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I'm hot on the trail of cowboy builders, | 0:00:09 | 0:00:11 | |
who have botched the jobs and ruined the dreams | 0:00:11 | 0:00:14 | |
of many households. | 0:00:14 | 0:00:15 | |
He said he could do absolutely everything, | 0:00:15 | 0:00:18 | |
and I really believed him. | 0:00:18 | 0:00:20 | |
Remember, cowboy builders know no boundaries. | 0:00:20 | 0:00:23 | |
They could be knocking on your door any time soon. | 0:00:23 | 0:00:26 | |
So, watch out. | 0:00:26 | 0:00:28 | |
This isn't a DIY man at work. | 0:00:28 | 0:00:30 | |
Because nobody would do that in their own home. | 0:00:30 | 0:00:33 | |
I want to help put right the wrongs | 0:00:33 | 0:00:35 | |
these dodgy builders have left behind. | 0:00:35 | 0:00:38 | |
This is life and death. No two ways about it. | 0:00:38 | 0:00:40 | |
That comes crashing down, | 0:00:40 | 0:00:42 | |
that is, "Good night". | 0:00:42 | 0:00:44 | |
So, stick with me, | 0:00:44 | 0:00:46 | |
and I'll reveal all my hints and tips, | 0:00:46 | 0:00:49 | |
in the hope it'll prevent you from falling into the cowboy trap. | 0:00:49 | 0:00:52 | |
Today, I'm in South Wales, | 0:01:01 | 0:01:03 | |
the home of the male voice choir, | 0:01:03 | 0:01:05 | |
Shirley Bassey, and Tom Jones, to name but a few. | 0:01:05 | 0:01:08 | |
They know a thing or two about building here in Cardiff. | 0:01:08 | 0:01:11 | |
They've got a medieval castle that's stood for thousands of years, | 0:01:11 | 0:01:14 | |
and a pier head building, known as "the Big Ben of Wales". | 0:01:14 | 0:01:17 | |
Of course, they've got the magnificent Millennium Stadium, | 0:01:17 | 0:01:20 | |
with its retractable roof. | 0:01:20 | 0:01:23 | |
Let's face it. There's no way any dodgy builder | 0:01:23 | 0:01:26 | |
would have been allowed anywhere near those iconic landmarks. | 0:01:26 | 0:01:29 | |
But for some of the unfortunate people in Cardiff, | 0:01:29 | 0:01:32 | |
they've fallen right into the cowboy trap. | 0:01:32 | 0:01:34 | |
Go, fetch! | 0:01:34 | 0:01:36 | |
'Felicity Jandrell is one of those people. | 0:01:37 | 0:01:41 | |
'Felicity lives in Penylan, an affluent district of Cardiff, | 0:01:41 | 0:01:46 | |
'with her dog, Poppy. | 0:01:46 | 0:01:48 | |
'When she bought this beautiful Edwardian property | 0:01:49 | 0:01:53 | |
'11 years ago, | 0:01:53 | 0:01:54 | |
'it was divided into apartments, | 0:01:54 | 0:01:56 | |
'but, since then, she's worked hard | 0:01:56 | 0:01:58 | |
'to turn it back into a real family home for her three sons.' | 0:01:58 | 0:02:02 | |
The good news for Felicity was, she lived in a plum property, | 0:02:02 | 0:02:07 | |
in a great part of town. | 0:02:07 | 0:02:09 | |
Better still, she was in love. | 0:02:09 | 0:02:11 | |
But the fairytale story wasn't to have a happy ending. | 0:02:11 | 0:02:15 | |
'Felicity suffered a series of personal | 0:02:15 | 0:02:19 | |
'and family setbacks, | 0:02:19 | 0:02:21 | |
'which left her dispirited, and vulnerable.' | 0:02:21 | 0:02:24 | |
I'd had a terrible year, previously. | 0:02:24 | 0:02:27 | |
My son had become very ill, | 0:02:27 | 0:02:29 | |
and had quite a battle with cancer. | 0:02:29 | 0:02:32 | |
My father had been diagnosed with cancer, unexpectedly, | 0:02:32 | 0:02:35 | |
and passed away. | 0:02:35 | 0:02:38 | |
My dog had died. | 0:02:38 | 0:02:40 | |
and my relationship broke up. | 0:02:40 | 0:02:42 | |
It had been a horrible two years, really. | 0:02:42 | 0:02:47 | |
Now nursing a broken heart, | 0:02:47 | 0:02:50 | |
Felicity felt ready for a change. | 0:02:50 | 0:02:52 | |
It was time for a new beginning. | 0:02:52 | 0:02:54 | |
So, after renting out her home for over a year, | 0:02:54 | 0:02:58 | |
Felicity set about getting quotes, | 0:02:58 | 0:03:00 | |
to transform this beautiful period property into her dream home. | 0:03:00 | 0:03:05 | |
I was so looking forward to a fresh start. | 0:03:05 | 0:03:08 | |
Moving back into my home again, | 0:03:08 | 0:03:12 | |
and I'd had a small amount of money. | 0:03:12 | 0:03:14 | |
I was really looking forward to coming in, | 0:03:14 | 0:03:16 | |
and having all the work done. | 0:03:16 | 0:03:18 | |
And, yeah, a fresh start. | 0:03:18 | 0:03:21 | |
'Felicity's wish list was simple. | 0:03:21 | 0:03:25 | |
'She wanted to swap her kitchen and breakfast room around. | 0:03:25 | 0:03:28 | |
'Which meant removing part of a chimney breast. | 0:03:28 | 0:03:32 | |
'She also wanted double doors out into the garden, | 0:03:32 | 0:03:36 | |
'and her old downstairs toilet relocated to under the stairs. | 0:03:36 | 0:03:39 | |
'There was to be a small extension, | 0:03:41 | 0:03:44 | |
'built for her washing machine and dryer. | 0:03:44 | 0:03:46 | |
'A troublesome damp problem, at the back of the property, | 0:03:46 | 0:03:49 | |
'needed sorting out fast. | 0:03:49 | 0:03:51 | |
'Felicity quickly found a builder | 0:03:54 | 0:03:56 | |
'who agreed to do the work in three weeks | 0:03:56 | 0:03:58 | |
'for £6,700. | 0:03:58 | 0:04:00 | |
'At first, all was well. | 0:04:01 | 0:04:03 | |
'But a week into the job, alarm bells started to ring.' | 0:04:03 | 0:04:08 | |
He didn't look after the place. | 0:04:08 | 0:04:11 | |
This property was empty, | 0:04:11 | 0:04:13 | |
but he just threw all his stuff around, | 0:04:13 | 0:04:16 | |
in the two reception rooms downstairs. | 0:04:16 | 0:04:19 | |
As time went on, it became clear he had no care. | 0:04:19 | 0:04:24 | |
There were marks on the walls in the two empty reception rooms. | 0:04:24 | 0:04:28 | |
There were tools everywhere. It was just a real mess. | 0:04:28 | 0:04:31 | |
'And things went from bad to worse. | 0:04:31 | 0:04:35 | |
'The work overran, and the builder was demanding additional money. | 0:04:35 | 0:04:40 | |
'When Felicity refused to pay him any more, | 0:04:40 | 0:04:43 | |
'he simply upped and left, | 0:04:43 | 0:04:45 | |
'leaving her home in a right old state.' | 0:04:45 | 0:04:49 | |
He left the place like an absolute building site. | 0:04:49 | 0:04:53 | |
He left me with no security on the French doors outside. | 0:04:53 | 0:04:57 | |
He even removed one of the doors | 0:04:57 | 0:05:00 | |
and took it with him, | 0:05:00 | 0:05:02 | |
which I'd already paid him for. | 0:05:02 | 0:05:05 | |
He took the unfitted skirting boards, that I paid for. | 0:05:05 | 0:05:08 | |
He took the paint. | 0:05:08 | 0:05:10 | |
He had left a half-fitted kitchen, which was fitted atrociously. | 0:05:10 | 0:05:15 | |
I'm really worried about the security, | 0:05:15 | 0:05:17 | |
because this was the beginning of November. | 0:05:17 | 0:05:19 | |
It was freezing cold and pouring with rain. | 0:05:19 | 0:05:21 | |
'This was a cruel blow for a woman who'd been through so much, | 0:05:21 | 0:05:26 | |
'It's time for me to meet her and put things right.' | 0:05:26 | 0:05:30 | |
DOG BARKS | 0:05:33 | 0:05:36 | |
Hiya. Hello! | 0:05:36 | 0:05:38 | |
-Accosted by a mad dog! -Having trouble with cowboy builders? | 0:05:38 | 0:05:41 | |
Oh, terrible trouble. | 0:05:41 | 0:05:43 | |
You need Cowboy Trap, that's what you need. I'm Clive. | 0:05:43 | 0:05:46 | |
