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Hiring a head chef can make or break a restaurant... | 0:00:02 | 0:00:05 | |
Service! BELL RINGS | 0:00:05 | 0:00:07 | |
Costing? I don't know. | 0:00:07 | 0:00:09 | |
When I point at a plate, | 0:00:09 | 0:00:10 | |
I want you to tell me how much that plate costs me. | 0:00:10 | 0:00:12 | |
Can I have it now? | 0:00:12 | 0:00:14 | |
CLATTER | 0:00:15 | 0:00:17 | |
It's a nightmare, trying to find a chef. | 0:00:17 | 0:00:19 | |
..but now, help is at hand. | 0:00:19 | 0:00:21 | |
Good morning. | 0:00:21 | 0:00:23 | |
Alex Polizzi has 25 years of experience | 0:00:23 | 0:00:25 | |
in the hospitality industry. | 0:00:25 | 0:00:27 | |
Why is the plate cold? A schoolboy error. | 0:00:28 | 0:00:31 | |
She will work with four restaurants who desperately need her help... | 0:00:31 | 0:00:36 | |
This is a real interview process. | 0:00:36 | 0:00:38 | |
Where and what did you cook for the Queen? | 0:00:38 | 0:00:41 | |
I can't actually remember what I did. | 0:00:41 | 0:00:43 | |
..as they hire a new head chef. | 0:00:43 | 0:00:45 | |
I have one word to say - which is "yummy". | 0:00:46 | 0:00:49 | |
It's Alex's final day in West London, helping Potli, | 0:00:58 | 0:01:02 | |
an Indian restaurant in dire need of a new head chef. | 0:01:02 | 0:01:06 | |
Old college friends, Jay Gosh and Uttam Tripathy, | 0:01:08 | 0:01:11 | |
have spent the past four years working tirelessly | 0:01:11 | 0:01:14 | |
to realise their dream of owning a successful Indian restaurant. | 0:01:14 | 0:01:18 | |
Service! | 0:01:18 | 0:01:20 | |
It was a dream of me and my business partner to serve | 0:01:20 | 0:01:22 | |
the flavours of Indian marketplace food | 0:01:22 | 0:01:24 | |
here in the streets of London - and so far, | 0:01:24 | 0:01:27 | |
we are blowing the taste buds off all our customers, day in, day out. | 0:01:27 | 0:01:30 | |
That's what we want. | 0:01:30 | 0:01:32 | |
Now, they hope to grow the business, | 0:01:32 | 0:01:34 | |
but only if Jay can step out of the kitchen. | 0:01:34 | 0:01:38 | |
We need a head chef to come in and replace me, | 0:01:38 | 0:01:40 | |
where he is running the show on a day-to-day basis | 0:01:40 | 0:01:43 | |
and we are then expanding the business and going forward. | 0:01:43 | 0:01:47 | |
But hiring the perfect chef is easier said than done. | 0:01:47 | 0:01:51 | |
There is a dearth of good head chefs in the market. | 0:01:51 | 0:01:55 | |
The talent pool is shrinking. | 0:01:55 | 0:01:56 | |
We're not getting in skilled chefs from India. | 0:01:56 | 0:02:00 | |
Now, time is of the essence, if they are to build on their success. | 0:02:00 | 0:02:05 | |
Every month that we do not get the head chef, | 0:02:05 | 0:02:09 | |
it is delaying our new projects. | 0:02:09 | 0:02:11 | |
To find the right head chef at this juncture is absolutely crucial. | 0:02:11 | 0:02:16 | |
With the help of Alex, they hope their six-month search is over. | 0:02:16 | 0:02:21 | |
I'm sure we'll find the right head chef to help us | 0:02:21 | 0:02:24 | |
to spread a bit of spice in everyone's life. | 0:02:24 | 0:02:26 | |
Nine candidates have been interviewed | 0:02:31 | 0:02:34 | |
for the head chef position. | 0:02:34 | 0:02:35 | |
I've never done this before. | 0:02:36 | 0:02:38 | |
During a fiery few days of cooking, seven got the chop. | 0:02:38 | 0:02:42 | |
Chapatti is a disaster. The rice is absolutely... | 0:02:42 | 0:02:45 | |
I can't eat it. | 0:02:45 | 0:02:47 | |
But two did make the grade | 0:02:48 | 0:02:51 | |
and have been shortlisted for the final interview. | 0:02:51 | 0:02:54 | |
Arbinder Dugal... | 0:02:54 | 0:02:56 | |
Arbinder, you are. Thank you so much. | 0:02:56 | 0:02:58 | |
APPLAUSE | 0:02:58 | 0:03:00 | |
..and Mark Robinson. Whoa, brilliant. | 0:03:00 | 0:03:03 | |
APPLAUSE | 0:03:03 | 0:03:04 | |
Congratulations, Mark. | 0:03:04 | 0:03:06 | |
But with no chefs on day one being picked for the job... | 0:03:06 | 0:03:10 | |
And the decision is... | 0:03:10 | 0:03:12 | |
..no-one goes through the next round. | 0:03:13 | 0:03:16 | |
..there is still one place up for grabs. | 0:03:16 | 0:03:19 | |
Jay and Uttam have decided to give one of the chefs another chance. | 0:03:19 | 0:03:23 | |
Chef Kuldeep, it's Jay from Potli. | 0:03:23 | 0:03:26 | |
We have decided to give you a second chance for our second round. | 0:03:26 | 0:03:30 | |
'OK.' | 0:03:30 | 0:03:32 | |
Kuldeep Singh has been thrown a lifeline. | 0:03:32 | 0:03:35 | |
I want to win. This is my main goal. | 0:03:35 | 0:03:37 | |
Only the best will win the position | 0:03:37 | 0:03:40 | |
and be the restaurant's new head chef. | 0:03:40 | 0:03:42 | |
This is a big day for Potli. | 0:03:46 | 0:03:48 | |
This could be the start of the next stage of Jay and Uttam's journey. | 0:03:48 | 0:03:53 | |
But the successful candidate must really step up to the mark. | 0:03:53 | 0:03:57 | |
What I am specifically looking in the head chef today | 0:03:57 | 0:03:59 | |
is basically four things. | 0:03:59 | 0:04:01 | |
One is that sort of chef pride... Yes. ..one is that chef passion... | 0:04:01 | 0:04:05 | |
Yes. ..one is that sort of personality | 0:04:05 | 0:04:08 | |
which would sort of exude today, when they cook, | 0:04:08 | 0:04:11 | |
and, also, I want a bit of panache, so that would differentiate them. | 0:04:11 | 0:04:15 | |
I'm looking for someone who is going to be able to | 0:04:15 | 0:04:17 | |
lead the team in the right direction, motivate them, | 0:04:17 | 0:04:20 | |
who's going to be able to coordinate with the front of house fantastically well. Yes. | 0:04:20 | 0:04:23 | |
When working as a team, it's not my kitchen, | 0:04:23 | 0:04:26 | |
it is our kitchen. | 0:04:26 | 0:04:28 | |
That is what I want him to talk about. | 0:04:28 | 0:04:30 | |
First of the three finalists to arrive is Arbinder Dugal. | 0:04:32 | 0:04:36 | |
In his first interview, his food did all the talking. | 0:04:37 | 0:04:42 | |
The passion that I saw on Arbinder's plate was more than anyone else. | 0:04:42 | 0:04:46 | |
That was a dish I could easily finish myself. | 0:04:46 | 0:04:48 | |
All right, thank you. | 0:04:48 | 0:04:50 | |
But with high expectations, there were worries over his inexperience. | 0:04:50 | 0:04:55 | |
Why couldn't you add up your different elements of the cost | 0:04:55 | 0:04:58 | |
and give us a final costing? What was wrong with that? | 0:04:58 | 0:05:01 | |
From a sous-chef, when you go to a head chef, the buck stops with you. | 0:05:01 | 0:05:04 | |
Arbinder was probably the standout chef, in terms of cooking. | 0:05:07 | 0:05:10 | |
I personally feel that he is | 0:05:10 | 0:05:12 | |
one of the strongest candidates we have got. | 0:05:12 | 0:05:15 | |
Arbinder, I think he is young, he is ambitious. | 0:05:15 | 0:05:17 | |
The only caveat is that he has never been a head chef. | 0:05:17 | 0:05:20 | |
So, to manage a restaurant which is really busy, | 0:05:20 | 0:05:23 | |
to hit the ground running from day one... Is he the right candidate? | 0:05:23 | 0:05:26 | |
That's something we have to really see. | 0:05:26 | 0:05:29 | |
Second candidate is Mark Robinson. | 0:05:31 | 0:05:33 | |
Hi. Hiya. | 0:05:34 | 0:05:36 | |
You all right? Yeah, I'm good. I'm Mark. Arbinder. | 0:05:36 | 0:05:39 | |
Arbinder? Nice to meet you, Arbinder. | 0:05:39 | 0:05:41 | |
He is the most experienced of the three chefs - | 0:05:41 | 0:05:44 | |
and the most determined. | 0:05:44 | 0:05:46 | |
I'm ambitious and I do want to succeed, more and more these days. | 0:05:46 | 0:05:51 | |
I mean, at the end of the first heat, | 0:05:51 | 0:05:53 | |
you could probably see it on my face, I was pretty exhausted. | 0:05:53 | 0:05:57 | |
His enthusiasm in his interview excited Jay and Uttam... | 0:05:57 | 0:06:01 | |
I think he's asked more questions than we asked him. | 0:06:01 | 0:06:04 | |
You are the only chef - and the only chef in quite a long time | 0:06:05 | 0:06:09 | |
that I've met who knows how to do a proper costing. | 0:06:09 | 0:06:12 | |
..but he lacked one vital ingredient. | 0:06:12 | 0:06:15 | |
He has very little experience with Indian cooking. | 0:06:15 | 0:06:18 | |
He was bashing up his cardamom pods and he was... | 0:06:22 | 0:06:24 | |
Your face was a picture. Yeah, I was quite amazed. | 0:06:24 | 0:06:28 | |
Obviously, the enormous question mark is, | 0:06:28 | 0:06:31 | |
however enthusiastic he is with Indian cooking, | 0:06:31 | 0:06:33 | |
he doesn't really have the knowledge. That's right. | 0:06:33 | 0:06:35 | |
I mean, with Mark, one thing really worth admiring about him | 0:06:35 | 0:06:39 | |
is his great attitude. | 0:06:39 | 0:06:41 | |
He doesn't want to be in his comfort zone, | 0:06:41 | 0:06:43 | |
which is very important for us. | 0:06:43 | 0:06:45 | |
