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I'm back on the road again and on the hunt for more cowboy builders | 0:00:09 | 0:00:13 | |
who've left homeowners in the lurch and done total bodge jobs. | 0:00:13 | 0:00:17 | |
The shower leaks, the ceiling's a mess. | 0:00:17 | 0:00:20 | |
It's a little disaster area, as far as I'm concerned. | 0:00:20 | 0:00:24 | |
I'm hoping to help homeowners badly let down by cowboy builders | 0:00:24 | 0:00:28 | |
and left counting the cost. | 0:00:28 | 0:00:30 | |
It's been such an awful experience | 0:00:30 | 0:00:32 | |
that I never want to go through again. | 0:00:32 | 0:00:34 | |
And along the way, I'll be giving you loads of hints and tips | 0:00:34 | 0:00:37 | |
in the hope that it will prevent you from falling into the Cowboy Trap. | 0:00:37 | 0:00:42 | |
'We're travelling across Britain to meet two sets of homeowners, | 0:00:51 | 0:00:56 | |
'both of whom have fallen into the Cowboy Trap | 0:00:56 | 0:00:58 | |
'when they hired builders lacking the right skills for the job. | 0:00:58 | 0:01:02 | |
'All Virginia Graham wanted was her basement bathroom | 0:01:02 | 0:01:05 | |
'restored to its former glory. | 0:01:05 | 0:01:08 | |
'She didn't expect to be left with a catalogue of catastrophes.' | 0:01:08 | 0:01:13 | |
I'm cross, annoyed, hurt. And not knowing who to turn to. | 0:01:13 | 0:01:17 | |
'And we'll meet a couple whose terrible tradesmen left them | 0:01:18 | 0:01:22 | |
'with a bunch of bodged jobs throughout their entire home. | 0:01:22 | 0:01:26 | |
'Today, the cowboy trail brings me to one of my favourite places - | 0:01:29 | 0:01:33 | |
'the seaside city of Brighton.' | 0:01:33 | 0:01:35 | |
I would love to buy a gaff here. | 0:01:35 | 0:01:37 | |
It's no wonder that 200 years ago, | 0:01:37 | 0:01:39 | |
Prince Regent made Brighton his home. | 0:01:39 | 0:01:42 | |
And what a home! | 0:01:42 | 0:01:43 | |
As beach houses go, the Royal Pavilion would take some beating. | 0:01:43 | 0:01:47 | |
'This was the perfect patch for Virginia Graham, | 0:01:47 | 0:01:50 | |
'who moved into her three-storey townhouse over 30 years ago. | 0:01:50 | 0:01:55 | |
'The former actress fell in love the moment she set eyes on it.' | 0:01:55 | 0:01:59 | |
My idea of what a house should be is exactly like this. | 0:01:59 | 0:02:04 | |
Little nooks and crannies, | 0:02:04 | 0:02:06 | |
interesting places. | 0:02:06 | 0:02:08 | |
and, I guess because I just love old-fashioned things, | 0:02:08 | 0:02:12 | |
an old-fashioned house. | 0:02:12 | 0:02:14 | |
Virginia's home was a former guesthouse | 0:02:14 | 0:02:17 | |
run by a group of nuns called the Sisters of Mercy. | 0:02:17 | 0:02:20 | |
Virginia loved the house so much, she wanted to buy it, | 0:02:20 | 0:02:22 | |
so asked the nuns if they were prepared to sell it. | 0:02:22 | 0:02:25 | |
But it wasn't up for sale. | 0:02:25 | 0:02:26 | |
Later, the nuns posted a letter through her door, | 0:02:26 | 0:02:29 | |
saying they were now interested in selling the property. | 0:02:29 | 0:02:32 | |
So, all of a sudden, her prayers were answered. | 0:02:32 | 0:02:34 | |
Oh, it was absolutely a mixture of being elated and scared. | 0:02:34 | 0:02:39 | |
Because the house had been virtually untouched in over 100 years. | 0:02:39 | 0:02:44 | |
'Virginia set about renovating her home. | 0:02:44 | 0:02:47 | |
'And a few years ago, turned her attention to the basement.' | 0:02:47 | 0:02:51 | |
I wanted a functioning shower, um... a shower area | 0:02:51 | 0:02:56 | |
and a kitchen area that would be... | 0:02:56 | 0:03:00 | |
used as a laundry room. | 0:03:00 | 0:03:02 | |
'Virginia wanted her basement to reflect a bygone era. | 0:03:02 | 0:03:07 | |
'But bygone turned to bungling | 0:03:07 | 0:03:09 | |
'when she hired cowboy after cowboy in an attempt to get the work done.' | 0:03:09 | 0:03:14 | |
I haven't been very successful in my choice of people to do work for me. | 0:03:14 | 0:03:19 | |
Perhaps I'm rather naive. | 0:03:19 | 0:03:21 | |
When they get into the basement of my house, | 0:03:21 | 0:03:25 | |
it all seems to go a little bit wrong. | 0:03:25 | 0:03:26 | |
'Determined to beat her basement once and for all, | 0:03:26 | 0:03:30 | |
'when a friend recommended a handyman, she booked him. | 0:03:30 | 0:03:34 | |
'He promised a one-week completion time | 0:03:34 | 0:03:37 | |
'and quoted £240 per day in labour costs. | 0:03:37 | 0:03:41 | |
'Virginia agreed to pay for materials as well, | 0:03:41 | 0:03:44 | |
'bringing the total cost to around £2,200. | 0:03:44 | 0:03:48 | |
'The handyman got started. | 0:03:50 | 0:03:52 | |
'But it wasn't long before Virginia once again saw slapdash work | 0:03:52 | 0:03:57 | |
'and noticed him using modern materials.' | 0:03:57 | 0:03:59 | |
I wanted reconditioned wood which would have had age to it | 0:04:01 | 0:04:04 | |
and would have not warped or twisted because it was seasoned. | 0:04:04 | 0:04:08 | |
Um, but I ended up with modern pine. | 0:04:08 | 0:04:12 | |
'When Virginia complained, the handyman lost interest | 0:04:12 | 0:04:16 | |
'and then stopped coming altogether. | 0:04:16 | 0:04:18 | |
'She'd already spent thousands on previous cowboys. | 0:04:18 | 0:04:22 | |
'The latest had cost another £2,200. | 0:04:22 | 0:04:26 | |
'Devastated by the experience of yet another hapless cowboy, | 0:04:26 | 0:04:31 | |
'Virginia closed the door on her basement.' | 0:04:31 | 0:04:34 | |
It's still like a badly-finished building site. | 0:04:35 | 0:04:39 | |
The shower leaks, the ceiling's a mess. | 0:04:39 | 0:04:43 | |
It's a little disaster area, as far as I'm concerned. | 0:04:43 | 0:04:45 | |
Virginia has come across so many cowboys in the last few years, | 0:04:45 | 0:04:49 | |
she must think she's living in the Wild West, | 0:04:49 | 0:04:51 | |
rather than the sunny south. | 0:04:51 | 0:04:52 | |
But I've got news for her. There's a new sheriff in town. | 0:04:52 | 0:04:56 | |
'It's time for me to meet Virginia | 0:04:56 | 0:04:59 | |
'to see what I can do to get this bodge-job basement back on track.' | 0:04:59 | 0:05:03 | |
Hiya. | 0:05:03 | 0:05:05 | |
-I'm guessing you're Virginia. -That's correct. You must be Clive. | 0:05:05 | 0:05:09 | |
I am indeed. I hear you've had problems with cowboy builders. | 0:05:09 | 0:05:12 | |
-Would you like to have a look? -Please. Where is it? | 0:05:12 | 0:05:15 | |
-In the basement. -It's down in the basement! -Yes. -OK. | 0:05:15 | 0:05:18 | |
-Mind how you go. You're a big bloke. -Thanks a lot. -Cheers. | 0:05:18 | 0:05:22 | |
'And bingo, Virginia's basement of bodge jobs.' | 0:05:22 | 0:05:25 | |
It's not bad, this. Nice little kitchen, vestibule area. | 0:05:25 | 0:05:29 | |
It's nice. | 0:05:29 | 0:05:30 | |
'But it's the shower room I'm interested in.' | 0:05:30 | 0:05:33 | |
This is it. This is definitely it. | 0:05:33 | 0:05:36 | |
Well, it's certainly bodgey. | 0:05:36 | 0:05:38 | |
My first instinct with the plasterwork, | 0:05:38 | 0:05:40 | |
