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APPLAUSE AND CHEERING | 0:00:15 | 0:00:17 | |
Good evening, and welcome to Would I Lie To You? | 0:00:23 | 0:00:26 | |
The show with unvarnished truths and highly polished lies. | 0:00:26 | 0:00:30 | |
On Lee Mack's team tonight, | 0:00:30 | 0:00:31 | |
a man who's spent his whole career sitting next to a comedy genius, | 0:00:31 | 0:00:35 | |
so tonight will be a welcome change for him - it's Bob Mortimer. | 0:00:35 | 0:00:39 | |
APPLAUSE | 0:00:39 | 0:00:42 | |
And a comedian and actress who's been described as having a bit of | 0:00:42 | 0:00:45 | |
Morecambe and Wise about her. | 0:00:45 | 0:00:47 | |
Hopefully, they mean Eric's quick wit | 0:00:47 | 0:00:49 | |
and not Ernie's short, fat, hairy legs - | 0:00:49 | 0:00:52 | |
it's Diane Morgan. APPLAUSE | 0:00:52 | 0:00:55 | |
And on David Mitchell's team tonight, | 0:00:57 | 0:00:59 | |
winner of The Great British Bake Off, | 0:00:59 | 0:01:01 | |
she's in such demand | 0:01:01 | 0:01:02 | |
that last December she was asked to go to Luton and | 0:01:02 | 0:01:05 | |
turn on their Christmas light - it's Nadiya Hussain. | 0:01:05 | 0:01:08 | |
APPLAUSE | 0:01:08 | 0:01:11 | |
And he's an actor and comedian who had his own show | 0:01:11 | 0:01:14 | |
where he cycled around Northern Ireland. | 0:01:14 | 0:01:16 | |
Dressed head-to-toe in Lycra is how I chose to watch it - | 0:01:16 | 0:01:20 | |
Michael Smiley. APPLAUSE | 0:01:20 | 0:01:23 | |
And so we begin with Round 1 - Home Truths, | 0:01:26 | 0:01:28 | |
where our panellists each read out a statement from the card in front of | 0:01:28 | 0:01:31 | |
them. To make things harder, | 0:01:31 | 0:01:32 | |
they've never seen the card before, | 0:01:32 | 0:01:34 | |
they've no idea what they'll be faced with, | 0:01:34 | 0:01:36 | |
and it's up to the opposing team to sort the fact from the fiction. | 0:01:36 | 0:01:39 | |
Michael is first up. | 0:01:39 | 0:01:40 | |
Michael, please reveal all. | 0:01:40 | 0:01:42 | |
OK. | 0:01:42 | 0:01:44 | |
"I have developed a technique to help me deal with annoying idiots." | 0:01:44 | 0:01:49 | |
Lee, do you want to kick this one off? | 0:01:50 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:55 | |
Well, first of all, who do you find is an annoying idiot? | 0:01:57 | 0:02:00 | |
I mean, what type of people? | 0:02:00 | 0:02:01 | |
Just, you know, the GP. | 0:02:01 | 0:02:04 | |
You know, the General Public wind me up from time to time. | 0:02:04 | 0:02:08 | |
-OK. -And I really want to tell them how I feel, | 0:02:08 | 0:02:11 | |
and instead of doing that I scat. | 0:02:11 | 0:02:14 | |
-You do what? -What? | 0:02:14 | 0:02:16 | |
I, uh...I scat. | 0:02:17 | 0:02:19 | |
Can I ask at this point... | 0:02:19 | 0:02:22 | |
what is a scat? Do you know what a scat is? | 0:02:22 | 0:02:25 | |
-Like jazz....jazz scatting, isn't it? -It's like, the old jazz scat, | 0:02:25 | 0:02:28 | |
-yeah. -It's your basic jazz rap. | 0:02:28 | 0:02:30 | |
So, you must make random noises? | 0:02:30 | 0:02:32 | |
Let's... Can we have a scenario now, right? | 0:02:32 | 0:02:34 | |
-Is it a...? -That's a very negative view of music, Lee. | 0:02:34 | 0:02:38 | |
It's jazz, though. | 0:02:38 | 0:02:40 | |
Fair enough. | 0:02:40 | 0:02:41 | |
So, if I'm the doctor... | 0:02:42 | 0:02:43 | |
-Yeah. -..what would annoy you if I was a doctor? | 0:02:43 | 0:02:45 | |
If you kept me waiting for too long and then, | 0:02:45 | 0:02:47 | |
say you come into the reception room | 0:02:47 | 0:02:49 | |
-and I thought I was next... -Right. -..and I went to get up | 0:02:49 | 0:02:52 | |
-and then you picked somebody else, for example. -OK, well, imagine that | 0:02:52 | 0:02:55 | |
-scenario, OK? -OK. -So, I walk in, you think I'm going to see you, | 0:02:55 | 0:02:58 | |
and I go, "Mr Brydon, we've got the results of your test." | 0:02:58 | 0:03:01 | |
And I'd go, "Oh for the bampity-bampity, le-bampity, bam... | 0:03:01 | 0:03:05 | |
-"Da-da-da-dah." -HE MUMBLES ANGRILY | 0:03:05 | 0:03:09 | |
"Bom-bom-bom-da-da-dah pow!" | 0:03:09 | 0:03:13 | |
It's an STD. | 0:03:13 | 0:03:15 | |
LAUGHTER | 0:03:15 | 0:03:17 | |
Do you promise me that you always do it out loud? | 0:03:23 | 0:03:25 | |
You don't just do it in your mind? | 0:03:25 | 0:03:27 | |
I always vocalise it. Otherwise, if I don't let it out, | 0:03:27 | 0:03:32 | |
it might turn into a haemorrhoid. | 0:03:32 | 0:03:34 | |
I must say, that explains a lot. | 0:03:36 | 0:03:38 | |
Well, imagine now, imagine I've made you angry, OK? | 0:03:38 | 0:03:42 | |
Perhaps he's given you an STD. | 0:03:42 | 0:03:44 | |
LAUGHTER | 0:03:44 | 0:03:48 | |
At least have the decency to say I've given it to him via his wife. | 0:03:48 | 0:03:53 | |
