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I'm declaring high noon on Britain's cowboy builders. | 0:00:07 | 0:00:11 | |
He said he couldn't source a brick to match the house, | 0:00:11 | 0:00:14 | |
but he'd had one of our house bricks for a year. | 0:00:14 | 0:00:18 | |
These jacks-of-no-trades ride roughshod over people's dreams and their lives. | 0:00:18 | 0:00:23 | |
We've got a bucket here. I don't know if that's to catch any moisture. | 0:00:23 | 0:00:27 | |
I'm rounding up the Good Guys to help turn these blots on the landscape | 0:00:27 | 0:00:31 | |
into beautiful builds. | 0:00:31 | 0:00:33 | |
I couldn't believe my eyes. The roof was such a mess. | 0:00:33 | 0:00:37 | |
So remember to pay close attention | 0:00:37 | 0:00:39 | |
because the next 30 minutes could well keep you out of the cowboy trap. | 0:00:39 | 0:00:44 | |
Today, we're deep in the Cheshire countryside, | 0:00:53 | 0:00:57 | |
in the small market town of Tarporley. | 0:00:57 | 0:00:59 | |
Though close to those noisy hotbeds of the pop-music scene - Liverpool and Manchester - | 0:00:59 | 0:01:04 | |
Tarporley is a quiet rural preserve. | 0:01:04 | 0:01:07 | |
It's a lovely place to visit and relax. | 0:01:07 | 0:01:11 | |
That is unless you're a fox... | 0:01:11 | 0:01:13 | |
Tarporley has a long history of fox hunting. | 0:01:13 | 0:01:16 | |
In fact, it's home to the oldest surviving hunt in England | 0:01:16 | 0:01:19 | |
that was founded in 1762 at this 16th-century coaching inn. | 0:01:19 | 0:01:24 | |
Although the hounds are long gone, the club still meet here, | 0:01:24 | 0:01:28 | |
but only for dinner, of course. | 0:01:28 | 0:01:30 | |
Now, whatever you think about foxes, this old hound is on the scent of some vermin. | 0:01:30 | 0:01:35 | |
You've guessed it - it's another cowboy builder. | 0:01:35 | 0:01:39 | |
His unwitting victims live in this four-bedroom detached house. | 0:01:40 | 0:01:44 | |
Nick and Celia Cherry are both 61 and have been married for 15 years. | 0:01:44 | 0:01:50 | |
Celia recently retired from teaching | 0:01:50 | 0:01:52 | |
and Nick, who used to be a marketing manager, now runs an oven-cleaning business. | 0:01:52 | 0:01:57 | |
Celia met Nick after enduring some difficult years in the early 1980s. | 0:01:57 | 0:02:02 | |
She divorced her husband, leaving her a single mother-of-three. | 0:02:02 | 0:02:06 | |
In a bid to make a fresh start, Celia decided to take a degree in teaching. | 0:02:06 | 0:02:11 | |
Fortunately, because I was at college, there were other single parents, | 0:02:11 | 0:02:15 | |
so we all kind of clubbed together | 0:02:15 | 0:02:17 | |
and took our kids out and did things with them as a group. | 0:02:17 | 0:02:21 | |
Financially, it was very difficult. Very difficult. | 0:02:21 | 0:02:24 | |
And very difficult to do my degree when I'd got three children | 0:02:24 | 0:02:28 | |
and all the stuff that that entailed. | 0:02:28 | 0:02:30 | |
Things were really tough for Celia, | 0:02:30 | 0:02:33 | |
bringing up three kids on her own on very little money, | 0:02:33 | 0:02:37 | |
coupled with the demands of a degree course. | 0:02:37 | 0:02:40 | |
But it all paid off, because three years later she qualified as a teacher | 0:02:40 | 0:02:45 | |
and got her first post, teaching food technology at a secondary school. | 0:02:45 | 0:02:49 | |
And things continued to get better, because she met Nick. | 0:02:49 | 0:02:54 | |
In 1997, | 0:02:54 | 0:02:56 | |
Celia and Nick - who had a daughter from a previous relationship - got married | 0:02:56 | 0:03:01 | |
and together they brought up their four children. | 0:03:01 | 0:03:05 | |
Nick and Celia moved into their four-bed detached property here in Tarporley 15 years ago. | 0:03:05 | 0:03:11 | |
Before that, they were living in Sheffield | 0:03:11 | 0:03:13 | |
and then Nick got a call to say he'd got a job offer in Chester. | 0:03:13 | 0:03:18 | |
Now, Celia had spent many a happy childhood here in Cheshire at her grandparents' home, | 0:03:18 | 0:03:23 | |
so she jumped at the chance. | 0:03:23 | 0:03:25 | |
As for the house, well, it was love at first sight. | 0:03:25 | 0:03:29 | |
We just pulled up outside and it had a really nice look to it, | 0:03:32 | 0:03:36 | |
what I'd call a happy face. | 0:03:36 | 0:03:38 | |
It seemed to have a huge garden, it was in a nice area and I said, "That'll do." | 0:03:38 | 0:03:42 | |
That was it, we made the decision not even having been into it. | 0:03:42 | 0:03:45 | |