the plaster's been put on and it's started to craze. | 0:05:40 | 0:05:43 | |
It's dried out too quickly. | 0:05:43 | 0:05:45 | |
The problem with that is they haven't put PVA in the mix. | 0:05:45 | 0:05:49 | |
It not only acts as a bonding agent, | 0:05:49 | 0:05:52 | |
which is great when you're putting it onto the wall, | 0:05:52 | 0:05:55 | |
but it also prevents the original wall | 0:05:55 | 0:05:58 | |
sucking all the moisture out of the plaster, causing it to craze. | 0:05:58 | 0:06:02 | |
The timberwork that's been done here is not bad. | 0:06:02 | 0:06:07 | |
But it's not been treated. | 0:06:07 | 0:06:08 | |
Getting moist. It's a bathroom, after all. | 0:06:08 | 0:06:10 | |
That is not going to look good after a period of time. | 0:06:10 | 0:06:13 | |
What I'm not quite happy with is these old-fashioned lights here. | 0:06:13 | 0:06:17 | |
These are glass droplets. But they're exposed. | 0:06:17 | 0:06:21 | |
And again, with a lot of steam in the area, it's not good. | 0:06:21 | 0:06:24 | |
So that light fitting would have to go. | 0:06:24 | 0:06:26 | |
'The hazards continue on the floor.' | 0:06:26 | 0:06:30 | |
The tiling here meets the tiling in the toilet, | 0:06:30 | 0:06:33 | |
but there's a lip on it, like so. | 0:06:33 | 0:06:36 | |
You're going to be tripping up. It's sharp, as well. | 0:06:36 | 0:06:38 | |
It's really jagged. It's not been cut properly. | 0:06:38 | 0:06:41 | |
'And the wall tiles are not much better.' | 0:06:41 | 0:06:45 | |
The tiling's a mess in here. | 0:06:45 | 0:06:47 | |
In the shower area, as you get to the ceiling height, | 0:06:47 | 0:06:50 | |
there's a big gap. All they've done is filled it with grout. | 0:06:50 | 0:06:53 | |
Moisture will get into that and the tiles will eventually fall off. | 0:06:53 | 0:06:57 | |
There's loads wrong in here. I need to go and speak to Virginia | 0:06:57 | 0:07:01 | |
and find out exactly what's been going on. | 0:07:01 | 0:07:04 | |
OK, Virginia, just talk me through what's been going on in here. | 0:07:07 | 0:07:12 | |
I'm sort of guessing here | 0:07:12 | 0:07:14 | |
that many hands have made not light work, but heavy work. | 0:07:14 | 0:07:18 | |
How long has this project been going on for? | 0:07:18 | 0:07:21 | |
-It must have been an on-and-off thing for about four years. -Wow! | 0:07:21 | 0:07:25 | |
There's a lot gone on that really isn't right. | 0:07:25 | 0:07:28 | |
The lighting, for instance, over the shower. | 0:07:28 | 0:07:30 | |
-The plasterwork is not good. -It's not anything. | 0:07:30 | 0:07:33 | |
It's just...a child could've done it. | 0:07:33 | 0:07:35 | |
So, how many tradespeople do you think you've had | 0:07:35 | 0:07:38 | |
in this area, working on this job? | 0:07:38 | 0:07:40 | |
-Six. -Six?! | 0:07:40 | 0:07:43 | |
My problem I've got is once you've had one bad one, | 0:07:43 | 0:07:48 | |
it tends to beget more as you go along. | 0:07:48 | 0:07:50 | |
-It's a trap. -It is. It is indeed. It's a cowboy trap. -It is a trap. | 0:07:50 | 0:07:54 | |
And that's what you fall into | 0:07:54 | 0:07:55 | |
because every successive one seems to agree that they would put it right, | 0:07:55 | 0:07:59 | |
but because it wasn't done right in the first place, it just multiplies. | 0:07:59 | 0:08:03 | |
It does. So, shall we get out of here? | 0:08:03 | 0:08:05 | |
-I think so. -Let's go. | 0:08:05 | 0:08:08 | |
'It's no wonder this shower room is driving Virginia up the tiles. | 0:08:09 | 0:08:14 | |
'I want to find out more.' | 0:08:14 | 0:08:16 | |
I thought, I'll start refurbishing again. | 0:08:16 | 0:08:19 | |
So I started on the basement, which was in most need of work. | 0:08:19 | 0:08:23 | |
Put in a shower, redo the toilet and get that up and running. | 0:08:23 | 0:08:27 | |
Because it was absolutely unusable. | 0:08:27 | 0:08:30 | |
-This was the dream for the basement. -Absolutely. | 0:08:30 | 0:08:32 | |
But it didn't seem to work out. However much I tried, | 0:08:32 | 0:08:37 | |
I never seemed to get people | 0:08:37 | 0:08:38 | |
who were sympathetic with what I wanted to do. | 0:08:38 | 0:08:41 | |
And it just... It got in a mess and in a muddle. | 0:08:41 | 0:08:45 | |
'This muddle is the work of a posse of cowboys. | 0:08:45 | 0:08:49 | |
'I want to know about the last one to darken her door.' | 0:08:49 | 0:08:52 | |
How did you find your builder? | 0:08:52 | 0:08:55 | |
Recommended from a neighbour. | 0:08:55 | 0:08:57 | |
Assured the work was excellent. | 0:08:57 | 0:09:00 | |
Nice guy. Do a good job. | 0:09:00 | 0:09:03 | |
Was it just really a verbal contract? | 0:09:03 | 0:09:06 | |
It was a verbal contract, with me explaining what I wanted doing. | 0:09:06 | 0:09:09 | |
That seemed to be all right. | 0:09:09 | 0:09:11 | |
It was going to be £240 a day for the work | 0:09:11 | 0:09:13 | |
and I would buy the materials. | 0:09:13 | 0:09:16 | |
The bone of contention was me saying a daily rate means from 8:00-4:00, | 0:09:16 | 0:09:21 | |
and the answer came back, | 0:09:21 | 0:09:23 | |
"No, that's what I charge when I turn up for however long I'm here". | 0:09:23 | 0:09:27 | |
'With no contract in place, Virginia was unsure where she stood. | 0:09:27 | 0:09:32 | |
'Don't let this happen to you. | 0:09:32 | 0:09:34 | |
'If you decide to pay a daily rate, take my advice. | 0:09:34 | 0:09:39 | |
'Agree a contract before any work begins, | 0:09:40 | 0:09:43 | |
'outlining your builder's start and finish times. | 0:09:43 | 0:09:47 | |
'As with all jobs, draw up a work and payment schedule. | 0:09:47 | 0:09:50 | |
'A daily rate doesn't mean paying every day. | 0:09:50 | 0:09:53 | |
'Make sure your work is on schedule before settling up.' | 0:09:53 | 0:09:58 | |
'Virginia's handyman promised a shiny new shower room | 0:10:00 | 0:10:03 | |
'in just seven days. | 0:10:03 | 0:10:05 | |
'But one week in, and after spending a total of £2,200 | 0:10:05 | 0:10:09 | |
'in labour and materials, the work was nowhere near finished.' | 0:10:09 | 0:10:14 | |
What is going on in your mind? | 0:10:15 | 0:10:17 | |
I'm cross, annoyed, hurt. | 0:10:17 | 0:10:20 | |
Feeling silly and not knowing who to turn to. | 0:10:20 | 0:10:24 | |
What would you like to happen down in that basement? | 0:10:24 | 0:10:28 | |
I would like it to be safe. | 0:10:28 | 0:10:30 | |
I would like to feel proud of it and not ashamed of the mess that it is. | 0:10:30 | 0:10:35 | |
'Coming up, I call in an independent chartered surveyor | 0:10:37 | 0:10:40 | |
'who makes a potential deadly discovery.' | 0:10:40 | 0:10:43 | |
The lights installed above the shower could be a lethal installation. | 0:10:44 | 0:10:48 | |
You'd be safer showering in the dark. | 0:10:48 | 0:10:50 | |
We're in Blackley, West Yorkshire, | 0:10:53 | 0:10:55 | |
the home of Fox's biscuits | 0:10:55 | 0:10:57 | |
and Robert Palmer. | 0:10:57 | 0:10:59 | |
You know, the guy who sang Addicted To Love. | 0:10:59 | 0:11:01 | |
Well, I'm the guy who's addicted to biscuits. | 0:11:01 | 0:11:04 | |
'Blackley's also home to legal services director Sarah Wilkinson | 0:11:04 | 0:11:09 | |
