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Welcome to a world where nothing is quite as it seems. | 0:00:02 | 0:00:06 | |
Welcome to Fake Britain. | 0:00:06 | 0:00:09 | |
Get down, get down on the floor now! | 0:00:21 | 0:00:23 | |
Put your hands behind your back now! | 0:00:23 | 0:00:25 | |
In this series I'm going to be investigating the criminals | 0:00:25 | 0:00:29 | |
who make their money at your expense. | 0:00:29 | 0:00:31 | |
And I'm going to be showing you how not to get ripped off. | 0:00:31 | 0:00:34 | |
Today on Fake Britain, we've been given exclusive access to the country's biggest postal hub. | 0:00:35 | 0:00:41 | |
For the first time, cameras are allowed inside to film | 0:00:41 | 0:00:44 | |
the extraordinary range of fake goods flooding into the UK. | 0:00:44 | 0:00:48 | |
This isn't a one-off shipment - this is organised criminal activity | 0:00:49 | 0:00:53 | |
and a systematic attack in an attempt to flood the UK. | 0:00:53 | 0:00:58 | |
We tell the tale of the two old-fashioned criminals forging | 0:00:58 | 0:01:02 | |
the works of world famous street artist, Banksy, | 0:01:02 | 0:01:05 | |
and the collector turned sleuth who solved the case. | 0:01:05 | 0:01:08 | |
I saw some common names, common e-mail addresses, common user IDs on the messageboards. | 0:01:08 | 0:01:14 | |
So I started to work out who, more or less, was responsible for selling these fakes. | 0:01:14 | 0:01:19 | |
And we reveal the fake lonely hearts | 0:01:19 | 0:01:21 | |
fleecing pensioners out of thousands. | 0:01:21 | 0:01:25 | |
She was conning my father, there was no ifs and buts. | 0:01:25 | 0:01:28 | |
It's an early morning in the Midlands. | 0:01:33 | 0:01:36 | |
Officers from Staffordshire Trading Standards | 0:01:36 | 0:01:39 | |
and the Association for UK Interactive Entertainment, UKIE, are getting ready | 0:01:39 | 0:01:44 | |
for a raid on a man suspected of running a service known as "flashing". | 0:01:44 | 0:01:48 | |
Flashing is modifying games consoles, such as Xboxes, | 0:01:48 | 0:01:53 | |
and hard drives to play fake computer games. | 0:01:53 | 0:01:56 | |
The team are briefed, and set off to the address. | 0:01:56 | 0:01:59 | |
We are off to the house, where we believe there may be a factory flashing or chipping, | 0:01:59 | 0:02:04 | |
modifying the consoles to enable them to play copied games. | 0:02:04 | 0:02:07 | |
Once at the property, officers from all agencies move in fast. | 0:02:09 | 0:02:13 | |
There is no answer, and they get ready to force the door. | 0:02:13 | 0:02:17 | |
Yes, got him, looking through the window. | 0:02:17 | 0:02:19 | |
Then the man is sighted. | 0:02:19 | 0:02:21 | |
I am from the Trading Standards, I have a warrant here to enter these premises | 0:02:23 | 0:02:26 | |
and look for evidence of offences under the Copyright and Patents Act. | 0:02:26 | 0:02:31 | |
Officers enter the property looking for evidence of flashing games consoles. | 0:02:31 | 0:02:36 | |
The man is quick to deny the offence. | 0:02:36 | 0:02:39 | |
-BLEEP -you're out of luck here today. | 0:02:39 | 0:02:41 | |
-I'm out of luck? Why's that, mate? -Cos I don't even do it. -All right. | 0:02:41 | 0:02:45 | |
The Trading Standards officer cautions the suspect. | 0:02:45 | 0:02:47 | |
You do not have to say anything, but it may harm your defence if you do not mention, when questioned, | 0:02:47 | 0:02:52 | |
something which you later rely on in court. | 0:02:52 | 0:02:54 | |
-Anything you do say may be given in evidence. Do you understand that? -Yes. -OK. | 0:02:54 | 0:02:58 | |
The gaming industry is one of the recent successes of British business. | 0:02:58 | 0:03:03 | |
It generates £400 billion per year, twice as much as the music industry. | 0:03:03 | 0:03:08 | |
However, gaming piracy is threatening this economic growth | 0:03:09 | 0:03:12 | |
at a critical time for the country, as John explains. | 0:03:12 | 0:03:16 | |
This is costing the games industry millions of pounds in lost sales. | 0:03:16 | 0:03:21 | |
Not just the industry, but the Government in lost taxes, | 0:03:21 | 0:03:25 | |
the retailers in lost sales and in these straitened times, | 0:03:25 | 0:03:28 | |
success or failure of a company can depend on the money they make from making this game | 0:03:28 | 0:03:34 | |
and if they don't make a profit, well, we don't get any more games. | 0:03:34 | 0:03:37 | |
