Browse content similar to Episode 15. Check below for episodes and series from the same categories and more!
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We're on a mission to rescue homeowners across the UK | 0:00:08 | 0:00:10 | |
from the misery left behind by cowboy builders. | 0:00:10 | 0:00:14 | |
I was brought up to trust people and you can't anymore. | 0:00:14 | 0:00:18 | |
He took me for everything I'd got. | 0:00:18 | 0:00:21 | |
With their shoddy workmanship or downright lies, | 0:00:21 | 0:00:24 | |
cowboy builders are unscrupulous villains who not only | 0:00:24 | 0:00:27 | |
destroy dreams, they wreck lives too. | 0:00:27 | 0:00:30 | |
It's been very stressful | 0:00:30 | 0:00:31 | |
and that has taken a toll on my health as well. | 0:00:31 | 0:00:33 | |
When you see this shoddy approach to finishing, then you think, | 0:00:33 | 0:00:36 | |
what else haven't they done? | 0:00:36 | 0:00:38 | |
And when you look around the rest of the job, everything, | 0:00:38 | 0:00:40 | |
they haven't done everything right. | 0:00:40 | 0:00:42 | |
We've got the Good Guys in our party to help turn these botched builds | 0:00:42 | 0:00:45 | |
into ideal homes. | 0:00:45 | 0:00:47 | |
-Oh, my goodness. What a beautiful job. -What a difference. | 0:00:49 | 0:00:55 | |
-How different does your garden feel now? -110%. -Does it? -Yeah. | 0:00:55 | 0:01:00 | |
It's just opened everything up now. It just looks so much better. | 0:01:00 | 0:01:03 | |
You know, even the smartest people forget basic common sense | 0:01:03 | 0:01:06 | |
when they have the builders in, which is why the next 45 minutes | 0:01:06 | 0:01:10 | |
is the cautionary tale that can help keep you out of the Cowboy Trap. | 0:01:10 | 0:01:13 | |
Today's Cowboy Trap is a stern lesson in trust, | 0:01:23 | 0:01:26 | |
or rather how when it comes to building work, trust no-one. | 0:01:26 | 0:01:30 | |
Both our stories are proof that if you take your builder at face | 0:01:30 | 0:01:33 | |
value and let them get on with it, you'll live to regret it later. | 0:01:33 | 0:01:37 | |
He started to get very nasty. | 0:01:37 | 0:01:39 | |
I said, "You know, I'm beginning to wish | 0:01:39 | 0:01:41 | |
"I'd never even had this job done." | 0:01:41 | 0:01:44 | |
He said, "I wished I'd never set eyes on you." | 0:01:44 | 0:01:47 | |
Cowboy builders prey on vulnerable people. | 0:01:47 | 0:01:50 | |
And that is how they get away with doing the shoddy work that they do. | 0:01:52 | 0:01:56 | |
Later, we tell the story of a homeowner who paid a friend's son | 0:01:56 | 0:02:00 | |
to build her patio with distressing consequences. | 0:02:00 | 0:02:03 | |
But first, a Cowboy Trap saga featuring a house in Romford, | 0:02:03 | 0:02:06 | |
a large town in Greater London. | 0:02:06 | 0:02:08 | |
Romford is famous for its market, the 1980s band, Five Star, | 0:02:08 | 0:02:12 | |
and its thriving nightlife. | 0:02:12 | 0:02:14 | |
But there can be little doubt that its main claim to fame | 0:02:14 | 0:02:17 | |
has a grittier feel... greyhound racing. | 0:02:17 | 0:02:19 | |
The greyhound stadium here is the last remaining | 0:02:20 | 0:02:23 | |
dog track in East London but even today, | 0:02:23 | 0:02:25 | |
there are still six race meetings here every week. | 0:02:25 | 0:02:28 | |
Now believe it or not, back in the 1930s, | 0:02:28 | 0:02:31 | |
they tried racing cheetahs here. | 0:02:31 | 0:02:33 | |
They shipped the animals in especially from Kenya, | 0:02:33 | 0:02:36 | |
but for some reason, cheetah racing never really took off. | 0:02:36 | 0:02:40 | |
I suppose it went to the dogs, | 0:02:40 | 0:02:41 | |
a bit like today's building project which ended up a right dog's dinner. | 0:02:41 | 0:02:45 | |
The unlucky victims live in this end terrace. | 0:02:47 | 0:02:50 | |
It's home to Margaret Sutton, her daughter, Tracy, their puppy, | 0:02:50 | 0:02:53 | |
Millie, and believe it or not, a host of chickens. | 0:02:53 | 0:02:57 | |
Tracy is Margaret's carer and they've always been close. | 0:02:57 | 0:03:00 | |
Tracy's support has been especially important over the past year | 0:03:00 | 0:03:03 | |
because Margaret has had to cope with the loss of her much | 0:03:03 | 0:03:06 | |
loved husband, Charlie. | 0:03:06 | 0:03:08 | |
Charlie was diagnosed with Parkinson's disease in 2007 | 0:03:08 | 0:03:11 | |
and he finally passed away on New Year's Eve 2012. | 0:03:11 | 0:03:16 | |
We did everything together. We were a very devoted couple. | 0:03:16 | 0:03:21 | |
We did everything together. | 0:03:21 | 0:03:23 | |
We made decisions together as it should be. | 0:03:23 | 0:03:27 | |
My dad was the best dad in the world. Sorry. | 0:03:27 | 0:03:31 | |
He would spend hours playing finger mouse with me as a child. | 0:03:31 | 0:03:35 | |
That's my first memory of my dad. He taught me to play cards and win. | 0:03:35 | 0:03:40 | |
Until you lose somebody, | 0:03:41 | 0:03:43 | |
you don't realise how much your family mean to you. | 0:03:43 | 0:03:47 | |
Six years ago, when Charlie was still in good health, | 0:03:49 | 0:03:52 | |
he and Margaret decided to invest some money on the house. | 0:03:52 | 0:03:56 | |
They needed a drive for Tracy's car and that's not all. | 0:03:56 | 0:03:59 | |
Charlie had long dreamt of having a decent garage. | 0:03:59 | 0:04:02 | |
The one they had was so small, it was completely unusable, | 0:04:02 | 0:04:05 | |
as more than one smashed wing mirror vouched for. | 0:04:05 | 0:04:08 | |
So, when Charlie's brother left them some money in his will, | 0:04:08 | 0:04:11 | |
it was a once-in-a-lifetime opportunity | 0:04:11 | 0:04:13 | |
to make that dream come true. | 0:04:13 | 0:04:15 | |
We've never had a lot of money, we never have been financially well off. | 0:04:15 | 0:04:21 | |
We've struggled. | 0:04:21 | 0:04:22 | |
When he did get a little bit of money, | 0:04:22 | 0:04:24 | |
it was left to him by his brother. | 0:04:24 | 0:04:26 | |
We then wanted to do something else to improve the house. | 0:04:26 | 0:04:30 | |
The Suttons set about finding a suitable builder. | 0:04:30 | 0:04:34 | |
Margaret's sister had hired someone to do some work and she was | 0:04:34 | 0:04:36 | |
happy with it, so that builder was their first port of call. | 0:04:36 | 0:04:40 | |
He came and gave us a quote because we went round | 0:04:41 | 0:04:44 | |
and looked at his work and were quite impressed with it. | 0:04:44 | 0:04:47 | |
The builder quoted £13,525. | 0:04:49 | 0:04:52 | |
That was to pay for the front drive, replace the side fence | 0:04:52 | 0:04:56 | |
and dismantle the old garage, building a new one in its place. | 0:04:56 | 0:04:59 | |
The Suttons didn't get any other references. | 0:04:59 | 0:05:02 | |
There was no written contract and no schedule of works. | 0:05:02 | 0:05:06 | |
The builder just said the job would take as long as it takes. | 0:05:06 | 0:05:09 | |
Oh, dear. | 0:05:09 | 0:05:10 | |
Take my advice, before giving your builder the green light, | 0:05:12 | 0:05:15 | |
always draw up a detailed contract. | 0:05:15 | 0:05:18 | |
It should include a payment schedule and state you'll only pay | 0:05:18 | 0:05:21 | |
if you're happy with the work at each stage. | 0:05:21 | 0:05:24 | |
And it has to have a fixed completion date | 0:05:24 | 0:05:27 | |
with a lump sum paid at that point | 0:05:27 | 0:05:29 | |
if the work's been finished to your 100% satisfaction. | 0:05:29 | 0:05:32 | |
Margaret and Charlie's builder and his team started work in December 2007. | 0:05:35 | 0:05:40 | |
They seemed a really friendly bunch | 0:05:40 | 0:05:42 | |
