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We're travelling the length and breadth of Britain on a mission | 0:00:07 | 0:00:11 | |
to rescue homeowners from the curse of the cowboy builder. | 0:00:11 | 0:00:14 | |
-I hate seeing you so depressed with it and upset. -Yeah. -I feel helpless. | 0:00:14 | 0:00:19 | |
It's impossible to overestimate the damage these guys do, | 0:00:19 | 0:00:23 | |
whether they're blatant amateurs or simply crooks. | 0:00:23 | 0:00:26 | |
Cowboy builders not only mess up homes, they ruin lives too. | 0:00:26 | 0:00:31 | |
All the happy feelings I had about getting this bigger kitchen have completely gone. It is a nightmare. | 0:00:31 | 0:00:36 | |
Apart from the roof, the floor, the screeds, | 0:00:36 | 0:00:38 | |
the plaster and the plumbing... | 0:00:38 | 0:00:41 | |
-Good job(!) -Good job(!) | 0:00:41 | 0:00:43 | |
We've rounded up the good guys to help turn these helpless | 0:00:43 | 0:00:46 | |
homeowners into merry mortgagees. | 0:00:46 | 0:00:48 | |
And this is a fantastic bedroom. | 0:00:48 | 0:00:51 | |
This is a room where you'd want to spend time, it's nice and light. | 0:00:51 | 0:00:54 | |
It's a total transformation. | 0:00:54 | 0:00:56 | |
We thought our dream had been lost and we didn't actually know about how we'd get it back. | 0:00:56 | 0:01:01 | |
-If you guys couldn't help us, we were stuck. -It's brilliant. | 0:01:01 | 0:01:05 | |
Absolutely anyone can call themselves a builder, which is | 0:01:05 | 0:01:08 | |
why it's crucial to know how to spot a wrong-un. | 0:01:08 | 0:01:11 | |
And why the next 45 minutes could help keep you | 0:01:11 | 0:01:14 | |
out of the Cowboy Trap. | 0:01:14 | 0:01:17 | |
On today's Cowboy Trap, the parents of an autistic child who wanted | 0:01:27 | 0:01:31 | |
an extension built to create a large bedroom for him and a bigger | 0:01:31 | 0:01:35 | |
kitchen for the family, but ended up with a dangerous disaster. | 0:01:35 | 0:01:39 | |
He looked at the beams, the support beam the builder had put in, | 0:01:39 | 0:01:43 | |
and said, "Actually, that's all got to come out and you've got to redo that." | 0:01:43 | 0:01:46 | |
And three years after we rescued her, we catch up with | 0:01:46 | 0:01:49 | |
a cowboy builder victim in Redditch to see how she's doing now. | 0:01:49 | 0:01:53 | |
Your extension was supposed to help you live on the ground floor. | 0:01:53 | 0:01:56 | |
-You couldn't even get in. -I couldn't, no. It wasn't wide enough. | 0:01:56 | 0:02:00 | |
Our first Cowboy Trap saga revolves round a home in Birchington-on-Sea in Kent. | 0:02:00 | 0:02:05 | |
Birchington was first registered in 1240 | 0:02:05 | 0:02:09 | |
and its parish church graveyard has a famous resident. | 0:02:09 | 0:02:12 | |
The artist Rossetti was buried here in the 19th century. | 0:02:12 | 0:02:16 | |
The village's population is just 9,800, but that swells | 0:02:16 | 0:02:20 | |
considerably in the summer when tourists flock here in their droves. | 0:02:20 | 0:02:24 | |
Birchington has everything you'd expect from a seaside resort. | 0:02:24 | 0:02:28 | |
Beach huts, windsurfing, sailing and fantastic, | 0:02:28 | 0:02:31 | |
albeit rather blustery walks along the seafront. | 0:02:31 | 0:02:34 | |
But it's also got something else, the odd cowboy builder or two. | 0:02:34 | 0:02:39 | |
And this one's unlucky victims live in this four-bed semi. | 0:02:39 | 0:02:42 | |
It's home to Ian Humpheryes, his wife Carol Torry | 0:02:42 | 0:02:46 | |
and their children Ellis, Nicholas and Lottie. | 0:02:46 | 0:02:49 | |
Ian's a biologist for an environmental agency | 0:02:49 | 0:02:52 | |
and Carol's a supply teacher. | 0:02:52 | 0:02:54 | |
Oh, and we mustn't forget, a host of pets live here too. | 0:02:54 | 0:02:58 | |
Cripes! It's like Noah's Ark! | 0:02:58 | 0:03:01 | |
Carol and Ian met each other at a party | 0:03:01 | 0:03:03 | |
and it was love at first sight. | 0:03:03 | 0:03:06 | |
-Yeah, it was a very long time ago. We met at a friend's house. -Yes. | 0:03:07 | 0:03:11 | |
It was a mutual friend and we just sort of clicked. | 0:03:11 | 0:03:15 | |
We got on well together. | 0:03:15 | 0:03:17 | |
You made me laugh, made you laugh and yeah, it was really nice. | 0:03:17 | 0:03:20 | |
After eight years' courting, Ian and Carol married in 1990 | 0:03:22 | 0:03:26 | |
and moved in to the house in 1993. | 0:03:26 | 0:03:29 | |
In May 2011, they decided to extend the property. | 0:03:29 | 0:03:33 | |
Ian and Carol badly needed some extra space. | 0:03:33 | 0:03:37 | |
Their son Nicholas is autistic | 0:03:37 | 0:03:39 | |
and as they began to realise their son might never leave home, | 0:03:39 | 0:03:42 | |
a bigger bedroom for him became a top priority. | 0:03:42 | 0:03:45 | |
What's more, by building an extension, | 0:03:45 | 0:03:48 | |
they could also have the big kitchen they'd always dreamt of. | 0:03:48 | 0:03:51 | |
The perfect place to bring the family together every evening at dinnertime. | 0:03:51 | 0:03:55 | |
This was what Carol really wanted and I was | 0:03:55 | 0:03:58 | |
so pleased we could get both done. | 0:03:58 | 0:04:00 | |
Nicholas is priority number one and then this, fantastic. | 0:04:00 | 0:04:05 | |
One of Carol's colleagues gave a builder | 0:04:05 | 0:04:08 | |
she had used a glowing recommendation, so Carol invited | 0:04:08 | 0:04:11 | |
him round to quote, but Carol's first impressions weren't great. | 0:04:11 | 0:04:15 | |
Now, call it women's intuition, | 0:04:16 | 0:04:18 | |
but Carol had a bad feeling about this builder. | 0:04:18 | 0:04:21 | |
She couldn't put her finger on it, but she found him overfriendly and well, a bit phoney. | 0:04:21 | 0:04:26 | |
She was also concerned that the job was out of his league, | 0:04:26 | 0:04:29 | |
but Ian disagreed and Carol gave in. | 0:04:29 | 0:04:32 | |
And despite Carol's misgivings, they didn't ask the builder for any proper references. | 0:04:35 | 0:04:40 | |
They relied totally on the opinion of Carol's colleague. Big mistake. | 0:04:40 | 0:04:45 | |
Take my advice: | 0:04:45 | 0:04:47 | |
If you do this and get positive feedback, you can | 0:05:02 | 0:05:05 | |
proceed with well-informed confidence in your builder. | 0:05:05 | 0:05:09 | |
Carol and Ian would live to regret not casting their net wider. | 0:05:13 | 0:05:18 | |
Their builder quoted £18,480. | 0:05:18 | 0:05:21 | |
This was to remove the existing conservatory | 0:05:21 | 0:05:25 | |
and extend the kitchen into the dining room. | 0:05:25 | 0:05:29 | |
It also included moving the existing upstairs bathroom to the front | 0:05:29 | 0:05:33 | |
of the house, enabling a bigger bedroom to be created for Nicholas. | 0:05:33 | 0:05:37 | |
Carol and Ian had contacts who could sort the windows, | 0:05:37 | 0:05:40 | |
electrics and scaffolding, | 0:05:40 | 0:05:42 | |
but the builder was to plaster inside and render the outside. | 0:05:42 | 0:05:47 | |
We detailed out in the letter exactly what we expected, | 0:05:47 | 0:05:51 | |
exactly what we wanted and we wanted it complete, | 0:05:51 | 0:05:54 | |
