Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Tonight on Would I Lie To You, you'll laugh till you weep. | 0:00:22 | 0:00:27 | |
Jo Brand! | 0:00:27 | 0:00:29 | |
He's the Queen Vic's black sheep. | 0:00:29 | 0:00:32 | |
Larry Lamb! | 0:00:32 | 0:00:34 | |
And their team captain, | 0:00:34 | 0:00:36 | |
David Mitchell! | 0:00:36 | 0:00:37 | |
And facing them tonight, good at sums, | 0:00:37 | 0:00:42 | |
Carol Vorderman! | 0:00:42 | 0:00:43 | |
He's a hit with mums. | 0:00:43 | 0:00:45 | |
Russell Howard! | 0:00:45 | 0:00:47 | |
And their team captain, Lee Mack! | 0:00:47 | 0:00:50 | |
And your host, Rob Brydon! | 0:00:50 | 0:00:54 | |
Good evening and welcome to Would I Lie To You, | 0:01:00 | 0:01:02 | |
the show that demands each of our panellists lie through their teeth. | 0:01:02 | 0:01:06 | |
Now, one in three adults have lied about reading high brow literature to appear well read, but I mean, | 0:01:06 | 0:01:12 | |
when you've read as much Dickens as I have, you realise that's typical of what Muggles do. | 0:01:12 | 0:01:18 | |
And psychologists claim that laughing at a joke you don't find funny is a form of lying. | 0:01:18 | 0:01:24 | |
So if you're in the audience tonight prepare for an evening of raucous dishonesty. | 0:01:24 | 0:01:29 | |
And so to round one, Home Truths, | 0:01:29 | 0:01:31 | |
in which our panellists turn over a card and read aloud a fact about themselves. | 0:01:31 | 0:01:35 | |
Some are true, others are lies that they've never seen before. | 0:01:35 | 0:01:39 | |
Can the opposing team separate the truth from the fiction? | 0:01:39 | 0:01:42 | |
Carol Vorderman, you're first up. | 0:01:42 | 0:01:44 | |
Please reveal all. | 0:01:44 | 0:01:47 | |
On Countdown, if I worked out the number puzzle before the time was up, I used to play a little game. | 0:01:47 | 0:01:54 | |
That's where I've seen you before! | 0:01:54 | 0:01:57 | |
AUDIENCE LAUGH | 0:01:57 | 0:02:00 | |
So, David's team. What do you think? | 0:02:00 | 0:02:02 | |
What little game? | 0:02:02 | 0:02:04 | |
On the numbers puzzle, you do the sum, press the target and the numbers and the target... | 0:02:04 | 0:02:09 | |
-And there's a time limit. -And you had 30 seconds to do something in. | 0:02:09 | 0:02:12 | |
Well, most of the time I'd get the answer before the clock started, so I had 30 seconds. | 0:02:12 | 0:02:19 | |
-Ooooh! -Before the clock started? | 0:02:19 | 0:02:21 | |
You must have despised the contestants. | 0:02:21 | 0:02:25 | |
Sitting there, working away for the whole 30 seconds like morons. | 0:02:25 | 0:02:30 | |
What I used to do, I used to get my pen that I would write on the board with | 0:02:30 | 0:02:36 | |
and I used to go round all the props boys and I used to make them tap the end of my pen, | 0:02:36 | 0:02:43 | |
and how many could tap the end of my pen in 30 seconds was the game. | 0:02:43 | 0:02:49 | |
How many props guys, PROPS guys, | 0:02:49 | 0:02:51 | |
were required in the production of Countdown? | 0:02:51 | 0:02:56 | |
LAUGHTER | 0:02:56 | 0:02:59 | |
Jo's been on Countdown a lot. | 0:02:59 | 0:03:01 | |
You know, we have someone like Harry or Vince or Stan, | 0:03:01 | 0:03:05 | |
who do the water-pouring. | 0:03:05 | 0:03:07 | |
Carol, Carol. | 0:03:07 | 0:03:08 | |
-We "had". -Oh yeah, had. | 0:03:08 | 0:03:10 | |
LAUGHTER | 0:03:10 | 0:03:14 | |
Tap my pen! | 0:03:14 | 0:03:16 | |
Did you ever vary the game at all? | 0:03:21 | 0:03:24 | |
Was it always the same game? | 0:03:24 | 0:03:26 | |
Sometimes I managed to get to the front row of the audience as well, | 0:03:26 | 0:03:31 | |
occasionally a member of the audience. | 0:03:31 | 0:03:33 | |
Oh, come on. Those people can't move! | 0:03:33 | 0:03:35 | |
LAUGHTER | 0:03:35 | 0:03:37 | |
I can touch the pen! Oh, she's gone, she's gone. | 0:03:37 | 0:03:42 | |
I'll get her next time. | 0:03:42 | 0:03:43 | |
Was this not distracting to the poor contestants who're trying to do some maths, if out of shot? | 0:03:47 | 0:03:53 | |
Slightly out of shot, yes. | 0:03:53 | 0:03:54 | |
I feel sorry for this new girl that's doing the numbers, cos all the props guys must be going, | 0:03:54 | 0:03:59 | |
"You'll have great fun on this show." | 0:03:59 | 0:04:01 | |
They would have said to her on the first day, | 0:04:01 | 0:04:04 | |
"Are we gonna play touch the pen?" | 0:04:04 | 0:04:07 | |