and the whole family were excited about Charlie's dream coming true. | 0:05:42 | 0:05:46 | |
But sadly, that excitement was short-lived. | 0:05:46 | 0:05:50 | |
Soon after the build started, the Suttons were dealt a terrible blow. | 0:05:50 | 0:05:53 | |
Charlie was diagnosed with Parkinson's disease | 0:05:53 | 0:05:55 | |
and as his condition began to worsen, | 0:05:55 | 0:05:58 | |
the build had to take second place. | 0:05:58 | 0:06:00 | |
The Suttons felt they had such a good relationship | 0:06:00 | 0:06:02 | |
with the builders, they could trust them and leave them to it. | 0:06:02 | 0:06:05 | |
How wrong they were. | 0:06:05 | 0:06:07 | |
The Suttons' garage and drive were finished in February 2008 | 0:06:07 | 0:06:10 | |
and on the surface, it looked like all had gone well. | 0:06:10 | 0:06:14 | |
But first impressions can be deceptive. | 0:06:14 | 0:06:17 | |
We were pleased because they did the path, the front drive | 0:06:17 | 0:06:21 | |
and all looked really nice and it looked like they'd done a good job. | 0:06:21 | 0:06:24 | |
However, it didn't take long for problems to emerge. | 0:06:26 | 0:06:29 | |
The first problem we had was the front drive started sinking | 0:06:29 | 0:06:34 | |
under one of the cars. | 0:06:34 | 0:06:36 | |
We phoned him up to ask him to come back and he didn't come back. | 0:06:36 | 0:06:41 | |
He said he was going to come and he didn't. | 0:06:41 | 0:06:43 | |
And that wasn't all. | 0:06:43 | 0:06:45 | |
Margaret noticed mould growing on the ceiling | 0:06:45 | 0:06:47 | |
and there was notable frost on the walls too. | 0:06:47 | 0:06:49 | |
Charlie's health was deteriorating fast | 0:06:49 | 0:06:52 | |
so there was no way he could use the garage in that state. | 0:06:52 | 0:06:56 | |
Margaret phoned the builder. | 0:06:56 | 0:06:57 | |
"Don't worry," he said, "I'll get the boys and we'll come down and jet-wash it." | 0:06:57 | 0:07:01 | |
I said, "Jet-washing's not going to do any good." He went, "No, it will." | 0:07:01 | 0:07:05 | |
No, it didn't. | 0:07:05 | 0:07:08 | |
Then in March 2008, the garage roof started to leak like a sieve. | 0:07:08 | 0:07:13 | |
The Suttons tried to get the builder to come and have a look, but to no avail. | 0:07:13 | 0:07:17 | |
Every time we rung, we got a different excuse. | 0:07:17 | 0:07:20 | |
He was in hospital, that he'd be round the next day, | 0:07:20 | 0:07:24 | |
and he'd never turn up. | 0:07:24 | 0:07:26 | |
But this cowboy builder's no-shows | 0:07:26 | 0:07:28 | |
were just the tip of the iceberg when it came to his bad manners. | 0:07:28 | 0:07:32 | |
With Charlie so poorly, it was down to Margaret to track him down, | 0:07:32 | 0:07:35 | |
and when she did, she got short shrift. | 0:07:35 | 0:07:38 | |
Phoned him several times, | 0:07:38 | 0:07:40 | |
it got to the end that he was putting the phone down on me. | 0:07:40 | 0:07:43 | |
Margaret and Tracy did their best | 0:07:43 | 0:07:45 | |
to protect Charlie from all the bad news | 0:07:45 | 0:07:47 | |
because his health was deteriorating so rapidly. | 0:07:47 | 0:07:50 | |
Tragically, he'd never get to enjoy his dream garage, | 0:07:50 | 0:07:53 | |
because within weeks, he had to move into a nursing home. | 0:07:53 | 0:07:56 | |
As if the family didn't have enough to contend with, | 0:07:56 | 0:08:00 | |
Margaret had to find and pay someone else to fix the drive. | 0:08:00 | 0:08:04 | |
Then she asked the builder to check out the garage roof. | 0:08:04 | 0:08:06 | |
When he inspected the roofing felt, he couldn't believe his eyes. | 0:08:06 | 0:08:11 | |
He picked it up and he said, "This is like tissue paper, this isn't right." | 0:08:11 | 0:08:16 | |
And then he got under where he'd put battens around the roof, | 0:08:16 | 0:08:21 | |
and he said, "I'm going to take a piece of that off because I need to look underneath it. | 0:08:21 | 0:08:25 | |
When he took the batten off, he lifted it up and said, | 0:08:25 | 0:08:27 | |
"There's only one layer of felt on here. | 0:08:27 | 0:08:29 | |
He said, "He's only put one layer of green mineral felt under here | 0:08:29 | 0:08:33 | |
"and that's why you're getting all the problems. That's not right." | 0:08:33 | 0:08:36 | |
There should've been six layers of felt | 0:08:38 | 0:08:40 | |
and the roof supports weren't strong enough either. And that's not all. | 0:08:40 | 0:08:45 | |
One morning, Tracy spotted a massive crack in the garage wall. | 0:08:45 | 0:08:48 | |
I could see sunlight streaming through the crack | 0:08:48 | 0:08:52 | |
and I came in, in tears to Mum, whispering to her | 0:08:52 | 0:08:56 | |
that we had problems with a big crack in the garage. | 0:08:56 | 0:09:00 | |
For Margaret, it was the final straw. | 0:09:02 | 0:09:05 | |
I was brought up to trust people and you can't any more. | 0:09:05 | 0:09:10 | |
And he did, he took me for everything I'd got. | 0:09:11 | 0:09:15 | |
The Suttons were at their lowest ebb, | 0:09:17 | 0:09:20 | |
and then, the moment they'd been dreading. | 0:09:20 | 0:09:22 | |
Charlie passed away in winter 2012. | 0:09:22 | 0:09:25 | |
In the months that followed, | 0:09:26 | 0:09:28 | |
Margaret and Tracey decided to find a different use for the garage. | 0:09:28 | 0:09:32 | |
Even with all the problems, | 0:09:32 | 0:09:33 | |
they thought it could function as a hatchery for their chickens. | 0:09:33 | 0:09:36 | |
But it soon became apparent the chickens would need to be strong swimmers. | 0:09:36 | 0:09:41 | |
I went in the garage one morning and found, like, the Nile. | 0:09:41 | 0:09:45 | |
I had to bail it out and sweep it through | 0:09:47 | 0:09:50 | |
to the front of the garage to get the water to go out. | 0:09:50 | 0:09:54 | |
When I saw it, I couldn't believe it. | 0:09:54 | 0:09:55 | |
She said, "But, Mum, I've swept that out | 0:09:55 | 0:09:58 | |
"and it's coming in as fast as I sweep it out." | 0:09:58 | 0:10:00 | |
The water was gushing in through the cracks in the walls | 0:10:02 | 0:10:05 | |
within feet of electrical sockets. That's life-threatening! | 0:10:05 | 0:10:09 | |
This was the moment when the penny finally dropped for Margaret and Tracy. | 0:10:09 | 0:10:13 | |
The builders they'd trusted to do a good job for them | 0:10:13 | 0:10:16 | |
when they had so much on a plate were callous cowboys on the take. | 0:10:16 | 0:10:20 | |
Here's a tip. | 0:10:22 | 0:10:23 | |
If you can't be present when your build is happening, | 0:10:23 | 0:10:26 | |
ask a friend or relative to keep an eye on it for you. | 0:10:26 | 0:10:29 | |
Get them to take photos of the work in progress, | 0:10:29 | 0:10:32 | |
and give you regular updates. | 0:10:32 | 0:10:34 | |
If things do start going wrong, ask them to alert you straightaway. | 0:10:34 | 0:10:38 | |
And if it all possible, | 0:10:38 | 0:10:40 | |
try to avoid undertaking building work at times of family strife. | 0:10:40 | 0:10:44 | |
It's bound to affect your decision-making ability. | 0:10:44 | 0:10:46 | |
And the poor Sutton family couldn't have been in a more stressful situation, | 0:10:49 | 0:10:53 | |
with Charlie's health failing in front of them | 0:10:53 | 0:10:55 | |
and their building project falling apart at the same time. | 0:10:55 | 0:10:59 | |
All cowboy builders prey on vulnerable people. | 0:10:59 | 0:11:03 | |
And that's how they get away with doing the shoddy work that they do. | 0:11:04 | 0:11:08 | |
It was Charlie's money. | 0:11:08 | 0:11:11 | |
And I've wasted it. | 0:11:11 | 0:11:13 | |
What a desperately sad story. | 0:11:13 | 0:11:15 | |
And, you know, bodged building work is bad enough, | 0:11:15 | 0:11:18 | |
