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|---|---|---|---|
We're travelling all over the UK to meet the homeowners | 0:00:09 | 0:00:12 | |
forced to live with the grim consequences of employing a cowboy builder. | 0:00:12 | 0:00:16 | |
We just feel that we've been robbed. | 0:00:16 | 0:00:19 | |
With their shoddy workmanship or downright lies, | 0:00:22 | 0:00:25 | |
cowboy builders are unscrupulous villains who not only destroy dreams, they wreck lives, too. | 0:00:25 | 0:00:30 | |
You were threatened with physical violence? | 0:00:30 | 0:00:33 | |
There was also more sinister things said to me about Michael. | 0:00:33 | 0:00:37 | |
"We know where he works, he might find he gets a tap on the shoulder." | 0:00:37 | 0:00:41 | |
We've got the good guys in our party to help turn these botched builds into ideal homes. | 0:00:41 | 0:00:46 | |
It's looking so much better! Do you remember? | 0:00:46 | 0:00:49 | |
There was dodgy wires coming out of the wall, it was in a right sorry old state. | 0:00:49 | 0:00:53 | |
-Has your mum seen this yet? -Yes. -She was quite tearful. -She was. She couldn't believe it. | 0:00:53 | 0:00:58 | |
You know, it's thought cowboy builders cost Britons over £700 million each year. | 0:00:58 | 0:01:04 | |
So if you think you know how to spot one, think again. | 0:01:04 | 0:01:07 | |
Make no mistake, the next 45 minutes could help keep you out of the cowboy trap. | 0:01:07 | 0:01:13 | |
'On today's Cowboy Trap, | 0:01:21 | 0:01:24 | |
'a builder who ripped off some unwitting homeowners to the tune of £70,000 | 0:01:24 | 0:01:28 | |
'then threatened them before leaving them in a death trap.' | 0:01:28 | 0:01:32 | |
We're obviously worried about money. We don't know how we will raise money to finish it. | 0:01:33 | 0:01:39 | |
'And three years after we rescued him, | 0:01:39 | 0:01:41 | |
'we catch up with a cowboy builder victim in Surrey to see how he's doing now.' | 0:01:41 | 0:01:46 | |
It's great to come out here and have a coffee. | 0:01:46 | 0:01:48 | |
-Lovely place to have breakfast. -Yeah. | 0:01:48 | 0:01:51 | |
'Our first Cowboy Trap saga revolves around a home in Gourock, | 0:01:51 | 0:01:55 | |
'a small town outside Glasgow. | 0:01:55 | 0:01:57 | |
'If you fancy a dip, this is the place to be. | 0:01:57 | 0:02:00 | |
'Gourock boasts one of the two remaining outdoor swimming pools in Scotland. | 0:02:00 | 0:02:04 | |
'Hardly the weather for it today. And I'm not sure about taking the plunge in these depths, either.' | 0:02:04 | 0:02:10 | |
Back in the 17th century, a Glasgow merchant named Walter Gibson | 0:02:12 | 0:02:16 | |
cured Britain's first ever smoked herring here in Gourock. | 0:02:16 | 0:02:19 | |
And the industry remained important here | 0:02:19 | 0:02:22 | |
right up until the 1950s. | 0:02:22 | 0:02:24 | |
Which is appropriate, as we're about to hear a remarkable story | 0:02:24 | 0:02:28 | |
of a couple that despite both having a fair amount of building knowledge | 0:02:28 | 0:02:31 | |
got themselves stitched up by a cowboy builder... like a pair of kippers. | 0:02:31 | 0:02:36 | |
'His unlucky victims live in this three-bed detached villa. | 0:02:36 | 0:02:41 | |
'It's home to Alison and Michael Farrell and their twins, Nicole and Connor, obviously not identical. | 0:02:41 | 0:02:48 | |
Alison and Michael met whilst working for the local council. | 0:02:48 | 0:02:53 | |
Alison is a town planner and Michael an architectural technician.' | 0:02:53 | 0:02:58 | |
Michael works with me, so we met at the office. | 0:02:58 | 0:03:03 | |
We were on a night out and we got talking | 0:03:03 | 0:03:05 | |
and that was it. | 0:03:05 | 0:03:07 | |
'Michael and Alison got married in 2003 | 0:03:07 | 0:03:11 | |
'and two years later they moved to Gourock | 0:03:11 | 0:03:14 | |
'because Alison's family lived there and she was missing them.' | 0:03:14 | 0:03:17 | |
We decided that if we wanted to have a family, | 0:03:18 | 0:03:21 | |
that we would want to move back down the coast | 0:03:21 | 0:03:24 | |
and be near my extended family. | 0:03:24 | 0:03:27 | |
And most of all, I missed the river and just being here. | 0:03:27 | 0:03:32 | |
Alison's mum Annie had devoted the past few years caring for her own mother, | 0:03:32 | 0:03:35 | |
who died last year at the age of 90. | 0:03:35 | 0:03:38 | |
The Farrells were worried about Annie living on her own after all that time, | 0:03:38 | 0:03:42 | |
so they suggested she moved in with them. | 0:03:42 | 0:03:44 | |
Now, it would mean building an extension, | 0:03:44 | 0:03:46 | |
but with the couple working in the planning department, | 0:03:46 | 0:03:49 | |
they'd seen quite a few of those over the years | 0:03:49 | 0:03:51 | |
and they had a clear idea of what they wanted. | 0:03:51 | 0:03:54 | |
'Alison and Michael decided to knock down their existing garage at the side of their house | 0:03:55 | 0:04:00 | |
'and replace it with a double-storey extension. | 0:04:00 | 0:04:03 | |
'The basement would become a utility room and the ground floor and upstairs | 0:04:03 | 0:04:07 | |
'would be Alison's mum's living area.' | 0:04:07 | 0:04:10 | |
We were hoping to be able to give her her own space | 0:04:10 | 0:04:13 | |
but still being so close to us and she can use the house when she needs that. | 0:04:13 | 0:04:19 | |
'The Farrells found an architect, had designs drawn up and planning permission was granted. | 0:04:20 | 0:04:26 | |
'A builder came highly recommended by a colleague of Alison's | 0:04:26 | 0:04:29 | |
'and the report was so glowing, the Farrells didn't ask for any other references. | 0:04:29 | 0:04:34 | |
'Now, that was a big mistake.' | 0:04:34 | 0:04:37 | |
They basically said they could do the job for our budget | 0:04:39 | 0:04:43 | |
and we agreed to that. | 0:04:43 | 0:04:45 | |
'Take my advice. No matter how good your source | 0:04:46 | 0:04:50 | |
'and how positive their reference, | 0:04:50 | 0:04:52 | |
'always get more feedback on your builder. | 0:04:52 | 0:04:55 | |
'Go and see at least three previous customers face to face | 0:04:55 | 0:04:59 | |
'and ask them three direct questions... | 0:04:59 | 0:05:02 | |
'If you get the answers you want then go ahead. | 0:05:06 | 0:05:09 | |
'Otherwise, don't. | 0:05:09 | 0:05:11 | |
'In November 2011, the builder the Farrells chose | 0:05:16 | 0:05:19 | |
'quoted £71,000 for the whole job. | 0:05:19 | 0:05:22 | |
'That was to demolish the garage and build the double-story extension | 0:05:22 | 0:05:26 | |
'containing a granny flat, downstairs utility room, | 0:05:26 | 0:05:30 | |
'family room and cellar. It also included a tanking system, | 0:05:30 | 0:05:34 | |
'electrics and brick render outside.' | 0:05:34 | 0:05:37 | |
He said it would be a first-class job we would have done | 0:05:37 | 0:05:40 | |
and there was absolutely nothing to worry about. | 0:05:40 | 0:05:43 | |
It sounded a bit too good to be true. | 0:05:43 | 0:05:45 | |