As much as I want to discount him, not being an Indian chef... | 0:06:45 | 0:06:49 | |
Yes! | 0:06:49 | 0:06:50 | |
..I can't ignore him. He's been absolutely flawless. | 0:06:50 | 0:06:54 | |
Final candidate is Kuldeep Singh. | 0:06:54 | 0:06:56 | |
It's a nice surprise there. Arbinder, nice to meet you. | 0:06:57 | 0:07:00 | |
My name is Kuldeep. Kuldeep, I'm Mark. | 0:07:00 | 0:07:03 | |
Mark, nice meeting you. And you, sir. Good to meet you. | 0:07:03 | 0:07:06 | |
We all felt that he was a very steady pair of hands. | 0:07:08 | 0:07:10 | |
If Kuldeep grabs it with both his hands, | 0:07:10 | 0:07:13 | |
I think it could be really great. | 0:07:13 | 0:07:15 | |
I've no doubt about his cooking abilities. | 0:07:15 | 0:07:18 | |
But having been initially caught out on costs... | 0:07:18 | 0:07:21 | |
Kuldeep, when you're applying for a head chef position, | 0:07:22 | 0:07:26 | |
you should have done your costing. | 0:07:26 | 0:07:28 | |
..can he now convince he's ready to step up to head chef? | 0:07:28 | 0:07:32 | |
It's new challenge... I want to perform like what I can do. | 0:07:32 | 0:07:38 | |
Shall we go meet the chefs? May the best chef win. Thanks, good. | 0:07:38 | 0:07:42 | |
This final interview is the last chance for the candidates | 0:07:42 | 0:07:45 | |
to prove they should be the new head chef. | 0:07:45 | 0:07:49 | |
If they can't hack it today, they won't get the job. | 0:07:49 | 0:07:52 | |
Good morning. | 0:07:53 | 0:07:55 | |
Hello, chefs. | 0:07:56 | 0:07:58 | |
So, you all did very well in the first round of interviews. | 0:07:58 | 0:08:03 | |
We're starting with a blank slate today. | 0:08:03 | 0:08:05 | |
Today, you guys are cooking for a group of loyal, hard-core customers. | 0:08:05 | 0:08:10 | |
They are one of our biggest critics and I want you guys to deliver. | 0:08:10 | 0:08:16 | |
To test their head chef skills, Arbinder, Mark and Kuldeep | 0:08:16 | 0:08:20 | |
have been asked to preplan a three course set menu. | 0:08:20 | 0:08:23 | |
First, they will prepare their starter | 0:08:24 | 0:08:27 | |
and this will be no time for mistakes. | 0:08:27 | 0:08:30 | |
We've decided that only two chefs are going to cook their full menu, | 0:08:30 | 0:08:34 | |
because you're going to cook with the team | 0:08:34 | 0:08:36 | |
and with the front of house, so we don't want it to be too confusing. | 0:08:36 | 0:08:39 | |
So what we're going to do is, give you 45 minutes to cook your starters | 0:08:39 | 0:08:43 | |
and then, we're going to taste them all. | 0:08:43 | 0:08:46 | |
In the meantime, we're going to go through your menus | 0:08:46 | 0:08:48 | |
and we'll go from there. Is that OK? | 0:08:48 | 0:08:50 | |
That's fine. Can I have your menus and your costings, please? | 0:08:50 | 0:08:53 | |
Thanks. | 0:08:54 | 0:08:56 | |
Literally, today, the destiny is in your own hands | 0:08:56 | 0:08:59 | |
and I just want you guys to perform today | 0:08:59 | 0:09:03 | |
without any inhibitions. | 0:09:03 | 0:09:04 | |
All the best, chefs. - Thank you. | 0:09:04 | 0:09:06 | |
See you in a bit, goodbye. Thank you. | 0:09:06 | 0:09:08 | |
Their menus should justify a set price of ?25 | 0:09:13 | 0:09:17 | |
and take into consideration | 0:09:17 | 0:09:18 | |
the restaurant's ethos of authentic Indian market cuisine. | 0:09:18 | 0:09:22 | |
I'm ready. I will cook my three courses. It's my target. | 0:09:23 | 0:09:29 | |
So, I'll try my best. | 0:09:29 | 0:09:32 | |
I'd love to get a chance to cook my main course this afternoon | 0:09:32 | 0:09:35 | |
and the dessert, because I've put a lot of effort | 0:09:35 | 0:09:37 | |
into getting this all ready. | 0:09:37 | 0:09:39 | |
I'm just going with the starters and we'll see what's going to happen. | 0:09:39 | 0:09:45 | |
It's going to be tricky, but I think I'll just go with the flow, yeah? | 0:09:45 | 0:09:49 | |
As a guide, the combined ingredients for the starter dish | 0:09:50 | 0:09:53 | |
should total no more than ?1.50. | 0:09:53 | 0:09:56 | |
Anything higher would compromise the remaining courses. | 0:09:56 | 0:10:00 | |
I don't know what I'm up against. | 0:10:00 | 0:10:02 | |
I've got two obviously very talented gentlemen | 0:10:02 | 0:10:05 | |
either side of me. | 0:10:05 | 0:10:07 | |
You're the more experienced one, yeah? | 0:10:07 | 0:10:09 | |
Am I? Yeah. Maybe that's just because of my age. | 0:10:09 | 0:10:11 | |
Arbinder Dugal is currently working in London's Mayfair. | 0:10:13 | 0:10:17 | |
It's been ten years I've been a chef. | 0:10:17 | 0:10:20 | |
The journey from 2004 till now... | 0:10:20 | 0:10:22 | |
There's a lot of difference. | 0:10:22 | 0:10:24 | |
He hopes to make a virtue of his varied background, | 0:10:24 | 0:10:27 | |
cooking in hotels and fine dining restaurants | 0:10:27 | 0:10:30 | |
and sees this as his chance to step up to the plate. | 0:10:30 | 0:10:33 | |
I'm currently the sous-chef | 0:10:34 | 0:10:36 | |
and that's the highest position I've had so far. | 0:10:36 | 0:10:38 | |
I think I'm very calm in the kitchen - | 0:10:38 | 0:10:40 | |
very calm and composed. | 0:10:40 | 0:10:42 | |
Once you start getting cooking, you just forget about everything | 0:10:42 | 0:10:45 | |
and just focus on what you have to do. | 0:10:45 | 0:10:47 | |
So, I'm going to grab, like, half a kilo of button mushrooms. | 0:10:49 | 0:10:53 | |
You know, my wife, she is very much supportive. | 0:10:55 | 0:10:58 | |
He takes it very seriously when we go to spices and cooking - | 0:10:58 | 0:11:02 | |
he takes it very seriously. | 0:11:02 | 0:11:04 | |
I'm really proud of him, | 0:11:04 | 0:11:06 | |
because he worships his profession as his God, | 0:11:06 | 0:11:10 | |
so the food is next to excellence, I would say. | 0:11:10 | 0:11:15 | |
The feedback that I get from my senior chefs | 0:11:15 | 0:11:18 | |
which I have worked with so far in this industry is that | 0:11:18 | 0:11:22 | |
I'm very hard-working, good team player | 0:11:22 | 0:11:25 | |
and work very well under pressure. | 0:11:25 | 0:11:28 | |
So, I think that's the best complement you can get, for a chef. | 0:11:28 | 0:11:32 | |
It tastes fab. | 0:11:32 | 0:11:34 | |
Beyond words, because that is my husband. | 0:11:34 | 0:11:36 | |
LAUGHTER | 0:11:36 | 0:11:38 | |
For his starter, | 0:11:40 | 0:11:41 | |
Arbinder is preparing a Northern Indian kebab, | 0:11:41 | 0:11:44 | |
called a mushroom ke galawat. | 0:11:44 | 0:11:47 | |
It's traditionally made with meat, but by using mushroom, | 0:11:47 | 0:11:50 | |
Arbinder's costs are kept low, at ?1.59. | 0:11:50 | 0:11:54 | |
Arbinder. Hi. Very nice to see you. | 0:11:55 | 0:11:58 | |
So, what have you got? You've got the mushroom... | 0:11:58 | 0:12:01 | |
So, I've got the mushrooms, | 0:12:01 | 0:12:02 | |
so I'm making another classic, saffron bread. | 0:12:02 | 0:12:05 | |
Served with any salad? | 0:12:05 | 0:12:07 | |
I'm making a very simple salad, | 0:12:07 | 0:12:10 | |
so it's like made with cucumbers, | 0:12:10 | 0:12:12 | |
tomatoes, green chillies, onions, lemon juice. | 0:12:12 | 0:12:16 | |
So, Arbinder, do you think today is your day | 0:12:16 | 0:12:18 | |
and you will make it to the finals? | 0:12:18 | 0:12:20 | |
I don't want to be overconfident of anything. | 0:12:20 | 0:12:24 | |
You want actions to speak louder than words? | 0:12:24 | 0:12:26 | |
Yeah. Good, I like that. Great. | 0:12:26 | 0:12:29 | |
Thank you. | 0:12:29 | 0:12:31 | |
A mushroom ke galawat is a traditional Lakhnavi kebab, | 0:12:31 | 0:12:34 | |
which literally means, "melt in the mouth." | 0:12:34 | 0:12:36 | |
It's typically done with meat. | 0:12:36 | 0:12:38 | |
With Arbinder, I think he has got the wrong selection of mushroom. | 0:12:38 | 0:12:40 | |
I would have loved to see things like chestnut or Portobello, | 0:12:40 | 0:12:43 | |
where there is more meaty flavour in it, | 0:12:43 | 0:12:45 | |
because with this button mushroom, he has got... | 0:12:45 | 0:12:48 | |
With that high level of mushroom content, it might not | 0:12:48 | 0:12:51 | |
lend to this sort of meaty, vegetarian version of the kebab | 0:12:51 | 0:12:54 | |
that he is trying to put in the menu. | 0:12:54 | 0:12:57 | |
Uttam, what do you think about his costings? | 0:12:57 | 0:12:59 | |
I think he's got the costing absolutely spot on. | 0:12:59 | 0:13:02 | |
The main aspect of this is that | 0:13:02 | 0:13:04 | |
he understands he's been given a challenge. | 0:13:04 | 0:13:07 | |
A costing has been given to him and he has been absolutely close to it. | 0:13:07 | 0:13:11 | |
For Mark's starter, he is preparing a fish fry, | 0:13:16 | 0:13:20 | |
using South Coast sprat, | 0:13:20 | 0:13:22 | |
served with cassava chilli and garlic chips, | 0:13:22 | 0:13:25 | |
with a spiced yoghurt dip. | 0:13:25 | 0:13:26 | |
I've learnt a few things, you know? | 0:13:26 | 0:13:28 | |
