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Welcome to a world where nothing is quite as it seems. | 0:00:02 | 0:00:07 | |
Welcome to Fake Britain. | 0:00:07 | 0:00:09 | |
-Police! -Police officer! Stay where you are! | 0:00:09 | 0:00:12 | |
In this series, I'm going to be investigating | 0:00:25 | 0:00:28 | |
the world of the criminals who make their money at your expense, | 0:00:28 | 0:00:31 | |
and I'm going to be showing YOU how not to get ripped off. | 0:00:31 | 0:00:34 | |
Coming up, we find out the shocking truth about fake electrical cables... | 0:00:34 | 0:00:40 | |
This fake cable is going to put lives at risk if there was a fire. | 0:00:40 | 0:00:44 | |
..how mass-produced art from China is being sold as the real deal... | 0:00:44 | 0:00:49 | |
I now know it was a complete fake. It's virtually brand new, | 0:00:49 | 0:00:52 | |
and a lot more of these are appearing. | 0:00:52 | 0:00:55 | |
..and how a stolen identity turned a dream wedding anniversary into a nightmare. | 0:00:55 | 0:01:00 | |
At this point, they're putting me in handcuffs and taking me off to a cell for the night. | 0:01:00 | 0:01:06 | |
The UK has one of the highest electrical safety standards in the world, | 0:01:11 | 0:01:15 | |
and with millions of miles of cabling fitted to our businesses, hospitals, schools and our homes, | 0:01:15 | 0:01:20 | |
it needs to be. | 0:01:20 | 0:01:22 | |
So you may be as shocked as me to discover that even THIS stuff has been faked. | 0:01:22 | 0:01:26 | |
And who knows, it could be fitted to a fuse box near you. | 0:01:26 | 0:01:30 | |
Electrical cables come in all shapes and sizes, | 0:01:31 | 0:01:34 | |
and we take it for granted that they do what they say they do. | 0:01:34 | 0:01:38 | |
In this warehouse, there are one million metres of cable that have been seized | 0:01:40 | 0:01:44 | |
from all over the UK, and ALL of it is suspected to be fake. | 0:01:44 | 0:01:49 | |
In just nine months, 20 million metres of suspected fake cable | 0:01:53 | 0:01:58 | |
has been removed from the supply chain - | 0:01:58 | 0:02:01 | |
that's 20 times this amount, so the problem is huge. | 0:02:01 | 0:02:05 | |
In fact, it's so big that the Approved Cables Initiative | 0:02:05 | 0:02:08 | |
has been set up to tackle the fakers. | 0:02:08 | 0:02:11 | |
Of course, we can name and shame, | 0:02:11 | 0:02:14 | |
and the Approved Cables Initiative | 0:02:14 | 0:02:17 | |
has been set up to target this sort of problem. | 0:02:17 | 0:02:20 | |
It's thought that one in five electrical cables in the UK is fake, | 0:02:20 | 0:02:25 | |
from potentially dangerous substandard ones to outright fakes | 0:02:25 | 0:02:29 | |
that will never work at all. | 0:02:29 | 0:02:30 | |
All of them are dangerous. | 0:02:30 | 0:02:33 | |
20% of ALL fires are caused by electrical fires, | 0:02:33 | 0:02:36 | |
and electrical fires, of that, | 0:02:36 | 0:02:38 | |
quite a lot of that is attributed to wire and cable fault. | 0:02:38 | 0:02:41 | |
There's nothing worse than a counterfeit cable. | 0:02:41 | 0:02:43 | |
It could cause a fire. | 0:02:43 | 0:02:44 | |
But that fire could be anywhere, it could be in a void, in a duct, | 0:02:44 | 0:02:49 | |
it could be under the stairs or behind a wall. | 0:02:49 | 0:02:51 | |
These are pictures of the damage caused by electrical fires. | 0:02:51 | 0:02:56 | |
No-one knows how many have been caused by fake cables, | 0:02:56 | 0:02:59 | |
but with 20 million metres of the stuff coming into the country, | 0:02:59 | 0:03:04 | |
many experts believe the fakes are responsible for a lot of them. | 0:03:04 | 0:03:07 | |
This is supposed to be a fire-resistant cable. | 0:03:07 | 0:03:10 | |
It's counterfeit, and has been proven to be counterfeit. | 0:03:10 | 0:03:15 | |
On the cable itself, it does say "British made", but we know it's not. | 0:03:15 | 0:03:19 | |
So we took it to a specialist testing facility | 0:03:19 | 0:03:22 | |
to see if it would set alarm bells ringing. | 0:03:22 | 0:03:25 | |
This is typically used for fire alarms, emergency lighting, | 0:03:25 | 0:03:29 | |
so this powers the system. | 0:03:29 | 0:03:31 | |
And it's supposed to continue to operate in the fire for up to three hours, | 0:03:31 | 0:03:37 | |
so whilst the cable is burning, it carries on operating. | 0:03:37 | 0:03:40 | |
The emergency lights have to be there so that people can see their way to escape routes, | 0:03:40 | 0:03:45 | |
and also for the fire-fighting services when they arrive, | 0:03:45 | 0:03:49 | |
