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We're travelling all over the UK to meet the homeowners | 0:00:08 | 0:00:11 | |
living with the grim consequences of employing a cowboy builder. | 0:00:11 | 0:00:16 | |
I couldn't believe it. I'd given him £5,000, | 0:00:16 | 0:00:20 | |
he hasn't done much in two weeks, not even one room. | 0:00:20 | 0:00:23 | |
With their shoddy workmanship or downright lies, | 0:00:23 | 0:00:27 | |
cowboy builders are unscrupulous villains | 0:00:27 | 0:00:30 | |
who destroy dreams and wreck lives. | 0:00:30 | 0:00:33 | |
The stress of all these problems, | 0:00:33 | 0:00:35 | |
having worked hard and saved all my life, | 0:00:35 | 0:00:39 | |
just led me to have an ulcer, which I still have to this day. | 0:00:39 | 0:00:43 | |
We've got the good guys in our party | 0:00:43 | 0:00:45 | |
to turn these botched builds into ideal homes. | 0:00:45 | 0:00:49 | |
The chippers have been in. Beautifully finished. | 0:00:49 | 0:00:53 | |
But now, running water. Hello. | 0:00:53 | 0:00:55 | |
-It's incredible, isn't it? -You've got a home now. | 0:00:55 | 0:00:58 | |
Yeah, it's like a dream. A dream come true. | 0:00:58 | 0:01:02 | |
It's thought cowboy builders cost Britons over £700 million each year. | 0:01:02 | 0:01:07 | |
So if you think you know how to spot one, think again. | 0:01:07 | 0:01:10 | |
The next 45 minutes could help keep you out of the Cowboy Trap. | 0:01:10 | 0:01:16 | |
'On today's Cowboy Trap, a heartbreaking house renovation | 0:01:27 | 0:01:30 | |
'which went so badly wrong, | 0:01:30 | 0:01:32 | |
'it ruined a romance for ever.' | 0:01:32 | 0:01:35 | |
It destroyed the relationship | 0:01:35 | 0:01:37 | |
because she couldn't see any light at the end of the tunnel. | 0:01:37 | 0:01:41 | |
'And, three years after we rescued her, | 0:01:41 | 0:01:44 | |
'we visit a cowboy-builder victim in Lancashire to see how she's doing.' | 0:01:44 | 0:01:48 | |
I love that conservatory. | 0:01:48 | 0:01:51 | |
I had a vision it would be and now it is. | 0:01:51 | 0:01:54 | |
It's lovely now, I do enjoy it. | 0:01:54 | 0:01:57 | |
'Our first saga | 0:01:57 | 0:01:59 | |
'revolves around a home in the London district of Tooting.' | 0:01:59 | 0:02:02 | |
'Now, Tooting High Street is a high street with a history.' | 0:02:02 | 0:02:07 | |
'The Romans build a road - Staines Street - from London to Chichester | 0:02:07 | 0:02:10 | |
'and Tooting High Street is built on that very thoroughfare.' | 0:02:10 | 0:02:15 | |
'But it's not only roads that Tooting is famous for.' | 0:02:15 | 0:02:18 | |
The sitcom Citizen Smith was set here in Tooting, | 0:02:19 | 0:02:22 | |
where Wolfie Smith presided over the Tooting Popular Front | 0:02:22 | 0:02:27 | |
and that's still a funny idea - | 0:02:27 | 0:02:29 | |
quite unlike today's Cowboy Trap, which is no laughing matter. | 0:02:29 | 0:02:33 | |
Although some of the building work you'll see is an absolute joke. | 0:02:33 | 0:02:38 | |
'And a danger to life and limb.' | 0:02:38 | 0:02:40 | |
'The unlucky victim of this bodged build | 0:02:40 | 0:02:44 | |
'lives in this two-bedroom flat, | 0:02:44 | 0:02:46 | |
'home to Anil Dussoye, a 67-year-old retired hospital porter.' | 0:02:46 | 0:02:50 | |
'Anil was born in Mauritius.' | 0:02:50 | 0:02:53 | |
'He moved to London in 1979 | 0:02:53 | 0:02:55 | |
'and absolutely loved it.' | 0:02:55 | 0:02:57 | |
London was very exciting. | 0:02:57 | 0:03:00 | |
It was all music and girls and dancing. | 0:03:00 | 0:03:04 | |
'When he wasn't hitting the dance floor, | 0:03:04 | 0:03:07 | |
'Anil worked at St George's Hospital as a porter.' | 0:03:07 | 0:03:10 | |
'When he was 32, after eight years living in a room at a hospital, | 0:03:10 | 0:03:15 | |
'Anil decided to find his own place.' | 0:03:15 | 0:03:18 | |
The reason was I wanted to start my own business. | 0:03:18 | 0:03:22 | |
At the same time, I didn't want to work in hospital any more | 0:03:22 | 0:03:26 | |
because, having worked eight years, I thought that was enough. | 0:03:26 | 0:03:29 | |
'Anil purchased this two-bedroom flat for £22,000.' | 0:03:30 | 0:03:35 | |
'Those were the days!' | 0:03:35 | 0:03:37 | |
'But, despite having much more space, | 0:03:37 | 0:03:39 | |
'he didn't really make the most of it.' | 0:03:39 | 0:03:42 | |
For almost 20 years, Anil basically lived in just one room of the flat. | 0:03:42 | 0:03:46 | |
He was used to living like that after his hospital accommodation. | 0:03:46 | 0:03:50 | |
And he worked long hours, often seven days a week. | 0:03:50 | 0:03:53 | |
But, as Anil approached retirement, | 0:03:53 | 0:03:55 | |
it was time to do something about his surroundings, | 0:03:55 | 0:03:58 | |
especially as there was now a woman in his life. | 0:03:58 | 0:04:01 | |
She wanted not to get married, but to live together. | 0:04:01 | 0:04:06 | |
I said "I'm going to get the place sorted | 0:04:06 | 0:04:09 | |
"and we can live together." | 0:04:09 | 0:04:11 | |
'After being lonely for so long, Anil was on cloud nine.' | 0:04:13 | 0:04:17 | |
'He set out to create a home fit for his princess.' | 0:04:17 | 0:04:20 | |
'He had to renovate the flat, | 0:04:20 | 0:04:22 | |
'updating the kitchen, bathroom and flooring | 0:04:22 | 0:04:25 | |
'and bringing the electrics and plumbing up to date.' | 0:04:25 | 0:04:29 | |
'He also wanted to create more space | 0:04:29 | 0:04:31 | |
'by removing a chimney breast in his kitchen.' | 0:04:31 | 0:04:34 | |
The dream was to modernise the place, | 0:04:34 | 0:04:37 | |
make it look nice, have some nice furniture in it | 0:04:37 | 0:04:41 | |
and decorate the whole place, inside and out. | 0:04:41 | 0:04:45 | |
'Anil was chatting about his plans in the hospital | 0:04:46 | 0:04:49 | |
'when a colleague mentioned a builder who would be ideal.' | 0:04:49 | 0:04:52 | |
'Anil phoned the builder and he said he was available.' | 0:04:52 | 0:04:56 | |
He looked round and told me there was a lot of work to be done, | 0:04:56 | 0:05:00 | |
"Don't worry, we'll do everything." | 0:05:00 | 0:05:02 | |
"We'll do the place inside out and you won't recognise it." | 0:05:02 | 0:05:06 | |
"It's going to be really nice, very homely | 0:05:06 | 0:05:09 | |
"and you're going to be very happy." | 0:05:09 | 0:05:12 | |
'The builder quoted £19,500 | 0:05:14 | 0:05:16 | |
'to refurbish the kitchen and bathroom and replace the flooring.' | 0:05:16 | 0:05:20 | |
'It also covered modernising the electrics | 0:05:20 | 0:05:23 | |
'and plastering and decorating throughout.' | 0:05:23 | 0:05:26 | |
'Anil gave him the green light | 0:05:26 | 0:05:29 | |
'and the builder drew up a contract of staged payments - good - | 0:05:29 | 0:05:33 | |
'but didn't detail the work that needed to be completed | 0:05:33 | 0:05:36 | |
'to trigger the payments - bad.' | 0:05:36 | 0:05:39 | |