I've been on the internet, I've watched videos, I've read books... | 0:13:28 | 0:13:33 | |
Sussex-based Mark has 30 years' experience as a chef - | 0:13:33 | 0:13:37 | |
ten as head chef. | 0:13:37 | 0:13:39 | |
He's looking for the next big challenge in his career. | 0:13:39 | 0:13:42 | |
Being back in the, sort of, foodie metropolis of London, | 0:13:42 | 0:13:45 | |
amongst that melting pot of chefs and food - | 0:13:45 | 0:13:48 | |
would help lift this part of my career. | 0:13:48 | 0:13:51 | |
I think it would be important. | 0:13:51 | 0:13:53 | |
He currently works as head chef in an established country food pub, | 0:13:54 | 0:13:59 | |
where he's able to practise his passion for produce | 0:13:59 | 0:14:02 | |
and love of foreign food. | 0:14:02 | 0:14:04 | |
I love to be outdoors. | 0:14:04 | 0:14:06 | |
I love the foraging, because it gets you out of the kitchen, as well. | 0:14:06 | 0:14:10 | |
You spend a lot of time in the same four walls of the kitchen | 0:14:10 | 0:14:12 | |
and on your days off, you want to get out as much as you can. | 0:14:12 | 0:14:16 | |
I get tired of doing just British food. | 0:14:20 | 0:14:22 | |
I've travelled in India. | 0:14:22 | 0:14:24 | |
I've always loved it | 0:14:24 | 0:14:26 | |
and I've joked with the boss here, | 0:14:26 | 0:14:29 | |
saying that one day I'll turn it into an Indian restaurant. | 0:14:29 | 0:14:32 | |
It's a huge country, with influences from everywhere - | 0:14:34 | 0:14:38 | |
and the cooking varies so, so much, | 0:14:38 | 0:14:41 | |
in the way they use their spices from one region to the other. | 0:14:41 | 0:14:44 | |
Family back it, 100%. | 0:14:47 | 0:14:49 | |
We've got Emily, she's 16 years old - | 0:14:51 | 0:14:56 | |
He's five and George is ten. | 0:14:56 | 0:15:10 | |
LAUGHTER | 0:15:10 | 0:15:14 | |
Aiming his menu at the lunchtime diner, | 0:15:14 | 0:15:17 | |
Mark's sprat starter is as rustic as Indian cuisine gets - | 0:15:17 | 0:15:21 | |
and it shows, with a cost of just 56p to plate. | 0:15:21 | 0:15:25 | |
So, what made you select sprat, in terms of your starter, | 0:15:25 | 0:15:28 | |
rather than any other standard...? | 0:15:28 | 0:15:31 | |
Well, I know that Indians use similar fish | 0:15:31 | 0:15:34 | |
and I know that you like to use local ingredients. | 0:15:34 | 0:15:37 | |
You use English lamb, et cetera, | 0:15:37 | 0:15:39 | |
so I've gone for some local South Coast sprat. | 0:15:39 | 0:15:44 | |
But will Mark's lighter bite fulfil expectations? | 0:15:44 | 0:15:52 | |
He's trying to put it into an Indian marinade, | 0:15:52 | 0:15:54 | |
but for a ?25 three course menu, | 0:15:54 | 0:16:14 | |
I'm feeling very... | 0:16:14 | 0:16:20 | |
Kuldeep believes this head chef position | 0:16:22 | 0:16:35 | |
I'm feeling good, sir. Feeling good? | 0:16:35 | 0:16:37 | |
It's about three years ago I met Kuldeep for the first time. | 0:16:37 | 0:16:41 | |
My cuisine has always been about being out there | 0:16:41 | 0:16:43 | |
and using the local produce and I saw that in Kuldeep from day one. | 0:16:43 | 0:16:48 | |
He learnt my ethos pretty quickly, working beside me. | 0:16:48 | 0:16:56 | |
He is master of his kitchen. | 0:16:56 | 0:16:58 | |
I'm born with the spices. | 0:16:58 | 0:17:00 | |
When I see those spices, my senses start working, | 0:17:00 | 0:17:03 | |
creating things. | 0:17:03 | 0:17:24 | |
Beautifully done. Well done. Very happy with it. | 0:17:25 | 0:17:27 | |
Thank you very much, sir. Good luck. Thank you. | 0:17:27 | 0:17:41 | |
Of course, but I know I did a very, very good job. I don't know why... | 0:17:41 | 0:17:51 | |
Like, Arbinder - he's a talented chef. | 0:17:51 | 0:17:56 | |
and the competition there, so we want that - | 0:17:56 | 0:17:58 | |
that passion and determination to succeed. Brilliant. | 0:17:58 | 0:18:04 | |
from the other two chefs? | 0:18:04 | 0:18:13 | |
He's got quite a few components in there. | 0:18:13 | 0:18:15 | |
I would have loved to just keep it simple. | 0:18:15 | 0:18:17 | |
Butter crab and rasam really goes well, | 0:18:17 | 0:18:21 | |
but getting the asparagus korma in there, which is heavy, | 0:18:21 | 0:18:25 | |
and with your tangy rasam, it might be a bit too confusing, | 0:18:25 | 0:18:29 | |
in terms of the flavour profile. | 0:18:29 | 0:18:31 | |
He has made another mistake, hasn't he? | 0:18:31 | 0:18:33 | |
He's done a huge mistake. | 0:18:33 | 0:18:36 | |
By using expensive ingredients, his costs have spiralled. | 0:18:36 | 0:18:40 | |
By making his costing to up to ?12 initially... | 0:18:40 | 0:18:45 | |
You know, once he understood that he has made a mistake, | 0:18:45 | 0:18:48 | |
he has changed it and he has brought down his cost by a third. | 0:18:48 | 0:18:52 | |
But despite streamlining his starter, | 0:18:53 | 0:18:56 | |
it's still the most expensive to produce, at ?4. | 0:18:56 | 0:18:59 | |
Jay is concerned about | 0:19:03 | 0:19:04 | |
Arbinder's choice of button mushrooms for his starter, | 0:19:04 | 0:19:08 | |
but Arbinder is using a method that he hopes | 0:19:08 | 0:19:10 | |
will make up for any shortfall in flavour. | 0:19:10 | 0:19:13 | |
So, I'm burning a charcoal. | 0:19:13 | 0:19:15 | |
I just want to give a smoke flavour to the mushroom kebab, yeah? | 0:19:15 | 0:19:18 | |
I haven't got any cooking smells coming from you yet, mate. | 0:19:21 | 0:19:25 | |
Kuldeep, looking good. | 0:19:25 | 0:19:27 | |
I'm interested to see how yours is going to be dished up. | 0:19:27 | 0:19:30 | |
Having been pulled up on presentation in his first interview, | 0:19:30 | 0:19:34 | |
Mark hopes to add a certain wow factor this time round. | 0:19:34 | 0:19:37 | |
I've brought a little carved coconut bowl. | 0:19:38 | 0:19:42 | |
It's an antique, circa 1880, | 0:19:42 | 0:19:45 | |
so I've gone a bit Bollywood. | 0:19:45 | 0:19:47 | |
I think after the comment from the boys, about a signature dish I did | 0:19:47 | 0:19:52 | |
and it not being colourful enough, I've... | 0:19:52 | 0:19:55 | |
I've taken it on board, somewhat. | 0:19:57 | 0:19:59 | |
Owners Jay and Uttam have a very clear concept - | 0:20:01 | 0:20:05 | |
they will be expecting Indian market cuisine | 0:20:05 | 0:20:07 | |
that looks and tastes authentic. | 0:20:07 | 0:20:09 | |
You ready, Arbi? Yeah, go, go. | 0:20:09 | 0:20:11 | |
Are you plating up? Yeah. | 0:20:13 | 0:20:15 | |
Go, go, go. | 0:20:15 | 0:20:16 | |
I'm good to go. | 0:20:20 | 0:20:22 | |
Looks cracking, mate. | 0:20:22 | 0:20:23 | |
Time is up. | 0:20:25 | 0:20:26 | |
Mine has already gone cold. | 0:20:26 | 0:20:28 | |
Little bit of... | 0:20:32 | 0:20:35 | |
Come quickly, yeah? | 0:20:35 | 0:20:36 | |
Do you want to set your plates down? | 0:20:40 | 0:20:42 | |
Well, a feast for the eyes as well as stomach, I believe. Yeah. | 0:20:50 | 0:20:54 | |
For his vegetarian starter, | 0:20:57 | 0:20:59 | |
Arbinder has prepared a mushroom ke galawat | 0:20:59 | 0:21:01 | |
served on a saffron bread. | 0:21:01 | 0:21:03 | |
It costs ?1.59 to put on the plate, | 0:21:03 | 0:21:06 | |
making his calculations near-perfect. | 0:21:06 | 0:21:10 | |
I've done what I feel like doing from my heart. | 0:21:10 | 0:21:13 | |
I'm not too much into poncey food, yeah? | 0:21:13 | 0:21:15 | |
I don't like too much playing around on the plate. | 0:21:15 | 0:21:18 | |
It might make good business sense, but does it deliver on taste? | 0:21:20 | 0:21:24 | |
Well, I don't know anything about the technicalities, | 0:21:35 | 0:21:37 | |
but I could eat that whole dish. | 0:21:37 | 0:21:39 | |
Delicious. | 0:21:39 | 0:21:41 | |
I think the starter, in itself... | 0:21:41 | 0:21:45 | |
..has delivered in all respects | 0:21:46 | 0:21:49 | |
and I was concerned with the mushroom choice, | 0:21:49 | 0:21:52 | |
but you have delivered it just right. | 0:21:52 | 0:21:55 | |
It has that meaty after-effect, | 0:21:55 | 0:21:58 | |
it has got the smoky aroma, not overpowering your spices. | 0:21:58 | 0:22:02 | |
And that is a dish which you have got every element of it perfect. | 0:22:02 | 0:22:06 | |
Well done. | 0:22:06 | 0:22:07 | |
So, on to Mark. On to Mark, now. | 0:22:07 | 0:22:09 | |
Mark's starter is South Coast sprat fish fry, | 0:22:12 | 0:22:16 | |
served with cassava chilli and garlic chips, | 0:22:16 | 0:22:19 | |
accompanied with a spiced yoghurt dip. | 0:22:19 | 0:22:22 | |
Mark has targeted his set menu at the cheaper lunchtime diner, | 0:22:22 | 0:22:26 | |
so his dish works out at a cost of just 56p. | 0:22:26 | 0:22:30 | |
It's gone exactly as I wanted it to go, in how it's gone out, | 0:22:30 | 0:22:33 | |
so we'll see what happens. | 0:22:33 | 0:22:35 | |
I'm confident I've done what I was going to do. | 0:22:35 | 0:22:38 | |
But will his bold departure from the brief pay off? | 0:22:38 | 0:22:42 | |
I love your bowl. It's very pretty. | 0:22:43 | 0:22:45 | |