Watch him now. Go on, jazz scat him, quick! | 0:03:56 | 0:04:00 | |
I haven't got any babidee-bap-da-diddlygo-da-da-dah | 0:04:00 | 0:04:03 | |
dah-bam-bam-bam-bam. | 0:04:03 | 0:04:07 | |
-Yeah! -See-babbidee-boo-bap! | 0:04:07 | 0:04:09 | |
See-babidee-boop-boop-boop! Baaaaah. | 0:04:09 | 0:04:12 | |
LAUGHTER | 0:04:12 | 0:04:15 | |
Wow. | 0:04:15 | 0:04:16 | |
This is really weird. | 0:04:20 | 0:04:21 | |
When was the last time you had to employ it, Michael? | 0:04:23 | 0:04:26 | |
Oh, I'd say... | 0:04:26 | 0:04:27 | |
God, about two weeks ago. | 0:04:27 | 0:04:29 | |
-Yeah? -What happened? -The classic thing of the, you know, | 0:04:29 | 0:04:33 | |
the tourist walking out of the department store and stopping. | 0:04:33 | 0:04:36 | |
And I wasn't paying attention and I walked up and they were there in | 0:04:36 | 0:04:39 | |
front of me, and I went "Why did you fuh-foh-feh-foh-fah-ba-bee-dee..." | 0:04:39 | 0:04:42 | |
And walked round them and carried on walking. | 0:04:42 | 0:04:44 | |
What are you thinking, Diane? Does this have the ring of truth for you? | 0:04:44 | 0:04:47 | |
Yeah, it does. He seems really convincing. | 0:04:47 | 0:04:50 | |
-Don't you think? -Mmmm, I don't know. | 0:04:50 | 0:04:51 | |
Why are you getting so upset in the first place? | 0:04:51 | 0:04:53 | |
Why don't you just be like me and really just laid-back? | 0:04:53 | 0:04:56 | |
Just get outside the department store and just stop and enjoy life. | 0:04:56 | 0:05:00 | |
When I've ever left a department store, I'm always sprinting. | 0:05:00 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
It's very bizarre behaviour. If you encountered it, you know? | 0:05:09 | 0:05:13 | |
You can't spend your life doing that. | 0:05:13 | 0:05:15 | |
So, what are you going to say? | 0:05:15 | 0:05:16 | |
So we're going to say... You're saying true, | 0:05:16 | 0:05:18 | |
-you're going to say lie. -Yeah. -I'm going to have to go lie. | 0:05:18 | 0:05:21 | |
-It can't be true. -You're saying it's a lie. | 0:05:21 | 0:05:23 | |
OK, Michael Smiley, was it the truth or was it a lie? | 0:05:23 | 0:05:25 | |
Oh ye of little faith. | 0:05:25 | 0:05:27 | |
-It is the...truth. -Aw! -O-o-o-o-oh! | 0:05:27 | 0:05:29 | |
APPLAUSE | 0:05:29 | 0:05:31 | |
Yes, it's true - Michael does have a technique to deal | 0:05:32 | 0:05:36 | |
with annoying idiots and it is scatting. Diane, you're next. | 0:05:36 | 0:05:40 | |
"I once dumped a boyfriend, because I didn't like the way | 0:05:42 | 0:05:45 | |
"he fell down the stairs." | 0:05:45 | 0:05:47 | |
APPLAUSE | 0:05:47 | 0:05:49 | |
David's team. | 0:05:49 | 0:05:51 | |
How often had you been pushing him down the stairs? | 0:05:51 | 0:05:53 | |
I just hid his wheelchair. | 0:05:55 | 0:05:56 | |
If you've been affected by any of the issues | 0:06:02 | 0:06:05 | |
raised in tonight's show... | 0:06:05 | 0:06:07 | |
How did he fall down the stairs? | 0:06:07 | 0:06:08 | |
-What was the...? -Very ungainly. | 0:06:08 | 0:06:11 | |
What kind of stairs did he fall down? Where was he? | 0:06:11 | 0:06:14 | |
It was just outside his flat and there was, like, | 0:06:14 | 0:06:18 | |
five steps and then another five steps. | 0:06:18 | 0:06:22 | |
You know those ones that go sort of in different directions? | 0:06:22 | 0:06:25 | |
-Concrete steps? -Yeah, concrete. | 0:06:25 | 0:06:27 | |
So this is nasty, this isn't... | 0:06:27 | 0:06:28 | |
It was a nasty fall, yeah. | 0:06:28 | 0:06:30 | |
-Yeah. -Did you finish with him, because he was so badly injured | 0:06:30 | 0:06:33 | |
he was no use to you? | 0:06:33 | 0:06:35 | |
This is sort of, like, the last straw, really. | 0:06:37 | 0:06:40 | |
What was the other straws? | 0:06:40 | 0:06:42 | |
There were so many straws. | 0:06:42 | 0:06:44 | |
Tell me one. | 0:06:44 | 0:06:45 | |
He used to fall out of cupboards. | 0:06:45 | 0:06:47 | |
He was quite mean, he was quite a mean person. | 0:06:50 | 0:06:53 | |
Can you walk us through the scenario? What happened? | 0:06:53 | 0:06:56 | |
Yeah, OK. So, we're leaving his flat, he locks the door, | 0:06:56 | 0:07:01 | |
he loses his footing on the steps, makes a little scream. | 0:07:01 | 0:07:07 | |
-And he just fell. -How many stairs did he go down? | 0:07:07 | 0:07:09 | |
Because the way you've described it, there were corners. | 0:07:09 | 0:07:12 | |
Did he go round the corners? | 0:07:12 | 0:07:13 | |
-I think... -He's a man, not a slinky! | 0:07:13 | 0:07:15 | |
No, he did. | 0:07:15 | 0:07:17 | |
He did. | 0:07:17 | 0:07:19 | |
So, how did you react? Did your compassionate side come out? | 0:07:19 | 0:07:22 | |
Well, I asked him if he was all right, | 0:07:22 | 0:07:25 | |
and then I sort of made a mental note to cut him out of my life. | 0:07:25 | 0:07:29 | |
So, what are you going to say? Nadiya, does it ring true for you? | 0:07:30 | 0:07:33 | |