but you can't help feeling these builders cold-heartedly | 0:11:18 | 0:11:21 | |
took advantage of Charlie's illness by cutting corners | 0:11:21 | 0:11:23 | |
when the Suttons' eyes were off the ball. | 0:11:23 | 0:11:26 | |
But exactly how many corners did these guys cut? | 0:11:27 | 0:11:31 | |
Cowboys have a habit of hiding their bodges beneath the surface. | 0:11:31 | 0:11:34 | |
So, we asked independent building surveyor Simon Levy to investigate. | 0:11:34 | 0:11:38 | |
Simon's been through it with a fine-tooth comb | 0:11:38 | 0:11:40 | |
and is about to fill me in on what he found. | 0:11:40 | 0:11:43 | |
First item on the agenda, the frankly awful floor. | 0:11:43 | 0:11:47 | |
This looks like where Stig of the Dump would live. | 0:11:49 | 0:11:52 | |
One of the major problems with this garage construction | 0:11:52 | 0:11:55 | |
is that the floor to the garage has been set at the incorrect level. | 0:11:55 | 0:11:58 | |
As a result of that, water from the outside | 0:11:58 | 0:12:01 | |
has got over the threshold of the pedestrian door | 0:12:01 | 0:12:04 | |
and come straight in with mud and...everything else. | 0:12:04 | 0:12:07 | |
When you say, "everything else"... | 0:12:07 | 0:12:09 | |
-Chicken? Right. -Yeah. -Not eggs. -No. | 0:12:09 | 0:12:12 | |
Something else they lay. | 0:12:12 | 0:12:15 | |
Lovely(!) | 0:12:15 | 0:12:17 | |
Fancy laying the garage floor at the same level as the ground outside! | 0:12:17 | 0:12:20 | |
It should be higher to prevent the interior from ending up like this. | 0:12:20 | 0:12:24 | |
And these photos taken by Tracy and Margaret | 0:12:24 | 0:12:27 | |
capture how their garage has become a indoor swimming pool | 0:12:27 | 0:12:30 | |
because of all the water getting in. | 0:12:30 | 0:12:33 | |
I know it's just a garage, but this is a garage that's failing. | 0:12:33 | 0:12:36 | |
Yes, it is. It's completely unusable as a garage, even as a storage space. | 0:12:36 | 0:12:42 | |
-Is not wind and water tight. -It's disgusting, to be honest with you. | 0:12:42 | 0:12:46 | |
And that's putting it mildly! | 0:12:46 | 0:12:49 | |
Everywhere you look, it's bodge, bodge, bodge. | 0:12:49 | 0:12:53 | |
When is an airbrick not an airbrick? | 0:12:53 | 0:12:56 | |
When it's heavily deformed like that. | 0:12:56 | 0:12:58 | |
That is... They've either put it in wrong and broken it, | 0:12:58 | 0:13:01 | |
or it's got some load that's misshaped it. | 0:13:01 | 0:13:04 | |
-That looks like a lorry has driven over it. -Doesn't it? -Yeah. | 0:13:04 | 0:13:08 | |
I've heard of cowboy builders' materials falling off the back of a lorry, | 0:13:08 | 0:13:11 | |
but being driven over by a lorry, that's a new one! | 0:13:11 | 0:13:15 | |
Crikey, look at the base of the garage! | 0:13:15 | 0:13:18 | |
If the walls of Jericho had a base like this, a toot of a trumpet | 0:13:18 | 0:13:21 | |
would've been quite sufficient to bring it all down. | 0:13:21 | 0:13:25 | |
That's footing brickwork that's so poorly jointed and put together. | 0:13:25 | 0:13:29 | |
The space in between the bricks, so irregular | 0:13:29 | 0:13:31 | |
and the mortar pointing is non-existent between the vertical joints. | 0:13:31 | 0:13:35 | |
They've just been placed there, by the looks of it. | 0:13:35 | 0:13:38 | |
That's unbelievable really, if you look at this. | 0:13:38 | 0:13:40 | |
-It looks like it's been thrown together. -Yes, that's right. | 0:13:40 | 0:13:43 | |
It's very poor quality construction. | 0:13:43 | 0:13:46 | |
Not kidding. And check out this damp proof membrane. | 0:13:46 | 0:13:49 | |
It looks like some of the render has bridged the gap. | 0:13:49 | 0:13:51 | |
That's going to cause damp penetration inside | 0:13:51 | 0:13:54 | |
and this roof doesn't look too healthy either. | 0:13:54 | 0:13:57 | |
That's the edge of the roof that's peeling away. | 0:13:57 | 0:13:59 | |
The felt roof is peeling away and it's only going to get worse. | 0:13:59 | 0:14:02 | |
The wind will get underneath it and tear the felt. | 0:14:02 | 0:14:05 | |
There are so many ways for water to get inside this garage, | 0:14:05 | 0:14:08 | |
I'm surprised Simon didn't need a snorkel when he inspected it! | 0:14:08 | 0:14:11 | |
There are two cracks inside the building, one on the end wall | 0:14:11 | 0:14:14 | |
and one on the side wall of the garage. | 0:14:14 | 0:14:16 | |
It's caused by the presence of too strong a mortar in between the joints, | 0:14:16 | 0:14:20 | |
and as a consequence, the concrete blockwork has fractured. | 0:14:20 | 0:14:24 | |
You're supposed to use a soft mortar | 0:14:24 | 0:14:27 | |
to allow for the natural shrinking of the concrete blockwork. | 0:14:27 | 0:14:30 | |
The cowboys clearly didn't know how to mix the mortar. | 0:14:30 | 0:14:32 | |
That's page one stuff! Well, I think I know what he's going to say, | 0:14:32 | 0:14:35 | |
but it's make-your-mind-up time for Simon. | 0:14:35 | 0:14:37 | |
How would you mark this out of ten? | 0:14:37 | 0:14:41 | |
It's a one or two really. | 0:14:41 | 0:14:44 | |
-One or two? That low? -It's appallingly poor. | 0:14:44 | 0:14:47 | |
One or two out of ten? | 0:14:48 | 0:14:49 | |
I can see why Simon is unimpressed. Check out the evidence. | 0:14:49 | 0:14:54 | |
The garage is precariously propped up on bricks, there is | 0:14:54 | 0:14:58 | |
extreme water ingress, cracks in the walls, badly fitted damp | 0:14:58 | 0:15:02 | |
proofing, a suspect roof, a rubbish render and buckled air bricks. | 0:15:02 | 0:15:08 | |
In short, if there was any hope for Tracy's chickens, | 0:15:09 | 0:15:13 | |
it was time to hatch a plan. | 0:15:13 | 0:15:15 | |
Enter our Good Guys. | 0:15:15 | 0:15:16 | |
Here's head honcho, Gary Fenn, leading his posse into the fray. | 0:15:18 | 0:15:22 | |
So much needs doing, | 0:15:22 | 0:15:23 | |
the Suttons are chipping in to make their garage fit for purpose. | 0:15:23 | 0:15:27 | |
First job, a good clean out, so a proper membrane | 0:15:27 | 0:15:30 | |
and floor slab can be laid. | 0:15:30 | 0:15:31 | |
Then it is time for some serious hammering and chiselling | 0:15:34 | 0:15:37 | |
so those interior walls can be sorted once and for all. | 0:15:37 | 0:15:41 | |
And when those tools can't get to the root of the problem, | 0:15:41 | 0:15:43 | |
the big boys' toys come out. | 0:15:43 | 0:15:45 | |
Outside, it is time to get busy on the external wall, too. | 0:15:48 | 0:15:52 | |
Those cracks need sealing pronto. | 0:15:52 | 0:15:54 | |
Gary and his team have clearly made a great start, | 0:15:56 | 0:15:59 | |
but will their efforts give Margaret | 0:15:59 | 0:16:01 | |
and Tracy the dry-as-a-bone garage they so desperately want? | 0:16:01 | 0:16:05 | |
Only time will tell. | 0:16:05 | 0:16:06 | |
I'm in Romford, where a cowboy builder left Margaret | 0:16:11 | 0:16:14 | |
and Tracy Sutton with a soggy excuse for a garage. | 0:16:14 | 0:16:17 | |
Well, our Good Guys have now finished their work, so let's see | 0:16:17 | 0:16:20 | |
how the girls are getting on. | 0:16:20 | 0:16:23 | |
I do hope Margaret and Tracy's garage woes have been rectified. | 0:16:23 | 0:16:27 | |
If not, their chickens are going to need webbed feet. | 0:16:27 | 0:16:30 | |
-Good morning, ladies. -Good morning, Jonnie. -Are you Tracy? | 0:16:30 | 0:16:33 | |
I am, yes, nice to meet you. | 0:16:33 | 0:16:35 | |
-And your sister, Margaret(!) -I'm Margaret, nice to meet you. | 0:16:35 | 0:16:38 | |
Lovely to meet you both. Lead the way, ladies, thank you very much. | 0:16:38 | 0:16:41 | |
While Margaret and Tracy put the kettle on, | 0:16:41 | 0:16:43 | |