MARK: Very Bollywood, isn't it? | 0:22:45 | 0:22:47 | |
What have you put in the yoghurt, sorry? | 0:22:58 | 0:23:00 | |
I put some of the marinade, some that I didn't put on the fish. Wow. | 0:23:00 | 0:23:04 | |
Some of the paste went into the yoghurt | 0:23:04 | 0:23:06 | |
and I think that's given it a lovely kick. | 0:23:06 | 0:23:09 | |
Delicious. Really, really enjoyed that. | 0:23:09 | 0:23:13 | |
The fish and that dip together was... You know? | 0:23:13 | 0:23:16 | |
And your spicing was spot on. | 0:23:16 | 0:23:18 | |
Cassava chips, again, thinking out of the box. | 0:23:18 | 0:23:22 | |
Nice addition, but whether it is going well with the fish, | 0:23:22 | 0:23:24 | |
I am not very sure. | 0:23:24 | 0:23:26 | |
That's my British tilt on it. Fish and chips, mate. | 0:23:26 | 0:23:29 | |
I'm sorry. I can't help myself. | 0:23:29 | 0:23:31 | |
I think, Mark, you have done a fantastic job with this one. | 0:23:31 | 0:23:35 | |
Thinking from that angle was completely... | 0:23:35 | 0:23:39 | |
It took me by surprise. Well done, Mark. | 0:23:39 | 0:23:42 | |
Kuldeep has prepared butter crab with an asparagus korma | 0:23:45 | 0:23:48 | |
and chosen a tomato rasam, instead of crab, to reduce his costs. | 0:23:48 | 0:23:53 | |
But at ?4, it's still the most expensive starter. | 0:23:53 | 0:23:57 | |
So, will it be worth it? | 0:23:57 | 0:23:59 | |
I think I chose the right appetisers for them. | 0:23:59 | 0:24:02 | |
I'm not going to go, because I know I'm good. | 0:24:02 | 0:24:05 | |
The butter crab that you have got... Yeah? How did you make it? | 0:24:18 | 0:24:23 | |
Well, I cooked with a shallot onion and garlic and butter. | 0:24:23 | 0:24:26 | |
To me, that buttery flavour is not coming through. | 0:24:26 | 0:24:30 | |
OK. I mean, when you say butter crab in the menu, | 0:24:30 | 0:24:33 | |
I would really like to see that nutty, | 0:24:33 | 0:24:35 | |
almost buttered to a smoking point and with the crab tossed up, | 0:24:35 | 0:24:39 | |
so you get this buttery back note. | 0:24:39 | 0:24:42 | |
That's something it's missing. | 0:24:42 | 0:24:44 | |
The rasam is great. | 0:24:44 | 0:24:46 | |
Visually, it looks great, Kuldeep - | 0:24:46 | 0:24:47 | |
but it doesn't look like an Indian dish to me. | 0:24:47 | 0:24:50 | |
Presentation-wise, we can always change a bit here and there. | 0:24:50 | 0:24:53 | |
That's not going to make or break your day today. | 0:24:53 | 0:24:55 | |
As far as your cooking is concerned, Kuldeep, you have done fantastic. | 0:24:56 | 0:25:00 | |
Alex, Jay and Uttam must now decide which chef to let go. | 0:25:01 | 0:25:06 | |
We're going to go and discuss and we'll see you in a minute. Thank you. | 0:25:07 | 0:25:11 | |
So, what did we think of those dishes? | 0:25:16 | 0:25:20 | |
As I said to Arbinder, it hit the spot right on the dot. | 0:25:20 | 0:25:24 | |
Any day I would happily chomp away the entire plate, | 0:25:24 | 0:25:27 | |
without even thinking twice. | 0:25:27 | 0:25:29 | |
The way he got the regional flavours in the three course menu | 0:25:29 | 0:25:32 | |
and yet, keeping the cost well in terms of the target price - | 0:25:32 | 0:25:35 | |
I think he did a fantastic job. | 0:25:35 | 0:25:38 | |
I really like Mark's dish, I have to say. I loved the fish. | 0:25:38 | 0:25:42 | |
I didn't think it was a great selection of fish. | 0:25:42 | 0:25:44 | |
This is something we would serve in an Indian roadside place, | 0:25:44 | 0:25:47 | |
but whether it goes as a starter on its own, | 0:25:47 | 0:25:50 | |
or whether it's more of a bar snack | 0:25:50 | 0:25:52 | |
is something we've got to understand. | 0:25:52 | 0:25:54 | |
Because at the end of the day, | 0:25:54 | 0:25:56 | |
if we are selling a starter which is priced at 56p, | 0:25:56 | 0:26:00 | |
in terms of the cost price... | 0:26:00 | 0:26:02 | |
percentage-wise, it might look good, but we can't sell this many at ?25. | 0:26:02 | 0:26:06 | |
If that was on a ?25 set menu, I would look at that starter | 0:26:06 | 0:26:10 | |
and I would think, gosh, I'm doing pretty well with this. | 0:26:10 | 0:26:13 | |
Yes, it's true. | 0:26:13 | 0:26:15 | |
The customers would happily eat that particular dish as a starter here. | 0:26:15 | 0:26:20 | |
I don't think, for ?25, that starter really did justice. | 0:26:20 | 0:26:23 | |
So, now to Kuldeep, who presents us with, I think, a bit of a problem. | 0:26:23 | 0:26:27 | |
I think it was too posh a dish. | 0:26:27 | 0:26:30 | |
It was too much of a Western presentation. | 0:26:30 | 0:26:32 | |
It wasn't a dish that would go in our restaurant, I think. | 0:26:32 | 0:26:35 | |
So, do you think you know enough from all of these chefs | 0:26:35 | 0:26:38 | |
to make your decision, or would you like a few more words with them? | 0:26:38 | 0:26:41 | |
I think sometimes, the pressure gets a bit too much | 0:26:41 | 0:26:45 | |
and you don't deliver as you expect, | 0:26:45 | 0:26:47 | |
so I would love to have a one-to-one chat. | 0:26:47 | 0:26:50 | |
With the new head chef appointment | 0:26:50 | 0:26:52 | |
being such a key part of the restaurant's future, | 0:26:52 | 0:26:55 | |
it's vital expectations are clear - | 0:26:55 | 0:26:58 | |
starting with Arbinder. | 0:26:58 | 0:27:00 | |
How interested are you in taking this job, Arbinder? | 0:27:02 | 0:27:06 | |
You can be as honest and as open as you want. | 0:27:06 | 0:27:09 | |
I just want to be very honest, here. | 0:27:09 | 0:27:11 | |
I'm getting my mortgage done right now. | 0:27:11 | 0:27:13 | |
I've seen a house, offer has already been made, offer is accepted. | 0:27:13 | 0:27:17 | |
And I'm just on edge, right now, | 0:27:18 | 0:27:22 | |
cos I don't want to hide anything from you guys, | 0:27:22 | 0:27:25 | |
because it doesn't make any sense for me to hide from anyone. | 0:27:25 | 0:27:28 | |
For me, work is very important, but family will always come first. | 0:27:28 | 0:27:32 | |
We agree with that, but how does that translate in cold terms? | 0:27:32 | 0:27:35 | |
Is it a salary question? Yes. OK. | 0:27:35 | 0:27:38 | |
What is your expectation? | 0:27:40 | 0:27:43 | |
Is it more than they're offering here? | 0:27:43 | 0:27:46 | |
That's all I need to know. Yeah, a lot. | 0:27:46 | 0:27:48 | |
We all understand the realities of life. | 0:27:49 | 0:27:51 | |
I'm just interested, because the salary here was posted, | 0:27:51 | 0:27:56 | |
so you knew before you came - more or less - | 0:27:56 | 0:27:58 | |
before you came for your first round of interviews. | 0:27:58 | 0:28:01 | |
I didn't expect the situation to change so quickly. | 0:28:01 | 0:28:04 | |
We really appreciate your honesty, darling. It's so much better to know. | 0:28:04 | 0:28:07 | |
Cheers, bye. Thank you. | 0:28:07 | 0:28:09 | |
Oh, well. | 0:28:10 | 0:28:11 | |
Mark's dishes have inspired... | 0:28:16 | 0:28:19 | |
Hi, darling. | 0:28:19 | 0:28:20 | |
..but is he a flash in the pan, or in it for the long run? | 0:28:20 | 0:28:24 | |
The biggest question that we have got is, | 0:28:24 | 0:28:26 | |
how far can you take your Indian cooking skills? | 0:28:26 | 0:28:29 | |
How far can you take them? | 0:28:29 | 0:28:32 | |
It's got to depend on support and backup | 0:28:32 | 0:28:34 | |
and teaching me the way you want it. | 0:28:34 | 0:28:38 | |
For you to learn will obviously take some time | 0:28:38 | 0:28:41 | |
and I would definitely back you up, | 0:28:41 | 0:28:43 | |
in terms of providing my 100% support, | 0:28:43 | 0:28:45 | |
but believe you me, it would be | 0:28:45 | 0:28:48 | |
a very, very steep learning curve for you. Of course. | 0:28:48 | 0:28:50 | |
I totally understand that. | 0:28:50 | 0:28:52 | |
Are you aware of the number of hours that you have to put in every week? | 0:28:52 | 0:28:55 | |
No, is it long hours, is it(?) | 0:28:55 | 0:28:57 | |
I've never cooked before(!) LAUGHTER | 0:28:57 | 0:29:00 | |
To be very honest, it is in the region of around 60 hours a week, | 0:29:00 | 0:29:05 | |
six days a week. | 0:29:05 | 0:29:07 | |
Six days a week? Six days a week. Six days a week? That's right. | 0:29:07 | 0:29:10 | |
One day off a week? That's right. | 0:29:10 | 0:29:12 | |
That's what you expect your chefs to do? That's right. | 0:29:12 | 0:29:15 | |
I wouldn't be happy with that. No? No, I can't do six days a week. | 0:29:15 | 0:29:18 | |
Right. | 0:29:18 | 0:29:19 | |
I'm 47. I would burn out. | 0:29:21 | 0:29:24 | |
I would last six months and that would be it. | 0:29:24 | 0:29:27 | |
If you have to work for five days a week, | 0:29:27 | 0:29:29 | |
are you willing to work for longer hours those five days? | 0:29:29 | 0:29:32 | |
I mean, I already do up to 14-hour-days and sometimes more. | 0:29:32 | 0:29:35 | |
Totally normal to work from 8.00 in the morning | 0:29:35 | 0:29:38 | |
till 10.00, 10.30, 11.00 at night, without stopping at all. | 0:29:38 | 0:29:43 | |
