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Good evening and welcome to Would I Lie To You, | 0:00:22 | 0:00:25 | |
the show with tall tales and tantalising truths. | 0:00:25 | 0:00:28 | |
On David Mitchell's team tonight, | 0:00:28 | 0:00:30 | |
a comedian who used to sell furniture. | 0:00:30 | 0:00:33 | |
A shabby dresser, a knackered tallboy, a leathery old pouf, | 0:00:33 | 0:00:37 | |
it didn't matter what people shouted at him, | 0:00:37 | 0:00:38 | |
he carried on selling that furniture. It's Micky Flanagan. | 0:00:38 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:45 | |
And a TV star who's most famous for presenting the BBC News. | 0:00:45 | 0:00:50 | |
Reading autocue can be tricky, you've got to make sure | 0:00:50 | 0:00:53 | |
you don't accidently wrong the words say. It's Fiona Bruce. | 0:00:53 | 0:00:56 | |
APPLAUSE | 0:00:56 | 0:01:00 | |
And on Lee Mack's team tonight, a presenter | 0:01:00 | 0:01:03 | |
who last year came top of a poll for TV's most irritating hair cut, | 0:01:03 | 0:01:08 | |
a decision still being contested by Micky Flanagan's lawyers. | 0:01:08 | 0:01:11 | |
It's Claudia Winkleman. | 0:01:11 | 0:01:13 | |
APPLAUSE | 0:01:13 | 0:01:16 | |
And lock up your daughters, sisters, mothers, aunts and grannies. | 0:01:16 | 0:01:21 | |
It's Steve Jones. | 0:01:21 | 0:01:22 | |
APPLAUSE | 0:01:22 | 0:01:24 | |
So we begin with Round One, Home Truths | 0:01:27 | 0:01:29 | |
where our panellists each read out a statement from the card in front of them. | 0:01:29 | 0:01:32 | |
Now, to make things harder, they've never seen the card before, | 0:01:32 | 0:01:36 | |
they've no idea what they'll be faced with. | 0:01:36 | 0:01:38 | |
And it's up to the opposing team to sort the fact from the fiction. | 0:01:38 | 0:01:42 | |
Tonight, we start with Micky. | 0:01:42 | 0:01:43 | |
I once livened up a lacklustre hen do | 0:01:46 | 0:01:48 | |
by taking my clothes off for the ladies. | 0:01:48 | 0:01:51 | |
I don't know much about religious cultures, | 0:01:52 | 0:01:54 | |
what is a lacklustre Hindu? | 0:01:54 | 0:01:55 | |
-Hen do. -Oh! There was a misunderstanding. | 0:01:57 | 0:01:59 | |
-Where were you? -I was in Minorca. | 0:02:02 | 0:02:04 | |
Yeah, there was a group of girls sort of wandering round | 0:02:04 | 0:02:08 | |
a little bit, forlorn like, you know... | 0:02:08 | 0:02:10 | |
Was it a restaurant, Micky? | 0:02:10 | 0:02:11 | |
A town square, a restaurant, what was it? | 0:02:11 | 0:02:14 | |
It was in a sort of restaurant-bar type thing. | 0:02:14 | 0:02:17 | |
-I know what you mean. -You know with an outside area. | 0:02:17 | 0:02:19 | |
-Who were you with? -I was with my now wife | 0:02:19 | 0:02:22 | |
and someone else's wife and you know. | 0:02:22 | 0:02:25 | |
LAUGHTER | 0:02:25 | 0:02:28 | |
I just went around asking various wives if they cared | 0:02:28 | 0:02:31 | |
to spend time in Spain with me. | 0:02:31 | 0:02:33 | |
So what did you do again? | 0:02:33 | 0:02:34 | |
I could see the girl sort of walking around tables, talking to men, | 0:02:34 | 0:02:38 | |
and then suddenly she came up to me | 0:02:38 | 0:02:40 | |
and said, "Oh, would you do a, um, strip for us?" | 0:02:40 | 0:02:43 | |
And your now wife and your then wife were like, go ahead? | 0:02:43 | 0:02:49 | |
My wife's a very open-minded person. | 0:02:49 | 0:02:51 | |
Hey, you don't have to tell me about it. | 0:02:51 | 0:02:53 | |
LAUGHTER | 0:02:53 | 0:02:56 | |
So she said, would you do a strip? | 0:03:01 | 0:03:03 | |
To be honest with you, I initially said no | 0:03:03 | 0:03:06 | |
and it was my wife who went, you should do it. | 0:03:06 | 0:03:09 | |
Why? | 0:03:09 | 0:03:10 | |
Because I'm a great dancer. | 0:03:10 | 0:03:13 | |
Micky, is there any chance you could give us some visual proof | 0:03:13 | 0:03:15 | |
because you just said you're a great dancer. | 0:03:15 | 0:03:17 | |
If I could see a bit then I may believe the story a bit more. | 0:03:17 | 0:03:20 | |
To be honest, I can't remember what I did. | 0:03:20 | 0:03:21 | |
MAN IN AUDIENCE: Come on! | 0:03:21 | 0:03:24 | |
Oh. I see your wife's in. | 0:03:24 | 0:03:26 | |
LAUGHTER | 0:03:26 | 0:03:29 | |
Peer group pressure. | 0:03:31 | 0:03:33 | |
Yeah, it's not a group really. It's just one person | 0:03:33 | 0:03:36 | |
who shouted "come on" in a TV recording. | 0:03:36 | 0:03:38 | |
It could spread though, David. I've seen it spread. | 0:03:38 | 0:03:40 | |
So go on, Micky, so there you were, in the restaurant, | 0:03:40 | 0:03:44 | |
your wife said, go on, Micky, have a strip. | 0:03:44 | 0:03:47 | |
What happened next? | 0:03:47 | 0:03:48 | |
I, sort of, then had to set the scene. | 0:03:48 | 0:03:50 | |
Set the scene? | 0:03:50 | 0:03:51 | |
Did you have props? | 0:03:51 | 0:03:53 | |
Not props but I knew I'd need a stage and a pole. | 0:03:53 | 0:03:56 | |
What? | 0:03:56 | 0:03:57 | |
I don't think male strippers have poles, do they? | 0:03:58 | 0:04:01 | |