I can't resist taking a look at the Good Guys' handiwork. | 0:16:43 | 0:16:47 | |
Right, the first thing you notice, well, it's still pretty mucky | 0:16:47 | 0:16:51 | |
outside, that's a job for another time, but you step out of that | 0:16:51 | 0:16:55 | |
muck up into the garage, which is the right thing to do. | 0:16:55 | 0:16:58 | |
The muck from outside isn't pouring in here, | 0:16:58 | 0:17:01 | |
do you remember before, it was all, well, it was almost slurry, | 0:17:01 | 0:17:04 | |
wasn't it, all pooling into the garage itself? | 0:17:04 | 0:17:07 | |
'And that was revolting. | 0:17:07 | 0:17:09 | |
'When you compare what it looked like as a result of the cowboy's | 0:17:09 | 0:17:12 | |
'bodge to how it looks now, I know which I prefer. | 0:17:12 | 0:17:16 | |
'Our Good Guys clearly know what they are doing, | 0:17:16 | 0:17:18 | |
'and they take pride in their work. A crucial combination.' | 0:17:18 | 0:17:23 | |
They have put a concrete floor down. | 0:17:23 | 0:17:25 | |
Now, what they have to do, is essentially, | 0:17:25 | 0:17:27 | |
order a load of concrete in, and then two guys will get a long | 0:17:27 | 0:17:30 | |
bit of timber with levelling along the side, and just tamp it down. | 0:17:30 | 0:17:34 | |
It's no small job but it is a job that any builder can do | 0:17:34 | 0:17:38 | |
if they're committed to doing a proper job. | 0:17:38 | 0:17:41 | |
As well as the raised floor, | 0:17:41 | 0:17:43 | |
the Good Guys have fixed another | 0:17:43 | 0:17:44 | |
source of the moisture ingress issues. | 0:17:44 | 0:17:46 | |
Remember the cracks? Well, the cracks are no more. | 0:17:46 | 0:17:50 | |
And, actually, you know what? You could skim that. | 0:17:50 | 0:17:55 | |
That's a good plastering job. | 0:17:55 | 0:17:57 | |
'Well, I wouldn't expect anything less. | 0:17:57 | 0:18:00 | |
'This place has gone from soggy as a swamp, to dry as a desert | 0:18:00 | 0:18:04 | |
'in one fell Good Guy swoop.' | 0:18:04 | 0:18:06 | |
Absolutely bone dry, so, the electrics will be safe, thankfully. | 0:18:07 | 0:18:12 | |
And it becomes more than just a garage then, | 0:18:12 | 0:18:15 | |
this is another storage facility - who knows what it could be | 0:18:15 | 0:18:17 | |
used for now, which is great. | 0:18:17 | 0:18:19 | |
But, to get access to it, obviously, | 0:18:19 | 0:18:23 | |
you've got to get through these doors. | 0:18:23 | 0:18:25 | |
There's a researcher. | 0:18:28 | 0:18:30 | |
'And what a lovely researcher she is, too. | 0:18:30 | 0:18:32 | |
'Well, our fellows have played a blinder. | 0:18:32 | 0:18:35 | |
'The ramp outside the garage is spot-on. | 0:18:35 | 0:18:38 | |
'The man responsible, Good Guy Gary, | 0:18:39 | 0:18:41 | |
'couldn't believe the disaster zone the cowboys had left behind.' | 0:18:41 | 0:18:45 | |
Everything about it is wrong, basically. | 0:18:45 | 0:18:49 | |
It's got one coat render, | 0:18:49 | 0:18:51 | |
it was built on a shallow strip foundation which caused | 0:18:51 | 0:18:54 | |
the cracking, and then he cast a slab within the blockwork, | 0:18:54 | 0:18:58 | |
so, logistically, it was done for speed, basically. | 0:18:58 | 0:19:02 | |
So they put the blockwork down and then | 0:19:02 | 0:19:04 | |
they put a slab in the blockwork? That's the wrong way round, surely? | 0:19:04 | 0:19:07 | |
Well, this type of construction warrants a raft foundation, so, | 0:19:07 | 0:19:11 | |
it means a foundation is tied in and poured in one into a reinforced slab. | 0:19:11 | 0:19:17 | |
So, the fundamentals were ignored, or they weren't even known, | 0:19:17 | 0:19:23 | |
but they just started knocking it out, by the sounds of it. | 0:19:23 | 0:19:25 | |
Absolutely. | 0:19:25 | 0:19:27 | |
Yes, with these guys, it was all about doing | 0:19:27 | 0:19:29 | |
the job as quickly as possible - as cheaply as possible. | 0:19:29 | 0:19:32 | |
Talk about betraying Margaret and Tracy's trust. | 0:19:32 | 0:19:36 | |
But our knights in shining armour came to the rescue | 0:19:36 | 0:19:38 | |
and sorted things properly. | 0:19:38 | 0:19:40 | |
Although their shining armour soon became nothing of the sort. | 0:19:40 | 0:19:44 | |
So, when you first came to this job, and you opened the door... | 0:19:44 | 0:19:48 | |
I bet you nearly ran back into your van, didn't you? | 0:19:49 | 0:19:53 | |
It was a mess. | 0:19:53 | 0:19:55 | |
It was a complete mess. | 0:19:55 | 0:19:56 | |
There was mud, smells, all sorts of things going on in there. | 0:19:57 | 0:20:01 | |
I bet the missus hosed you down when you got home from work, didn't she? | 0:20:01 | 0:20:05 | |
I mean, it wasn't great, was it? | 0:20:05 | 0:20:08 | |
I had to get my van cleaned twice. | 0:20:08 | 0:20:10 | |
I bet you did, yes. | 0:20:10 | 0:20:11 | |
But, I mean, all the stuff, let's call it stuff, shall we, | 0:20:11 | 0:20:15 | |
it was all coming from outside in, because the floor was at | 0:20:15 | 0:20:18 | |
-the wrong level, there was no threshold, was there? -No. | 0:20:18 | 0:20:20 | |
Not putting a threshold in is either incompetence or calculated | 0:20:20 | 0:20:25 | |
corner-cutting to save cash. | 0:20:25 | 0:20:27 | |
I reckon it is the latter, | 0:20:27 | 0:20:29 | |
and he endangered Margaret and Tracy's lives in the process. | 0:20:29 | 0:20:33 | |
It looked to me like somebody has been taken advantage of, and | 0:20:33 | 0:20:37 | |
whilst we're talking about a garage that was failing, you know, | 0:20:37 | 0:20:40 | |
you've got leaks in the roof, moisture | 0:20:40 | 0:20:43 | |
and goodness knows what on the floor, and in between the electrics! | 0:20:43 | 0:20:47 | |
And it might not have just been the chickens that got electrocuted. | 0:20:49 | 0:20:52 | |
But now, thanks to Gary and his Good Guys, | 0:20:52 | 0:20:54 | |
this garage is as safe as houses. | 0:20:54 | 0:20:57 | |
Right, time for a heart-to-heart with Margaret | 0:20:57 | 0:20:59 | |
and Tracy about their cowboy builder. | 0:20:59 | 0:21:02 | |
I wanted to find out his side of the story and put it to them, | 0:21:02 | 0:21:05 | |
but he has proved rather elusive. | 0:21:05 | 0:21:08 | |
Now, we always give the cowboy builders their right to reply, | 0:21:08 | 0:21:12 | |
to offer their side of the story or their version of events, if you like. | 0:21:12 | 0:21:16 | |
But, in your case, he has ignored all of our attempts to contact him. | 0:21:17 | 0:21:21 | |
-He would do. -You're not surprised by that at all? -No. | 0:21:21 | 0:21:25 | |
He always told me, "Don't worry | 0:21:25 | 0:21:27 | |
"if anything goes wrong I will be there for you." Where is he now? | 0:21:27 | 0:21:31 | |
He may well be watching this. What would your message to him be? | 0:21:31 | 0:21:36 | |
How dare he rip off my parents? | 0:21:36 | 0:21:38 | |
I hate him, I really hate him. | 0:21:38 | 0:21:41 | |
For what he's done to me. | 0:21:41 | 0:21:44 | |
And until we'd got this solved, | 0:21:44 | 0:21:46 | |
we didn't think there was any end to the end of it. | 0:21:48 | 0:21:52 | |
It's no surprise that Margaret and Tracy were at rock bottom. | 0:21:52 | 0:21:55 | |
They felt betrayed | 0:21:55 | 0:21:57 | |
when they were at their lowest ebb, coping with Charlie's illness. | 0:21:57 | 0:22:00 | |
We trusted him, and we shouldn't, and I've learned that, because if anybody | 0:22:00 | 0:22:05 | |
comes in here now, I'm behind them on my crutches, I don't trust them. | 0:22:05 | 0:22:09 | |
And that is the long-term effect cowboys often have on their victims. | 0:22:09 | 0:22:13 | |
But the most overriding emotion for Margaret is guilt. | 0:22:14 | 0:22:18 | |