He said to me "Don't worry, | 0:05:39 | 0:05:41 | |
"I'm going to do everything you want me to do, | 0:05:41 | 0:05:44 | |
"even though it's not in the contract." | 0:05:44 | 0:05:47 | |
'Does that sound too good to be true to you? It does to me.' | 0:05:49 | 0:05:54 | |
'But our Cowboy Trap victim failed to spot the warning signs.' | 0:05:54 | 0:05:58 | |
Anil then made a catalogue of errors. | 0:05:59 | 0:06:02 | |
He failed to carry out any checks on the builder or take up references | 0:06:02 | 0:06:05 | |
and he didn't get any other contractors round for a quote. | 0:06:05 | 0:06:09 | |
He paid a five-grand lump sum upfront | 0:06:09 | 0:06:11 | |
and the contract he signed was a joke. Dear, oh, dear. | 0:06:11 | 0:06:15 | |
'And the builder immediately began to take advantage | 0:06:16 | 0:06:20 | |
'of this unwitting victim.' | 0:06:20 | 0:06:22 | |
I didn't even look at the contract. I just trusted him. | 0:06:22 | 0:06:26 | |
I just gave him the money. | 0:06:26 | 0:06:28 | |
'The builder started work in November 2009, | 0:06:29 | 0:06:32 | |
'promising the job would be done in six weeks.' | 0:06:32 | 0:06:35 | |
'He suggested Anil move out because it was going to get messy.' | 0:06:35 | 0:06:39 | |
'Phew - not half.' | 0:06:39 | 0:06:40 | |
I did ask the hospital if I could have accommodation for eight weeks | 0:06:40 | 0:06:46 | |
and they said yes | 0:06:46 | 0:06:48 | |
and I stayed there for six months. | 0:06:48 | 0:06:52 | |
'Six months?! Nightmare.' | 0:06:52 | 0:06:55 | |
Moving out of his home would prove Anil's undoing. | 0:06:55 | 0:06:58 | |
He had no way of keeping tabs on his builder's progress - or lack of it. | 0:06:58 | 0:07:03 | |
And, because he worked long hours, | 0:07:03 | 0:07:05 | |
it wasn't possible to carry out checks. | 0:07:05 | 0:07:08 | |
So Anil failed to notice what was really happening - | 0:07:08 | 0:07:11 | |
nothing. | 0:07:11 | 0:07:13 | |
'Take my advice - don't embark on a major building project | 0:07:14 | 0:07:19 | |
'if you're not there to supervise.' | 0:07:19 | 0:07:21 | |
'And, if you can't be there, ask a neighbour or friend | 0:07:21 | 0:07:24 | |
'to make sure your builders are turning up when they're meant to.' | 0:07:24 | 0:07:28 | |
'Ask them to alert you with any concerns | 0:07:28 | 0:07:31 | |
'and act on them by talking them through with your builder.' | 0:07:31 | 0:07:36 | |
'The rented accommodation was costing Anil £400 a month | 0:07:38 | 0:07:41 | |
'and he became concerned that the project was proceeding | 0:07:41 | 0:07:45 | |
'at a snail's pace.' | 0:07:45 | 0:07:47 | |
When I looked, I couldn't believe it - | 0:07:47 | 0:07:49 | |
he hasn't done much work. | 0:07:49 | 0:07:51 | |
But he's... I said to myself "I've given him £5,000, | 0:07:51 | 0:07:55 | |
"he hasn't done much work in two weeks, not even one room." | 0:07:55 | 0:07:59 | |
'Anil also noticed what little work was being done | 0:08:00 | 0:08:04 | |
'was being done badly.' | 0:08:04 | 0:08:06 | |
'The electrics were awful, the plumbing pitiful, | 0:08:06 | 0:08:09 | |
'the flooring absolutely dreadful, | 0:08:09 | 0:08:12 | |
'the front door looked dodgy | 0:08:12 | 0:08:14 | |
'and the boiler stuck out like a sore thumb in the living room.' | 0:08:14 | 0:08:18 | |
I challenged him, he said "Everything takes time, | 0:08:18 | 0:08:22 | |
"plastering takes time, I've got to get everything in order" | 0:08:22 | 0:08:25 | |
and he said "Don't worry, after eight weeks, you'll be OK." | 0:08:25 | 0:08:29 | |
"You'll get your place back." | 0:08:29 | 0:08:31 | |
So I just believed him. | 0:08:31 | 0:08:34 | |
'Anil was being asked to hand over money | 0:08:34 | 0:08:37 | |
'like there was no tomorrow.' | 0:08:37 | 0:08:40 | |
'£5,000 here, £5,000 there - | 0:08:40 | 0:08:43 | |
'in addition to the £5,000 upfront payment | 0:08:43 | 0:08:46 | |
'and a one-off payment of £2,000.' | 0:08:46 | 0:08:49 | |
'Before he knew it, Anil had handed over £17,000 | 0:08:49 | 0:08:53 | |
'and some extra money for materials.' | 0:08:53 | 0:08:56 | |
When people asked me "Why did you give him that kind of money?", | 0:08:56 | 0:08:59 | |
I said "To be honest, I don't know." | 0:08:59 | 0:09:02 | |
It was very stupid, very naive of me. | 0:09:02 | 0:09:05 | |
'It was now February 2010 | 0:09:06 | 0:09:08 | |
'and the project still didn't look anywhere near completion.' | 0:09:08 | 0:09:12 | |
'Anil decided to go to America with his girlfriend | 0:09:12 | 0:09:15 | |
'to take his mind off it.' | 0:09:15 | 0:09:17 | |
'The builder promised he could move back in when he returned.' | 0:09:17 | 0:09:20 | |
When I got to New York, I did call him. | 0:09:20 | 0:09:23 | |
When I called him, he was not answering his phone. | 0:09:23 | 0:09:27 | |
So when I came back, I looked at the place and he hasn't been there | 0:09:27 | 0:09:31 | |
for one week. | 0:09:31 | 0:09:33 | |
'Anil called the builder, who said he would not be doing any more work | 0:09:33 | 0:09:38 | |
'because he'd run out of cash.' | 0:09:38 | 0:09:40 | |
He said "If you want me to finish the job, give me all the money." | 0:09:40 | 0:09:44 | |
I said "No, because I'm not happy about the quality of the work." | 0:09:44 | 0:09:48 | |
He said "What's wrong with it?" | 0:09:48 | 0:09:50 | |
I pointed out all the jobs, like the electrics, the gas, everything, | 0:09:50 | 0:09:54 | |
and he said "It'll be sorted out." | 0:09:54 | 0:09:57 | |
I said "No, I'm not happy about it." | 0:09:57 | 0:09:59 | |
'You won't be surprised to hear that the parting of the ways | 0:10:00 | 0:10:03 | |
'was far from amicable.' | 0:10:03 | 0:10:05 | |
'The cowboy was supposed to pay back all the cash he took for materials, | 0:10:05 | 0:10:09 | |
'but he didn't.' | 0:10:09 | 0:10:11 | |
'What he did do was vanish off the face of the earth.' | 0:10:11 | 0:10:15 | |
I spent nearly another £5,000 | 0:10:15 | 0:10:17 | |
buying all these units, all the floors - everything. | 0:10:17 | 0:10:20 | |
I bought them thinking he was going to give me the money back. | 0:10:20 | 0:10:25 | |
'Anil had been left in an incomplete building site.' | 0:10:25 | 0:10:29 | |
'Water was coming through the ceiling, | 0:10:29 | 0:10:32 | |
'he had no central heating and the shower was in a shocking state.' | 0:10:32 | 0:10:36 | |
'Anil had to go to the local gym to wash.' | 0:10:36 | 0:10:39 | |
'As you can imagine, his girlfriend wasn't impressed.' | 0:10:39 | 0:10:43 | |
'He tried to track down the builder, | 0:10:43 | 0:10:45 | |
'but it became apparent the cowboy had disappeared into the sunset.' | 0:10:45 | 0:10:50 | |
I went round to his place, | 0:10:50 | 0:10:53 | |
but when I asked people there, they said "He's moved out, | 0:10:53 | 0:10:56 | |
"he doesn't live there any more." | 0:10:56 | 0:10:58 | |
'Anil had hit rock bottom.' | 0:11:00 | 0:11:03 | |