DOG BARKS | 0:05:46 | 0:05:48 | |
She'll jump all over you now for about five minutes. | 0:05:48 | 0:05:50 | |
I'll go and take a look around. | 0:05:52 | 0:05:53 | |
You've had two many problems for my liking. | 0:05:53 | 0:05:56 | |
-You take a rest and I'll go and check it out. -OK. After you. | 0:05:56 | 0:05:59 | |
'Since her builder left, Felicity has had some remedial work done | 0:05:59 | 0:06:04 | |
'to get the kitchen units fitted. | 0:06:04 | 0:06:06 | |
'She's had the back door joinery finished by another tradesman.' | 0:06:06 | 0:06:09 | |
On the face of it, it all looks fine. | 0:06:09 | 0:06:13 | |
But there are one or two problems you can see straightaway. | 0:06:13 | 0:06:16 | |
You look at the pelmets, | 0:06:16 | 0:06:18 | |
and different things on the cabinets themselves. | 0:06:18 | 0:06:21 | |
The finish | 0:06:21 | 0:06:23 | |
is just horrible. | 0:06:23 | 0:06:26 | |
Great worktop, but look at how this has been jointed. | 0:06:26 | 0:06:29 | |
That needed a craftsman | 0:06:29 | 0:06:31 | |
to biscuit joint that in. | 0:06:31 | 0:06:33 | |
So it, at least, was completely flowing. | 0:06:33 | 0:06:36 | |
Of course, with an old property, | 0:06:36 | 0:06:39 | |
there's no cavity in this place. | 0:06:39 | 0:06:40 | |
I can see damp all over the place. | 0:06:40 | 0:06:43 | |
What I AM shocked about is, | 0:06:43 | 0:06:45 | |
this will almost certainly be a newer extension, | 0:06:45 | 0:06:48 | |
probably built over the last 20 years, or so. | 0:06:48 | 0:06:50 | |
It should have a cavity, and yet, | 0:06:50 | 0:06:52 | |
I'm spotting all over the place, it's still got damp in it. | 0:06:52 | 0:06:55 | |
Looking at the ceiling, if he's done work in here, | 0:06:55 | 0:06:58 | |
it seems to me like he's done inspection holes, | 0:06:58 | 0:07:01 | |
or tried to drop cables for the chandelier. | 0:07:01 | 0:07:04 | |
Just trying to find joists, if you like. | 0:07:04 | 0:07:07 | |
There's baton and joist finders on the market these days, | 0:07:07 | 0:07:10 | |
that takes all the guesswork out of it. | 0:07:10 | 0:07:12 | |
So you can spot and find them quite easily. | 0:07:12 | 0:07:15 | |
'Here's a tip for you. | 0:07:15 | 0:07:16 | |
'If you need to drill into your hidden joists, | 0:07:16 | 0:07:19 | |
'go to your DIY store, | 0:07:19 | 0:07:21 | |
'and pick up a baton and joist finder. | 0:07:21 | 0:07:24 | |
'It'll save you making unsightly holes in your walls and ceilings.' | 0:07:24 | 0:07:28 | |
Look at this. You have a socket down here. | 0:07:28 | 0:07:30 | |
This has been all boxed in. | 0:07:30 | 0:07:33 | |
But there's no way you'll get a plug to go in there neatly. | 0:07:33 | 0:07:36 | |
The cable will be so tight around that bend, | 0:07:36 | 0:07:39 | |
you won't get it in. | 0:07:39 | 0:07:40 | |
Doors, here, on this extension. | 0:07:42 | 0:07:46 | |
This is like a utility bit that he's done, | 0:07:46 | 0:07:49 | |
a utility extension. | 0:07:49 | 0:07:50 | |
But, you've also got damp marks on the ceiling. | 0:07:52 | 0:07:54 | |
There's obviously problems all over the place here. | 0:07:54 | 0:07:57 | |
These doors, look at that. | 0:07:57 | 0:07:59 | |
They've absolutely been butchered. | 0:07:59 | 0:08:02 | |
He's tried about three different positions for the hinges. | 0:08:02 | 0:08:07 | |
Just a typical example of somebody that doesn't take the time | 0:08:07 | 0:08:10 | |
to do what I call "the four measure rule". | 0:08:10 | 0:08:14 | |
Which is, measure, measure, measure, and, just for good measure, | 0:08:14 | 0:08:17 | |
measure again! | 0:08:17 | 0:08:19 | |
'From one set of doors, to another. | 0:08:20 | 0:08:23 | |
'Made of hardwood, the back door was finished and hung later, | 0:08:23 | 0:08:26 | |
'by another tradesman. | 0:08:26 | 0:08:28 | |
'But the frame was fitted by Felicity's builder.' | 0:08:28 | 0:08:30 | |
This is something that's going to make a carpenter, | 0:08:30 | 0:08:33 | |
a quality craftsman, cry. | 0:08:33 | 0:08:35 | |
Because, great timber. Fantastic hardwood. | 0:08:35 | 0:08:39 | |
But look at the joints! | 0:08:39 | 0:08:42 | |
They are awful! | 0:08:42 | 0:08:44 | |
Look at it. He's plastered over the timber. | 0:08:44 | 0:08:48 | |
The timber's porous, and took all that plaster in. | 0:08:48 | 0:08:51 | |
Honestly, it makes me want to cry, when I look at it. | 0:08:51 | 0:08:54 | |
Quality timber, gone to waste. | 0:08:54 | 0:08:57 | |
'Looking outside, into the garden, | 0:08:57 | 0:09:00 | |
'it's pretty clear why Felicity has so much damp | 0:09:00 | 0:09:03 | |
'at the back of this property.' | 0:09:03 | 0:09:05 | |
Look, we have a slope here. | 0:09:06 | 0:09:09 | |
We're in Great Britain. | 0:09:09 | 0:09:10 | |
Whether we like it or not, it rains. | 0:09:10 | 0:09:12 | |
Doesn't matter when it is. Middle of summer. | 0:09:12 | 0:09:15 | |
You get a good downpour flooding down there, | 0:09:15 | 0:09:18 | |
and it will come in, and over the threshold, | 0:09:18 | 0:09:20 | |
This needs an eco drain put in here. | 0:09:20 | 0:09:22 | |
'An eco drain is a simple drainage device, | 0:09:22 | 0:09:24 | |
'that sits flush with the ground, | 0:09:24 | 0:09:27 | |
'taking away excess rain water. | 0:09:27 | 0:09:29 | |
'Without it, there's nowhere for the water to go | 0:09:29 | 0:09:33 | |
'except into the house. | 0:09:33 | 0:09:35 | |
'I'm afraid the remedial joinery work on the back door | 0:09:35 | 0:09:38 | |
'isn't up to scratch, either.' | 0:09:38 | 0:09:39 | |
Look at the door furniture. | 0:09:39 | 0:09:41 | |
That's not even been rebated in properly. | 0:09:41 | 0:09:43 | |
That's in the wrong way! | 0:09:45 | 0:09:48 | |
Again, typical example there, | 0:09:48 | 0:09:50 | |
this is a would-be burglar's delight. | 0:09:50 | 0:09:53 | |
Crowbar in there, bang! That's open in no time. | 0:09:53 | 0:09:55 | |
There is no security. | 0:09:55 | 0:09:57 | |
We have to make sure she has deadlocks, top and bottom. | 0:09:57 | 0:10:00 | |
We need to protect. | 0:10:00 | 0:10:02 | |
'There's another horror lurking | 0:10:02 | 0:10:04 | |
'just above the door.' | 0:10:04 | 0:10:06 | |
The render on the outside, | 0:10:06 | 0:10:08 | |
and what he's done. | 0:10:08 | 0:10:10 | |
It's something you'd expect a child of four to do. | 0:10:10 | 0:10:13 | |
You wouldn't expect somebody who's supposed to have skills to do that. | 0:10:13 | 0:10:17 | |
'What I've seen so far is a real disgrace. | 0:10:20 | 0:10:23 | |
'And it's so sad. | 0:10:23 | 0:10:25 | |
'Just a glance around the rooms, | 0:10:25 | 0:10:27 | |
'and it's clear Felicity really cares about her home. | 0:10:27 | 0:10:31 | |
'It looks to me like she's had some make do and mend remedial work done. | 0:10:31 | 0:10:35 | |
'But I want to find exactly what's been going on here.' | 0:10:35 | 0:10:40 | |
It didn't look really nice, back in November. | 0:10:40 | 0:10:42 | |
It was a building site, | 0:10:42 | 0:10:44 | |
an absolute building site. | 0:10:44 | 0:10:46 | |
This kitchen was just partially fitted. | 0:10:46 | 0:10:49 | |
The bits that were fitted, | 0:10:49 | 0:10:51 | |