Why not? A man can swing round a pole, can't he? | 0:04:01 | 0:04:04 | |
I think you're thinking of Morris dancers. | 0:04:04 | 0:04:05 | |
I told them to play Keep Your Hat On, classic. | 0:04:08 | 0:04:11 | |
And I sort of just improvised from there, really. | 0:04:11 | 0:04:14 | |
So just by complete coincidence, they had the song you asked for? | 0:04:14 | 0:04:17 | |
Yeah, well, I went and checked with the DJ. | 0:04:17 | 0:04:19 | |
What kind of restaurant was it? | 0:04:19 | 0:04:21 | |
I would say dubious. | 0:04:21 | 0:04:22 | |
I think the sort of restaurant where there's a DJ and a pole, | 0:04:22 | 0:04:27 | |
you start to doubt the quality of the paella. | 0:04:27 | 0:04:29 | |
And how much did you take off? | 0:04:31 | 0:04:32 | |
I sort of got to my pants and then I could see across the restaurant | 0:04:32 | 0:04:38 | |
bar, diner, alfresco area, my wife went to me... | 0:04:38 | 0:04:42 | |
HE MOUTHS | 0:04:42 | 0:04:44 | |
Even though ten minutes earlier she'd said, | 0:04:44 | 0:04:46 | |
you should strip for them. They're sad, they're having a rubbish time. | 0:04:46 | 0:04:49 | |
I said she was open-minded, she's got standards. | 0:04:49 | 0:04:52 | |
No, she hasn't. | 0:04:53 | 0:04:55 | |
LAUGHTER | 0:04:55 | 0:04:57 | |
OK, I want to try and set this scene. You're there, | 0:05:00 | 0:05:03 | |
the hen is there, your two wives are there. | 0:05:03 | 0:05:06 | |
We're wondering, is he going to do it, is he going to do it? | 0:05:06 | 0:05:11 | |
You scamper up to the DJ, you have a word, and you say, hit it. | 0:05:11 | 0:05:15 | |
MUSIC: You Can Leave Your Hat On | 0:05:16 | 0:05:19 | |
I think we've seen enough. We've seen enough, we've seen enough. | 0:05:39 | 0:05:43 | |
Fiona, on behalf of the BBC, I offer a full and profound apology. | 0:05:43 | 0:05:50 | |
Please don't press charges. | 0:05:50 | 0:05:52 | |
OK. What are you thinking, Lee? | 0:05:52 | 0:05:55 | |
Here's my problem, is I think that a gang of girls who were on a hen | 0:05:55 | 0:06:00 | |
aren't lacklustre. If you've already got on a plane, | 0:06:00 | 0:06:04 | |
you've committed, you're in, you're on board. | 0:06:04 | 0:06:06 | |
But Claudia I would say, | 0:06:06 | 0:06:07 | |
that once I'd got over the slight kind of..."Oh, my God, | 0:06:07 | 0:06:10 | |
"what's going on?" thing, there was a moment, | 0:06:10 | 0:06:12 | |
when Micky put his knee on my shoulder | 0:06:12 | 0:06:16 | |
and I thought, | 0:06:16 | 0:06:18 | |
this has gone from lacklustre... | 0:06:18 | 0:06:21 | |
to stellar. | 0:06:21 | 0:06:22 | |
Yeah. | 0:06:22 | 0:06:23 | |
Yeah, I fancy a pint of Stella after that. | 0:06:23 | 0:06:25 | |
So, what are you thinking? | 0:06:26 | 0:06:28 | |
Ah, I don't know. This is a tough one, because | 0:06:28 | 0:06:30 | |
there's something about Micky that says he would do it. | 0:06:30 | 0:06:33 | |
CLAUDIA: Course he would. | 0:06:33 | 0:06:34 | |
This is not real. It's horribly vague, it's all over the shop. | 0:06:34 | 0:06:37 | |
So you think it's a lie. You think it's...? | 0:06:37 | 0:06:39 | |
-I think it's totally true. -I'll go with true. | 0:06:39 | 0:06:41 | |
OK. Micky, truth or lie? | 0:06:41 | 0:06:44 | |
It is... | 0:06:44 | 0:06:46 | |
true. | 0:06:46 | 0:06:47 | |
APPLAUSE | 0:06:47 | 0:06:49 | |
Yes, Micky did liven up a hen do by taking his clothes off. | 0:06:50 | 0:06:55 | |
Steve, you're next. | 0:06:55 | 0:06:56 | |
I once saved P Diddy's life. | 0:06:58 | 0:07:00 | |
-Erm, David. -How? | 0:07:03 | 0:07:04 | |
Well, hang on, before we get there. David. P Diddy. | 0:07:04 | 0:07:08 | |
LAUGHTER | 0:07:08 | 0:07:10 | |
Where does one begin? | 0:07:10 | 0:07:12 | |
A rapper, a singer, very popular sells a lot of records. | 0:07:12 | 0:07:16 | |
Right. | 0:07:16 | 0:07:17 | |
We can have a look at a photo. Here he is, take a look, | 0:07:17 | 0:07:19 | |
for viewers at home perhaps. | 0:07:19 | 0:07:20 | |
-That's the man whose life I saved. -DAVID: Right. | 0:07:20 | 0:07:23 | |
FIONA: So, how did you do it? | 0:07:23 | 0:07:25 | |
Er, he was drowning and I saved him. I jumped in and I saved him. | 0:07:25 | 0:07:29 | |
You were lucky he was drowning, | 0:07:29 | 0:07:30 | |
because you couldn't have saved him from drowning if he'd been choking. | 0:07:30 | 0:07:34 | |
What was he drowning in? | 0:07:34 | 0:07:36 | |
Water. | 0:07:36 | 0:07:37 | |
OK, where was this? Where was this? | 0:07:37 | 0:07:39 | |
St Tropez. | 0:07:39 | 0:07:41 | |
Get you. You and P Diddy in the sea in St Tropez. | 0:07:41 | 0:07:44 | |
-Yes, indeed. -So were you...you were socialising with P Diddy beforehand, | 0:07:44 | 0:07:48 | |
you didn't just happen to come across him. | 0:07:48 | 0:07:50 | |
Yeah, we were socialising. We were on the same boat together. | 0:07:50 | 0:07:52 | |
Hang on a minute. Are you Welsh? | 0:07:52 | 0:07:54 | |
Yes, I'm a Welsh person. | 0:07:56 | 0:07:57 | |
Then I find this very hard to believe. | 0:07:57 | 0:07:59 | |
-OK. -So why were you on this boat? | 0:08:01 | 0:08:03 | |