OK, that's realistic. That's not... | 0:29:43 | 0:29:46 | |
I'm glad we brought it up to you and I'm glad you clarified that for us. | 0:29:46 | 0:29:50 | |
All right Mark, thank you. Thank you. Thanks very much. Thank you. | 0:29:50 | 0:29:53 | |
All my chefs work five days a week, I have to say, nowadays. | 0:29:56 | 0:29:59 | |
As much as possible. | 0:29:59 | 0:30:01 | |
I mean, I think the way that you lose staff | 0:30:01 | 0:30:04 | |
is that they then have no work-life balance. | 0:30:04 | 0:30:06 | |
I don't mind having someone for five days a week, | 0:30:06 | 0:30:09 | |
if he's working for longer hours. | 0:30:09 | 0:30:11 | |
Kuldeep has the experience, but does he have the style? | 0:30:11 | 0:30:16 | |
One concern that I've got, Chef, is whether you are going to be able | 0:30:16 | 0:30:20 | |
to come out of the mode of a fine-dining restaurant or not. | 0:30:20 | 0:30:23 | |
That's a very big concern for me. | 0:30:23 | 0:30:25 | |
Well, I'll try my best. | 0:30:25 | 0:30:27 | |
I can, so it's not a problem. | 0:30:27 | 0:30:30 | |
Anywhere you go, you have to adapt to things. | 0:30:30 | 0:30:33 | |
I can fit myself anywhere, actually, so it's not a problem for me. | 0:30:33 | 0:30:37 | |
I've been doing this for ten years, so it's not in just one country. | 0:30:37 | 0:30:42 | |
All right, Chef. Thank you. Thank you very much, thank you, Kuldeep. | 0:30:42 | 0:30:46 | |
I feel slightly disappointed about this whole thing, | 0:30:53 | 0:30:56 | |
because we have really interviewed each of the chefs | 0:30:56 | 0:30:59 | |
and given them a chance to ask us | 0:30:59 | 0:31:02 | |
any questions that they thought were essential | 0:31:02 | 0:31:05 | |
in their decision-making process, | 0:31:05 | 0:31:06 | |
as to whether they wanted to go forward. | 0:31:06 | 0:31:09 | |
No-one brought up salary, no-one brought up hours. | 0:31:09 | 0:31:11 | |
All of a sudden, it has reared its ugly head today. | 0:31:11 | 0:31:14 | |
Really sorry to have kept you waiting. | 0:31:22 | 0:31:24 | |
In terms of our expectations, | 0:31:24 | 0:31:27 | |
I think there was a mismatch with one particular chef. | 0:31:27 | 0:31:33 | |
And I think that chef, who is going out today, is... | 0:31:33 | 0:31:37 | |
..Arbinder. I wish you all the best. | 0:31:39 | 0:31:41 | |
Thank you. | 0:31:41 | 0:31:43 | |
We're really sorry. | 0:31:43 | 0:31:44 | |
I've enjoyed your food so much and I wish you luck in the future. | 0:31:44 | 0:31:47 | |
No worries, I wish you the best of luck for your business. | 0:31:47 | 0:31:50 | |
Thank you. Best of luck. | 0:31:52 | 0:31:53 | |
Ultimately, all our cards were thrown up in the air somewhat, | 0:31:56 | 0:32:00 | |
because Arbinder made it clear that actually, his salary expectation | 0:32:00 | 0:32:05 | |
was much higher than Jay and Uttam were prepared to pay. | 0:32:05 | 0:32:08 | |
I'm disappointed - not on the cooking part - but sadly, | 0:32:09 | 0:32:13 | |
I'm not fitting into their criteria of the business, | 0:32:13 | 0:32:16 | |
what they're looking for. | 0:32:16 | 0:32:18 | |
It has given me a lot of motivation | 0:32:18 | 0:32:21 | |
to learn more things in the future | 0:32:21 | 0:32:23 | |
and to perform better in the kitchen where I'm working right now. | 0:32:23 | 0:32:27 | |
Me and you, mate. | 0:32:27 | 0:32:28 | |
So... | 0:32:30 | 0:32:31 | |
Well done, both of you. Thank you. | 0:32:32 | 0:32:34 | |
And so now, onto the last part of this. | 0:32:34 | 0:32:37 | |
I'm really looking forward to seeing more of your food | 0:32:37 | 0:32:41 | |
and to seeing what responses their loyal customers have. | 0:32:41 | 0:32:44 | |
Good luck to both of you. Thank you. Thank you. | 0:32:44 | 0:32:47 | |
If Mark and Kuldeep are to prove | 0:32:48 | 0:32:50 | |
that they are the right head chef material for Jay and Uttam's vision, | 0:32:50 | 0:32:54 | |
they must now pull out all the stops | 0:32:54 | 0:32:56 | |
and deliver the remainder of their three course market cuisine menu. | 0:32:56 | 0:33:00 | |
I'm not nervous. Nervousness is not in my book. | 0:33:00 | 0:33:04 | |
I mean, even after they said in the first heat | 0:33:04 | 0:33:07 | |
to be more traditional and what they want, | 0:33:07 | 0:33:10 | |
I've just kind of stuck to what I do, in a way, | 0:33:10 | 0:33:13 | |
and put my twist on it. | 0:33:13 | 0:33:15 | |
For Jay and Uttam, | 0:33:15 | 0:33:16 | |
finding the perfect head chef is all part of the bigger picture. | 0:33:16 | 0:33:20 | |
It's come to a point where we want to really upscale | 0:33:20 | 0:33:23 | |
and grow the restaurant into a chain | 0:33:23 | 0:33:27 | |
and we need a head chef to come in and take us through. | 0:33:27 | 0:33:31 | |
Throughout the week, Alex has advised Jay and Uttam | 0:33:31 | 0:33:34 | |
on how to make their restaurant chain dream a reality, | 0:33:34 | 0:33:38 | |
starting with creating a signature style. | 0:33:38 | 0:33:41 | |
I think that white, as a colour, should be banned in this restaurant. | 0:33:41 | 0:33:45 | |
I want this to be contemporary, sexy Indian eating. | 0:33:45 | 0:33:49 | |
To help add wow factor | 0:33:51 | 0:33:52 | |
and establish a template for future restaurants, | 0:33:52 | 0:33:55 | |
Alex sent along some expertise. | 0:33:55 | 0:33:58 | |
What we're thinking is, it's more about introducing colour | 0:33:58 | 0:34:01 | |
and interest and texture into the restaurant. | 0:34:01 | 0:34:05 | |
Using your cushions, | 0:34:05 | 0:34:06 | |
I've selected lots of paint samples that we can try on the walls. | 0:34:06 | 0:34:12 | |
If we're able to get it right, | 0:34:12 | 0:34:13 | |
I think it would make our restaurant take the next step forward, | 0:34:13 | 0:34:17 | |
which we really want. | 0:34:17 | 0:34:19 | |
Inspired by the new vision, | 0:34:19 | 0:34:21 | |
Jay and Uttam instantly began to transform their cold colour zone | 0:34:21 | 0:34:25 | |
into a setting to reflect their ethos of Indian market cuisine. | 0:34:25 | 0:34:30 | |
A few days back, we were scared about the colours. | 0:34:30 | 0:34:33 | |
On this wall is what we call pistachio green. | 0:34:33 | 0:34:36 | |
It matches with our chairs. | 0:34:36 | 0:34:38 | |
The red and green, which are symbols of Indian spices and colours... | 0:34:38 | 0:34:42 | |
The Indian marketplace is all madness. | 0:34:43 | 0:34:46 | |
It's about - whatever you feel, do it, sort of a thing. | 0:34:46 | 0:34:49 | |
It goes with the flow. | 0:34:49 | 0:34:52 | |
Creating a signature style | 0:34:52 | 0:34:53 | |
will not only establish a template for future restaurants, | 0:34:53 | 0:34:57 | |
it will also send a strong message to the new head chef - | 0:34:57 | 0:35:00 | |
that this is a business with big ambitions. | 0:35:00 | 0:35:03 | |
What Alex and Claire did | 0:35:03 | 0:35:05 | |
is to take the fear away from our thought process. | 0:35:05 | 0:35:10 | |
We wanted to play it safe, but the more I'm getting to see this, | 0:35:10 | 0:35:14 | |
I feel...just delighted. | 0:35:14 | 0:35:15 | |
I think it's an amazing change. | 0:35:18 | 0:35:20 | |
It was a bit bland - and it's certainly not bland. | 0:35:20 | 0:35:22 | |
Your food is not bland, so it's a much better match to your food. | 0:35:22 | 0:35:26 | |
We are moving in the right direction towards achieving it. | 0:35:26 | 0:35:29 | |
The use of bold colours is certainly in the right direction. | 0:35:29 | 0:35:33 | |
What we need to do is to keep on moving in that direction, | 0:35:33 | 0:35:36 | |
not to stop there. | 0:35:36 | 0:35:38 | |
It makes it much more appealing for a new head chef, | 0:35:38 | 0:35:42 | |
because it's clear that he's coming somewhere where | 0:35:42 | 0:35:45 | |
you are moving on with the project - | 0:35:45 | 0:35:46 | |
where it now becomes evident that the next stages to your dream | 0:35:46 | 0:35:51 | |
are that little bit closer. | 0:35:51 | 0:35:53 | |
But that dream demands a head chef | 0:35:55 | 0:35:57 | |
who can deliver on every element of the job. | 0:35:57 | 0:36:01 | |
The ultimate head chef for us | 0:36:01 | 0:36:04 | |
is going to be someone who is going to be leading by example. | 0:36:04 | 0:36:07 | |
Someone who would understand the concept, | 0:36:07 | 0:36:09 | |
someone who's going to be customer-focused. | 0:36:09 | 0:36:12 | |
Someone who is going to bring out the best in their team - | 0:36:12 | 0:36:16 | |
and this is the ultimate head chef we are looking for. | 0:36:16 | 0:36:20 | |
Will Mark and Kuldeep be able to live up to expectations, | 0:36:20 | 0:36:23 | |
as they prepare for their final challenge - | 0:36:23 | 0:36:26 | |
cooking their remaining courses in a full service? | 0:36:26 | 0:36:29 | |
Good evening, guys. | 0:36:30 | 0:36:32 | |
Kuldeep. | 0:36:32 | 0:36:34 | |