Did you want to leave him before the fall? | 0:07:33 | 0:07:35 | |
-I'd been thinking about it. -Yeah, cos it was the last straw. | 0:07:35 | 0:07:37 | |
It was the last straw, yeah. | 0:07:37 | 0:07:39 | |
But she only offered up one straw. | 0:07:39 | 0:07:40 | |
If I had a resentment against an ex-lover, | 0:07:40 | 0:07:43 | |
I could give you a shortlist off the top of my head. | 0:07:43 | 0:07:46 | |
-Even that was a bit scatty. -Yeah. | 0:07:46 | 0:07:47 | |
-SCATTING: -Waking up and seeing her in bed with the milkman. Ooh! | 0:07:49 | 0:07:52 | |
-I think it might be true. -You're saying true? | 0:07:54 | 0:07:56 | |
-We're going to go with true. -Saying true. -Yeah. -Diane - | 0:07:56 | 0:07:58 | |
-truth or lie. -It is actually... | 0:07:58 | 0:08:00 | |
-True. -Yes. | 0:08:00 | 0:08:04 | |
Wow. | 0:08:04 | 0:08:05 | |
It's true. Diane did dump a boyfriend | 0:08:06 | 0:08:09 | |
because of the way he fell down the stairs. | 0:08:09 | 0:08:12 | |
Nadiya, you're next. | 0:08:12 | 0:08:13 | |
Right. | 0:08:13 | 0:08:14 | |
"To celebrate her last birthday, | 0:08:15 | 0:08:17 | |
"Mary Berry and I went tenpin bowling." | 0:08:17 | 0:08:20 | |
-Lee's team. -Which one did you go to? She'll say, "Hollywood Bowl." | 0:08:20 | 0:08:23 | |
-Hollywood Bowl. -It was the Hollywood Bowl? | 0:08:24 | 0:08:26 | |
Hollywood wasn't with us, though. | 0:08:26 | 0:08:27 | |
-Why did you not invite him? Do you not get on? -No, not really. | 0:08:27 | 0:08:30 | |
No, he's very... | 0:08:30 | 0:08:32 | |
We'll just edit it at that bit and leave it at that. | 0:08:32 | 0:08:34 | |
Just don't like him, just don't like him. He's um... | 0:08:34 | 0:08:37 | |
And also his head is so orange, | 0:08:37 | 0:08:39 | |
you could accidentally pick it up and throw it down the thing. | 0:08:39 | 0:08:42 | |
Put your fingers up his nose and in his mouth | 0:08:43 | 0:08:45 | |
and end up accidentally bowling him, like that. "Argh!" | 0:08:45 | 0:08:48 | |
-He was busy. -Was Mary good at bowling? | 0:08:48 | 0:08:50 | |
She's pretty good, she's quite fast, yeah. | 0:08:50 | 0:08:53 | |
-And are you quite good? -No, I'm rubbish. | 0:08:53 | 0:08:56 | |
The thing is, I don't understand bowling. | 0:08:56 | 0:08:58 | |
All I know is that I need a size eight ball, that's it. | 0:08:58 | 0:09:01 | |
Don't! | 0:09:01 | 0:09:02 | |
Do you go out a lot with Mary in your spare time? | 0:09:04 | 0:09:06 | |
No, because it would look like she let me win, so we can't really | 0:09:06 | 0:09:09 | |
-publicly... -You mean the Bake Off? -Yeah, it would just look awful, | 0:09:09 | 0:09:12 | |
wouldn't it? "Look at her having a great time with the winner of..." | 0:09:12 | 0:09:15 | |
Did she let you win? | 0:09:15 | 0:09:17 | |
-No. -Cos it's hard to tell when you watch it on telly. | 0:09:18 | 0:09:20 | |
-You don't how dry the cake is. -Yes, she did, I can't bake. | 0:09:20 | 0:09:23 | |
No, no, it's true, isn't it? | 0:09:23 | 0:09:24 | |
You never quite know. You have to trust Hollywood and Berry. | 0:09:24 | 0:09:27 | |
They could be just going, "Say she's the winner, she'll take us bowling." | 0:09:27 | 0:09:31 | |
Did you and Mary together get a lot of hassle from other people in the | 0:09:31 | 0:09:34 | |
-bowling alley? -We picked a good time when it was quite quiet, | 0:09:34 | 0:09:38 | |
-so it kind of... -What time is that? | 0:09:38 | 0:09:40 | |
It's kind of between four and six. | 0:09:40 | 0:09:43 | |
-In the morning? -No... | 0:09:43 | 0:09:44 | |
Although I think she wouldn't mind a drink at four. | 0:09:46 | 0:09:48 | |
She'd happily have a drink at four o'clock in the morning. | 0:09:48 | 0:09:50 | |
Right, this is all going on record. So Mary Berry drinks at four | 0:09:50 | 0:09:53 | |
in the morning and she cheated to let you win the cake-making. | 0:09:53 | 0:09:57 | |
When you got to the end of the bowling, did you have a meal | 0:09:57 | 0:10:00 | |
-or did the group just split, then? -No, we had...while we were bowling, | 0:10:00 | 0:10:03 | |
we had lots of food kind of brought over to us, | 0:10:03 | 0:10:05 | |
-so we had lots of chips and nachos... -Lots of finger food? | 0:10:05 | 0:10:09 | |
-Yeah. -Always makes you think, "What's in the holes?" | 0:10:09 | 0:10:12 | |
Oh, no, I never thought of that. | 0:10:13 | 0:10:15 | |
So, what are you thinking, Lee? | 0:10:15 | 0:10:16 | |
-Is that the truth? -For what it's worth, I'm saying no, lie. | 0:10:16 | 0:10:20 | |
It's a lie. What are you thinking, Diane? | 0:10:20 | 0:10:21 | |
Oh, see, I think it's true. | 0:10:21 | 0:10:23 | |
Why do you think it's true? | 0:10:23 | 0:10:25 | |
Cos it's quite a dull story. | 0:10:25 | 0:10:26 | |
That is your trailer. | 0:10:30 | 0:10:31 | |