The house may have seemed perfect, | 0:03:45 | 0:03:48 | |
but there was one fly in the Cherrys' ointment - | 0:03:48 | 0:03:51 | |
the conservatory was falling apart. | 0:03:51 | 0:03:54 | |
It was in a right state. It had a corrugated plastic roof | 0:03:54 | 0:03:59 | |
which had obviously leaked, | 0:03:59 | 0:04:01 | |
and they put a roof on the inside, as well. | 0:04:01 | 0:04:04 | |
So it had two lots of roof and it used to rain in, erm, | 0:04:04 | 0:04:08 | |
and with the cold and damp... | 0:04:08 | 0:04:12 | |
We had to do quite a lot of repairs to it to start off with. | 0:04:12 | 0:04:15 | |
Celia and Nick vowed to replace it as soon as they had the money. | 0:04:16 | 0:04:21 | |
In 2011, 14 years after moving in, Celia took early retirement | 0:04:21 | 0:04:26 | |
and they decided to invest in the conservatory of their dreams. | 0:04:26 | 0:04:30 | |
The Cherrys invited several builders round to quote for the job, | 0:04:30 | 0:04:33 | |
one of whom had a very impressive portfolio. | 0:04:33 | 0:04:37 | |
He had worked for joinery companies and then set up his own business. | 0:04:37 | 0:04:41 | |
He'd got a workshop. He ticked all the right boxes. | 0:04:41 | 0:04:45 | |
A builder's portfolio can separate the professionals from the cowboys. | 0:04:45 | 0:04:51 | |
But beware, don't get hooked by a set of glossy photographs. | 0:04:51 | 0:04:55 | |
Make sure you go and physically see like-for-like completed works. | 0:04:55 | 0:05:01 | |
That way, you can build up a nice set of images | 0:05:01 | 0:05:04 | |
for before and after. | 0:05:04 | 0:05:06 | |
Take my advice. Let your fingers doing the walking | 0:05:06 | 0:05:10 | |
and phone up previous customers of your potential builder to get their feedback. | 0:05:10 | 0:05:15 | |
Then let your feet do the walking and go see them in person. | 0:05:15 | 0:05:19 | |
They could just be mates of the builder doing him a favour. | 0:05:19 | 0:05:23 | |
If you see the whites of their eyes | 0:05:23 | 0:05:25 | |
and completed projects similar to yours, | 0:05:25 | 0:05:27 | |
you're entitled to have confidence in that builder. | 0:05:27 | 0:05:32 | |
The builder quoted just over £24,000 to build the conservatory | 0:05:33 | 0:05:38 | |
with special self-cleaning glass, | 0:05:38 | 0:05:40 | |
and said it would take about six weeks. | 0:05:40 | 0:05:42 | |
He seemed to know what he was talking about, | 0:05:42 | 0:05:45 | |
spotting a couple of mistakes in the designs. | 0:05:45 | 0:05:48 | |
We thought that he knew what he was doing, he clearly was on the ball | 0:05:48 | 0:05:52 | |
and would be OK to do our conservatory. | 0:05:52 | 0:05:56 | |
The builder wanted paying in three instalments - | 0:05:56 | 0:05:59 | |
a deposit of around £7,000 to be paid before work started, | 0:05:59 | 0:06:03 | |
covering groundworks, window frames and the roof structure, | 0:06:03 | 0:06:07 | |
another payment - around £7,000 - to cover glazing and finishing work, | 0:06:07 | 0:06:12 | |
and a final instalment of £9,620 upon completion. | 0:06:12 | 0:06:17 | |
He suggested constructing the conservatory offsite and transporting it in. | 0:06:17 | 0:06:22 | |
The Cherrys gave him the green light in the summer of 2011. | 0:06:22 | 0:06:26 | |
Work began but the progress was slow. | 0:06:26 | 0:06:29 | |
Yet the builder always had an excuse up his sleeve. | 0:06:29 | 0:06:33 | |
As for Celia, she had other things on her mind | 0:06:33 | 0:06:35 | |
because her father was seriously ill with cancer. | 0:06:35 | 0:06:39 | |
I think the builder did use the fact that I was away from home because of my father. | 0:06:41 | 0:06:46 | |
I was very upset because he was ill. | 0:06:46 | 0:06:48 | |
He did use that and prey upon us because of it, | 0:06:48 | 0:06:52 | |
because he knew we weren't going to be here, watching what he was doing all the time. | 0:06:52 | 0:06:56 | |
Celia was told her dad's cancer was terminal. | 0:06:56 | 0:07:00 | |
Remembering how much he loved the outdoors as a younger man, | 0:07:00 | 0:07:03 | |
she was desperate for him to enjoy their new conservatory in his final days. | 0:07:03 | 0:07:09 | |
But the project fell way behind schedule. | 0:07:09 | 0:07:11 | |
The agreed completion date in early November 2011 came and went, | 0:07:11 | 0:07:16 | |
with little sign of progress. | 0:07:16 | 0:07:19 | |
Celia's father would never get to sit in her conservatory | 0:07:20 | 0:07:24 | |