ready to decorate, and we made that quite clear. | 0:05:54 | 0:05:59 | |
The builder demanded £9,000 to be paid at the start of the job | 0:05:59 | 0:06:03 | |
in cash. Now, Carol, who I'm rapidly getting to like, told Ian, "No way. | 0:06:03 | 0:06:09 | |
You don't have to pay builders up front. | 0:06:09 | 0:06:12 | |
Any decent tradesman has accounts with local suppliers who | 0:06:12 | 0:06:15 | |
allow 30 days to pay for materials. | 0:06:15 | 0:06:18 | |
Correct. So what did Ian do? He paid him anyway. | 0:06:18 | 0:06:23 | |
Ian should have listened to Carol's advice. | 0:06:23 | 0:06:26 | |
I was too trusting and I thought, well, I've worked with builders | 0:06:26 | 0:06:30 | |
and things and some of them do have small cash flow problems. | 0:06:30 | 0:06:35 | |
-That's what he said, cash flow problems. -So I thought, that'll get him started | 0:06:35 | 0:06:40 | |
and then the job will progress quickly. | 0:06:40 | 0:06:42 | |
Wishful thinking, Ian! | 0:06:42 | 0:06:45 | |
The build started in June 2012 with our cash-hungry friend | 0:06:45 | 0:06:48 | |
saying it would be completed in six weeks. | 0:06:48 | 0:06:51 | |
This was perfect for teacher Carol. | 0:06:51 | 0:06:53 | |
It would all be done and dusted by her summer holidays. | 0:06:53 | 0:06:57 | |
I'm thinking, that's great. | 0:06:57 | 0:06:59 | |
Six weeks, it'll all be done | 0:06:59 | 0:07:01 | |
and then I can just get in with a paintbrush and start decorating. | 0:07:01 | 0:07:05 | |
Sounds like a plan. But things didn't get off to a good start. | 0:07:05 | 0:07:08 | |
From day one, the builders kept coming up with reasons for Ian to hand over | 0:07:08 | 0:07:12 | |
more money, like the foundations needed to be deeper than expected. | 0:07:12 | 0:07:16 | |
And he kept leaving a terrible mess. The garden was strewn with rubble. | 0:07:16 | 0:07:21 | |
Oh, and another thing, have you heard that song Firestarter? | 0:07:23 | 0:07:27 | |
I think it was named after this guy. | 0:07:27 | 0:07:29 | |
I came home from work one day to find that they'd had a big | 0:07:29 | 0:07:32 | |
bonfire in the middle of the lawn, which was a bit...not...right. | 0:07:32 | 0:07:36 | |
And where the sparks had shot off, | 0:07:36 | 0:07:39 | |
it had burnt through the children's trampoline. | 0:07:39 | 0:07:42 | |
So Ian had a word with him about it | 0:07:42 | 0:07:44 | |
and he said he wouldn't do it again and then two days later, he moved | 0:07:44 | 0:07:48 | |
the trampoline across the garden on top of a flowerbed | 0:07:48 | 0:07:53 | |
and had another bonfire. So, we thought, "That's not right." | 0:07:53 | 0:07:56 | |
The little work that was being done was, how can I put it, rubbish! | 0:07:58 | 0:08:02 | |
The mortar between the bricks was soft and crumbly. | 0:08:02 | 0:08:06 | |
That's good for chocolate, but not so good when it's supposed to hold your house up. | 0:08:06 | 0:08:10 | |
The drains were unfinished and smelly | 0:08:10 | 0:08:13 | |
and concrete was spilled on Carol and Ian's once immaculate garden. | 0:08:13 | 0:08:17 | |
They began to realise their builder was way out of his depth. | 0:08:17 | 0:08:21 | |
I think he didn't have a clue on this size structure. | 0:08:21 | 0:08:25 | |
I think he's OK on doing small jobs. | 0:08:25 | 0:08:27 | |
In terms of a proper builder, he didn't have a clue. | 0:08:27 | 0:08:31 | |
The builder's working day could be measured in microseconds. | 0:08:31 | 0:08:36 | |
He'd be away by 3pm and when he was around, | 0:08:36 | 0:08:39 | |
he spent most of his time on the phone. | 0:08:39 | 0:08:41 | |
I thought that was a bit odd. Trying to get a job done quite quickly. | 0:08:41 | 0:08:46 | |
But he seemed to be getting slower and less done and we're thinking, | 0:08:46 | 0:08:51 | |
-"Hm." -Yeah. | 0:08:51 | 0:08:53 | |
Hm, indeed! The builder was asking for cash left, right and centre. | 0:08:53 | 0:08:59 | |
Carol and Ian started to wonder | 0:08:59 | 0:09:01 | |
if it was being spent on a project closer to home. | 0:09:01 | 0:09:04 | |
Or more precisely, spent on HIS home. | 0:09:04 | 0:09:07 | |
As he was doing our job, "My wife's kitchen's all being | 0:09:07 | 0:09:10 | |
"done at the moment," and we're thinking, "Oh, OK." | 0:09:10 | 0:09:12 | |
When he first started, when he got the materials and he had the first couple of lots of | 0:09:12 | 0:09:16 | |
money off us, he kept saying to me, "She's having a wonderful kitchen. "I'm buying all these new tiles." | 0:09:16 | 0:09:21 | |
I think we rapidly realised afterwards that all the money we'd given him | 0:09:21 | 0:09:25 | |
wasn't going on our job, it was going on his wife's kitchen! | 0:09:25 | 0:09:29 | |
And this cheeky fellow wasn't finishing...well, anything. | 0:09:29 | 0:09:33 | |
The floor in the kitchen wasn't complete, | 0:09:33 | 0:09:36 | |
the roof was a shambles and the guttering non-existent. | 0:09:36 | 0:09:40 | |
The whole project was rapidly descending into chaos. | 0:09:40 | 0:09:44 | |
He kept making excuses saying, | 0:09:44 | 0:09:46 | |
"We can't do the floor because we have to do the plastering first. | 0:09:46 | 0:09:49 | |
"We can't do this because that has to be done first." We said, "OK." | 0:09:49 | 0:09:54 | |
The situation was becoming farcical. | 0:09:54 | 0:09:56 | |
Carol actually spotted the builder foraging in the garden | 0:09:56 | 0:10:00 | |
for wood to use for the joists. | 0:10:00 | 0:10:02 | |
He was reusing old nails and old bits of plywood. | 0:10:02 | 0:10:06 | |
You couldn't make it up, could you? | 0:10:06 | 0:10:08 | |
We were saying, "Hang on. | 0:10:08 | 0:10:10 | |
"What's going on?" He said, "It's all right." | 0:10:10 | 0:10:15 | |
He brushed everything away, if you spoke to him about things. | 0:10:15 | 0:10:19 | |
This fella must be the cheekiest cowboy of all time. | 0:10:19 | 0:10:23 | |
His next ruse was to tell Carol that he wouldn't be doing the roof | 0:10:23 | 0:10:26 | |
or the plastering. | 0:10:26 | 0:10:28 | |
He said to me, "I didn't quote for this. This isn't in the quote that I gave you. | 0:10:28 | 0:10:32 | |
"I shouldn't be doing this." I said, "Actually, it is. | 0:10:32 | 0:10:36 | |
"I've got the quote." "Oh, I forgot I'd given you a copy." | 0:10:36 | 0:10:39 | |
So I said, "Yes." So at that point, I really began to panic. | 0:10:39 | 0:10:44 | |
And I'm not surprised. | 0:10:44 | 0:10:46 | |
Ian then showed the builder all his bad work, which took a while. | 0:10:46 | 0:10:50 | |
And the builder said if they were so unhappy, he would leave. | 0:10:50 | 0:10:54 | |
And he did! | 0:10:54 | 0:10:55 | |
By this point, Carol and Ian had handed over £16,500 | 0:10:55 | 0:10:59 | |
and their home had been completely wrecked. | 0:10:59 | 0:11:03 | |
It is a nightmare. I really wish we'd never started it. | 0:11:03 | 0:11:08 | |
And the nightmare was about to get worse. | 0:11:08 | 0:11:10 | |
Carol and Ian called in Building Control, who pointed out a series of problems. | 0:11:10 | 0:11:15 | |
The biggest thing was that he looked at the support beam | 0:11:15 | 0:11:19 | |