In fact, I suppose what happened was too good to be true. | 0:05:45 | 0:05:48 | |
'The builder promised to complete the project in four months at the latest | 0:05:50 | 0:05:54 | |
'and work started on December 6th 2011 | 0:05:54 | 0:05:57 | |
'with Alison handing over £12,000 upfront.' | 0:05:57 | 0:06:02 | |
In retrospect, £12,000 was quite a lot of money to give out. | 0:06:02 | 0:06:07 | |
Following that, it was a case of as they progressed, | 0:06:07 | 0:06:10 | |
as and when they decided they needed further funds | 0:06:10 | 0:06:14 | |
to keep the job moving then they would ask us. | 0:06:14 | 0:06:17 | |
Now, often on Cowboy Trap, we hear about building projects | 0:06:17 | 0:06:20 | |
that start off apparently OK before falling apart over time. | 0:06:20 | 0:06:24 | |
Not so with Michael and Alison's ill-fated extension. | 0:06:24 | 0:06:28 | |
The work here was a total shambles from the off. | 0:06:28 | 0:06:31 | |
These guys were not only cowboys, they were clowns, too. | 0:06:31 | 0:06:35 | |
They would turn up on site and they wouldn't have the right equipment with them. | 0:06:35 | 0:06:38 | |
We had... I've had numerous bits and pieces that were lying about, | 0:06:38 | 0:06:44 | |
builders' buckets, just buckets that I use in the garden, | 0:06:44 | 0:06:48 | |
all would disappear because they were using them to do the work. | 0:06:48 | 0:06:52 | |
'Now, the builder and his assistant's work was haphazard, | 0:06:52 | 0:06:56 | |
'disorganised and, at times, downright dangerous. | 0:06:56 | 0:06:59 | |
'With two kids about, that just isn't on.' | 0:06:59 | 0:07:02 | |
The roller shutter that had been left | 0:07:03 | 0:07:05 | |
was in danger of being blown away | 0:07:05 | 0:07:08 | |
and could've, if it had blown away, | 0:07:08 | 0:07:11 | |
would've either damaged someone's property | 0:07:11 | 0:07:15 | |
or possibly hurt someone. | 0:07:15 | 0:07:17 | |
'And the builders' idea of a working day was... Well, how can I put this? ..unconventional.' | 0:07:19 | 0:07:24 | |
They'd just turn up half past 11 in the morning and disappear from half past two one day | 0:07:24 | 0:07:31 | |
and then you might find them back on site once that week for the same amount of hours. | 0:07:31 | 0:07:36 | |
'But it wasn't just his terrible timekeeping that caused concern.' | 0:07:37 | 0:07:41 | |
Over the next few months, things took a turn for the worse. | 0:07:41 | 0:07:45 | |
The bedlam turned into a go-slow. | 0:07:45 | 0:07:47 | |
The builders were never there, though there was no shortage of excuses. | 0:07:47 | 0:07:51 | |
Incredible though it may seem, the Farrells kept handing over the money | 0:07:51 | 0:07:55 | |
in the vain hope it would spur the builders on to finish the job. Big mistake. | 0:07:55 | 0:08:01 | |
We began to realise that the things that they said had been ordered | 0:08:01 | 0:08:04 | |
were just not going to appear. | 0:08:04 | 0:08:07 | |
And when we challenged them and I actually at one point asked, | 0:08:07 | 0:08:10 | |
"Well, who is it that's making the windows? Tell me and I'll phone them. | 0:08:10 | 0:08:14 | |
"If we paid for them, I want to know." But they wouldn't tell me. | 0:08:14 | 0:08:18 | |
'Alison and Michael started to worry. Really worry. | 0:08:19 | 0:08:22 | |
'The roof on the extension suddenly became a much lower spec than they had been quoted for | 0:08:22 | 0:08:27 | |
'and the builders left the house exposed to the elements.' | 0:08:27 | 0:08:31 | |
There was water getting in. The door's been crudely boarded-up | 0:08:31 | 0:08:34 | |
with nails and bits of wood and tarpaulin ever since then | 0:08:34 | 0:08:38 | |
but only because we had to chase them and chase them over Christmas and ask them to come. | 0:08:38 | 0:08:42 | |
The whole carpet got ruined immediately. | 0:08:42 | 0:08:44 | |
'The list goes on. Live electrics were left exposed, | 0:08:45 | 0:08:50 | |
'rubbish accumulated all over the place because there was no skip, | 0:08:50 | 0:08:53 | |
'and when the Farrells complained, they received volleys of abuse.' | 0:08:53 | 0:08:57 | |
I've been threatened by two characters from the builders | 0:08:57 | 0:09:03 | |
on more than one occasion, | 0:09:03 | 0:09:05 | |
so, you know, I've had verbal abuse and physical threats. | 0:09:05 | 0:09:10 | |
I've been told where to go when I asked them what had been done with our money, | 0:09:10 | 0:09:16 | |
and was told that... Well, it's not something I could probably repeat on camera. | 0:09:16 | 0:09:22 | |
But I was told that we should be getting someone else to finish the job. | 0:09:22 | 0:09:27 | |
With having given them so much money in advance, | 0:09:27 | 0:09:30 | |
we felt we just had to continue and hope that what they kept telling us | 0:09:30 | 0:09:35 | |
was the truth and that things had been ordered | 0:09:35 | 0:09:37 | |
and that they would finish the job. | 0:09:37 | 0:09:39 | |
'And being stuck in that kind of vicious circle | 0:09:40 | 0:09:43 | |
'is often part and parcel of being caught in the cowboy trap. | 0:09:43 | 0:09:46 | |
'Take my advice. Never pay a hefty sum up front, | 0:09:47 | 0:09:51 | |
'as it's a sure-fire sign you're dealing with a cowboy. | 0:09:51 | 0:09:54 | |
'Reputable builders have accounts with suppliers | 0:09:54 | 0:09:57 | |
'and you don't need to pay them straight away. | 0:09:57 | 0:09:59 | |
'Have a staged payment plan and never settle the final bill | 0:09:59 | 0:10:03 | |
'before the work is completed to your 100 percent satisfaction. | 0:10:03 | 0:10:07 | |
'By May 2012, the Farrells' builder has received the full £71,000 he quoted. | 0:10:10 | 0:10:16 | |
'But the extension was still far from finished. | 0:10:16 | 0:10:19 | |
'Major items were missing, including the staircase, | 0:10:19 | 0:10:22 | |
'and there was shoddiness everywhere you looked. | 0:10:22 | 0:10:25 | |
'Then the builder had the cheek to demand even more money from the Farrells to complete the job. | 0:10:25 | 0:10:30 | |
'When he didn't get the answer he wanted, the cowboy went AWOL.' | 0:10:30 | 0:10:35 | |
They have had all the money and nobody has done any work since June. | 0:10:36 | 0:10:41 | |
Effectively, we've been abandoned and the job not finished. | 0:10:41 | 0:10:44 | |
'The poor Farrells were stuck in an impossible position | 0:10:45 | 0:10:49 | |
'and didn't know where to turn.' | 0:10:49 | 0:10:51 | |
From this point on, it all gets really murky. | 0:10:52 | 0:10:55 | |
Seems there was some kind of power struggle between the bosses of the company. | 0:10:55 | 0:10:59 | |
Then again, that could've just been a smokescreen. | 0:10:59 | 0:11:01 | |
To this day, the Farrells have no idea why they ended up with nothing to show for their £71,000 | 0:11:01 | 0:11:07 | |
except for the devastating consequences the whole experience has had on their family. | 0:11:07 | 0:11:13 | |
From the outset, it's been stressful. | 0:11:13 | 0:11:15 | |