The team have found plenty of evidence of piracy inside. | 0:03:37 | 0:03:42 | |
As another parcel arrives for the man, he tells our film crew to leave. | 0:03:42 | 0:03:45 | |
-You... -BLEEP! | 0:03:45 | 0:03:48 | |
John and his team load the seizures into the car. | 0:03:48 | 0:03:51 | |
We have some Xbox 360 drives, which have been sent in. | 0:03:51 | 0:03:54 | |
People have taken them out of their console and sent those in to be flashed. | 0:03:54 | 0:03:58 | |
And then we have a number of copied games | 0:03:58 | 0:04:02 | |
and paperwork relating to sales as well. | 0:04:02 | 0:04:06 | |
So at the moment it's quite a lot and there's still more to come - | 0:04:06 | 0:04:09 | |
the computer for starters. | 0:04:09 | 0:04:11 | |
This is the PC that he was using. | 0:04:13 | 0:04:16 | |
It's a good day's work for the team. | 0:04:16 | 0:04:19 | |
The total value of goods seized amounts to almost £10,000. | 0:04:19 | 0:04:24 | |
The games consoles and computer will be forensically examined. | 0:04:24 | 0:04:27 | |
The man could face a hefty fine, or even prison. | 0:04:27 | 0:04:31 | |
Later on we re-join John as his team uncover a man | 0:04:31 | 0:04:36 | |
running a factory in his front room | 0:04:36 | 0:04:39 | |
modifying consoles and churning out pirate games. | 0:04:39 | 0:04:42 | |
An aspiring businessman - he's even offering a 10% discount. | 0:04:42 | 0:04:47 | |
The next flash of your console, he will do it for only £10! | 0:04:47 | 0:04:52 | |
Experts believe up to 50% of works sold on the art market could be fake. | 0:04:58 | 0:05:04 | |
History is littered with audacious attempts to fool collectors. | 0:05:04 | 0:05:08 | |
Ian Lawson is the head of the Metropolitan Police's world-famous Art and Antiques Unit. | 0:05:08 | 0:05:15 | |
It's his job to track down the fakers. | 0:05:15 | 0:05:18 | |
The unit was formed in 1969. | 0:05:18 | 0:05:20 | |
I believe it was formed after a large robbery involving some stamps. | 0:05:20 | 0:05:24 | |
The division is famous for its expertise in solving cases of counterfeit art. | 0:05:24 | 0:05:30 | |
The primary role of the Art and Antiques Unit is the protection the London art market | 0:05:30 | 0:05:34 | |
and the protection of London museums. | 0:05:34 | 0:05:36 | |
We deal with a number of international enquiries, | 0:05:36 | 0:05:38 | |
we have a number of countries contacting us on a daily basis | 0:05:38 | 0:05:41 | |
attempting to identify where their stolen artwork is. | 0:05:41 | 0:05:44 | |
Over the years, Ian has discovered the extraordinary lengths | 0:05:44 | 0:05:48 | |
fraudsters will go to to fake art and fool the market. | 0:05:48 | 0:05:53 | |
Top of their list is giving their forgeries a believable history, or provenance. | 0:05:53 | 0:05:58 | |
Provenance is the history of the piece - | 0:05:58 | 0:06:00 | |
where it's been from the time it was created to the time it's being sold. | 0:06:00 | 0:06:04 | |
This is one of the paintings created by John Myatt, | 0:06:04 | 0:06:07 | |
a famous fraudster going back to the late 1990s. | 0:06:07 | 0:06:10 | |
You can see the back of the frame the canvas is very aged. | 0:06:10 | 0:06:14 | |
You can see the gallery so "Ben Nicholson, Still Life, 1956, Ohana Gallery". | 0:06:14 | 0:06:18 | |
All these were made by the fraudsters | 0:06:18 | 0:06:20 | |
and put on the back of the paintings to make them look more authentic. | 0:06:20 | 0:06:26 | |
And they would create that ageing by perhaps leaving it outside, or dipping it in tea, | 0:06:26 | 0:06:30 | |
or whatever they can do to create this particular ageing. | 0:06:30 | 0:06:33 | |
The forgers are even prepared to forge ancient works of art | 0:06:33 | 0:06:37 | |
stretching back thousands of years. | 0:06:37 | 0:06:40 | |
This Egyptian mask was alleged to be from 1,000 BC. | 0:06:40 | 0:06:43 | |
In fact it was made in 2008. | 0:06:43 | 0:06:47 | |
This was created by John Andrews and sold for £5,000. | 0:06:47 | 0:06:51 | |
And accompanied with this was a certificate of authenticity. | 0:06:51 | 0:06:55 | |
John Andrews stated that it had actually been acquired from an Egyptian museum in Cairo. | 0:06:55 | 0:06:59 | |
He also created and produced this letter, | 0:06:59 | 0:07:03 | |
purportedly authenticated by Wallace Budge, | 0:07:03 | 0:07:06 | |
