I can't really go if you... | 0:21:14 | 0:21:18 | |
That's it. I know where I've seen you. | 0:21:18 | 0:21:20 | |
# Oh, Danny Boy | 0:21:28 | 0:21:30 | |
# The pipes, the pipes are calling... # | 0:21:30 | 0:21:33 | |
How did you...? | 0:21:33 | 0:21:34 | |
# From glen to glen | 0:21:34 | 0:21:37 | |
# And down the mountainside... # | 0:21:37 | 0:21:39 | |
Please. | 0:21:41 | 0:21:43 | |
Please, I don't have money. | 0:21:43 | 0:21:45 | |
Oh, I don't want money. | 0:21:45 | 0:21:46 | |
Just a bit of help. | 0:21:47 | 0:21:49 | |
The odd favour, that's all. | 0:21:49 | 0:21:50 | |
And no-one ever sees this. | 0:21:52 | 0:21:53 | |
We'll be in touch, Sergeant. | 0:22:02 | 0:22:04 | |
HE WHISTLES DANNY BOY | 0:22:07 | 0:22:09 | |
MUSIC: The Beat Goes On by The All Seeing I | 0:22:12 | 0:22:14 | |
# Drums keep pounding a rhythm to the brain | 0:22:17 | 0:22:21 | |
# La de da de de, la de da de da | 0:22:22 | 0:22:27 | |
# Drums keep pounding a rhythm to the brain | 0:22:29 | 0:22:33 | |
# La de da de de, la de da de da | 0:22:34 | 0:22:38 | |
# Drums keep pounding a rhythm to the brain | 0:22:41 | 0:22:45 | |
# La de da de de, la de da de da | 0:22:46 | 0:22:51 | |
# And the beat goes on | 0:22:52 | 0:22:55 | |
# And the beat goes on | 0:22:55 | 0:22:58 | |
# And the beat goes on | 0:22:58 | 0:23:01 | |
# And the beat goes on... # | 0:23:01 | 0:23:04 | |
It's not weird that he hasn't called me yet, is it? | 0:23:07 | 0:23:11 | |
No, it's not weird, Leanne. | 0:23:11 | 0:23:14 | |
It's a blessed relief. | 0:23:14 | 0:23:15 | |
Yeah, right. | 0:23:15 | 0:23:16 | |
But he could have texted me, right, couldn't he? | 0:23:16 | 0:23:20 | |
It's irrelevant, because you must have no further contact with him. | 0:23:20 | 0:23:23 | |
Yeah, I know. | 0:23:23 | 0:23:25 | |
But, in theory, | 0:23:25 | 0:23:27 | |
if we weren't in witness protection and he didn't know the murderer... | 0:23:27 | 0:23:31 | |
Leanne, I know you like him, but you must know you can never, | 0:23:31 | 0:23:37 | |
ever contact him again. | 0:23:37 | 0:23:39 | |
Yeah, no, I totally get it. | 0:23:39 | 0:23:40 | |
You should really delete his number. | 0:23:40 | 0:23:43 | |
-Or... -God! | 0:23:54 | 0:23:56 | |
Should I keep it? In case he rings me. | 0:23:57 | 0:24:01 | |
Which he will, cos you don't have just one slice of this Viennetta. | 0:24:01 | 0:24:05 | |
So, then, I'll know it's him | 0:24:05 | 0:24:08 | |
and I shouldn't answer it. | 0:24:08 | 0:24:10 | |
-Mmmm, OK. -OK, great! | 0:24:10 | 0:24:12 | |
That's what we do, then. Not bothered about him anyway. | 0:24:12 | 0:24:15 | |
Bastard! Fancy not texting? Well, he's blown it now! | 0:24:15 | 0:24:17 | |
# Love is in the air everywhere I look around | 0:24:19 | 0:24:24 | |
# Love is in the air... # | 0:24:24 | 0:24:25 | |
GUNSHOT | 0:24:25 | 0:24:27 | |
Yeah, that's what she said. | 0:24:27 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:30 | |
PHONE VIBRATES | 0:24:30 | 0:24:31 | |
But seriously, though, we're not here for fun. | 0:24:31 | 0:24:34 | |
So, if they're going to make us do extra hours, | 0:24:34 | 0:24:36 | |
I think we ought to be getting paid. | 0:24:36 | 0:24:38 | |
What the fuck?! For fuck's sake! | 0:25:12 | 0:25:15 | |
All right, go and get the lady officer. | 0:25:16 | 0:25:18 | |
What are you doing on our estate anyway? | 0:25:31 | 0:25:33 | |
Who the fuck are you? | 0:25:33 | 0:25:35 | |
All right, mate? I found out where one of them works. | 0:25:35 | 0:25:37 | |
Let's go over there and fuck shit up. | 0:25:37 | 0:25:40 | |
What are you doing? | 0:25:40 | 0:25:42 | |
You're going to get us their address. | 0:25:42 | 0:25:44 | |
What the hell is going on with you two? | 0:25:44 | 0:25:46 | |
-You're hiding something, I know it. -No more lies. | 0:25:46 | 0:25:49 | |
These people deserve to know the truth. | 0:25:49 | 0:25:52 | |
GUNSHOT | 0:25:52 | 0:25:54 |