Within 24 hours, we were stressed | 0:11:15 | 0:11:18 | |
with the demolition and the haphazard nature of that | 0:11:18 | 0:11:22 | |
and the damage that even that stage had caused, | 0:11:22 | 0:11:25 | |
so even by Christmas last year, | 0:11:25 | 0:11:28 | |
we were already stressed | 0:11:28 | 0:11:30 | |
and it was causing arguments with us. | 0:11:30 | 0:11:33 | |
And that has accumulated and escalated to this point | 0:11:33 | 0:11:38 | |
where we just feel that we've been... we've been robbed. | 0:11:38 | 0:11:42 | |
'Robbed indeed. The young family has been left with a home | 0:11:46 | 0:11:50 | |
'that isn't watertight, windproof or secure. | 0:11:50 | 0:11:52 | |
'Alison and Michael's lives have been turned upside down.' | 0:11:52 | 0:11:57 | |
We're obviously worried about money. We don't know how we'll... | 0:11:58 | 0:12:01 | |
..we will raise money to finish it. | 0:12:01 | 0:12:04 | |
And just the children and feeling like there's so much energy | 0:12:04 | 0:12:07 | |
going into this | 0:12:07 | 0:12:09 | |
that there's barely anything left to try and just enjoy... | 0:12:09 | 0:12:14 | |
..being a family. | 0:12:15 | 0:12:18 | |
This is one of those stories that really gets my goat. | 0:12:20 | 0:12:24 | |
For £70,000, you could buy a nice apartment around here. | 0:12:24 | 0:12:27 | |
But what do the Farrells get for their money? | 0:12:27 | 0:12:30 | |
It just goes to show you how anyone can fall into the cowboy trap. | 0:12:30 | 0:12:34 | |
I mean, these people work for the local planning department, for pity's sake. | 0:12:34 | 0:12:38 | |
'But what is the true extent of the mess this cowboy left behind? | 0:12:39 | 0:12:43 | |
'How unsafe is this building bodge? To find out, | 0:12:43 | 0:12:47 | |
'we asked independent building surveyor Danny Farren to inspect the work. | 0:12:47 | 0:12:51 | |
'He's been through it with a fine-tooth comb and is about to fill me in on what he found.' | 0:12:51 | 0:12:57 | |
-Here there's supposed to be a balcony, right? -Absolutely, on the first floor. | 0:12:58 | 0:13:02 | |
'First item on the agenda, the first-floor balcony. | 0:13:03 | 0:13:07 | |
'This was left in an incredibly dangerous state | 0:13:07 | 0:13:09 | |
'with no barrier to prevent people falling off.' | 0:13:09 | 0:13:12 | |
They've got two small children. | 0:13:12 | 0:13:14 | |
With nothing to stop the children going off the edge of that balcony, | 0:13:14 | 0:13:18 | |
-it's worse than dangerous, it's a death trap. -That is a death trap. | 0:13:18 | 0:13:21 | |
A small child could fall from there and kill themselves very easily. | 0:13:21 | 0:13:25 | |
'The door leading to the balcony couldn't be locked. Bizarre. | 0:13:26 | 0:13:29 | |
'And that's not all. The basement is full of damp, | 0:13:29 | 0:13:32 | |
'the plasterboard walls are pathetic | 0:13:32 | 0:13:35 | |
'and internal pine cladding has been used outside. | 0:13:35 | 0:13:39 | |
'Those exterior walls just won't last.' | 0:13:39 | 0:13:42 | |
-This in internal wood. -This is internal pine cladding | 0:13:43 | 0:13:45 | |
that hasn't been treated properly to be external cladding. | 0:13:45 | 0:13:49 | |
-So this is just going to rot, right? -With the severe elements | 0:13:49 | 0:13:52 | |
and wind in that location, that will deteriorate very quickly. | 0:13:52 | 0:13:55 | |
'And the doors upstairs will deteriorate quickly, too. | 0:13:56 | 0:13:59 | |
'They were supposed to be hardwood bi-folding doors. | 0:13:59 | 0:14:02 | |
'But these are softwood internal doors, | 0:14:02 | 0:14:05 | |
'not designed to withstand the elements.' | 0:14:05 | 0:14:08 | |
Putting softwood doors there and not hardwood doors, | 0:14:08 | 0:14:11 | |
is this naivety | 0:14:11 | 0:14:14 | |
or is this cutting corners? | 0:14:14 | 0:14:17 | |
It's absolutely cutting corners and getting a job done as cheaply as possible. | 0:14:17 | 0:14:20 | |
'Cheap and dangerous. | 0:14:22 | 0:14:24 | |
'Look at those exposed electrical wires.' | 0:14:24 | 0:14:27 | |
Another thing I've noticed here is damp, electrics. | 0:14:27 | 0:14:30 | |
-Absolutely. -Not good bedfellows, are they? -Not at all. | 0:14:30 | 0:14:34 | |
Bare electrical wires. Very, very dangerous. | 0:14:34 | 0:14:38 | |
'And the garden outside is shocking, too.' | 0:14:39 | 0:14:41 | |
It's not an ideal playground for children. | 0:14:41 | 0:14:44 | |
It's very dangerous. You can see sharp corners, trip hazards. | 0:14:44 | 0:14:48 | |
Ideal place for kids to fall and injure themselves severely. | 0:14:48 | 0:14:51 | |
And for me, it also highlights just what hasn't been done. | 0:14:51 | 0:14:54 | |
These are building materials that haven't yet been put in the place they're supposed to be. | 0:14:54 | 0:14:58 | |
-That's right. They've just been left. -Yeah. -Just dumped. | 0:14:58 | 0:15:01 | |
'And the cowboy builder left exposed wires all over the place. | 0:15:01 | 0:15:06 | |
'I think Jason Bourne would struggle to survive a day in this place. There's danger everywhere you look. | 0:15:06 | 0:15:11 | |
'And to add insult to potential injury for the Farrells, check this out. | 0:15:11 | 0:15:16 | |
'No, your eyes aren't deceiving you. | 0:15:16 | 0:15:19 | |
'He built a great big wall in front of the window.' | 0:15:19 | 0:15:22 | |
Absolutely disgraceful to leave something like that. | 0:15:24 | 0:15:27 | |
It's been the wall that's been built up. The original window is still there. | 0:15:27 | 0:15:31 | |
The wall is finishing halfway up the window. | 0:15:31 | 0:15:34 | |
You're not telling me, Danny, that this is a new wall that the builder has built? | 0:15:34 | 0:15:38 | |
That's a new wall the builder has built. | 0:15:38 | 0:15:40 | |
-They've built a wall halfway up a window? -Absolutely. | 0:15:40 | 0:15:43 | |
'Well, I've seen everything now. Unbelievable. | 0:15:43 | 0:15:47 | |
'Time to hear Danny's verdict. I think I can guess what it's going to be.' | 0:15:47 | 0:15:51 | |
After seeing all of this, | 0:15:52 | 0:15:55 | |
and your detailed inspection, | 0:15:55 | 0:15:57 | |
how would you rate whoever did this work out of ten? | 0:15:57 | 0:16:01 | |
-I couldn't give them a zero. -You couldn't give them a zero? -Not at all. | 0:16:01 | 0:16:06 | |
'Well, that's saying something. | 0:16:07 | 0:16:09 | |
'Not even a zero. | 0:16:09 | 0:16:12 | |
'It's not surprising with this litany of disaster. | 0:16:12 | 0:16:15 | |
'There's no front door, | 0:16:15 | 0:16:17 | |
'interior cladding on the exterior, | 0:16:17 | 0:16:21 | |
'no door furniture, | 0:16:21 | 0:16:23 | |
'saturated brickwork in the basement, | 0:16:23 | 0:16:26 | |
'a dangerous garden, | 0:16:26 | 0:16:28 | |
'exposed electrical cables | 0:16:28 | 0:16:31 | |
'and an exterior platform with no barrier. | 0:16:31 | 0:16:36 | |
'In short, it's a death trap. | 0:16:36 | 0:16:39 | |
'And Alison and Michael have forked out over £70,000. Ouch.' | 0:16:39 | 0:16:44 | |