you couldn't open and close doors properly. | 0:10:51 | 0:10:54 | |
I had no flooring | 0:10:54 | 0:10:57 | |
down out there at all. | 0:10:57 | 0:10:59 | |
I just had a gaping hole where the patio doors were. | 0:10:59 | 0:11:03 | |
The frame was in place, | 0:11:03 | 0:11:05 | |
but I had no doors and no glazing. | 0:11:05 | 0:11:07 | |
Bits of my kitchen were just dumped in the garden | 0:11:07 | 0:11:12 | |
along with my flooring. | 0:11:12 | 0:11:13 | |
-Of the new kitchen? -Yes, my new kitchen. -Wow! | 0:11:13 | 0:11:16 | |
I mean, he's ruined my kitchen. | 0:11:16 | 0:11:19 | |
As we stand now, where ARE the problems? | 0:11:19 | 0:11:21 | |
I had a chimney breast removed | 0:11:21 | 0:11:24 | |
from here. | 0:11:24 | 0:11:26 | |
This is a bit of a worry, the whole support. | 0:11:26 | 0:11:29 | |
Because I don't think the support goes right the way across. | 0:11:29 | 0:11:34 | |
That was quite a major thing, to take that chimney breast down, | 0:11:34 | 0:11:38 | |
and it's a bit worrying it hasn't been done properly. | 0:11:38 | 0:11:42 | |
So, that needs further investigation. | 0:11:42 | 0:11:44 | |
Yes, because we don't know if it's safe, or not. | 0:11:44 | 0:11:48 | |
'This could be serious. | 0:11:48 | 0:11:51 | |
'If her builder has removed a chimney breast | 0:11:51 | 0:11:53 | |
'without putting in the correct steel beams, | 0:11:53 | 0:11:57 | |
'lives could be at risk here.' | 0:11:57 | 0:11:59 | |
Where else do we need to look at? | 0:11:59 | 0:12:01 | |
Well, the dishwasher, here, won't fit. | 0:12:01 | 0:12:04 | |
It won't fit because of this appalling mess. | 0:12:04 | 0:12:07 | |
-All the pipe work is boxed in. -Which is all wrong. | 0:12:07 | 0:12:11 | |
I reckon you've around 50 mil to come back there. | 0:12:11 | 0:12:14 | |
We need to take a closer look at it. | 0:12:14 | 0:12:16 | |
The one thing we don't want to do | 0:12:16 | 0:12:18 | |
-is damage any of the original structure. -No. | 0:12:18 | 0:12:22 | |
But certainly, I think that could come back. | 0:12:22 | 0:12:24 | |
So that can fit flush. | 0:12:24 | 0:12:26 | |
You have damp happening in here, haven't you? | 0:12:26 | 0:12:28 | |
I've been aware of a damp problem for a long time. | 0:12:28 | 0:12:32 | |
I was told, because this is a dark area here, | 0:12:32 | 0:12:34 | |
and the garden's on a slope, | 0:12:34 | 0:12:37 | |
the water drains down | 0:12:37 | 0:12:40 | |
and it just sits. | 0:12:40 | 0:12:42 | |
Look outside. | 0:12:42 | 0:12:44 | |
Straightaway there, you should have around a 150 mil step there, really. | 0:12:44 | 0:12:48 | |
-Yeah, to go down. -To go down. | 0:12:48 | 0:12:50 | |
-So you've got proper drainage. -Yes. | 0:12:50 | 0:12:53 | |
That isn't... | 0:12:53 | 0:12:55 | |
He was meant to have done this eco drain. Is that what it's called? | 0:12:55 | 0:12:58 | |
Yes, that's right. | 0:12:58 | 0:12:59 | |
To dig down, and inject it with damp, | 0:12:59 | 0:13:02 | |
or whatever they inject it with. | 0:13:02 | 0:13:04 | |
That's the walls. | 0:13:04 | 0:13:05 | |
He's meant to have done all these walls. | 0:13:05 | 0:13:08 | |
As you can see, all the damp's starting to come back through. | 0:13:08 | 0:13:14 | |
You can see this door, here. | 0:13:14 | 0:13:17 | |
He put these on? | 0:13:17 | 0:13:19 | |
He did, yes. | 0:13:19 | 0:13:20 | |
-The door handles fall off. -No surprise. | 0:13:20 | 0:13:22 | |
-And, they're not even flush to the floor. -OK. | 0:13:22 | 0:13:26 | |
They don't even close properly. | 0:13:28 | 0:13:30 | |
You've got lots of unfinished stuff in there. | 0:13:30 | 0:13:33 | |
The water's coming through. | 0:13:33 | 0:13:35 | |
These are like wardrobe panels you can buy off the shelf | 0:13:35 | 0:13:38 | |
at some of the big DIY sheds. | 0:13:38 | 0:13:40 | |
He's obviously tried to make them fit. | 0:13:40 | 0:13:43 | |
-But he's not done a very good job, has he? -No. | 0:13:43 | 0:13:46 | |
Have a look outside. | 0:13:46 | 0:13:49 | |
This is just like a kiddie would do. | 0:13:49 | 0:13:51 | |
-I take it, he IS responsible for that? -Yeah, all this. | 0:13:51 | 0:13:54 | |
A mess. | 0:13:54 | 0:13:55 | |
It's a mess. You're not wrong! There's no two ways about it. | 0:13:55 | 0:13:59 | |
He built that little external cupboard for me. | 0:13:59 | 0:14:02 | |
-Who built it? -He did. | 0:14:02 | 0:14:03 | |
Ah, I didn't realise he built it. | 0:14:03 | 0:14:05 | |
I had nowhere to house my washing machine and tumble dryer. | 0:14:05 | 0:14:10 | |
He did that, with a fibreglass roof? | 0:14:10 | 0:14:13 | |
I did have power to my shed, which I no longer have. | 0:14:13 | 0:14:16 | |
I've got leaking pipes everywhere, if you go down the side. | 0:14:16 | 0:14:20 | |
He's having a laugh. Look at this. | 0:14:20 | 0:14:23 | |
That flashing, there, is made of... I don't know. | 0:14:23 | 0:14:26 | |
It looks like Flashband - | 0:14:26 | 0:14:28 | |
it's certainly not lead, which it should be. | 0:14:28 | 0:14:30 | |
-Right. -That's Flashband. | 0:14:30 | 0:14:32 | |
And then he's used this resin compound over the top | 0:14:32 | 0:14:36 | |
and he's just coated it. He's coated it with the resin, | 0:14:36 | 0:14:39 | |
and that's no good. | 0:14:39 | 0:14:41 | |
That's got to be chopped in. That's got to be chopped into this coat. | 0:14:41 | 0:14:44 | |
I reckon I could have employed a six-year-old | 0:14:44 | 0:14:47 | |
to build this better out of plastic bricks. | 0:14:47 | 0:14:50 | |
Oh, dear. It's all very depressing, if you ask me. | 0:14:50 | 0:14:53 | |
'This is such a shoddy job | 0:14:54 | 0:14:56 | |
'that I'm getting a sinking feeling about another part of the build. | 0:14:56 | 0:15:01 | |
'I suspect there'll be no damp-proof course on this little extension, | 0:15:01 | 0:15:04 | |
'so the damp problem will continue here, too.' | 0:15:04 | 0:15:08 | |
'If you're considering a build, | 0:15:10 | 0:15:11 | |
'here's my top tip to prevent your own damp disaster.' | 0:15:11 | 0:15:16 | |
Now, if you're building, say for instance, a small extension, | 0:15:16 | 0:15:20 | |
if you feel... Or maybe a dwarf wall for a conservatory, | 0:15:20 | 0:15:23 | |
you're going to need to put the damp-proof course in. | 0:15:23 | 0:15:26 | |
It stops any moisture rising up the wall | 0:15:26 | 0:15:28 | |
and possibly getting inside the house. | 0:15:28 | 0:15:30 | |
Now, this is what it is. It's like a plastic membrane, | 0:15:30 | 0:15:32 | |
and what that does is it sits on the second layer of brick, | 0:15:32 | 0:15:36 | |
six inches from the ground level, and then you lay the DPC. | 0:15:36 | 0:15:41 | |
I'm of the kind to actually put it on mortar bed, | 0:15:41 | 0:15:44 | |
so I'll put it on a thin mortar bed, probably round about five mil', | 0:15:44 | 0:15:48 | |
seat it and then the next brick, the house brick, that goes on top, | 0:15:48 | 0:15:52 | |
I would also seat that on about five mil', too, | 0:15:52 | 0:15:55 | |
so it's trapped between mortar. | 0:15:55 | 0:15:56 | |
Beware that if your builder isn't putting that in... | 0:15:56 | 0:15:59 | |
If you've got a builder in that's doing any work like that | 0:15:59 | 0:16:02 | |