so continued operation in a fire is vital for these types of cables. | 0:03:49 | 0:03:54 | |
The materials you make the cable with are critical, really, to achieve that fire performance. | 0:03:54 | 0:04:00 | |
Almost all the cables produced in the UK have to be marked on the outside. | 0:04:00 | 0:04:03 | |
If it's marked on the outside, your assumption is that manufacturer is telling you | 0:04:03 | 0:04:07 | |
that the product complies with that standard. | 0:04:07 | 0:04:10 | |
Doug shows us how they test the cable's performance in a controlled fire. | 0:04:10 | 0:04:14 | |
This is one of the standard fire tests that we use to check the cable. | 0:04:14 | 0:04:19 | |
It's a simple gas burner, and the cable will sit in the rings above the burner, | 0:04:19 | 0:04:22 | |
and it will be connected to an electrical circuit | 0:04:22 | 0:04:26 | |
connected to the lights behind us. | 0:04:26 | 0:04:29 | |
And we simply put the burner on, the cable will sit there. | 0:04:29 | 0:04:32 | |
For the average person, they won't know the difference between these two cables. | 0:04:32 | 0:04:37 | |
They look pretty much the same. | 0:04:37 | 0:04:39 | |
The only way to find out that it's not any good is by doing tests like this. | 0:04:39 | 0:04:44 | |
Like the fire test. | 0:04:44 | 0:04:45 | |
So, the materials of the good cable in a fire won't give off a lot of smoke. | 0:04:57 | 0:05:02 | |
As you can see here, the outer jacket of the cable has swelled up | 0:05:02 | 0:05:06 | |
and is protecting the inside of the cable, | 0:05:06 | 0:05:10 | |
and you can see there is very little fumes coming off it. | 0:05:10 | 0:05:13 | |
Next up is the counterfeit one. | 0:05:13 | 0:05:15 | |
The fake cable is made of PVC. | 0:05:15 | 0:05:18 | |
That will give off lots of smoke and you will see it burning quite a lot. | 0:05:18 | 0:05:24 | |
The smoke is toxic, | 0:05:24 | 0:05:28 | |
and so that's going to hamper people escaping anyway. | 0:05:28 | 0:05:32 | |
And the material doesn't protect the inside and it fails very quickly. | 0:05:32 | 0:05:36 | |
The camera crew weren't allowed to stay in the chamber | 0:05:36 | 0:05:40 | |
because of the toxic fumes given off in seconds. | 0:05:40 | 0:05:42 | |
The circuit is broken and the emergency lights go out. | 0:05:42 | 0:05:46 | |
With no alarm or lights working, | 0:05:46 | 0:05:48 | |
it would be almost impossible to escape in time. | 0:05:48 | 0:05:52 | |
So, for all sorts of reasons, this is going to be a risk in a fire, | 0:05:52 | 0:05:55 | |
and these are used in hospitals, schools, shopping centres, offices, | 0:05:55 | 0:06:02 | |
so throughout Britain, this cable is there for safety in case of fire. | 0:06:02 | 0:06:08 | |
And this fake cable is going to put people's lives at risk. | 0:06:08 | 0:06:11 | |
The real cable is designed to stay intact for three hours | 0:06:11 | 0:06:15 | |
in burning flames, but the fake fails in less than two minutes. | 0:06:15 | 0:06:19 | |
By the time people realise there's a fire, | 0:06:19 | 0:06:22 | |
it's probably too late because of the toxic smoke. | 0:06:22 | 0:06:25 | |
As if that wasn't bad enough, the rising price of copper | 0:06:25 | 0:06:29 | |
has tempted even more people to make fakes. | 0:06:29 | 0:06:32 | |
Copper is the main component of electrical cables as it carries the current. | 0:06:32 | 0:06:36 | |
The soaring price of it means it takes one bright spark to skimp on the amount they put in a cable | 0:06:36 | 0:06:42 | |
for there to be deadly consequences. | 0:06:42 | 0:06:46 | |
This is piece of flexible cable. It's widely used all around the house. | 0:06:46 | 0:06:49 | |
Kettle leads, extension leads... | 0:06:49 | 0:06:52 | |
Of recent years, copper has become very expensive. | 0:06:52 | 0:06:55 | |
It's gone from £2,000 per tonne to £5,000 per tonne, | 0:06:55 | 0:06:58 | |
so it's created a situation where people are tempted | 0:06:58 | 0:07:01 | |
to scrimp on the amount of copper. | 0:07:01 | 0:07:04 | |
We've found quite a lot of products in the market place where the amount of copper in the cable isn't enough, | 0:07:04 | 0:07:09 | |
sometimes by a small amount, but sometimes by significant amounts. | 0:07:09 | 0:07:13 | |
The cable is marked with the correct size | 0:07:13 | 0:07:16 | |
but the actual amount of copper doesn't comply with that. | 0:07:16 | 0:07:19 | |
This is a very simple test that just looks at the amount of copper | 0:07:19 | 0:07:23 | |
by measuring the resistance of the copper conductor. | 0:07:23 | 0:07:27 | |