She feels she let Charlie down. | 0:22:18 | 0:22:20 | |
I had got the builder, I had done the paying, | 0:22:20 | 0:22:24 | |
and I felt it was my fault because I had spent his money. | 0:22:24 | 0:22:28 | |
-And to this day I still think I spent his money. -It wasn't your fault. | 0:22:28 | 0:22:32 | |
I know it wasn't, but that's how it makes you feel. | 0:22:32 | 0:22:35 | |
You know what, you can tell it wasn't your fault | 0:22:35 | 0:22:39 | |
because you have seen how good builders act. | 0:22:39 | 0:22:43 | |
Yes, I have now, I have now. | 0:22:43 | 0:22:46 | |
I'm glad the Good Guys have got involved, | 0:22:46 | 0:22:49 | |
just to prove to you that there was one rogue individual that | 0:22:49 | 0:22:53 | |
ripped you off, and it was nobody else's fault but his. | 0:22:53 | 0:22:57 | |
-Callous acts of a man that doesn't care. -Yes. | 0:22:57 | 0:23:00 | |
And from our Good Guys I wouldn't expect anything less. | 0:23:00 | 0:23:03 | |
Right, time for the bit I have been waiting for. | 0:23:03 | 0:23:06 | |
The grand tour with Tracy and Margaret. | 0:23:06 | 0:23:09 | |
First stop, the new ramp. Have you seen this yet? | 0:23:09 | 0:23:11 | |
No, this is beautiful. | 0:23:11 | 0:23:14 | |
-Oh, my goodness. -Brilliant. | 0:23:14 | 0:23:18 | |
That is absolutely beautiful. I can't believe that. | 0:23:18 | 0:23:21 | |
I mean, it's a proper ramp, it's not like it was, it was awful. | 0:23:21 | 0:23:26 | |
Well, the ramp gets a big tick. | 0:23:26 | 0:23:28 | |
Let's hope the garage gets the thumbs up, too. | 0:23:28 | 0:23:32 | |
-Oh, my goodness. What a beautiful job! -What a difference. | 0:23:32 | 0:23:38 | |
No cracks in the wall any more. | 0:23:38 | 0:23:40 | |
But, most importantly, this isn't an ice skating rink any more. | 0:23:40 | 0:23:45 | |
-Beautiful. -Come on in, mind your head. -Yes, I'm all right. | 0:23:45 | 0:23:48 | |
With Margaret so unsteady on her pins, the idea of her walking on | 0:23:50 | 0:23:53 | |
this slippery floor doesn't bear thinking about, does it? | 0:23:53 | 0:23:57 | |
Now, though, a much different story. | 0:23:57 | 0:24:00 | |
-Brilliant job. -It is a good job, isn't it? -Brilliant job. | 0:24:00 | 0:24:03 | |
What do you think Charlie would say when he saw this proper job now? | 0:24:03 | 0:24:06 | |
-Oh, he'd be pleased. -Would he? -Yeah. -Yes, I bet he would. | 0:24:06 | 0:24:10 | |
Now the Good Guys have weaved their magic, | 0:24:10 | 0:24:13 | |
Margaret and Tracy think their garage could be | 0:24:13 | 0:24:15 | |
more than just a hatchery. | 0:24:15 | 0:24:16 | |
It's going to be a toolshed for the tools, the mower. | 0:24:16 | 0:24:20 | |
Somebody's coming at the weekend to put my shelves up | 0:24:20 | 0:24:23 | |
and put some stuff back in that got taken out. | 0:24:23 | 0:24:26 | |
-Right, OK. -Then it'll be all straight. | 0:24:26 | 0:24:29 | |
Ladies, I'm so happy that you're happy. | 0:24:29 | 0:24:32 | |
So am I. Thank you so much. | 0:24:32 | 0:24:34 | |
The next time I'm driving past, I'll remember to collect my eggs. | 0:24:34 | 0:24:36 | |
-OK. -All right? -Call in. | 0:24:36 | 0:24:38 | |
-Lovely to meet you both. -BOTH: And you too. | 0:24:38 | 0:24:40 | |
-Take care. -Thank you so much. -All the best. Bye-bye. | 0:24:40 | 0:24:43 | |
-Bye. -Bye-bye. | 0:24:43 | 0:24:44 | |
The chickens are happy too. | 0:24:46 | 0:24:47 | |
Their chicks will be hatched in a nice warm garage | 0:24:47 | 0:24:50 | |
before you can say boo to a goose. | 0:24:50 | 0:24:52 | |
'Time for me to bid the chickens, Margaret and Tracy a fond farewell.' | 0:24:53 | 0:24:57 | |
Well, it just goes to show, doesn't it? | 0:24:57 | 0:25:01 | |
Even simple jobs done badly by cowboys, in particular, | 0:25:01 | 0:25:04 | |
can have a huge impact on people's lives. | 0:25:04 | 0:25:06 | |
Emotions here are still very much raw. | 0:25:06 | 0:25:09 | |
But thanks to our Good Guy builders | 0:25:09 | 0:25:11 | |
and after the splendid job they've done, | 0:25:11 | 0:25:14 | |
Margaret and Tracy can start planning for the future | 0:25:14 | 0:25:17 | |
and start thinking about doing something more positive | 0:25:17 | 0:25:19 | |
with that garage of theirs. | 0:25:19 | 0:25:21 | |
Margaret and Tracy found out the hard way | 0:25:21 | 0:25:24 | |
not to put their trust in a builder they barely knew. | 0:25:24 | 0:25:27 | |
Our next cowboy victim had better reason to trust her builder, | 0:25:27 | 0:25:29 | |
but still lived to regret it. | 0:25:29 | 0:25:33 | |
And it's also a salutary tale | 0:25:33 | 0:25:34 | |
that cowboys don't always go for big-money jobs - | 0:25:34 | 0:25:37 | |
they can strike on smaller projects too, | 0:25:37 | 0:25:39 | |
with equally upsetting results. | 0:25:39 | 0:25:41 | |
We are in Cheadle Hulme near Manchester, a town with a history. | 0:25:43 | 0:25:47 | |
It got a mention in the Domesday Book in 1086, | 0:25:47 | 0:25:50 | |
and there is evidence of settlement in the area | 0:25:50 | 0:25:52 | |
going back to the Bronze Age. | 0:25:52 | 0:25:54 | |
Wonder if they had cowboy builders back then? | 0:25:54 | 0:25:56 | |
Perhaps it's the second oldest profession. | 0:25:56 | 0:25:58 | |
Behind me is Stockport viaduct, | 0:26:00 | 0:26:02 | |
just a few minutes' drive from Cheadle Hulme. | 0:26:02 | 0:26:04 | |
At the time of its construction back in 1840, | 0:26:04 | 0:26:07 | |
it was the largest of its kind in the world. | 0:26:07 | 0:26:10 | |
What an impressive feat of engineering it is. | 0:26:10 | 0:26:13 | |
Unlike the focus on today's Cowboy Trap, | 0:26:13 | 0:26:15 | |
a tiny project that for one particular cowboy builder | 0:26:15 | 0:26:18 | |
proved...well, a bridge too far. | 0:26:18 | 0:26:21 | |
His unlucky victim lives in this 42-year-old semi. | 0:26:23 | 0:26:26 | |
It is home to Sue Harney, | 0:26:26 | 0:26:28 | |
a sales consultant for an insurance company. | 0:26:28 | 0:26:31 | |
Sue, who is divorced, has one grown-up son | 0:26:31 | 0:26:34 | |
and two young grandchildren. | 0:26:34 | 0:26:36 | |
The main loves in Sue's life are golf, | 0:26:37 | 0:26:39 | |
and - surprise, surprise - her grandkids. | 0:26:39 | 0:26:42 | |
They're too young to swing a club, | 0:26:42 | 0:26:43 | |
so Sue has to find a different way to spend time with them. | 0:26:43 | 0:26:46 | |
They do enjoy coming here. | 0:26:47 | 0:26:49 | |
They like to play in the garden, because they haven't got one at home. | 0:26:49 | 0:26:52 | |
They like to play football. | 0:26:52 | 0:26:53 | |
They like to do a little bit of gardening themselves. | 0:26:53 | 0:26:56 | |
It's really, really good fun. | 0:26:56 | 0:26:57 | |
Sue bought her semi-detached house some 25 years ago, | 0:26:57 | 0:27:01 | |
and she still loves it as much as she did | 0:27:01 | 0:27:03 | |
when she first clapped her eyes on it. Back then, | 0:27:03 | 0:27:06 | |
it represented a fresh start after the breakdown of her marriage. | 0:27:06 | 0:27:09 | |
There were good schools nearby for her young son Lewis, | 0:27:09 | 0:27:12 | |
and it was nice and close to the countryside, | 0:27:12 | 0:27:14 | |
but the thing Sue loved most about the house was its garden. | 0:27:14 | 0:27:17 | |
And she's spent much of her downtime in it ever since. | 0:27:19 | 0:27:22 | |
Recently, Sue decided to improve her garden | 0:27:22 | 0:27:24 | |
by adding a patio with a raised flowerbed in the middle. | 0:27:24 | 0:27:28 | |
What I really wanted out there was a nice, clean, bright patio area | 0:27:28 | 0:27:34 | |
for a safe playing environment for the children. | 0:27:34 | 0:27:37 | |