and you don't see this damp-proof course, ask questions. | 0:16:02 | 0:16:05 | |
'Later, we uncover the hidden horrors of this Cowboy Trap.' | 0:16:06 | 0:16:11 | |
You can't believe, can you, that somebody can do work like this | 0:16:11 | 0:16:15 | |
that could risk somebody's life. | 0:16:15 | 0:16:18 | |
'Felicity's dream was to turn her Edwardian house into a home, | 0:16:21 | 0:16:25 | |
'so in 2010, she embarked on a modernisation plan, | 0:16:25 | 0:16:30 | |
'which included sorting out the damp, | 0:16:30 | 0:16:34 | |
'swapping the kitchen and breakfast rooms, | 0:16:34 | 0:16:36 | |
'and installing doors out into the garden.' | 0:16:36 | 0:16:39 | |
'She quickly found a builder who'd do the work | 0:16:42 | 0:16:46 | |
'in three weeks for £6,700. | 0:16:46 | 0:16:49 | |
'But it was all to end in disaster. | 0:16:49 | 0:16:52 | |
'Where did things go so wrong?' | 0:16:52 | 0:16:56 | |
I asked a friend of a friend, who... | 0:16:56 | 0:16:59 | |
I think he'd done a little bit of bathroom work, | 0:16:59 | 0:17:02 | |
which they said he was very reasonable and he'd done a good job. | 0:17:02 | 0:17:07 | |
So I then, sort of, made the phone call and asked to meet up with him. | 0:17:07 | 0:17:12 | |
I wonder what he'd done in the bathroom? | 0:17:12 | 0:17:14 | |
Cos looking at the work that's been carried out here... | 0:17:14 | 0:17:19 | |
if he's done any work on the bathroom, | 0:17:19 | 0:17:21 | |
I would hope it was only to... | 0:17:21 | 0:17:24 | |
-Well, use it, really. -SHE LAUGHS | 0:17:24 | 0:17:26 | |
I don't know. I should have checked, but I didn't. | 0:17:26 | 0:17:29 | |
'Here's a warning for you - | 0:17:31 | 0:17:33 | |
'don't just take recommendations at face value. | 0:17:33 | 0:17:36 | |
'Personally check out your builder's previous work | 0:17:36 | 0:17:39 | |
'before you employ them.' | 0:17:39 | 0:17:41 | |
'Felicity's builder started in October. | 0:17:44 | 0:17:47 | |
'The pressure was now on to finish the work quickly, | 0:17:47 | 0:17:50 | |
'as Felicity had to move out of her rented home within the month.' | 0:17:50 | 0:17:55 | |
Was there any alarm bells ringing at the time? | 0:17:55 | 0:17:58 | |
-Did you feel that things weren't right? -Not straightaway, no. | 0:17:58 | 0:18:01 | |
He started off quite well, I thought, | 0:18:01 | 0:18:03 | |
seemed to be here and working quite quickly and I thought, | 0:18:03 | 0:18:06 | |
"Oh, gosh, this is going to be done in plenty of time," | 0:18:06 | 0:18:09 | |
but then, as time went on, um... | 0:18:09 | 0:18:13 | |
It was difficult to keep track all the time, | 0:18:13 | 0:18:15 | |
because I wasn't physically living in the house, | 0:18:15 | 0:18:17 | |
but he kept disappearing and going off | 0:18:17 | 0:18:21 | |
and doing his service contracts, or whatever he was doing. | 0:18:21 | 0:18:24 | |
'If that wasn't bad enough, | 0:18:26 | 0:18:28 | |
'within days of starting the job, the builder was demanding money. | 0:18:28 | 0:18:32 | |
'Worse still, she didn't have a proper written contract. | 0:18:32 | 0:18:37 | |
'Bad news.' | 0:18:37 | 0:18:38 | |
It was about £2,000, I think. For materials, he said. | 0:18:38 | 0:18:42 | |
But I hadn't expected to be asked for that sort of money straightaway. | 0:18:42 | 0:18:46 | |
I thought that he might want, sort of, | 0:18:46 | 0:18:50 | |
halfway through the job, some money and the rest on completion, | 0:18:50 | 0:18:53 | |
and he also, sort of, started saying, | 0:18:53 | 0:18:56 | |
"Well, the doors aren't included in the price," and... | 0:18:56 | 0:19:00 | |
-That's because it wasn't written down. -Yeah, I know. | 0:19:00 | 0:19:02 | |
So, it was... It became... | 0:19:02 | 0:19:04 | |
It started to become difficult. | 0:19:04 | 0:19:06 | |
I came in one day and saw that he was mixing his cement | 0:19:06 | 0:19:13 | |
on my Terrazzo-tiled floor in the breakfast room. Nothing... | 0:19:13 | 0:19:18 | |
Just on the tiling. | 0:19:18 | 0:19:20 | |
I was absolutely horrified. | 0:19:20 | 0:19:22 | |
'Things finally came to a head | 0:19:24 | 0:19:26 | |
'the day Felicity moved back into her house. | 0:19:26 | 0:19:29 | |
'The work was unfinished, behind schedule, | 0:19:29 | 0:19:32 | |
'and the house was in a total mess.' | 0:19:32 | 0:19:35 | |
At this stage, I had concrete on the floor in the breakfast room, | 0:19:35 | 0:19:41 | |
I had the framework put in for the patio doors, | 0:19:41 | 0:19:46 | |
the patio door was fitted, but there was no glazing either side. | 0:19:46 | 0:19:50 | |
No skirting boards, obviously, no floor laid, | 0:19:50 | 0:19:54 | |
a very badly fitted kitchen, or half-fitted kitchen, | 0:19:54 | 0:19:59 | |
all the external stuff outside was all left unfinished, | 0:19:59 | 0:20:03 | |
pipes, sort of, exposed, | 0:20:03 | 0:20:06 | |
rendering outside that's incomplete, building stuff... | 0:20:06 | 0:20:09 | |
I mean, the garden was just covered in goodness knows... | 0:20:09 | 0:20:15 | |
Just rubbish. | 0:20:15 | 0:20:17 | |
'The builder then demanded a further £400 for materials. | 0:20:17 | 0:20:22 | |
'By now, Felicity had had enough.' | 0:20:22 | 0:20:26 | |
-So, eventually you're moving back into the property. -Yeah. | 0:20:26 | 0:20:29 | |
What's the relationship like with the builder at this stage, | 0:20:29 | 0:20:32 | |
by the time you've walked through your front door? | 0:20:32 | 0:20:35 | |
Well, we got into an argument. | 0:20:35 | 0:20:37 | |
This was the first row we'd had, but we did get into an argument, | 0:20:37 | 0:20:40 | |
cos he wanted the money, I wasn't going to give it to him, | 0:20:40 | 0:20:43 | |
he was threatening to walk out and leave, | 0:20:43 | 0:20:45 | |
I told him that I was very unhappy | 0:20:45 | 0:20:47 | |
with the, sort of, standard of work that he'd done. | 0:20:47 | 0:20:50 | |
I didn't trust him any more, I didn't believe anything he said, | 0:20:50 | 0:20:53 | |
because he'd make promises and nothing happened, | 0:20:53 | 0:20:57 | |
and when I came back with the final lot of furniture | 0:20:57 | 0:21:00 | |
with the removal people, he'd actually left. | 0:21:00 | 0:21:04 | |
I want people to realise what those dark times are actually like, | 0:21:04 | 0:21:09 | |
when you walk in and you see around you | 0:21:09 | 0:21:13 | |
all the absolute mess and destruction. | 0:21:13 | 0:21:19 | |
What does that feel like? | 0:21:19 | 0:21:21 | |
I was in a state of absolute shock. | 0:21:21 | 0:21:23 | |
I didn't know how to cope - that's how I felt inside, | 0:21:23 | 0:21:26 | |
I mean, I tried not to show it to my children, but I just thought, | 0:21:26 | 0:21:29 | |
"I don't know what we're going to do." | 0:21:29 | 0:21:31 | |
'But Felicity's children could see the distress | 0:21:33 | 0:21:37 | |
'it was causing their mother. | 0:21:37 | 0:21:39 | |
'Her 23-year-old son Alex, who'd not long recovered from cancer, | 0:21:39 | 0:21:43 | |
'was there that day.' | 0:21:43 | 0:21:45 | |
It was so unfair, what he did. | 0:21:45 | 0:21:47 | |
And he felt no remorse and, like, | 0:21:47 | 0:21:50 | |
he knew he was blagging my mum for a while, | 0:21:50 | 0:21:54 | |