'His home was a wreck, his money had run out | 0:11:03 | 0:11:06 | |
'and, worst of all, the havoc unleashed by this bodger | 0:11:06 | 0:11:10 | |
'led to his girlfriend leaving him.' | 0:11:10 | 0:11:12 | |
It destroyed the relationship | 0:11:12 | 0:11:15 | |
because she couldn't see any light at the end of the tunnel | 0:11:15 | 0:11:18 | |
because I wasn't going anywhere, I didn't have a place | 0:11:18 | 0:11:22 | |
and she was living in hospital accommodation, | 0:11:22 | 0:11:25 | |
so she said "We're not getting anywhere" | 0:11:25 | 0:11:28 | |
and we started having rows and rows. | 0:11:28 | 0:11:31 | |
'Eventually, the rows became too much.' | 0:11:32 | 0:11:36 | |
'Anil's partner left him and he was alone again.' | 0:11:36 | 0:11:39 | |
'This cowboy took Anil's money and trashed his flat, | 0:11:39 | 0:11:43 | |
'he also robbed him of his future.' | 0:11:43 | 0:11:45 | |
'And, to add injury to insult, | 0:11:45 | 0:11:47 | |
'he wrecked Anil's health too.' | 0:11:47 | 0:11:50 | |
The stress of all these problems, | 0:11:50 | 0:11:52 | |
having worked hard and saved all my life, | 0:11:52 | 0:11:56 | |
just led me to have an ulcer | 0:11:56 | 0:11:58 | |
because I was thinking about it all the time, I was not eating, | 0:11:58 | 0:12:02 | |
I was losing a bit of weight | 0:12:02 | 0:12:04 | |
and I developed an ulcer, which I still have to this day. | 0:12:04 | 0:12:08 | |
Such a shame, this one - | 0:12:11 | 0:12:13 | |
this guy's spent years working for the NHS, helping others. | 0:12:13 | 0:12:16 | |
He's put up with basic living conditions | 0:12:16 | 0:12:19 | |
because he's worked such long hours. | 0:12:19 | 0:12:21 | |
His crumb of comfort was the thought of spending his twilight years | 0:12:21 | 0:12:25 | |
in a warm, snug home with the woman he loved. | 0:12:25 | 0:12:28 | |
Now all that's gone thanks to a cowboy builder. | 0:12:28 | 0:12:31 | |
'But what is the full extent of this building bodge?' | 0:12:31 | 0:12:35 | |
'How dangerous is the disaster zone the cowboy left behind?' | 0:12:35 | 0:12:39 | |
'We asked independent building surveyor Simon Levy | 0:12:39 | 0:12:42 | |
'to inspect the work.' | 0:12:42 | 0:12:45 | |
'He's been through it thoroughly | 0:12:45 | 0:12:47 | |
'and we're about to discuss his findings.' | 0:12:47 | 0:12:50 | |
'Firstly, the first thing you see when you arrive - the front door.' | 0:12:51 | 0:12:56 | |
That entrance door is | 0:12:56 | 0:12:58 | |
an appalling piece of workmandship. | 0:12:58 | 0:13:00 | |
The door itself has been fitted into | 0:13:00 | 0:13:03 | |
a completely deformed and defective frame, | 0:13:03 | 0:13:06 | |
which should've been replaced. I don't know why it was installed. | 0:13:06 | 0:13:11 | |
In winter, his heating's going to be bleeding out into fresh air. | 0:13:11 | 0:13:14 | |
Well, the gap is huge. | 0:13:14 | 0:13:16 | |
It doesn't conform to any decent standard of workmanship. | 0:13:16 | 0:13:19 | |
'As soon as you cross the threshold, things get worse.' | 0:13:20 | 0:13:24 | |
You can't leave a house like this. | 0:13:24 | 0:13:27 | |
No, the electrical installation and the plumbing installation | 0:13:27 | 0:13:30 | |
were left incomplete. | 0:13:30 | 0:13:32 | |
The electrics were left still connected | 0:13:32 | 0:13:35 | |
and therefore elements of the installation were profoundly unsafe. | 0:13:35 | 0:13:39 | |
'Like light switches hanging off the walls - unbelievable.' | 0:13:39 | 0:13:44 | |
'As is the fact Anil was abandoned without the heating.' | 0:13:44 | 0:13:48 | |
The pipes were left in a condition - without caps on the ends | 0:13:48 | 0:13:53 | |
so that you could get contamination in the pipes, cause blockages - | 0:13:53 | 0:13:57 | |
the job was left in disarray. | 0:13:57 | 0:13:59 | |
'Disarray up, disarray down, | 0:13:59 | 0:14:03 | |
'disarray all around.' | 0:14:03 | 0:14:05 | |
The flooring is a tragic waste of good building materials. | 0:14:05 | 0:14:10 | |
The job has been done so badly, the whole floor needs to now come up | 0:14:10 | 0:14:15 | |
because it's just lifted up, | 0:14:15 | 0:14:18 | |
there's been no expansion joint provided round the outside | 0:14:18 | 0:14:21 | |
and the job has to be started again. | 0:14:21 | 0:14:24 | |
Whether or not you can use that flooring again, I'm not sure. | 0:14:24 | 0:14:28 | |
'This floor was clearly laid by someone | 0:14:28 | 0:14:31 | |
'who had no idea what they were doing.' | 0:14:31 | 0:14:34 | |
'And Simon fears the same goes for the steel supports in the ceiling, | 0:14:34 | 0:14:38 | |
'and that's serious.' | 0:14:38 | 0:14:40 | |
'If the steels aren't right, | 0:14:40 | 0:14:42 | |
'this side of the building could collapse like a pack of cards.' | 0:14:42 | 0:14:45 | |
They've taken out the chimney breast - you've got a suspicion there. | 0:14:45 | 0:14:50 | |
I can't see any visible evidence | 0:14:50 | 0:14:52 | |
of a steel having been installed from within the building | 0:14:52 | 0:14:55 | |
and I recommend exploratory work to find out what's going on there. | 0:14:55 | 0:15:00 | |
If your suspicions are proved right, | 0:15:00 | 0:15:02 | |
that means there's a massive chimney stack, | 0:15:02 | 0:15:05 | |
a massive load, that isn't supported | 0:15:05 | 0:15:08 | |
and that's bearing... that's on top of Anil's head. | 0:15:08 | 0:15:12 | |
Well, it's in breach of the building regulations | 0:15:12 | 0:15:15 | |
and it's exceedingly dangerous. | 0:15:15 | 0:15:17 | |
'Whether the chimney breast upstairs is being adequately supported | 0:15:18 | 0:15:22 | |
'needs to be investigated as soon as possible.' | 0:15:22 | 0:15:25 | |
'I think I know the answer, | 0:15:25 | 0:15:27 | |
'but I'll ask Simon for his verdict anyway.' | 0:15:27 | 0:15:30 | |
After what you've seen, how would you mark this builder out of 10? | 0:15:30 | 0:15:34 | |
-It's going to be a 1. -1 out of 10. | 0:15:34 | 0:15:36 | |
-There's paint on the walls and that's it. -He's lucky to get that! | 0:15:36 | 0:15:41 | |
'No kidding - check out the evidence.' | 0:15:41 | 0:15:44 | |
'A badly hung front door, | 0:15:45 | 0:15:49 | |
'a badly laid floor, | 0:15:49 | 0:15:51 | |
'the ceiling is sloppy, | 0:15:51 | 0:15:55 | |
'the electrics are shocking, | 0:15:55 | 0:15:57 | |
'the plumbing pathetic, | 0:15:57 | 0:16:00 | |
'the shower room shambolic | 0:16:00 | 0:16:03 | |
'and, according to a heating expert, the boiler needs condemning.' | 0:16:03 | 0:16:08 | |
And remember, in the kitchen, | 0:16:08 | 0:16:11 | |
Anil asked the builder to remove the chimney stack to create more space. | 0:16:11 | 0:16:15 | |
So were the right steels put in to support the rest of the stack? | 0:16:15 | 0:16:19 | |
Time to bring in our good guys. | 0:16:19 | 0:16:21 | |
'And here they are - | 0:16:23 | 0:16:25 | |