the builder had put in and he said, | 0:11:19 | 0:11:21 | |
-"Actually..." -It was a piece of timber from the garden. | 0:11:21 | 0:11:24 | |
"..he's used a piece of rotten timber that's the wrong size for the support beam. | 0:11:24 | 0:11:28 | |
"That's all got to come out and you've got to redo that." | 0:11:28 | 0:11:32 | |
Using rotten timber to support the floor above?! Incredible! | 0:11:32 | 0:11:36 | |
The whole building could collapse like a pack of cards. | 0:11:36 | 0:11:39 | |
Not surprisingly, this whole episode has had a massive impact on the couple. | 0:11:39 | 0:11:44 | |
Ian feels guilty he chose the builder. | 0:11:44 | 0:11:46 | |
Carol's been left in the depths of despair. | 0:11:46 | 0:11:50 | |
-I hate seeing you so depressed with it and upset. -Yeah. | 0:11:50 | 0:11:54 | |
But to be honest, I think we have a very strong marriage. | 0:11:56 | 0:12:01 | |
We've been married for, like, 23 years. | 0:12:01 | 0:12:04 | |
And if we didn't have it, I think | 0:12:04 | 0:12:06 | |
possibly we would have split a long time ago. | 0:12:06 | 0:12:09 | |
What a ghastly mess. | 0:12:09 | 0:12:11 | |
Not just the bricks and mortar, of course, | 0:12:11 | 0:12:13 | |
but the effect it has had on the family. | 0:12:13 | 0:12:16 | |
Now, Ian, I know, has been doing a lot of work himself to try to put things right, | 0:12:16 | 0:12:20 | |
but I've got a feeling this one's going to be | 0:12:20 | 0:12:23 | |
far beyond the scope of a beginner, no matter how committed they are. | 0:12:23 | 0:12:27 | |
But how unsafe is the disaster zone this cowboy left behind? | 0:12:27 | 0:12:32 | |
What is the true extent of this building calamity? | 0:12:32 | 0:12:35 | |
To find out, we asked independent building surveyor | 0:12:35 | 0:12:38 | |
Ian Alexander to inspect the work. | 0:12:38 | 0:12:40 | |
He's been through it with a fine tooth comb | 0:12:40 | 0:12:43 | |
and he's about to fill me in on what he found. | 0:12:43 | 0:12:46 | |
They're living with this debacle, aren't they? This kitchen, here. | 0:12:46 | 0:12:51 | |
First item on the agenda, the jaw-droppingly dreadful floor. | 0:12:51 | 0:12:56 | |
It is appalling. | 0:12:56 | 0:12:58 | |
What they have done is put | 0:12:58 | 0:12:59 | |
a screed down and they have | 0:12:59 | 0:13:01 | |
completely got it wrong. | 0:13:01 | 0:13:03 | |
Looking at this photo, the levels are all wrong, | 0:13:03 | 0:13:06 | |
and if you get the flooring wrong, everything you put on top of it is going to be wrong too. | 0:13:06 | 0:13:10 | |
I wonder what Ian thinks as to how the doors have been fitted. | 0:13:10 | 0:13:14 | |
They're not draught proof. | 0:13:14 | 0:13:15 | |
There's basically a gap all around the doors. | 0:13:15 | 0:13:20 | |
When we look at the outside we see that the basic | 0:13:20 | 0:13:23 | |
details of weather-proofing have been missed. | 0:13:23 | 0:13:27 | |
These doors already look ten years old. That's not surprising. | 0:13:27 | 0:13:31 | |
No gutters have been fitted, | 0:13:31 | 0:13:33 | |
so water is continually running on to them. | 0:13:33 | 0:13:36 | |
The entire kitchen looks like something out of Steptoe And Son. | 0:13:36 | 0:13:39 | |
It would look even worse if the floor above comes crashing down | 0:13:39 | 0:13:43 | |
and Ian's investigations have revealed that as well | 0:13:43 | 0:13:46 | |
as rotten timber supports, the cowboy put suspicious steels in too. | 0:13:46 | 0:13:51 | |
-Is this any good? -In a word, no. | 0:13:51 | 0:13:54 | |
They haven't put adequate fixings. All the connections at either | 0:13:54 | 0:13:57 | |
end of the steel are poor. | 0:13:57 | 0:13:59 | |
And on the external wall side, you can actually see daylight. | 0:13:59 | 0:14:04 | |
It looks like the upstairs might end up downstairs before you know it. | 0:14:04 | 0:14:08 | |
Talking of upstairs, Ian was horrified with what | 0:14:08 | 0:14:11 | |
he saw in what was supposed to be Nicholas's room. | 0:14:11 | 0:14:14 | |
If you actually look at the joists, you'll see that the joists are not | 0:14:16 | 0:14:19 | |
structurally supported in places, but also that there's a ledge. | 0:14:19 | 0:14:25 | |
These joists here are proud of the existing floor. | 0:14:25 | 0:14:28 | |
To put floorboards on top of it, you've got a step. | 0:14:28 | 0:14:32 | |
And that is truly bizarre. | 0:14:32 | 0:14:34 | |
A split-level floor? I guess it's not surprising this cowboy did a runner. | 0:14:34 | 0:14:39 | |
The builder has absconded here. | 0:14:39 | 0:14:41 | |
Now, leaving a house in this state, it's an absolute disgrace. | 0:14:41 | 0:14:45 | |
It is. You could step through one of those floorboards | 0:14:45 | 0:14:48 | |
and you'd be straight through into the ceiling below. | 0:14:48 | 0:14:51 | |
The higher up you go, the worse things get - because the cowboy | 0:14:51 | 0:14:55 | |
left the couple with no roof, Ian had to try to fix it himself. | 0:14:55 | 0:14:59 | |
And there's insufficient overhang. | 0:14:59 | 0:15:02 | |
Moisture will just run down the wall. | 0:15:02 | 0:15:05 | |
So apart from the floor, the screed, the plaster and the plumbing... | 0:15:05 | 0:15:09 | |
-Good job(!) -Good job(!) | 0:15:09 | 0:15:11 | |
I mean, seeing such a debacle, | 0:15:11 | 0:15:14 | |
how would you mark this building work out of ten, Ian? | 0:15:14 | 0:15:18 | |
It's got to be two, three. | 0:15:18 | 0:15:21 | |
-Yeah. -Cos they turned up. -Cos they turned up, yeah. | 0:15:21 | 0:15:25 | |
From what Ian's showed me, one could argue he's being a bit kind. | 0:15:25 | 0:15:29 | |
When it comes to this catalogue of disaster, blimey, | 0:15:29 | 0:15:32 | |
where do you start? | 0:15:32 | 0:15:34 | |
A rotten beam, a chaotic kitchen floor, a sloppy slab, | 0:15:34 | 0:15:39 | |
French doors full of gaps, a bungled bedroom, no guttering, | 0:15:39 | 0:15:45 | |
a rubbish roof and not to forget a render that's wetter than | 0:15:45 | 0:15:48 | |
a wet weekend in Wetwang! And to cap it all, | 0:15:48 | 0:15:52 | |
the cowboy walked off the job in a totally unfinished state. | 0:15:52 | 0:15:56 | |
In short, if this was a lesson in buffoonery, it would be | 0:15:56 | 0:15:58 | |
a master-class. Time to bring in the good guys. | 0:15:58 | 0:16:02 | |
Yup, here's our man who can hopefully put a smile | 0:16:02 | 0:16:05 | |
back on Ian and Carol's faces - good guy head honcho Brendan Healy. | 0:16:05 | 0:16:10 | |
So much needs doing to make this place safe | 0:16:10 | 0:16:12 | |
and secure for the little ones, Carol and Ian are chipping in. | 0:16:12 | 0:16:16 | |
Under the watchful eye of the family cat, | 0:16:16 | 0:16:19 | |
Healy's heroes swing into action. | 0:16:19 | 0:16:21 | |
It's out with the saws, drills and spades. | 0:16:21 | 0:16:25 | |
They can't fix every bodge. Health and safety comes first. | 0:16:25 | 0:16:30 | |
The main priority is sorting the suspect supports. | 0:16:30 | 0:16:33 | |
And making the upstairs bedroom fit for purpose. | 0:16:33 | 0:16:37 | |
Compared to what they were faced with, it's a great start. | 0:16:37 | 0:16:41 | |