You know, just when we think we've seen it all on Cowboy Trap, something like this comes along. | 0:16:48 | 0:16:52 | |
Make no mistake, we're talking a Herculean task for our good guys. | 0:16:52 | 0:16:56 | |
'And here's head honcho Phil Burn. | 0:16:56 | 0:17:00 | |
'So much needs doing just to make it safe, secure and watertight, the Farrells are chipping in. | 0:17:00 | 0:17:06 | |
'Not hanging about, Burnsy's boys swing into action. | 0:17:06 | 0:17:10 | |
'First up, removing those rubbish plasterboard walls. | 0:17:10 | 0:17:14 | |
'And sorting those unsafe electrics. | 0:17:14 | 0:17:18 | |
'Then it's onto the new fixtures and fittings. | 0:17:18 | 0:17:21 | |
'And outside, they prep for some roof reparation. | 0:17:26 | 0:17:30 | |
'It's a great start, but can they get Alison and Michael's dreams back on track? | 0:17:30 | 0:17:34 | |
'Only time will tell.' | 0:17:34 | 0:17:37 | |
I'm in Gourock on the west coast of Scotland | 0:17:45 | 0:17:47 | |
where Michael and Alison Farrell spent over £70,000 | 0:17:47 | 0:17:51 | |
on building a double-story extension so that Alison's mum could move in with them. | 0:17:51 | 0:17:55 | |
But their shambolic cowboy builder left them with a total wreck on their hands | 0:17:55 | 0:17:59 | |
with devastating consequences for their family. | 0:17:59 | 0:18:02 | |
Now, this has been one of our toughest ever jobs on Cowboy Trap | 0:18:02 | 0:18:05 | |
so there's still going to be loads for the Farrells to do when we leave. | 0:18:05 | 0:18:08 | |
But what I'm hoping is that our good guy builders have been able to do enough | 0:18:08 | 0:18:12 | |
to give them the breathing space that the family needs. | 0:18:12 | 0:18:15 | |
'I really have no idea what to expect. | 0:18:16 | 0:18:19 | |
'This place was in such a state before.' | 0:18:19 | 0:18:22 | |
-Hello, Michael. -Hi, how you doing? -Good to meet you. -Nice to meet you. | 0:18:22 | 0:18:25 | |
-Hi! -Alison. It's nice to be knocking on a door! -I know. | 0:18:25 | 0:18:28 | |
-But this looks very impressive. -Yep. | 0:18:28 | 0:18:31 | |
'Check out how the view from the road has changed | 0:18:31 | 0:18:34 | |
'from before | 0:18:34 | 0:18:36 | |
'to after. Nice! | 0:18:36 | 0:18:39 | |
'And as soon as I cross the threshold, I can't resist a quick peek at the good guys' work. | 0:18:39 | 0:18:45 | |
'And I like what I see. | 0:18:45 | 0:18:47 | |
'Their brief was to make the house safe, secure and watertight, | 0:18:47 | 0:18:51 | |
'but they've gone way beyond the line of duty. | 0:18:51 | 0:18:53 | |
'Remember, before the interior was catastrophic. | 0:18:54 | 0:18:59 | |
'Check it out now. | 0:19:00 | 0:19:03 | |
'The transformation all over, from top to bottom, is striking. | 0:19:03 | 0:19:08 | |
'Now, before I take a closer look at the good guys' work, | 0:19:08 | 0:19:11 | |
'I'd like a chat with Alison and Michael | 0:19:11 | 0:19:14 | |
'about how they found themselves caught out by cowboy builders.' | 0:19:14 | 0:19:17 | |
They told you they were going to be done in 12 weeks. They were rarely here two days in a row. | 0:19:18 | 0:19:23 | |
-Did you ever go and look what was going on? -You did, didn't you? | 0:19:23 | 0:19:27 | |
-You challenged them a couple of times. -I challenged them | 0:19:27 | 0:19:30 | |
on the standard of work and that went down like a lead balloon, of course. | 0:19:30 | 0:19:33 | |
-What sort of stuff did you challenge them on? -The sequence of events that they were doing things in. | 0:19:33 | 0:19:38 | |
They were putting plasterboard on when they didn't seem to be finished doing the structure. | 0:19:38 | 0:19:43 | |
And when I queried this, I was just met with a tirade of abuse. | 0:19:43 | 0:19:46 | |
-Abuse? -Oh, yeah. Abuse. And threatening behaviour, as well. | 0:19:46 | 0:19:50 | |
-Really? -Yeah. -In your own home? | 0:19:50 | 0:19:53 | |
-Aye, pretty much, yeah. -That's what I'm struggling to get my head around, | 0:19:53 | 0:19:56 | |
because I know you both work in and around the trade | 0:19:56 | 0:19:59 | |
and so you would know some of the things that were going on in the wrong order. | 0:19:59 | 0:20:03 | |
When you actually said to these guys, "Look, this isn't the way this should be going," | 0:20:03 | 0:20:08 | |
they didn't hold their hands up, they met it with abuse. | 0:20:08 | 0:20:11 | |
Yeah, it was just met with questions. "What do you know about that?" | 0:20:11 | 0:20:16 | |
"Leave it to the professionals," we were told. | 0:20:16 | 0:20:18 | |
'It's hard to understand why the Farrells, with all their experience, | 0:20:20 | 0:20:23 | |
'found it impossible to manage their builders. | 0:20:23 | 0:20:26 | |
'But there's an even bigger question on my mind.' | 0:20:26 | 0:20:29 | |
Why did you continually pay them, then? | 0:20:29 | 0:20:31 | |
We felt too deeply entangled with it and it was basically a case of | 0:20:31 | 0:20:35 | |
"If you don't, we won't finish, we need it." | 0:20:35 | 0:20:40 | |
-It was always... -Or "This has been ordered, that's been ordered." | 0:20:40 | 0:20:43 | |
There was always a reassurance that it would be done right and it would be finished in the end, don't worry. | 0:20:43 | 0:20:48 | |
'Alison and Michael were right to worry, | 0:20:49 | 0:20:52 | |
'especially when the cowboys' appearances became so sporadic, | 0:20:52 | 0:20:55 | |
'they were practically non-existent. | 0:20:55 | 0:20:58 | |
'But it was still a shock when they stopped altogether.' | 0:20:58 | 0:21:00 | |
Just didn't turn up, didn't turn up, didn't turn up. | 0:21:00 | 0:21:03 | |
I mean, is it not a good thing? I'm playing devil's advocate here. | 0:21:03 | 0:21:06 | |
Is it not a good thing they just disappeared? Because it sounds like you'd have just kept paying money. | 0:21:06 | 0:21:11 | |
No, there was never anymore money going to them, they knew that. | 0:21:11 | 0:21:14 | |
-So that's why they left. -They knew that. | 0:21:14 | 0:21:18 | |
'Michael eventually tracked the cowboy down by phone | 0:21:18 | 0:21:21 | |
'and soon wished he hadn't.' | 0:21:21 | 0:21:23 | |
I had a phone conversation with him which lasted just less than a minute. | 0:21:23 | 0:21:26 | |
-Wow. -In which he threatened to come and physical violence was basically mentioned. | 0:21:26 | 0:21:33 | |
-It was pretty nasty. -So after taking 70-odd grand, | 0:21:33 | 0:21:39 | |
ruining what was next door, | 0:21:39 | 0:21:41 | |
-you were threatened with physical violence? -Yeah, uh-huh. | 0:21:41 | 0:21:45 | |
And there was also more sinister things said to me by the other one, | 0:21:45 | 0:21:50 | |
the likes of, about Michael, "Well, we know where he works." | 0:21:50 | 0:21:54 | |
And he said to my mother, "He might find he gets a tap on the shoulder at the station." | 0:21:54 | 0:22:00 | |
'Well, that's absolutely horrific. | 0:22:01 | 0:22:04 | |
'And when I excuse myself from the Farrells and check out the basement, | 0:22:04 | 0:22:07 | |
'that's pretty horrific, too. | 0:22:07 | 0:22:10 | |