'head honcho Richard Burgess and his colleague Tony.' | 0:16:25 | 0:16:29 | |
'They head straight for the suspicious steels.' | 0:16:29 | 0:16:33 | |
Here we go - | 0:16:35 | 0:16:37 | |
all shall be revealed. | 0:16:37 | 0:16:39 | |
'It's not good news - there isn't a steel support of any kind | 0:16:39 | 0:16:43 | |
'stopping the chimney breast upstairs from crashing down.' | 0:16:43 | 0:16:46 | |
'The cracks appearing on the exterior | 0:16:46 | 0:16:49 | |
'may be due to this schoolboy error.' | 0:16:49 | 0:16:53 | |
'Richard's men get the materials they need to salvage the situation.' | 0:16:55 | 0:16:59 | |
'And now it's time for Burgess's boys to swing into action.' | 0:16:59 | 0:17:04 | |
'First job - making safe that danger zone | 0:17:04 | 0:17:07 | |
'and getting the support wall up as quick as possible.' | 0:17:07 | 0:17:11 | |
'Then they make hay with the RSJ.' | 0:17:11 | 0:17:13 | |
'A solid start, but can the good guys help Anil's dream renovation | 0:17:13 | 0:17:17 | |
'get back on track?' | 0:17:17 | 0:17:19 | |
'Only time will tell.' | 0:17:19 | 0:17:22 | |
I'm in South London, where 67-year-old Anil Dussoye's dreams | 0:17:27 | 0:17:30 | |
of retiring with his girlfriend to his renovated flat in Tooting | 0:17:30 | 0:17:34 | |
were shattered by a cowboy builder. | 0:17:34 | 0:17:36 | |
Well, our good guys have finished their work, | 0:17:36 | 0:17:40 | |
so let's see how Anil's getting on. | 0:17:40 | 0:17:42 | |
'Let's hope the building doesn't fall down | 0:17:44 | 0:17:47 | |
'when I knock on the door.' | 0:17:47 | 0:17:50 | |
-Hi, how are you? -I'm good, how are you? | 0:17:50 | 0:17:52 | |
-Not too bad, thanks. -I tell you what - this is looking good. | 0:17:52 | 0:17:56 | |
-It does look nice. -Can I take a look at the other work? | 0:17:56 | 0:18:00 | |
'As soon as I enter, I can't resist a quick peek.' | 0:18:00 | 0:18:04 | |
'It's not just the door that's massively improved.' | 0:18:04 | 0:18:07 | |
'Remember the kitchen before?' | 0:18:07 | 0:18:09 | |
'Now check it out.' | 0:18:09 | 0:18:11 | |
'Our good guys cooked up a treat for Anil | 0:18:11 | 0:18:15 | |
'and that horrible hall - not so horrible now.' | 0:18:15 | 0:18:18 | |
'The transformation is astonishing.' | 0:18:18 | 0:18:22 | |
'Before I take a closer look, | 0:18:22 | 0:18:25 | |
'I want to chat to Anil about how he got into this mess.' | 0:18:25 | 0:18:28 | |
'First, I want to hear about the money side of things.' | 0:18:28 | 0:18:32 | |
-I gave him £5,000 upfront. -That's a lot of money. | 0:18:32 | 0:18:35 | |
I don't know what happened, what came over me, | 0:18:35 | 0:18:38 | |
I just gave him £5,000. | 0:18:38 | 0:18:40 | |
After four weeks, well, three to four weeks, | 0:18:40 | 0:18:44 | |
he asked me for another £5,000. | 0:18:44 | 0:18:46 | |
-So, four weeks - you're £10,000 down. -£10,000. | 0:18:46 | 0:18:50 | |
-And what had he done in those four weeks? -Not much. | 0:18:50 | 0:18:53 | |
-Like what? -He was just stripping the plaster | 0:18:53 | 0:18:56 | |
in the bedroom and the front room. | 0:18:56 | 0:18:59 | |
Must've been heavy plaster - 10 grand's worth of plaster stripping. | 0:18:59 | 0:19:02 | |
When I gave him money, he didn't buy anything. | 0:19:02 | 0:19:05 | |
He only bought a few sacks of plaster - that was it. | 0:19:05 | 0:19:08 | |
'Oh, dear. £10,000 for basically nothing.' | 0:19:10 | 0:19:14 | |
'Take a tip from me - | 0:19:14 | 0:19:16 | |
'before you agree any building project, draw up a contract | 0:19:16 | 0:19:19 | |
'with a detailed payment schedule.' | 0:19:19 | 0:19:22 | |
'It should include what the builder needs to have achieved | 0:19:22 | 0:19:25 | |
'to trigger the next payment.' | 0:19:25 | 0:19:27 | |
'Don't hand over money unless a stage is completed | 0:19:27 | 0:19:31 | |
'and keep a chunk until the end - | 0:19:31 | 0:19:33 | |
'only pay that if you're 100 per cent happy.' | 0:19:33 | 0:19:36 | |
'It's fair to say that at no stage was Anil 100 per cent happy.' | 0:19:39 | 0:19:44 | |
This must've had a tremendous effect on you emotionally. | 0:19:46 | 0:19:49 | |
You're haemorrhaging money | 0:19:49 | 0:19:52 | |
and nothing's happening to the home that you've got all your hopes on. | 0:19:52 | 0:19:56 | |
If I didn't give him that money, he could've left the job, | 0:19:56 | 0:20:00 | |
then I would need another builder and I'd been in the same... | 0:20:00 | 0:20:03 | |
-Having seen his work, that might've been good. -Looking back, yes. | 0:20:03 | 0:20:07 | |
'Looking at this mess, it would've been better if he'd never started.' | 0:20:07 | 0:20:12 | |
'His start wasn't great - his finish was even worse.' | 0:20:12 | 0:20:16 | |
He disappeared on a Friday | 0:20:16 | 0:20:18 | |
and when I came in, I just looked around | 0:20:18 | 0:20:21 | |
and there were no clothes, no tools, there was nothing. | 0:20:21 | 0:20:25 | |
I said "What's happening?" I called him and he didn't answer. | 0:20:25 | 0:20:29 | |
How much money has he disappeared with? | 0:20:29 | 0:20:32 | |
Altogether, it was £17,500. | 0:20:32 | 0:20:38 | |
And how much money do you think he spent on your home in that time? | 0:20:38 | 0:20:43 | |
About £2,000. | 0:20:43 | 0:20:45 | |
'And the builder hadn't just left Anil poorer - | 0:20:45 | 0:20:48 | |
'this cowboy had also left him in severe danger.' | 0:20:48 | 0:20:52 | |
If this thing happened to fall down, what am I going to do? | 0:20:52 | 0:20:56 | |
There are kids living upstairs. | 0:20:56 | 0:20:58 | |
Doesn't bear thinking about. | 0:20:58 | 0:21:00 | |
And the electrics were not right, | 0:21:00 | 0:21:03 | |
so I was worried about these things. | 0:21:03 | 0:21:05 | |
This place was a terrible job, but it was dangerous, | 0:21:05 | 0:21:09 | |
-that was the thing. -Very dangerous. | 0:21:09 | 0:21:12 | |
'But, luckily for Anil, | 0:21:12 | 0:21:15 | |
'our good guys have come to the rescue.' | 0:21:15 | 0:21:18 | |
'Let's look at their handiwork.' | 0:21:18 | 0:21:20 | |
'I want a close look at the front door | 0:21:20 | 0:21:23 | |
'and I like what I see.' | 0:21:23 | 0:21:25 | |
This is such a good job, | 0:21:26 | 0:21:28 | |
bearing in mind that they were faced with a huge job. | 0:21:28 | 0:21:31 | |
Building a new door frame and put the windows in | 0:21:31 | 0:21:35 | |
or try and make good with refurbishment. | 0:21:35 | 0:21:37 | |
They've done the latter and it's quite amazing | 0:21:37 | 0:21:41 | |
how good a job that really is. | 0:21:41 | 0:21:43 | |
'The improvement is dramatic.' | 0:21:43 | 0:21:46 | |
'Look at that hole above the door before.' | 0:21:46 | 0:21:49 | |
'Much better now, eh?' | 0:21:49 | 0:21:51 | |
'Looks like they've weaved their magic on the floor too.' | 0:21:51 | 0:21:55 | |
If you remember, all these floorboards, | 0:21:55 | 0:21:58 | |
they were poorly fitted with no expansion gaps, | 0:21:58 | 0:22:01 | |