'and her partner, government advisor, Alistair Burgess. | 0:11:09 | 0:11:12 | |
'They live on a quiet cul-de-sac with Alistair's daughter Holly, who's at school, | 0:11:12 | 0:11:17 | |
'and Sarah's daughter Sophie.' | 0:11:17 | 0:11:19 | |
Sarah and Alistair met six years ago | 0:11:20 | 0:11:23 | |
when sparks flew at a local martial arts club. | 0:11:23 | 0:11:26 | |
When they got to grips with each other, | 0:11:26 | 0:11:28 | |
love took hold and floored them both. | 0:11:28 | 0:11:30 | |
We both did martial arts as a hobby. | 0:11:30 | 0:11:32 | |
Um...and we were both doing it together for a while | 0:11:32 | 0:11:37 | |
and then we got together. | 0:11:37 | 0:11:39 | |
'Alistair was renting at the time, | 0:11:39 | 0:11:41 | |
'but in 2009, he and his daughter decided to move in with Sarah.' | 0:11:41 | 0:11:46 | |
Sarah and Alistair wanted a two-storey extension | 0:11:46 | 0:11:49 | |
over the driveway to create more space for the family. | 0:11:49 | 0:11:52 | |
The children would have some privacy in having their own rooms, | 0:11:52 | 0:11:55 | |
but we'd have a private part because we'd be separated by a stairwell. | 0:11:55 | 0:11:59 | |
So when a former neighbour recommended her builder, | 0:11:59 | 0:12:03 | |
they decided to check him out. | 0:12:03 | 0:12:05 | |
A friend lives on a development and this builder | 0:12:05 | 0:12:08 | |
was working on one of the houses there. So she recommended him. | 0:12:08 | 0:12:12 | |
Other than go down to the house that he was currently building, | 0:12:12 | 0:12:15 | |
we didn't look anywhere else, we didn't take up any references, | 0:12:15 | 0:12:18 | |
which was probably...where we went wrong at the start. | 0:12:18 | 0:12:22 | |
'Sarah and Alistair booked their builder | 0:12:22 | 0:12:25 | |
'who agreed to construct their dream two-storey extension. | 0:12:25 | 0:12:29 | |
'The additional downstairs space would allow for an office, bigger kitchen and shower room. | 0:12:29 | 0:12:34 | |
'Upstairs, the couple would have a larger bedroom with a new en suite. | 0:12:34 | 0:12:39 | |
'The builder offered no contract and no payment plan, but instead, | 0:12:39 | 0:12:44 | |
'he wanted to be paid whenever he required money during the build. | 0:12:44 | 0:12:48 | |
'The work was due to take three months | 0:12:48 | 0:12:51 | |
'at a total price of £46,700.' | 0:12:51 | 0:12:55 | |
While the work was being carried out, | 0:12:55 | 0:12:58 | |
Sarah decided to move into Alistair's flat. | 0:12:58 | 0:13:00 | |
There were three months left on the lease | 0:13:00 | 0:13:02 | |
and their builder assured them the work would be completed | 0:13:02 | 0:13:06 | |
and their home would be ready to move into. | 0:13:06 | 0:13:09 | |
He gave us a date that he said it would definitely be finished by. | 0:13:09 | 0:13:13 | |
So we gave notice on the flat | 0:13:13 | 0:13:15 | |
and then we booked a holiday to allow us a couple of weeks' leeway | 0:13:15 | 0:13:20 | |
just in case he hadn't finished what he said he was going to do. | 0:13:20 | 0:13:24 | |
'But things did seem to be going well. | 0:13:24 | 0:13:27 | |
'The foundations went in, the walls went up | 0:13:27 | 0:13:29 | |
'and the roof went on without a hitch.' | 0:13:29 | 0:13:31 | |
However, it wasn't long before alarm bells started to ring. | 0:13:31 | 0:13:37 | |
When we were on holiday, I was texting him to ask | 0:13:37 | 0:13:39 | |
if the house was ready to move into when we came back from holiday. | 0:13:39 | 0:13:42 | |
And he just said no. | 0:13:42 | 0:13:44 | |
We later found out he was in Spain on holiday himself. | 0:13:44 | 0:13:46 | |
There was no work being done here while we were away. | 0:13:46 | 0:13:49 | |
Sarah and Alistair were now four months | 0:13:49 | 0:13:51 | |
into what was supposed to be a three-month schedule. | 0:13:51 | 0:13:54 | |
Their hopes of having their fantastic family home finished | 0:13:54 | 0:13:58 | |
were left in ruins. | 0:13:58 | 0:14:00 | |
'With nowhere to live, | 0:14:00 | 0:14:02 | |
'the family was forced to move into their bombsite home. | 0:14:02 | 0:14:05 | |
'Sarah's daughter Sophie remembers it only too well.' | 0:14:05 | 0:14:09 | |
It was a really rocky period | 0:14:09 | 0:14:11 | |
because of how stressed my mum was and how stressed everyone was. | 0:14:11 | 0:14:15 | |
And we were all just living under completely erratic circumstances. | 0:14:15 | 0:14:19 | |
'And things were about to get worse. | 0:14:19 | 0:14:23 | |
'Having finished his bricklaying work, | 0:14:23 | 0:14:25 | |
'their main contractor recommended other tradesmen to finish the interior jobs. | 0:14:25 | 0:14:30 | |
'But Alistair and Sarah believed he would be supervising them. | 0:14:30 | 0:14:33 | |
'They couldn't have been more wrong.' | 0:14:33 | 0:14:36 | |
When he finished his building work, | 0:14:36 | 0:14:37 | |
he abdicated all responsibility for the build. | 0:14:37 | 0:14:40 | |
He wasn't taking any accountability for them. | 0:14:40 | 0:14:42 | |
'With no-one supervising the work, | 0:14:42 | 0:14:45 | |
'mistakes were being made and progress began to slow.' | 0:14:45 | 0:14:49 | |
I would not go out to work | 0:14:49 | 0:14:51 | |
to stay in for the tradesmen to come in. | 0:14:51 | 0:14:54 | |
And people wouldn't come and then I'd just be on the phone constantly. | 0:14:54 | 0:14:58 | |
It was a really, really stressful time. | 0:14:58 | 0:15:01 | |
'This couple had lost control. | 0:15:01 | 0:15:03 | |
'They believed their builder was responsible | 0:15:03 | 0:15:06 | |
'for overseeing the tradesmen, | 0:15:06 | 0:15:08 | |
'but with no contract nailed down, | 0:15:08 | 0:15:10 | |
'the areas of responsibility were, at best, vague. | 0:15:10 | 0:15:13 | |
'Don't this happen to you. Take my tip. | 0:15:13 | 0:15:18 | |
'Ensure your contract specifies exactly what jobs | 0:15:18 | 0:15:21 | |
'and materials your quote includes. | 0:15:21 | 0:15:24 | |
'Discuss the amount of man-hours required to do each job. | 0:15:24 | 0:15:29 | |
'And make sure a realistic cost is included in your contract. | 0:15:29 | 0:15:33 | |
'Remember, adding extra hours and jobs later | 0:15:33 | 0:15:36 | |
'can often work out more expensive.' | 0:15:36 | 0:15:39 | |
'Sarah and Alistair ended up paying | 0:15:41 | 0:15:44 | |
'a massive £20,000 for extra work, | 0:15:44 | 0:15:47 | |
'including the electrics, tiling, plumbing and joinery required | 0:15:47 | 0:15:51 | |
'to fit their new kitchen. | 0:15:51 | 0:15:54 | |
'In total, they'd forked out £61,000. | 0:15:54 | 0:15:58 | |
'But they were unhappy with the general standard of work, | 0:15:58 | 0:16:02 | |
'so they decided to pay no more. | 0:16:02 | 0:16:04 | |
'This their cash-crazy cowboy did not like.' | 0:16:04 | 0:16:07 | |
I found him quite threatening. I ordered him off the property | 0:16:07 | 0:16:10 | |
and told him not to return until he could show me some respect. | 0:16:10 | 0:16:13 | |
I never saw him again. | 0:16:13 | 0:16:15 | |