And got fired for sexual harassment. | 0:04:07 | 0:04:09 | |
"We always played touch the pen with Carol." | 0:04:09 | 0:04:12 | |
"Well, I'm sorry, I'm just not like that!" | 0:04:12 | 0:04:16 | |
David, what are you and your team-mates thinking? | 0:04:16 | 0:04:20 | |
-Strike you as plausible? -I think it's flannel myself. | 0:04:20 | 0:04:22 | |
Flannel! That's a great word! | 0:04:22 | 0:04:24 | |
You've been on EastEnders too long, Larry! "It's a load of flannel!" | 0:04:24 | 0:04:29 | |
I don't know. I mean, I missed a lot of that because as soon as Carol started describing the game | 0:04:29 | 0:04:34 | |
I had a sort of mental absence. | 0:04:34 | 0:04:37 | |
-I've done Dictionary Corner quite a lot. -But you couldn't see me from Dictionary Corner, could you? | 0:04:37 | 0:04:43 | |
No, I couldn't. | 0:04:43 | 0:04:44 | |
What I doubt is whether you would be allowed, when the contestants are trying to work out the maths, | 0:04:44 | 0:04:49 | |
to run around the studio getting men to touch your marker pen. | 0:04:49 | 0:04:52 | |
-Yes, well, so we think it's a lie. -I think we do, yes. | 0:04:52 | 0:04:56 | |
What a surprise. OK. Carol, is it truth or is it a lie? | 0:04:56 | 0:05:01 | |
It is... | 0:05:01 | 0:05:02 | |
..true. | 0:05:03 | 0:05:05 | |
APPLAUSE | 0:05:05 | 0:05:07 | |
Now, then. | 0:05:09 | 0:05:11 | |
Oh! | 0:05:11 | 0:05:12 | |
Do you know what, it actually is lots of fun. | 0:05:12 | 0:05:16 | |
So you seriously did this? | 0:05:16 | 0:05:19 | |
It was a ritual, and after about 15 years it gets funny, really, when, you know, people... | 0:05:19 | 0:05:25 | |
That's what we're hoping with this show. | 0:05:25 | 0:05:29 | |
Do you know when I was being really cheeky, I'd take the top off and they all got dirty fingers! | 0:05:29 | 0:05:34 | |
LAUGHTER | 0:05:34 | 0:05:37 | |
I think you just like to behave outside of society's rules, don't you? | 0:05:37 | 0:05:43 | |
I wouldn't be surprised to find out you're an enthusiastic dogger. | 0:05:43 | 0:05:47 | |
LAUGHTER | 0:05:47 | 0:05:51 | |
So, Larry... Your turn to confess all. | 0:05:51 | 0:05:54 | |
I used to run a market stall | 0:05:56 | 0:06:00 | |
that only sold hats for dogs. | 0:06:00 | 0:06:02 | |
Lee's team, this shouldn't take long. | 0:06:04 | 0:06:06 | |
Absolute flannel. Flannel! | 0:06:08 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:12 | |
What year was this? | 0:06:12 | 0:06:14 | |
It was in 19... Here we go. 19... | 0:06:14 | 0:06:19 | |
Larry, we're supposed to go, "here we go", you don't do that yourself! | 0:06:19 | 0:06:25 | |
-It was in the 1960's. -The 1960's. -Yeah. | 0:06:25 | 0:06:28 | |
-And this was your own business? -I was a lad, I was still at school. | 0:06:28 | 0:06:32 | |
You were still at school and you thought, "I'm going to hit up the booming dog hat market." | 0:06:32 | 0:06:36 | |
I was pretty enterprising lad, I tell you. | 0:06:36 | 0:06:39 | |
-Can you give us... -In Harlow. | 0:06:39 | 0:06:41 | |
What was your top seller? | 0:06:41 | 0:06:43 | |
The top seller was a plaid one, funnily enough. | 0:06:43 | 0:06:46 | |
I was going to ask about sizes, because the sizes of dog.... | 0:06:46 | 0:06:50 | |
-There were only three sizes. -What were they? | 0:06:50 | 0:06:52 | |
Small, medium and large. | 0:06:52 | 0:06:55 | |
LAUGHTER | 0:06:55 | 0:06:57 | |
It's a complex system, Carol. | 0:06:59 | 0:07:03 | |
My key question is, how did a dog keep the hat on? | 0:07:03 | 0:07:07 | |
-You put it on over its ears. -So you crushed its ears! | 0:07:07 | 0:07:10 | |
No, you don't crush it. | 0:07:10 | 0:07:11 | |
This was the '60s, you didn't worry about those things anyway. | 0:07:11 | 0:07:14 | |
Hang on, hang, on, Larry! | 0:07:14 | 0:07:16 | |
People talk about the '60s and go, "The '60s, it was wild!" | 0:07:16 | 0:07:19 | |
I've never heard anyone go, "It was crazy, we used to crush dogs' ears and we didn't give a monkey's." | 0:07:19 | 0:07:23 | |
"Honestly, crazy times!" | 0:07:23 | 0:07:25 | |
Did you make the hats yourself or did you buy them them from somebody else and sell them on? | 0:07:25 | 0:07:30 | |
-They were being made in China. -They were being made in China. | 0:07:30 | 0:07:33 | |
So you had links with China, despite the fact you were at school. You're chasing this. | 0:07:33 | 0:07:37 | |