We have a mutual friend who owns a boat. | 0:08:03 | 0:08:06 | |
-What, you and P Diddy? -Yes. | 0:08:06 | 0:08:08 | |
Derek Evans from Pontypridd. | 0:08:08 | 0:08:10 | |
LAUGHTER | 0:08:10 | 0:08:13 | |
Derek has been very close to Diddy for some years now. | 0:08:13 | 0:08:16 | |
-When was this? -Five years ago. Four or five years ago. | 0:08:17 | 0:08:20 | |
Four or five years, all right. | 0:08:20 | 0:08:21 | |
Why were you both in St Tropez at the same time? | 0:08:21 | 0:08:24 | |
It was Cannes at the time. | 0:08:24 | 0:08:25 | |
And we just went there to party and she said, one day, "Oh, P Diddy | 0:08:25 | 0:08:29 | |
"is joining us tomorrow." And I was like, oh, cool. | 0:08:29 | 0:08:31 | |
-And why did you get invited? -Uh... | 0:08:31 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
Harsh, bit harsh. | 0:08:35 | 0:08:36 | |
I'm friends with the lady who owns the boat, | 0:08:41 | 0:08:43 | |
and her friend's with P Diddy, so. | 0:08:43 | 0:08:44 | |
Did he come on his own or did he have some of his entourage with him? | 0:08:44 | 0:08:47 | |
He came with one giant body guard. | 0:08:47 | 0:08:51 | |
-And so they get on the boat, him and the body guard. -Yep. | 0:08:51 | 0:08:54 | |
-And then he goes for a swim or does he fall off? -They.... | 0:08:54 | 0:08:57 | |
Or was he pushed? | 0:08:57 | 0:08:59 | |
We got pretty steaming that night when he got on the boat, | 0:09:02 | 0:09:05 | |
it was a bit of a raucous party. The next morning | 0:09:05 | 0:09:07 | |
he was a bit hung-over, I remember him saying, "Yo, I'm hung-over." | 0:09:07 | 0:09:10 | |
And I was like, "Yeah. We all are." | 0:09:10 | 0:09:12 | |
Did he think your name was Yo? | 0:09:12 | 0:09:14 | |
Yeah, possibly. | 0:09:17 | 0:09:18 | |
He was hungry and I remember him | 0:09:18 | 0:09:21 | |
eating a big bowl of pasta for lunch. | 0:09:21 | 0:09:24 | |
Then he was like, I'm going to go for a dip. | 0:09:24 | 0:09:27 | |
And he jumped into the ocean. | 0:09:27 | 0:09:28 | |
I thought you said he couldn't swim. | 0:09:28 | 0:09:30 | |
Well, this is... OK, let me finish! | 0:09:30 | 0:09:33 | |
I'm sorry, as he dived, he went, "Oh, I can't!" | 0:09:33 | 0:09:35 | |
"ARGH, I can't swim! I forgot!" | 0:09:36 | 0:09:39 | |
I've done that. Haven't you done that? | 0:09:39 | 0:09:41 | |
Know what I mean? We've all done it. | 0:09:41 | 0:09:42 | |
Who's team are you on? | 0:09:42 | 0:09:44 | |
So was this wasn't a very high boat then? | 0:09:44 | 0:09:46 | |
Well, it was like a speed boat that was part of the bigger boat. | 0:09:46 | 0:09:50 | |
We took the smaller boat to go out into the open ocean to swim. | 0:09:50 | 0:09:53 | |
So you took him further from somewhere where he might be saved. | 0:09:53 | 0:09:56 | |
I'm not his father. I'm not like, "P Diddy, can you swim?" | 0:09:56 | 0:09:59 | |
He just jumped in. | 0:09:59 | 0:10:01 | |
I think, if I was socialising with a rap star, | 0:10:01 | 0:10:03 | |
I might not ask them whether or not they can swim | 0:10:03 | 0:10:06 | |
-before they go swimming. I think. -Oh, I would. -You would. | 0:10:06 | 0:10:09 | |
Yeah, because if they jump in then suddenly they're drowning | 0:10:09 | 0:10:12 | |
they'll start... | 0:10:12 | 0:10:13 | |
HE MAKES GUNSHOT NOISES | 0:10:13 | 0:10:15 | |
Start shooting it up, you know. | 0:10:15 | 0:10:17 | |
So you've got into a smaller boat. | 0:10:18 | 0:10:20 | |
He jumps off the smaller boat. | 0:10:20 | 0:10:22 | |
I didn't think much of it, I turn around to look | 0:10:22 | 0:10:24 | |
how he's doing. I just glance. It's P Diddy, you're going to look. | 0:10:24 | 0:10:27 | |
And he's got his hands balled into fists | 0:10:27 | 0:10:30 | |
-and he's kind of doing this. -That is a fatal error. | 0:10:30 | 0:10:32 | |
Hitting the water with clenched fists and I thought he was messing around. | 0:10:32 | 0:10:35 | |
Like he's trying to destroy the sea. | 0:10:35 | 0:10:37 | |
I couldn't work it out. | 0:10:37 | 0:10:38 | |
My nemesis! | 0:10:38 | 0:10:40 | |
LAUGHTER | 0:10:40 | 0:10:42 | |
So I jumped in, I swam across to him, | 0:10:44 | 0:10:46 | |
and I'm like, "You're OK, calm down." He's like, "Argh, help!" | 0:10:46 | 0:10:49 | |
and I grabbed him around his chest like this and, kind of, | 0:10:49 | 0:10:51 | |
swam back to the boat and you know got him on the ladder | 0:10:51 | 0:10:54 | |
and he said thanks. | 0:10:54 | 0:10:55 | |
And I was like, you're welcome, P Diddy. | 0:10:55 | 0:10:58 | |
All right, so what are you thinking, David? | 0:10:58 | 0:11:00 | |
This is the most ridiculous story I've ever heard. | 0:11:00 | 0:11:02 | |
I think that is P Diddy, if he'd have done anything that stupid | 0:11:02 | 0:11:05 | |
and you would have saved him he'd have said to you, | 0:11:05 | 0:11:07 | |
"Nobody ever hears about this, do you understand?" | 0:11:07 | 0:11:10 | |
The various rap stars whose lives I've saved, | 0:11:10 | 0:11:12 | |
they've all sworn me to secrecy. | 0:11:12 | 0:11:14 | |