'Their dream, their home and their bank balance was in tatters.' | 0:16:15 | 0:16:20 | |
The wardrobes, they looked quite good. | 0:16:20 | 0:16:23 | |
But as soon as you used them, they started to fall apart. | 0:16:23 | 0:16:26 | |
Tiles that you can land a plane on, they won't crack, | 0:16:26 | 0:16:29 | |
an eight-stone girl walks on them, they crack. | 0:16:29 | 0:16:32 | |
Nobody's been back to finish it off and to put right the problems. | 0:16:32 | 0:16:36 | |
And nobody's contactable. I've lost complete faith in builders. | 0:16:36 | 0:16:41 | |
It's time for me to meet Sarah and Alistair | 0:16:41 | 0:16:43 | |
and find out how we can help put this sorry situation behind them. | 0:16:43 | 0:16:47 | |
Now, I'm looking for two lovely people called Sarah and Alistair. | 0:16:52 | 0:16:55 | |
-Nice to meet you. -How are you? I'm Clive from Cowboy Trap. | 0:16:55 | 0:16:58 | |
Now, I know you've had problems with an extension. | 0:16:58 | 0:17:01 | |
Looking from the outside, it all looks fine. | 0:17:01 | 0:17:03 | |
I take it the problem's on the inside. | 0:17:03 | 0:17:05 | |
-Do you mind if I look around? -No. -Great. | 0:17:05 | 0:17:07 | |
-You might want to start in here. Into the office. -OK. | 0:17:07 | 0:17:10 | |
-Oh, into the office. -Mm-hm. -Let's have a look. | 0:17:10 | 0:17:13 | |
'This is part of the new extension.' | 0:17:14 | 0:17:17 | |
So it looks like we've got real wood. (What's the rest of it like?) | 0:17:17 | 0:17:21 | |
'Looks all right on the surface.' | 0:17:21 | 0:17:23 | |
I don't know think he's done the floor, though. | 0:17:23 | 0:17:26 | |
These sections should be glued together. | 0:17:27 | 0:17:29 | |
And it looks like to me | 0:17:29 | 0:17:31 | |
that there's a possibility that the floor's not level. | 0:17:31 | 0:17:34 | |
'Next is the kitchen, where first impressions look good. | 0:17:34 | 0:17:37 | |
'But on closer inspection...' | 0:17:37 | 0:17:40 | |
I can see here that... this is on the dishwasher. | 0:17:40 | 0:17:44 | |
That's not sitting back properly. | 0:17:44 | 0:17:46 | |
So that's not fitting right. | 0:17:46 | 0:17:48 | |
'And this corner looks unfinished. | 0:17:48 | 0:17:51 | |
'Worse, though, is the danger lurking here.' | 0:17:51 | 0:17:54 | |
That's an old gas pipe. Look how it's just been capped off. | 0:17:56 | 0:17:59 | |
That needs boxing off completely | 0:17:59 | 0:18:02 | |
or actually terminating below the floor level. | 0:18:02 | 0:18:05 | |
Not just sticking up like that. That's terrible. | 0:18:05 | 0:18:08 | |
(Let's have a look upstairs.) | 0:18:08 | 0:18:10 | |
'Now for the bedroom bodges.' | 0:18:10 | 0:18:13 | |
First thing I notice as I come in, | 0:18:13 | 0:18:15 | |
when I look up at the low-voltage lighting, | 0:18:15 | 0:18:18 | |
we've got two that are offset there. There's absolutely no reason. | 0:18:18 | 0:18:22 | |
Ooh! Looks like somebody's building some wardrobes. | 0:18:22 | 0:18:25 | |
'Or maybe they're part of the problem. | 0:18:25 | 0:18:27 | |
'I really need Sarah to talk me through what's going on | 0:18:27 | 0:18:31 | |
'with this slapdash extension.' | 0:18:31 | 0:18:34 | |
OK. So, in here, we have the kitchen. | 0:18:34 | 0:18:37 | |
Yeah. Now, it's a nice kitchen, this is. | 0:18:37 | 0:18:41 | |
The joiner fitted the kitchen and did all the electrics and plumbing. | 0:18:41 | 0:18:45 | |
'A joiner working on the plumbing and the electrics | 0:18:45 | 0:18:48 | |
'is a recipe for disaster. | 0:18:48 | 0:18:50 | |
'No wonder these lights look so dangerous.' | 0:18:50 | 0:18:53 | |
-Did you check your electrician was qualified? -At the time, no. | 0:18:54 | 0:18:57 | |
-Did you check your gas guy was qualified? -At the time, no. | 0:18:57 | 0:19:00 | |
There's a gas pipe sticking up. | 0:19:00 | 0:19:01 | |
That should have been terminated under the floor. | 0:19:01 | 0:19:04 | |
-I hadn't even noticed that. -It's not good. | 0:19:04 | 0:19:06 | |
'And what about this dishwasher?' | 0:19:06 | 0:19:09 | |
He didn't connect the, um...waste pipe, | 0:19:09 | 0:19:12 | |
so after about a fortnight, it leaked. | 0:19:12 | 0:19:15 | |
We couldn't shut the dishwasher. We couldn't use it. | 0:19:15 | 0:19:18 | |
-So I think the plumber has pulled it out just so we can use it. -Right. | 0:19:18 | 0:19:21 | |
But he's never been back to fix it. | 0:19:21 | 0:19:23 | |
'The trail of the bodge-job joiner doesn't end there.' | 0:19:23 | 0:19:27 | |
The joiner said that he would use the same unit doors... | 0:19:27 | 0:19:33 | |
-Yeah. -..to build cupboards. | 0:19:33 | 0:19:36 | |
I gave him some cash to go and get them. | 0:19:36 | 0:19:39 | |
We've not seen him since. | 0:19:39 | 0:19:41 | |
So he's run off with just short of £1,000. | 0:19:41 | 0:19:44 | |
'I think I need Sarah to talk me through the decidedly-dodgy office.' | 0:19:44 | 0:19:49 | |
The things that stand out for me in here was your wood floor. | 0:19:49 | 0:19:53 | |
-Are there other problems? -Yes. The bookcase. | 0:19:53 | 0:19:55 | |
-It was splitting before we put anything on it. -There's a reason. | 0:19:55 | 0:20:00 | |
He's put the screws in the side here. | 0:20:00 | 0:20:03 | |
It should've actually had hangers under there | 0:20:03 | 0:20:06 | |
so it could sit properly. | 0:20:06 | 0:20:09 | |
All that shelf is relying on are two very small screws. That's not right at all. | 0:20:09 | 0:20:16 | |
That should have had supports, hanger supports, underneath. | 0:20:16 | 0:20:19 | |
'The cowboy catastrophes continue upstairs.' | 0:20:19 | 0:20:23 | |
OK. Now, when I came in here earlier on, the one thing that did stand out | 0:20:23 | 0:20:28 | |
for me was, why were the lights not in line? | 0:20:28 | 0:20:30 | |
They did them all the same. | 0:20:30 | 0:20:33 | |
-Right. -The electrician moved them over when the wardrobes went in. | 0:20:33 | 0:20:37 | |
The wardrobes have got no doors, they're coming off the runners. | 0:20:37 | 0:20:41 | |
In fact, you can't use them. | 0:20:41 | 0:20:43 | |
They don't open. | 0:20:43 | 0:20:45 | |
-We've lived like this for two years. -Wow! | 0:20:45 | 0:20:47 | |
'And in the en suite...' | 0:20:47 | 0:20:48 | |
We've got problems in here... | 0:20:48 | 0:20:52 | |
-Yeah. -..aplenty. | 0:20:52 | 0:20:53 | |
'The grout is coming out, the tiles are cracking, | 0:20:53 | 0:20:57 | |
'and the shower tray looks wonky, for starters.' | 0:20:57 | 0:20:59 | |
It's the foundation. It's happening underneath. | 0:20:59 | 0:21:02 | |
It's not on the right board, for a start, | 0:21:02 | 0:21:05 | |
so it doesn't matter how flexible the adhesive is | 0:21:05 | 0:21:07 | |
and how flexible the grout is, it's not going to stand it. | 0:21:07 | 0:21:11 | |
'There's certainly an accumulation of bodges both below the surface | 0:21:11 | 0:21:15 | |
'and on show around this house. | 0:21:15 | 0:21:18 | |
'All the work of a variety of tradesmen. | 0:21:18 | 0:21:21 | |
'I want to get Sarah and Alistair together to get to the bottom | 0:21:21 | 0:21:24 | |
'of what's been going here.' | 0:21:24 | 0:21:27 | |