Krishna. Krishna, nice meeting you. | 0:36:34 | 0:36:36 | |
They have 90 minutes to prepare their mains and desserts. | 0:36:36 | 0:36:41 | |
Two junior members of the brigade will be on hand to work with them. | 0:36:41 | 0:36:45 | |
Right, so I'm working with you two today. Yeah. You're helping me out? | 0:36:45 | 0:36:48 | |
That's fantastic. I'm going to write your names down. | 0:36:48 | 0:36:51 | |
In a highly charged kitchen, | 0:36:51 | 0:36:53 | |
thorough briefing and supervision of the team | 0:36:53 | 0:36:55 | |
are essential to the role of a good head chef. | 0:36:55 | 0:36:59 | |
Slice the onion and brown it. Just golden brown, not colour it, OK? | 0:36:59 | 0:37:03 | |
We've got powa in the main course, we've got a coriander relish. | 0:37:03 | 0:37:06 | |
Very simple - and then, we've got the Alexander bhaji. | 0:37:06 | 0:37:09 | |
This is the Alexander. | 0:37:09 | 0:37:10 | |
This is a wild English plant, called Alexander. | 0:37:12 | 0:37:16 | |
Can we start now, yeah? Yeah, we can start now. | 0:37:16 | 0:37:18 | |
Why don't you...? Why don't I assign you a job? | 0:37:18 | 0:37:22 | |
How's that sound? | 0:37:22 | 0:37:24 | |
JAY: Chef Kuldeep? Yes? | 0:37:24 | 0:37:26 | |
If you get time, can you just brief the team on the menu | 0:37:26 | 0:37:28 | |
and what they're making, so that at least they're aware... OK. | 0:37:28 | 0:37:32 | |
..of all the dishes they're making? This one that we're making... | 0:37:32 | 0:37:36 | |
What was your impression of how the chefs were interacting | 0:37:36 | 0:37:38 | |
with their teams downstairs? | 0:37:38 | 0:37:40 | |
Mark is a step ahead, | 0:37:40 | 0:37:42 | |
where he has properly briefed the team as to what is their plan, | 0:37:42 | 0:37:45 | |
how they work and what is the process flow, | 0:37:45 | 0:37:48 | |
so that in service time, you don't have any margin of error. | 0:37:48 | 0:37:52 | |
But I would have loved if Kuldeep had done an entire briefing | 0:37:52 | 0:37:55 | |
for the team, to bring them all up to the same speed. | 0:37:55 | 0:37:58 | |
This is the moment where we really see what a chef is made of - | 0:38:01 | 0:38:04 | |
what their character is like under pressure, | 0:38:04 | 0:38:07 | |
how they lead a team, whether they lead by example, or by threats(!) | 0:38:07 | 0:38:12 | |
Just a little bit, yeah? Just a little bit. | 0:38:12 | 0:38:14 | |
The chefs need to communicate with each other, | 0:38:14 | 0:38:16 | |
as well as with their teams. | 0:38:16 | 0:38:17 | |
Other way, other way. That way. | 0:38:17 | 0:38:20 | |
Do it that way. Open it that way. | 0:38:20 | 0:38:22 | |
I really like Mark as a potential head chef for here. | 0:38:22 | 0:38:26 | |
He's very upfront. | 0:38:26 | 0:38:28 | |
Lemon juice, nine tablespoons. | 0:38:28 | 0:38:30 | |
Yeah. Yeah? So, put the juice into something and then measure. | 0:38:30 | 0:38:35 | |
He is clearly capable, he's very good at leading a team. | 0:38:35 | 0:38:39 | |
All of that - very positive. | 0:38:39 | 0:38:41 | |
Kuldeep is a really charming character. | 0:38:41 | 0:38:46 | |
He's got a lot of knowledge about Indian cooking. | 0:38:46 | 0:38:49 | |
He's shown flashes of sheer genius. | 0:38:49 | 0:38:52 | |
He's gone from being on the back burner | 0:38:52 | 0:38:54 | |
to playing a very important part in this process. | 0:38:54 | 0:38:58 | |
Take it out, put it in there. | 0:38:58 | 0:38:59 | |
He doesn't seem like as much of a team leader as Mark does, | 0:38:59 | 0:39:03 | |
but I'm prepared to be surprised. | 0:39:03 | 0:39:05 | |
Mark will be cooking powa rice, with fried wild Alexander, | 0:39:08 | 0:39:12 | |
hot coriander chutney, date sauce and a paratha and mango salad. | 0:39:12 | 0:39:17 | |
For dessert, he will serve kesari - | 0:39:18 | 0:39:21 | |
a saffron semolina pudding with pistachios, cashews and raisins. | 0:39:21 | 0:39:26 | |
But does he have time to prepare? | 0:39:26 | 0:39:28 | |
I pushed myself and I've given myself probably too much to do. | 0:39:28 | 0:39:31 | |
But if I'd played it safe, where's the fun in that? | 0:39:33 | 0:39:36 | |
For Kuldeep's main, he is making kundan kaliya - | 0:39:37 | 0:39:41 | |
a pan-seared lamb cannon with lamb samosa, | 0:39:41 | 0:39:44 | |
artichoke pickle and gravy. | 0:39:44 | 0:39:47 | |
This will be followed by a yoghurt-based dessert | 0:39:47 | 0:39:50 | |
called "bhapa doi", made with rose and raspberry. | 0:39:50 | 0:39:53 | |
I'm not nervous. I'm here to just cook good food. | 0:39:54 | 0:39:57 | |
In the preparation of their menus, | 0:39:57 | 0:39:59 | |
it's imperative our chefs take into consideration | 0:39:59 | 0:40:02 | |
Jay's recommended costings. | 0:40:02 | 0:40:04 | |
Going over budget will lose any chance of making a profit. | 0:40:04 | 0:40:08 | |
So, just to be clear, | 0:40:09 | 0:40:11 | |
you would expect, for a ?25 set menu, | 0:40:11 | 0:40:15 | |
the cost element of that - about ?3.50 on a main course | 0:40:15 | 0:40:18 | |
and about ?1.50 for a dessert. Is that right? Yes, that's about right. | 0:40:18 | 0:40:21 | |
That's absolutely right. Right. | 0:40:21 | 0:40:23 | |
Mark's is about half the cost you'd expect on the main course | 0:40:23 | 0:40:27 | |
at ?1.52 and still under on the dessert, as well. | 0:40:27 | 0:40:31 | |
I think he is trying to pitch his three course | 0:40:31 | 0:40:33 | |
more towards the lunch three course menu. | 0:40:33 | 0:40:36 | |
But Kuldeep has again misjudged his costs, | 0:40:36 | 0:40:39 | |
having to adapt the ingredients of his ?6.50 main dish. | 0:40:39 | 0:40:43 | |
So, we think that this will go down per portion | 0:40:45 | 0:40:49 | |
to ?5, approximately, which is still rather too expensive | 0:40:49 | 0:40:53 | |
for what we're expecting. | 0:40:53 | 0:40:55 | |
His costing has been in the region of around 38, 39 persons, | 0:40:55 | 0:41:00 | |
hich is a bit worrying. | 0:41:00 | 0:41:02 | |
'But his figures aren't the only thing failing to add up. | 0:41:02 | 0:41:06 | |
My worry is that none of the dishes that he has cooked so far | 0:41:06 | 0:41:10 | |
prove that he can cook market-style food. | 0:41:10 | 0:41:12 | |
He has chosen a dish which is quite posh, for the royals. | 0:41:12 | 0:41:17 | |
But you never know, as I say. | 0:41:17 | 0:41:20 | |
If he is creating a dish which is absolutely a blinder, | 0:41:20 | 0:41:22 | |
let's see, let's wait for it. | 0:41:22 | 0:41:24 | |
Well, we've got a very interesting combination. | 0:41:24 | 0:41:27 | |
We've got one chef who's doing the "cheap as chips" version, | 0:41:27 | 0:41:29 | |
and we've got one chef who's doing the rather too expensive version... | 0:41:29 | 0:41:33 | |
That's the beauty of cooking. | 0:41:33 | 0:41:35 | |
MARK: What's that you're doing there, Kuldeep? | 0:41:35 | 0:41:37 | |
I'm making British samosa. | 0:41:37 | 0:41:39 | |
British? You mean it's originated in Indian restaurants in the UK? | 0:41:40 | 0:41:43 | |
Yeah, mate. | 0:41:43 | 0:41:45 | |
Just for you guys. | 0:41:45 | 0:41:47 | |
For his lamb sauce, Kuldeep first marinates his meat. | 0:41:51 | 0:41:54 | |
Chilli, salt and ginger garlic paste - that's it. | 0:41:55 | 0:41:59 | |
Very simple. | 0:41:59 | 0:42:00 | |
Chef, you would not necessarily use | 0:42:03 | 0:42:05 | |
the prime cuts of meat for this sauce. | 0:42:05 | 0:42:08 | |
In Lakhnau, you would use mostly the tougher cuts of meat | 0:42:08 | 0:42:12 | |
and then slowly braise for a long time. Yes. | 0:42:12 | 0:42:15 | |
But you're using a decent cut of meat and then you will roast it, | 0:42:15 | 0:42:19 | |
slice it up and then pour the sauce on top. | 0:42:19 | 0:42:22 | |
Is that the idea? That's the idea. | 0:42:22 | 0:42:24 | |
I'm very excited. | 0:42:24 | 0:42:25 | |
I'm going to put British magic on it. | 0:42:27 | 0:42:31 | |
Yeah, butter. | 0:42:31 | 0:42:32 | |
LAUGHTER | 0:42:32 | 0:42:34 | |
Hurray for butter! | 0:42:34 | 0:42:36 | |
All the best. Thank you. | 0:42:36 | 0:42:38 | |
How the chefs manage their brigade | 0:42:41 | 0:42:43 | |
is an essential part of this interview process. | 0:42:43 | 0:42:46 | |
You're not being serious, are you? | 0:42:46 | 0:42:48 | |
You're not taking this seriously, are you? Yeah... Huh? | 0:42:48 | 0:42:51 | |
LAUGHTER | 0:42:51 | 0:42:53 | |
Mark's experience clearly shows, | 0:42:53 | 0:42:55 | |
with his confident instructions to his team. | 0:42:55 | 0:42:58 | |
The sauce is finished, so... | 0:42:59 | 0:43:02 | |
Great, put it with the coriander there and then we know where it is. | 0:43:02 | 0:43:05 | |
And you're going to move onto the raita now. Yeah. Yeah? | 0:43:05 | 0:43:09 | |
Actually, can you make the dough first? OK. | 0:43:09 | 0:43:13 | |
Such detailed communication will be vital | 0:43:13 | 0:43:16 | |
if Mark is to impress once again and pull off his ambitious menu. | 0:43:16 | 0:43:20 | |