because on December 2nd, 2011, he lost his battle with cancer. | 0:07:24 | 0:07:29 | |
Celia is in no doubt | 0:07:29 | 0:07:31 | |
that the builder took advantage of her grief. | 0:07:31 | 0:07:35 | |
The funeral was down in the Midlands and we were going to be away until quite late at night. | 0:07:37 | 0:07:41 | |
I'd said to the builder, "You're OK to come and work that day." | 0:07:41 | 0:07:45 | |
But when I saw him the day before he said, | 0:07:45 | 0:07:48 | |
"We won't be coming tomorrow because you've got other fish to fry." Those were his actual words. | 0:07:48 | 0:07:53 | |
I thought that was quite insensitive, considering we were burying my dad. | 0:07:53 | 0:07:57 | |
The stress of the conservatory not being ready when it should've, | 0:07:58 | 0:08:02 | |
and also her father having cancer, was very, very traumatic for her. | 0:08:02 | 0:08:07 | |
And, you know, she... | 0:08:07 | 0:08:09 | |
I'm surprised she didn't have a breakdown | 0:08:09 | 0:08:12 | |
because it was really hard-going. | 0:08:12 | 0:08:15 | |
The builder kept disappearing for weeks at a time. | 0:08:15 | 0:08:18 | |
He claimed the delays were because he couldn't source matching bricks. | 0:08:18 | 0:08:22 | |
But he'd had one of the Cherrys' bricks for over a year, | 0:08:22 | 0:08:25 | |
surely long enough to find a similar type? | 0:08:25 | 0:08:28 | |
And the little work the builder did was shoddy. | 0:08:28 | 0:08:31 | |
I got a ladder up to the roof | 0:08:31 | 0:08:35 | |
and I couldn't believe my eyes. | 0:08:35 | 0:08:38 | |
The roof was such a mess. | 0:08:38 | 0:08:39 | |
There were strips that were not connected, | 0:08:39 | 0:08:43 | |
the glass was not straight on the beams. | 0:08:43 | 0:08:46 | |
I noticed around the sills of the window frames | 0:08:48 | 0:08:51 | |
that the mitre joints were pulling apart. | 0:08:51 | 0:08:53 | |
When I pointed that out and said it needed to be redone, | 0:08:53 | 0:08:56 | |
he said that he would just put a plug in it, which he has. | 0:08:56 | 0:08:59 | |
He drilled a hole, put a wooden plug in it to pull it all together and filled it with brown sealant. | 0:08:59 | 0:09:05 | |
Half the conservatory consists, I think, of brown sealant. | 0:09:05 | 0:09:08 | |
I just couldn't believe my eyes. It was a ridiculous situation | 0:09:08 | 0:09:12 | |
that a guy who was supposed to be professional | 0:09:12 | 0:09:15 | |
had put the build together like it was. | 0:09:15 | 0:09:19 | |
The Cherrys had wanted Christmas dinner in their new conservatory, | 0:09:19 | 0:09:23 | |
but there was no plaster on the walls, the electrics hadn't been done properly | 0:09:23 | 0:09:28 | |
and the builder's plumbers had messed up the Cherrys' central heating | 0:09:28 | 0:09:32 | |
and flooded their bedroom in the process. | 0:09:32 | 0:09:35 | |
No Christmas cheer for the Cherrys. | 0:09:35 | 0:09:38 | |
Finally, at the end of January 2012, | 0:09:38 | 0:09:41 | |
four months after the job was supposed to have been completed, | 0:09:41 | 0:09:45 | |
the builder announced he'd finished. | 0:09:45 | 0:09:47 | |
I don't think so! | 0:09:47 | 0:09:50 | |
He doesn't seem to have done anything properly at all. Nothing properly at all. | 0:09:50 | 0:09:55 | |
He promised that he'd get plumbers in to do the work - | 0:09:55 | 0:10:00 | |
he'd get proper people to do it - and he hasn't done. | 0:10:00 | 0:10:04 | |
We had water coming in at one point | 0:10:04 | 0:10:07 | |
where the valleys meet the apex of the roof. | 0:10:07 | 0:10:11 | |
It was pouring down there, running down the blind, | 0:10:11 | 0:10:14 | |
gathering on the window sill and pouring straight into the power point. | 0:10:14 | 0:10:18 | |
The Cherrys' window cleaner pointed out the windows were wobbly. | 0:10:20 | 0:10:24 | |
From top to bottom, | 0:10:24 | 0:10:25 | |
this chaotic conservatory was an utter shambles. | 0:10:25 | 0:10:29 | |
We were very upset about it, but I kept saying, | 0:10:30 | 0:10:33 | |
"Although we're upset, although it's cost a lot of money that I can never replace, | 0:10:33 | 0:10:37 | |
"because you only get that payment when you retire once, | 0:10:37 | 0:10:40 | |
"it's still not as bad as losing my father." | 0:10:40 | 0:10:43 | |
Bodged building work is one thing, | 0:10:45 | 0:10:47 | |
but taking advantage of someone's grief is entirely different. | 0:10:47 | 0:10:51 | |