Why this particular builder? | 0:21:27 | 0:21:28 | |
What did he say or do that convinced you? | 0:21:28 | 0:21:32 | |
-He was recommended. -A personal recommendation, unfortunately. | 0:21:32 | 0:21:35 | |
Right, so you got to have a look at his work? | 0:21:35 | 0:21:38 | |
-We went and had a look. -The finish looked OK. | 0:21:38 | 0:21:40 | |
OK, so you've ticked a box for me there. | 0:21:40 | 0:21:43 | |
How were the staged payments managed? | 0:21:43 | 0:21:46 | |
He made demands on a weekly basis for cash. | 0:21:46 | 0:21:50 | |
In large sums. | 0:21:50 | 0:21:51 | |
Sometimes it was three, sometimes it was five, sometimes it was ten. | 0:21:51 | 0:21:54 | |
And are you happy to hand the cash over? | 0:21:54 | 0:21:57 | |
Again, naively, we didn't think there was anything | 0:21:57 | 0:22:00 | |
particularly wrong with it. | 0:22:00 | 0:22:02 | |
So we get the building up, are you within your 12 week parameter still? | 0:22:02 | 0:22:05 | |
Not even close. | 0:22:05 | 0:22:06 | |
The shell was here, but there was no internal walls up or anything like that. | 0:22:06 | 0:22:10 | |
As soon as he'd done his bit of the brickwork, | 0:22:10 | 0:22:13 | |
he disappeared then and I think went off on the next job. | 0:22:13 | 0:22:17 | |
-I think that's all he was - a brickie. -And then in came the next phase - | 0:22:17 | 0:22:20 | |
say, the plasterers, the joiner. | 0:22:20 | 0:22:23 | |
He never managed or supervised them. There's no accountability for him once he'd walked. | 0:22:23 | 0:22:27 | |
With their brickie builder off on his next job, | 0:22:27 | 0:22:30 | |
he wasn't checking up on his recommended tiler, | 0:22:30 | 0:22:32 | |
plumber, and joiner, | 0:22:32 | 0:22:34 | |
so mistakes started to occur. | 0:22:34 | 0:22:37 | |
But the biggest error was when Sarah and Alistair | 0:22:37 | 0:22:40 | |
decided to go on holiday. | 0:22:40 | 0:22:42 | |
We gave him an extra two weeks by booking a holiday, | 0:22:42 | 0:22:45 | |
and no work whatsoever was done, to our knowledge, while we were away. | 0:22:45 | 0:22:50 | |
He actually went to Spain! | 0:22:50 | 0:22:51 | |
I wonder whose money he was spending in Spain? Interesting. | 0:22:51 | 0:22:54 | |
So, by this stage, you'd paid him how much? | 0:22:54 | 0:22:57 | |
41,000. | 0:22:57 | 0:22:58 | |
-What had you got? -You couldn't live in it. We were technically homeless. | 0:22:58 | 0:23:02 | |
So you find the builder and said what? | 0:23:02 | 0:23:05 | |
HE contacted us and said, "I need some more money." | 0:23:05 | 0:23:08 | |
I said, "You're not getting more." | 0:23:08 | 0:23:10 | |
The couple had paid a staggering £41,000 | 0:23:10 | 0:23:13 | |
when their builder stopped coming. | 0:23:13 | 0:23:15 | |
They then forked out an additional 20 grand | 0:23:15 | 0:23:19 | |
to the builder's recommended tradesmen. | 0:23:19 | 0:23:21 | |
This £61,000 outlay had bought them a home riddled with problems, | 0:23:21 | 0:23:27 | |
and left their dream in tatters. | 0:23:27 | 0:23:31 | |
What is it that we could do for you to help? | 0:23:31 | 0:23:34 | |
In our bedroom, the wardrobes, they've got no doors on them. | 0:23:34 | 0:23:37 | |
-Yeah, yeah, yeah. -Would be quite nice if clothes were out of sight, | 0:23:37 | 0:23:40 | |
and drawers that work. | 0:23:40 | 0:23:42 | |
And what about the bit round by the utility? | 0:23:42 | 0:23:44 | |
We've no storage room whatsoever, so to actually put a door on the bit | 0:23:44 | 0:23:49 | |
under the stairs would at least give us a little bit of space | 0:23:49 | 0:23:53 | |
where people don't see how many boxes we've still got to unpack! | 0:23:53 | 0:23:57 | |
Well, look, I'll tell you what we'll do, I'll get the good guys in | 0:23:57 | 0:24:00 | |
and we'll see what we can fit in in that allotted time. | 0:24:00 | 0:24:04 | |
But, for now, thanks for talking to us, and I'm sure you've learnt | 0:24:04 | 0:24:08 | |
some really tough lessons. | 0:24:08 | 0:24:10 | |
Pretty painful ones. | 0:24:10 | 0:24:11 | |
It's almost... | 0:24:11 | 0:24:13 | |
It-It-It's almost like, um, | 0:24:13 | 0:24:16 | |
you look at it and you think, | 0:24:16 | 0:24:19 | |
"I'm not going to let these get me," you know? | 0:24:19 | 0:24:23 | |
They have got me. | 0:24:23 | 0:24:25 | |
They don't deserve your laughter, | 0:24:25 | 0:24:27 | |
-they certainly don't deserve your tears. -I know. | 0:24:27 | 0:24:29 | |
There's no two ways about that. | 0:24:29 | 0:24:31 | |
Because it's been such an awful experience that I would never, ever | 0:24:31 | 0:24:34 | |
want to go through again. | 0:24:34 | 0:24:35 | |
It's just been horrendous. | 0:24:35 | 0:24:39 | |
'I'm determined to wipe away these tears | 0:24:39 | 0:24:42 | |
'and turn this house back into a home. | 0:24:42 | 0:24:45 | |
'Coming up, I prove that the good guys are out there, | 0:24:45 | 0:24:48 | |
'when we transform this family home.' | 0:24:48 | 0:24:51 | |
They are majorly better than what was up there before! | 0:24:51 | 0:24:55 | |
'We're travelling back to Brighton, where Virginia Graham | 0:24:57 | 0:25:01 | |
'spent thousands hiring cowboy after cowboy | 0:25:01 | 0:25:04 | |
'to sort her shoddy shower room. | 0:25:04 | 0:25:06 | |
'But it's been left with terrible tiles, lethal lights, | 0:25:06 | 0:25:10 | |
'and pathetic plastering.' | 0:25:10 | 0:25:14 | |
There's so much bodging gone on here, | 0:25:14 | 0:25:16 | |
and I've seen enough of it, to be honest! | 0:25:16 | 0:25:19 | |
So I've called in independent chartered surveyor Stephen Pook, | 0:25:19 | 0:25:22 | |
to come and take a look! | 0:25:22 | 0:25:24 | |
-I know that man! How are you, Steve? -Hello, Clive. | 0:25:34 | 0:25:36 | |
I'm all right, thank you. | 0:25:36 | 0:25:38 | |
Now, you've had a chance to have a look around at the work. | 0:25:38 | 0:25:42 | |
-What is not to your liking? -The plastering is a bit of a nightmare, | 0:25:42 | 0:25:46 | |
the tiling works have been carried out by someone | 0:25:46 | 0:25:50 | |
who probably likes to think they're competent but, in reality, | 0:25:50 | 0:25:53 | |
has very little competence at all. | 0:25:53 | 0:25:55 | |
Aspects I like the least - the electrical installation is suspect. | 0:25:55 | 0:25:59 | |
It doesn't appear to comply with regulations. | 0:25:59 | 0:26:01 | |
Those lights were installed above the shower. | 0:26:01 | 0:26:04 | |
If they weren't provided with the appropriate safety circuits etc, it could be lethal. | 0:26:04 | 0:26:08 | |
You could be covered in water - I can touch it and I'm not the tallest - | 0:26:08 | 0:26:12 | |
and, frankly, you'd be safer showering in the dark. | 0:26:12 | 0:26:14 | |
OK, now, important point for us is work that's been carried out here, | 0:26:14 | 0:26:19 | |
-as I say, it may have been done by many hands, not just one. -Yes. | 0:26:19 | 0:26:24 | |
What mark out of ten would you give the work that you can see? | 0:26:24 | 0:26:29 | |
-Right, in terms of the plastering, I would give two out of ten. -OK. | 0:26:29 | 0:26:33 | |