So, you're saying a lie, Diane's saying it's true. | 0:10:33 | 0:10:35 | |
-This time I'm going to go with Diane... -You're saying it's true? | 0:10:35 | 0:10:38 | |
-..say it's true, yeah. -OK. Nadiya, truth or lie? | 0:10:38 | 0:10:41 | |
-It's a lie. -Ugh! | 0:10:41 | 0:10:42 | |
Well done. | 0:10:44 | 0:10:45 | |
Our next round is called This Is My, where we bring on a mystery guest | 0:10:46 | 0:10:49 | |
who has a close connection to one of our panellists. This week, | 0:10:49 | 0:10:52 | |
each of Lee's team will claim it's them that has the genuine | 0:10:52 | 0:10:55 | |
connection to the guest and it's up to David's team to spot | 0:10:55 | 0:10:58 | |
who's telling the truth. | 0:10:58 | 0:10:59 | |
So, please welcome this week's special guest, Michael. | 0:10:59 | 0:11:02 | |
Right, we'll start with Diane. | 0:11:09 | 0:11:12 | |
What is Michael to you? | 0:11:12 | 0:11:14 | |
This is Michael. | 0:11:14 | 0:11:15 | |
I once punched him in the face, because I thought he was a ghost. | 0:11:15 | 0:11:19 | |
Bob, how do you know Michael? | 0:11:20 | 0:11:22 | |
This is Michael and after cutting his hair, | 0:11:22 | 0:11:26 | |
I got a job on a campsite as a hairdresser. | 0:11:26 | 0:11:30 | |
And finally, Lee, what's your relationship with Michael? | 0:11:30 | 0:11:32 | |
This is Michael. Together we helped free a donkey | 0:11:32 | 0:11:36 | |
that had trapped itself in a cubicle of a seaside toilet. | 0:11:36 | 0:11:40 | |
So, there we have it. Is Michael Diane's ghostly guy? | 0:11:42 | 0:11:46 | |
Bob's campsite client? | 0:11:46 | 0:11:47 | |
Or Lee's donkey do-gooder? | 0:11:47 | 0:11:49 | |
David's team, where would you like to start? | 0:11:49 | 0:11:52 | |
Um, well, Diane. | 0:11:52 | 0:11:54 | |
Where were you when you mistook Michael for a ghost? | 0:11:54 | 0:11:57 | |
I was backstage at the Theatre Royal, Bath. | 0:11:57 | 0:12:01 | |
And what were you doing there? | 0:12:01 | 0:12:03 | |
-I was in a play. -What happened? You were in the dark, | 0:12:03 | 0:12:06 | |
-waiting to go on in the wings? -I was in the wings. | 0:12:06 | 0:12:08 | |
-In the wings, waiting to go on? -And... | 0:12:08 | 0:12:10 | |
I'd been told a ghost story about this... | 0:12:10 | 0:12:13 | |
-The Theatre Royal, Bath is haunted. -Where was Michael? | 0:12:13 | 0:12:16 | |
What was the story? | 0:12:16 | 0:12:18 | |
Well, that the theatre was haunted. | 0:12:18 | 0:12:20 | |
They said that about once a week, this ghost, | 0:12:22 | 0:12:26 | |
a man with white hair would float around the theatre. | 0:12:26 | 0:12:32 | |
-So, you heard that story... -I'm standing in the wings... | 0:12:32 | 0:12:35 | |
-Uh-huh. -..I turn round, | 0:12:35 | 0:12:37 | |
and I see... Well, I know it's Michael now, | 0:12:37 | 0:12:41 | |
but at the time, I thought it was the ghost cos of the hair. | 0:12:41 | 0:12:44 | |
And I sort of inadvertently punched him. | 0:12:44 | 0:12:47 | |
And what was he wearing? | 0:12:48 | 0:12:50 | |
He was wearing quite dark clothes, because he was, you know, | 0:12:50 | 0:12:53 | |
working backstage. | 0:12:53 | 0:12:55 | |
He looked like he was kneeling on some sort of prop, | 0:12:55 | 0:12:57 | |
so he looked like he didn't have any legs. | 0:12:57 | 0:12:59 | |
That's what made me think, "Oh, my God! It's the ghost!" | 0:12:59 | 0:13:02 | |
So, he had sort of sidled up and knelt on something? | 0:13:02 | 0:13:06 | |
-Yeah. -I have to say, I have slightly less sympathy for Michael now | 0:13:06 | 0:13:09 | |
I realise that what he did is he sort of crept up behind you | 0:13:09 | 0:13:13 | |
and knelt there. | 0:13:13 | 0:13:15 | |
That is slightly creepy behaviour, isn't it? | 0:13:15 | 0:13:18 | |
-Yeah. -Yeah. -I did ask him why he was kneeling on the bookcase. | 0:13:18 | 0:13:22 | |
I imagine that, at that point, he was also asking you why you hit him. | 0:13:22 | 0:13:25 | |
-Yeah. -Which presumably... | 0:13:25 | 0:13:27 | |
Did he answer you? Was he able to say why he was kneeling on there? | 0:13:27 | 0:13:30 | |
Yeah, he said there weren't any chairs backstage. | 0:13:30 | 0:13:33 | |
All right, who next? | 0:13:35 | 0:13:36 | |
Bob. You cut Michael's hair and this was on a campsite. | 0:13:36 | 0:13:40 | |
-Yeah. -How did you come to... | 0:13:40 | 0:13:42 | |
Cos you're not a hairdresser, are you? | 0:13:42 | 0:13:44 | |
I'm a hairdresser, David. | 0:13:45 | 0:13:47 | |
You had previously worked as a hairdresser, had you? | 0:13:49 | 0:13:51 | |
I'm from a family, I'm the youngest of four boys, | 0:13:51 | 0:13:54 | |
and in my family, tradition is that the eldest is a priest, | 0:13:54 | 0:13:58 | |
-then a lawyer... -LAUGHTER | 0:13:58 | 0:14:00 | |
..then a teacher and then a hairdresser. So... | 0:14:00 | 0:14:04 | |
So it fell to me to take up the scissors. | 0:14:06 | 0:14:10 | |