The resistance of this size of cable should not be more than 13.3, | 0:07:27 | 0:07:31 | |
but in this case, we'll see a much larger number | 0:07:31 | 0:07:34 | |
because there's a lot less copper in it than there should be. | 0:07:34 | 0:07:37 | |
The resistance should be 13.3, but in this case it's 21.1, | 0:07:49 | 0:07:55 | |
so it could overheat and cause a fire. | 0:07:55 | 0:07:57 | |
So these cables are just as dangerous as the fake fire cable. | 0:07:57 | 0:08:01 | |
Once they find the fakes, | 0:08:01 | 0:08:04 | |
the industry needs to make sure they don't put anyone's lives at risk. | 0:08:04 | 0:08:08 | |
All the fake cable found across the whole of the UK must be destroyed. | 0:08:08 | 0:08:12 | |
It is unravelled and shredded, and the valuable copper and steel | 0:08:12 | 0:08:17 | |
is separated from the rest, and recycled to make new and safe cable. | 0:08:17 | 0:08:21 | |
Coming up - the extraordinary story of what can happen when somebody fakes your identity. | 0:08:27 | 0:08:34 | |
I then got shoved in a cell with - not to put too fine a point on it - | 0:08:34 | 0:08:38 | |
seven drug traffickers. | 0:08:38 | 0:08:40 | |
Fake cigarettes like these are flooding into the UK. | 0:08:45 | 0:08:49 | |
The tobacco industry estimates that, astonishingly, | 0:08:49 | 0:08:52 | |
one in six cigarettes smoked in this country is fake or smuggled. | 0:08:52 | 0:08:57 | |
It is huge business, and as I've discovered, even at the local neighbourhood level, | 0:08:57 | 0:09:01 | |
the amount of fake cigarettes and the criminal cash involved is jaw-dropping. | 0:09:01 | 0:09:06 | |
The problem of fake cigarettes is huge, losing the government | 0:09:08 | 0:09:13 | |
hundreds of millions of pounds in revenue every year. | 0:09:13 | 0:09:15 | |
That's money that could be spent on your local hospital or schools. | 0:09:15 | 0:09:20 | |
Police and Trading Standards in the West Midlands are cracking down on the problem. | 0:09:20 | 0:09:23 | |
Because their officers operate undercover, | 0:09:23 | 0:09:26 | |
we're protecting their identities. | 0:09:26 | 0:09:29 | |
We've been targeting the main supplier of cigarettes, which is a retail premises. | 0:09:29 | 0:09:33 | |
We've done numerous seizures over the last couple of years. | 0:09:35 | 0:09:40 | |
Nothing deters them from selling cigarettes. | 0:09:40 | 0:09:43 | |
They're re-supplying the consumers within 24 hours of us | 0:09:43 | 0:09:47 | |
seizing all the cigarettes from their shop. | 0:09:47 | 0:09:50 | |
So they're changing tactics. Today, they are going for the source of the problem - | 0:09:50 | 0:09:54 | |
the person who they believe is directly supplying the shops with fake cigarettes. | 0:09:54 | 0:09:59 | |
The owner of the house doesn't know that he has been watched | 0:09:59 | 0:10:03 | |
for the past few months and the team are hoping to catch him unawares. | 0:10:03 | 0:10:08 | |
Hello. Can you let us in, please? Police and Trading Standards. | 0:10:08 | 0:10:11 | |
Can you stay there, please? We want to come with you. | 0:10:11 | 0:10:14 | |
The police accompany the suspect upstairs | 0:10:14 | 0:10:16 | |
so that he can't destroy any evidence. | 0:10:16 | 0:10:19 | |
They are convinced there are fake cigarettes here | 0:10:19 | 0:10:22 | |
and they start a painstaking search. | 0:10:22 | 0:10:24 | |
They're even looking in the most unlikely places. | 0:10:24 | 0:10:28 | |
Sometimes they have all sorts of hidden cash, | 0:10:28 | 0:10:32 | |
hidden behind the bath. | 0:10:32 | 0:10:35 | |
Out the back they find a locked garage | 0:10:35 | 0:10:37 | |
which could be the key to where the fake cigarettes are stored. | 0:10:37 | 0:10:40 | |
It'll be easier if we get this open. | 0:10:40 | 0:10:42 | |
Meanwhile, the team upstairs bring in the specialist search dogs, | 0:10:42 | 0:10:46 | |
trained to sniff out tobacco. | 0:10:46 | 0:10:48 | |
What's this? | 0:10:48 | 0:10:50 | |
In another room, the officers are looking for cash and invoices | 0:10:50 | 0:10:54 | |
to prove that the suspect's been operating a business from here. | 0:10:54 | 0:10:59 | |
What I want to do is seize these because it's written in their language. | 0:10:59 | 0:11:03 | |
It looks like orders of cigarettes, but we can get that analysed | 0:11:03 | 0:11:08 | |
and checked, so we'll seize those. | 0:11:08 | 0:11:10 | |
As the resident is on benefits, | 0:11:10 | 0:11:12 | |
it's suspicious to find a large roll of cash. | 0:11:12 | 0:11:15 | |
We've also got in here a quantity of cash | 0:11:15 | 0:11:20 | |