'There was only so much our good guys could do. | 0:22:10 | 0:22:12 | |
'Telltale signs of the cowboy in the depths of the extension are still visible.' | 0:22:12 | 0:22:17 | |
If you take a closer look, | 0:22:17 | 0:22:20 | |
this is a damp-proofing system, OK? | 0:22:20 | 0:22:22 | |
So to explain, water runs behind these eggbox-type bits of plastic, | 0:22:22 | 0:22:28 | |
goes right the way down, and it's not about keeping water from penetrating, | 0:22:28 | 0:22:32 | |
it's about manipulating the water. So you have a little channel here | 0:22:32 | 0:22:35 | |
that goes all the way round and out to a certain well | 0:22:35 | 0:22:38 | |
and then pumped out of the building. | 0:22:38 | 0:22:41 | |
But look, it's not happening here. If you come through here... | 0:22:41 | 0:22:44 | |
..the water is just going to gather in these concrete corners and on the sills. | 0:22:47 | 0:22:51 | |
'Not very clever. But on a more positive note, | 0:22:51 | 0:22:55 | |
'thanks to our good guys, things are looking up elsewhere. | 0:22:55 | 0:22:59 | |
'And looking up in a big way.' | 0:22:59 | 0:23:02 | |
This whole front of the house looks completely different, doesn't it? | 0:23:02 | 0:23:05 | |
Do you remember? It was just plastic in place of what should be a window. | 0:23:05 | 0:23:09 | |
Anybody could get in, including Mr Jack Frost, | 0:23:09 | 0:23:14 | |
but now, well, lead flashing everywhere, making everything watertight and safe, | 0:23:14 | 0:23:18 | |
a secure door so that you can lock the door at night and when you go out. | 0:23:18 | 0:23:22 | |
'Check out the ground floor inside. Sure, some decorating needs doing, | 0:23:22 | 0:23:26 | |
'but remember what it looked like before?' | 0:23:26 | 0:23:29 | |
There was wires just teeming out of the wall on the floor, | 0:23:29 | 0:23:32 | |
I mean, trip hazard at best, | 0:23:32 | 0:23:35 | |
real health hazard at worst if they ever became live, | 0:23:35 | 0:23:38 | |
but also, I think it was this wall, | 0:23:38 | 0:23:41 | |
there were loads of timbers that looked like they were resting against it. | 0:23:41 | 0:23:45 | |
What has been built here is a proper stud. | 0:23:45 | 0:23:48 | |
That will have a frame behind it, the electrics are properly fitted, | 0:23:48 | 0:23:51 | |
but look, it's ready for finishing now. | 0:23:51 | 0:23:55 | |
The floor's level. Also down here. | 0:23:55 | 0:23:59 | |
There was a big gap between the old door sill | 0:23:59 | 0:24:02 | |
and the new floor being put down. | 0:24:02 | 0:24:04 | |
You can put carpet down here, whatever you want to put down, but it's ready to go. | 0:24:04 | 0:24:08 | |
Bear in mind it's the first thing you see when you walk over the threshold. | 0:24:08 | 0:24:11 | |
'And before, pretty much the second thing you'd see | 0:24:11 | 0:24:14 | |
'was a great big wall next to a window. Not anymore.' | 0:24:14 | 0:24:19 | |
What they've done now is they've taken the old window out, put a small one in, fitted it properly, | 0:24:19 | 0:24:24 | |
and then built right up to it. | 0:24:24 | 0:24:26 | |
Yeah, that looks loads better. | 0:24:26 | 0:24:29 | |
'Our good guys also found time to do something not on the schedule of works, | 0:24:30 | 0:24:34 | |
'fit a kitchen in the granny flat. What a lovely surprise.' | 0:24:34 | 0:24:38 | |
Cooker, sink, this is brand new. | 0:24:38 | 0:24:42 | |
That is amazing. | 0:24:42 | 0:24:44 | |
That must be wonderful news to Alison's mum, | 0:24:44 | 0:24:47 | |
but let's not forget, this is Alison's mum's living quarters if you like. | 0:24:47 | 0:24:51 | |
And it's looking so much better. | 0:24:51 | 0:24:55 | |
Do you remember there was dodgy wires coming out of the walls? | 0:24:55 | 0:24:58 | |
It was in a right sorry old state. | 0:24:58 | 0:25:01 | |
But now we've got working electrics, we've got light in here. | 0:25:01 | 0:25:05 | |
This is ready to be decorated. This is amazing! | 0:25:05 | 0:25:08 | |
I mean, you know, a skim at the most and then maybe some paint and then you've got a living room. | 0:25:08 | 0:25:13 | |
Which is... It feels like a living room, the floor is level, | 0:25:13 | 0:25:17 | |
it's warm, it's... It's further along than I thought it would be. | 0:25:17 | 0:25:22 | |
Now, obviously there's issues outside. | 0:25:22 | 0:25:25 | |
That balcony is definitely a no-go area. | 0:25:25 | 0:25:28 | |
But this whole door, | 0:25:28 | 0:25:30 | |
there was weather coming through, you could see gaps. | 0:25:30 | 0:25:32 | |
Now it's all sealed up, and because of that balcony, look, the good guys have fitted a lock, | 0:25:32 | 0:25:39 | |
which means this place is safe. | 0:25:39 | 0:25:41 | |
'Unlike before where the door was unlockable. Not clever. | 0:25:41 | 0:25:46 | |
'Well, I've got to say, the good guys have played an absolute blinder. | 0:25:46 | 0:25:50 | |
'Phil's come to talk me through the challenges he faced | 0:25:50 | 0:25:52 | |
'including, believe it or not, a leaking driveway.' | 0:25:52 | 0:25:56 | |
That was letting water into the basement roof, we had to seal that. | 0:25:56 | 0:26:00 | |
So the driveway was letting water in? | 0:26:00 | 0:26:04 | |
Yes, it was tar laid on concrete, | 0:26:04 | 0:26:06 | |
and that was allowing water to penetrate below into the basement. | 0:26:06 | 0:26:09 | |
So we've applied a sealer to stop that happening. | 0:26:09 | 0:26:12 | |
'Crikey! That basement was well on its way to becoming an indoor swimming pool. | 0:26:13 | 0:26:18 | |
'Next I want to ask Phil how he found the inspiration | 0:26:18 | 0:26:21 | |
'to conjure up a kitchen out of nowhere.' | 0:26:21 | 0:26:24 | |
I'm so impressed because your job | 0:26:25 | 0:26:28 | |
was to make weatherproof, safe and secure this site. | 0:26:28 | 0:26:33 | |
-We didn't ask you to stick a kitchen in there. -No, you didn't. But we managed to get a kitchen for free | 0:26:33 | 0:26:39 | |
-from one of our suppliers. -Wow! | 0:26:39 | 0:26:41 | |
And we've installed that to try and help a little bit | 0:26:41 | 0:26:45 | |
so that Mrs Farrell's mother can move in here. | 0:26:45 | 0:26:48 | |
That's amazing. Thank you so much for doing that. It's fantastic. | 0:26:48 | 0:26:52 | |
'Remember what the electrics looked like before? | 0:26:53 | 0:26:55 | |
'Well, all sorted now.' | 0:26:55 | 0:26:57 | |
There's been re-wiring, re-plastering, digging out drains, | 0:26:57 | 0:27:01 | |
new kitchen stuck in. I mean, this is no small job. | 0:27:01 | 0:27:05 | |
-This is no small job. -How long were here for? | 0:27:05 | 0:27:08 | |
We were here for something in the region of six to eight weeks. | 0:27:08 | 0:27:11 | |
Oddly enough, you might be surprised to hear that the cowboy builder | 0:27:11 | 0:27:15 | |
reckoned they might be able to do the whole job in three months. | 0:27:15 | 0:27:18 | |
-Was that... -That was never a realistic proposal. -No. -No. | 0:27:18 | 0:27:23 | |