so when it did expand like most wood does, | 0:22:01 | 0:22:04 | |
there's only one way that could've gone - up. | 0:22:04 | 0:22:06 | |
But, thankfully, they've managed to use pretty much all of it again, | 0:22:06 | 0:22:11 | |
which is brilliant. | 0:22:11 | 0:22:13 | |
Here, I think this was just open, | 0:22:13 | 0:22:16 | |
but the chippers have been in - beautifully fitted and finished. | 0:22:16 | 0:22:20 | |
What's most impressive here is the attention to detail | 0:22:20 | 0:22:24 | |
that, in order to get this far, | 0:22:24 | 0:22:27 | |
they must've done so much work, it's really good. | 0:22:27 | 0:22:30 | |
'Remember that problem with the lack of support for the chimney stack?' | 0:22:31 | 0:22:35 | |
'The good guys have put a steel girder in and hidden it away.' | 0:22:35 | 0:22:39 | |
'The electrics before were in a right state - | 0:22:39 | 0:22:42 | |
'now they've been beautifully sorted.' | 0:22:42 | 0:22:46 | |
Anil was living in one room, now this is a fully functioning flat. | 0:22:46 | 0:22:50 | |
It looks fantastic. | 0:22:50 | 0:22:52 | |
'And the boiler wasn't working before. Now it is, which is nice.' | 0:22:52 | 0:22:57 | |
'The change from what the bad guys left behind | 0:22:57 | 0:23:00 | |
'to what it looks like now is striking.' | 0:23:00 | 0:23:04 | |
'Right, onwards and upwards.' | 0:23:04 | 0:23:07 | |
He's got a shower room! And there's no wires coming out of the walls. | 0:23:07 | 0:23:12 | |
This has been tidied up brilliantly. | 0:23:12 | 0:23:14 | |
He didn't have any water. The shower's been fitted... | 0:23:14 | 0:23:18 | |
Ahh! Anil at long last can have a shower. | 0:23:18 | 0:23:22 | |
He was having to go to the gym to wash himself, poor guy. | 0:23:22 | 0:23:25 | |
It looks fantastic, doesn't it? | 0:23:25 | 0:23:27 | |
The damp on the ceiling has gone. | 0:23:27 | 0:23:29 | |
For me, this job is twofold. | 0:23:29 | 0:23:32 | |
First of all, the whole place was so unsafe - | 0:23:32 | 0:23:36 | |
wires hanging out everywhere, | 0:23:36 | 0:23:38 | |
the floor trip hazards - | 0:23:38 | 0:23:40 | |
it's the finish. The finish is... well, it's immaculate. | 0:23:40 | 0:23:45 | |
'Yep, the good guys have played a blinder.' | 0:23:46 | 0:23:49 | |
'Richard's come to talk me through the challenges he faced.' | 0:23:49 | 0:23:54 | |
There was an issue with the boiler. Had that been condemned? | 0:23:54 | 0:23:58 | |
They'd turned the boiler off and condemned it. | 0:23:58 | 0:24:01 | |
It was unsafe to use. | 0:24:01 | 0:24:03 | |
It was not pulling enough gas | 0:24:03 | 0:24:05 | |
and there was a problem with the gas valve. | 0:24:05 | 0:24:08 | |
We put a new pipe in and now that is as good as new and safe. | 0:24:08 | 0:24:14 | |
'And it wasn't only the boiler that was unsafe.' | 0:24:14 | 0:24:18 | |
We had problems with the electrics in the bathroom. | 0:24:18 | 0:24:21 | |
-Live wires hanging down. -Were they live? -Yes, they were bare-ended | 0:24:21 | 0:24:25 | |
and they were live wires, | 0:24:25 | 0:24:27 | |
so that was probably the most dangerous thing here. | 0:24:27 | 0:24:31 | |
Live wires on their own are dangerous, but in a bathroom - | 0:24:31 | 0:24:34 | |
I'm surprised he'd been living here. | 0:24:34 | 0:24:36 | |
'So apart from the boiler that was on the verge of exploding | 0:24:36 | 0:24:40 | |
'and the potentially lethal electrics, | 0:24:40 | 0:24:43 | |
'this flat was safe as houses, right?' | 0:24:43 | 0:24:46 | |
'Well, we all know the answer to that - wrong.' | 0:24:46 | 0:24:49 | |
You've got a chimney breast here, | 0:24:50 | 0:24:53 | |
take that out - you've got an entire chimney stack above. | 0:24:53 | 0:24:56 | |
-How dangerous is that? -Well, very dangerous. | 0:24:56 | 0:24:59 | |
Although the chimney is built into the wall of the house | 0:24:59 | 0:25:03 | |
and that holds it there to a degree, it's not built to stay like that, | 0:25:03 | 0:25:07 | |
so you take the bottom out, | 0:25:07 | 0:25:09 | |
at some point, it's going to start to fall down. | 0:25:09 | 0:25:12 | |
There's no longevity in it | 0:25:12 | 0:25:14 | |
and it could stay there for a week or a day - you just don't know. | 0:25:14 | 0:25:19 | |
'Well, make no mistakes, | 0:25:19 | 0:25:21 | |
'this place was a danger zone.' | 0:25:21 | 0:25:24 | |
'Before I do the grand tour with Anil, | 0:25:24 | 0:25:27 | |
'I'm going to chat to him about the cowboy builder.' | 0:25:27 | 0:25:30 | |
'I wanted to find out his side of the story, | 0:25:30 | 0:25:33 | |
'but that has proved easier said than done.' | 0:25:33 | 0:25:36 | |
We always give the cowboy builders | 0:25:37 | 0:25:40 | |
a right to reply, to give their side of the story, | 0:25:40 | 0:25:43 | |
but on this occasion, despite considerable efforts, | 0:25:43 | 0:25:46 | |
we haven't been able to track them down, which hardly ever happens. | 0:25:46 | 0:25:50 | |
What would you say to him if you met him now? | 0:25:51 | 0:25:55 | |
Well, I wouldn't say anything, I would just take him to court. | 0:25:55 | 0:25:59 | |
What would you say to someone considering employing this builder? | 0:25:59 | 0:26:03 | |
I would say "No. Don't even go there." | 0:26:03 | 0:26:06 | |
First of all, make sure the builder is a qualified builder, | 0:26:06 | 0:26:10 | |
you've got to have at least three quotes | 0:26:10 | 0:26:13 | |
before you do anything to your place. It's just not worth it. | 0:26:13 | 0:26:19 | |
'Good tip, Anil, especially when you're hiring a builder | 0:26:19 | 0:26:22 | |
'to remove a chimney breast - | 0:26:22 | 0:26:24 | |
'an exercise which needs expertise.' | 0:26:24 | 0:26:26 | |
'So here's a tip from me - | 0:26:26 | 0:26:29 | |
'chimneys are part of the structure of your house | 0:26:29 | 0:26:32 | |
'and removing them is a serious business.' | 0:26:32 | 0:26:35 | |
'You'll need a structural engineer | 0:26:35 | 0:26:37 | |
'and the approval of local-authority building control.' | 0:26:37 | 0:26:41 | |
'If you do anything to a party wall - one you share with neighbours - | 0:26:41 | 0:26:44 | |
'you'll need their written consent.' | 0:26:44 | 0:26:47 | |
'Hire a novice to do this and you're taking a real gamble.' | 0:26:47 | 0:26:51 | |
'Right, it's time to find out how Anil's finding his new life | 0:26:53 | 0:26:57 | |
'now he's got his dream home | 0:26:57 | 0:26:59 | |
'with secure front door, beautifully finished floor | 0:26:59 | 0:27:03 | |
'and, of course, carefully crafted kitchen.' | 0:27:03 | 0:27:08 | |
-This is the main event. -This is good. We could have a little party! | 0:27:08 | 0:27:12 | |
It'd be nice to have a party. | 0:27:12 | 0:27:15 | |
'Even nicer to have a party without the threat of the upstairs floor | 0:27:16 | 0:27:20 | |
'crashing down on your heads.' | 0:27:20 | 0:27:22 | |