which will be counted | 0:11:20 | 0:11:23 | |
and will go with the other cash we've found in this bedroom. | 0:11:23 | 0:11:27 | |
Suddenly there's a call from downstairs. | 0:11:27 | 0:11:30 | |
Bingo. It's all in a lock-up in a secure garden. | 0:11:30 | 0:11:33 | |
I think every box here has got something. Look at this. | 0:11:33 | 0:11:38 | |
What have we got, mate? Oh, my goodness! Look at all these bags. | 0:11:38 | 0:11:41 | |
The officers find bags and bags of illegal cigarettes and tobacco. | 0:11:41 | 0:11:46 | |
Thousands. | 0:11:46 | 0:11:48 | |
They find almost half a million fakes in the garage. | 0:11:48 | 0:11:52 | |
It's one of the biggest seizures of fake cigarettes, ever, in the Midlands. | 0:11:52 | 0:11:57 | |
Get them filmed, photographed. We'll get our gloves on | 0:11:57 | 0:12:00 | |
and we'll bag and seal. | 0:12:00 | 0:12:02 | |
The items are thought to be either fake or may have been smuggled | 0:12:02 | 0:12:06 | |
into the country illegally to avoid paying duty. | 0:12:06 | 0:12:08 | |
Britain has the most expensive cigarettes in Europe, | 0:12:08 | 0:12:12 | |
so as the price of cigarettes grows, | 0:12:12 | 0:12:14 | |
so does the trade in fakes, and it's a particular problem for this area. | 0:12:14 | 0:12:20 | |
It's fairly widespread because of the demographics. | 0:12:20 | 0:12:22 | |
People struggle paying full prices for things, | 0:12:22 | 0:12:26 | |
so there's a ready market there for people supplying | 0:12:26 | 0:12:28 | |
these cigarettes, which are up to half price | 0:12:28 | 0:12:31 | |
for what you'd pay normally, retail. | 0:12:31 | 0:12:34 | |
So demand is there and they're taking advantage of that. | 0:12:34 | 0:12:37 | |
You used to be able to spot fake cigarettes by the dodgy packaging. | 0:12:37 | 0:12:40 | |
But now they can be so sophisticated that you'd never be able to tell. | 0:12:40 | 0:12:45 | |
Well, it's nice to see that even counterfeit cigarettes have the Government health advice on them! | 0:12:45 | 0:12:51 | |
They're clearly smuggled, | 0:12:51 | 0:12:54 | |
probably counterfeit as well. That's a Benelux tax stamp, which means that, in theory, | 0:12:54 | 0:13:00 | |
it's trying to purport to show tax has been paid from Benelux countries, | 0:13:00 | 0:13:06 | |
but I would be 90% certain that it's all counterfeit. | 0:13:06 | 0:13:10 | |
Fake cigarettes are illegal. | 0:13:10 | 0:13:12 | |
Not only do criminal gangs steal millions of pounds | 0:13:12 | 0:13:15 | |
from the taxpayer's purse in lost revenue, | 0:13:15 | 0:13:18 | |
but fakes have also been found to contain high levels of tar and nicotine, | 0:13:18 | 0:13:22 | |
as well as huge amounts of lead, | 0:13:22 | 0:13:24 | |
and even arsenic, which can cause cancer. | 0:13:24 | 0:13:27 | |
Outside, the team have finished searching the lock-up | 0:13:27 | 0:13:30 | |
and have found a vast haul of fake cigarettes and rolling tobacco. | 0:13:30 | 0:13:35 | |
They believe all of it was destined to supply the local shops with illegal stocks. | 0:13:35 | 0:13:39 | |
Excellent result. We'd put a lot of hard work into | 0:13:39 | 0:13:42 | |
trying to ascertain what's going on with these suppliers, | 0:13:42 | 0:13:45 | |
so to have a seizure like this is fantastic. The guys estimate there's about half a million here, | 0:13:45 | 0:13:50 | |
with street value of about £200,000. | 0:13:50 | 0:13:54 | |
So it's been a big impact on what's happening | 0:13:54 | 0:13:56 | |
and is exactly the result we were looking for. | 0:13:56 | 0:13:58 | |
Fake cigarettes are a big business run by criminal gangs, | 0:13:58 | 0:14:02 | |
and the penalties for supplying illegal tobacco | 0:14:02 | 0:14:05 | |
can be up to ten years in jail. | 0:14:05 | 0:14:07 | |
We use all sorts of techniques, in various ways, | 0:14:07 | 0:14:10 | |
to identity who is involved, where the supplies are coming from | 0:14:10 | 0:14:14 | |
and how they're networked and operating. | 0:14:14 | 0:14:17 | |
And we'll just progress that and, obviously, today we'll learn | 0:14:17 | 0:14:20 | |
a lot more as well from what we seized | 0:14:20 | 0:14:22 | |
and the people involved and so on. | 0:14:22 | 0:14:24 | |
It's been a successful raid, | 0:14:24 | 0:14:26 | |
the result of months of undercover work to crack down on those breaking the law | 0:14:26 | 0:14:31 | |
and to stub out the trade in fake cigarettes. | 0:14:31 | 0:14:35 | |
Whether it's fine art, a valuable antique | 0:14:40 | 0:14:42 | |
or just general boot-sale bric-a-brac, | 0:14:42 | 0:14:45 | |