'But our good guys riding to the rescue was a realistic proposal, and they've delivered. | 0:27:24 | 0:27:29 | |
'Now, before I do the grand tour with the Farrells, | 0:27:29 | 0:27:32 | |
'I'm going to chat to them about their cowboy builder. | 0:27:32 | 0:27:35 | |
'I wanted to find out his side of the story, | 0:27:35 | 0:27:37 | |
'and I can't wait to hear their responses to his version of events.' | 0:27:37 | 0:27:42 | |
Your builder says that we're pointing our finger at the wrong man. | 0:27:42 | 0:27:46 | |
He says he didn't do this job, | 0:27:46 | 0:27:48 | |
he subcontracted the whole thing to another builder. | 0:27:48 | 0:27:51 | |
We were both on site together at various points. | 0:27:51 | 0:27:56 | |
-So he didn't subcon... -No, we never agreed to any subcontracting to any particular individuals. | 0:27:56 | 0:28:01 | |
He says he met with your architect who signed all the work off. | 0:28:01 | 0:28:04 | |
What? SHE LAUGHS | 0:28:04 | 0:28:07 | |
Signed what off? Nothing's ever been signed off. What's he talking about? | 0:28:07 | 0:28:11 | |
-That's what he says. -Oh, my God. | 0:28:11 | 0:28:14 | |
We've spoken to the architect, incidentally, and he says he never inspected the work, | 0:28:14 | 0:28:19 | |
and if he had, he obviously wouldn't have signed it off because it was appalling. | 0:28:19 | 0:28:23 | |
-Uh-huh. -What's your thoughts on what you've heard so far? | 0:28:23 | 0:28:27 | |
-How do you feel from what you've heard... -Furious. He doesn't give a damn. | 0:28:27 | 0:28:32 | |
'No. He clearly doesn't. | 0:28:32 | 0:28:34 | |
'But the good news is our guys have transformed this place. | 0:28:34 | 0:28:38 | |
'It's time for my favourite bit, the grand tour. | 0:28:38 | 0:28:41 | |
'I can't wait to hear what Alison and Michael think to it all.' | 0:28:41 | 0:28:45 | |
So, I think, for me, | 0:28:46 | 0:28:48 | |
the front of your house is the most impressive, | 0:28:48 | 0:28:51 | |
cos it at least looks closer to the finished article, doesn't it? | 0:28:51 | 0:28:54 | |
-Oh, yeah. -The whole facade looks nice, doesn't it? | 0:28:54 | 0:28:57 | |
It's sealed... You've got... This is a new window, as well, isn't it? | 0:28:57 | 0:29:01 | |
-New window, yeah. -Does it make you feel any different as regards to, | 0:29:01 | 0:29:05 | |
you know, everybody wants to be proud of their house, walking out, when you come back to the house... | 0:29:05 | 0:29:09 | |
-Yeah. Well, it certainly looks a bit more respectable. -Yeah. -It was embarrassing. | 0:29:09 | 0:29:14 | |
Coming back to the house knowing that you've left it secure. | 0:29:14 | 0:29:17 | |
Yeah, yeah, and sleeping, you know, at night. | 0:29:17 | 0:29:20 | |
When you go to bed, it's nice to know that the place is secure. | 0:29:20 | 0:29:23 | |
'And remember that obstacle course of a hallway before?' | 0:29:24 | 0:29:28 | |
-Wires everywhere. Trip hazards. -Yeah, no door. | 0:29:28 | 0:29:31 | |
For me, from what I see, you're not far on having it done. It's... | 0:29:31 | 0:29:36 | |
You've got some finishing to do here, haven't you? | 0:29:36 | 0:29:39 | |
Really just some painting, sand down, paint and a floor finish. | 0:29:39 | 0:29:41 | |
It'll look like a home. | 0:29:41 | 0:29:44 | |
'Alison's mum's new home will soon have a fully-functional kitchen, too.' | 0:29:44 | 0:29:49 | |
-Has your mum seen this yet? -Yes. Yes, she has. -She was quite tearful. | 0:29:49 | 0:29:53 | |
Yeah, she was. She couldn't believe it. She thought it was so kind. | 0:29:53 | 0:29:57 | |
'Her main living room upstairs is now much closer to the finished article. | 0:29:57 | 0:30:01 | |
'Before it looked like this. | 0:30:01 | 0:30:04 | |
'Now it looks like this. Splendid.' | 0:30:04 | 0:30:08 | |
Cast your minds back to when your cowboy builders upped and left. | 0:30:10 | 0:30:15 | |
-Mm-hm. -Where did you imagine you'd be | 0:30:15 | 0:30:19 | |
throughout the winter in a few months time? | 0:30:19 | 0:30:22 | |
-Freezing. Freezing cold. -Yeah. -Really. | 0:30:23 | 0:30:27 | |
-With a rattling door and water coming in. -Yeah. | 0:30:27 | 0:30:31 | |
Difficult to sleep with the noise of the door, the wind would've been howling through it. | 0:30:31 | 0:30:36 | |
Well, hopefully now, you can maintain this momentum | 0:30:36 | 0:30:39 | |
and then you, your whole family, | 0:30:39 | 0:30:42 | |
your mother can be here enjoying our view. | 0:30:42 | 0:30:45 | |
-Obviously that means your mother-in-law will be living with you. -Yes. | 0:30:45 | 0:30:48 | |
-That's fine. -Light and shade. -THEY LAUGH | 0:30:49 | 0:30:53 | |
'And on that note, it's time to bid the Farrells a fond farewell.' | 0:30:53 | 0:30:58 | |
Well, having spent time with them, | 0:30:59 | 0:31:01 | |
it's quite easy to see and appreciate | 0:31:01 | 0:31:04 | |
just how Michael and Alison's project spiralled so far out of control. | 0:31:04 | 0:31:08 | |
They really were left feeling helpless. | 0:31:08 | 0:31:10 | |
Now, the task for the good guys was to make this house safe, secure | 0:31:10 | 0:31:14 | |
and weatherproof, and you've seen they've achieved that. | 0:31:14 | 0:31:17 | |
But in righting so many of the wrongs for the cowboy builders, | 0:31:17 | 0:31:21 | |
they've got Michael and Alison's dream of getting the whole family living under one roof back on track. | 0:31:21 | 0:31:28 | |
'For our next Cowboy Trap saga, | 0:31:29 | 0:31:32 | |
'we revisit a homeowner we first met three years ago. | 0:31:32 | 0:31:35 | |
'Like the Farrells, it revolved around a builder who came highly recommended, | 0:31:35 | 0:31:39 | |
'but turned out to be a disaster. | 0:31:39 | 0:31:42 | |
'His victims were retired engineer Colin Thompson and his partner Melina, | 0:31:43 | 0:31:47 | |
'who was back home in the Philippines when we filmed. | 0:31:47 | 0:31:49 | |
'Colin wanted to add a new conservatory and retaining wall | 0:31:49 | 0:31:53 | |
'to his renovated cottage in Cobham, Surrey. | 0:31:53 | 0:31:56 | |
'Colin, being a bit of a DIY man, | 0:31:58 | 0:32:00 | |
'was tempted to build the conservatory himself, | 0:32:00 | 0:32:03 | |
'but a neighbour changed his mind.' | 0:32:03 | 0:32:05 | |
The neighbour had a conservatory built | 0:32:05 | 0:32:08 | |
and they were saying what a nice job it was. | 0:32:08 | 0:32:10 | |
I went round and inspected it and thought it looked very nice, | 0:32:10 | 0:32:13 | |
and I thought, "Well, it'll save me a lot of time. | 0:32:13 | 0:32:16 | |
"It looks nice and modern." | 0:32:16 | 0:32:18 | |
'Colin decided to invite the builder | 0:32:18 | 0:32:21 | |
'who'd done his neighbour's conservatory round to discuss the project. | 0:32:21 | 0:32:25 | |
'First impressions were positive.' | 0:32:25 | 0:32:27 | |
Colin liked the look of the builder but what clinched the deal | 0:32:29 | 0:32:31 | |
was his impressive paperwork, which included a stamp with the FENSA logo, | 0:32:31 | 0:32:36 | |
representing industry gold standard for replacement doors and windows. | 0:32:36 | 0:32:40 | |