It's shocking, it's very poor. | 0:26:33 | 0:26:35 | |
The electrical installation, I would give zero out of ten. | 0:26:35 | 0:26:38 | |
OK, so we're going to fall on the zero out of ten | 0:26:38 | 0:26:42 | |
for the electrical work, and two out of ten for the best bodge, the plastering. | 0:26:42 | 0:26:46 | |
-Yes. -But the rest of it is also a zero? | 0:26:46 | 0:26:49 | |
Rest of it is poor, very poor indeed. | 0:26:49 | 0:26:50 | |
Stephen's report is a crucial piece of information. | 0:26:50 | 0:26:54 | |
Now for action! | 0:26:54 | 0:26:56 | |
And what I really want to do is get Virginia's life back on track | 0:26:56 | 0:27:00 | |
by putting this basement right. | 0:27:00 | 0:27:02 | |
So, I'm going to cordon it off, | 0:27:02 | 0:27:05 | |
and the only people allowed past the tape are the good guys and myself. | 0:27:05 | 0:27:10 | |
'Local builder Neil Horton is here to sort out this shower room. | 0:27:12 | 0:27:16 | |
'With tools at the ready, Neil's team is set to get cracking.' | 0:27:16 | 0:27:21 | |
Hey, it's the big man! | 0:27:22 | 0:27:24 | |
-You must be Neil! -Hi, Clive, nice to meet you. | 0:27:24 | 0:27:27 | |
-How are you, mate? -Not bad, not bad! | 0:27:27 | 0:27:29 | |
What have you seen on this build that you're not happy with? | 0:27:29 | 0:27:32 | |
The lights is the big one for me, I think. They're not IP rated, very dangerous, I think, in the shower. | 0:27:32 | 0:27:37 | |
Touch them in the shower, that could be it. | 0:27:37 | 0:27:40 | |
So we need to change them, | 0:27:40 | 0:27:41 | |
update the fuseboard, do quite a bit of carpentry, | 0:27:41 | 0:27:44 | |
replaster the whole place, and also, put an extractor fan in as well. | 0:27:44 | 0:27:48 | |
-Of course! Never thought about that. -Bit of ventilation and new regs that come in October. -Yeah. | 0:27:48 | 0:27:52 | |
-New ceiling going in I think. -Oh, OK. | 0:27:52 | 0:27:54 | |
Yeah, take up the floor, level it all out, put the toilet back down, | 0:27:54 | 0:27:58 | |
re-tile it, make it look nice and decorate it for the lady. | 0:27:58 | 0:28:01 | |
Fantastic! Now, that is exactly what we want! | 0:28:01 | 0:28:03 | |
Good man! I'll let you carry on having a look at that. | 0:28:03 | 0:28:05 | |
Don't worry too much about the outside, I think it's just age, a bit like meself, you know? | 0:28:05 | 0:28:10 | |
-Cracking up! See you, mate! -Cheers. | 0:28:10 | 0:28:12 | |
'Coming up, I can't wait to show Virginia her shiny new shower room.' | 0:28:12 | 0:28:18 | |
Look at the shower, it's gorgeous! | 0:28:18 | 0:28:20 | |
'In Batley, West Yorkshire, Sarah Wilkinson and Alistair Burgess | 0:28:23 | 0:28:26 | |
'hired a recommended contractor to build their dream extension. | 0:28:26 | 0:28:31 | |
'They thought he was overseeing the tradesmen he introduced to the job. | 0:28:31 | 0:28:35 | |
'But after their builder stopped coming, | 0:28:35 | 0:28:37 | |
'and they had forked out 61 grand, | 0:28:37 | 0:28:40 | |
'they've been left with a house chock-full of dodgy work.' | 0:28:40 | 0:28:45 | |
There are a catalogue of builder bodges around this property, | 0:28:45 | 0:28:48 | |
so I've asked independent chartered building surveyor Colin Harrap | 0:28:48 | 0:28:52 | |
to cast his expert eye across this extraordinary extension. | 0:28:52 | 0:28:56 | |
-Hello, Mr Harrap! -Hello, Clive, how are you? -How are you, sir? | 0:29:06 | 0:29:09 | |
Um, I've got to be honest. | 0:29:09 | 0:29:11 | |
First of all, I'm just going to tell you where I am. | 0:29:11 | 0:29:13 | |
Brick work is fine. | 0:29:13 | 0:29:16 | |
Everything else, got to be honest, dodgy. | 0:29:16 | 0:29:19 | |
I think when you probe a bit deeper and have a look at | 0:29:19 | 0:29:22 | |
the standards of finishes, some of the things that have gone on, | 0:29:22 | 0:29:25 | |
the little bits and bobs, they soon add up. | 0:29:25 | 0:29:27 | |
And you soon start to think, | 0:29:27 | 0:29:28 | |
"This just hasn't been finished off properly | 0:29:28 | 0:29:31 | |
"by someone who knows all the different trades, as well as the brickwork they've done." | 0:29:31 | 0:29:35 | |
Bearing that in mind, what score out of ten would you give the work carried out inside the property? | 0:29:35 | 0:29:40 | |
Inside, certainly, I wouldn't give it much more | 0:29:40 | 0:29:43 | |
than a sort of three out of ten score. | 0:29:43 | 0:29:45 | |
For me, I think that is a generous score, | 0:29:45 | 0:29:48 | |
but three out of ten is what it shall be. | 0:29:48 | 0:29:50 | |
-Thank you very much, sir. -Thank you, Clive. | 0:29:50 | 0:29:53 | |
'With the low-down on that low-scoring work, | 0:29:53 | 0:29:56 | |
'I now know exactly what's needed.' | 0:29:56 | 0:29:58 | |
So I'm going to tape this area off, declare it a no-go zone, | 0:29:58 | 0:30:02 | |
and I think it's now time to get the good guys in. | 0:30:02 | 0:30:06 | |
'We've called in local builder Darren Haymer to get stuck into this job. | 0:30:08 | 0:30:12 | |
'Sarah and Alistair want their woodwork sorted. | 0:30:12 | 0:30:16 | |
'Darren has brought his joiner along too. | 0:30:16 | 0:30:18 | |
-'I'm keen to hear about their plans.' -How are you? | 0:30:18 | 0:30:21 | |
-Hi are you? Good to see you, Darren. And you are? -Kevin. -Hi, I'm Clive. | 0:30:21 | 0:30:26 | |
What is the overall plan? Go through that one with me again. | 0:30:26 | 0:30:29 | |
The drawers need remaking and fixing. | 0:30:29 | 0:30:31 | |
New lever doors would be nice. There's a badly fitted flooring in the office. | 0:30:31 | 0:30:35 | |
-Shelving is inadequate. -And what about in kitchen, off the utility? | 0:30:35 | 0:30:41 | |
Some new doors to fit under the stairs which weren't finished off. | 0:30:41 | 0:30:44 | |
I'll let you carry on talking drawers. Cheers, boys. | 0:30:44 | 0:30:49 | |
'But when it comes to wonky woodwork, it doesn't take long for the good guys | 0:30:49 | 0:30:54 | |
'to strip out the botched job joinery and put things straight. | 0:30:54 | 0:30:59 | |
'Sarah and Alistair are still living at home | 0:30:59 | 0:31:02 | |
'and after just two days, they are already thrilled by the progress.' | 0:31:02 | 0:31:06 | |
They've been brilliant. Really good. | 0:31:06 | 0:31:08 | |
They've turned up on time, done what they said they were going to do. | 0:31:08 | 0:31:12 | |
This time, it's been a pleasant experience, generally. | 0:31:12 | 0:31:15 | |
There is light at the end of the tunnel now. | 0:31:18 | 0:31:21 | |
'While the good guys keep cracking on with the job, | 0:31:21 | 0:31:24 | |
'I want to help Sarah and Alistair put their cowboy builder | 0:31:24 | 0:31:28 | |
'and this whole sorry saga behind them.' | 0:31:28 | 0:31:32 | |
-When was the last time you spoke to your builder? -September 2009. | 0:31:32 | 0:31:38 | |
We are giving him the opportunity with a call of a right to reply. | 0:31:38 | 0:31:42 | |
Who is going to grab the mantle? | 0:31:42 | 0:31:46 | |
I think that's over to you. | 0:31:46 | 0:31:48 | |
-I don't particular want to speak to him again. -OK. | 0:31:48 | 0:31:51 | |