owning or collecting something beautiful appeals to a lot of us. | 0:14:45 | 0:14:48 | |
Add in our enthusiasm for a bargain and, all of a sudden, | 0:14:48 | 0:14:51 | |
you can see why the world of the collectable is appealing to the conman. | 0:14:51 | 0:14:55 | |
And I'm going to show you why this painting isn't what its new owner thought it was. | 0:14:55 | 0:15:00 | |
Fake art is big business, and with a never-ending supply of customers, | 0:15:00 | 0:15:04 | |
that business is booming. | 0:15:04 | 0:15:07 | |
A collection of watercolours... | 0:15:07 | 0:15:09 | |
Auction houses like this one in west London sell thousands of genuine antiques a month. | 0:15:09 | 0:15:15 | |
But with a whole new generation of keen art collectors, | 0:15:15 | 0:15:19 | |
the crooks know they can reel you in | 0:15:19 | 0:15:22 | |
if you don't know your Leonardo da Vinci from your DiCaprio. | 0:15:22 | 0:15:26 | |
There's hundreds of reputable dealers at antique fairs. | 0:15:26 | 0:15:30 | |
There's one in 500 a bit dodgy. | 0:15:30 | 0:15:33 | |
You'll never beat experience. People coming in for the first time, | 0:15:33 | 0:15:37 | |
they're looking for things online. We didn't have Google years ago. | 0:15:37 | 0:15:41 | |
They think they know more than they know. | 0:15:41 | 0:15:44 | |
Stephen Large found out the hard way. | 0:15:44 | 0:15:47 | |
Fairly new on the art scene, he has an eye for a bargain... | 0:15:47 | 0:15:50 | |
or so he thought. | 0:15:50 | 0:15:52 | |
I'd been collecting art for a while and, as you can see, | 0:15:52 | 0:15:55 | |
I've got different types, different eras, different periods. | 0:15:55 | 0:15:58 | |
I'd like to say that I know what I'm looking for | 0:15:58 | 0:16:01 | |
but the more you look, there's so much art around, | 0:16:01 | 0:16:05 | |
and the greater choice you have, the less you know, I think you realise. | 0:16:05 | 0:16:09 | |
Browsing for a bargain, he spotted what he thought | 0:16:09 | 0:16:13 | |
was an original 19th-century oil painting. | 0:16:13 | 0:16:16 | |
I went to an antique fair, looking around, | 0:16:16 | 0:16:18 | |
and I wanted to get something I was going to keep as an investment. | 0:16:18 | 0:16:23 | |
So I was browsing around. So when I saw this painting, | 0:16:23 | 0:16:26 | |
I was struck by the colour and size, and the frame was fantastic, | 0:16:26 | 0:16:31 | |
and I thought, "OK, don't declare your interest straightaway. | 0:16:31 | 0:16:34 | |
"Just take a note of that, walk around and come back," | 0:16:34 | 0:16:37 | |
and I kept on doing that, and going back, | 0:16:37 | 0:16:40 | |
and of course the dealer then realised the bait had been taken. | 0:16:40 | 0:16:44 | |
And I went back and I enquired about it, | 0:16:44 | 0:16:47 | |
and the closer I got, the more impressed I was. | 0:16:47 | 0:16:50 | |
I thought, "This is extremely well created." | 0:16:50 | 0:16:53 | |
I would like to have looked through a magnifying glass, however, the dealer didn't have one available, | 0:16:53 | 0:16:59 | |
so I just had to use my squinty eyes. | 0:16:59 | 0:17:02 | |
He thought the painting was worth £2,000, | 0:17:03 | 0:17:05 | |
so he'd be getting an ideal investment. | 0:17:05 | 0:17:08 | |
He was asking for £1,200, | 0:17:08 | 0:17:10 | |
said there was some negotiation in that. Having been in sales for many, many years, | 0:17:10 | 0:17:14 | |
I eventually ended up buying it for £850. | 0:17:14 | 0:17:17 | |
At the time, I was delighted to have negotiated so much off. | 0:17:17 | 0:17:21 | |
But little did Stephen know that he actually got less than he bargained for. | 0:17:21 | 0:17:26 | |
And then a very good friend of mine, Tom Keane, who is in the auction business, he came round. | 0:17:26 | 0:17:33 | |
I'd been dying to show him, and he said it's fake, no doubt about it. | 0:17:33 | 0:17:38 | |
So there was no glossing over it, the painting was fake. | 0:17:38 | 0:17:42 | |
But there are some tricks of the trade that would have told Stephen that straightaway. | 0:17:42 | 0:17:48 | |
He took it to Chiswick Auction Rooms to nail down exactly | 0:17:48 | 0:17:51 | |
how you tell that a piece of art is fake. | 0:17:51 | 0:17:53 | |
Stephen, I'm going to prove to you the reason why I knew | 0:17:53 | 0:17:56 | |
this is a very good decorative art painting, or even a fake. | 0:17:56 | 0:18:01 | |
This canvas isn't the right thickness for a 19th-century canvas. | 0:18:01 | 0:18:05 | |
If you've got 18th- or 19th-century canvas, it'll feel thicker, a bit more quality. | 0:18:05 | 0:18:09 | |