I was given my first set of scissors when I was 13. | 0:14:11 | 0:14:15 | |
I actually had a pair of scissors when I was younger than that. | 0:14:15 | 0:14:19 | |
-Were you the fourth child? -No, no, it wasn't... | 0:14:19 | 0:14:21 | |
It was more for, you know, cutting out bits of coloured paper and... | 0:14:21 | 0:14:23 | |
No, these, no, no, these were Japanese steels, these were Yasukis. | 0:14:23 | 0:14:27 | |
Right, OK. | 0:14:27 | 0:14:28 | |
So, you... | 0:14:29 | 0:14:31 | |
you were given these hairdressing scissors at the age of 14. | 0:14:31 | 0:14:34 | |
-Yes. -Had you undergone any further training | 0:14:34 | 0:14:37 | |
or just were encouraged to experiment? | 0:14:37 | 0:14:40 | |
Well, here's the rub, because Michael, or Micky as he's known, | 0:14:40 | 0:14:44 | |
Micky the Drink, he's... | 0:14:44 | 0:14:45 | |
Why is he called Micky the Drink? | 0:14:50 | 0:14:53 | |
Ah. | 0:14:53 | 0:14:56 | |
Anyway, so, he was one of the first people that I ever gave a haircut | 0:14:56 | 0:15:01 | |
to as a young boy, as one of my friends. | 0:15:01 | 0:15:03 | |
And then fast forward to 1982, | 0:15:03 | 0:15:06 | |
I go to the World Cup in Spain. | 0:15:06 | 0:15:08 | |
There was Michael, Billy the Pigeon... | 0:15:08 | 0:15:11 | |
-Gentle Ken... -Billy the Pigeon? -Gentle Ken... | 0:15:13 | 0:15:15 | |
Why's he called Billy the Pigeon? Always finding his way home? | 0:15:15 | 0:15:18 | |
No, he's a pigeon. | 0:15:18 | 0:15:20 | |
Because he had, like, a flat chest. | 0:15:25 | 0:15:28 | |
We all went to Spain, we were on the campsite for the England fans. | 0:15:28 | 0:15:33 | |
I, as always, gave Micky his haircut, | 0:15:33 | 0:15:36 | |
and the one man army from Nottingham, | 0:15:36 | 0:15:38 | |
the Nottingham Forest fan, who caused all the trouble out there, | 0:15:38 | 0:15:41 | |
he demanded that he had a haircut. | 0:15:41 | 0:15:43 | |
What trouble did he cause out there? | 0:15:43 | 0:15:45 | |
Well, for example, | 0:15:45 | 0:15:46 | |
he rushed to the cafe that we were in and threw a coin like that. | 0:15:46 | 0:15:49 | |
Could've damaged anyone. | 0:15:52 | 0:15:54 | |
Luckily, it went straight in the slot machine and won the jackpot. | 0:15:54 | 0:15:58 | |
I'm just going on here, it was really a rather simple story. | 0:16:02 | 0:16:05 | |
So, I cut Micky's hair as I've done since he was 13... | 0:16:05 | 0:16:08 | |
So you'd cut his hair regularly, you first did it when he was 13... | 0:16:08 | 0:16:11 | |
-When he was 13. -..and you were his regular hairdresser. | 0:16:11 | 0:16:14 | |
No, that would be a lie, but I would always cut Micky's hair. | 0:16:14 | 0:16:16 | |
I was seen doing this, and before you knew I, | 0:16:16 | 0:16:18 | |
over the course of the next ten days, | 0:16:18 | 0:16:20 | |
I probably did 50 to 60 haircuts. | 0:16:20 | 0:16:24 | |
And were you paid for these haircuts? | 0:16:24 | 0:16:26 | |
I probably was, but in kind. | 0:16:26 | 0:16:28 | |
Oh, no. | 0:16:28 | 0:16:30 | |
The only thing any of these English fans could say was | 0:16:34 | 0:16:37 | |
"Huevos solo," and that got you an egg sandwich. | 0:16:37 | 0:16:41 | |
And I seem to remember that people, cos I was cutting hair, | 0:16:41 | 0:16:43 | |
it was always in the morning that someone would bring me... | 0:16:43 | 0:16:46 | |
"Mate, you're busy cutting hair, have a huevo solo." | 0:16:46 | 0:16:49 | |
-So, you were paid in egg sandwiches? -I think maybe I was. | 0:16:49 | 0:16:52 | |
-I don't, I think... -And you did 50 haircuts over, what, how many days? | 0:16:52 | 0:16:57 | |
I think it was probably eight days. | 0:16:57 | 0:16:58 | |
So you're having 50 egg sandwiches over eight days? | 0:16:58 | 0:17:03 | |
I mean, I'm interested in the haircuts themselves. | 0:17:03 | 0:17:06 | |
-Yeah. -Was there a signature style? It was the early '80s, | 0:17:06 | 0:17:08 | |
were there mullets going on? I mean, what was the look? | 0:17:08 | 0:17:11 | |
It was a feathered look I was expert at. | 0:17:11 | 0:17:13 | |
Where I'm from, it's called the foffer. | 0:17:13 | 0:17:15 | |
You'll probably think of it like Rod Stewart. | 0:17:15 | 0:17:18 | |
-Oh, it's a lovely look. -Layered at the bottom, yeah? | 0:17:18 | 0:17:21 | |
Yes. Do you still cut hair now? | 0:17:21 | 0:17:23 | |
Oh, not so much now, Rob. I... | 0:17:23 | 0:17:26 | |
To be honest with you, I can't... I can't do the new cuts. | 0:17:27 | 0:17:32 | |
Did you hear that? "I can't do the new cuts." | 0:17:32 | 0:17:35 | |
-I can't do the new cuts, no. -Right, what about Lee and the donkey? | 0:17:35 | 0:17:38 | |
So, Lee, tell us your story. | 0:17:38 | 0:17:41 | |
-I was at the seaside. I went to... -Whereabouts? -Blackpool. | 0:17:41 | 0:17:44 | |
-When was this? -This was last year, believe it or not. -Last year... | 0:17:44 | 0:17:47 | |