So, here we go, let's call him. | 0:31:51 | 0:31:54 | |
Hello, it's Alistair Burgess from Batley. | 0:31:56 | 0:31:59 | |
I've got the BBC with me doing a review of the work that's been done. | 0:31:59 | 0:32:04 | |
Basically, they've commented on some pieces of your work. | 0:32:04 | 0:32:09 | |
Hello? | 0:32:09 | 0:32:12 | |
-Hello? He's hung up. -OK, that's a shame. | 0:32:12 | 0:32:17 | |
Rather than face the music, | 0:32:17 | 0:32:20 | |
he decides to put the phone down and do a disappearing act. | 0:32:20 | 0:32:24 | |
-It's the cowardice that runs within him, I'm afraid. -Yes. -He's got his money. -Exactly. | 0:32:24 | 0:32:29 | |
'We did manage to contact the builder | 0:32:29 | 0:32:33 | |
'who claimed Sarah and Alistair owe him £7,000 | 0:32:33 | 0:32:37 | |
'and stated he's never had any complaints about his previous jobs | 0:32:37 | 0:32:41 | |
'and said this couple's problems are due to poor joinery work. | 0:32:41 | 0:32:45 | |
'Something he denied has any responsibility for. | 0:32:45 | 0:32:49 | |
'Well, thank heavens for the good guys. | 0:32:49 | 0:32:53 | |
'Sarah and Alistair wanted their storage sorted. | 0:32:53 | 0:32:58 | |
'Our lads have done them proud. | 0:32:58 | 0:33:00 | |
'With the job finished, time to find out what Sarah and Alistair think. I can't wait!' | 0:33:01 | 0:33:08 | |
-What are you hoping for? -A nice office, | 0:33:08 | 0:33:11 | |
nice working conditions. A nice bedroom. | 0:33:11 | 0:33:15 | |
Somewhere without the shelves on the floor. | 0:33:15 | 0:33:17 | |
-And somewhere to hang the clothes up. -Office first. -Right. -Let's go. | 0:33:17 | 0:33:22 | |
'Although they've been living here, | 0:33:22 | 0:33:25 | |
'we've managed to keep the finishing touches a secret.' | 0:33:25 | 0:33:28 | |
Oh, that's fabulous. That is so much better. | 0:33:28 | 0:33:31 | |
-I'm really pleased, thank you. -That is so much better, isn't it? | 0:33:31 | 0:33:35 | |
-It makes the room look bigger. -Yeah! | 0:33:35 | 0:33:37 | |
'Before, the wooden shelves bowed under the weight. | 0:33:37 | 0:33:41 | |
'These new stronger shelves are more practical for the storage needs in a busy family home.' | 0:33:41 | 0:33:47 | |
Now the flooring, I have to say, is laminate. | 0:33:47 | 0:33:50 | |
So your original flooring was wood. | 0:33:50 | 0:33:53 | |
The problem with that, you can sometimes get indentation marks. | 0:33:53 | 0:33:57 | |
It was quite badly scratched, the other one. | 0:33:57 | 0:33:59 | |
-It just looks like real wood. -It does. | 0:33:59 | 0:34:01 | |
-Looking good. Looking good so far, Alistair, yeah? -Yeah, it's nice, an excellent room. | 0:34:01 | 0:34:06 | |
So our next move then is to go and take a look up in the bedrooms. | 0:34:06 | 0:34:10 | |
Let's go, come on, onward and upward! | 0:34:10 | 0:34:13 | |
Oh, brilliant. Look at these. | 0:34:15 | 0:34:18 | |
It is slightly different because it was going to be a bespoke wardrobe, which is what you wanted originally. | 0:34:18 | 0:34:24 | |
But I think they are just so suitable for this room. | 0:34:24 | 0:34:27 | |
They are majorly better than what was up there before! | 0:34:27 | 0:34:30 | |
-Yeah, that wasn't difficult, was it?! -It wasn't. -No. | 0:34:30 | 0:34:34 | |
-They really... We've got so much space in here. Again. -Yeah. | 0:34:34 | 0:34:37 | |
-It gives you that feeling... Before, you had drawers on the floor. -I know. -Yeah. | 0:34:37 | 0:34:41 | |
Mornings were a nightmare trying to get across in the dark without tripping on something. | 0:34:41 | 0:34:46 | |
'All this clutter and these clothes are now tastefully hidden away. | 0:34:46 | 0:34:51 | |
'And behind these doors are new drawers to keep their drawers tidy!' | 0:34:52 | 0:34:57 | |
Now, in the girls' bedrooms, | 0:34:58 | 0:35:01 | |
we've managed to salvage the original wardrobes. | 0:35:01 | 0:35:04 | |
-Do you want to check those out as well? -Yeah, that would be good. -Come on. | 0:35:04 | 0:35:09 | |
-Wow! -It's now got the closures on it. | 0:35:09 | 0:35:12 | |
-Yeah. -Much better, isn't it? -Yeah, that's much better. | 0:35:12 | 0:35:15 | |
The same has happened in the other bedroom as well. | 0:35:15 | 0:35:18 | |
We've done exactly the same. All been nicely sanded down, painted up. | 0:35:18 | 0:35:23 | |
-Oh, good. -It looks so much better. | 0:35:23 | 0:35:25 | |
-So there's only one thing left to look at now and that's the kitchen. -OK. -OK. | 0:35:25 | 0:35:30 | |
'In the kitchen, the dodgy electrics are now fixed | 0:35:31 | 0:35:35 | |
'and the spotlights are on. But that's just the start.' | 0:35:35 | 0:35:40 | |
Now, do you remember this bit under here? | 0:35:40 | 0:35:43 | |
-That's great. -It was a minefield. -That is really good. | 0:35:43 | 0:35:47 | |
'Before, a dangerous gas pipe stuck out above the floorboards. | 0:35:47 | 0:35:51 | |
'And all this clutter was out on view.' | 0:35:51 | 0:35:54 | |
The door being there hides a multitude of sins as well, doesn't it? | 0:35:54 | 0:35:57 | |
-Oh, it does. We've got a storeroom now instead of just a... -Hole. -A hole. -Yeah. | 0:35:57 | 0:36:01 | |
Come with me. The light will come on. | 0:36:01 | 0:36:04 | |
'This light has a movement sensor.' | 0:36:04 | 0:36:06 | |
-Shazam. -HE CHORTLES | 0:36:06 | 0:36:09 | |
-Oh, brilliant. -As if by magic. -Oh, that's great. | 0:36:09 | 0:36:12 | |
Finally, we don't have to look at that eyesore. | 0:36:12 | 0:36:14 | |
'Eyesore indeed. | 0:36:14 | 0:36:17 | |
'I'm so glad the good guys have covered up the boiler.' | 0:36:17 | 0:36:20 | |
-Much better all round? -Oh, much better. | 0:36:20 | 0:36:22 | |
So, is everybody happy at this stage? | 0:36:22 | 0:36:25 | |
Definitely. Definitely. | 0:36:25 | 0:36:27 | |
Get the kettle on. | 0:36:27 | 0:36:28 | |
-THEY LAUGH -Come on! Semi-skimmed milk, one sugar. | 0:36:28 | 0:36:33 | |
'Back in Brighton, | 0:36:35 | 0:36:37 | |
'actress Virginia Graham's dream of a sparkling shower room | 0:36:37 | 0:36:40 | |
'was shot to pieces by not one, but a corral full of cowboys. | 0:36:40 | 0:36:46 | |
'Her final attempt to sort things out using a recommended handyman | 0:36:46 | 0:36:50 | |
'left her another two grand out of pocket. | 0:36:50 | 0:36:53 | |
'Just as well we brought in the good guys to lasso this job into line. | 0:36:53 | 0:36:58 | |
'Since arriving, they've ripped out the rotten work, | 0:37:01 | 0:37:05 | |
'flattened that uneven floor and installed an extractor fan. | 0:37:05 | 0:37:09 | |
'They've even put right the pathetic plaster job and fitted woodwork | 0:37:09 | 0:37:14 | |
'to recreate the old-fashioned feel Virginia longed for. | 0:37:14 | 0:37:18 | |
-'She's thrilled at the progress.' -It's been absolutely fantastic. | 0:37:18 | 0:37:22 | |
They've been a great bunch of guys, they really, really have. | 0:37:22 | 0:37:25 | |
And it's been so exciting to watch it finally come to fruition | 0:37:25 | 0:37:30 | |
and not be the terrible mess it was. | 0:37:30 | 0:37:32 | |