So David, truth or lie? | 0:11:16 | 0:11:17 | |
Well, I think we think it's a lie. | 0:11:17 | 0:11:19 | |
You're saying a lie. Steve Jones, P Diddy, truth or lie? | 0:11:19 | 0:11:24 | |
It is... | 0:11:24 | 0:11:25 | |
-true. -No! | 0:11:25 | 0:11:26 | |
APPLAUSE | 0:11:26 | 0:11:29 | |
-Good call. -Not bad. | 0:11:29 | 0:11:30 | |
Our next round is called This Is My... | 0:11:33 | 0:11:34 | |
where we bring on a mystery guest | 0:11:34 | 0:11:36 | |
who has a close connection to one of our panellists. | 0:11:36 | 0:11:39 | |
Now, this week, each of David's team will claim it's them | 0:11:39 | 0:11:41 | |
that has the genuine connection to the guest, | 0:11:41 | 0:11:44 | |
and it's up to Lee's team to spot who's telling the truth. | 0:11:44 | 0:11:47 | |
So, please welcome this week's special guest, Laura. | 0:11:47 | 0:11:50 | |
APPLAUSE | 0:11:50 | 0:11:53 | |
So, Fiona, what is Laura to you? | 0:11:57 | 0:12:01 | |
This is Laura, she fell asleep when she came on the Antiques Roadshow | 0:12:01 | 0:12:05 | |
while an expert was valuing her egg cups. | 0:12:05 | 0:12:08 | |
Micky, how do you know Laura? | 0:12:09 | 0:12:11 | |
This is Laura, she owns my local chippy, | 0:12:11 | 0:12:14 | |
and she said if I got her close to Steve, | 0:12:14 | 0:12:17 | |
she would give me free chips for the rest of the year. | 0:12:17 | 0:12:20 | |
Finally, David, what's your relationship with Laura? | 0:12:22 | 0:12:25 | |
This is Laura, she's the first woman I ever bought flowers for. | 0:12:25 | 0:12:30 | |
I gave them to her to say sorry | 0:12:30 | 0:12:31 | |
for being sick on her floor. | 0:12:31 | 0:12:33 | |
So there we are. | 0:12:36 | 0:12:37 | |
Fiona's conked out collector, Micky's chip shop chum, | 0:12:37 | 0:12:41 | |
or David's bouquet buddy. Lee's team. | 0:12:41 | 0:12:44 | |
So, Micky. When was this incident? | 0:12:44 | 0:12:47 | |
It's not an incident. | 0:12:47 | 0:12:48 | |
It's built up over time because I've been going in there | 0:12:48 | 0:12:50 | |
and Laura says to me, oh, I've seen you on the TV | 0:12:50 | 0:12:53 | |
and we got chatting and she's always going on about Steve. | 0:12:53 | 0:12:55 | |
"Do you ever work with Steve?" And I was like, yes. | 0:12:55 | 0:12:57 | |
-Oh, and this is coincidence? -He's young, good looking. I'm like, thanks. | 0:12:57 | 0:13:00 | |
-What's the name of the chip shop, Micky? -The Zappian. -The what? | 0:13:00 | 0:13:03 | |
-The Zappian. -The Zappian. -What does that mean? -The Zappian. | 0:13:03 | 0:13:06 | |
I don't know. Not everything makes sense in the world. | 0:13:06 | 0:13:10 | |
All I know is, I used to live very near you, as you know, | 0:13:10 | 0:13:13 | |
and I don't remember the.... | 0:13:13 | 0:13:15 | |
Hence the court case. | 0:13:15 | 0:13:16 | |
Yes. I don't remember the Zappian chip shop. | 0:13:16 | 0:13:20 | |
I sort of stumbled on it, if anything. | 0:13:20 | 0:13:22 | |
It was sort of en route | 0:13:22 | 0:13:23 | |
because I would normally go to the Cod Father, | 0:13:23 | 0:13:25 | |
as you know, in East Dulwich. | 0:13:25 | 0:13:27 | |
I prefer the new one, the Cod Father II. | 0:13:27 | 0:13:30 | |
Set the scene and talk us through the moment | 0:13:30 | 0:13:33 | |
when you knew you were going to be on with Steve | 0:13:33 | 0:13:35 | |
and you had this thing to tell. How did it go? | 0:13:35 | 0:13:37 | |
I come in with my little boy, Friday night tradition, | 0:13:37 | 0:13:39 | |
we go and get fish and chips, right, OK. | 0:13:39 | 0:13:41 | |
I know you see your boy on a Friday night. | 0:13:41 | 0:13:43 | |
Yeah, but he, he finishes playing... He finishes... | 0:13:43 | 0:13:48 | |
I get the tag removed for the evening and go and pick him up. | 0:13:48 | 0:13:53 | |
I walk in, and I say to her, I'm only on with that Steve Jones | 0:13:53 | 0:13:56 | |
that you always go on about, blah. You know, roughly. We have a chat. | 0:13:56 | 0:13:59 | |
-This is what... -And she says... | 0:13:59 | 0:14:00 | |
She said, "Could you get me on the show? I'd love to meet him." | 0:14:00 | 0:14:03 | |
-And I said, "Yeah, I think I can." -Yeah. | 0:14:03 | 0:14:06 | |
I didn't run round there and knock her up in the morning... | 0:14:06 | 0:14:09 | |
Well, that... | 0:14:09 | 0:14:10 | |
LAUGHTER | 0:14:10 | 0:14:12 | |
Micky. No-one doubts what you'll do for a free bag of chips. | 0:14:12 | 0:14:14 | |
Laura, Laura, can you look, look at me, Laura? | 0:14:16 | 0:14:19 | |
Laura's not allowed to speak, Steve. | 0:14:19 | 0:14:20 | |
-No, she's not speaking, just looking. -She's not allowed. | 0:14:20 | 0:14:23 | |
She's not drowning, Steve. You can't touch her. | 0:14:23 | 0:14:27 | |
-She's not allowed to look at me? -No. -She can look at you. | 0:14:27 | 0:14:29 | |
That's all I want. I'm not going to speak to her. | 0:14:29 | 0:14:31 | |
That's how it always starts, isn't it? | 0:14:31 | 0:14:33 | |
Now is this close enough? | 0:14:36 | 0:14:38 | |
FIONA: He wants to see if she looks adoringly, doesn't he? That's the thing. | 0:14:38 | 0:14:42 | |