Was it just dogs' hats? | 0:07:37 | 0:07:39 | |
The main item in the '60s, for some strange reason, in Harlow was... | 0:07:39 | 0:07:44 | |
Oh, I see. In Harlow. Only in Harlow. | 0:07:44 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:49 | |
Lee, the moment has now come within the game where you guess whether it's the truth or a lie. | 0:07:49 | 0:07:56 | |
-All the evidence seems to suggest... -It's a great big fat porky. | 0:07:56 | 0:08:00 | |
Yes. That would be a great name for one of his hats! | 0:08:00 | 0:08:03 | |
-So you're saying it's a lie? -It's got to be a lie. -It's a lie. | 0:08:03 | 0:08:08 | |
Larry, is it the truth or is it a lie? | 0:08:08 | 0:08:11 | |
It's a lie. | 0:08:11 | 0:08:13 | |
CHEERING | 0:08:13 | 0:08:16 | |
It's a lie. | 0:08:16 | 0:08:18 | |
Larry did not run a market stall that only sold hats for dogs. | 0:08:18 | 0:08:23 | |
He was far too busy running a kiosk selling cumberbunds to kittens. | 0:08:23 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:29 | |
Russell, your turn to convince us. | 0:08:29 | 0:08:32 | |
I used to put my underpants on my head to cure my acne. | 0:08:32 | 0:08:36 | |
Sounds reasonable enough. David. | 0:08:39 | 0:08:43 | |
Were they on your head like a hat or were they just covering your face? | 0:08:43 | 0:08:47 | |
No, I only did it at night. | 0:08:47 | 0:08:49 | |
-You slept with like an underpants mask? -I'm ashamed to say. | 0:08:49 | 0:08:53 | |
-Were these the underpants you'd been wearing the previous day? -No, no, I'm not a weirdo. | 0:08:53 | 0:08:58 | |
I had a system. | 0:08:58 | 0:09:01 | |
I was 12 and I was into Nirvana and stuff like that. | 0:09:01 | 0:09:05 | |
I didn't want to cut my hair, I had greasy hair. | 0:09:05 | 0:09:07 | |
I thought, "I can't ask Mum for a hairnet so I'll whack some pants on, like that." | 0:09:07 | 0:09:11 | |
Nice and tight and I'll sleep and I'll wake up and it'll be fine. | 0:09:11 | 0:09:14 | |
If the pants were tight around your head they must have been pretty tight when you wore them as pants. | 0:09:14 | 0:09:20 | |
That's just what I was thinking. | 0:09:22 | 0:09:24 | |
I think that's a bit of a clue. My waist is wider than my cranium. | 0:09:24 | 0:09:29 | |
David, you can't see down here. He's all small and withered. | 0:09:29 | 0:09:33 | |
-Are you saying he tapers to a point? -Yes. -And what made you stop? | 0:09:33 | 0:09:37 | |
What happened, I went to the doctor's, | 0:09:37 | 0:09:40 | |
because one of my nipples suddenly went, "Whoot!" like that. | 0:09:40 | 0:09:43 | |
It didn't make that noise. | 0:09:43 | 0:09:45 | |
And I went there and I was worried I was becoming a woman or something like that. | 0:09:45 | 0:09:49 | |
And my mum chose this moment to go, "Yeah, and he puts pants on his head at night." | 0:09:49 | 0:09:53 | |
And I was, "How am I going to chat about that?" | 0:09:53 | 0:09:55 | |
And the doctor said, "In no way will that get rid of your acne", | 0:09:55 | 0:09:59 | |
so I stopped doing it. | 0:09:59 | 0:10:00 | |
-You had acne at 12? -Yeah. | 0:10:00 | 0:10:02 | |
Acne and you started to get breasts? | 0:10:02 | 0:10:05 | |
Yeah, it was a brutal summer. Brutal. | 0:10:05 | 0:10:07 | |
-If I'd had breasts at 12 I'd never have left the house. -Only one! | 0:10:07 | 0:10:11 | |
So, David's team. | 0:10:15 | 0:10:16 | |
I think it's plausible. | 0:10:16 | 0:10:18 | |
-Because I've worn pants on my head as well. -Really? | 0:10:18 | 0:10:22 | |
-Yeah. -In what context did you wear pants on your head? | 0:10:22 | 0:10:25 | |
I think possibly when I was, like, looking for something to tie my hair back with. | 0:10:25 | 0:10:29 | |
Actually, Jo, what's that in your hair at the moment? | 0:10:29 | 0:10:33 | |
Obviously if I had pants on my head at the moment they'd be the size of a marquee, Lee. | 0:10:33 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:41 | |
What I like to do, every night when I take my pants off, | 0:10:41 | 0:10:45 | |
it's a bit of a laugh, as I disrobe, all I have left, | 0:10:45 | 0:10:49 | |
if you can picture it, is the pants | 0:10:49 | 0:10:51 | |
and what I do is I shimmy them down the length of my legs, | 0:10:51 | 0:10:55 | |
first the upper thigh, then across past the knee. | 0:10:55 | 0:10:59 | |
-Roll it down. -Down the shin. | 0:10:59 | 0:11:01 | |
I extract the left foot. | 0:11:01 | 0:11:04 | |