And I tell you something else - I'm appalled by what goes on under the name of building. | 0:10:51 | 0:10:56 | |
I'm hoping to get Celia and Nick's plans back on track. | 0:10:56 | 0:11:01 | |
Yep, the Good Guys are in town. | 0:11:01 | 0:11:04 | |
Ahh! You must be the lovely Celia. I'm Clive from Cowboy Trap. | 0:11:04 | 0:11:09 | |
-You must be the lovely Nick. -I am. Hi! -How are you? | 0:11:09 | 0:11:11 | |
-I hear you've had problems with cowboy builders. -Yes. -We have. | 0:11:11 | 0:11:15 | |
-Do you mind if I come in and have a look? -No. -Please do. -Come on, then. Let's have a look. | 0:11:15 | 0:11:20 | |
While Celia and Nick put the kettle on, | 0:11:20 | 0:11:22 | |
I check out the conservatory. | 0:11:22 | 0:11:25 | |
It doesn't take long to discover problems. | 0:11:25 | 0:11:28 | |
See, straight away there, certainly with the window boards, they should've been notched in, | 0:11:28 | 0:11:33 | |
and instead, the sill boards look they're stuck down | 0:11:33 | 0:11:38 | |
and then masticed-in on the gaps. | 0:11:38 | 0:11:41 | |
That's not brilliant. | 0:11:41 | 0:11:42 | |
And I'm not happy about that glazing on the roof. | 0:11:42 | 0:11:47 | |
It doesn't look like it's a modern glass. | 0:11:47 | 0:11:49 | |
These days, you get a nice reflective glass | 0:11:49 | 0:11:52 | |
which, usually in the summertime, it keeps the heat at bay | 0:11:52 | 0:11:57 | |
and, of course, in the winter, keeps the heat in. | 0:11:57 | 0:12:00 | |
It's usually self-cleaning. | 0:12:00 | 0:12:01 | |
We've had a lot of rain of late and that looks really quite scarred. | 0:12:01 | 0:12:06 | |
It's certainly not a modern glass panel, that's for sure. | 0:12:06 | 0:12:10 | |
We've got a bucket here, as well, so I don't know if that's there to catch any moisture. | 0:12:10 | 0:12:14 | |
It doesn't look brilliant. I'm starting to see little signs | 0:12:14 | 0:12:17 | |
of where the glass looks a little bit too short. | 0:12:17 | 0:12:22 | |
And there's a gap between the French doors and the frame. | 0:12:22 | 0:12:25 | |
That's not been set right at all. | 0:12:25 | 0:12:28 | |
Let's have a look outside. Two words - not good. | 0:12:28 | 0:12:33 | |
You can see the actual body of the conservatory butted up to the gable there, | 0:12:33 | 0:12:38 | |
but it's been filled in with, er, cement. | 0:12:38 | 0:12:42 | |
I'd have liked to have seen a flexible mastic in there. | 0:12:42 | 0:12:45 | |
I'd also like to know how it's been attached to that gable end. | 0:12:45 | 0:12:49 | |
It always is a real worry. | 0:12:49 | 0:12:52 | |
Here, where the beading is, | 0:12:53 | 0:12:56 | |
in actual fact, where these actual glass units are, | 0:12:56 | 0:13:00 | |
they're not rebated enough, they're not sitting back enough. | 0:13:00 | 0:13:03 | |
The dwarf wall supporting the conservatory is not well pointed, | 0:13:04 | 0:13:08 | |
and that's not the only problem. | 0:13:08 | 0:13:12 | |
The damp course should be a couple of courses high | 0:13:12 | 0:13:17 | |
and it should have at least 150 mils from ground level. | 0:13:17 | 0:13:19 | |
That looks like it's breaching it. It's too high. | 0:13:19 | 0:13:22 | |
That'll definitely have to be cut back. | 0:13:22 | 0:13:25 | |
This dodgy damp course is no bridge over troubled water for the Cherrys. | 0:13:25 | 0:13:29 | |
And as soon as I get an aerial view, | 0:13:29 | 0:13:31 | |
it's apparent the inside of this conservatory | 0:13:31 | 0:13:34 | |
is going to get wet... wet... wet. | 0:13:34 | 0:13:39 | |
Now I'm up here, the problems are pretty clear. | 0:13:39 | 0:13:42 | |
First of all, the obvious ones - | 0:13:42 | 0:13:44 | |
the actual panel trims are all off. | 0:13:44 | 0:13:47 | |
They're either wavy lines and about to come off | 0:13:47 | 0:13:50 | |
or they've already come off. | 0:13:50 | 0:13:51 | |
At the top there, as you can see with the lead flashing, there's not enough upstand | 0:13:51 | 0:13:56 | |
and it hasn't been dressed into the render, which it needed to be done. | 0:13:56 | 0:14:00 | |
It looks like it's probably just been glued on. | 0:14:00 | 0:14:03 | |
The glass itself has certainly been cut short. | 0:14:03 | 0:14:06 | |
It should be enough overhang to go towards the guttering, | 0:14:06 | 0:14:10 | |
so that the water whips away off the top of the glass and into the gutter. | 0:14:10 | 0:14:15 | |
-This roof has more -flaws -than the Empire State Building! | 0:14:16 | 0:14:19 | |
See what I did there?! | 0:14:19 | 0:14:21 | |