She couldn't look any less interested. | 0:14:42 | 0:14:44 | |
LAUGHTER | 0:14:44 | 0:14:46 | |
This lady does not care for me. | 0:14:47 | 0:14:50 | |
Not at all. | 0:14:50 | 0:14:51 | |
Not in the slightest. Nothing. | 0:14:54 | 0:14:56 | |
And yet... | 0:14:58 | 0:14:59 | |
You watch what happens now. | 0:14:59 | 0:15:01 | |
LAUGHTER | 0:15:01 | 0:15:03 | |
OK. Fiona, were you the person | 0:15:05 | 0:15:07 | |
interviewing her when she fell asleep? | 0:15:07 | 0:15:10 | |
No, it was it was one of our experts, | 0:15:10 | 0:15:12 | |
Will Farmer, who's a ceramics specialist, | 0:15:12 | 0:15:14 | |
and so he was the one who was talking to her. | 0:15:14 | 0:15:16 | |
So you didn't witness this event. | 0:15:16 | 0:15:17 | |
This is something you found out later. | 0:15:17 | 0:15:19 | |
No, no, I did witness it, because I saw it on the monitor. | 0:15:19 | 0:15:22 | |
I waited to see what would happen, | 0:15:22 | 0:15:23 | |
because I thought it was pretty funny. | 0:15:23 | 0:15:25 | |
Thought it was funny? "I think this woman just died. | 0:15:25 | 0:15:28 | |
"She's going to be an antique soon." | 0:15:28 | 0:15:31 | |
You'd be surprised how often people do fall asleep on the Roadshow, | 0:15:31 | 0:15:34 | |
-because it's a very long day. -I wouldn't. -Oh. | 0:15:34 | 0:15:36 | |
-How many egg cups was it? -Well, I don't know how many were in the entire collection, | 0:15:37 | 0:15:41 | |
but on the table were about a dozen. | 0:15:41 | 0:15:42 | |
-Are... -How... Sorry. -Are you sure...? -How... Sorry. | 0:15:42 | 0:15:46 | |
-You ask. -No, no, please. -Did you...? -How? | 0:15:46 | 0:15:49 | |
LAUGHTER | 0:15:49 | 0:15:51 | |
I promise you, right, I won't do it again. | 0:15:51 | 0:15:54 | |
-Claudia, have you got a question? -Yeah, I do. Um... | 0:15:54 | 0:15:56 | |
Nyah! | 0:15:56 | 0:15:58 | |
LAUGHTER | 0:15:58 | 0:16:00 | |
Did Laura immediately say, yes I've fallen asleep? | 0:16:02 | 0:16:05 | |
Like, did she... Was she open about it or did she wake up | 0:16:05 | 0:16:07 | |
and do that thing where, I think I got away with this. | 0:16:07 | 0:16:09 | |
-She kind of went like that... -How much?! | 0:16:09 | 0:16:12 | |
Tell me the period of time | 0:16:13 | 0:16:15 | |
from when you noticed her falling asleep to when she woke up. | 0:16:15 | 0:16:17 | |
It was only it was only about 30 seconds probably, it's not that... | 0:16:17 | 0:16:20 | |
-30 seconds?! -That's a long time on television, to have someone falling asleep. | 0:16:20 | 0:16:23 | |
-This didn't end up in the finished show? -It didn't. | 0:16:23 | 0:16:25 | |
-And Laura was embarrassed? -Because I'm sorry, Laura. The egg cups weren't interesting enough. -Oh, dear. | 0:16:25 | 0:16:30 | |
OK, David, tell us your fact again if you can remember it. | 0:16:30 | 0:16:34 | |
Well, she's the first woman I ever bought flowers for | 0:16:34 | 0:16:37 | |
-and it was to say sorry for being sick on her floor. -Right. | 0:16:37 | 0:16:40 | |
When was this? | 0:16:40 | 0:16:42 | |
I was a student, so it would have been in the...the mid '90s. | 0:16:42 | 0:16:46 | |
Was it a party? | 0:16:46 | 0:16:48 | |
It was, sort of... There were a group of people | 0:16:48 | 0:16:50 | |
had gone back to her room after being at a bar... | 0:16:50 | 0:16:52 | |
David, just so you know, that's called a party. | 0:16:52 | 0:16:54 | |
Well, no, no, well... What I'm saying is, | 0:16:54 | 0:16:56 | |
invitations hadn't been issued. | 0:16:56 | 0:16:58 | |
-Right. -Right. -You don't have to... | 0:16:58 | 0:17:00 | |
LAUGHTER | 0:17:00 | 0:17:03 | |
-There's a gang of you, you've gone back... -Yeah. | 0:17:05 | 0:17:07 | |
You're drunk, at what point do you throw up? | 0:17:07 | 0:17:09 | |
-Are you on all fours? -Claudia, wait a minute, | 0:17:09 | 0:17:11 | |
-we don't know if he was drunk or not, he might have just... -Were you drunk? | 0:17:11 | 0:17:14 | |
-I was drunk. -OK. -Right. | 0:17:14 | 0:17:16 | |
So you get back to the room, you put on some music, what do you do? | 0:17:16 | 0:17:20 | |
-I, well... There was definitely drinking. -Yes. | 0:17:20 | 0:17:23 | |
-I think there might have been crisps. -Right. | 0:17:23 | 0:17:25 | |
I'll tell you what, all the clues are saying party. | 0:17:26 | 0:17:31 | |
It is looking that way, isn't it? | 0:17:31 | 0:17:32 | |
There was a brief... a brief round of musical statues | 0:17:32 | 0:17:35 | |
but it didn't really... | 0:17:35 | 0:17:36 | |
No, I remember sitting on a sofa and drinking, | 0:17:37 | 0:17:42 | |
and then...then it goes a bit... And my memory fades slightly. | 0:17:42 | 0:17:47 | |
-I think I might have fallen asleep. -Before that. | 0:17:47 | 0:17:50 | |
Dozed off, passed out. | 0:17:50 | 0:17:51 | |
And then suddenly, you wake up and you think, | 0:17:51 | 0:17:54 | |
I'm not going to make it. Do you ask for a bucket? | 0:17:54 | 0:17:56 | |
No, I didn't think I was going to die. | 0:17:56 | 0:17:57 | |