But can Brendan's boys get Ian and Carol's dreams back on track? | 0:16:41 | 0:16:45 | |
Only time will tell. | 0:16:45 | 0:16:47 | |
I'm on the Kent coast in Birchington-on-Sea where | 0:16:52 | 0:16:55 | |
Ian Humpheryes and Carol Torry wanted to extend their house to | 0:16:55 | 0:16:58 | |
give their son Nicholas, who has autism, a decent bedroom. | 0:16:58 | 0:17:02 | |
But the builder recommended by a friend at work turned out to | 0:17:02 | 0:17:05 | |
be a cowboy, who turned their home into a disaster zone. | 0:17:05 | 0:17:10 | |
Well, our good guys have now finished their work, | 0:17:10 | 0:17:13 | |
so let's see how Ian and Carol are getting on. | 0:17:13 | 0:17:16 | |
This was a really challenging rescue mission. | 0:17:16 | 0:17:19 | |
Let's hope our fellas have saved the day. | 0:17:19 | 0:17:22 | |
-Hello. Carol? -Yes. -Hi, I'm Jonnie. Ian? -Nice to meet you. -You too. | 0:17:22 | 0:17:26 | |
-And this is? -Enzo. -Hello, Enzo. -Come on through. -Thank you very much. | 0:17:26 | 0:17:31 | |
As soon as I cross the threshold, I can't resist a quick peek. | 0:17:31 | 0:17:35 | |
Remember before, the kitchen was catastrophic. | 0:17:35 | 0:17:39 | |
Now, check it out. It looks amazing. | 0:17:39 | 0:17:42 | |
Upstairs, the bedroom supposedly destined for young Nicholas | 0:17:43 | 0:17:46 | |
was in a state of chaos. | 0:17:46 | 0:17:49 | |
Can't say that now. What a stunning transformation. | 0:17:49 | 0:17:53 | |
Right, before I take a closer look at the good guys' work, | 0:17:54 | 0:17:58 | |
I'd like to ask Carol and Ian about when they first realised they were in serious trouble. | 0:17:58 | 0:18:03 | |
So how did things come to a head then? | 0:18:03 | 0:18:06 | |
There was a question of he moved the bathroom from the back | 0:18:06 | 0:18:09 | |
of the house to the front of the house, so we could build and there | 0:18:09 | 0:18:15 | |
was, surprisingly, | 0:18:15 | 0:18:17 | |
some pipes in the room where he had moved the bathroom from. | 0:18:17 | 0:18:21 | |
And he said, "I didn't expect there to be pipes there. | 0:18:21 | 0:18:24 | |
-That's going to cost more money cos I'm going to have to get the plumber in. -What? | 0:18:24 | 0:18:28 | |
-He wasn't expecting to find pipes in the bathroom? -That's right. -Yes. | 0:18:28 | 0:18:32 | |
-That's what he said to us. -"I didn't expect there to be pipes there, | 0:18:32 | 0:18:35 | |
"so I'm going to have to get a plumber back to move those | 0:18:35 | 0:18:37 | |
"pipes, so they're out of the way, so we can open up the bedroom." | 0:18:37 | 0:18:41 | |
Well, that's one of the daftest things I've ever heard. | 0:18:41 | 0:18:45 | |
And despite Ian agreeing to pay extra for the plumber, | 0:18:45 | 0:18:47 | |
the builder still walked off the job. | 0:18:47 | 0:18:51 | |
How much money had you paid at this stage? | 0:18:51 | 0:18:54 | |
At this stage, we were £15,500. | 0:18:54 | 0:18:56 | |
And how long had they been on and off site? | 0:18:56 | 0:18:59 | |
Well, it started at the end of June | 0:18:59 | 0:19:01 | |
and by this time it was end of July, 27th. | 0:19:01 | 0:19:05 | |
They'd been on the site about a month. | 0:19:05 | 0:19:07 | |
Fifteen and a half grand?! Not bad for a month's work, eh? | 0:19:08 | 0:19:13 | |
Well, that's if you can call it work. | 0:19:13 | 0:19:16 | |
It wasn't just under par and bad workmanship, it was life-threatening. | 0:19:16 | 0:19:23 | |
-Yeah. -He could have killed the whole family. | 0:19:23 | 0:19:25 | |
I don't care who they are, and how much they want the money or how they rip people off, | 0:19:25 | 0:19:32 | |
there is no excuse for putting a family's life in danger. | 0:19:32 | 0:19:36 | |
No, there is not. But thankfully, our good guys came to the rescue. | 0:19:38 | 0:19:42 | |
And it's time for me to check out their handiwork. | 0:19:42 | 0:19:46 | |
Starting outside, | 0:19:46 | 0:19:48 | |
it's great to see they completed stage one of rectifying that | 0:19:48 | 0:19:51 | |
risible render, creating a gap to stop water coming into the house. | 0:19:51 | 0:19:55 | |
Of course, we're not out of the woods yet. There's still more work to be done. | 0:19:55 | 0:20:00 | |
Now, this rendering, it's just terribly put on in the first place. | 0:20:00 | 0:20:04 | |
But also, it's not even thick enough. Look at that, here. | 0:20:04 | 0:20:08 | |
But here is the main problem. | 0:20:08 | 0:20:11 | |
Now, this here, you see. This is the damp proof membrane. | 0:20:11 | 0:20:15 | |
Now this is the ground floor, | 0:20:15 | 0:20:17 | |
if you like, this is where you walk along inside the home. | 0:20:17 | 0:20:20 | |
Now, damp, that will travel up if it can find any sort of root. | 0:20:20 | 0:20:25 | |
Now this membrane will stop it travelling above this | 0:20:25 | 0:20:28 | |
course of blocks. | 0:20:28 | 0:20:29 | |
But unfortunately, this render has been laid, or had been laid, | 0:20:29 | 0:20:33 | |
over the top of this membrane, so the damp could continue to rise | 0:20:33 | 0:20:36 | |
and bridge over the membrane and then into the house, | 0:20:36 | 0:20:39 | |
rotting floorboards, rotting anything it comes into contact with. | 0:20:39 | 0:20:42 | |
So, thankfully, someone has managed to chip away at this render | 0:20:42 | 0:20:46 | |
so this is not being bridged. | 0:20:46 | 0:20:48 | |
There's a gap here now to stop water coming up through, | 0:20:48 | 0:20:52 | |
but also now there needs to be some sort of beading come out here, | 0:20:52 | 0:20:55 | |
so the rendering can come out onto the beading | 0:20:55 | 0:20:58 | |
and then drop below and then continually having a gap here | 0:20:58 | 0:21:01 | |
so the water can't come up and back into the house. | 0:21:01 | 0:21:05 | |
It's a huge relief to see the damp proof course now exposed, | 0:21:05 | 0:21:08 | |
ready to be sorted out. | 0:21:08 | 0:21:10 | |
Right, let's check out the first floor bedroom. | 0:21:10 | 0:21:13 | |
Couldn't have done that before. Now, I wonder how our good guys did this. | 0:21:15 | 0:21:22 | |
If you remember, it was just joists here, but the big problem | 0:21:22 | 0:21:26 | |
here was this new floor was sitting proud of the existing floors there. | 0:21:26 | 0:21:32 | |
There was about that much gap. | 0:21:32 | 0:21:34 | |
Plus if you put the floor on top of it, you'd be looking at that. | 0:21:34 | 0:21:39 | |
But...one level there. | 0:21:39 | 0:21:43 | |
This floor is as flat as a pancake. | 0:21:43 | 0:21:46 | |
The change from this to this is absolutely remarkable. | 0:21:46 | 0:21:50 | |
It's a really good size room now, isn't it? | 0:21:50 | 0:21:53 | |
We've got electrics here, it's lovely and warm, | 0:21:53 | 0:21:57 | |
central heating, a brand-new radiator at the end. | 0:21:57 | 0:22:00 | |
It's plastered, it's painted. It's finished. | 0:22:00 | 0:22:04 | |
But let's not forget here, the whole reason why Carol | 0:22:04 | 0:22:08 | |
and Ian went through the ordeal of having this extension was to | 0:22:08 | 0:22:12 | |
get extra space for their son Nicholas. | 0:22:12 | 0:22:15 | |