knowing that the work wasn't going to be done, | 0:21:54 | 0:21:56 | |
like materials he'd said he bought that hadn't been purchased | 0:21:56 | 0:21:59 | |
and stuff like that. But you find all this stuff out after | 0:21:59 | 0:22:02 | |
when it's too late, but, you know, | 0:22:02 | 0:22:05 | |
he knew we were moving in to a house with no doors, basically. | 0:22:05 | 0:22:09 | |
There was a massive hole in our house in winter time. | 0:22:09 | 0:22:12 | |
It was bad. Bad living. | 0:22:12 | 0:22:14 | |
'Felicity and her family have had it tough. | 0:22:17 | 0:22:20 | |
'I think it's time to help them rebuild their shattered dreams | 0:22:20 | 0:22:23 | |
'and move on.' | 0:22:23 | 0:22:25 | |
What can we do on the physical aspects of the property | 0:22:25 | 0:22:31 | |
that will help you? | 0:22:31 | 0:22:33 | |
The damp. I mean, that was the main... | 0:22:33 | 0:22:36 | |
That was the most important reason I started this work in the first place, | 0:22:36 | 0:22:41 | |
and it's very clear that that damp problem | 0:22:41 | 0:22:45 | |
hasn't been sorted out at all. | 0:22:45 | 0:22:47 | |
One thing I will promise you is that we are going to put things right. | 0:22:47 | 0:22:52 | |
Well, I tell you what, if you did, it would be... | 0:22:52 | 0:22:57 | |
Well, I couldn't tell you how wonderful it would be. | 0:22:57 | 0:23:00 | |
'I've heard enough about this cowboy builder, | 0:23:03 | 0:23:05 | |
'but I'm worried that what I've seen of his botched work | 0:23:05 | 0:23:09 | |
'may only be the tip of the iceberg.' | 0:23:09 | 0:23:11 | |
I'm keen to get this work assessed | 0:23:11 | 0:23:13 | |
by an independent chartered surveyor, | 0:23:13 | 0:23:15 | |
so I've asked Roger North to take a look. | 0:23:15 | 0:23:18 | |
Now, you must be Roger. How are you? | 0:23:25 | 0:23:28 | |
-Hi. -Hi, I'm Clive. -Hi, Clive. | 0:23:28 | 0:23:30 | |
When you first walk into the property, | 0:23:30 | 0:23:32 | |
you think, "Wow, it's beautiful," | 0:23:32 | 0:23:33 | |
but as you look closely... Hey, this is a cracker. Look at this. | 0:23:33 | 0:23:38 | |
On this door, I don't even have to turn the handle to open it. | 0:23:38 | 0:23:41 | |
Watch this - bit of magic, this. Look at that. | 0:23:41 | 0:23:45 | |
It's nuts. But that is just a typical example | 0:23:45 | 0:23:48 | |
of a lot of things that have gone wrong, | 0:23:48 | 0:23:50 | |
and what I'd like to know from you is, | 0:23:50 | 0:23:53 | |
what have you found that's not to your liking? | 0:23:53 | 0:23:55 | |
-Well, we've got... That's only a minor item. -It is. | 0:23:55 | 0:23:58 | |
The major items are the structure... | 0:23:58 | 0:24:00 | |
Structural alterations have been carried out | 0:24:00 | 0:24:03 | |
without any building regulations, | 0:24:03 | 0:24:05 | |
the general workmanship is extremely poor, | 0:24:05 | 0:24:08 | |
the finishing is extremely poor, | 0:24:08 | 0:24:10 | |
and the building works have been left incomplete. | 0:24:10 | 0:24:13 | |
And looking at it overall, | 0:24:13 | 0:24:14 | |
what sort of a score would you give out of ten | 0:24:14 | 0:24:17 | |
for the work that's been carried out? | 0:24:17 | 0:24:19 | |
Well, I think I'd give them a very low score, | 0:24:19 | 0:24:21 | |
possibly two, simply for turning up. | 0:24:21 | 0:24:24 | |
Two for turning up sounds about right to me. | 0:24:24 | 0:24:27 | |
Roger, thank you very much for your input. | 0:24:27 | 0:24:29 | |
It's SO important to get an independent's view of it all, | 0:24:29 | 0:24:32 | |
but, just in general, it is such a poor job. | 0:24:32 | 0:24:35 | |
It is a very poor job, yes. | 0:24:35 | 0:24:36 | |
Well, what else did you expect? | 0:24:37 | 0:24:40 | |
2/10 is a pretty damning verdict on this so-called builder's work, | 0:24:40 | 0:24:44 | |
so I'm going to cordon this area off, class it as a no-go zone. | 0:24:44 | 0:24:47 | |
I'm going to get the Good Guys in, sort out all of this work | 0:24:47 | 0:24:51 | |
and maybe, just maybe, we can put a smile back on Felicity's face. | 0:24:51 | 0:24:55 | |
'John Sutton and his team are here to help us.' | 0:24:57 | 0:25:00 | |
'They've got one big mountain to climb, | 0:25:02 | 0:25:05 | |
'so let's get the plan of action.' | 0:25:05 | 0:25:07 | |
Now, John, it's great to have you on board. | 0:25:07 | 0:25:09 | |
Just list for me what we're going to do. | 0:25:09 | 0:25:11 | |
Well, starting with priorities, | 0:25:11 | 0:25:14 | |
one of the priorities is the rising damp | 0:25:14 | 0:25:16 | |
and to stop water penetrating the building. | 0:25:16 | 0:25:18 | |
So, around the perimeter of the extension here, the annexe, | 0:25:18 | 0:25:21 | |
we're going to excavate and put in a slotted drainage channel, | 0:25:21 | 0:25:25 | |
like you'd see on a garage forecourt, | 0:25:25 | 0:25:28 | |
with a galvanised grating. | 0:25:28 | 0:25:29 | |
And that will take water coming down the slope towards the property | 0:25:29 | 0:25:33 | |
away and into drainage. That will stop water penetrating the building. | 0:25:33 | 0:25:36 | |
We're then going to take the render off | 0:25:36 | 0:25:39 | |
and expose where a damp-proof course was apparently installed | 0:25:39 | 0:25:43 | |
-and inject a silicon damp-proof course... -Fantastic. | 0:25:43 | 0:25:46 | |
..at low level, certainly behind the skirting board level. | 0:25:46 | 0:25:49 | |
We then have problems that the joinery of the back door, here, | 0:25:49 | 0:25:52 | |
is really cobbled together with very poor workmanship, | 0:25:52 | 0:25:57 | |
if any workmanship whatsoever, | 0:25:57 | 0:25:59 | |
so we're going to rework the back door until we've got it secure. | 0:25:59 | 0:26:02 | |
So, you're going to address that, | 0:26:02 | 0:26:04 | |
and dress the render up to the bell-cote? | 0:26:04 | 0:26:06 | |
The rendering, which has been hacked away badly, | 0:26:06 | 0:26:09 | |
we're going to put a saw cut through with a diamond blade, | 0:26:09 | 0:26:12 | |
get ourselves a neat edge to work back to, | 0:26:12 | 0:26:14 | |
and then re-render the back end, here. | 0:26:14 | 0:26:18 | |
We're going to re-dress the glass-fibre roof | 0:26:18 | 0:26:20 | |
and where the glass-fibre roof abuts the house wall - | 0:26:20 | 0:26:22 | |
with just an open joint at the moment - | 0:26:22 | 0:26:24 | |
we're going to seal that properly, | 0:26:24 | 0:26:26 | |
cut a lead flashing into the masonry wall, | 0:26:26 | 0:26:29 | |
and dress the lead flashing properly down to stop water coming in. | 0:26:29 | 0:26:32 | |
So, I'm leaving that down to you, I can't wait to see the end result, | 0:26:32 | 0:26:36 | |
but for now, as regards you and your team, | 0:26:36 | 0:26:38 | |
-well done, let's get cracking. -Let's go. | 0:26:38 | 0:26:41 | |
'As the Good Guys set about injecting | 0:26:43 | 0:26:45 | |
'a silicon damp-proof course | 0:26:45 | 0:26:47 | |
'into the walls of the breakfast room, | 0:26:47 | 0:26:50 | |
'the full extent of the horrors left by the cowboy builder | 0:26:50 | 0:26:54 | |
'start to become apparent. | 0:26:54 | 0:26:56 | |
'The electrician has uncovered | 0:26:56 | 0:26:59 | |