Put it like that, take a few at a time... | 0:43:20 | 0:43:22 | |
..then it won't take so long. How are you doing? | 0:43:23 | 0:43:26 | |
Doing good, I think. Getting there. | 0:43:26 | 0:43:28 | |
We've got the powa, which is the flattened rice. Yeah. | 0:43:28 | 0:43:31 | |
I kind of think of it like kedgeree without the fish. | 0:43:31 | 0:43:36 | |
So, the whole idea of this dish was a healthy lunch menu? | 0:43:36 | 0:43:39 | |
Healthy, light lunch, | 0:43:39 | 0:43:42 | |
reasonably priced... | 0:43:42 | 0:43:44 | |
Help bring people in, bums on seats, fill the restaurant. | 0:43:44 | 0:43:47 | |
We like bums on seats. Of course we do. Fill the restaurant. | 0:43:47 | 0:43:51 | |
So, perfect for the occasion that he's catering to. | 0:43:51 | 0:43:54 | |
All right, darling. Thank you very much. | 0:43:54 | 0:43:56 | |
I think, with Mark's dish, I'm particularly worried about | 0:43:58 | 0:44:01 | |
the uptake of moisture on the flattened rice, | 0:44:01 | 0:44:04 | |
but I really don't want that kedgeree texture in that powa. | 0:44:04 | 0:44:08 | |
With Kuldeep's dish, again, it's all about the lamb. | 0:44:08 | 0:44:10 | |
If he overcooks the lamb... | 0:44:10 | 0:44:12 | |
Because he's not cooking the sauce, then it might be very dry. | 0:44:12 | 0:44:15 | |
The restaurant doors are about to open for a select group of diners... | 0:44:17 | 0:44:21 | |
..regular customers, whose opinions will matter most. | 0:44:24 | 0:44:28 | |
I'm longing to see how the chefs handle the pressures of service, | 0:44:28 | 0:44:31 | |
how the dishes present and how the customers like them. | 0:44:31 | 0:44:34 | |
Hello there. Good afternoon, welcome to Potli. | 0:44:35 | 0:44:38 | |
CUSTOMERS ALL TALK AT ONCE | 0:44:38 | 0:44:40 | |
Glad you made it. Thank you. | 0:44:43 | 0:44:45 | |
Silver leaf? I'm dying to find out what the Alexander is. | 0:44:47 | 0:44:51 | |
Before any orders can be taken, | 0:44:51 | 0:44:53 | |
chefs must first brief the front of house team. | 0:44:53 | 0:44:56 | |
OK, I want to go first. Chef Kuldeep. | 0:44:56 | 0:44:59 | |
Clear instructions are key to a seamless service | 0:44:59 | 0:45:02 | |
and how to sell a dish to the diner. | 0:45:02 | 0:45:04 | |
So, my main course is going to be a kundan kaliya, with lamb rump. | 0:45:05 | 0:45:10 | |
And how is the lamb cooked, if the customer asks about it? | 0:45:10 | 0:45:14 | |
Rare to medium, but you can ask the customer as well. | 0:45:14 | 0:45:17 | |
So, what are you giving to our customer today? | 0:45:18 | 0:45:21 | |
We've got the powa, which is the flattened rice | 0:45:21 | 0:45:24 | |
and the deep-fried bhaji, which is... | 0:45:24 | 0:45:26 | |
This is an English wild herb. I mean, you need to taste it, guys, | 0:45:27 | 0:45:31 | |
so you can get the flavour. | 0:45:31 | 0:45:33 | |
Sort of a celery, parsley, perfumey flavour... | 0:45:33 | 0:45:39 | |
It'll taste strong raw, but it won't taste so strong when it's cooked. | 0:45:39 | 0:45:44 | |
Thank you, Mark. Thank you. | 0:45:44 | 0:45:45 | |
I'm worried about communication between the chefs. | 0:45:46 | 0:45:49 | |
A service is rather like a ballet performance. | 0:45:49 | 0:45:52 | |
Unless the corps de ballet have had a chance to do | 0:45:52 | 0:45:55 | |
a hell of a lot of rehearsing, it can all be a disaster on the night. | 0:45:55 | 0:45:58 | |
I'm hoping this ain't one of them. | 0:45:58 | 0:45:59 | |
This must be their best performance, | 0:45:59 | 0:46:02 | |
as everything now rides on the service. | 0:46:02 | 0:46:05 | |
So, we're going to have two and two. | 0:46:05 | 0:46:08 | |
We're going to share them and taste them and tell you what we think. | 0:46:08 | 0:46:12 | |
One of each? Yeah. Thank you. | 0:46:12 | 0:46:14 | |
To keep diners happy, both chefs must work together | 0:46:18 | 0:46:21 | |
to produce their dishes at the same time. | 0:46:21 | 0:46:24 | |
Good evening, Chef. Got two orders already, two tables. | 0:46:24 | 0:46:28 | |
One is for four people, one table is for two people. | 0:46:28 | 0:46:31 | |
With Kuldeep cooking his lamb to order, | 0:46:31 | 0:46:34 | |
it will be up to him to take the lead. | 0:46:34 | 0:46:37 | |
I'm relying on him to tell me when he wants it, and then I'll go. | 0:46:37 | 0:46:40 | |
Table for three is going two vegetable and one lamb. | 0:46:40 | 0:46:44 | |
And table for two is going one each - one vegetable and one lamb. | 0:46:44 | 0:46:48 | |
We're going to give both tables together. | 0:46:49 | 0:46:52 | |
OK, I'm happy with that. Serve both tables together. | 0:46:52 | 0:46:55 | |
Yeah, so two.. Three powa, yeah? Yeah. | 0:46:55 | 0:46:57 | |
Within the confines of a busy kitchen, | 0:47:05 | 0:47:08 | |
clear communication is critical. | 0:47:08 | 0:47:11 | |
Now I'm bringing my plates for my... | 0:47:11 | 0:47:13 | |
My plates? They are coming from upstairs, aren't they? | 0:47:13 | 0:47:17 | |
Service! Where are they? I need three... Where are they all? | 0:47:17 | 0:47:20 | |
I've got a lot of main courses to dish up, mate. | 0:47:22 | 0:47:24 | |
One plate is no good for me. | 0:47:24 | 0:47:26 | |
Thank you. | 0:47:30 | 0:47:31 | |
Service! | 0:47:34 | 0:47:35 | |
OK, first table going out now. Second table is working, is it? | 0:47:35 | 0:47:39 | |
Yeah, we're go. | 0:47:39 | 0:47:40 | |
Thank you. What do you want? | 0:47:42 | 0:47:43 | |
Next up, table three and table two, we're going to go together again. | 0:47:45 | 0:47:49 | |
How are we doing, time-wise? | 0:47:49 | 0:47:52 | |
Come on, guys - we've got a table waiting. | 0:47:52 | 0:47:55 | |
Yeah, go on. That's first table. Ready? | 0:47:55 | 0:47:57 | |
JAY: Which table number are we serving now? | 0:47:57 | 0:48:00 | |
It is the usual confusion of two chefs, | 0:48:00 | 0:48:05 | |
two commis each, | 0:48:05 | 0:48:07 | |
but enough briefing, plates not in the right place, | 0:48:07 | 0:48:10 | |
chefs haven't asked for plates before they needed them, | 0:48:10 | 0:48:13 | |
as if they miraculously appear. | 0:48:13 | 0:48:15 | |
You know, the communication between kitchen and front of house | 0:48:15 | 0:48:19 | |
is key to any successful restaurant - | 0:48:19 | 0:48:21 | |
and I actually don't think either of those chefs | 0:48:21 | 0:48:24 | |
communicated very well with their front of houses. | 0:48:24 | 0:48:26 | |
To help restore order, it's all hands on deck. | 0:48:26 | 0:48:29 | |
Do you want to me to take this, so that we don't have it sitting here? | 0:48:31 | 0:48:34 | |
Please. Thank you. | 0:48:34 | 0:48:35 | |
You now know what's happening, so let's make it smoother. Yes. | 0:48:42 | 0:48:47 | |
Now the front of house are better aware of what's happening, | 0:48:49 | 0:48:53 | |
I expect that things will go a bit more smoothly. | 0:48:53 | 0:48:56 | |
Table number two. Two, Mark. | 0:48:57 | 0:49:00 | |
One potli and one kundan kaliya. | 0:49:01 | 0:49:03 | |
OK. One kundan kaliya. | 0:49:03 | 0:49:06 | |
Yes, Chef. | 0:49:06 | 0:49:07 | |
Here is your potli powa. Wow. | 0:49:07 | 0:49:10 | |
29 is done, 24 is done. | 0:49:14 | 0:49:17 | |
Perfect. 23 and 27. Perfect. | 0:49:17 | 0:49:19 | |
Chefs have been asked to create a three course menu, | 0:49:20 | 0:49:23 | |
based on the restaurant's ethos of Indian market cuisine. | 0:49:23 | 0:49:27 | |
Alex, Jay and Uttam will be judging the dishes | 0:49:27 | 0:49:30 | |
on being the right fit for the current menu, | 0:49:30 | 0:49:33 | |
from presentation to spicing. | 0:49:33 | 0:49:35 | |
Good. Here, my darling. | 0:49:37 | 0:49:39 | |
'For Mark's main course, he's served powa rice with peas, | 0:49:44 | 0:49:48 | |
'pomegranate, fennel and lemon. | 0:49:48 | 0:49:51 | |
It's accompanied by fried wild Alexander, | 0:49:51 | 0:49:54 | |
hot coriander chutney, date sauce and a paratha and mango salad. | 0:49:54 | 0:49:59 | |
Will Mark's lunch-inspired dish fulfil expectations? | 0:50:03 | 0:50:07 | |
Look at the colour and presentation. It's like a celebration, isn't it? | 0:50:09 | 0:50:12 | |
That's been his trademark so far. | 0:50:12 | 0:50:14 | |
I think that's what really impresses me. | 0:50:14 | 0:50:16 | |
Oh, amazing chutney. | 0:50:16 | 0:50:18 | |
The best part of this is | 0:50:18 | 0:50:20 | |
taking that effort of making this chutney in-house. | 0:50:20 | 0:50:23 | |
Amazing. | 0:50:23 | 0:50:24 | |
This is exactly how powa is... | 0:50:24 | 0:50:26 | |
You know, how my mother would cook powa at home. | 0:50:26 | 0:50:28 | |
And the way he has layered his parathas is quite unbelievable. | 0:50:28 | 0:50:32 | |
He's a clever chef, isn't he? Yes. | 0:50:32 | 0:50:35 | |
Kuldeep's main course is kundan kaliya, | 0:50:37 | 0:50:40 | |
a pan-seared lamb cannon with lamb samosa, | 0:50:40 | 0:50:44 | |
served with artichoke pickle and kundan kaliya gravy. | 0:50:44 | 0:50:47 | |