I've seen enough. | 0:14:21 | 0:14:24 | |
Time for a pow-wow with Celia and Nick about the cowboy builder | 0:14:24 | 0:14:28 | |
who's taken them for 24 grand. | 0:14:28 | 0:14:31 | |
Did you have a contract in place to say, "It's going to take six weeks, | 0:14:31 | 0:14:36 | |
"this is the stages of payment that I want, | 0:14:36 | 0:14:38 | |
"this is the conservatory you're going to get, | 0:14:38 | 0:14:41 | |
who provides what, who supplies what, etcetera"? | 0:14:41 | 0:14:44 | |
We had a confirmation letter from him which detailed all that. | 0:14:44 | 0:14:48 | |
-He called them his quotation letters. -That's right. | 0:14:48 | 0:14:51 | |
But neither party signed it as an official contract, | 0:14:51 | 0:14:55 | |
but he said, "This is what I'll do and this is the timescale." | 0:14:55 | 0:14:59 | |
Take my advice - if you're forking out thousands of pounds on a building project, | 0:14:59 | 0:15:05 | |
spend a few extra pennies on some ink and paper for a formal contract. | 0:15:05 | 0:15:10 | |
Confirm in writing the overall cost, | 0:15:10 | 0:15:13 | |
the payment schedule and the time for completion, | 0:15:13 | 0:15:17 | |
that way, everyone knows the plan of action | 0:15:17 | 0:15:19 | |
and what to do if things start to slip. | 0:15:19 | 0:15:23 | |
When were the real first alarm bells with this guy? | 0:15:24 | 0:15:27 | |
Right from the start, Celia was worried | 0:15:27 | 0:15:29 | |
because he was two, three weeks late starting it, | 0:15:29 | 0:15:33 | |
and you were worried from then onwards, weren't you? | 0:15:33 | 0:15:37 | |
You were the one at home, you were the one who was dealing with it. | 0:15:37 | 0:15:40 | |
I was at work, so I didn't have the same sort of hassle. | 0:15:40 | 0:15:43 | |
What was Celia like... | 0:15:43 | 0:15:46 | |
..emotionally? | 0:15:46 | 0:15:48 | |
She was a mess, really. A real mess. | 0:15:48 | 0:15:50 | |
Because, you know, it was a really, erm, a really hard time, | 0:15:50 | 0:15:54 | |
er, with her dad dying. | 0:15:54 | 0:15:56 | |
They were very, very close together. Very close. | 0:15:56 | 0:16:00 | |
When a parent passes, it's... | 0:16:00 | 0:16:03 | |
I know what it feels like to lose both my parents, | 0:16:03 | 0:16:07 | |
so... to have this going on, as well, | 0:16:07 | 0:16:11 | |
the stress must've been through the roof. | 0:16:11 | 0:16:15 | |
Yes. It was. Yep. | 0:16:15 | 0:16:18 | |
Did your builder know what you were going through, | 0:16:18 | 0:16:21 | |
that this could've been great for your dad? | 0:16:21 | 0:16:23 | |
I did tell him that my dad was ill | 0:16:23 | 0:16:26 | |
and I would've liked Dad to see the finished conservatory. | 0:16:26 | 0:16:29 | |
Forget Heartbreak Hotel, | 0:16:30 | 0:16:32 | |
this is Heartbreak Conservatory. | 0:16:32 | 0:16:35 | |
But there is light at the end of the tunnel. | 0:16:36 | 0:16:39 | |
The Good Guys are on their way. | 0:16:39 | 0:16:42 | |
But before we get cracking, I've asked a second opinion | 0:16:43 | 0:16:46 | |
from independent building surveyor Glen Nicholas. | 0:16:46 | 0:16:49 | |
What do you see | 0:16:51 | 0:16:53 | |
that's not to your liking? | 0:16:53 | 0:16:55 | |
Basically, it's the detailing of the structure itself. | 0:16:55 | 0:16:59 | |
Good materials, | 0:16:59 | 0:17:01 | |
however, they haven't followed through with good practice and details. | 0:17:01 | 0:17:06 | |
There are gaps, glazing has been cut short. | 0:17:06 | 0:17:09 | |
-I understand it was supposed to be self-cleaning glass. Definitely not. -I don't think so. -I don't. | 0:17:09 | 0:17:13 | |
Otherwise, what we'd be looking at is a clean, clear view to the sky above. | 0:17:13 | 0:17:19 | |
Taking all that into consideration | 0:17:19 | 0:17:22 | |
and thinking about the various problems we've got, | 0:17:22 | 0:17:25 | |
what mark out of ten would you give this guy for the work you've seen? | 0:17:25 | 0:17:30 | |
It's a two or a three, this one. | 0:17:31 | 0:17:34 | |
Mm, I think nearer two than three. But let's not quibble. | 0:17:34 | 0:17:38 | |
Time to bring in the Good Guys, led by main man Paul Hilton. | 0:17:38 | 0:17:43 | |
I've got a straightforward question for the moustachioed maestro | 0:17:44 | 0:17:48 | |
and I can't wait to hear his answer. | 0:17:48 | 0:17:51 | |
-Tell us what you're going to address. -Mainly on the roof, problems with the glass. | 0:17:51 | 0:17:56 | |