'a catalogue of horrific mistakes in the wiring | 0:26:59 | 0:27:02 | |
'that could put lives at risk.' | 0:27:02 | 0:27:04 | |
Both of these cables should travel the entirety of the wall | 0:27:04 | 0:27:09 | |
and end up directly at the socket. | 0:27:09 | 0:27:11 | |
Here, they've just been jointed, pretty badly, | 0:27:11 | 0:27:14 | |
to be honest with you, pushed into the wall. | 0:27:14 | 0:27:17 | |
They're not covered or capped. | 0:27:17 | 0:27:19 | |
He's used trunking just to take it down, | 0:27:19 | 0:27:21 | |
which is, you know... It's unacceptable, really. | 0:27:21 | 0:27:24 | |
Potentially, you're looking at a hazard for the wall to become live | 0:27:24 | 0:27:28 | |
as there could be mechanical joints just exposed behind the tape. | 0:27:28 | 0:27:33 | |
'It's shocking that this cowboy builder | 0:27:33 | 0:27:37 | |
'could have taken risks like this, | 0:27:37 | 0:27:39 | |
'and that's not all. | 0:27:39 | 0:27:41 | |
'We could be facing an emergency in the kitchen. | 0:27:41 | 0:27:45 | |
'I'm worried there isn't a proper RSJ or steel beam | 0:27:45 | 0:27:49 | |
'supporting the wall where the chimney breast was removed.' | 0:27:49 | 0:27:54 | |
Tony, give us the verdict, son. | 0:27:54 | 0:27:56 | |
-Absolutely nothing. -Nothing at all? | 0:27:56 | 0:28:00 | |
So we now have tons and tons of mortar, | 0:28:00 | 0:28:04 | |
tons and tons of brickwork, just floating in midair. | 0:28:04 | 0:28:09 | |
This is the sort of thing that cowboy builders do. | 0:28:09 | 0:28:12 | |
'So, no structural beam here, but what about at the other end?' | 0:28:12 | 0:28:17 | |
Looks to me as if he's returned it back into the wall, there. | 0:28:19 | 0:28:24 | |
-Right, OK. -So it's coming in like an L-shape. -Right. | 0:28:24 | 0:28:29 | |
-But nothing is... -Is supporting it? | 0:28:29 | 0:28:31 | |
-Nothing is supporting her on this end. -No. | 0:28:31 | 0:28:33 | |
That's not supported in any way, shape or form. | 0:28:33 | 0:28:36 | |
'It looks like the cowboy builder | 0:28:36 | 0:28:39 | |
'has tried to do something to support the house, | 0:28:39 | 0:28:42 | |
'but he's put in the wrong beam. | 0:28:42 | 0:28:45 | |
'It's L-shaped instead of straight. | 0:28:45 | 0:28:47 | |
'And there's more bad news.' | 0:28:47 | 0:28:50 | |
-There's a pile of brickwork. -From the actual chimney? | 0:28:50 | 0:28:54 | |
From the actual chimney, which is inside, | 0:28:54 | 0:28:57 | |
which isn't resting on anything. | 0:28:57 | 0:28:59 | |
So it's not supported at all | 0:28:59 | 0:29:00 | |
-and could have crashed down at any time, really? -Yes. | 0:29:00 | 0:29:05 | |
This is life and death, really. No two ways about it. | 0:29:05 | 0:29:08 | |
Anybody working around this area, that comes crashing down, | 0:29:08 | 0:29:12 | |
that is good night. | 0:29:12 | 0:29:13 | |
I feel sick, to be honest. Yeah. | 0:29:13 | 0:29:16 | |
I knew it was bad, but you can't believe, can you, | 0:29:16 | 0:29:21 | |
that somebody can do work like this that could risk somebody's life. | 0:29:21 | 0:29:26 | |
'While the Good Guys get on with putting in roof supports | 0:29:26 | 0:29:30 | |
'to make the kitchen area safe, | 0:29:30 | 0:29:33 | |
'I want to help Felicity confront her cowboy builder | 0:29:33 | 0:29:36 | |
'about the dangerous state of the work.' | 0:29:36 | 0:29:40 | |
If you had three questions, for instance, | 0:29:40 | 0:29:43 | |
you'd like to ask him, what would they be? | 0:29:43 | 0:29:46 | |
Why and how could you leave somebody in such a mess? | 0:29:46 | 0:29:49 | |
Why did he leave, clearly, things that were dangerous | 0:29:49 | 0:29:54 | |
that he knew, must have known, were dangerous? | 0:29:54 | 0:29:57 | |
The electrics, the chimney breast that was taken down, | 0:29:57 | 0:30:02 | |
the support he put in - he must have known that wasn't safe. | 0:30:02 | 0:30:06 | |
Um, normally, I would say you, as the homeowner, | 0:30:06 | 0:30:10 | |
to make the phone call, but on this occasion, | 0:30:10 | 0:30:13 | |
because a lot of the work was so dangerous, | 0:30:13 | 0:30:15 | |
I'm just going to pitch in a few questions. | 0:30:15 | 0:30:17 | |
-I'm going to ask you to sit tight. -OK. -OK? | 0:30:17 | 0:30:20 | |
And it's all right to be polite, at the end of the day. OK? | 0:30:20 | 0:30:23 | |
Hi, it's Clive from Cowboy Trap, BBC1. | 0:30:27 | 0:30:29 | |
I want to ask you a few questions. | 0:30:29 | 0:30:31 | |
-VOICE SHOUTS FROM PHONE -Are you happy to answer dangerous questions | 0:30:31 | 0:30:34 | |
where you've left this lady in absolute danger, | 0:30:34 | 0:30:38 | |
with electrical work that's been carried out...? | 0:30:38 | 0:30:40 | |
-PHONE CLICKS -There's no need to hang up. | 0:30:40 | 0:30:44 | |
Urgh! | 0:30:45 | 0:30:47 | |
-HE SIGHS -'For legal reasons, | 0:30:47 | 0:30:50 | |
'we can't broadcast what the builder had to say, | 0:30:50 | 0:30:53 | |
'but what I can tell you is, he refused to accept any responsibility | 0:30:53 | 0:30:57 | |
'or listen to our concerns.' | 0:30:57 | 0:30:59 | |
'Back in the kitchen, the Good Guys are working round the clock | 0:31:05 | 0:31:10 | |
'to get the new steel beams in to stabilise the ceiling.' | 0:31:10 | 0:31:13 | |
'This is a huge job. It's going to take not one, | 0:31:16 | 0:31:19 | |
'but two steel beams to make this kitchen absolutely safe, | 0:31:19 | 0:31:22 | |
'and to do this, they're going to have to replace the kitchen window.' | 0:31:22 | 0:31:27 | |
'Felicity's troubles began | 0:31:34 | 0:31:36 | |
'when her builder pocketed nearly £7,000 of her money | 0:31:36 | 0:31:40 | |
'and left her home structurally unsound and unsecured. | 0:31:40 | 0:31:45 | |
'The Good Guys have had to install structural beams, | 0:31:45 | 0:31:48 | |
'tackle the damp and much, much more.' | 0:31:48 | 0:31:51 | |
'But thanks to them, this house is no longer a cowboy trap.' | 0:31:52 | 0:31:57 | |
We're back in Cardiff to see Felicity. | 0:31:57 | 0:31:59 | |
I'm really worried about this job, I've got to be honest, | 0:31:59 | 0:32:02 | |
cos there were so many bits to be put right | 0:32:02 | 0:32:04 | |
that were dangerous. Let's go and find out. | 0:32:04 | 0:32:07 | |
'And I can already smell the sweet scent of success.' | 0:32:07 | 0:32:11 | |
The last time I was in this kitchen, I left it with two Acrow props | 0:32:13 | 0:32:17 | |
supporting that beam, that, sort of, fashioned beam, | 0:32:17 | 0:32:21 | |
that had been done by the cowboy builder. | 0:32:21 | 0:32:23 | |
Now, that's all been covered over, I can't see what's underneath, | 0:32:23 | 0:32:26 | |
I'm going to ask John later, but I'm assuming that everything | 0:32:26 | 0:32:30 | |
is now fine and hunky-dory and we've got the proper RSJs in there. | 0:32:30 | 0:32:34 | |
This looks like new work surface to me, | 0:32:34 | 0:32:36 | |
because, you remember that ugly joint? | 0:32:36 | 0:32:38 | |
That needed a proper biscuit joint in there, | 0:32:38 | 0:32:40 | |
and that's exactly what they've done. | 0:32:40 | 0:32:42 | |
I mean, looking at the pelmet and the cornice as well, | 0:32:42 | 0:32:45 | |