These are mass-produced for the decorative market, not for the antique market. | 0:18:09 | 0:18:13 | |
These paintings are mass-produced in China | 0:18:13 | 0:18:16 | |
and are turning up in antique fairs around the UK. | 0:18:16 | 0:18:19 | |
They're being sold as antiques rather than what they really are - | 0:18:19 | 0:18:23 | |
brand spanking new. | 0:18:23 | 0:18:25 | |
The Chinese cleverly pick an English or European name and sign them. | 0:18:25 | 0:18:30 | |
We see it all the time so it's not rocket science for me. | 0:18:30 | 0:18:33 | |
You bought a decorative piece worth £200 or £300 for £850, thinking it's the real thing, | 0:18:33 | 0:18:37 | |
and R Bernard doesn't exist. | 0:18:37 | 0:18:40 | |
Chinese factories churn out these copies, | 0:18:40 | 0:18:43 | |
often producing the same unique masterpiece every single day. | 0:18:43 | 0:18:48 | |
The only person who's misled you, really, is the dealer who sold it to you. | 0:18:48 | 0:18:53 | |
He should have been a bit more open and honest and told you, "It's a copy," or whatever it is. | 0:18:53 | 0:18:59 | |
Now, what you've got to look for... | 0:18:59 | 0:19:01 | |
apart from the lovely painting on the front, look at the back. | 0:19:01 | 0:19:04 | |
Yes, I did think it had been relined, but I was obviously wrong. | 0:19:04 | 0:19:08 | |
Yeah, relined. But again, look at the top seam here. | 0:19:08 | 0:19:12 | |
You can see the over-covering - there's no age at all, a bit of stain put in there. | 0:19:12 | 0:19:17 | |
It could have been a new frame on an old painting. | 0:19:17 | 0:19:19 | |
It's very, very deceiving. | 0:19:19 | 0:19:21 | |
Now, this is exactly the same. They are mass-produced in China for hotels and pubs. | 0:19:21 | 0:19:26 | |
Nothing wrong, whatsoever. It's how you sell them that's the problem. | 0:19:26 | 0:19:30 | |
But what about that lovely gilded frame? | 0:19:30 | 0:19:32 | |
Well, it's not surprising that that was a fake too. | 0:19:32 | 0:19:35 | |
-You'll find that's plastic resin. Break it yourself. -Oh, yes. | 0:19:35 | 0:19:40 | |
Plastic resin. You can't do that in an antique fair. | 0:19:40 | 0:19:43 | |
That frame is the same construction as this frame. | 0:19:43 | 0:19:46 | |
With the frame, you can't tell. It's so good you can't tell. | 0:19:46 | 0:19:51 | |
You need another one next to it, a real one, to be feeling it and comparing it. | 0:19:51 | 0:19:55 | |
It feels lighter in the touch. | 0:19:55 | 0:19:56 | |
Had you paid £200 or £300, I'd have said | 0:19:56 | 0:19:59 | |
you haven't been ripped off, you've got a nice work of art, | 0:19:59 | 0:20:02 | |
but it's never going to be an investment. It is what it is. | 0:20:02 | 0:20:05 | |
But at £850, he'd been ripped off. | 0:20:05 | 0:20:08 | |
The mass-produced fake art from China isn't just paintings. | 0:20:08 | 0:20:12 | |
It's ceramics as well, bits of jade. | 0:20:12 | 0:20:15 | |
It can be a problem. It's how you buy it, how it's sold. | 0:20:15 | 0:20:18 | |
I mean, some people set out to mislead people. | 0:20:18 | 0:20:21 | |
It's more valuable than what it is, | 0:20:21 | 0:20:24 | |
as in Stephen's case where he paid £850 for a painting | 0:20:24 | 0:20:27 | |
that, if he was right, was worth £2,000. He was misled. | 0:20:27 | 0:20:31 | |
If you're buying it as a decorative piece of art at £200 or £300, | 0:20:31 | 0:20:34 | |
the sort of value it would make anyway, not a problem. | 0:20:34 | 0:20:37 | |
But it's the people behind the selling, that's the problem. | 0:20:37 | 0:20:40 | |
New things to the market can mislead even experts like us. | 0:20:40 | 0:20:44 | |
There are very good fakers, and if you're paying £30 or £40 for something | 0:20:44 | 0:20:48 | |
which you think is worth £2,000 or £3,000 - why is it £30 or £40? | 0:20:48 | 0:20:51 | |
You may be lucky, but often, you're getting ripped off. | 0:20:51 | 0:20:54 | |
So £600 out of pocket, Stephen has learnt his lesson. | 0:20:54 | 0:20:59 | |
It's brand new, and a lot more of these are appearing. | 0:20:59 | 0:21:02 | |
I now know it's a complete fake. | 0:21:02 | 0:21:03 | |
This is the most secure form of proof that you are who you say you are - your passport. | 0:21:09 | 0:21:15 | |
But this next story is a real eye-opener, | 0:21:15 | 0:21:17 | |
because it shows you just what can happen when a fraudster comes between you and this. | 0:21:17 | 0:21:23 | |
'It was their 10th wedding anniversary, | 0:21:24 | 0:21:26 | |
'and Tanya and Chris booked a romantic weekend away in Lisbon. | 0:21:26 | 0:21:30 | |