'And there's still plenty to be done.' | 0:37:32 | 0:37:35 | |
This morning, we are tiling the walls in the shower room, | 0:37:35 | 0:37:38 | |
tiling the floor, putting the architraves on the wall | 0:37:38 | 0:37:42 | |
ready for the painters to be done, and general prepping | 0:37:42 | 0:37:45 | |
for the decoration to be done on Monday. | 0:37:45 | 0:37:47 | |
'It's reassuring to know the good guys are here making this room safe, | 0:37:49 | 0:37:54 | |
'especially when it comes to these dangerous unsealed lights | 0:37:54 | 0:37:58 | |
'so close to the shower. They could have put Virginia at real risk. | 0:37:58 | 0:38:02 | |
'Her last cowboy charged her over £2,000 | 0:38:02 | 0:38:06 | |
'and was meant to sort the shower room out once and for all. | 0:38:06 | 0:38:09 | |
'I reckon she was lucky he DIDN'T finish the job, | 0:38:09 | 0:38:12 | |
'or those dangers might have gone undetected. | 0:38:12 | 0:38:15 | |
'Thank goodness for the good guys. | 0:38:19 | 0:38:21 | |
'It's time to check what they've been up to. | 0:38:21 | 0:38:23 | |
'I'm sure this shower room's scrubbed up nicely. | 0:38:23 | 0:38:27 | |
'The last few finishing touches have been added | 0:38:27 | 0:38:30 | |
'and our boys are now heading off.' | 0:38:30 | 0:38:33 | |
I can see pink. Let's find out what's been going on in there. | 0:38:33 | 0:38:37 | |
Oh, yeah. What a difference. | 0:38:38 | 0:38:40 | |
Come on! | 0:38:43 | 0:38:44 | |
What a difference. | 0:38:44 | 0:38:46 | |
The first thing I noticed straightaway - | 0:38:46 | 0:38:49 | |
the floor, if you remember, we had that little step... | 0:38:49 | 0:38:51 | |
I don't know, about 15 mill? | 0:38:51 | 0:38:54 | |
That's gone, that's all nice and smooth now, into the toilet. | 0:38:54 | 0:38:57 | |
I'm loving all this. This has been done out nicely. | 0:38:59 | 0:39:02 | |
That looks like picture framing or picture rails, | 0:39:02 | 0:39:04 | |
so they've done nicely, there. | 0:39:04 | 0:39:06 | |
That's wonderfully mitred, too. The light fitting's gone. | 0:39:06 | 0:39:10 | |
-HE CHUCKLES -It's gone there. | 0:39:10 | 0:39:12 | |
New boiler! | 0:39:13 | 0:39:15 | |
Yeah, yeah, yeah, yeah, YEAH! | 0:39:15 | 0:39:17 | |
Let's have a look in the shower room. Yeah. | 0:39:17 | 0:39:21 | |
Shower's in, shower door's in. | 0:39:21 | 0:39:24 | |
We've got a new chrome upstand to that tap. | 0:39:26 | 0:39:29 | |
The tap's got a little duck on top of it. | 0:39:29 | 0:39:31 | |
That looks really neat, all been finished off lovely. | 0:39:31 | 0:39:34 | |
I tell you what, that ticks all t'boxes. | 0:39:34 | 0:39:37 | |
'Now, there's a man I'd like to thank.' | 0:39:38 | 0:39:41 | |
Not perusing paperwork, are you, Neil? | 0:39:44 | 0:39:46 | |
-Hello, Clive. -All right, son? -Not bad, mate, yourself? -Good, mate, I'm fine. | 0:39:46 | 0:39:50 | |
-Now, the job looks amazing, I have to say. -Thank you very much. | 0:39:50 | 0:39:53 | |
Just talk us through exactly what, first of all, | 0:39:53 | 0:39:55 | |
problems you may have come across, | 0:39:55 | 0:39:57 | |
and, secondly, what you actually did to put all that right. | 0:39:57 | 0:40:00 | |
What we did, we found the floor was on two different levels, | 0:40:00 | 0:40:04 | |
so we re-fixed the subfloor, we re-tiled the whole floor lovely. | 0:40:04 | 0:40:07 | |
Inside the shower, the tiles were cut incorrectly, | 0:40:07 | 0:40:10 | |
so we've had that all redone, we've re-plastered the whole area, | 0:40:10 | 0:40:13 | |
we've put a new multi-point water heater in for the lady, | 0:40:13 | 0:40:16 | |
with a new balance flue outside. | 0:40:16 | 0:40:17 | |
-OK. -We cored through the wall, put an extractor fan in there for her | 0:40:17 | 0:40:21 | |
to cover her for the building regs. We've changed all the lights to IP-rated lights | 0:40:21 | 0:40:25 | |
-and decorated the whole place. -It looks fab. -Thank you very much. | 0:40:25 | 0:40:28 | |
It looks absolutely fab, mate. Such a difference. It's a transformation. | 0:40:28 | 0:40:32 | |
But the main thing is, now, that it's safe as well, which is the absolutely critical thing. | 0:40:32 | 0:40:36 | |
Do you know what, mate? All I can say is lovely-jubbly. | 0:40:36 | 0:40:39 | |
-Lovely. Thanks, Clive. -Cracking job. | 0:40:39 | 0:40:41 | |
I let you carry on looking through the paperwork. See you later, mate. | 0:40:41 | 0:40:44 | |
'There's one approval I still need, though - | 0:40:44 | 0:40:47 | |
'Virginia's.' | 0:40:47 | 0:40:49 | |
SHE GASPS Wow. Amazing. Absolutely amazing. | 0:40:55 | 0:41:00 | |
-It's so beautiful. -(What a difference.) | 0:41:00 | 0:41:02 | |
I know. | 0:41:02 | 0:41:04 | |
-It's gone from Grey Gardens to House And Gardens. -Yeah. | 0:41:04 | 0:41:08 | |
-It just looks amazing now, doesn't it? -A few things have changed. | 0:41:08 | 0:41:11 | |
Do you remember that step down into the toilet? | 0:41:11 | 0:41:13 | |
Yes, but look at the shower. | 0:41:13 | 0:41:15 | |
It's gorgeous. Look at it. | 0:41:15 | 0:41:17 | |
Absolutely wonderful. See, and the little sink... | 0:41:17 | 0:41:21 | |
The whole thing. | 0:41:21 | 0:41:23 | |
The woodwork... It's beautiful. Looks really old-fashioned, but new. | 0:41:24 | 0:41:28 | |
It does. It is amazing. And you've got, I think, one of the most important things - | 0:41:28 | 0:41:32 | |
a new boiler. | 0:41:32 | 0:41:33 | |
SHE LAUGHS | 0:41:33 | 0:41:35 | |
A brand-new boiler, which is fantastic, too, | 0:41:35 | 0:41:37 | |
so this whole area now, the way it's been painted. | 0:41:37 | 0:41:41 | |
State-of-the-art. It's lovely, it really is. | 0:41:41 | 0:41:44 | |
-It just looks amazing. Do you like it? -Love it. | 0:41:44 | 0:41:47 | |
If it gets the thumbs-up from Virginia, then I'm really happy. | 0:41:47 | 0:41:51 | |
-I'm really happy. Lovely to meet you. -And you. Thank you. | 0:41:51 | 0:41:54 | |
You take good care. Enjoy that shower. | 0:41:54 | 0:41:57 | |
-See you, Virginia. -Yes, thank you. | 0:41:57 | 0:41:59 | |
'Before we brought in the good guys, the shower room was a shocker, | 0:41:59 | 0:42:04 | |
'but our transformation has made Virginia's dream come true. | 0:42:04 | 0:42:08 | |
'We've fixed the floor tiles, put right the pathetic plasterwork, | 0:42:08 | 0:42:13 | |
'and made safe those dangerous electrics. | 0:42:13 | 0:42:17 | |
'At last, a shiny shower room Virginia can be proud of.' | 0:42:17 | 0:42:23 | |
I hope you'll agree, that job is a top job and no mistake. | 0:42:23 | 0:42:26 | |
The good guys are out there if you do your research, | 0:42:26 | 0:42:29 | |
but to all those cowboy builders out there, I have a message for you - | 0:42:29 | 0:42:33 | |
don't go looking over your shoulder, because we're right behind you. | 0:42:33 | 0:42:37 | |
'If you've had a problem with builders | 0:42:37 | 0:42:39 | |
'and you would like to tell your story on Cowboy Trap, | 0:42:39 | 0:42:42 | |
'then please call us on...' | 0:42:42 | 0:42:44 | |
'Help us round up the cowboys.' | 0:42:57 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:10 |