Come on, we're only human. | 0:11:04 | 0:11:06 | |
Then I go, "zoom!" and I catch them on my head. | 0:11:06 | 0:11:10 | |
CHEERING | 0:11:10 | 0:11:13 | |
-So, David, what's it gonna be? -Do you think yes? | 0:11:13 | 0:11:16 | |
-Yes. -I think we're going to say we think it's true. | 0:11:16 | 0:11:19 | |
You are saying it's true, he actually did it. OK. Russell, is it fact or fiction? | 0:11:19 | 0:11:24 | |
Depressingly, it is true. | 0:11:24 | 0:11:26 | |
APPLAUSE | 0:11:27 | 0:11:29 | |
Our next round is called The Ring of Truth. | 0:11:33 | 0:11:35 | |
I'll read out some celebrity facts and all our team needs to do | 0:11:35 | 0:11:38 | |
is decide whether they are truth or tosh. | 0:11:38 | 0:11:40 | |
Take a look at this fascinating clip of rock 'n' roll star, Liam Gallagher. | 0:11:40 | 0:11:45 | |
People were scared to talk about | 0:11:45 | 0:11:48 | |
what it actually is that makes a rock star. | 0:11:48 | 0:11:52 | |
An example of this is Liam Gallagher, | 0:11:52 | 0:11:55 | |
who at various points looked quite androgynous. | 0:11:55 | 0:12:00 | |
What does that mean? | 0:12:00 | 0:12:02 | |
-That you have a feminine quality about you as well. -I have a what? | 0:12:02 | 0:12:06 | |
A feminine quality about you. | 0:12:06 | 0:12:07 | |
What does that mean? | 0:12:07 | 0:12:09 | |
Well, you're not just some, you know... | 0:12:09 | 0:12:11 | |
I'm a bird? | 0:12:11 | 0:12:13 | |
I'm not saying you're a bird. | 0:12:13 | 0:12:15 | |
What does that mean? | 0:12:15 | 0:12:16 | |
It's like you're not some 15-stone hulk, | 0:12:16 | 0:12:19 | |
you have that kind of, | 0:12:19 | 0:12:23 | |
androgynous, you've got a bit of feminine in your masculinity. | 0:12:23 | 0:12:27 | |
Have I? Explain, how does that mean? | 0:12:27 | 0:12:30 | |
-It's your looks. -I'm a pretty boy, yeah. | 0:12:30 | 0:12:33 | |
I'm pretty good looking. | 0:12:33 | 0:12:35 | |
I take care of me hair, bit obsessed with me hair. | 0:12:35 | 0:12:40 | |
You've got to have a decent haircut if you're the front man of a band, you know what I mean? | 0:12:40 | 0:12:44 | |
APPLAUSE | 0:12:44 | 0:12:47 | |
Liam Gallagher there, talking a lot of sense. | 0:12:48 | 0:12:52 | |
LAUGHTER | 0:12:52 | 0:12:54 | |
He is, I think that makes complete sense. I mean, that's the clincher. | 0:12:54 | 0:12:58 | |
You have to have a bit of a poncy haircut | 0:12:58 | 0:13:00 | |
if you're gonna be the front man of a pop band. | 0:13:00 | 0:13:03 | |
Even I know that. | 0:13:03 | 0:13:04 | |
If I wanted to be the front man of a pop band this would not do. | 0:13:04 | 0:13:09 | |
Robert, might I ask you, with your number one hit single | 0:13:09 | 0:13:13 | |
earlier in the year, did you do anything special with your hair? | 0:13:13 | 0:13:17 | |
I just try and hang on to it, basically. | 0:13:17 | 0:13:20 | |
Beating a hasty retreat. | 0:13:20 | 0:13:21 | |
-Thank you for mentioning the single, Carol. -It's my pleasure. | 0:13:21 | 0:13:25 | |
Bless you. Doesn't alter the fact that Countdown is over. | 0:13:25 | 0:13:28 | |
Here is the related fact for Lee's team. | 0:13:28 | 0:13:33 | |
Liam Gallagher once ordered a trampoline from hotel room service, | 0:13:33 | 0:13:39 | |
claiming, "I like to bounce." | 0:13:39 | 0:13:42 | |
-Do we believe it? Lee's team. Trampoline. -I love the idea that it's true. | 0:13:42 | 0:13:46 | |
I think trampoline is a good thing, because bed bouncing is a good thing to do, is it not. | 0:13:46 | 0:13:51 | |
-Yes. -Jumping up and down. So... | 0:13:51 | 0:13:53 | |
I think it's morally neutral, I'd say, bouncing up and down. | 0:13:53 | 0:13:58 | |
Is it not like recycling is a good thing to do. | 0:13:58 | 0:14:01 | |
Fine if you want to bounce but don't feel guilty if you don't. | 0:14:01 | 0:14:05 | |
Let me give you some facts. He was staying at the Mal Maison, quite a posh hotel in Edinburgh. | 0:14:06 | 0:14:11 | |
The problem with hotels like Mal Maison, | 0:14:11 | 0:14:14 | |
they think they're cool | 0:14:14 | 0:14:15 | |
because they'll try and have got him a trampoline | 0:14:15 | 0:14:18 | |
rather than going, "What are you talking about? This is a hotel. | 0:14:18 | 0:14:22 | |
"Do you want to order something on room service, | 0:14:22 | 0:14:25 | |
"do you want an ironing board, do you want any of the normal things? | 0:14:25 | 0:14:29 | |