on the actual doors on the actual units themselves, | 0:32:45 | 0:32:48 | |
they look like they've been mitred properly, | 0:32:48 | 0:32:50 | |
so the boys have had a go at that, too. | 0:32:50 | 0:32:52 | |
And they must have had to paint this ceiling, | 0:32:52 | 0:32:54 | |
cos it'd have been plaster-boarded, | 0:32:54 | 0:32:56 | |
plastered and painted, so there's just... | 0:32:56 | 0:32:58 | |
The whole thing looks fresh, it looks great, it looks like... | 0:32:58 | 0:33:02 | |
Well, professionals have been in and done the work. | 0:33:02 | 0:33:04 | |
The other thing was, remember where the dishwasher was? | 0:33:04 | 0:33:07 | |
There was a huge gap. Let's have a look where we are. | 0:33:07 | 0:33:10 | |
OK, so that's all been panelled out now, with an extra bit of end panel, | 0:33:12 | 0:33:16 | |
it actually sits flush - if you remember, it was butted out before. | 0:33:16 | 0:33:19 | |
Now that sits absolutely flush. | 0:33:19 | 0:33:22 | |
I'm so chuffed with the work that's gone on here, | 0:33:22 | 0:33:25 | |
but I'm just wondering what... Ah. | 0:33:25 | 0:33:27 | |
We had a socket that was down right by the boxing, | 0:33:27 | 0:33:31 | |
which meant you couldn't actually, physically put a plug in it. | 0:33:31 | 0:33:35 | |
That's been sorted, so that means the electrics | 0:33:35 | 0:33:37 | |
must have been solved as well, which is really crucial, | 0:33:37 | 0:33:40 | |
cos there was a load of nonsense going on over there. | 0:33:40 | 0:33:42 | |
Now, remember these doors? This led us into... | 0:33:42 | 0:33:45 | |
I said, if you remember, I opened the door and I said, | 0:33:45 | 0:33:49 | |
"I bet you these hinges are no good." | 0:33:49 | 0:33:51 | |
They were just awful, so let's have a look. | 0:33:51 | 0:33:54 | |
First of all, the door opens fantastic, the handle is brilliant, | 0:33:54 | 0:33:59 | |
and now all those hinges have got all the screws in. | 0:33:59 | 0:34:02 | |
Now that's all been sorted. | 0:34:02 | 0:34:05 | |
Just... It's so exciting, to me, | 0:34:06 | 0:34:09 | |
when I know that Good Guys have been in. | 0:34:09 | 0:34:12 | |
It just fills your heart with joy! | 0:34:12 | 0:34:15 | |
-HE LAUGHS -Now, outside we've still got the Cowboy Trap tape. | 0:34:15 | 0:34:18 | |
We don't need that any more, that's for sure, so that can come down. | 0:34:18 | 0:34:22 | |
Take that off, because it's not a no-go zone any more, | 0:34:22 | 0:34:26 | |
this is a zone to go, go, go, I tell you. | 0:34:26 | 0:34:28 | |
This is something to be proud of. Oh, and outside... | 0:34:28 | 0:34:32 | |
I get so excited about a good job. The doors have been sorted. | 0:34:32 | 0:34:36 | |
You know, even where the escutcheon plate was for the door lock, | 0:34:36 | 0:34:40 | |
even there it was absolutely butchered, the timber was. | 0:34:40 | 0:34:43 | |
That's all been sorted and looks great, | 0:34:43 | 0:34:46 | |
the wood's been painted, but the drainage... We've now got drainage, | 0:34:46 | 0:34:50 | |
cos remember, you know, we're in the United Kingdom. | 0:34:50 | 0:34:53 | |
When it rains, it was going to be coming down this path | 0:34:53 | 0:34:56 | |
and straight into the property, | 0:34:56 | 0:34:58 | |
which was going to cause it loads of grief. | 0:34:58 | 0:35:00 | |
Now we've got this proper drainage in | 0:35:00 | 0:35:02 | |
and that water's going to wick away no problem at all. | 0:35:02 | 0:35:05 | |
And if you remember as well, we'd got bare brick here. | 0:35:05 | 0:35:08 | |
That's all been properly two-coat rendered | 0:35:08 | 0:35:10 | |
and, again, the finish, I've got to say, absolutely outstanding. | 0:35:10 | 0:35:15 | |
Outstanding. | 0:35:15 | 0:35:17 | |
And then on the extension bit, here, which, as I say, | 0:35:17 | 0:35:20 | |
was the utility room, that, again, had bits of bare brick, | 0:35:20 | 0:35:23 | |
the render was rubbish, the actual roof itself was awful. | 0:35:23 | 0:35:27 | |
That's all been sorted, and looking at that, | 0:35:27 | 0:35:30 | |
we've now got proper lead flashing, | 0:35:30 | 0:35:33 | |
it's been cut into the brickwork properly... | 0:35:33 | 0:35:35 | |
Incredible. | 0:35:37 | 0:35:38 | |
'Before I get Felicity's verdict on this amazing transformation, | 0:35:40 | 0:35:45 | |
'it's time to catch up with one of the Good Guys, John Sutton.' | 0:35:45 | 0:35:49 | |
-Hey, John! Here he is. How are you! -Very good, thanks. | 0:35:49 | 0:35:52 | |
-Walking through the property, it looks amazing. -Thanks, Clive. | 0:35:52 | 0:35:56 | |
-This guy has got every single card here... -He has, yeah. | 0:35:56 | 0:36:00 | |
..and he's brought danger, imminent, to this property. | 0:36:00 | 0:36:05 | |
-Into the house. -It's not just about cowboy building, this. -No, it isn't. | 0:36:05 | 0:36:08 | |
This is about life and limb. | 0:36:08 | 0:36:09 | |
To knock out a chimney breast and leave all this masonry unsupported... | 0:36:09 | 0:36:13 | |
It's only really from the quality of the house that we're in | 0:36:13 | 0:36:17 | |
that there wasn't actually some structural damage | 0:36:17 | 0:36:19 | |
and signs of cracking upstairs. | 0:36:19 | 0:36:21 | |
What went on here is an absolute disgrace, | 0:36:21 | 0:36:23 | |
-there's no two ways about that. -Yeah, it is. | 0:36:23 | 0:36:25 | |
However, the Good Guys have been in, cracking job, | 0:36:25 | 0:36:29 | |
and I can't wait to show Felicity, | 0:36:29 | 0:36:31 | |
and I'm so chuffed with it, I can't... I can't tell you. | 0:36:31 | 0:36:35 | |
It is 100/10 as far as I'm concerned. | 0:36:35 | 0:36:37 | |
-Thanks, Clive. Much appreciated. -Brilliant. -Thanks. | 0:36:37 | 0:36:39 | |
'So, we've gone from a score of 2/10 | 0:36:39 | 0:36:43 | |
'to, well...100/10! | 0:36:43 | 0:36:46 | |
'Time to see what Felicity thinks.' | 0:36:46 | 0:36:49 | |
-So, it's been a bit of a nightmare time for you... -It has. | 0:36:50 | 0:36:54 | |
..over these last few months, with your cowboy builder. | 0:36:54 | 0:36:57 | |
Just tell us what it was like living in such a state. | 0:36:57 | 0:37:00 | |
Oh, it was awful. Really awful. | 0:37:00 | 0:37:03 | |
Um, you know, it was a bomb site. | 0:37:03 | 0:37:05 | |
A real mess, and this is the story that I hear on a daily basis. | 0:37:05 | 0:37:09 | |
Now, I want to do a bit of a tour round with you. | 0:37:09 | 0:37:12 | |
Let's go and have a chat about everything that's changed | 0:37:12 | 0:37:16 | |
and really get a feeling of how you feel now that things have been done. | 0:37:16 | 0:37:21 | |
-So are you ready? -I am, yes. Yes. | 0:37:21 | 0:37:23 | |
I think Poppy might follow us as well, which is fine. | 0:37:23 | 0:37:26 | |
I think Poppy probably will come along for the ride. OK. | 0:37:26 | 0:37:30 | |
Come on, Poppy. POPPY BARKS | 0:37:30 | 0:37:32 | |
So... What I see before me now is just incredible. | 0:37:33 | 0:37:41 | |
How do you feel, first of all, in this kitchen area? | 0:37:41 | 0:37:44 | |
Because, remember, you know, | 0:37:44 | 0:37:47 | |
we found out that you were in imminent danger, really. | 0:37:47 | 0:37:51 | |
-Now that's all been sorted out. -Yeah. | 0:37:51 | 0:37:53 | |