A lot of it is undersized, undermeasured, | 0:17:56 | 0:17:59 | |
not meeting where it should do, leaking, | 0:17:59 | 0:18:03 | |
and the wrong type of glass that the customer asked for. | 0:18:03 | 0:18:06 | |
It's supposed to be self-cleaning with an anti-glare film on it, which is not there. | 0:18:06 | 0:18:11 | |
Definitely not. The first hint that tells you it's supposed to be self-cleaning | 0:18:11 | 0:18:16 | |
is that it's filthy! | 0:18:16 | 0:18:18 | |
What about the valleys? We've got problems with the trim. | 0:18:18 | 0:18:21 | |
All the trims are coming off and seeping water back in, | 0:18:21 | 0:18:25 | |
you know, the capillary action back up there. | 0:18:25 | 0:18:27 | |
They just need to be fitted correctly. | 0:18:27 | 0:18:30 | |
Just a badly finished job, you know? | 0:18:30 | 0:18:33 | |
Not 'alf! But Paul and his posse aim to put that right. | 0:18:33 | 0:18:38 | |
So much needs doing, the Cherry's are chipping in. | 0:18:38 | 0:18:42 | |
Hilton's Heroes waste no time swinging into action. | 0:18:42 | 0:18:46 | |
First up, removing that rubbish greenhouse glass, | 0:18:48 | 0:18:52 | |
then prepping the beams for the new gorgeous glazing. | 0:18:52 | 0:18:57 | |
These boys are certainly getting into the groove. | 0:18:57 | 0:19:01 | |
Who needs Madonna?! | 0:19:01 | 0:19:03 | |
But can they create the conservatory of the Cherrys' dreams? | 0:19:03 | 0:19:07 | |
Only time will tell. | 0:19:07 | 0:19:10 | |
I'm back in Cheshire | 0:19:13 | 0:19:15 | |
in the picturesque village of Tarporley, | 0:19:15 | 0:19:18 | |
where Celia and Nick Cherry's dreams of a new conservatory | 0:19:18 | 0:19:21 | |
were dashed by a cowboy builder | 0:19:21 | 0:19:24 | |
who callously took advantage of Celia's grief | 0:19:24 | 0:19:26 | |
over the death of her father. | 0:19:26 | 0:19:29 | |
Our Good Guys have now finished their work | 0:19:29 | 0:19:32 | |
and I'm here to find out if they've saved the day. | 0:19:32 | 0:19:35 | |
Before I do the grand tour with Celia and Nick, | 0:19:35 | 0:19:37 | |
I can't resist taking a sneaky peak. | 0:19:37 | 0:19:40 | |
OK, now, interesting enough, you're always slightly worried, | 0:19:45 | 0:19:49 | |
because when we first arrived here the conservatory looked great, | 0:19:49 | 0:19:53 | |
but when you delved, you realised there was problems all over the place, | 0:19:53 | 0:19:57 | |
particularly with leaks and gaps all over the place. | 0:19:57 | 0:20:01 | |
Now the things that jump out at me straight away, the paint is fantastic. | 0:20:01 | 0:20:06 | |
They've stained this wood and it sings now. | 0:20:06 | 0:20:09 | |
It looks real quality. | 0:20:09 | 0:20:11 | |
For me, it's the best paint job | 0:20:11 | 0:20:14 | |
since Michelangelo decorated the Sistine Chapel. | 0:20:14 | 0:20:17 | |
And remember those roof units before? | 0:20:17 | 0:20:21 | |
Now look at them! | 0:20:21 | 0:20:24 | |
These units are brilliant. Let me just tell you about them. | 0:20:24 | 0:20:27 | |
They're highly reflective and they're self-cleaning, as well, | 0:20:27 | 0:20:31 | |
so you almost get a blue hue on them. | 0:20:31 | 0:20:34 | |
What that does is, particularly with the reflection, | 0:20:34 | 0:20:37 | |
when it's hot and sunny in the summertime, | 0:20:37 | 0:20:40 | |
it reflects that sun | 0:20:40 | 0:20:42 | |
and keeps the temperature inside at a nice, even temperature. | 0:20:42 | 0:20:46 | |
In the winter, it helps to keep the warmth in. | 0:20:46 | 0:20:50 | |
But it's also self-cleaning, which means tree sap, birdlime, | 0:20:50 | 0:20:54 | |
that sort of thing that gets onto the glass, | 0:20:54 | 0:20:56 | |
when it rains will just wash away. | 0:20:56 | 0:20:59 | |
And when I say "birdlime", you know what I mean! | 0:20:59 | 0:21:02 | |
But it's not just the glazing that's better. | 0:21:02 | 0:21:05 | |
Cast your mind back to this... | 0:21:05 | 0:21:08 | |
Now look at this... | 0:21:09 | 0:21:12 | |
The problems were, gaps everywhere, | 0:21:12 | 0:21:14 | |
we'd got rain coming in, moisture coming in. | 0:21:14 | 0:21:17 | |
The problems here with the actual window sills, | 0:21:17 | 0:21:20 | |
they weren't actually channelled into the frame, which they should've been. | 0:21:20 | 0:21:25 | |
So there was huge gaps there, too. | 0:21:25 | 0:21:27 | |
I'm loving this detailed trim that our Good Guys have put on. | 0:21:27 | 0:21:32 | |
It really is quite magnificent and makes a massive difference, I think, to that sill. | 0:21:32 | 0:21:37 | |