But also an area to just sit and relax. | 0:27:37 | 0:27:40 | |
One of Sue's friends had a son who was a builder, | 0:27:40 | 0:27:43 | |
and he said he could do her patio. | 0:27:43 | 0:27:45 | |
He quoted £520 for the job, and said it would take three days. | 0:27:45 | 0:27:49 | |
To me, it seemed natural to give a friend's son the work | 0:27:49 | 0:27:54 | |
than just get somebody in that I didn't know, | 0:27:54 | 0:27:56 | |
so it is probably the only occasion I haven't gone and got | 0:27:56 | 0:28:00 | |
any other quotes, because I trusted him as a friend. | 0:28:00 | 0:28:03 | |
That would prove to be a big mistake. | 0:28:04 | 0:28:07 | |
Take my advice. | 0:28:08 | 0:28:10 | |
And it didn't take long for Sue to have worries | 0:28:29 | 0:28:31 | |
about her builder's quote. It didn't include VAT, | 0:28:31 | 0:28:35 | |
so his tax arrangements were clearly suspect - | 0:28:35 | 0:28:37 | |
a classic sign of a cowboy. | 0:28:37 | 0:28:40 | |
And another thing - Sue expected to pay after the job was done, | 0:28:40 | 0:28:44 | |
but guess what? | 0:28:44 | 0:28:45 | |
On day one, a lorry driver turned up with the patio slabs | 0:28:45 | 0:28:47 | |
and Sue got something of a shock. | 0:28:47 | 0:28:50 | |
The builder asked me to pay the driver, | 0:28:50 | 0:28:54 | |
which I was very confused about, because my contract, | 0:28:54 | 0:28:57 | |
if you will, was with the builder, | 0:28:57 | 0:28:59 | |
and expected to pay for everything after the work was completed. | 0:28:59 | 0:29:03 | |
However, I was presented with a fait accompli, | 0:29:03 | 0:29:06 | |
cos I had to pay for it there and then. | 0:29:06 | 0:29:08 | |
The driver wouldn't leave until I had paid. | 0:29:08 | 0:29:11 | |
Not a great start, and things didn't get any better. | 0:29:12 | 0:29:16 | |
The builder started using the ornate flagstones | 0:29:16 | 0:29:19 | |
to build the walls of the raised flowerbed. | 0:29:19 | 0:29:21 | |
I found him cutting up my beautiful flags of sawn Indian sandstone | 0:29:21 | 0:29:27 | |
to try and reconstruct the wall | 0:29:27 | 0:29:30 | |
that I assumed was going to be built out of proper walling blocks, | 0:29:30 | 0:29:33 | |
and it was just horrendous. | 0:29:33 | 0:29:35 | |
It wasn't only using expensive flagstones to build a wall | 0:29:36 | 0:29:39 | |
that was an issue - the patio was littered with trip hazards, | 0:29:39 | 0:29:43 | |
because the flags hadn't been laid properly. | 0:29:43 | 0:29:45 | |
All Sue could do was hope her dream patio area would be OK | 0:29:45 | 0:29:48 | |
for her and her grandkids in the end. | 0:29:48 | 0:29:50 | |
And that end came round a bit quicker than she had expected - | 0:29:50 | 0:29:54 | |
two days into the build, in fact. | 0:29:54 | 0:29:56 | |
He said he'd finished, although it didn't look finished to me. | 0:29:56 | 0:30:00 | |
The whole area was covered with mortar. | 0:30:00 | 0:30:02 | |
He told me that was quite normal, | 0:30:02 | 0:30:04 | |
and that it would swill off in a couple of days, | 0:30:04 | 0:30:06 | |
and I was under strict instructions not to touch it at all, | 0:30:06 | 0:30:08 | |
because there had been problems with it drying. | 0:30:08 | 0:30:11 | |
So, Sue followed orders, waited two days | 0:30:11 | 0:30:14 | |
and then set about cleaning the mortar off her precious flagstones. | 0:30:14 | 0:30:17 | |
I got my hosepipe out, | 0:30:17 | 0:30:20 | |
soon to realise that it was actually all dried rock hard, | 0:30:20 | 0:30:23 | |
so the whole surface of the flagged area was just covered in mortar, | 0:30:23 | 0:30:27 | |
at which point my heart sank. | 0:30:27 | 0:30:29 | |
I had to go to work, and when I came back, | 0:30:29 | 0:30:32 | |
I spent two hours cleaning just one flag | 0:30:32 | 0:30:35 | |
to try and get this stuff off. | 0:30:35 | 0:30:36 | |
And when she finally did, | 0:30:36 | 0:30:39 | |
the flagstone underneath was in a dreadful state, | 0:30:39 | 0:30:42 | |
and so were most of the others. | 0:30:42 | 0:30:44 | |
Sue asked the builder to replace the damaged flags, | 0:30:44 | 0:30:46 | |
but he told he couldn't find the same type anywhere. | 0:30:46 | 0:30:49 | |
That was a blatant lie, as far as I was concerned, | 0:30:49 | 0:30:53 | |
because I'd checked with the supplier that they had them in stock, | 0:30:53 | 0:30:56 | |
and then he started to get very nasty. | 0:30:56 | 0:30:59 | |
I said, "Do you know, I'm beginning to wish | 0:30:59 | 0:31:01 | |
"I'd never even had this job done," | 0:31:01 | 0:31:03 | |
and he said, "Well, I wish I'd never set eyes on you." | 0:31:03 | 0:31:06 | |
And it wasn't just his workmanship that concerned Sue. | 0:31:08 | 0:31:11 | |
So did his suspect bill and the mysterious missing VAT. | 0:31:11 | 0:31:15 | |
By now, it was only too apparent that Sue was dealing with | 0:31:16 | 0:31:19 | |
a bodge artist at best, and one whose tax arrangements were - | 0:31:19 | 0:31:22 | |
how should I put this? Unconventional. | 0:31:22 | 0:31:25 | |
The worst thing is she had had misgivings from the off, | 0:31:25 | 0:31:27 | |
but had ignored them because of who this guy was. | 0:31:27 | 0:31:30 | |
As our result of this cowboy being her friend's son, | 0:31:30 | 0:31:33 | |
it's not just Sue's relationship with him that's turned sour. | 0:31:33 | 0:31:37 | |
She's lost her friend too. | 0:31:37 | 0:31:38 | |
It seems to have created a massive void | 0:31:38 | 0:31:41 | |
in a long-standing friendship, and that shouldn't be the case. | 0:31:41 | 0:31:45 | |
That should not have happened. | 0:31:45 | 0:31:46 | |
It's been very stressful. It's taken a lot of my time and energy. | 0:31:46 | 0:31:50 | |
I've not been able to relax very much | 0:31:50 | 0:31:52 | |
and that has taken a toll on my health as well. | 0:31:52 | 0:31:56 | |
Not only that, this bodged patio has affected | 0:31:56 | 0:31:59 | |
Sue's quality time with her grandchildren too. | 0:31:59 | 0:32:02 | |
It is so hazardous, she won't allow the kids anywhere near it. | 0:32:02 | 0:32:05 | |
There's sharp edges, it's not even, | 0:32:05 | 0:32:09 | |
and they want to go outside and I'm not able to let them | 0:32:09 | 0:32:12 | |
go and play in this area that was really for them. | 0:32:12 | 0:32:15 | |
I really feel for Sue, but this is a firm lesson | 0:32:15 | 0:32:18 | |
about the dangers of involving friends or family | 0:32:18 | 0:32:21 | |
in what should be a purely business arrangement. | 0:32:21 | 0:32:24 | |
At the very least, she should have seen concrete evidence | 0:32:24 | 0:32:26 | |
of this guy's previous work and then perhaps she would have chosen | 0:32:26 | 0:32:29 | |
to leave things to the professionals. | 0:32:29 | 0:32:32 | |
Exactly how bad is this amateurish effort? | 0:32:33 | 0:32:36 | |
To find out, we asked independent building surveyor Euan Elliott | 0:32:36 | 0:32:39 | |
to inspect the work. He has given it a thorough going-over | 0:32:39 | 0:32:42 | |
and is about to fill me in on what he found. | 0:32:42 | 0:32:45 | |
First item on the agenda - those problems underfoot. | 0:32:46 | 0:32:49 | |
You step out onto the patio, it's got to be safe, | 0:32:49 | 0:32:53 | |
and this flag you're stepping out onto is uneven. | 0:32:53 | 0:32:57 | |
It's a mess. It's already breaking up, | 0:32:57 | 0:32:59 | |
and you don't feel confident stepping out the door. | 0:32:59 | 0:33:02 | |
It looks like whoever's done this has had another go at this, | 0:33:02 | 0:33:04 | |
cos look - you've got quite a light-looking mortar, | 0:33:04 | 0:33:08 | |
or whatever he's using here, and there's a lot more cement | 0:33:08 | 0:33:10 | |