I don't remember much. I remember, I wake up, | 0:17:59 | 0:18:01 | |
I'm definitely going to be sick in a minute | 0:18:01 | 0:18:03 | |
and I essentially have enough time to lean forward. | 0:18:03 | 0:18:07 | |
Oh. | 0:18:07 | 0:18:08 | |
-And, and then someone produces a bin. -Yes. | 0:18:08 | 0:18:12 | |
Sort of, I would say, 60% of the way through the process. | 0:18:12 | 0:18:15 | |
And what about the flowers, when did they come into it? | 0:18:16 | 0:18:19 | |
The next day. | 0:18:19 | 0:18:21 | |
I woke up the next day and felt very hung-over, and quite guilty. | 0:18:21 | 0:18:25 | |
-Did she clean it up, did she say? Didn't ask. -I think she cleaned it up. | 0:18:25 | 0:18:28 | |
But I certainly... What I didn't say is, here's some flowers | 0:18:28 | 0:18:31 | |
and if it's still festering there, I'll go and clean it up now. | 0:18:31 | 0:18:34 | |
All right. We need an answer, so, Lee's team. Is Laura... | 0:18:34 | 0:18:38 | |
I'm so confused. | 0:18:38 | 0:18:39 | |
..Fiona's conked out collector, Micky's chip shop chum, | 0:18:39 | 0:18:43 | |
or David's bouquet buddy? | 0:18:43 | 0:18:45 | |
-Who do you want to rule out? -Micky! | 0:18:45 | 0:18:47 | |
You want to rule Micky out. | 0:18:47 | 0:18:49 | |
The Zappian that make... What, who, what? | 0:18:49 | 0:18:51 | |
So you want to rule out Micky for no other reason | 0:18:51 | 0:18:53 | |
than the name of the chip shop. | 0:18:53 | 0:18:55 | |
The other thing is, I don't want to get pernickety, | 0:18:55 | 0:18:58 | |
but unless Micky has some magical line to the producer who goes, | 0:18:58 | 0:19:01 | |
"Who's on?" three weeks in advance... | 0:19:01 | 0:19:03 | |
I found out who I was with, I think, today, | 0:19:03 | 0:19:05 | |
like, I don't think you know that far. | 0:19:05 | 0:19:08 | |
To be honest with you, Claudia, | 0:19:08 | 0:19:09 | |
some people get booked well in advance. | 0:19:09 | 0:19:11 | |
LAUGHTER | 0:19:11 | 0:19:14 | |
Was it just me? | 0:19:16 | 0:19:17 | |
I think I think she went to university with David | 0:19:19 | 0:19:21 | |
and he threw up on her carpet. | 0:19:21 | 0:19:23 | |
-STEVE: -Mitchell's not vomiting on people's carpets. | 0:19:23 | 0:19:25 | |
He's a class act, he doesn't vomit on floors. | 0:19:25 | 0:19:27 | |
The one thing you can say about vomit is that everyone's done it | 0:19:27 | 0:19:30 | |
including the Queen. | 0:19:30 | 0:19:31 | |
That is treason! | 0:19:31 | 0:19:33 | |
You conjuring up the image in people's minds | 0:19:36 | 0:19:38 | |
of Her Majesty hunched over the toilet bowl | 0:19:38 | 0:19:42 | |
heaving and heaving and heaving? You disgust me. | 0:19:42 | 0:19:45 | |
-Would it not...? -Her crown falling in. | 0:19:47 | 0:19:50 | |
Picking it out, giving it a rinse. | 0:19:51 | 0:19:53 | |
-Right, so, Claudia, you're saying David. You're saying? -Micky. | 0:19:55 | 0:19:59 | |
-Micky. We'll go with Micky. -OK, you're saying Micky. | 0:19:59 | 0:20:03 | |
-Right, Micky. -OK. | 0:20:03 | 0:20:04 | |
Right. Laura, would you please reveal your true identity. | 0:20:04 | 0:20:08 | |
My name is Laura, | 0:20:09 | 0:20:11 | |
and David gave me flowers after he was sick on the carpet. | 0:20:11 | 0:20:14 | |
Yes. | 0:20:16 | 0:20:17 | |
Laura is David's bouquet buddy. Thank you, Laura. | 0:20:17 | 0:20:20 | |
Thank you very much. | 0:20:20 | 0:20:22 | |
Which brings us to our quick fire round, Quick Fire Lies, | 0:20:26 | 0:20:29 | |
and we start with... | 0:20:29 | 0:20:31 | |
It's Fiona. | 0:20:33 | 0:20:34 | |
I have a recurring dream in which a monkey in silver hot pants | 0:20:36 | 0:20:40 | |
-feeds me soup from a bowler hat. -Oh. | 0:20:40 | 0:20:43 | |
-Lee's team. -Do you find primates attractive? | 0:20:44 | 0:20:48 | |
It's that primates find me attractive. | 0:20:48 | 0:20:50 | |
Well, we've seen that with Micky earlier. | 0:20:50 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:55 | |
When was the first time you had this dream? | 0:20:55 | 0:20:57 | |
I've been having this dream since adolescence. | 0:20:57 | 0:21:00 | |
OK, what kind of monkey is it? | 0:21:00 | 0:21:02 | |
I don't know exactly what type. It's a bit like a capuchin monkey, | 0:21:02 | 0:21:05 | |
it's quite small. | 0:21:05 | 0:21:06 | |
Are they the ones with the frothy bit and the chocolate on the head? | 0:21:06 | 0:21:09 | |
How does the dream affect you? | 0:21:11 | 0:21:13 | |
When you wake from a night having had this dream, | 0:21:13 | 0:21:16 | |
do you awake fulfilled, are you... | 0:21:16 | 0:21:18 | |
Are you a better... That's not what I meant and you know that. | 0:21:18 | 0:21:21 | |
Do you wake in a good frame of mind or are you troubled? | 0:21:22 | 0:21:28 | |
I am satisfied, I am sated, I am replete. | 0:21:28 | 0:21:31 | |
Where are you in the dream when the monkey's...feeding you, did you say? | 0:21:31 | 0:21:34 | |
-What are you wearing? -I don't notice. | 0:21:34 | 0:21:35 | |
-Yeah, what are you wearing? -I... No, that doesn't. | 0:21:35 | 0:21:38 | |