And this is a fantastic bedroom. | 0:22:15 | 0:22:17 | |
This is a room where you want to spend time, it's nice and light. | 0:22:17 | 0:22:21 | |
It's a total transformation. I'm absolutely chuffed. | 0:22:21 | 0:22:25 | |
And last but hopefully not least, I'm going to check out the kitchen. | 0:22:25 | 0:22:30 | |
This is fairly different. Goodness me! First things first, really. | 0:22:30 | 0:22:34 | |
It was unsafe. Now, that's been fully remedied here. | 0:22:34 | 0:22:38 | |
They've managed to sort out that almost floating pillar. | 0:22:38 | 0:22:41 | |
Steels all boxed in. | 0:22:41 | 0:22:43 | |
Phewf! That's a relief proper steels, properly fitted. | 0:22:44 | 0:22:49 | |
I'd rather not have Nicholas's smart new bedroom landing on my head, thank you very much. | 0:22:49 | 0:22:54 | |
And when I look down, there's more good news. | 0:22:54 | 0:22:57 | |
The flooring's been levelled off and check out these snazzy tiles. | 0:22:57 | 0:23:02 | |
Plus there's underfloor heating too. Brilliant. | 0:23:02 | 0:23:05 | |
What most pleases me about this place is that | 0:23:05 | 0:23:08 | |
so much has gone on in this room to get to just this. | 0:23:08 | 0:23:12 | |
OK, there's a few bits and bobs that need finishing off, | 0:23:12 | 0:23:16 | |
but this is an amazing room now. | 0:23:16 | 0:23:19 | |
Let's not forget, this is the new part of the house that wasn't | 0:23:19 | 0:23:24 | |
weather-proofed, wasn't watertight and most importantly for the | 0:23:24 | 0:23:29 | |
family, it was unsafe and now, well, it's pretty much done, isn't it? | 0:23:29 | 0:23:35 | |
I reckon our good guys have played a blinder. | 0:23:36 | 0:23:39 | |
Head honcho Brendan's come to talk me through the challenges he faced. | 0:23:39 | 0:23:43 | |
-The cowboy builders put in a steel. -They did. -In the kitchen. -Yeah. | 0:23:43 | 0:23:49 | |
-Now, what was that like? -We felt that there was issues | 0:23:49 | 0:23:53 | |
that there was a gap between the pier | 0:23:53 | 0:23:55 | |
they built on the left side | 0:23:55 | 0:23:57 | |
and the existing party wall. | 0:23:57 | 0:23:59 | |
We referred it to the building officer who is local and he agreed | 0:23:59 | 0:24:03 | |
that we should remove the pier and mechanically fix a wall starter pack. | 0:24:03 | 0:24:08 | |
Well, that must be a massive weight off Carol and Ian's minds. | 0:24:08 | 0:24:12 | |
As must the fact, | 0:24:12 | 0:24:13 | |
they now have a functioning bedroom for young Nicholas. | 0:24:13 | 0:24:18 | |
Upstairs on the first floor, there was | 0:24:18 | 0:24:21 | |
flooring missing from what is now clearly a bedroom. | 0:24:21 | 0:24:25 | |
How did you go about that? Cos there was all sorts of different levels, the joists were proud. | 0:24:25 | 0:24:29 | |
There was no guarantee that we could get it to the right level, | 0:24:29 | 0:24:32 | |
but what I did first was I put down a temporary floor, which gave me | 0:24:32 | 0:24:36 | |
a safe working area. | 0:24:36 | 0:24:38 | |
And last but not least, proof that Brendan's got a heart of gold. | 0:24:38 | 0:24:42 | |
-We painted the walls for free. -Good on you, mate! | 0:24:42 | 0:24:46 | |
We thought, we'll do a miss-coat, make it look ready. | 0:24:46 | 0:24:48 | |
At least it'll spur them on. | 0:24:48 | 0:24:51 | |
That gave them one room that they could use. | 0:24:51 | 0:24:55 | |
This needs to be a bedroom for a very important member of their family. | 0:24:55 | 0:25:00 | |
-They wanted a bigger bedroom and now they've got one. So fair play to you. -Lovely. | 0:25:00 | 0:25:04 | |
Before I do the grand tour with Carol and Ian, | 0:25:05 | 0:25:08 | |
I'm going to chat to them about their cowboy builder. | 0:25:08 | 0:25:10 | |
I wanted to find out his version of events. It seems only fair. | 0:25:10 | 0:25:14 | |
But unfortunately that's proved easier said than done. | 0:25:14 | 0:25:18 | |
Now, we always give the cowboy builder a right to reply, | 0:25:18 | 0:25:22 | |
to allow them to give at least their side of the story. | 0:25:22 | 0:25:26 | |
But in our attempts to get hold of him, he refused to talk to us. | 0:25:26 | 0:25:30 | |
-He put down the phone on us. -I'm not surprised. That doesn't surprise me at all. | 0:25:30 | 0:25:34 | |
As I say, it is the whole way he engaged with us. | 0:25:34 | 0:25:37 | |
Didn't want to answer questions. | 0:25:37 | 0:25:38 | |
You asked him questions about various things and he refused. | 0:25:38 | 0:25:41 | |
He was rude to you at times, wasn't he? | 0:25:41 | 0:25:43 | |
Further to our attempts to contact him, we sent him a detailed report | 0:25:43 | 0:25:48 | |
of what the surveyor highlighted and he has just ignored that. | 0:25:48 | 0:25:53 | |
I'm not surprised. I think he would. | 0:25:53 | 0:25:55 | |
He's pretending it didn't happen and it would carry on. | 0:25:55 | 0:25:58 | |
It wouldn't affect him. He didn't care. | 0:25:58 | 0:26:00 | |
You could tell that, the way he just packed up and went. | 0:26:00 | 0:26:02 | |
He had no concern what he left us in and no concern for our family. | 0:26:02 | 0:26:06 | |
-He just wanted the money and gone. -He may well be watching this now. | 0:26:06 | 0:26:09 | |
What's your message to him now, if he is watching? | 0:26:09 | 0:26:12 | |
Well, I don't know how, personally, how anybody can live with themselves | 0:26:12 | 0:26:17 | |
when they can do such bad work that it can actually cause death. | 0:26:17 | 0:26:22 | |
And if our house had fallen down, it could have killed us. | 0:26:22 | 0:26:25 | |
So true. | 0:26:25 | 0:26:27 | |
This was a particularly traumatic cowboy trap for Carol and Ian to endure. | 0:26:27 | 0:26:31 | |
But the good news is our fellows have totally transformed this place | 0:26:31 | 0:26:35 | |
and it's time to find out the impact their work has had on Carol and Ian's lives. | 0:26:35 | 0:26:41 | |
-Now, we finally have the big kitchen. -BOTH: Yes. | 0:26:41 | 0:26:44 | |
-Goodness me. This does look different. -It does, yes. | 0:26:44 | 0:26:47 | |
-It feels much better, doesn't it? -What has happened to your little bit of handiwork? | 0:26:47 | 0:26:52 | |
You had built some form of sink. | 0:26:52 | 0:26:55 | |
The rustic sink has been relegated to the garden. | 0:26:55 | 0:26:58 | |
-Firewood soon, that will be. -Not a bad shout. | 0:26:58 | 0:27:01 | |
It looks, I mean, I love these worktops. | 0:27:01 | 0:27:04 | |
It's a great job. | 0:27:04 | 0:27:05 | |
The transformation from this... | 0:27:05 | 0:27:07 | |
..to this is remarkable. | 0:27:08 | 0:27:10 | |
-You've come on great guns, haven't you? -Yeah. We can see daylight now. | 0:27:10 | 0:27:14 | |
-That's the main thing. -You can't see daylight where you shouldn't see daylight! | 0:27:14 | 0:27:18 | |
Straight up at the ceiling and everywhere else, that's right. Yes. | 0:27:18 | 0:27:22 | |
You can see daylight through the proper places, which is great. | 0:27:22 | 0:27:25 | |
Right. Onwards and upwards into Nicholas's bedroom. | 0:27:25 | 0:27:30 | |
-You must love coming into this room. -Yes. Yeah. | 0:27:31 | 0:27:35 | |