What's more, his work came with a ten-year guarantee, | 0:32:40 | 0:32:43 | |
so Colin felt completely secure. But, of course, as things turned out, | 0:32:43 | 0:32:47 | |
that guarantee, like the rest of his documentation, | 0:32:47 | 0:32:50 | |
wasn't worth the paper it was written on. | 0:32:50 | 0:32:53 | |
'Yes, Colin should've checked this builder out. | 0:32:53 | 0:32:56 | |
'But hindsight is a wonderful thing. | 0:32:56 | 0:32:58 | |
'And when he originally invited the builder to quote for the job, he very much liked what he heard.' | 0:32:58 | 0:33:04 | |
Initially it was about £11,000 | 0:33:04 | 0:33:06 | |
for the conservatory and the retaining wall | 0:33:06 | 0:33:09 | |
just in the vicinity of the conservatory. | 0:33:09 | 0:33:12 | |
Ultimately, when I placed the order, we went a bit further | 0:33:12 | 0:33:16 | |
and had the wall extended to the full width of the garden, so obviously the cost went up. | 0:33:16 | 0:33:21 | |
'Went up by over £2,000 to a grand new total | 0:33:21 | 0:33:26 | |
'of £13,456. | 0:33:26 | 0:33:30 | |
'That was to build the conservatory, excavate the ground around it and construct a retaining wall. | 0:33:30 | 0:33:35 | |
'It also included steps and a garden path made of top quality slabs. | 0:33:35 | 0:33:40 | |
'But work got off to a very slow start.' | 0:33:40 | 0:33:43 | |
Unfortunately, the weather was quite bad at the time | 0:33:46 | 0:33:48 | |
so he was working between the showers. | 0:33:48 | 0:33:51 | |
And, er, sometimes he didn't turn up. | 0:33:51 | 0:33:55 | |
'Worrying for Colin, even when the sun shone | 0:33:56 | 0:33:59 | |
'progress was pitifully slow.' | 0:33:59 | 0:34:01 | |
Sluggish work was one thing. | 0:34:01 | 0:34:03 | |
Worse than that, engineer Colin slowly began to notice | 0:34:03 | 0:34:06 | |
that the standard of the work was not quite the 24-carat job he was expecting. | 0:34:06 | 0:34:10 | |
In fact, it soon became clear | 0:34:10 | 0:34:12 | |
that this guy had learnt his trade at the University of Bodge. | 0:34:12 | 0:34:16 | |
'Colin noticed the builder wasn't laying the bricks in the wall properly. | 0:34:17 | 0:34:21 | |
'A builder that can't get a wall built? What next? | 0:34:21 | 0:34:24 | |
'I'll tell you what next. A builder that can't fix a roof onto a conservatory.' | 0:34:26 | 0:34:30 | |
It was when the roof went on that you could suddenly see | 0:34:30 | 0:34:33 | |
that the polycarbonate roof was touching the slate roof of the house. | 0:34:33 | 0:34:37 | |
So I said, well, you know, "That's no good." | 0:34:37 | 0:34:40 | |
He said, "Oh, the water can go down that." | 0:34:40 | 0:34:43 | |
I said, "No. Forget that. What about all the leaves? | 0:34:43 | 0:34:45 | |
"We've got lots of trees around here and the leaves will collect in that." | 0:34:45 | 0:34:49 | |
"Oh." So he took all the panels off | 0:34:49 | 0:34:52 | |
and took them home and sawed the ends off all the panels. | 0:34:52 | 0:34:57 | |
'Well, that sounds professional. This guy then tootled back to Colin's, | 0:34:58 | 0:35:03 | |
'stuck those sawn-off panels back on the conservatory roof, | 0:35:03 | 0:35:06 | |
'and guess what happened when it rained. | 0:35:06 | 0:35:08 | |
'Yeah, you've got it, Leaks, leaks and more leaks. | 0:35:08 | 0:35:13 | |
'And that wasn't all. The water was leaking onto a conservatory floor that wasn't level, | 0:35:13 | 0:35:18 | |
'and the windows and door hadn't been fitted properly, either. | 0:35:18 | 0:35:22 | |
'Because of the damp, the humidity in the conservatory was unbearable. | 0:35:22 | 0:35:27 | |
'Just when Colin thought it couldn't get any worse, it did. | 0:35:27 | 0:35:31 | |
'In December 2005, just before Christmas, | 0:35:31 | 0:35:35 | |
'the builder walked off site never to return.' | 0:35:35 | 0:35:39 | |
Colin's dreams were in tatters. | 0:35:41 | 0:35:43 | |
Instead of the bright and airy conservatory, a cherry on the cake of his idyllic cottage, | 0:35:43 | 0:35:48 | |
what he was left with was a soggy mess. | 0:35:48 | 0:35:51 | |
'Yep, all Colin got for his £13,400 | 0:35:51 | 0:35:55 | |
'was a calamitous conservatory and a wonky wall. | 0:35:55 | 0:35:59 | |
'He tried contacting the builder but his calls were never returned. | 0:35:59 | 0:36:03 | |
'And when he finally checked the guy out, | 0:36:03 | 0:36:06 | |
'he was horrified to discover the builder wasn't really in FENSA | 0:36:06 | 0:36:10 | |
'and his ten-year guarantee was as worthless as a ten-bob note. | 0:36:10 | 0:36:16 | |
'Take my advice. Don't automatically trust the paperwork | 0:36:16 | 0:36:19 | |
'your builder shoves under your nose. It might be a work of fiction. | 0:36:19 | 0:36:24 | |
'If they say they're registered with a body like FENSA, | 0:36:24 | 0:36:27 | |
'phone the association to check the builder is on their list. | 0:36:27 | 0:36:30 | |
'Look at the terms and conditions of the guarantee carefully. | 0:36:30 | 0:36:34 | |
'Ideally, it will be from the manufacturer. | 0:36:34 | 0:36:36 | |
'They're much more likely to be around if something goes wrong. | 0:36:36 | 0:36:40 | |
'But Colin's luck was about to change | 0:36:42 | 0:36:45 | |
'because our good guys entered the fray. | 0:36:45 | 0:36:48 | |
'They couldn't fix the whole bodging build, but they could certainly make a start. | 0:36:48 | 0:36:53 | |
'The priority was fixing the roof and windows. | 0:36:53 | 0:36:55 | |
'By doing that, they'd sort the humidity and make the conservatory bearable to be in. | 0:36:55 | 0:37:01 | |
'Our fellas set about their task with gusto. | 0:37:01 | 0:37:04 | |
'Out with the old... | 0:37:04 | 0:37:07 | |
'..and in with the new. | 0:37:07 | 0:37:09 | |
'And this was the end result. A wonderful, watertight roof. | 0:37:09 | 0:37:14 | |
'Yes, Colin's conservatory was out of intensive care | 0:37:14 | 0:37:17 | |
'and on the road to recovery. | 0:37:17 | 0:37:19 | |
'But it was still a work in progress. The floor still needed sorting for a start. | 0:37:19 | 0:37:24 | |
'Would Colin finish the job and create the conservatory of his dreams? | 0:37:24 | 0:37:27 | |
'Only time would tell.' | 0:37:27 | 0:37:30 | |
Well, it's been nearly three years since we last saw Colin | 0:37:34 | 0:37:37 | |
and, of course, we helped him get back on track by fixing the leaking roof of his conservatory | 0:37:37 | 0:37:42 | |
and fitting new windows, but he still had a fair bit of work to do. | 0:37:42 | 0:37:46 | |
Let's see how he's got on. | 0:37:46 | 0:37:48 | |
'Apparently Melina's away again. | 0:37:49 | 0:37:51 | |
'Hopefully it's not because she's upset with our good guys' conservatory efforts.' | 0:37:51 | 0:37:56 | |
-Colin. -Hello, Jonnie. Come on in. -Thank you very much! Nice day. | 0:37:56 | 0:38:00 | |
'As soon as I cross the threshold, | 0:38:00 | 0:38:02 | |
'I can't help but notice the miraculous change here, | 0:38:02 | 0:38:05 | |
'starting with the floor, before my eyes were attracted skywards. | 0:38:05 | 0:38:09 | |