"Of course you may not have a trampoline. You moron." | 0:14:29 | 0:14:32 | |
LAUGHTER AND APPLAUSE | 0:14:32 | 0:14:35 | |
He might have been playing that game where you ring room service | 0:14:37 | 0:14:40 | |
and just make up something really stupid to see... | 0:14:40 | 0:14:43 | |
I haven't done that one. | 0:14:43 | 0:14:44 | |
Have you not? It's really good fun. I like to ring up and say I'd like some nuclear material, please. | 0:14:44 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:53 | |
I think it's absolutely the truth. | 0:14:53 | 0:14:56 | |
-You don't! -I do. Yes. | 0:14:56 | 0:14:58 | |
I think it's true and it's really... | 0:14:58 | 0:15:00 | |
-How can that be the truth? -Because he's clearly off his box. | 0:15:00 | 0:15:04 | |
-You both think that is true? -What do you think? | 0:15:04 | 0:15:08 | |
-My team think it's true, so I think it's true. -OK. | 0:15:08 | 0:15:11 | |
I can tell you that, in fact, it's true. | 0:15:11 | 0:15:15 | |
-Yes! -Result! | 0:15:15 | 0:15:17 | |
APPLAUSE | 0:15:17 | 0:15:20 | |
Liam Gallagher did once order a trampoline from hotel room service, | 0:15:20 | 0:15:25 | |
claiming, "I like to bounce." | 0:15:25 | 0:15:28 | |
Other things Liam has done in a hotel room include trashing a telly, | 0:15:28 | 0:15:32 | |
smashing some doors and breaking a window. | 0:15:32 | 0:15:35 | |
He really is very poor at trampolining. | 0:15:35 | 0:15:38 | |
Which means at the end of that round | 0:15:40 | 0:15:43 | |
David has three points and Lee also has three points. | 0:15:43 | 0:15:47 | |
APPLAUSE | 0:15:47 | 0:15:50 | |
Our next round is called This Is Mine, | 0:15:50 | 0:15:53 | |
where we bring on a mystery guest | 0:15:53 | 0:15:55 | |
who has a close connection to one of our panellists. | 0:15:55 | 0:15:58 | |
Who knows who they might be tonight. | 0:15:58 | 0:16:01 | |
The cook from David's country house or perhaps Lee's parole officer. | 0:16:01 | 0:16:05 | |
Tonight, each of David's team will claim the connection, | 0:16:05 | 0:16:10 | |
it's up to Lee's lot to work out who's telling the truth. | 0:16:10 | 0:16:13 | |
Please welcome this week's special guest, Liz. | 0:16:13 | 0:16:17 | |
APPLAUSE | 0:16:17 | 0:16:19 | |
Welcome Liz. So, start with you, Jo, what is Liz to you? | 0:16:23 | 0:16:28 | |
Well, this is Liz, and when she was a baby | 0:16:28 | 0:16:31 | |
I accidentally dropped her in a pond. | 0:16:31 | 0:16:35 | |
-What? -Accidentally? | 0:16:37 | 0:16:39 | |
There will be time. Larry, would you tell us what Liz is to you? | 0:16:39 | 0:16:43 | |
This is Liz, who taught me basic bar skills before I went to work in the Queen Vic. | 0:16:43 | 0:16:48 | |
OK. And David, what is Liz's connection with you? | 0:16:48 | 0:16:52 | |
This is Liz, and together we are writing a guide to the castles of Britain. | 0:16:52 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:17:01 | |
Totally plausible. Lee's team, where do you want to start? | 0:17:01 | 0:17:06 | |
I think we gotta start with Jo. What are you talking about? | 0:17:06 | 0:17:11 | |
When I was about seven or eight, yeah. | 0:17:11 | 0:17:16 | |
Me and my two brothers were looking after Liz, and she was a baby, | 0:17:16 | 0:17:21 | |
she was about, I don't know... | 0:17:21 | 0:17:24 | |
Well, how old is a baby? | 0:17:24 | 0:17:26 | |
-A year. -You decide, it's your story. | 0:17:26 | 0:17:30 | |
Who was the oldest looking after the baby? | 0:17:30 | 0:17:33 | |
-My brother. -He was how old? | 0:17:33 | 0:17:36 | |
He's a year-and-a-half older than me. | 0:17:36 | 0:17:38 | |
So he was nine-and-a-half and his role was the chief leader of looking after the baby. | 0:17:38 | 0:17:43 | |
-Yes. -What a great job you all did, may I say. | 0:17:43 | 0:17:47 | |
Apart from the dropping it in the pond bit. | 0:17:47 | 0:17:49 | |
Why were you near a pond? | 0:17:49 | 0:17:50 | |
Cos I lived in the country and, ooh, there's ponds in the country, Carol. | 0:17:50 | 0:17:55 | |
Being rude to Carol Vorderman's not going to get you out of trouble, Jo Brand! | 0:17:56 | 0:18:01 | |
How did the actual dropping happen in the pond? | 0:18:01 | 0:18:05 | |
We were playing catch with her. | 0:18:05 | 0:18:07 | |
Come off it! | 0:18:07 | 0:18:09 | |
You were playing catch?! | 0:18:09 | 0:18:11 | |
Just kind of, just trying to make her laugh, just throwing her to... | 0:18:11 | 0:18:16 | |