Only last year, since the last series | 0:17:47 | 0:17:49 | |
-and why it hasn't cropped up so far. -Fair enough, fair enough. | 0:17:49 | 0:17:52 | |
On holiday or were you summer seasoning there? | 0:17:52 | 0:17:55 | |
-Summer seasoning? -Doing a summer season? | 0:17:55 | 0:17:57 | |
I'm not a juggler. | 0:17:57 | 0:17:59 | |
They have comedians in Blackpool. | 0:17:59 | 0:18:00 | |
Or were you giving a keynote speech at the | 0:18:00 | 0:18:03 | |
Conservative Party Conference? | 0:18:03 | 0:18:05 | |
All right, I was doing a summer season. | 0:18:09 | 0:18:13 | |
No, I was just, I was on a little weekend break. | 0:18:13 | 0:18:15 | |
I decided to take my family to Blackpool. | 0:18:15 | 0:18:17 | |
What sort of loos are these? | 0:18:17 | 0:18:19 | |
Public toilets on Blackpool seafront. | 0:18:19 | 0:18:21 | |
-So, you go into the loo... -I go into the loo... -Yeah, where's...? | 0:18:21 | 0:18:24 | |
-..to use the toilet. -Where's the donkey? | 0:18:24 | 0:18:26 | |
The donkey is in the cubicle. The door was shut and I did that thing | 0:18:26 | 0:18:29 | |
where I looked underneath, and I just saw two hooves. | 0:18:29 | 0:18:32 | |
LAUGHTER | 0:18:32 | 0:18:35 | |
I said, "Will you be long, mate?" | 0:18:36 | 0:18:40 | |
Which way was the donkey? | 0:18:40 | 0:18:41 | |
-Which way? -Which way in was he? | 0:18:41 | 0:18:43 | |
He was actually facing outwards, | 0:18:43 | 0:18:45 | |
so the bottom was stuck in the cubicle | 0:18:45 | 0:18:48 | |
and the head was sticking out the front. | 0:18:48 | 0:18:49 | |
So, he reversed in, did he? | 0:18:49 | 0:18:51 | |
No, he didn't reverse in, the toilet reversed up to him. | 0:18:51 | 0:18:55 | |
Yes, he reversed in. | 0:18:55 | 0:18:56 | |
-OK. -It turns out that someone had witnessed this happen. | 0:18:56 | 0:18:59 | |
-Yeah. -He'd gone into the toilet... | 0:18:59 | 0:19:00 | |
Who is this person who witnessed this happen? | 0:19:00 | 0:19:02 | |
It was...some guy was in there. | 0:19:02 | 0:19:04 | |
Some other guy, not Michael, and he goes, | 0:19:04 | 0:19:07 | |
"I tell you what's happened here, this donkey..." | 0:19:07 | 0:19:09 | |
-And what did he say? -I walked straight over and I went, | 0:19:09 | 0:19:11 | |
"Blimey. There's a donkey stuck in the cubicle!" | 0:19:11 | 0:19:13 | |
And the man told us, "This donkey has wandered in from the beach, | 0:19:13 | 0:19:16 | |
"you know, where they do the donkey rides and then someone had used | 0:19:16 | 0:19:20 | |
"the hand-dryer and he's freaked, ran round, got disorientated | 0:19:20 | 0:19:24 | |
"and then reversed into a cubicle." | 0:19:24 | 0:19:28 | |
At this point, Michael was in there, cos the other fella went out, | 0:19:28 | 0:19:31 | |
he said, "I'm not dealing with that, I've got to go." | 0:19:31 | 0:19:33 | |
"I'm just the one that's here to explain the scenario." | 0:19:33 | 0:19:36 | |
The guy said, "I'm not dealing with this, | 0:19:36 | 0:19:38 | |
"I've just got a leopard out the sink. You can do this one." | 0:19:38 | 0:19:41 | |
So he goes out, and the donkey's back end was literally stuck inside | 0:19:43 | 0:19:46 | |
-this, inside the cubicle. -How did you get the donkey out? | 0:19:46 | 0:19:49 | |
I pulled, I pulled the reins as hard as... He had reins. | 0:19:49 | 0:19:52 | |
That's why we knew he wasn't a wild donkey, cos there are wild donkeys | 0:19:52 | 0:19:55 | |
in Blackpool. I'm pulling on the reins like that, | 0:19:55 | 0:19:57 | |
and Michael sort of tried to lean over the back, | 0:19:57 | 0:19:59 | |
and he had his beach towel with him, and gently gave him a little... | 0:19:59 | 0:20:02 | |
I wouldn't say a whip, that would be hard, but enough to make him try | 0:20:02 | 0:20:05 | |
and come forward. But it just didn't work. | 0:20:05 | 0:20:07 | |
-We could not get this donkey out. -Right. | 0:20:07 | 0:20:10 | |
-It died. -LAUGHTER | 0:20:10 | 0:20:13 | |
The hooves fell off. "Join us next week on..." | 0:20:13 | 0:20:16 | |
-Yeah, and... -At least he was the right way in to use the loo. | 0:20:17 | 0:20:19 | |
Yes, perhaps he was using the loo! | 0:20:19 | 0:20:21 | |
-That's why he wouldn't come out, he needed the loo. -Yeah. | 0:20:21 | 0:20:23 | |
I hadn't thought of that. I say donkey, I mean fat bloke. | 0:20:23 | 0:20:26 | |
I remember now, it was a fat bloke, and I wanted to use the toilet. | 0:20:28 | 0:20:31 | |
I think he had one of those funny little Blackpool masks on | 0:20:31 | 0:20:34 | |
of a donkey. It's all coming back to me now. "You're arrested!" | 0:20:34 | 0:20:38 | |
I did three months in Parkhurst. | 0:20:39 | 0:20:42 | |
-That's the end of the story. -You did three months in Parkhurst | 0:20:44 | 0:20:47 | |
since we last did the show? | 0:20:47 | 0:20:49 | |