Now, in the corner here, we'd got a bucket, | 0:21:37 | 0:21:41 | |
that was catching water here. | 0:21:41 | 0:21:43 | |
That's gone. There's no water there any more. | 0:21:43 | 0:21:47 | |
For me, that's another big, big achievement. | 0:21:47 | 0:21:51 | |
You don't want a bucket in your conservatory! | 0:21:51 | 0:21:54 | |
And that horrible gappy door has been sorted, too. | 0:21:54 | 0:21:58 | |
Ooh, that's a relief - the Good Guys have fixed the glazing bars. | 0:21:58 | 0:22:03 | |
This particular one here was way too short. | 0:22:03 | 0:22:06 | |
That's now the proper length, right into the guttering, which it should be. | 0:22:06 | 0:22:11 | |
But according to our Good Guys, | 0:22:11 | 0:22:13 | |
this was only seated onto the frame of the conservatory by about one millimetre. | 0:22:13 | 0:22:18 | |
Also, it was in with one screw only. | 0:22:18 | 0:22:20 | |
Imagine, I always say this, timber - living, breathing thing - | 0:22:20 | 0:22:24 | |
if it's going to move and stretch, | 0:22:24 | 0:22:26 | |
there's every possibility that that huge unit could've come crashing down! | 0:22:26 | 0:22:31 | |
And I'm telling you now, it's heavier than me. | 0:22:31 | 0:22:34 | |
Well, only just. Time to take a look from outside. | 0:22:36 | 0:22:40 | |
And I likes what I sees! | 0:22:40 | 0:22:43 | |
This has been coated up wonderfully, stained well. | 0:22:43 | 0:22:46 | |
When you've got a conservatory, it's always important, particularly timber, | 0:22:46 | 0:22:50 | |
to make sure you've got a real good quality barrier protection on the outside. | 0:22:50 | 0:22:55 | |
This really is top, top quality. | 0:22:55 | 0:22:58 | |
Before the Good Guys got stuck in, | 0:22:58 | 0:23:01 | |
I was seriously concerned about the top of the roof. | 0:23:01 | 0:23:05 | |
No need to worry now. | 0:23:05 | 0:23:07 | |
Even just looking at the glazing bars, | 0:23:07 | 0:23:10 | |
the way that we've actually got the lead flashing at the back, as well, looks great. | 0:23:10 | 0:23:14 | |
The valley - fantastic. | 0:23:14 | 0:23:16 | |
Yes. The whole thing now looks proper. | 0:23:16 | 0:23:21 | |
And the damp course looks better, too. | 0:23:21 | 0:23:23 | |
From this... | 0:23:23 | 0:23:25 | |
..to this. | 0:23:25 | 0:23:28 | |
Phew! What a relief! | 0:23:28 | 0:23:30 | |
Now, before I talk it through with the Cherrys, | 0:23:30 | 0:23:33 | |
I'd like a pow-wow about their cowboy builder. | 0:23:33 | 0:23:36 | |
I wanted to find out his side of the story | 0:23:36 | 0:23:39 | |
so I could hear their responses to his version of events. | 0:23:39 | 0:23:43 | |
First of all, his admits that the work suffered delays. | 0:23:43 | 0:23:48 | |
But he says that that was due to the weather, high winds, | 0:23:48 | 0:23:54 | |
and that it was something he had no control over whatsoever. | 0:23:54 | 0:23:58 | |
Is that the case? Would you agree with that or not? | 0:23:58 | 0:24:02 | |
I think there were three days where the weather held him up. | 0:24:02 | 0:24:06 | |
I can't see how there could be a month's delay between him doing the brickwork | 0:24:06 | 0:24:10 | |
and not even responding to our calls as to why nothing else was happening, | 0:24:10 | 0:24:14 | |
a whole month where absolutely nothing happened | 0:24:14 | 0:24:17 | |
and we didn't hear from him at all. | 0:24:17 | 0:24:19 | |
He says that, "All of your complaints are minor repairs" | 0:24:19 | 0:24:24 | |
which he would've been happy to do, had you allowed him to come back. | 0:24:24 | 0:24:29 | |
Bear that in mind - minor complaints. | 0:24:29 | 0:24:31 | |
Knowing what you know now, what is your reply to that? | 0:24:31 | 0:24:36 | |
Does he call the whole roof being replaced a minor complaint? | 0:24:36 | 0:24:40 | |
-Which is, you know... -He hadn't measured the glass properly. | 0:24:40 | 0:24:44 | |
He just used a tape measure and wrote some measurements down. It took him half an hour. | 0:24:44 | 0:24:49 | |
Whereas Paul, who corrected the roof and replaced all the glass, | 0:24:49 | 0:24:53 | |
made proper templates. | 0:24:53 | 0:24:55 | |
Yes, indeedy, our Good Guys do things right. | 0:24:55 | 0:25:00 | |
Yee-ha! | 0:25:00 | 0:25:02 | |
Well, whatever the whys and wherefores, | 0:25:02 | 0:25:04 | |
it's now time for my favourite bit. | 0:25:04 | 0:25:06 | |
Celia and Nick have lived with the work as it's been going on, | 0:25:06 | 0:25:10 | |