I think we should move on to castles. | 0:18:16 | 0:18:18 | |
I absolutely think we should move on to castles, | 0:18:18 | 0:18:20 | |
with the first question, what's what's your favourite and why, Dave? | 0:18:20 | 0:18:24 | |
I have two favourite castles. They are castles I discovered as a child. | 0:18:24 | 0:18:27 | |
Not on my own, they had been previously discovered by historians. | 0:18:27 | 0:18:31 | |
One is a castle in Wales, in the Mumbles, | 0:18:31 | 0:18:35 | |
near Swansea and that is called Oystermouth Castle. | 0:18:35 | 0:18:40 | |
-It's called what? -Oystermouth Castle. -I can vouch for that. -What kind of castle? | 0:18:40 | 0:18:45 | |
That's a sort of Norman, late Norman kind of castle, with a keep and a... | 0:18:45 | 0:18:51 | |
-What do you like about Oyster Castle? -Oystermouth. | 0:18:51 | 0:18:54 | |
I like it because it's a traditional, old fashioned castle with a moat. | 0:18:54 | 0:19:00 | |
-An old fashioned castle? -They all tend to be... | 0:19:00 | 0:19:03 | |
As opposed to these new modern ones with stone cladding. | 0:19:03 | 0:19:08 | |
It has always been irritating to me that very few castles | 0:19:08 | 0:19:12 | |
completely adhere to what I imagine being the typical castle. | 0:19:12 | 0:19:18 | |
-What was yours again, Larry? -What was yours? | 0:19:18 | 0:19:20 | |
This is the lady who taught me my basic bar skills | 0:19:20 | 0:19:23 | |
for when I was working in EastEnders. | 0:19:23 | 0:19:25 | |
What are the three most important bar skills that you now have? | 0:19:25 | 0:19:28 | |
My character is supposed to have spent years working in the bar and pub business, so it's timing, | 0:19:28 | 0:19:35 | |
it's not just a case of "pull a pint". | 0:19:35 | 0:19:37 | |
You have to pull a pint and be talking to a customer, taking money. | 0:19:37 | 0:19:41 | |
-Multi-tasking. -What sort of lines might you say, Larry? -You might say, "How you doin', sunshine?" | 0:19:41 | 0:19:48 | |
-Did you go to her or did she come to you? -No, you go to her. | 0:19:48 | 0:19:51 | |
-Is that near the studios? -This has been years... | 0:19:51 | 0:19:54 | |
They've been doing this for, evidently, eight years. | 0:19:54 | 0:19:57 | |
-I've only been there for a year-and-a-half and it's an induction thing. -So did Barbara Windsor go? | 0:19:57 | 0:20:02 | |
Barbara Windsor had to go after, because she's been there for, sort of, nearly 20 years. | 0:20:02 | 0:20:08 | |
So for 20 years, they said, "OK, it's been OK so far but we've decided suddenly..." | 0:20:08 | 0:20:14 | |
-Everybody. -"The first 14 years was great but now it's about time you had a bit of bar training | 0:20:14 | 0:20:19 | |
"cos we can't put up with you missing that pint pot any more. | 0:20:19 | 0:20:22 | |
"Pouring it over your head and then your bra falls off." | 0:20:22 | 0:20:26 | |
We need an answer. So Lee's team, is Liz Jo's pond playmate, | 0:20:26 | 0:20:31 | |
David's fellow castle expert or Larry's bar tutor? | 0:20:31 | 0:20:38 | |
-What do you think, Russell? -I think castle. -Why do you think castle? | 0:20:38 | 0:20:42 | |
Because Dave's an intelligent man and will have lots of little hobbies and stuff. | 0:20:42 | 0:20:48 | |
This is definitely Larry. | 0:20:48 | 0:20:50 | |
It's not Jo. That's completely inconceivable. | 0:20:50 | 0:20:52 | |
You would not give a very small baby to three very young children, | 0:20:52 | 0:20:56 | |
not even in the '60s. | 0:20:56 | 0:20:57 | |
-Who went in the water to get the baby out? -My brother Bill. | 0:20:57 | 0:21:01 | |
What, because he had the right beak shape? | 0:21:01 | 0:21:04 | |
-Lee, I'm going to push you for an answer. -Larry. Say Larry. | 0:21:04 | 0:21:09 | |
I'll say Larry. | 0:21:09 | 0:21:11 | |
-You are saying it's Larry. -I don't think any of them are true. | 0:21:11 | 0:21:15 | |
OK, Liz, would you like to reveal your true identity. | 0:21:15 | 0:21:20 | |
I know Jo, she dropped me in a pond when I was a baby. | 0:21:20 | 0:21:24 | |
LAUGHTER AND APPLAUSE | 0:21:24 | 0:21:27 | |
Yes. We've actually got a photo of the two of you together. | 0:21:33 | 0:21:37 | |
Aww! | 0:21:37 | 0:21:38 | |
Look at the fear in her face! | 0:21:39 | 0:21:42 | |
Liz, congratulations. | 0:21:42 | 0:21:44 | |
I don't know why I'm congratulating you for being thrown into a pond. | 0:21:44 | 0:21:47 | |