'An extra touch our good guys added has proved to be a success.' | 0:38:09 | 0:38:13 | |
-So, this glass, it's clean. -Yep. | 0:38:13 | 0:38:18 | |
It's the self-cleaning glass. | 0:38:18 | 0:38:21 | |
It's got a special coating on it. When you get any outside debris, like birdlime, | 0:38:21 | 0:38:26 | |
it can even dry on there, | 0:38:26 | 0:38:28 | |
but over a period of time, after a few showers... | 0:38:28 | 0:38:30 | |
-It just washes off? -It washes off. That's never been cleaned. | 0:38:30 | 0:38:34 | |
Since that's been in there, two years, I've never clean the roof. | 0:38:34 | 0:38:37 | |
'Well, Colin's clearly pleased that his self-cleaning glass | 0:38:37 | 0:38:40 | |
'is still doing the business beautifully two years on. | 0:38:40 | 0:38:44 | |
'And the roof must still be watertight, too. If it wasn't, | 0:38:44 | 0:38:47 | |
'Colin wouldn't have bought soft furnishings and got the floor done. | 0:38:47 | 0:38:50 | |
'Nice tiling, which is all the more impressive because Colin did it himself.' | 0:38:50 | 0:38:55 | |
I had all these tiles stacked up for a few years in the corner there, | 0:38:56 | 0:39:00 | |
cos I couldn't do anything with them so they were in their boxes. | 0:39:00 | 0:39:02 | |
So as soon as your guys had finished their work, I thought, "Let's get this place finished" | 0:39:02 | 0:39:06 | |
and so I just cracked on and did all the floor first. | 0:39:06 | 0:39:11 | |
Checked up, phoned up various manufacturers, | 0:39:11 | 0:39:13 | |
finding out what the best thing was to make sure I got proper adhesion to the floor. | 0:39:13 | 0:39:17 | |
And I made... I put levelling, | 0:39:17 | 0:39:20 | |
I put levelling points so I could make sure it was all level. | 0:39:20 | 0:39:25 | |
'Excellent idea. A level floor. | 0:39:26 | 0:39:29 | |
'Better than the fundamentally flawed floor the cowboy left behind. | 0:39:29 | 0:39:33 | |
'Trying to lay tiles on that would've been like trying to stack custard.' | 0:39:33 | 0:39:38 | |
You took so much more care on a do-it-yourself job | 0:39:38 | 0:39:42 | |
than the professional cowboy that attempted it ever did, didn't you? | 0:39:42 | 0:39:46 | |
Well, that's right. He did it wrong in the first place. | 0:39:46 | 0:39:49 | |
-If it had been done properly, I wouldn't have had to do all that. -Looks really good. | 0:39:49 | 0:39:53 | |
'It certainly does. | 0:39:53 | 0:39:55 | |
'Remember, this was the careless carbuncle of conservatory the cowboy left behind. | 0:39:55 | 0:40:00 | |
'No carelessness from our good guys, craftsmen to the core. | 0:40:00 | 0:40:04 | |
'But when I departed, the floor still needed doing. | 0:40:04 | 0:40:08 | |
'And because our fellas gave it a watertight lid, | 0:40:08 | 0:40:10 | |
'Colin's had the confidence to put a screed down | 0:40:10 | 0:40:13 | |
'and the desire to tile with style. | 0:40:13 | 0:40:16 | |
'Conservatory completed.' | 0:40:16 | 0:40:18 | |
Do you feel like once our guys from Cowboy Trap came, | 0:40:18 | 0:40:22 | |
did you feel like you were ready to tackle it again? | 0:40:22 | 0:40:24 | |
Yeah, once they'd done that, that was the big thing out of the way. | 0:40:24 | 0:40:29 | |
'And it's also pleasing to see that Colin is using his conservatory | 0:40:31 | 0:40:35 | |
'in all sorts of weather, even in the colder seasons.' | 0:40:35 | 0:40:39 | |
It's great to come out here, have a coffee and, you know... | 0:40:40 | 0:40:44 | |
-Lovely place to have breakfast. -Yeah. -Wave at squirrels. -Yeah, absolutely. | 0:40:44 | 0:40:47 | |
'Yeah, I admit it. I like to wave at squirrels when I'm in a good mood, what's wrong with that? | 0:40:49 | 0:40:54 | |
'And I'm in a good mood today, | 0:40:54 | 0:40:56 | |
'because remember what this place looked like when the cowboy strode out of town? | 0:40:56 | 0:41:00 | |
'It was the stuff of nightmares. | 0:41:00 | 0:41:03 | |
'Rather than the dream conservatory Colin desired. | 0:41:03 | 0:41:07 | |
'After our good guys weaved their magic, | 0:41:07 | 0:41:09 | |
'the conservatory was massively improved, | 0:41:09 | 0:41:12 | |
'but still with lots to do. | 0:41:12 | 0:41:15 | |
'And Colin's gone ahead and done it himself. | 0:41:15 | 0:41:17 | |
'All's well that ends well, eh? | 0:41:17 | 0:41:19 | |
'But before I go, I want to ask Colin what he learned from his unlucky cowboy builder experience.' | 0:41:19 | 0:41:24 | |
What would you do different? Say you were going to embark on having another conservatory built, | 0:41:24 | 0:41:29 | |
how would you go about the process? | 0:41:29 | 0:41:30 | |
Go round and see people's conservatories, see what was done, | 0:41:30 | 0:41:33 | |
ask them about the people who did it, the quality, the professionalism of the people themselves. | 0:41:33 | 0:41:39 | |
You go along with these people because you think, "Well, they're the professionals." | 0:41:39 | 0:41:43 | |
That's the trouble. You put your trust in them and think, "I'm paying a lot of money, | 0:41:43 | 0:41:47 | |
"I'm going to sit back now and let them get on with it." | 0:41:47 | 0:41:49 | |
Cos it's nice to be able to do that. | 0:41:49 | 0:41:51 | |
You were going to build it yourself but you thought, "I'll let someone else do the hard work." | 0:41:51 | 0:41:56 | |
I thought, "I'm paying them. I'll let them get on with it." | 0:41:56 | 0:41:58 | |
They give you all these assurances that it'll be all right on the day, | 0:41:58 | 0:42:02 | |
but it's not, they just walk away from it and leave you with a disaster. | 0:42:02 | 0:42:06 | |
'Disaster with a capital D. | 0:42:07 | 0:42:10 | |
'A builder who couldn't put on a roof without it leaking. Shame on him.' | 0:42:10 | 0:42:15 | |
-How low did you get? -I got very angry. You feel frustrated and you think, "What can I do?" | 0:42:15 | 0:42:21 | |
There's water coming through, you can't decorate it, | 0:42:21 | 0:42:24 | |
you can't put soft furnishings in, they're going to rot away with the damp. | 0:42:24 | 0:42:28 | |
But once that was done and it was sealed, that's great, you can get on with it. | 0:42:28 | 0:42:32 | |
It can be raining hard outside and it's great. | 0:42:32 | 0:42:36 | |
'Great indeed. | 0:42:37 | 0:42:39 | |
'Right, it's time to leave Colin to enjoy his dry-as-a-bone, terrifically-tiled conservatory.' | 0:42:39 | 0:42:45 | |
Well, it's been great to catch up with Colin | 0:42:45 | 0:42:48 | |
and see that the conservatory has now become | 0:42:48 | 0:42:51 | |
an integral part of his and his partner Melina's home. | 0:42:51 | 0:42:55 | |
By the sounds of it, | 0:42:55 | 0:42:57 | |
once our builders had put the roof on top of the conservatory and lent a helping hand, | 0:42:57 | 0:43:01 | |
it sprung Colin into action and he finished everything else | 0:43:01 | 0:43:05 | |
by his own hand. Pretty impressive. | 0:43:05 | 0:43:08 | |
Subtitles by Red Bee Media Ltd | 0:43:08 | 0:43:12 | |
. | 0:43:12 | 0:43:12 |