in this, so this is a completely different mix. | 0:33:10 | 0:33:13 | |
He's tried to basically bodge over a hash job. | 0:33:13 | 0:33:15 | |
He's tried to level it out without taking the flag up | 0:33:15 | 0:33:18 | |
to get it properly level. | 0:33:18 | 0:33:20 | |
'And that really is a schoolboy error. | 0:33:20 | 0:33:23 | |
'Right, on to the raised planter. | 0:33:23 | 0:33:25 | |
'Guess what? Euan ain't happy.' | 0:33:25 | 0:33:27 | |
The coping flags on that have been hand cut, | 0:33:28 | 0:33:32 | |
and unfortunately, he didn't use a straight edge, | 0:33:32 | 0:33:34 | |
-so the cuts waver. -Looking along the side here, | 0:33:34 | 0:33:38 | |
you get to see the inconsistency of cuts. | 0:33:38 | 0:33:41 | |
You'd hope that anybody taking on this job has got the right tools. | 0:33:41 | 0:33:45 | |
-Yes. -No one has even bothered | 0:33:45 | 0:33:48 | |
to run a trowel across the edge of that. | 0:33:48 | 0:33:50 | |
That just looks dreadful. | 0:33:50 | 0:33:52 | |
All that's happened there is he's put a layer of mortar on | 0:33:52 | 0:33:55 | |
and just squeezed the coping flags on the top, | 0:33:55 | 0:33:59 | |
and the mortar's exuded and he's walked away. | 0:33:59 | 0:34:02 | |
This is when you start to say, "It hasn't been done right." | 0:34:02 | 0:34:05 | |
This is now slapdash and literally slap and dash off! | 0:34:05 | 0:34:09 | |
And here is another reason why he dashed off. In these photos, | 0:34:11 | 0:34:13 | |
there's clearly an issue with damp patches caused by his shoddy work. | 0:34:13 | 0:34:18 | |
The slabs have been laid in a way that water falls towards Sue's house | 0:34:18 | 0:34:21 | |
and her neighbour's, inevitably leading to damp problems for both. | 0:34:21 | 0:34:25 | |
Water's going to pond, it is going to cause damage | 0:34:25 | 0:34:28 | |
to the brickwork adjacent to there. | 0:34:28 | 0:34:30 | |
There is also a risk of breaching the damp proof course. | 0:34:30 | 0:34:33 | |
All it needs is a decent amount of frost on that, | 0:34:33 | 0:34:36 | |
the face of the brickwork is going to come off | 0:34:36 | 0:34:38 | |
and you're going to be forced to cut out the bricks | 0:34:38 | 0:34:41 | |
and replace them eventually. | 0:34:41 | 0:34:42 | |
So this small job is now making problems for the future elsewhere? | 0:34:42 | 0:34:46 | |
Oh, yes, yes. | 0:34:46 | 0:34:47 | |
And I suspect Sue's neighbour wouldn't be happy about that. | 0:34:47 | 0:34:51 | |
There could be heated conversations over the garden fence | 0:34:51 | 0:34:54 | |
in years to come. It's not a big patio, | 0:34:54 | 0:34:56 | |
but this guy somehow managed to squeeze in bodge after bodge. | 0:34:56 | 0:34:59 | |
When you see this shoddy approach to finishing, | 0:35:01 | 0:35:03 | |
you think, "What else haven't they done?" | 0:35:03 | 0:35:05 | |
And when you look around the rest of the job, everything, | 0:35:05 | 0:35:07 | |
they haven't done everything right. | 0:35:07 | 0:35:09 | |
You expect when you're paying for something, | 0:35:09 | 0:35:11 | |
you're going to get at least half a decent job, | 0:35:11 | 0:35:13 | |
and this isn't half a decent job. | 0:35:13 | 0:35:15 | |
OK then. You've been here and had a good look around. | 0:35:15 | 0:35:19 | |
What would you give this job out of 10? | 0:35:19 | 0:35:21 | |
It only gets 3/10. That's only for providing the flags! | 0:35:21 | 0:35:25 | |
-JONNIE LAUGHS -Yes, the slabs are worth 3/10. | 0:35:25 | 0:35:28 | |
-And nothing else. -Nothing else. | 0:35:28 | 0:35:30 | |
'3/10, and I'm not surprised Euan's unimpressed. | 0:35:31 | 0:35:34 | |
'Check out the evidence. | 0:35:34 | 0:35:36 | |
'Slabs not laid level, a poor perimeter, | 0:35:36 | 0:35:39 | |
'neither patio nor flowerbed square. | 0:35:39 | 0:35:41 | |
'The coping to the walls isn't correctly laid, | 0:35:41 | 0:35:44 | |
'and serious damp problems are emerging, | 0:35:44 | 0:35:46 | |
'with significant implications for Sue and her neighbours' homes.' | 0:35:46 | 0:35:50 | |
So far, so bad. | 0:35:51 | 0:35:53 | |
But you know the plot - time to bring in the Good Guys. | 0:35:53 | 0:35:56 | |
Head honcho Paul Hilton strides into action. | 0:35:59 | 0:36:03 | |
First things first - it's time to rip it up and start again. | 0:36:03 | 0:36:06 | |
I reckon there's a song in there somewhere. | 0:36:06 | 0:36:09 | |
They're going to save the flags they can, | 0:36:10 | 0:36:12 | |
but some are beyond salvation. | 0:36:12 | 0:36:14 | |
They go at it hammer and bolster. | 0:36:16 | 0:36:18 | |
Then it is out with a spade to demolish that flawed flowerbed. | 0:36:20 | 0:36:23 | |
Quality flags for the walls? | 0:36:23 | 0:36:25 | |
What was the cowboy thinking? | 0:36:25 | 0:36:27 | |
Hilton's heroes have made a solid start. | 0:36:29 | 0:36:31 | |
But can they get Sue's patio project back on track? | 0:36:31 | 0:36:35 | |
Only time will tell. | 0:36:35 | 0:36:38 | |
I'm in Cheadle Hulme in Greater Manchester, | 0:36:41 | 0:36:44 | |
where 56-year-old Sue Harney's plans of having a patio | 0:36:44 | 0:36:47 | |
where her grandchildren could play were kiboshed | 0:36:47 | 0:36:49 | |
when she was led up the garden path by a cowboy builder. | 0:36:49 | 0:36:53 | |
Well, our Good Guys have now finished their work, | 0:36:53 | 0:36:56 | |
so hopefully everything is coming up roses. | 0:36:56 | 0:36:58 | |
Let's go and find out. | 0:36:58 | 0:37:00 | |
Fingers crossed, Sue now has the perfect patio she wanted all along. | 0:37:01 | 0:37:06 | |
-Hi, Sue. -Hi, Jonnie. How are you? -I'm pretty good. How are you doing? | 0:37:06 | 0:37:09 | |
-Not bad, thank you. Want to come in? -Yes, please. Thank you. | 0:37:09 | 0:37:11 | |
While Sue puts the kettle on, | 0:37:13 | 0:37:14 | |
I can't resist popping round the back | 0:37:14 | 0:37:16 | |
to take a look at the Good Guys' handiwork. | 0:37:16 | 0:37:19 | |
Well, I can see why Sue wanted a patio here. | 0:37:19 | 0:37:21 | |
This time of day, it gets loads of sun. | 0:37:21 | 0:37:23 | |
Now this originally was rocking all over the show. | 0:37:23 | 0:37:26 | |
There was already a trip hazard there. | 0:37:26 | 0:37:28 | |
All the mortar had come up, and the drain being there, | 0:37:28 | 0:37:30 | |
all the water should be going down there, | 0:37:30 | 0:37:32 | |
all the surface water, but instead, it was ponding around here, | 0:37:32 | 0:37:36 | |
and therefore, all the water would gather there | 0:37:36 | 0:37:38 | |
and it would become all grimy in the summer | 0:37:38 | 0:37:40 | |
and slippy in the winter. | 0:37:40 | 0:37:42 | |
You don't have that any more. | 0:37:42 | 0:37:43 | |
'No, you jolly well don't. | 0:37:43 | 0:37:46 | |
'When you consider what they were faced with, | 0:37:46 | 0:37:48 | |
'this is clearly a vast improvement. | 0:37:48 | 0:37:51 | |
'And there's been a change of design where the patio meets the lawn.' | 0:37:51 | 0:37:56 | |
This was where the raised beds were. | 0:37:56 | 0:37:58 | |
They've obviously decided to do something quite different here. | 0:37:58 | 0:38:00 | |
By the looks of it, our Good Guys have laid some more bricks there. | 0:38:00 | 0:38:04 | |
These must be a new addition. They look lovely. | 0:38:04 | 0:38:06 | |
But here's the thing - nice, straight edges. | 0:38:06 | 0:38:09 | |
Machined edges. | 0:38:09 | 0:38:11 | |
Yeah, it looks really, really good. | 0:38:11 | 0:38:13 | |
Sue decided on this design the second time round | 0:38:14 | 0:38:16 | |
rather than the raised planter, | 0:38:16 | 0:38:18 | |
and I think her decision was spot on. It looks great. | 0:38:18 | 0:38:22 | |