It's fantastic and it's for our son, when we see his face | 0:27:35 | 0:27:38 | |
and you know this is his future, isn't it? | 0:27:38 | 0:27:40 | |
He is going to be living with us for the rest of our lives | 0:27:40 | 0:27:45 | |
and this is a space that he can grow into | 0:27:45 | 0:27:47 | |
and just have his own sort of comfort, isn't it, really? | 0:27:47 | 0:27:51 | |
Extra space for Nicholas was the catalyst that started Carol and Ian | 0:27:51 | 0:27:55 | |
off on this emotional rollercoaster. | 0:27:55 | 0:27:58 | |
It's wonderful that it now has a happy ending. | 0:27:58 | 0:28:01 | |
Nicholas hates change and he actually took to this room, didn't he? | 0:28:01 | 0:28:04 | |
-We were amazed. -Really? | 0:28:04 | 0:28:06 | |
-He doesn't like anybody else coming in here. -No. | 0:28:06 | 0:28:09 | |
This is his space. He's owned it. We wouldn't even have to change the colour of the walls. | 0:28:09 | 0:28:13 | |
He had to keep the walls the way they were because he loved it as soon as he walked in the room. | 0:28:13 | 0:28:17 | |
I love it, too. What it looked like before to what it looks like now. | 0:28:17 | 0:28:22 | |
Who could fail to love it? | 0:28:22 | 0:28:25 | |
I've rarely seen an example of something that's had | 0:28:25 | 0:28:28 | |
such a beneficial effect on people that this is. | 0:28:28 | 0:28:30 | |
When we came in here you both brightened up as soon as you opened the door. | 0:28:30 | 0:28:34 | |
The pressure's come right off us. | 0:28:34 | 0:28:36 | |
Our dream was to give Nicholas a room he could grow into | 0:28:36 | 0:28:38 | |
and we thought our dream had been lost and we didn't know how to go about getting it back. | 0:28:38 | 0:28:43 | |
-Without you guys coming to help us we'd have been stuck. -It's brilliant. | 0:28:43 | 0:28:46 | |
Well, that's music to my ears. | 0:28:46 | 0:28:48 | |
Time to leave them and their lovely children to enjoy their new home. | 0:28:48 | 0:28:52 | |
Initially it's pretty frustrating to hear how the careless acts | 0:28:56 | 0:28:59 | |
of a cowboy builder can have such a profound affect on a family, | 0:28:59 | 0:29:03 | |
especially their son Nicholas who, let's face it, | 0:29:03 | 0:29:06 | |
was the main reason they embarked on this project in the first place. | 0:29:06 | 0:29:09 | |
But having looked around, | 0:29:09 | 0:29:11 | |
we can see the family, at least, have turned a corner. | 0:29:11 | 0:29:14 | |
Looking at Nicholas's room, it looks fantastic | 0:29:14 | 0:29:17 | |
and apparently he thinks exactly the same. | 0:29:17 | 0:29:19 | |
So hopefully, moving forward, there are a few bits and bobs | 0:29:19 | 0:29:22 | |
to finish in the kitchen which Ian is more than happy to carry out | 0:29:22 | 0:29:25 | |
and then, well, they've got the family kitchen they all wanted | 0:29:25 | 0:29:28 | |
but also, moving into the summer, they can get out and start tackling that garden, | 0:29:28 | 0:29:33 | |
which I know is exactly where they want to be. | 0:29:33 | 0:29:36 | |
For our next Cowboy Trap saga, | 0:29:38 | 0:29:40 | |
we revisit a homeowner we first met three years ago. | 0:29:40 | 0:29:44 | |
Like with Carol and Ian, this story revolves around a cowboy builder | 0:29:44 | 0:29:47 | |
who didn't care about stitching up a customer by leaving an unfinished disaster of a job behind. | 0:29:47 | 0:29:52 | |
His unwitting victim was Carol Alley who lives in Worcestershire with her daughter, Kirsty. | 0:29:52 | 0:29:57 | |
When we met her, Carol was about to have an operation | 0:29:57 | 0:30:00 | |
on her feet, which had long been a problem for her. | 0:30:00 | 0:30:04 | |
I was born with club feet and started to develop a lot of pain | 0:30:04 | 0:30:08 | |
when I got to about 40 and found out I'd got degenerative arthritis. | 0:30:08 | 0:30:14 | |
Carol saw a specialist who gave her the news she'd been dreading. | 0:30:14 | 0:30:19 | |
Carol was told she would have to have two major operations | 0:30:19 | 0:30:22 | |
on her feet, which would leave her wheelchair-bound for over a year. | 0:30:22 | 0:30:26 | |
This, of course, had huge implications, | 0:30:26 | 0:30:29 | |
not least how she would manage in her home. | 0:30:29 | 0:30:31 | |
Carol decided the only course of action | 0:30:31 | 0:30:33 | |
was to convert her garage into a bedroom and bathroom. | 0:30:33 | 0:30:37 | |
I've got a garage that I didn't use | 0:30:37 | 0:30:39 | |
and I thought it was the best idea to have my bedroom and an en suite there. | 0:30:39 | 0:30:43 | |
I talked to the council and they said I could have a grant | 0:30:43 | 0:30:47 | |
but it wasn't until April 2010 | 0:30:47 | 0:30:49 | |
and that was halfway through my operations | 0:30:49 | 0:30:52 | |
and I needed it before then. | 0:30:52 | 0:30:55 | |
So I remortgaged and picked a builder to come and start work. | 0:30:55 | 0:30:59 | |
The builder Carol chose quoted £17,000 to do the work. | 0:31:01 | 0:31:04 | |
That was to convert her garage into a bedroom and en suite bathroom. | 0:31:04 | 0:31:09 | |
The conversion was to be wheelchair-friendly | 0:31:09 | 0:31:11 | |
with wide doors and ramps. | 0:31:11 | 0:31:14 | |
The build started in late January 2010. | 0:31:14 | 0:31:16 | |
Week one was digging footings for the extension. | 0:31:18 | 0:31:22 | |
And I was happy with that so I paid at the end of the week | 0:31:22 | 0:31:26 | |
and it seemed fine up until, I would say, week three, | 0:31:26 | 0:31:31 | |
when I started noticing things that he'd said he was going to do and he hadn't done. | 0:31:31 | 0:31:35 | |
Yep, the builder was poor at keeping his promises. | 0:31:37 | 0:31:39 | |
Like keeping the project on schedule, for a start, | 0:31:39 | 0:31:43 | |
and fitting doors and windows that shut properly. | 0:31:43 | 0:31:46 | |
Plus those weren't the only problems. | 0:31:46 | 0:31:49 | |
The builder made a catalogue of errors, | 0:31:52 | 0:31:55 | |
including a wrong-shaped door in the wrong place, | 0:31:55 | 0:31:57 | |
which wasn't even wide enough for a wheelchair. | 0:31:57 | 0:31:59 | |
What's more, the floors finished at different levels, | 0:31:59 | 0:32:02 | |
creating even greater problems for wheelchair access. | 0:32:02 | 0:32:05 | |
You couldn't make it up. | 0:32:05 | 0:32:07 | |
Unless you're the author of particularly grim fairytales, | 0:32:07 | 0:32:11 | |
which I guess you're not. | 0:32:11 | 0:32:13 | |
It's unbelievable that the room was pretty much | 0:32:13 | 0:32:15 | |
as wheelchair unfriendly as you could imagine. | 0:32:15 | 0:32:19 | |
You have to step up into it rather than flush level | 0:32:20 | 0:32:23 | |
with the floor with the rest of the house. | 0:32:23 | 0:32:25 | |
He'd said to me it was going to be one level and I'd be able to move | 0:32:25 | 0:32:28 | |
around it in a wheelchair without any trouble, if I needed to. | 0:32:28 | 0:32:32 | |
There is actually an approved standard measurement | 0:32:34 | 0:32:36 | |
for internal door widths for a wheelchair | 0:32:36 | 0:32:39 | |