Thank you so much for coming. Liz. | 0:21:47 | 0:21:50 | |
APPLAUSE | 0:21:50 | 0:21:52 | |
Yes, it's actually true. | 0:21:55 | 0:21:57 | |
Liz was dropped in a pond as a baby | 0:21:57 | 0:21:59 | |
and it was Jo who accidentally dropped her. | 0:21:59 | 0:22:03 | |
And then accidentally skipped away, laughing. | 0:22:03 | 0:22:06 | |
She also accidentally strapped her to a breezeblock | 0:22:06 | 0:22:09 | |
and tied her up in a sack full of kittens, | 0:22:09 | 0:22:12 | |
but that's Jo. Ever so clumsy. | 0:22:12 | 0:22:14 | |
LAUGHTER | 0:22:14 | 0:22:18 | |
Which brings us to our final round, Quick fire. | 0:22:19 | 0:22:22 | |
Lee's team are currently behind so they need to do better here. And we start with...David. | 0:22:22 | 0:22:28 | |
Possession. | 0:22:28 | 0:22:31 | |
Well, you have to reach under your desk and lift out your box. | 0:22:31 | 0:22:36 | |
LAUGHTER | 0:22:36 | 0:22:39 | |
-OK. -Yeah. | 0:22:39 | 0:22:42 | |
This is a letter rejecting me from a job at McDonalds. | 0:22:42 | 0:22:47 | |
LAUGHTER | 0:22:47 | 0:22:49 | |
Lee. What do you reckon? | 0:22:49 | 0:22:51 | |
Could you read it out to us, please, David. | 0:22:51 | 0:22:53 | |
"Reference, CM1156/P. Dear David, thank you for your recent application to work at the Abingdon branch. | 0:22:55 | 0:23:03 | |
"Unfortunately at this time your application has not been successful. | 0:23:03 | 0:23:07 | |
"Thank you for your interest in our company. | 0:23:07 | 0:23:09 | |
"Yours sincerely, Martin Danks." | 0:23:09 | 0:23:12 | |
When was it dated, please? | 0:23:12 | 0:23:14 | |
It's dated 19th July 1990. | 0:23:14 | 0:23:17 | |
-And you will have been... -I will have been... -Mortified. | 0:23:17 | 0:23:20 | |
Uh, yes! | 0:23:20 | 0:23:22 | |
I never really bounced back from that. I would have been just 16. | 0:23:22 | 0:23:26 | |
-Does that add up Carol? -He's 52. | 0:23:26 | 0:23:29 | |
At heart. Yes. | 0:23:31 | 0:23:33 | |
I don't want to bring back unhappy memories for you, | 0:23:33 | 0:23:36 | |
but what did you feel you could have brought to the company? | 0:23:36 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:42 | |
A certain nervous energy. | 0:23:42 | 0:23:44 | |
A culinary snobbishness that is lacking. | 0:23:46 | 0:23:49 | |
A fear of interacting with customers | 0:23:51 | 0:23:54 | |
and an equal fear of frying chips. | 0:23:54 | 0:23:58 | |
I think Dave could have closed them down | 0:23:59 | 0:24:01 | |
just by having people come in, | 0:24:01 | 0:24:03 | |
"Gies a burger." "You don't want a burger, my friend." | 0:24:03 | 0:24:06 | |
I wouldn't, at that age, have had the confidence | 0:24:06 | 0:24:09 | |
to refer to someone as "my friend" in that way! | 0:24:09 | 0:24:12 | |
I would have gone, "Ooh, why?" | 0:24:12 | 0:24:14 | |
"Don't look at my face." | 0:24:16 | 0:24:18 | |
What do you think, Carol? | 0:24:18 | 0:24:19 | |
I think it's a lie. | 0:24:19 | 0:24:21 | |
I don't want to sway you on this, because we need the points. | 0:24:21 | 0:24:25 | |
I reckon he's kept it. He's a peculiar mystery. Look at him. | 0:24:25 | 0:24:29 | |
This is why I don't like people looking at my face. | 0:24:29 | 0:24:33 | |
-So, Lee, you're saying... -I have to say I think that's probably... | 0:24:33 | 0:24:37 | |
-True, it's true, it's true. -I think it's a lie. | 0:24:37 | 0:24:40 | |
-I say it's a lie. -You're saying it's a lie. OK, David, time to own up. | 0:24:40 | 0:24:43 | |
It is in fact a lie. | 0:24:43 | 0:24:45 | |
Nice work, Vorderman. | 0:24:45 | 0:24:47 | |
APPLAUSE | 0:24:47 | 0:24:50 | |
It's a lie. | 0:24:50 | 0:24:52 | |
David has never even been to McDonalds, although he was... | 0:24:52 | 0:24:55 | |
Of course I've been to McDonalds. | 0:24:55 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:25:00 | |
What's the betting that the next joke is, "He went to visit Lee." | 0:25:02 | 0:25:07 | |
Can I please be allowed to read the autocued joke. | 0:25:07 | 0:25:10 | |
Sorry. | 0:25:10 | 0:25:11 | |
David has never even been, although he was once mildly tempted to pop in | 0:25:12 | 0:25:17 | |
and sample their short-lived McPheasant Zinger. | 0:25:17 | 0:25:20 | |
LAUGHTER | 0:25:20 | 0:25:23 | |
Excellent. Good work. | 0:25:23 | 0:25:25 | |
Good work, the joke computer. | 0:25:25 | 0:25:28 | |
Next, Lee. | 0:25:28 | 0:25:32 | |