but I'm about reveal the finished results in all their glory. | 0:25:10 | 0:25:14 | |
Come on in to your lovely conservatory. | 0:25:14 | 0:25:17 | |
-BOTH: Wow! -Fantastic. | 0:25:17 | 0:25:20 | |
-It doesn't look the same. -It doesn't! It looks a totally new building. | 0:25:20 | 0:25:25 | |
In a way, the first thing I noticed | 0:25:25 | 0:25:28 | |
-is the quality of the stain that's gone on there. -Yes. -It really looks superb. | 0:25:28 | 0:25:32 | |
But I think the most important factor | 0:25:32 | 0:25:35 | |
-was the fact that you could occasionally have a shower in here... -Oh, yes! | 0:25:35 | 0:25:39 | |
Quite easily if you stood close to the window! | 0:25:39 | 0:25:42 | |
..so that's all been addressed. There's so many things that have gone on. | 0:25:42 | 0:25:46 | |
First of all, let's take the roof glazing... | 0:25:46 | 0:25:50 | |
You've got there a special solar reflective glass. | 0:25:50 | 0:25:54 | |
Now, the beauty of that is, you've got this blue hue on it, | 0:25:54 | 0:25:58 | |
but what happens is, in the summer when you've got the strong sunshine, | 0:25:58 | 0:26:02 | |
what it helps to do is reflect that heat | 0:26:02 | 0:26:04 | |
and keep it at a nice even temperature. | 0:26:04 | 0:26:08 | |
In the winter, however, | 0:26:08 | 0:26:10 | |
once you get the sun coming through, it'll help to keep the warmth in. | 0:26:10 | 0:26:14 | |
Now if you remember behind us, | 0:26:14 | 0:26:16 | |
-we'd got that leak and the bucket underneath it. -Several buckets! | 0:26:16 | 0:26:21 | |
-That's now gone. -Fantastic. -Brilliant. | 0:26:21 | 0:26:23 | |
Do you remember the gap around the frame, as well, | 0:26:23 | 0:26:26 | |
which allowed creepy-crawlies in? | 0:26:26 | 0:26:28 | |
-You could bike through it, couldn't you? -You could. | 0:26:28 | 0:26:30 | |
Not any more. We've got the beading there. | 0:26:30 | 0:26:33 | |
It's been sealed underneath. The guys have done a fantastic job. | 0:26:33 | 0:26:36 | |
-Also, if you remember on your sill boards... -Yes. | 0:26:36 | 0:26:39 | |
They needed notching into the frame. | 0:26:39 | 0:26:43 | |
What Paul has done is put on this wonderful detailed beading, | 0:26:43 | 0:26:48 | |
which also looks great. | 0:26:48 | 0:26:49 | |
-Do you like it? That's the main thing. -Yes. -It looks fantastic. Really good. | 0:26:49 | 0:26:54 | |
-Yes. Just how we envisioned it the first time. -It was. | 0:26:54 | 0:26:58 | |
-That's how it should've been. -Yes. | 0:26:58 | 0:27:01 | |
So far, so good. | 0:27:02 | 0:27:04 | |
Let's find out what the Cherrys think of the exterior. | 0:27:04 | 0:27:08 | |
From the outside, what do you notice straight away? | 0:27:08 | 0:27:11 | |
-It's a lot neater. -It is. | 0:27:11 | 0:27:13 | |
There's no bends in all the work in the gullies or anything. | 0:27:13 | 0:27:18 | |
-Exactly. -No. -Or on the glazing bars. | 0:27:18 | 0:27:21 | |
It looks a totally different colour, as well. It looks finished now. | 0:27:21 | 0:27:26 | |
-The end caps actually fit on the end! -They do! | 0:27:26 | 0:27:28 | |
There was no end caps before. | 0:27:28 | 0:27:31 | |
All the flashing has now been properly seated into the render, | 0:27:31 | 0:27:34 | |
which is the way it should've been in the first place. | 0:27:34 | 0:27:37 | |
-Brilliant. -Superb. They've done a great job. I'm really chuffed for you. | 0:27:37 | 0:27:41 | |
I'm hoping now that you will feel really happy to come home | 0:27:41 | 0:27:46 | |
and enjoy the conservatory the way it should've been enjoyed in the first place. | 0:27:46 | 0:27:51 | |
-We'll be able to, thank you. -Thank you. -Great. | 0:27:51 | 0:27:53 | |
-Lovely to meet you. -Thank you. -Take good care of yourself. -And you. | 0:27:53 | 0:27:56 | |
-And enjoy this lovely conservatory! -BOTH: Thank you. | 0:27:56 | 0:28:00 | |
-See you soon. -Thank you. -Bye now. Bye! | 0:28:00 | 0:28:03 | |
I think we can safely say | 0:28:03 | 0:28:05 | |
the Cherrys dream is back on track! | 0:28:05 | 0:28:09 | |
It might only be a conservatory, but look at the heartache this bodge has caused. | 0:28:09 | 0:28:14 | |
I'm leaving, safe in the knowledge | 0:28:14 | 0:28:17 | |
that our Good Guys have driven away a cowboy from Celia and Nick's ranch. | 0:28:17 | 0:28:22 | |
Talking of those cowboys, if you're watching today, | 0:28:22 | 0:28:25 | |
remember one thing - we're on your trail. | 0:28:25 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:28 | 0:28:31 |