That's got to be a peace of mind thing. | 0:37:53 | 0:37:55 | |
Oh, it's such peace of mind. I knew their work was really poor. | 0:37:55 | 0:37:59 | |
I mean, you only had to see the mess that they'd left | 0:37:59 | 0:38:03 | |
to know it was really shoddy workmanship. | 0:38:03 | 0:38:05 | |
But now, it feels so much better. | 0:38:05 | 0:38:08 | |
But it just all looks finished, doesn't it? | 0:38:08 | 0:38:10 | |
Instead of, sort of, a botched job | 0:38:10 | 0:38:12 | |
of everything, really, which is what it was. | 0:38:12 | 0:38:15 | |
So your overall feeling now, about the kitchen? | 0:38:15 | 0:38:18 | |
Well, it just feels like I imagined it would in the first place. | 0:38:18 | 0:38:22 | |
I got a bit more of a "wow" factor, which I didn't have before | 0:38:22 | 0:38:25 | |
and I'm thrilled to bits with it. | 0:38:25 | 0:38:27 | |
How are you feeling now about this particular room? | 0:38:27 | 0:38:29 | |
Well, I just think it looks fantastic. | 0:38:29 | 0:38:32 | |
I mean, it's just sharper, the woodwork, | 0:38:32 | 0:38:35 | |
the frame that had been put in was so poorly put together | 0:38:35 | 0:38:39 | |
we decided to paint the doors. The builder thought it would be better to paint the doors in the end | 0:38:39 | 0:38:43 | |
because you were never going to get that frame | 0:38:43 | 0:38:46 | |
looking nice in the hardwood, | 0:38:46 | 0:38:48 | |
so that's all been painted, all the paintwork everywhere... | 0:38:48 | 0:38:52 | |
Now, here, of course, the doors actually do open, which is a bonus. | 0:38:53 | 0:38:58 | |
-They do. -The hinges now have got screws in. -They have. | 0:38:58 | 0:39:01 | |
-And the doors open and close properly. -They do, yes. | 0:39:01 | 0:39:06 | |
Yeah, that frame has been lowered slightly, | 0:39:06 | 0:39:09 | |
which is a really good idea, so that the doors fit flush to the floor | 0:39:09 | 0:39:13 | |
and we've got some little magnetic things on so when they... | 0:39:13 | 0:39:17 | |
Little magnetic catches so that they'll stay closed. | 0:39:17 | 0:39:19 | |
..so that they stay closed when they get closed. | 0:39:19 | 0:39:22 | |
You know, just looking down now, | 0:39:22 | 0:39:24 | |
towards the kitchen and everything else, it just looks... | 0:39:24 | 0:39:26 | |
It's ready for a dinner party. | 0:39:26 | 0:39:28 | |
It is. And that's so nice, cos it's been... | 0:39:28 | 0:39:31 | |
It feels like months since... I've been in chaos, really. | 0:39:31 | 0:39:35 | |
So, now I can just... Yeah, I'm thrilled to bits. | 0:39:35 | 0:39:39 | |
-Is it a great pressure lifted off you, in a way? -Absolutely. | 0:39:39 | 0:39:43 | |
I can't tell you what a pressure it is, because all you do is sleep, eat, | 0:39:43 | 0:39:46 | |
dream "kitchen" and work that needs to be done and dangerous stuff and... | 0:39:46 | 0:39:51 | |
And will it ever GET done? | 0:39:51 | 0:39:53 | |
And... Well, I didn't think it ever would get done, in the end. But now look at it. | 0:39:53 | 0:39:57 | |
'That's the inside, and so far, we have a happy homeowner. | 0:39:57 | 0:40:02 | |
'But what about the outside?' | 0:40:02 | 0:40:04 | |
Now, for me, just looking outside | 0:40:05 | 0:40:08 | |
looks a whole lot heap different, but so much better. | 0:40:08 | 0:40:12 | |
-The problem was you'd got water coming in over the threshold. -Yeah. | 0:40:12 | 0:40:15 | |
-Now the drainage system has been put in. -It's fantastic, isn't it? | 0:40:15 | 0:40:19 | |
That's got to make you feel good. | 0:40:19 | 0:40:20 | |
I was thrilled to bits with that, with all of it. | 0:40:20 | 0:40:23 | |
-The render work that these guys have done... -Yeah. | 0:40:23 | 0:40:25 | |
They've really gone to the nth degree. | 0:40:25 | 0:40:28 | |
The way they've done that roof as well, they've put on the lead flashing. | 0:40:28 | 0:40:32 | |
The whole thing is so good. | 0:40:32 | 0:40:34 | |
Well, it just looks 100% better. | 0:40:34 | 0:40:38 | |
-One hundred and... -50 million per cent better. | 0:40:38 | 0:40:41 | |
It does. A huge difference. | 0:40:41 | 0:40:42 | |
Now, there is one final thing that I'd like to do, | 0:40:42 | 0:40:45 | |
and that is that the work that's been carried out here, | 0:40:45 | 0:40:48 | |
in terms of the gas, the electric | 0:40:48 | 0:40:50 | |
and getting sign-off from your local building control... | 0:40:50 | 0:40:53 | |
-Yes. -..we now have all the relevant documentation. | 0:40:53 | 0:40:57 | |
-Now, I've got all the documents with me now. -You have. | 0:40:57 | 0:40:59 | |
I just want to go through what you've actually got here. | 0:40:59 | 0:41:02 | |
You've got a certificate of completion | 0:41:02 | 0:41:04 | |
for your building regulations and your planning, that's in that one. | 0:41:04 | 0:41:08 | |
You've also got the structural calculations and the remedies | 0:41:08 | 0:41:11 | |
-for what happened in the kitchen. -Really? For the chimney breast? | 0:41:11 | 0:41:15 | |
Yes, for the chimney breast and the RSJs. | 0:41:15 | 0:41:17 | |
You've also got the minor works, your electrical installation certificate as well, | 0:41:17 | 0:41:21 | |
-from a qualified NICEIC electrician. -Oh, that's wonderful. | 0:41:21 | 0:41:24 | |
So you've got that as well, and also there's your gas safety record | 0:41:24 | 0:41:28 | |
from a Gas Safe engineer. | 0:41:28 | 0:41:29 | |
Oh, that's... That's great to have all that. Thank you. | 0:41:29 | 0:41:32 | |
So you've got all of these documents now, ready to keep in a file - | 0:41:32 | 0:41:36 | |
you must keep those in a file, | 0:41:36 | 0:41:38 | |
because if you ever sell the property in the future, | 0:41:38 | 0:41:40 | |
that's almost like an MOT certificate for a car. | 0:41:40 | 0:41:44 | |
You need to hand all those over to the next incumbent. | 0:41:44 | 0:41:46 | |
To show that any work that's been done has been done... | 0:41:46 | 0:41:50 | |
-By qualified people. -Yeah. Lovely, thank you. | 0:41:50 | 0:41:52 | |
So now you can enjoy, you know, your life at this wonderful property. | 0:41:52 | 0:41:57 | |
-Yes. Yeah. -And do you think you'll be able to move on? | 0:41:57 | 0:42:00 | |
-I think so now, yes. Definitely. -No more cowboy builders? | 0:42:00 | 0:42:04 | |
No more cowboy builders ever, ever again. | 0:42:04 | 0:42:07 | |
-Agreed? -Agreed. -That's a deal. | 0:42:07 | 0:42:09 | |
Well, that's it. I'm off. | 0:42:20 | 0:42:21 | |
Ah, but wait a minute. There's still one job left to do. | 0:42:23 | 0:42:26 | |
I've got the information that I've collated | 0:42:26 | 0:42:28 | |
on Felicity's builder and I'll take it to the local Trading Standards office | 0:42:28 | 0:42:31 | |
and see what THEY'RE going to do about it, | 0:42:31 | 0:42:33 | |
and I've got a message for all cowboy builders out there - | 0:42:33 | 0:42:36 | |
watch out, we're on your trail. | 0:42:36 | 0:42:38 | |
If you've had a problem with builders | 0:42:40 | 0:42:42 | |
and would like to tell your story on Cowboy Trap, please call us on... | 0:42:42 | 0:42:46 | |
Help us round up the cowboys. | 0:42:58 | 0:43:01 | |
Subtitles by Red Bee Media Ltd | 0:43:12 | 0:43:15 |