Actually it was the prison office. | 0:20:49 | 0:20:51 | |
HE MUMBLES | 0:20:52 | 0:20:55 | |
So, there we are. We need an answer. | 0:20:56 | 0:20:58 | |
David's team, is Michael Diane's ghostly guy, | 0:20:58 | 0:21:02 | |
Bob's campsite client, | 0:21:02 | 0:21:04 | |
or Lee's donkey do-gooder? | 0:21:04 | 0:21:06 | |
Well, what do you think? | 0:21:06 | 0:21:08 | |
See, I first, when I heard Diane's story, I thought that was a lie, | 0:21:08 | 0:21:11 | |
and then I heard Bob's story... | 0:21:11 | 0:21:14 | |
And Lee's story, | 0:21:14 | 0:21:16 | |
-and then suddenly, Diane's story seems a little bit more real. -Yes. | 0:21:16 | 0:21:21 | |
I think it's Bob. I think giving your man a haircut is the truth. | 0:21:21 | 0:21:26 | |
50 haircuts a week, paid in egg sandwiches? | 0:21:26 | 0:21:28 | |
I don't know that you can do that hairstyle with one pair of scissors. | 0:21:30 | 0:21:33 | |
I'm from a family of hairdressers and I just don't think you can do | 0:21:33 | 0:21:36 | |
-Rod Stewart with the one pair of scissors. -She's from a family of | 0:21:36 | 0:21:39 | |
-hairdressers. Did you have more than one pair of scissors? -No. | 0:21:39 | 0:21:42 | |
My response to that, Nadiya, | 0:21:42 | 0:21:43 | |
-is a family of not very good hairdressers. -O-o-o-o-oh. | 0:21:43 | 0:21:46 | |
Two sets of scissors? | 0:21:48 | 0:21:50 | |
-He looks round about Bob's age. -And Bob's haircut. -Yeah. | 0:21:50 | 0:21:54 | |
-DAVID: -Can I just say, one final chance, | 0:21:57 | 0:21:59 | |
he looks to me like a man who hangs around gentlemen's toilets. | 0:21:59 | 0:22:02 | |
-I'm going with Diane. -Yeah. -You're going with Diane, you're set, then? | 0:22:07 | 0:22:10 | |
David's team are saying that it is Diane. | 0:22:10 | 0:22:13 | |
Michael, would you please confirm your true identity. | 0:22:13 | 0:22:17 | |
My name is Michael and Bob gave me a haircut at a campsite. | 0:22:17 | 0:22:20 | |
We can actually see photographic evidence of Bob | 0:22:28 | 0:22:30 | |
cutting Michael's hair. There they are. | 0:22:30 | 0:22:34 | |
-Oh, my gosh. It really did happen. -Thank you very much, Michael. | 0:22:34 | 0:22:36 | |
Which brings us to our final round, Quickfire Lies, and we start with... | 0:22:40 | 0:22:45 | |
It is Lee. | 0:22:46 | 0:22:48 | |
-Possession. -Right. | 0:22:48 | 0:22:50 | |
Under the desk is a box, so pop it on the desk very carefully, | 0:22:50 | 0:22:54 | |
very carefully, like that. | 0:22:54 | 0:22:56 | |
"I've recently got into baking and here's a cake I made yesterday, | 0:22:57 | 0:23:02 | |
-"specially for David." -Oh. | 0:23:02 | 0:23:05 | |
Oh, it ain't bad, is it? | 0:23:08 | 0:23:10 | |
Let's have a proper look at that cake. | 0:23:10 | 0:23:13 | |
Wow. | 0:23:16 | 0:23:18 | |
That is uncanny. | 0:23:18 | 0:23:20 | |
It's got all of my thousands of teeth. | 0:23:20 | 0:23:22 | |
Why don't we see how close a depiction it is? | 0:23:24 | 0:23:26 | |
We have the technology to do what they call split screen. | 0:23:26 | 0:23:30 | |
Look down camera one. | 0:23:30 | 0:23:32 | |
OK, so, talk us through what's gone into making that cake. | 0:23:42 | 0:23:46 | |
-Well, how do you... What do you want to know first? -How you made it. -OK. | 0:23:46 | 0:23:50 | |
Right, first of all, I made the cake, | 0:23:50 | 0:23:53 | |
let's call it the cake bit, right? | 0:23:53 | 0:23:54 | |
I made a sponge, that's the word. | 0:23:54 | 0:23:56 | |
-I made the sponge first. -How do you make a sponge? | 0:23:56 | 0:23:59 | |
How DON'T you make a sponge? | 0:23:59 | 0:24:00 | |
How DO you make a sponge? | 0:24:00 | 0:24:01 | |
No, let's do "How don't you make a sponge?" | 0:24:01 | 0:24:05 | |
-OK, what you do is you get your eggs and your flour... -Of course. | 0:24:05 | 0:24:08 | |
-..and then... -How many eggs for a sponge of that size? | 0:24:08 | 0:24:11 | |
-I would say, for that size, the bottom bit... -David's bottom... | 0:24:11 | 0:24:13 | |
Or the other bit, really, they're the same size. | 0:24:13 | 0:24:16 | |
Oh, no they're not. They're not, David. | 0:24:16 | 0:24:17 | |
Your bottom is a lot bigger than your top half. | 0:24:17 | 0:24:20 | |
For the bottom, I use about... | 0:24:20 | 0:24:22 | |
-I would say I use about six eggs for the bottom sponge. -O-o-o-o-oh. | 0:24:22 | 0:24:26 | |
Nadiya, six eggs for the bottom, yes or no? | 0:24:26 | 0:24:28 | |
So, 12 eggs altogether? | 0:24:28 | 0:24:29 | |
-No. -Yes. | 0:24:29 | 0:24:31 | |
No. I didn't say how I'd made the top sponge. | 0:24:31 | 0:24:34 | |
What temperature did you bake it at? | 0:24:36 | 0:24:38 | |
It was... The room was room temperature at the time. | 0:24:38 | 0:24:42 | |
I preheated the oven at 180 degrees, because it's fan-assisted, | 0:24:42 | 0:24:47 | |
so I knocked off 10% for that. | 0:24:47 | 0:24:49 | |