and it's a minimum of 840 millimetres. | 0:32:39 | 0:32:42 | |
Any builder worth their salt would have known this or at least looked it up. | 0:32:42 | 0:32:45 | |
And as for the laughable so-called bathroom door, | 0:32:45 | 0:32:48 | |
it concealed a truly grisly bodge. | 0:32:48 | 0:32:52 | |
The plumbing to the toilet was a disaster. | 0:32:52 | 0:32:56 | |
For some reason it had a backfall so the water from the loo had to come up before it went out. | 0:32:56 | 0:33:01 | |
Inevitably, the waste from the toilet would stay in the pipe | 0:33:01 | 0:33:05 | |
after flushing or even end up in the shower. | 0:33:05 | 0:33:08 | |
Disgusting. | 0:33:08 | 0:33:09 | |
And the cowboy's work was unsafe, too. | 0:33:12 | 0:33:15 | |
The light fitting didn't have an IP rating weather protection. | 0:33:15 | 0:33:19 | |
Obviously, there's steam in a bathroom | 0:33:19 | 0:33:21 | |
and water and electricity don't mix. | 0:33:21 | 0:33:24 | |
Take my advice: | 0:33:27 | 0:33:29 | |
..or is government approved. | 0:33:45 | 0:33:48 | |
If in doubt, ask your local council for advice. | 0:33:48 | 0:33:51 | |
And looking at the slapdash efforts of the guy Carol hired, | 0:33:51 | 0:33:55 | |
he should have been in stirrups and a Stetson. | 0:33:55 | 0:33:58 | |
Carol was becoming increasingly worried | 0:34:00 | 0:34:02 | |
so she called in a building inspector. | 0:34:02 | 0:34:04 | |
He agreed with Carol and put his concerns to the builder. | 0:34:04 | 0:34:07 | |
But our man was a bully who didn't take criticism well. | 0:34:07 | 0:34:11 | |
When I asked him about any issues, | 0:34:11 | 0:34:13 | |
he swore at me and said that if I didn't shut up | 0:34:13 | 0:34:19 | |
that he was going to walk off anyway... | 0:34:19 | 0:34:21 | |
..which worried me because I needed it finished for my next operation, | 0:34:22 | 0:34:25 | |
which was due in October. | 0:34:25 | 0:34:27 | |
In the end, I did say to him I wasn't going to be held to ransom | 0:34:27 | 0:34:30 | |
and I wasn't going to give him any more money until I could see | 0:34:30 | 0:34:33 | |
things were moving on a bit better. | 0:34:33 | 0:34:35 | |
He just turned his back on me and walked off. | 0:34:36 | 0:34:40 | |
And he didn't come back. | 0:34:40 | 0:34:42 | |
So after spending nearly £8,500, | 0:34:42 | 0:34:45 | |
Carol was left with a split-level floor, a dreadful door, | 0:34:45 | 0:34:50 | |
pitiful plumbing, shocking electrics... | 0:34:50 | 0:34:54 | |
Oh, I almost forgot to mention that the tiling was only half done. | 0:34:54 | 0:34:58 | |
Carol was so distraught she cancelled her operation. | 0:34:58 | 0:35:01 | |
But guess who came to the rescue? | 0:35:03 | 0:35:05 | |
Our Cowboy Trap crack team of good guy builders set about | 0:35:05 | 0:35:09 | |
rectifying the rubbish job. | 0:35:09 | 0:35:12 | |
First up they removed the door frames so wider doors could be fitted | 0:35:12 | 0:35:16 | |
and then it was onto the plumbing, electrics and tiling. | 0:35:16 | 0:35:19 | |
Never easy fixing a badly bungled build but guess what? | 0:35:22 | 0:35:26 | |
The good guys did a fantastic job. | 0:35:26 | 0:35:29 | |
Carol got the en suite bathroom with wheelchair access | 0:35:30 | 0:35:32 | |
she'd wanted all along | 0:35:32 | 0:35:34 | |
and her bedroom was totally transformed, too. | 0:35:34 | 0:35:37 | |
From this building bodge to a bit of building brilliance in one good guy fell swoop. | 0:35:37 | 0:35:43 | |
Thanks to our helping hands, Carol was back on track | 0:35:44 | 0:35:47 | |
but would her new wheelchair-friendly home give Carol | 0:35:47 | 0:35:50 | |
the quality of life she so desperately needed? | 0:35:50 | 0:35:52 | |
Only time would tell. | 0:35:52 | 0:35:55 | |
It's been almost three years | 0:35:59 | 0:36:01 | |
since we helped Carol out of the Cowboy Trap and even with the snow, | 0:36:01 | 0:36:05 | |
I can see there's been a few changes around here. | 0:36:05 | 0:36:08 | |
I know Carol's still having problems with her arthritis | 0:36:08 | 0:36:11 | |
so let's see whether that hard-earned extension | 0:36:11 | 0:36:13 | |
did indeed give her the ideal home. | 0:36:13 | 0:36:16 | |
I want to see whether our good guys have changed Carol's life for the better. | 0:36:17 | 0:36:22 | |
She has another operation coming up which will stop her walking for months. | 0:36:22 | 0:36:25 | |
A wheelchair-friendly home is essential. | 0:36:25 | 0:36:28 | |
-Hey, Carol. -Hiya. -How are you doing? -I'm fine, thank you. | 0:36:31 | 0:36:34 | |
-Now, then. Someone's been busy. -I've had a builder in to do my drive. | 0:36:34 | 0:36:38 | |
Haven't you just? | 0:36:38 | 0:36:39 | |
I haven't got over the threshold yet and I can already see the builders | 0:36:39 | 0:36:43 | |
Carol got into landscape her garden have done a great job. | 0:36:43 | 0:36:46 | |
When we met, Carol said she felt so low she vowed never to use tradesmen again. | 0:36:46 | 0:36:51 | |
Clearly our good guys have revived her faith in the building fraternity. | 0:36:51 | 0:36:54 | |
-Time to head indoors. -Come on through. | 0:36:56 | 0:36:59 | |
The changes we made three years ago have clearly given Carol | 0:36:59 | 0:37:02 | |
the quality of life she so desperately needed. | 0:37:02 | 0:37:05 | |
It just seems ridiculous, doesn't it? | 0:37:05 | 0:37:08 | |
Your extension was to help you live on the ground floor but you couldn't get into it in a wheelchair. | 0:37:08 | 0:37:12 | |
No, it wasn't wide enough. | 0:37:12 | 0:37:14 | |
The ramp our good guys installed will come into its own | 0:37:14 | 0:37:17 | |
when Carol has her latest operation, as will the widened door. | 0:37:17 | 0:37:20 | |
The cowboy got that badly wrong. | 0:37:20 | 0:37:23 | |
It went narrow at the bottom so it didn't shut. | 0:37:23 | 0:37:26 | |
-So we had to have it widened. -Hilarious. -To make it fit. | 0:37:28 | 0:37:30 | |
Here, as well. | 0:37:30 | 0:37:32 | |
The window, beforehand, there was no real windowsill, was there? | 0:37:32 | 0:37:36 | |
-It didn't fit properly? -It didn't fit properly. | 0:37:36 | 0:37:38 | |
-But now it looks like it should do. -And draught-proof. -And draught-proof. | 0:37:38 | 0:37:42 | |
-This is where you sleep, for goodness sake. -I do. | 0:37:42 | 0:37:45 | |
And thanks to our fellows securing the windows, | 0:37:45 | 0:37:48 | |
Carol has been able to sleep soundly for the last three years. | 0:37:48 | 0:37:52 | |
You're not always going to be using a wheelchair but you need to be able to use it. | 0:37:52 | 0:37:57 | |
Every time I go in and have an operation, | 0:37:57 | 0:37:59 | |
I need to be able to just get in and be able to get into this room. | 0:37:59 | 0:38:03 | |
And beforehand, you were worried about not getting this done in time. | 0:38:03 | 0:38:06 | |
I had to cancel an operation to get the work done. | 0:38:06 | 0:38:11 | |
Well, that's ridiculous. | 0:38:11 | 0:38:13 | |
It just goes to show the damaging affects cowboy builders can have on your life. | 0:38:13 | 0:38:17 | |
Right, into the bathroom. | 0:38:17 | 0:38:19 | |