You were told there was no steel. | 0:27:22 | 0:27:25 | |
No steel, no support at all. I just didn't know what to do. | 0:27:25 | 0:27:29 | |
-I was scared. -But they've put the steel in there. | 0:27:29 | 0:27:32 | |
-That's peace of mind. -Thanks to the Cowboy Trap. | 0:27:32 | 0:27:35 | |
'And the good guys sorted electrical sockets out for Anil too.' | 0:27:36 | 0:27:39 | |
'Let's see how Anil's found his new shower since we fixed it.' | 0:27:39 | 0:27:43 | |
Now, then, at last we've got a shower room you can use. | 0:27:43 | 0:27:48 | |
Yeah, I never had a shower before. | 0:27:48 | 0:27:51 | |
Wondered what the smell was! | 0:27:51 | 0:27:53 | |
No, just one of those things. It's really nice the way they've done it. | 0:27:53 | 0:27:57 | |
This was very dangerous before. Live wires... | 0:27:57 | 0:28:00 | |
Christ, yeah, there was no light. | 0:28:00 | 0:28:03 | |
There was no light at all. | 0:28:03 | 0:28:05 | |
I don't think the shower was fixed to the wall either, properly. | 0:28:05 | 0:28:09 | |
-No. -But now - running water. Hello. | 0:28:09 | 0:28:13 | |
-It's incredible. -Well, you've got a home now. | 0:28:13 | 0:28:16 | |
Yeah, it's like a dream. A dream come true. | 0:28:16 | 0:28:19 | |
-It's a new chapter in my life. -Is it? -It is. | 0:28:19 | 0:28:23 | |
With a shower, with a proper flat, | 0:28:23 | 0:28:26 | |
it's great. I'm very, very happy. | 0:28:26 | 0:28:29 | |
'Anil has had a new lease of life since being rescued.' | 0:28:29 | 0:28:33 | |
'Time to leave him to enjoy his lovely new home.' | 0:28:33 | 0:28:37 | |
Well, it's hard to believe that, | 0:28:37 | 0:28:39 | |
after spending so much of his life helping others, | 0:28:39 | 0:28:42 | |
Anil had everything taken away from him because of a cowboy builder. | 0:28:42 | 0:28:46 | |
But, thanks to the good guys, | 0:28:46 | 0:28:48 | |
Anil now has a flat that's structurally sound | 0:28:48 | 0:28:52 | |
and electrically safe, which must be a weight off his mind, | 0:28:52 | 0:28:55 | |
but also a home that's beautifully finished and presented. | 0:28:55 | 0:28:59 | |
So now he can move out of living in that one single room | 0:28:59 | 0:29:03 | |
and into the rest of his home, | 0:29:03 | 0:29:05 | |
something I know he's always dreamt of and something he deserves. | 0:29:05 | 0:29:09 | |
'Next we're off to Preston | 0:29:11 | 0:29:13 | |
'to revisit someone we first met three years ago.' | 0:29:13 | 0:29:17 | |
'Like Anil's, this story revolves around a cowboy builder | 0:29:17 | 0:29:20 | |
'who left his unwitting victim | 0:29:20 | 0:29:22 | |
'powerless in the face of appalling events.' | 0:29:22 | 0:29:25 | |
'Social worker Mary Thorpe had long dreamt about having a conservatory | 0:29:25 | 0:29:30 | |
'and decided to take the plunge.' | 0:29:30 | 0:29:33 | |
I wanted more space for the hobbies I wanted to take up in retirement | 0:29:33 | 0:29:38 | |
and I wanted more space for visitors. | 0:29:38 | 0:29:40 | |
'Mary's hobbies included writing | 0:29:40 | 0:29:43 | |
'and she thought it'd be nice to have somewhere to write a novel.' | 0:29:43 | 0:29:47 | |
'Son Ian scoured the internet | 0:29:47 | 0:29:49 | |
'to find builders specialising in conservatories.' | 0:29:49 | 0:29:52 | |
I went onto a price-comparison website for conservatories, | 0:29:52 | 0:29:56 | |
got a leaflet out the next day, | 0:29:56 | 0:29:59 | |
phoned them up, they seemed to know what they were talking about. | 0:29:59 | 0:30:02 | |
They were available that week, so we thought we'd give them a go. | 0:30:02 | 0:30:06 | |
'A contractor from the conservatory company came around.' | 0:30:06 | 0:30:09 | |
'He quoted £9,600 for the work | 0:30:09 | 0:30:12 | |
'and when Mary mentioned her central heating needed updating, | 0:30:12 | 0:30:15 | |
'he said they'd install a gas boiler as part of the package.' | 0:30:15 | 0:30:19 | |
'Mary and Ian were impressed by the builder's apparent knowledge.' | 0:30:19 | 0:30:23 | |
Knew how to lay foundations, told us no plans would be needed | 0:30:23 | 0:30:26 | |
because it would be Permitted Development, | 0:30:26 | 0:30:30 | |
so I looked up what Permitted Development was - | 0:30:30 | 0:30:33 | |
it tied in with what they said - | 0:30:33 | 0:30:35 | |
checked out the company on Companies House, | 0:30:35 | 0:30:38 | |
looked at their website and I thought "Yeah." | 0:30:38 | 0:30:41 | |
'Satisfied by those checks, | 0:30:41 | 0:30:44 | |
'Mary paid a £40 deposit to confirm the job with the contractor, | 0:30:44 | 0:30:48 | |
'saying she wouldn't pay another penny until the work was completed | 0:30:48 | 0:30:51 | |
'to her 100 per cent satisfaction.' | 0:30:51 | 0:30:54 | |
'Mary asked for paperwork to be posted to her with a receipt.' | 0:30:54 | 0:30:57 | |
They would get me a contract and then, from the contract, | 0:30:57 | 0:31:01 | |
we would then agree to do the job or when they would start. | 0:31:01 | 0:31:06 | |
What happened next was extraordinary - no start date had been agreed, | 0:31:06 | 0:31:10 | |
but suddenly, without any warning and with no contract in place | 0:31:10 | 0:31:14 | |
less than 48 hours after that initial meeting, | 0:31:14 | 0:31:17 | |
the builders rocked up and got stuck into Mary's garden. | 0:31:17 | 0:31:21 | |
She was horrified, quite rightly, | 0:31:21 | 0:31:23 | |
because it would prove to be the beginning of a nightmare. | 0:31:23 | 0:31:27 | |
They turned up one morning while I was at work, | 0:31:27 | 0:31:30 | |
dug out the foundations without any prior knowledge to anyone. | 0:31:30 | 0:31:34 | |
'Mary tried to get hold of the bosses | 0:31:34 | 0:31:37 | |
'to find out what was going on.' | 0:31:37 | 0:31:40 | |
It was literally phone call after phone call after phone call, | 0:31:40 | 0:31:45 | |
trying to get them to come and see me. | 0:31:45 | 0:31:48 | |
And it was just... | 0:31:49 | 0:31:51 | |
This building was going up all of the time and there was no contact. | 0:31:51 | 0:31:56 | |
Despite her misgivings, Mary let the work carry on. | 0:31:56 | 0:32:00 | |
But though she'd been told she'd pay nothing until the job was done, | 0:32:00 | 0:32:03 | |
the demands for money came thick and fast. | 0:32:03 | 0:32:06 | |
'And the money always had to be in cash - funny that.' | 0:32:06 | 0:32:11 | |
'Within weeks, Mary had handed over thousands of pounds.' | 0:32:11 | 0:32:14 | |
By this time, I was sick to my stomach, | 0:32:14 | 0:32:18 | |
I was stressed out | 0:32:18 | 0:32:20 | |
and I said "What is it you want from me?" | 0:32:20 | 0:32:24 | |
"You promised this job would be done without any money - | 0:32:24 | 0:32:27 | |
"now here you are demanding money all the time." | 0:32:27 | 0:32:31 | |
'And it wasn't only the money that was causing Mary heartache.' | 0:32:31 | 0:32:35 | |
'The quality of work was atrocious.' | 0:32:35 | 0:32:38 | |