-Oh, right, so... -That sound right, Nadiya? | 0:24:49 | 0:24:51 | |
-Almost convincing. -Yeah. | 0:24:51 | 0:24:53 | |
-Wow. -You knocked off 10%. -You always do. | 0:24:53 | 0:24:54 | |
Knock off 10% if it's fan-assisted. | 0:24:54 | 0:24:56 | |
Mm-hmm. | 0:24:56 | 0:24:57 | |
Just going to have a little lick of your moustache, David. | 0:24:59 | 0:25:02 | |
I hate to say it, Lee, but you've slightly spoiled my present. | 0:25:09 | 0:25:13 | |
Wait till you eat it and you pass out and wake up in me cellar. | 0:25:15 | 0:25:19 | |
So... Six eggs per sponge? | 0:25:19 | 0:25:22 | |
-No, no, no, three eggs per top half and bottom half. -OK. -Right. | 0:25:22 | 0:25:26 | |
-How long do you leave that sponge in? -I would say... | 0:25:26 | 0:25:28 | |
What I tend to do is, I don't do it the traditional way of timing it, | 0:25:28 | 0:25:31 | |
I keep a good eye on it, and I wait till it's sponge-like | 0:25:31 | 0:25:33 | |
-and take it out. -OK. -It takes about... | 0:25:33 | 0:25:35 | |
-I'd say it took me about... -Half an hour, Nadiya? -..40 minutes. | 0:25:35 | 0:25:38 | |
I mean, unless you bake, you don't know... | 0:25:38 | 0:25:40 | |
when you've got a fan-assisted oven... | 0:25:40 | 0:25:42 | |
-It's difficult, isn't it? -Yeah. | 0:25:42 | 0:25:44 | |
-LAUGHTER -Difficult. | 0:25:44 | 0:25:45 | |
He seems to know...he seems to know that bit. | 0:25:45 | 0:25:47 | |
You seem to know that bit of information, which is... | 0:25:47 | 0:25:50 | |
-Not everyone knows that. -Well, people are stupid. -Yeah, well... | 0:25:50 | 0:25:53 | |
Let's go to the centrepiece. | 0:25:53 | 0:25:55 | |
-Yeah. -The crowning triumph, | 0:25:55 | 0:25:57 | |
which is the wonderful visual depiction of David. | 0:25:57 | 0:26:00 | |
How did you approach...? | 0:26:00 | 0:26:01 | |
-Yep. -..bringing him so vividly to life? | 0:26:01 | 0:26:04 | |
-Well... -Talk us through that. | 0:26:04 | 0:26:06 | |
-Well, I started off, I tried to do you. -Here we go. | 0:26:06 | 0:26:10 | |
But that came out very bitter. | 0:26:10 | 0:26:12 | |
Lee, even though you violated David's face, | 0:26:17 | 0:26:20 | |
who would like to try a piece? | 0:26:20 | 0:26:22 | |
-I'll try some. -All right. | 0:26:22 | 0:26:25 | |
Now, what flavour is it, just so we know when we taste it. | 0:26:25 | 0:26:27 | |
It's a sort of, it's an orangey citrus invention. | 0:26:27 | 0:26:31 | |
OK, here we go. Here's the first slice. This is going to Diane. | 0:26:31 | 0:26:34 | |
-Yes. -There you go. And then Bob. | 0:26:34 | 0:26:36 | |
How would you describe the flavour, Diane? I won't be insulted. | 0:26:36 | 0:26:39 | |
It's very dry. | 0:26:39 | 0:26:41 | |
Well, it wasn't dry when I made it last week. | 0:26:41 | 0:26:44 | |
-David, would you like a slice of your own head? -Yeah, I would. | 0:26:44 | 0:26:47 | |
-Yeah, I'd love one. -Nadiya, you be the judge. | 0:26:47 | 0:26:49 | |
-Listen, don't hold back, I can take it. -We can all have this. | 0:26:49 | 0:26:52 | |
It looks like cake and it tastes like cake... | 0:26:52 | 0:26:55 | |
But it acts like a carpet. | 0:26:55 | 0:26:56 | |
It's dry enough for me to believe that you might have made it. | 0:26:58 | 0:27:01 | |
-Aaah. -What? | 0:27:01 | 0:27:02 | |
-What are you thinking, Michael? -I think | 0:27:03 | 0:27:05 | |
that he's been doing a bit of baking. I think he's made it. | 0:27:05 | 0:27:08 | |
-I think it's bad enough for him to have made this. -Whoa! | 0:27:08 | 0:27:11 | |
-Michael, you also think... -Unfair. -..you also think he did it? | 0:27:11 | 0:27:14 | |
-I think he did. -Yeah. | 0:27:14 | 0:27:16 | |
Yeah, I think, I think maybe... I think... | 0:27:16 | 0:27:18 | |
He's just cutting your eye out. | 0:27:20 | 0:27:21 | |
You know, often on this show, you say I don't see things from your | 0:27:22 | 0:27:25 | |
point of view? Well, let's... | 0:27:25 | 0:27:27 | |
Is everyone still here? | 0:27:36 | 0:27:37 | |
David, it's time to decide. | 0:27:39 | 0:27:41 | |
Was it the truth or was it a lie? | 0:27:41 | 0:27:43 | |
Well, I think... | 0:27:43 | 0:27:44 | |
We think it could be true. | 0:27:44 | 0:27:46 | |
-You're going to say true? -Yeah. | 0:27:46 | 0:27:47 | |
-OK, Lee... -I'm going to keep these and take them home. | 0:27:47 | 0:27:50 | |
And wear them when I make love to my wife. | 0:27:50 | 0:27:53 | |
All right. Was it the truth or was it a lie? | 0:27:57 | 0:28:00 | |
Well, actually, it is in fact...a lie. | 0:28:00 | 0:28:03 | |
BUZZER Oh, that noise signals time is up. | 0:28:07 | 0:28:10 | |
It's the end of the show, and I can reveal | 0:28:10 | 0:28:12 | |
that David's team have won by three points to two. | 0:28:12 | 0:28:16 | |
Well done. Well done. | 0:28:16 | 0:28:17 | |
Thanks for watching. Goodnight. | 0:28:19 | 0:28:21 |