I never notice that, it doesn't form part of the dream. | 0:21:40 | 0:21:43 | |
Do you think there's any amorous connotations to this dream? | 0:21:43 | 0:21:45 | |
You've got the little Kylie Minogue hot pants on, | 0:21:45 | 0:21:48 | |
probably why you can't get it out of your head. | 0:21:48 | 0:21:50 | |
APPLAUSE | 0:21:50 | 0:21:53 | |
So what do you think? Could this be true? | 0:21:56 | 0:21:58 | |
I think it's so brilliant, | 0:21:58 | 0:22:01 | |
but I think Fiona might just be a fantastic liar. | 0:22:01 | 0:22:04 | |
-She was very quick on her answers. I think it was. -True. | 0:22:04 | 0:22:08 | |
-I think it's true. -CLAUDIA: Let's go true. -We'll go with true. | 0:22:08 | 0:22:10 | |
OK, Fiona Bruce, truth or lie? | 0:22:10 | 0:22:13 | |
It is... | 0:22:13 | 0:22:15 | |
a lie. | 0:22:15 | 0:22:16 | |
Oh. You did it so well. | 0:22:16 | 0:22:18 | |
APPLAUSE | 0:22:18 | 0:22:22 | |
Yes, lie. Fiona doesn't have a recurring dream | 0:22:22 | 0:22:26 | |
where a monkey in silver hot pants feeds her soup from a bowler hat. | 0:22:26 | 0:22:31 | |
Next... | 0:22:31 | 0:22:33 | |
it's Lee. | 0:22:33 | 0:22:34 | |
Oh, possession. | 0:22:35 | 0:22:37 | |
Right. There should be a box under your desk. | 0:22:37 | 0:22:40 | |
Would you first of all read the card out | 0:22:40 | 0:22:43 | |
and then take the possession out and pop it on the desk. | 0:22:43 | 0:22:46 | |
This is the set of keys I carry around with me every day. | 0:22:46 | 0:22:50 | |
I know what every single one is for, | 0:22:50 | 0:22:53 | |
apart from one. | 0:22:53 | 0:22:54 | |
LAUGHTER | 0:22:57 | 0:23:00 | |
OK, pop the box back on the floor. | 0:23:00 | 0:23:01 | |
Just take us through the set of keys, Lee. | 0:23:01 | 0:23:05 | |
In your own time, please don't feel you have to rush. | 0:23:05 | 0:23:07 | |
It's not in his own time, | 0:23:07 | 0:23:09 | |
it's all of our time, really, isn't it, but OK, carry on. | 0:23:09 | 0:23:12 | |
So, now, I've got three keys that look very similar, | 0:23:12 | 0:23:15 | |
so I have to put those little things on | 0:23:15 | 0:23:17 | |
-to give you the different colours. -Yeah. | 0:23:17 | 0:23:19 | |
And these colours help me a lot | 0:23:19 | 0:23:20 | |
because that's for the blue door, that's for the green door | 0:23:20 | 0:23:23 | |
and that's for the yellow door. | 0:23:23 | 0:23:24 | |
Now. | 0:23:26 | 0:23:27 | |
I'll never forget because the blue door is blue, | 0:23:27 | 0:23:29 | |
the yellow door is yellow | 0:23:29 | 0:23:30 | |
and the green one is my next door neighbour's, Shakin' Stevens, and... | 0:23:30 | 0:23:34 | |
What lies behind those doors? | 0:23:34 | 0:23:37 | |
-That's my front door key. -And that's blue? | 0:23:37 | 0:23:39 | |
-Which genuinely is a blue door, my front door. -OK. | 0:23:39 | 0:23:41 | |
The green one genuinely is my next door neighbour's key | 0:23:41 | 0:23:43 | |
-but it isn't Shakin' Stevens. -FIONA: Yep. | 0:23:43 | 0:23:45 | |
I'm not an idiot. It's Howard Jones. | 0:23:45 | 0:23:47 | |
And the yellow one... the yellow one is, um, | 0:23:47 | 0:23:50 | |
the key for the door at the back of the house. | 0:23:50 | 0:23:54 | |
Now this, this one that's... the key for the front door | 0:23:54 | 0:23:58 | |
that the...bottom lock, where, what do you call that? | 0:23:58 | 0:24:01 | |
Bolt. Bolt. | 0:24:01 | 0:24:02 | |
Yes, I wish I could. | 0:24:02 | 0:24:03 | |
LAUGHTER | 0:24:03 | 0:24:05 | |
This... This unusual looking key, that's for the money chest. | 0:24:07 | 0:24:12 | |
The money chest. | 0:24:13 | 0:24:14 | |
That for a small tin, that we keep some money in. | 0:24:14 | 0:24:18 | |
And some things that we don't want the kids to see. | 0:24:18 | 0:24:21 | |
Why don't you want the kids to see money | 0:24:22 | 0:24:24 | |
-and what else don't you want the kids to see? -There's other things in it. | 0:24:24 | 0:24:27 | |
-I don't mind the money, it's the other things... -Like what? | 0:24:27 | 0:24:29 | |
The remains. | 0:24:29 | 0:24:31 | |
OK, that's where you keep your money | 0:24:32 | 0:24:34 | |
and the remains of those who you've killed. | 0:24:34 | 0:24:36 | |
Yes. | 0:24:36 | 0:24:38 | |
Then you've got PBU, that's that one there. | 0:24:38 | 0:24:40 | |
What does PBU stand for? | 0:24:40 | 0:24:42 | |
-PBU on the key ring? -Yes. | 0:24:42 | 0:24:45 | |
It's the place...for bins, | 0:24:45 | 0:24:47 | |
you. | 0:24:47 | 0:24:48 | |
LAUGHTER | 0:24:48 | 0:24:51 | |
And, er, and it, it's a little, um... | 0:24:51 | 0:24:53 | |
Just like that! | 0:24:53 | 0:24:55 | |
-My... I... What happened... -He couldn't have made that up! | 0:24:55 | 0:24:58 | |
It's true. | 0:24:58 | 0:24:59 | |
We've got one of those outside little shed things | 0:24:59 | 0:25:01 | |
you're supposed to put the bins in to make it look tidy | 0:25:01 | 0:25:04 | |
and my wife constantly comes out and says, "There's a place for the bins, you!" | 0:25:04 | 0:25:08 | |
And to help me remember that's the key, I put PBU on the thing. | 0:25:08 | 0:25:11 | |