'But any thoughts of beaches, cocktails and romance stopped short when they got to passport control.' | 0:21:30 | 0:21:36 | |
We got about five metres beyond the control desk | 0:21:36 | 0:21:40 | |
and the immigration officer said, "Hold on a second, sir. | 0:21:40 | 0:21:43 | |
"There's a problem with your passport." | 0:21:43 | 0:21:45 | |
After an hour or so, and I'm pacing around obviously feeling a bit hacked off, to say the least, | 0:21:45 | 0:21:51 | |
one of the immigration officers comes in and says to me, "Have you ever been in trouble in Germany?" | 0:21:51 | 0:21:57 | |
I was like, no, but have I done something wrong in Germany in the past? I don't think so! | 0:21:57 | 0:22:02 | |
'And she said, "When was the last time you were in Germany?" And I racked my brains, | 0:22:02 | 0:22:06 | |
'and I'd been there maybe ten years ago on a business trip.' | 0:22:06 | 0:22:09 | |
So I started saying to them very early on, there's a problem here, you have the wrong person. | 0:22:09 | 0:22:14 | |
I don't know what's happening, but this is wrong. | 0:22:14 | 0:22:16 | |
'Every time there were footsteps in the corridor,' | 0:22:16 | 0:22:20 | |
I was thinking it was someone coming to say, "Right, time to go, sorry about that." | 0:22:20 | 0:22:24 | |
'One of the guys said to me, "Oh, by the way, you're going to be extradited to Germany, to Stuttgart," | 0:22:24 | 0:22:29 | |
and I was like, OK, so first of all I'm taking on the first bit, I'm kind of incarcerated now, | 0:22:29 | 0:22:35 | |
but the idea of being extradited to Germany as well felt an extra layer of terror, to be quite frank. | 0:22:35 | 0:22:40 | |
We had no idea of the charge, no idea whatsoever why he should be facing extradition to Germany, | 0:22:40 | 0:22:47 | |
and no idea why there'd potentially be this muddle. | 0:22:47 | 0:22:50 | |
All I knew was that I was now going to be definitely put in a prison. | 0:22:50 | 0:22:54 | |
It just seemed so unbelievable that this situation could happen. | 0:22:54 | 0:22:59 | |
You start to rack your brains to think, what possibly could put you in the situation | 0:22:59 | 0:23:04 | |
where they're detaining him and taking him to prison? | 0:23:04 | 0:23:08 | |
At that point I was thinking, right, this really is really bad. | 0:23:08 | 0:23:12 | |
This is proper prison, and proper prison as in we get let out into the yard. | 0:23:12 | 0:23:19 | |
'And you think, I'm doing that thing that you see in films | 0:23:19 | 0:23:22 | |
'when you're walking around a yard trying to look tough, | 0:23:22 | 0:23:25 | |
'but internally, obviously, not feeling quite so...' | 0:23:25 | 0:23:28 | |
..quite so strong, shall we say? | 0:23:28 | 0:23:30 | |
That really was, you know, that was a prison in the proper sense of the word. | 0:23:30 | 0:23:36 | |
Inmates banging doors, I got strip searched, which was a new one to me, as well, | 0:23:36 | 0:23:41 | |
and then got shoved in a cell with, not to put too fine a point on it, seven drug traffickers. | 0:23:41 | 0:23:48 | |
'After a sleepless night and a weekend in prison looming for Chris, | 0:23:48 | 0:23:52 | |
'Tanya hired the best lawyer she could find and they went to court on Saturday morning.' | 0:23:52 | 0:23:58 | |
I was cuffed from the cell to court. | 0:23:58 | 0:24:01 | |
Met the lawyer, one of the lawyers there, who told me to be very clear | 0:24:01 | 0:24:07 | |
and state my case very clearly that I was innocent, | 0:24:07 | 0:24:11 | |
that I was a family man, that I was here for a weekend break, | 0:24:11 | 0:24:15 | |
and yet again I'd done nothing wrong and that there must be some sort of problem. | 0:24:15 | 0:24:19 | |
'At last they heard what Chris was charged with, | 0:24:19 | 0:24:22 | |
'but they both knew he was innocent.' | 0:24:22 | 0:24:25 | |
It was a charge of computer fraud that took place in Germany, | 0:24:25 | 0:24:28 | |
and therefore he was facing extradition to Germany to face charges of that. | 0:24:28 | 0:24:32 | |
Somebody was an accomplice in a crime to defraud Hewlett Packard, | 0:24:32 | 0:24:37 | |
and I think it was about 150,000 euros that they defrauded them from. | 0:24:37 | 0:24:42 | |
The judge didn't really appear to take much notice of what I was actually saying, | 0:24:42 | 0:24:47 | |
and pretty quickly it was evident that I was going to be going back to a jail. | 0:24:47 | 0:24:53 | |
'Tanya knew her husband could not have committed this crime, and it must have been somebody else, | 0:24:53 | 0:24:59 | |