'The floor was crumbling, the decking was dreadful, | 0:32:38 | 0:32:41 | |
'the pipework was pathetic, the garden was left in a right mess | 0:32:41 | 0:32:46 | |
'and the boiler wasn't put in by a qualified installer | 0:32:46 | 0:32:49 | |
'so couldn't be used - and that was illegal.' | 0:32:49 | 0:32:52 | |
'It's got to be gas safe.' | 0:32:52 | 0:32:54 | |
The massive list of problems wasn't the end of Mary's ordeal | 0:32:56 | 0:32:59 | |
as things were about to get worse. | 0:32:59 | 0:33:01 | |
Remember how her builder said she wouldn't need planning permission | 0:33:01 | 0:33:06 | |
because the conservatory fell under Permitted Development? | 0:33:06 | 0:33:09 | |
Well, you won't be surprised to hear | 0:33:09 | 0:33:11 | |
that, when council building inspectors paid a visit, | 0:33:11 | 0:33:15 | |
that turned out to be nonsense. | 0:33:15 | 0:33:17 | |
I said "I don't believe this, | 0:33:17 | 0:33:20 | |
"I just don't believe this." | 0:33:20 | 0:33:22 | |
My instant reaction was to start crying | 0:33:22 | 0:33:25 | |
because I was just so fed up with them at that point. | 0:33:25 | 0:33:29 | |
It was horrible. We couldn't do anything. | 0:33:29 | 0:33:32 | |
We couldn't touch the house because we had no plans. | 0:33:32 | 0:33:35 | |
There's no point finishing the work because it could all get taken down. | 0:33:35 | 0:33:39 | |
'Take my advice - Permitted Development means | 0:33:39 | 0:33:42 | |
'you can build a conservatory without planning permission, | 0:33:42 | 0:33:45 | |
'but only if it's within certain dimensions.' | 0:33:45 | 0:33:48 | |
'A builder might say it's Permitted Development to save hassle, | 0:33:48 | 0:33:52 | |
'but don't take his word as gospel.' | 0:33:52 | 0:33:54 | |
'Always check your plans with the local council planning office | 0:33:54 | 0:33:58 | |
'because work done without their approval could be demolished.' | 0:33:58 | 0:34:02 | |
'Poor Mary didn't do any of that | 0:34:03 | 0:34:05 | |
'and her conservatory hopes were crashing around her ears.' | 0:34:05 | 0:34:09 | |
'It looked like this author's fledgling career would never start.' | 0:34:09 | 0:34:13 | |
'And, when she thought it couldn't get any worse, it did - | 0:34:13 | 0:34:17 | |
'the "builders" upped and left, never to return.' | 0:34:17 | 0:34:20 | |
After paying out this substantial amount of money, | 0:34:20 | 0:34:24 | |
I was left with a roof that hadn't been sealed or flashed, | 0:34:24 | 0:34:28 | |
I was left with a garden that was heaped with rubbish | 0:34:28 | 0:34:32 | |
and all piled up, | 0:34:32 | 0:34:34 | |
I was left with a floor that wasn't sealed, | 0:34:34 | 0:34:37 | |
all of the decking outside was supposed to have been completed | 0:34:37 | 0:34:42 | |
and the boiler wasn't working either. | 0:34:42 | 0:34:45 | |
'Mary had spent £14,000, a total waste of money.' | 0:34:45 | 0:34:49 | |
'But you know what happens next - our good guys entered the fray... | 0:34:49 | 0:34:54 | |
'..and pulled out all the stops to put a smile back on Mary's face.' | 0:34:58 | 0:35:02 | |
'First up, a monumental makeover in the garden.' | 0:35:03 | 0:35:06 | |
'Then they fixed her heating and boxed up the boiler beautifully.' | 0:35:06 | 0:35:10 | |
'Perfect pipework and fantastic fluming, fellas.' | 0:35:10 | 0:35:14 | |
'Not sure if that word exists, but you get the idea.' | 0:35:14 | 0:35:17 | |
'From before | 0:35:17 | 0:35:19 | |
'to after.' | 0:35:19 | 0:35:21 | |
'The cowboys' bodge was history, but there was still much to do | 0:35:21 | 0:35:24 | |
'to create Mary's perfect home.' | 0:35:24 | 0:35:27 | |
'The conservatory needed sorting.' | 0:35:27 | 0:35:29 | |
'Where would Mary craft her debut novel without that?' | 0:35:29 | 0:35:33 | |
'Thanks to our good guys, Mary was back on track, | 0:35:33 | 0:35:36 | |
'but would she be able to go on and create her dream home?' | 0:35:36 | 0:35:39 | |
'Only time would tell.' | 0:35:39 | 0:35:41 | |
It's been about three years since we helped Mary out of the Cowboy Trap | 0:35:44 | 0:35:50 | |
and, after sorting out that boiler, | 0:35:50 | 0:35:52 | |
we gave her some peace of mind. | 0:35:52 | 0:35:54 | |
And, of course, central heating. | 0:35:54 | 0:35:56 | |
'But the million-dollar question is | 0:35:57 | 0:35:59 | |
'has Mary got the conservatory of her dreams at last?' | 0:35:59 | 0:36:02 | |
-Hello. -Hello, Jonnie. How are you? | 0:36:04 | 0:36:06 | |
-We've been expecting you. -Oh, good, thank you. | 0:36:06 | 0:36:09 | |
'Well, at last, a really impressive conservatory.' | 0:36:09 | 0:36:13 | |
'Mary's done a fantastic job transforming it since we left.' | 0:36:13 | 0:36:18 | |
This has moved on. Did you put this floor down? | 0:36:18 | 0:36:21 | |
Jonnie, there's a lot been done that you really wouldn't think. | 0:36:21 | 0:36:24 | |
The floor's been down, that cost me a fortune, | 0:36:24 | 0:36:28 | |
and underneath is all padded and everything. | 0:36:28 | 0:36:31 | |
Those windows were walls and they've been knocked down and are windows. | 0:36:31 | 0:36:36 | |
And there's been a door put on here. | 0:36:36 | 0:36:39 | |
'And the conservatory's been given retrospective planning permission | 0:36:39 | 0:36:43 | |
'by the local council | 0:36:43 | 0:36:45 | |
'and Mary's clearly getting tons of use out of it.' | 0:36:45 | 0:36:49 | |
I've been able to fit my table in and fit the desk in. | 0:36:49 | 0:36:53 | |
It's three-in-one - living room, dining room, desk. | 0:36:53 | 0:36:57 | |
Do you do a lot of work out here? | 0:36:57 | 0:36:59 | |
I use it quite a lot. | 0:36:59 | 0:37:01 | |
I started writing a book and I've written that book there. | 0:37:01 | 0:37:05 | |
'Excellent - Mary has realised her ambition to become an author.' | 0:37:05 | 0:37:10 | |
'Her book's a historical novel, | 0:37:10 | 0:37:12 | |
'written as a tribute to her much-loved gran.' | 0:37:12 | 0:37:15 | |
'But I reckon her cowboy builders' tale is quite absorbing itself.' | 0:37:15 | 0:37:20 | |
'Remember the beginning of the story - a harrowing descent | 0:37:20 | 0:37:23 | |
'into building-bodge hell.' | 0:37:23 | 0:37:25 | |
'Then the plot took an unexpected twist - | 0:37:26 | 0:37:30 | |
'our good guys rode to the rescue.' | 0:37:30 | 0:37:33 | |
'And now, happily ever after outside... | 0:37:35 | 0:37:39 | |
'..and in.' | 0:37:40 | 0:37:42 | |
'Bizarrely, it was meeting the bad guys | 0:37:42 | 0:37:44 | |
'that gave Mary inspiration for her book.' | 0:37:44 | 0:37:48 | |
"I'm not going to let them get to me, I'm going to move on now." | 0:37:48 | 0:37:52 | |
And I've done it. | 0:37:52 | 0:37:54 | |
I tell you what - it astounds me you've done that here. | 0:37:54 | 0:37:58 | |
You can't let them get you down. | 0:37:58 | 0:38:00 | |
If you do, they've won, | 0:38:00 | 0:38:02 | |
and I couldn't let them win, I just couldn't. | 0:38:02 | 0:38:06 | |