'The state of this part of the patio | 0:38:22 | 0:38:24 | |
'before our Good Guys came to the rescue beggared belief. | 0:38:24 | 0:38:28 | |
'Now, well, it is finished with aplomb. | 0:38:28 | 0:38:30 | |
'And they've also added a little bit extra | 0:38:30 | 0:38:33 | |
'at the back of the garden.' | 0:38:33 | 0:38:34 | |
It looks like someone has put a bit more of a patio area at the top, | 0:38:34 | 0:38:39 | |
which, when we look where the sun is, that's probably | 0:38:39 | 0:38:41 | |
where the sun hits in the evening. It looks great. | 0:38:41 | 0:38:43 | |
Yes, the Good Guys have pulled this patio round. | 0:38:45 | 0:38:48 | |
Head honcho Paul was stunned by what he saw | 0:38:48 | 0:38:50 | |
on day one of his rescue mission. | 0:38:50 | 0:38:52 | |
Everything about it was wrong, you know? The levels were wrong, | 0:38:53 | 0:38:56 | |
the lipping on the edge of the flags, you know. | 0:38:56 | 0:38:59 | |
Cement all over it. Just bad edging, bad workmanship. | 0:38:59 | 0:39:03 | |
It doesn't look like there's any part of the original patio | 0:39:03 | 0:39:06 | |
that's still there. What did you have to do? | 0:39:06 | 0:39:08 | |
We took it all up, and it was only laid on just a dry bed of sand, | 0:39:08 | 0:39:13 | |
so we actually laid them on a bed of sand and cement, | 0:39:13 | 0:39:16 | |
which makes it a lot more stable with the freeze and thaw cycles. | 0:39:16 | 0:39:20 | |
Paul couldn't believe the cowboy made such a mess | 0:39:20 | 0:39:23 | |
of the water drainage. | 0:39:23 | 0:39:25 | |
-The drain was actually higher than the patio. -Was it?! | 0:39:25 | 0:39:28 | |
So the water couldn't get into it. | 0:39:28 | 0:39:30 | |
So was just going to be an ice skating rink in the winter? | 0:39:30 | 0:39:34 | |
It was, yeah. | 0:39:34 | 0:39:35 | |
'And a serious safety risk for Sue and her grandkids. | 0:39:35 | 0:39:39 | |
'Time for a chat with Sue about her cowboy builder. | 0:39:39 | 0:39:42 | |
'I wanted to find out his side of the story, | 0:39:42 | 0:39:44 | |
'and I can't wait to hear her responses to his version of events.' | 0:39:44 | 0:39:48 | |
Now, Sue, we always give the cowboy builders a right to reply, | 0:39:48 | 0:39:52 | |
to offer their side of the story, if you like. | 0:39:52 | 0:39:54 | |
He says that when he finished the job, | 0:39:54 | 0:39:57 | |
he asked you if you were happy, and you told him you were. | 0:39:57 | 0:40:01 | |
-No. -No? -He didn't ask me. | 0:40:01 | 0:40:04 | |
-Not true? -Not true. | 0:40:04 | 0:40:05 | |
And he knows I wasn't happy, because I phoned him to tell him. | 0:40:05 | 0:40:09 | |
He says he's been in the business for 18 years | 0:40:09 | 0:40:12 | |
and you're the first complaint he's ever had. | 0:40:12 | 0:40:14 | |
I find that very hard to believe, really, | 0:40:14 | 0:40:17 | |
looking at the standard of workmanship. | 0:40:17 | 0:40:20 | |
'I find it hard to believe too. | 0:40:20 | 0:40:22 | |
'If he's never had a complaint before, | 0:40:22 | 0:40:24 | |
'his previous customers must have very low expectations. | 0:40:24 | 0:40:27 | |
'But Sue expected a quality job, and now, | 0:40:27 | 0:40:30 | |
'thanks to our Good Guys, that's exactly what she's got. | 0:40:30 | 0:40:33 | |
'But it's such a shame Sue's original choice of builder | 0:40:33 | 0:40:36 | |
'didn't just cost her money, it also cost her a friendship.' | 0:40:36 | 0:40:39 | |
What's happened to the relationship with his mother, your friend? | 0:40:39 | 0:40:43 | |
I've never heard from her. | 0:40:43 | 0:40:44 | |
She's never given me the opportunity to even put my side of the story, | 0:40:44 | 0:40:48 | |
so I can only assume that the reason I've not heard from her | 0:40:48 | 0:40:51 | |
is that she's just going off whatever he's told her. | 0:40:51 | 0:40:54 | |
-Or she's embarrassed? -She could be embarrassed, yeah. | 0:40:54 | 0:40:56 | |
Have you tried contacting her? | 0:40:56 | 0:40:58 | |
I tried contacting her straightaway afterwards, | 0:40:58 | 0:41:00 | |
and had no response, so I've not bothered since. | 0:41:00 | 0:41:03 | |
'That's the kind of thing that happens when you hire | 0:41:05 | 0:41:07 | |
'friends and relatives, or relatives of friends | 0:41:07 | 0:41:10 | |
'to do your building work. | 0:41:10 | 0:41:11 | |
'In my opinion, avoid at all costs. | 0:41:11 | 0:41:14 | |
'On to happier matters. | 0:41:14 | 0:41:16 | |
'Let's hear what Sue thinks to her transformed patio.' | 0:41:16 | 0:41:18 | |
Tell you what, it's bright out here, isn't it? So what do you think? | 0:41:20 | 0:41:24 | |
-It's good, isn't it? -Absolutely perfect. | 0:41:24 | 0:41:26 | |
So all in all, how different does your garden feel now? | 0:41:26 | 0:41:30 | |
110%. | 0:41:30 | 0:41:32 | |
-Does it? -Yes. | 0:41:32 | 0:41:33 | |
You basically wanted this built for you for a safe playing area | 0:41:33 | 0:41:38 | |
-for the grandchildren. It wasn't. -No. | 0:41:38 | 0:41:40 | |
-You'd be happy with them playing out here now? -Oh, definitely. | 0:41:40 | 0:41:43 | |
-Definitely. -Well, it must be chalk and cheese for you. | 0:41:43 | 0:41:45 | |
-You step out now onto a paving slab that doesn't rock. -Yes, it's level. | 0:41:45 | 0:41:51 | |
-It's not wet through. -Why no raised bed, then? | 0:41:51 | 0:41:54 | |
It just didn't work. | 0:41:54 | 0:41:55 | |
He tried to construct it from the flags, which is not going to work. | 0:41:55 | 0:41:59 | |
It should've been walling blocks. | 0:41:59 | 0:42:00 | |
So as this product isn't available in that, | 0:42:00 | 0:42:02 | |
we've just gone back to the original design, | 0:42:02 | 0:42:05 | |
but obviously with new flags to match. | 0:42:05 | 0:42:07 | |
'And it looks great, but perhaps more importantly, | 0:42:07 | 0:42:10 | |
'Sue can now sleep safe in the knowledge | 0:42:10 | 0:42:13 | |
'that damp isn't creeping into her home from the patio.' | 0:42:13 | 0:42:16 | |
-That's where all the moisture was going. -Yes. | 0:42:16 | 0:42:18 | |
You must have been worried as well, | 0:42:18 | 0:42:20 | |
because it was starting to ingress into this brickwork. | 0:42:20 | 0:42:22 | |
Exactly, and causing damp problems, which is slippy underfoot. | 0:42:22 | 0:42:26 | |
'So slippy that in winter time, Torvill and Dean | 0:42:26 | 0:42:28 | |
'would have struggled to keep their balance on it. | 0:42:28 | 0:42:30 | |
'But now, it's much safer for Sue and her grandchildren. | 0:42:30 | 0:42:34 | |
'It's really gratifying to leave her | 0:42:34 | 0:42:36 | |
'in a better state of mind than the cowboy left her in.' | 0:42:36 | 0:42:39 | |
This was just depressing me. | 0:42:39 | 0:42:41 | |
It looked an absolute mess. | 0:42:41 | 0:42:44 | |
It's just opened everything up now. | 0:42:44 | 0:42:46 | |
It just looks so much better. | 0:42:46 | 0:42:48 | |
'And on that happy note, it's time for me to leave Sue | 0:42:48 | 0:42:51 | |
'to enjoy her new patio.' | 0:42:51 | 0:42:53 | |
I'm sure Sue thought she was doing the right thing, | 0:42:53 | 0:42:56 | |
getting a trusted family friend involved | 0:42:56 | 0:42:58 | |
in what is really a fairly straightforward job. | 0:42:58 | 0:43:01 | |
Trouble is, I think that trust was... | 0:43:01 | 0:43:04 | |
at best, misplaced. | 0:43:04 | 0:43:06 | |
But thanks to our Good Guy builders, | 0:43:06 | 0:43:09 | |
she's now got a patio that really sets the garden off, | 0:43:09 | 0:43:11 | |
and she can be safe in the knowledge that now her grandchildren | 0:43:11 | 0:43:14 | |
can come and visit and play there at any time of the year. | 0:43:14 | 0:43:17 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:33 |