Once the scene of a humungous cowboy bodge. | 0:38:19 | 0:38:22 | |
Three years on, it now completes the picture of ground floor living | 0:38:22 | 0:38:25 | |
Carol desperately needs. | 0:38:25 | 0:38:27 | |
-Beforehand you could see underneath the shower tray... -You could. | 0:38:27 | 0:38:31 | |
And when you flushed the toilet, the waste used to come into the shower. | 0:38:31 | 0:38:34 | |
It did. | 0:38:34 | 0:38:36 | |
The cowboy couldn't even get the tiling right. | 0:38:36 | 0:38:40 | |
The bad guys left it like this. | 0:38:40 | 0:38:42 | |
Our good guys weaved their magic and in the years since, | 0:38:42 | 0:38:45 | |
Carol has given her own personal touches to an en suite that's proved a resounding success. | 0:38:45 | 0:38:50 | |
It has just made life so much easier, | 0:38:50 | 0:38:52 | |
just being able to come in and get on with things. | 0:38:52 | 0:38:56 | |
That's why you went through this in the first place, isn't it? | 0:38:56 | 0:38:59 | |
A lot of people like to have the luxury of an en suite | 0:38:59 | 0:39:02 | |
but for you it's a necessity. | 0:39:02 | 0:39:05 | |
Your mobility is restricted | 0:39:05 | 0:39:06 | |
so that you want everything as close as possible on one level? | 0:39:06 | 0:39:09 | |
-And now I've got it. -Now you have it and you are smiling at last. | 0:39:09 | 0:39:14 | |
And Carol has good reason to smile. | 0:39:14 | 0:39:16 | |
The gravel forecourt outside is a really professional job. | 0:39:16 | 0:39:22 | |
I imagine it's probably better for you with your walking, isn't it? | 0:39:22 | 0:39:25 | |
Yeah, it's fine. I don't have any trouble. | 0:39:25 | 0:39:27 | |
I thought that having stones it might be a bit tricky | 0:39:27 | 0:39:30 | |
but it hasn't been at all. It's been great. | 0:39:30 | 0:39:31 | |
In this weather it's probably better than having flagstones. | 0:39:31 | 0:39:34 | |
It would be slippy, yeah. | 0:39:34 | 0:39:36 | |
Now, beforehand, when the builder left, | 0:39:36 | 0:39:38 | |
this wasn't in the original builder's remit, | 0:39:38 | 0:39:40 | |
but he left it in a right old state after working on it. | 0:39:40 | 0:39:43 | |
He mixed his concrete and broken the slabs that the car was sitting on. | 0:39:43 | 0:39:47 | |
-He mixed his concrete directly onto the slabs? -He did, yes. | 0:39:47 | 0:39:50 | |
And they were broken, he'd broken them. | 0:39:50 | 0:39:52 | |
From my days on-site, I can't recall a builder doing that. | 0:39:53 | 0:39:57 | |
Any decent builder mixing concrete puts timbers down | 0:39:57 | 0:39:59 | |
to protect the surface underneath. | 0:39:59 | 0:40:02 | |
Carol has certainly rung the changes around here. | 0:40:02 | 0:40:05 | |
If you look at what the cowboy left behind | 0:40:05 | 0:40:07 | |
and compare it to when our good guys got things back on track | 0:40:07 | 0:40:11 | |
and then three years on, after Carol has weaved her magic, | 0:40:11 | 0:40:15 | |
what a transformation! | 0:40:15 | 0:40:18 | |
OK. Time for a sit-down chat. | 0:40:18 | 0:40:21 | |
I want to find out how Carol's faring three years on | 0:40:21 | 0:40:23 | |
from the emotional turmoil of being caught in the cowboy trap. | 0:40:23 | 0:40:27 | |
What was going through your mind | 0:40:27 | 0:40:29 | |
when you had this looming date for this vital operation | 0:40:29 | 0:40:33 | |
and you had nowhere to really go and live afterwards? | 0:40:33 | 0:40:37 | |
I was scared, really. | 0:40:37 | 0:40:38 | |
I thought, "I can't really go for this operation, | 0:40:38 | 0:40:41 | |
"knowing I've got nowhere to sleep." | 0:40:41 | 0:40:43 | |
-So you cancelled the op? -I did. | 0:40:43 | 0:40:46 | |
I had to wait another six months to be taken back onto the list | 0:40:46 | 0:40:51 | |
to get the operation done. | 0:40:51 | 0:40:54 | |
And the good guys timed their rescue perfectly, | 0:40:55 | 0:40:58 | |
completing the job just before Carol's rearranged operation. | 0:40:58 | 0:41:02 | |
-They finished work the day before I went into hospital. -Wow! | 0:41:04 | 0:41:07 | |
Just in time. | 0:41:07 | 0:41:09 | |
It was nil by mouth at 12 o'clock and into hospital | 0:41:09 | 0:41:12 | |
and then four days later, I had a room to come back to. | 0:41:12 | 0:41:15 | |
It must have been reassuring to know she was coming back | 0:41:15 | 0:41:18 | |
to a room that look like this rather than a bodge that looked like that. | 0:41:18 | 0:41:23 | |
What would you do different now, if you were to hire a builder? | 0:41:23 | 0:41:28 | |
I did it in the right order, I thought. | 0:41:28 | 0:41:31 | |
I looked at three quotes. I'd still get three quotes. | 0:41:31 | 0:41:34 | |
Do you think you kicked the cowboy out at the right time? | 0:41:34 | 0:41:37 | |
-No. I should have done it sooner. -Yeah. | 0:41:37 | 0:41:40 | |
-I think, for me... -I felt intimidated, though. | 0:41:40 | 0:41:43 | |
It's part of the cowboy trap. | 0:41:43 | 0:41:45 | |
It's very easy for people on the outside to say, | 0:41:45 | 0:41:47 | |
"You shouldn't have paid all this money or you should have kicked them out earlier." | 0:41:47 | 0:41:51 | |
This is all part of the cowboy trap that gets you as owners sucked in. | 0:41:51 | 0:41:55 | |
I think in the future, and you'd know this now, | 0:41:55 | 0:41:58 | |
-it's put your foot down. -Straightaway. | 0:41:58 | 0:42:00 | |
That's not right. Yes. | 0:42:00 | 0:42:03 | |
So where do you think you'd be if the cowboy builders had left | 0:42:03 | 0:42:06 | |
and you hadn't got in touch with Cowboy Trap? | 0:42:06 | 0:42:08 | |
Don't like to think cos it upsets me. | 0:42:08 | 0:42:11 | |
I just wouldn't have been able to move on. | 0:42:11 | 0:42:14 | |
I hadn't got the money, I hadn't got the resources to... | 0:42:14 | 0:42:17 | |
And if I hadn't have made that e-mail to you, | 0:42:17 | 0:42:20 | |
I would have been in such a state. | 0:42:20 | 0:42:23 | |
It's amazing that after, how many years is it now? Three years? | 0:42:23 | 0:42:26 | |
-Three years. -Three years, the emotions can still be so raw. | 0:42:26 | 0:42:30 | |
It's amazing what these people did to you. | 0:42:31 | 0:42:34 | |
-But it's moved on tremendously. -It's moved on, it has. | 0:42:34 | 0:42:39 | |
It's just so much easier. | 0:42:39 | 0:42:41 | |
It's taken the weight off my shoulders, | 0:42:43 | 0:42:45 | |
thinking that I can just come in | 0:42:45 | 0:42:46 | |
after an operation and stay down on the ground floor. | 0:42:46 | 0:42:50 | |
-It's given you a future here, in this house. -Thank you. | 0:42:50 | 0:42:54 | |
And with that it's time to bid Carol and her lovely home farewell. | 0:42:54 | 0:42:57 | |
It's great to see first-hand how things have improved for Carol | 0:43:00 | 0:43:04 | |
since we first met her three years ago. | 0:43:04 | 0:43:07 | |
As she said herself, the extension now feels fully | 0:43:07 | 0:43:10 | |
part of her home and with another operation on the way, | 0:43:10 | 0:43:13 | |
it's a relief to hear that she can go into this vital surgery with peace of mind. | 0:43:13 | 0:43:19 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:47 |