'And they most certainly haven't.' | 0:38:06 | 0:38:09 | |
'This conservatory is spectacular.' | 0:38:09 | 0:38:11 | |
-So what's your favourite thing about this room? -All of it. | 0:38:11 | 0:38:14 | |
I come down in the morning, get me paper | 0:38:14 | 0:38:18 | |
and look out at the garden. | 0:38:18 | 0:38:20 | |
I love there, cuddling up on the sofa, | 0:38:20 | 0:38:23 | |
if the grandchildren come around. | 0:38:23 | 0:38:25 | |
'This conservatory has everything.' | 0:38:25 | 0:38:27 | |
'And, since we left, Mary's worked wonders in the garden too.' | 0:38:27 | 0:38:31 | |
-So this was a right old state, wasn't it? -It was a mess. | 0:38:31 | 0:38:34 | |
Absolute mess. There was rocks, everything, lying all over. | 0:38:34 | 0:38:39 | |
And, quite honestly, I got depressed every morning when I got up. | 0:38:39 | 0:38:43 | |
Knowing that in there wasn't finished | 0:38:43 | 0:38:46 | |
and then looking out here, it was just absolutely terrible. | 0:38:46 | 0:38:51 | |
And when this was done, the day it was done, | 0:38:51 | 0:38:54 | |
I just felt so overjoyed that I could walk out through that door... | 0:38:54 | 0:38:59 | |
See it all the time. One thing about a conservatory | 0:38:59 | 0:39:02 | |
-is everything is on display. -Absolutely. | 0:39:02 | 0:39:04 | |
And it's wonderful to look out and think "That's my garden", | 0:39:04 | 0:39:08 | |
rather than a building site. | 0:39:08 | 0:39:10 | |
'Yep, when the cowboys left, | 0:39:10 | 0:39:13 | |
'the garden was a total mess.' | 0:39:13 | 0:39:15 | |
'Then our good guys did a makeover and left it like this.' | 0:39:16 | 0:39:20 | |
'And since then, Mary's taken it further | 0:39:20 | 0:39:23 | |
'and it's looking fabulous.' | 0:39:23 | 0:39:26 | |
I love that conservatory, | 0:39:26 | 0:39:28 | |
I love the way I had a vision that would be and now it is | 0:39:28 | 0:39:32 | |
and not the building site or walls knocked down and nothing put up. | 0:39:32 | 0:39:36 | |
So it's lovely now. I do enjoy it. | 0:39:36 | 0:39:39 | |
'Time for a heart-to-heart with Mary about what she learned | 0:39:39 | 0:39:42 | |
'from her cowboy-builder experience.' | 0:39:42 | 0:39:45 | |
Say you were to build another conservatory,... | 0:39:45 | 0:39:49 | |
-Mm-hm. -..what would you do differently? | 0:39:49 | 0:39:52 | |
I wouldn't get anyone out of town. | 0:39:52 | 0:39:55 | |
I would not get anyone out of town, I would go to the local people, | 0:39:55 | 0:39:59 | |
which I should've done at the start. | 0:39:59 | 0:40:01 | |
You have to look at their work and speak to people they've worked for. | 0:40:01 | 0:40:05 | |
-I would do that, no question. -That's hindsight, isn't it? | 0:40:05 | 0:40:08 | |
Yeah, in hindsight, we're all perfect, no doubt about it. | 0:40:08 | 0:40:11 | |
'No doubt indeed.' | 0:40:11 | 0:40:14 | |
'Finding a builder on the internet is always fraught with risk, | 0:40:14 | 0:40:17 | |
'but it's great that Mary is now out of the danger zone.' | 0:40:17 | 0:40:21 | |
Would it be fair to say that having the good guys in | 0:40:21 | 0:40:24 | |
gave you the confidence to kick on with the project? | 0:40:24 | 0:40:28 | |
It did because I was at a period | 0:40:28 | 0:40:30 | |
where I was so depressed. | 0:40:30 | 0:40:32 | |
I was in tears going to work and coming home, | 0:40:32 | 0:40:35 | |
didn't want to go to work or come home from work, | 0:40:35 | 0:40:38 | |
it was terrible situation. | 0:40:38 | 0:40:40 | |
And Ian was at uni at the time... | 0:40:40 | 0:40:43 | |
-Your son. -Yeah. | 0:40:43 | 0:40:45 | |
He wasn't able to think either because he was upset for me | 0:40:45 | 0:40:48 | |
because I was crying all the time. | 0:40:48 | 0:40:51 | |
He was trying to support me | 0:40:51 | 0:40:53 | |
and he wasn't focusing on what he should've been focusing on. | 0:40:53 | 0:40:57 | |
Between the two of us, it was a terrible time. | 0:40:57 | 0:41:00 | |
'But, thanks to our good guys, Mary is now in a much happier place.' | 0:41:01 | 0:41:05 | |
'The other good news is that local-authority building control | 0:41:05 | 0:41:09 | |
'have now given our good guys and all Mary's work | 0:41:09 | 0:41:12 | |
'a clean bill of health.' | 0:41:12 | 0:41:14 | |
The day the guys told me that it had passed, | 0:41:14 | 0:41:18 | |
I was just so ecstatic. | 0:41:18 | 0:41:20 | |
If I'd won a million that day, I don't think I'd have felt as happy. | 0:41:20 | 0:41:24 | |
-It's hard to put a price on peace of mind. -There isn't anything else. | 0:41:24 | 0:41:28 | |
Money wouldn't give you peace of mind and so it was brilliant. | 0:41:28 | 0:41:32 | |
So from thereon in, we could carry on by putting the floor down... | 0:41:32 | 0:41:37 | |
-Before that, we couldn't move. -No, you were hamstrung. | 0:41:37 | 0:41:41 | |
'So, for Mary, as another famous author would say, | 0:41:42 | 0:41:46 | |
'"all's well that ends well."' | 0:41:46 | 0:41:48 | |
'All right, Shakespeare was a playwright, but you get my drift.' | 0:41:48 | 0:41:52 | |
I'm really happy that I have this place now. | 0:41:53 | 0:41:56 | |
I love it, I love sitting out here | 0:41:56 | 0:41:59 | |
-and I do my typing - I'm starting on another book now. -Are you? | 0:41:59 | 0:42:02 | |
I've started the research. | 0:42:02 | 0:42:05 | |
-A follow-up to that. -Really? -Yeah. | 0:42:05 | 0:42:07 | |
Can I get a copy of the first one? | 0:42:07 | 0:42:10 | |
-Yeah, sure. -I want something to read on the train home. -You do that! | 0:42:10 | 0:42:14 | |
Well, I wish you the best of luck | 0:42:14 | 0:42:16 | |
-and I'll look out for the next book, shall I? -You will indeed. | 0:42:16 | 0:42:20 | |
-I don't know the title yet. -Could be influenced by cowboy builders. | 0:42:20 | 0:42:24 | |
-Maybe. -Then you can write your own savage ending for them. | 0:42:24 | 0:42:29 | |
I would. I'd put them in the ground. | 0:42:29 | 0:42:31 | |
'Wow. Expect a grisly cowboy-builder-bites-the-dust novel | 0:42:33 | 0:42:37 | |
'to be hitting your local book store soon. I'd read it.' | 0:42:37 | 0:42:41 | |
Well, Mary has definitely turned the corner. | 0:42:41 | 0:42:45 | |
In spending time with her, in these few years, she's obviously happier, | 0:42:45 | 0:42:49 | |
but she's got her confidence back. | 0:42:49 | 0:42:51 | |
So much so that the conservatory's not only finished, | 0:42:51 | 0:42:54 | |
but it's signed off by building control | 0:42:54 | 0:42:57 | |
and she's got planning consent. | 0:42:57 | 0:42:59 | |
She spends so much time in there, | 0:42:59 | 0:43:01 | |
she's even had time to write a book in the conservatory. | 0:43:01 | 0:43:05 | |
That's a first on Cowboy Trap. | 0:43:05 | 0:43:07 | |
And now I've got something to read on the way home. | 0:43:07 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:33 | 0:43:37 |