I once picked up a hitchhiker and scared him so much he cried. | 0:25:33 | 0:25:38 | |
David, do you believe him? | 0:25:39 | 0:25:40 | |
Where were you driving? | 0:25:40 | 0:25:42 | |
I was going from, I think it was from around the Norwich area, | 0:25:42 | 0:25:46 | |
presume somewhere between Norwich and Yarmouth. | 0:25:46 | 0:25:49 | |
How did you scare him? | 0:25:49 | 0:25:50 | |
What happened, we were driving along, he got in the car and he said, the first thing... | 0:25:50 | 0:25:55 | |
You were driving along and he got in the car? That's dangerous. | 0:25:55 | 0:25:58 | |
-He was running to keep up. -Yes, it was an ice-cream van. | 0:25:58 | 0:26:01 | |
I grabbed him by the hair and pulled him in. | 0:26:01 | 0:26:03 | |
That's how I used to get them. | 0:26:03 | 0:26:05 | |
My car used to have problems, because it was a problem car | 0:26:05 | 0:26:09 | |
and I pulled over, right, I pulled over and I went round the back, | 0:26:09 | 0:26:14 | |
cos I used to have to hit the engine to get it going again, | 0:26:14 | 0:26:17 | |
and it all went wrong and we pulled over, so I said, | 0:26:17 | 0:26:21 | |
"I'm just getting in the back because I need to get a hammer to give it a whack," | 0:26:21 | 0:26:25 | |
and as I went back I said, I thought it would be funny to say, | 0:26:25 | 0:26:28 | |
"Don't worry, I'm not going to kill you." | 0:26:28 | 0:26:30 | |
So I went round the back of the van, got a hammer out. | 0:26:30 | 0:26:33 | |
Went back to the front, as I was walking past the front of the car, I looked in, | 0:26:33 | 0:26:37 | |
and I just saw him go like that, and he just wiped a small tear from his eye, | 0:26:37 | 0:26:41 | |
cos I think he genuinely thought I'm gonna kill him and he was a bit worried. | 0:26:41 | 0:26:45 | |
He cried?! | 0:26:45 | 0:26:47 | |
That's a very odd response to immediate mortal danger. | 0:26:47 | 0:26:51 | |
To just slightly well up. | 0:26:51 | 0:26:53 | |
I call that a more the end of It's A Wonderful Life reaction! | 0:26:54 | 0:26:59 | |
"Oh dear, I am to die, it appears." | 0:26:59 | 0:27:02 | |
Rather than get out the car and run! | 0:27:02 | 0:27:05 | |
No, just a slight welling up. | 0:27:05 | 0:27:06 | |
"Ah, well, all things come to an end." | 0:27:06 | 0:27:09 | |
LAUGHING | 0:27:09 | 0:27:12 | |
David, what do you reckon then? | 0:27:14 | 0:27:17 | |
I think the stuff about having a dodgy car | 0:27:17 | 0:27:19 | |
that he has to hit in a certain way with a hammer to get it going, | 0:27:19 | 0:27:22 | |
-I think that side of it is true. -Let's leave it at that, then. | 0:27:22 | 0:27:25 | |
-That's the bit that doesn't ring true to me. -Flannel. | 0:27:25 | 0:27:28 | |
Larry, what do you say, you've got a good flannel detector, would you...? | 0:27:28 | 0:27:33 | |
I think it is. I think it's flannel. | 0:27:33 | 0:27:35 | |
I actually think it might be slightly true | 0:27:35 | 0:27:38 | |
but I'm not convinced it's true, | 0:27:38 | 0:27:40 | |
so I'm gonna go with the team and say it's a lie. | 0:27:40 | 0:27:43 | |
Not gonna rock the boat. OK. | 0:27:43 | 0:27:45 | |
Lee Mack. | 0:27:45 | 0:27:46 | |
I say that it is indeed the truth. | 0:27:46 | 0:27:49 | |
APPLAUSE | 0:27:50 | 0:27:53 | |
It's true. | 0:27:53 | 0:27:54 | |
Lee did once pick up a hitchhiker | 0:27:56 | 0:27:58 | |
and scared him so much that he cried. | 0:27:58 | 0:28:01 | |
Even Lee now admits it probably wasn't a good idea to shut him in the boot with the other hitchhikers. | 0:28:01 | 0:28:06 | |
LAUGHTER | 0:28:06 | 0:28:07 | |
BUZZER | 0:28:07 | 0:28:09 | |
Oh, and that is the noise that signals the end of the round | 0:28:09 | 0:28:13 | |
and the end of the show and I can reveal it's a draw! | 0:28:13 | 0:28:17 | |
With five points on Lee's team and five points for David's team. | 0:28:17 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:24 | |
But it's not just a team game. | 0:28:24 | 0:28:26 | |
My individual liar of the week is Jo Brand. | 0:28:26 | 0:28:30 | |
APPLAUSE | 0:28:30 | 0:28:32 | |
I have to say, I had my suspicions about Jo, | 0:28:34 | 0:28:37 | |
the second I saw her park in the disabled bay | 0:28:37 | 0:28:40 | |
and limp into the studio. | 0:28:40 | 0:28:42 | |
Good night! | 0:28:42 | 0:28:44 | |
Subtitles by Red Bee Media Ltd | 0:28:50 | 0:28:53 | |
E-mail [email protected] | 0:28:53 | 0:28:56 |