'and she finally saw evidence that proved it.' | 0:24:59 | 0:25:02 | |
As soon as Chris was taken away, we actually got to see the paperwork, | 0:25:02 | 0:25:06 | |
the clerk brought us the actual paperwork. | 0:25:06 | 0:25:08 | |
And that is the point at which we saw that the person they were looking for, | 0:25:08 | 0:25:12 | |
under the description, said, "Negroid, black hair, brown eyes." | 0:25:12 | 0:25:16 | |
'Our lawyer went straight back in there to the judge to say, | 0:25:16 | 0:25:19 | |
'this is absolutely ridiculous,' | 0:25:19 | 0:25:22 | |
you've got a description of the person you're seeking | 0:25:22 | 0:25:25 | |
that doesn't match the person you're holding, | 0:25:25 | 0:25:27 | |
and on that basis alone you should allow him to go. | 0:25:27 | 0:25:29 | |
'Knowing for sure that Chris was completely innocent, | 0:25:29 | 0:25:33 | |
'the penny finally dropped as to how all this was possible.' | 0:25:33 | 0:25:37 | |
He'd had his passport stolen ten years ago when he was on his stag do in Amsterdam. | 0:25:37 | 0:25:41 | |
We'd travelled abroad almost every year since then and there's been no problem whatsoever, | 0:25:41 | 0:25:46 | |
so it was literally ten years later that it came back to bite me. | 0:25:46 | 0:25:50 | |
'A fake Chris had used his passport to set up a fake ID | 0:25:51 | 0:25:55 | |
'and carried out a fraud on a major company. | 0:25:55 | 0:25:58 | |
'These are the horrific consequences of just one of the 60,000 British passports | 0:25:58 | 0:26:04 | |
'that are lost or stolen abroad every year, | 0:26:04 | 0:26:07 | |
'which could mean a fair few Brits might find themselves in Chris's position.' | 0:26:07 | 0:26:12 | |
What happened with Chris's passport, it was used in 2000 to set up an identity, | 0:26:13 | 0:26:18 | |
which allowed this individual to set up an identity in Chris's name, | 0:26:18 | 0:26:22 | |
to get a residency permit, to open bank accounts and such. | 0:26:22 | 0:26:25 | |
'Chris spent the weekend stuck in jail, | 0:26:25 | 0:26:28 | |
'unaware that his wife was unravelling the mystery.' | 0:26:28 | 0:26:31 | |
I'm hammering on the door of the holding cell demanding to find out what's going on. | 0:26:31 | 0:26:37 | |
And I was running around crazily trying to deal with this, | 0:26:37 | 0:26:40 | |
to get written evidence of his stolen passport, | 0:26:40 | 0:26:44 | |
because we had to get hold of as much evidence as possible | 0:26:44 | 0:26:47 | |
that demonstrated that somebody had taken his identity. | 0:26:47 | 0:26:50 | |
What we wanted was a photo ID just to say, this is the person they're seeking, | 0:26:50 | 0:26:54 | |
and this is Chris, so there's no similarity. | 0:26:54 | 0:26:56 | |
But the clerk had said to our lawyer that the documentation had arrived | 0:26:56 | 0:27:00 | |
and that it was clear it wasn't Chris. | 0:27:00 | 0:27:02 | |
It felt like nobody really cared that there was quite a serious miscarriage of justice going on, | 0:27:04 | 0:27:09 | |
and that you should be doing everything in your power to get him out of custody, | 0:27:09 | 0:27:13 | |
given that he hasn't done anything wrong. | 0:27:13 | 0:27:15 | |
'On Monday morning, after three whole days in prison, | 0:27:15 | 0:27:18 | |
'Chris was finally brought before the court.' | 0:27:18 | 0:27:22 | |
So I went into the court, the judge had a very quick look | 0:27:22 | 0:27:27 | |
through the dossier which Tanya had amassed over the weekend, | 0:27:27 | 0:27:30 | |
a huge dossier, and he apologised, said, "I'm very sorry, this has been a big mistake, | 0:27:30 | 0:27:38 | |
"and we hope you don't think it reflects badly on Portugal or the Portuguese people, | 0:27:38 | 0:27:43 | |
"and we hope you'd come back again." | 0:27:43 | 0:27:45 | |
It was literally, leave the court room, jump into the taxi, | 0:27:46 | 0:27:50 | |
taxi to airport, and we got on to the flight with a minute, without exaggeration, to spare. | 0:27:50 | 0:27:56 | |
We were running, actually, we had to run to get on to the flight in the end. | 0:27:56 | 0:27:59 | |
And then when we got on the plane, that was that moment of, | 0:27:59 | 0:28:04 | |
"Ah! Thank God. Where's the drinks trolley?!" | 0:28:04 | 0:28:07 | |
THEY LAUGH | 0:28:07 | 0:28:09 | |
'It's happy ever after for them, | 0:28:09 | 0:28:11 | |
'but the fakers are still out there, | 0:28:11 | 0:28:13 | |
'and they could be pretending to be you.' | 0:28:13 | 0:28:17 | |
That's all from Fake Britain today. Bye for now. | 0:28:22 | 0:28:26 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:49 |