So you give yourself the job of remembering | 0:25:11 | 0:25:13 | |
the night before the bin men are coming, to go out, unlock these bins, | 0:25:13 | 0:25:17 | |
every time you go to put some rubbish away, you unlock the bin. | 0:25:17 | 0:25:21 | |
-No. -This is, none of this... | 0:25:21 | 0:25:22 | |
Because the shed that the bins are kept in doesn't have the lock. | 0:25:22 | 0:25:25 | |
The gate leading to the shed to put the bins in has the lock. | 0:25:25 | 0:25:29 | |
What is going in these bins? | 0:25:29 | 0:25:31 | |
My wife basically thinks more of the bins than me. | 0:25:31 | 0:25:33 | |
Then we've got this little baby here. | 0:25:34 | 0:25:38 | |
Whoa ho, this tells a story. This one is for the safe. | 0:25:38 | 0:25:42 | |
-Ah. -But the safe... -Aha. | 0:25:42 | 0:25:43 | |
..bizarrely, it was already in the house | 0:25:43 | 0:25:46 | |
and it's behind a picture, how exciting. | 0:25:46 | 0:25:48 | |
The key has never fitted. We never know what's in the safe. | 0:25:48 | 0:25:51 | |
Now, what is the picture in front of the safe? | 0:25:51 | 0:25:54 | |
-The picture in front of the safe? -Yeah. -Oh, that picture. | 0:25:54 | 0:25:56 | |
The you know the safe that doesn't exist? | 0:25:56 | 0:25:59 | |
There's a picture that doesn't exist in front of it. | 0:25:59 | 0:26:01 | |
-This is the thing... -What's it of? | 0:26:01 | 0:26:03 | |
It's a painting of your bins that you had done. | 0:26:03 | 0:26:06 | |
This is the bit... | 0:26:06 | 0:26:07 | |
The bins that must never be taken from the house. | 0:26:07 | 0:26:09 | |
This is the bit you're going to find crazy. | 0:26:09 | 0:26:12 | |
It's a picture of the safe. | 0:26:12 | 0:26:15 | |
I know, I know, it's crazy. | 0:26:15 | 0:26:17 | |
It's absolutely crazy. | 0:26:17 | 0:26:20 | |
And this, David, is the key to your heart. | 0:26:20 | 0:26:23 | |
It's not, that is to the side passage. | 0:26:24 | 0:26:26 | |
And it's quite annoying to get through the side passage | 0:26:30 | 0:26:34 | |
because I have to open the gated community for the bins | 0:26:34 | 0:26:39 | |
and that takes me through to the side passage which I open | 0:26:39 | 0:26:41 | |
and that's all the keys apart from this one, | 0:26:41 | 0:26:43 | |
do you know what that one's for, Fiona? | 0:26:43 | 0:26:46 | |
Nobody knows. | 0:26:46 | 0:26:47 | |
And how did you get that key? | 0:26:47 | 0:26:49 | |
That key was given to... | 0:26:49 | 0:26:51 | |
Right, this is the bit that's not funny and I don't want any jokes. | 0:26:51 | 0:26:54 | |
My great grandfather fought in the First World War | 0:26:54 | 0:26:57 | |
and he had a key round his neck, | 0:26:57 | 0:27:00 | |
and we don't know what the key was for. | 0:27:00 | 0:27:02 | |
But it was passed on, he gave it to his father, his father gave it to his father.... | 0:27:02 | 0:27:05 | |
He gave it to his father? So he passed it on backwards in time? | 0:27:05 | 0:27:08 | |
No, sorry, no. | 0:27:08 | 0:27:09 | |
All I will say is, just in summary, I'm not pitching it to you | 0:27:13 | 0:27:16 | |
because it is true, but if you don't believe it, quite simply, | 0:27:16 | 0:27:18 | |
the story is simple, what is there not to believe? | 0:27:18 | 0:27:21 | |
I come home, I make sure the side gated community to the bins are unlocked | 0:27:21 | 0:27:24 | |
so I can get the bins out, leave them on a Tuesday, | 0:27:24 | 0:27:26 | |
and let them open the side passage, get in, lock the side passage, | 0:27:26 | 0:27:30 | |
come through to the house, open the safe by moving the picture, | 0:27:30 | 0:27:32 | |
I can't open the safe, I always forget, I close the safe, I get the tin, open it up, | 0:27:32 | 0:27:37 | |
move the eyeballs, get the money out, close the tin, open the thing, | 0:27:37 | 0:27:40 | |
back inside, straight to the front door, which is blue, go out, | 0:27:40 | 0:27:44 | |
feed Howard Jones' cat next door, who I accidently said was Shakin' Stevens. | 0:27:44 | 0:27:48 | |
What part of that are you telling me is not true? | 0:27:48 | 0:27:50 | |
APPLAUSE | 0:27:50 | 0:27:54 | |
So what are you going to say, David? What does your team think? | 0:27:56 | 0:27:58 | |
I think we're going to say it's a lie. | 0:27:58 | 0:28:00 | |
Saying it's a lie. Lee. | 0:28:00 | 0:28:03 | |
Was it the truth or was it a lie? | 0:28:04 | 0:28:07 | |
It was a lie. | 0:28:07 | 0:28:09 | |
APPLAUSE | 0:28:09 | 0:28:12 | |
-BUZZER -And that noise signals time is up, it's the end of the show, | 0:28:13 | 0:28:17 | |
and I can reveal that David's team have won by 3 points to 2. | 0:28:17 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:23 | |
But it's not just a team game, | 0:28:25 | 0:28:28 | |
and my individual liar of the week this week is Steve Jones. | 0:28:28 | 0:28:32 | |
Thank you. | 0:28:32 | 0:28:33 | |
Yes, who'd have thought it? | 0:28:35 | 0:28:38 | |
Wales' best-looking man | 0:28:38 | 0:28:40 | |
telling Steve Jones that he's the liar of the week, good night. | 0:28:40 | 0:28:43 |