But will the style be too fine a touch? | 0:50:51 | 0:50:54 | |
What he has achieved out of the sauce and the potatoes is amazing. | 0:51:00 | 0:51:05 | |
And also, the samosa - the texture, the crunch - | 0:51:05 | 0:51:08 | |
it is a delicious thing and I would happily have that for my main. | 0:51:08 | 0:51:13 | |
So would I. I'm not too sure how many people will appreciate | 0:51:13 | 0:51:15 | |
in this part of the world having silver foil. | 0:51:15 | 0:51:18 | |
Many customers of ours were asking | 0:51:18 | 0:51:20 | |
whether it is edible or not, as well. | 0:51:20 | 0:51:23 | |
I think this is how we push boundaries, | 0:51:23 | 0:51:26 | |
because silver foil is very much part of marketplace dining | 0:51:26 | 0:51:29 | |
and I think this is how we should educate and work with diners | 0:51:29 | 0:51:32 | |
to let them know. And they're quite happy. | 0:51:32 | 0:51:35 | |
So, at the moment, do you think they're neck and neck, the chefs? | 0:51:35 | 0:51:40 | |
I think they are very evenly matched. | 0:51:40 | 0:51:42 | |
With such an important decision to make, Jay and Uttam will value | 0:51:42 | 0:51:45 | |
the opinions of the people who matter most - | 0:51:45 | 0:51:48 | |
their loyal, regular diners. | 0:51:48 | 0:51:51 | |
The lamb was extraordinarily good. | 0:51:51 | 0:51:53 | |
That was the highest excitement. | 0:51:54 | 0:51:57 | |
I was expecting something a little bit more tame. | 0:51:57 | 0:52:00 | |
In actual fact, it was very different, very, very exciting. | 0:52:00 | 0:52:04 | |
OK, chefs - dessert orders are here. | 0:52:04 | 0:52:07 | |
First table, this table - 27, for two people. | 0:52:07 | 0:52:11 | |
One each, for everyone. | 0:52:11 | 0:52:12 | |
With everything to play for, will one of these desserts | 0:52:14 | 0:52:17 | |
be enough to help decide who should be the new head chef? | 0:52:17 | 0:52:21 | |
And here they come. | 0:52:24 | 0:52:26 | |
Thank you. | 0:52:31 | 0:52:32 | |
For his dessert, Mark has prepared a kesari - | 0:52:34 | 0:52:38 | |
a saffron semolina pudding with pistachio, cashews and raisins. | 0:52:38 | 0:52:43 | |
It's a very traditional Indian dessert with a twist | 0:52:53 | 0:52:56 | |
and again, it works for me. | 0:52:56 | 0:52:59 | |
I think it has got everything right, | 0:52:59 | 0:53:03 | |
right from the crunchy almonds here, | 0:53:03 | 0:53:07 | |
to using a lot of raisins and cashew nuts. | 0:53:07 | 0:53:13 | |
I think with Mark, at every stage, | 0:53:13 | 0:53:16 | |
he has surprised me in some way or the other. | 0:53:16 | 0:53:18 | |
Similar in texture to a creme caramel, | 0:53:21 | 0:53:24 | |
Kuldeep's dessert is a rose and raspberry bhapa doi. | 0:53:24 | 0:53:27 | |
But will it be enough to sweeten the deal? | 0:53:29 | 0:53:32 | |
I'm dying to try it, looking at your face. | 0:53:32 | 0:53:34 | |
I think what he has got is the texture right | 0:53:34 | 0:53:37 | |
and it's based on yoghurt. | 0:53:37 | 0:53:39 | |
It's stunning. The taste can become very, very heavy. | 0:53:39 | 0:53:41 | |
Oh, my God! Traditionally, the way it is made is very heavy. | 0:53:41 | 0:53:45 | |
The way he has come up with this is absolutely stunning. | 0:53:45 | 0:53:48 | |
Darling, I'm not a dessert person | 0:53:48 | 0:53:50 | |
and I have to say, that gets my ten out of ten. | 0:53:50 | 0:53:53 | |
I just love that. | 0:53:53 | 0:53:55 | |
Yeah, this is one of the dishes that I would happily... | 0:53:55 | 0:53:57 | |
LAUGHTER | 0:53:57 | 0:53:59 | |
Greedy guts! Good. | 0:53:59 | 0:54:01 | |
Kuldeep, well done, mate. That was good. | 0:54:01 | 0:54:04 | |
He tried too hard with the lamb. With the lamb? He tried too hard. | 0:54:05 | 0:54:10 | |
Jay and Uttam must now take all into consideration. | 0:54:10 | 0:54:13 | |
Thank you, bye. | 0:54:15 | 0:54:16 | |
Thank you. Thank you. Thank you very much. | 0:54:18 | 0:54:20 | |
Which finalist has demonstrated | 0:54:20 | 0:54:22 | |
they have what it takes to be the new head chef? | 0:54:22 | 0:54:26 | |
Very, very proud of what I've done, what I did. | 0:54:26 | 0:54:30 | |
So, everything is good. I'm very proud of my cooking today. | 0:54:30 | 0:54:35 | |
I think that went quite well. | 0:54:35 | 0:54:36 | |
I did give myself a lot of work to do, but hopefully, | 0:54:36 | 0:54:41 | |
the overriding flavours and everything | 0:54:41 | 0:54:44 | |
will make the customers happy. | 0:54:44 | 0:54:46 | |
Four testing days of cooking and interviews from nine candidates | 0:54:48 | 0:54:52 | |
now boil down to one final decision. | 0:54:52 | 0:54:55 | |
This is a critical moment for your restaurant. | 0:54:56 | 0:55:00 | |
I mean, I was just adding up. I was marking them out of ten. | 0:55:00 | 0:55:04 | |
In terms of the scores, they are pretty much neck and neck. | 0:55:04 | 0:55:07 | |
There's not much to differentiate, in terms of the actual skill level. | 0:55:07 | 0:55:11 | |
What are you going to do? Eh? | 0:55:11 | 0:55:13 | |
We really need to put our thoughts together, | 0:55:13 | 0:55:17 | |
because there was so many things happening, | 0:55:17 | 0:55:19 | |
we need to just take five minutes and think about it. Yeah. | 0:55:19 | 0:55:22 | |
I think so. | 0:55:22 | 0:55:23 | |
I'm just... | 0:55:26 | 0:55:27 | |
..very confused about what they should do here. | 0:55:28 | 0:55:32 | |
I mean, I don't know what I would do in their position. | 0:55:32 | 0:55:35 | |
Good points about Mark - | 0:55:40 | 0:55:43 | |
he's clearly an incredibly able chef, | 0:55:43 | 0:55:45 | |
he's very good at leading a team, | 0:55:45 | 0:55:47 | |
he can turn his hand to pretty much anything. | 0:55:47 | 0:55:50 | |
Kuldeep has a good knowledge of Indian cooking | 0:55:51 | 0:55:55 | |
and I think his dessert is the one standout dish for me today. | 0:55:55 | 0:55:59 | |
But I'm not convinced necessarily of his leadership abilities. | 0:55:59 | 0:56:03 | |
I think it's really open-ended at the moment. | 0:56:03 | 0:56:05 | |
You know, I'm glad I don't have to make the decision. | 0:56:05 | 0:56:07 | |
Have you made up your mind, Jay? | 0:56:08 | 0:56:10 | |
I think, on balance, | 0:56:11 | 0:56:14 | |
if you look at his skill, his expectations | 0:56:14 | 0:56:17 | |
and his attitude and his experience... | 0:56:17 | 0:56:20 | |
I think so. I'm thinking the same lines. | 0:56:21 | 0:56:24 | |
Chefs, good evening. | 0:56:31 | 0:56:34 | |
Thank you very much for being so patient. I'll leave it to you two. | 0:56:34 | 0:56:38 | |
Both of you chefs are deserving in their own right. | 0:56:38 | 0:56:41 | |
We had the diners feedback in, we had our thoughts in, | 0:56:41 | 0:56:44 | |
and also, we had the team's feedback in, with whom you worked. | 0:56:44 | 0:56:47 | |
So, taking everything into account, we have come to a decision. | 0:56:47 | 0:56:51 | |
It has really gone down to the wire | 0:56:52 | 0:56:54 | |
and for us, it was not at all an easy job. | 0:56:54 | 0:56:58 | |
So, the person who's going to be employed as head chef at Potli is... | 0:57:02 | 0:57:07 | |
..Kuldeep. | 0:57:13 | 0:57:15 | |
Fantastic. Thank you. Well done. Well done. | 0:57:15 | 0:57:17 | |
APPLAUSE | 0:57:17 | 0:57:19 | |
Well done. Thank you. | 0:57:19 | 0:57:20 | |
MARK: Kuldeep, he's a talented chef. | 0:57:26 | 0:57:28 | |
Jay and Uttam have definitely made the right decision. | 0:57:28 | 0:57:31 | |
For me, from here, I hopefully will just carry on where I am. | 0:57:31 | 0:57:36 | |
I've enjoyed it immensely. | 0:57:36 | 0:57:38 | |
JAY: Sometimes, second chance in life probably changes somebody's life | 0:57:38 | 0:57:42 | |
and I think today, it has again been proven. | 0:57:42 | 0:57:44 | |
Chef Kuldeep, I really can't wait to work with you, | 0:57:46 | 0:57:49 | |
as it is going to be a fantastic journey together, | 0:57:49 | 0:57:53 | |
I can assure you that. | 0:57:53 | 0:57:54 | |
Yes, I'm very proud of myself. I'm really happy. | 0:57:54 | 0:57:57 | |
I'm looking forward to my new life. | 0:57:57 | 0:58:00 | |
So, very exciting. | 0:58:00 | 0:58:01 | |
Actually, I think they made a good decision. | 0:58:03 | 0:58:06 | |
I hope Kuldeep is as happy as he deserves to be | 0:58:06 | 0:58:09 | |
and that it allows Jay and Uttam to take great strides | 0:58:09 | 0:58:13 | |
in the direction they want to go. | 0:58:13 | 0:58:16 | |
It was a tough decision, to be very honest. | 0:58:16 | 0:58:18 | |
To leave our personal thoughts on the side | 0:58:18 | 0:58:22 | |
and that was the best course of action for our company. | 0:58:22 | 0:58:26 | |
We found a head chef, so yeah - | 0:58:26 | 0:58:28 | |
it's all good news. | 0:58:28 | 0:58:29 | |
# Can you feel it? | 0:59:00 | 0:59:01 | |
# Can you feel it? | 0:59:01 | 0:59:03 | |
# Can you feel it? # | 0:59:03 | 0:59:05 | |
I'm actually tingling with the excitement. | 0:59:06 | 0:59:08 |