of the British Museum, dated 18th August 1920. | 0:07:06 | 0:07:11 | |
And it says the item is a genuine sarcophagus belonging to a young woman | 0:07:11 | 0:07:17 | |
who died during one of the dynasties in Egypt. | 0:07:17 | 0:07:19 | |
One of the unit's most famous recent cases centred on forger Shaun Greenhalgh | 0:07:19 | 0:07:24 | |
and his family who sold his artwork. | 0:07:24 | 0:07:27 | |
Working from a shed in Bolton, | 0:07:27 | 0:07:29 | |
Shaun went to incredible lengths to re-create | 0:07:29 | 0:07:32 | |
lost masterpieces and sell them as the genuine items | 0:07:32 | 0:07:36 | |
for an enormous profit, | 0:07:36 | 0:07:38 | |
as the tale of the Risley Parks Lanx, a lost Roman artefact, illustrates. | 0:07:38 | 0:07:44 | |
The story was that in the 1800s this item was found in Derbyshire | 0:07:44 | 0:07:49 | |
by some farm workers, and as payment for their work, | 0:07:49 | 0:07:52 | |
they divvied this item up into 26 different separate pieces. | 0:07:52 | 0:07:56 | |
The actual plate was lost, but Greenhalgh heard about the artefact and set about to recreate it. | 0:07:56 | 0:08:03 | |
He actually created it in 26 pieces and soldered them together, | 0:08:03 | 0:08:07 | |
and that was to fit in with the story that was published. | 0:08:07 | 0:08:12 | |
And what he did is he melted down Roman coins and silver | 0:08:12 | 0:08:17 | |
to give it an authentic look, | 0:08:17 | 0:08:20 | |
so if it was examined, the silver would actually stand up to any scrutiny. | 0:08:20 | 0:08:26 | |
And if genuine, this probably would have been worth in the region of £1 million. | 0:08:26 | 0:08:30 | |
But every forger slips up eventually. | 0:08:30 | 0:08:33 | |
Greenhalgh was finally caught out when he misspelt a cuneiform inscription | 0:08:33 | 0:08:38 | |
on a fake Assyrian relief he had created. | 0:08:38 | 0:08:41 | |
He created three of these and took them to the British Museum, | 0:08:41 | 0:08:45 | |
but unfortunately there was a very slight spelling mistake in the writing at the top. | 0:08:45 | 0:08:50 | |
And this was picked up by experts at the British Museum. | 0:08:50 | 0:08:53 | |
They identified this spelling mistake, the police were informed. | 0:08:53 | 0:08:58 | |
The value of the three stone reliefs - | 0:08:58 | 0:09:00 | |
which allegedly date back to Assyrian times | 0:09:00 | 0:09:03 | |
was about £350,000 if the sale had gone through. | 0:09:03 | 0:09:07 | |
We conducted an investigation, and we started to identify a number of other objects | 0:09:07 | 0:09:11 | |
that had been sold by Shaun Greenhalgh. | 0:09:11 | 0:09:14 | |
These included a goose allegedly by Barbara Hepworth, | 0:09:14 | 0:09:17 | |
a piece by Lowry, and a bust of American President, John Adams, | 0:09:17 | 0:09:22 | |
which sold through a major London auction house for £97,000. | 0:09:22 | 0:09:28 | |
Greenhalgh was sentenced to four years and eight months in jail. | 0:09:28 | 0:09:31 | |
Parents, George and Olive, received suspended sentences for their part in the fraud. | 0:09:31 | 0:09:36 | |
Coming up, we reveal the forgery case involving the world-famous street artist, Banksy, | 0:09:38 | 0:09:43 | |
and the enthusiast who helped solve it. | 0:09:43 | 0:09:45 | |
It's early morning in the Midlands, | 0:09:50 | 0:09:52 | |
and inside Sandwell Police Station, officers from UKIE | 0:09:52 | 0:09:56 | |
the computer games industry's anti-piracy body - | 0:09:56 | 0:10:00 | |
and Sandwell Trading Standards are getting ready for a raid. | 0:10:00 | 0:10:03 | |
Their target is suspected of modifying games consoles, such as Xboxes, to play fake copied games. | 0:10:03 | 0:10:10 | |
As soon as we actually get in there and we secure the individuals, | 0:10:10 | 0:10:13 | |
we will be looking at securing the IT systems. | 0:10:13 | 0:10:16 | |
Making sure nothing can actually be turned off. | 0:10:16 | 0:10:18 | |
He is also offering what we believe to be one of the first cyberlockers in the country, | 0:10:18 | 0:10:22 | |
which is why the warrant for today is so important. | 0:10:22 | 0:10:25 | |
A cyberlocker is an illegal online area | 0:10:25 | 0:10:28 | |
full of copied computer games to download. | 0:10:28 | 0:10:32 | |
The potential damage to legitimate companies from these sites is huge. | 0:10:32 | 0:10:35 | |
The team set off while it's still dark, hoping to take today's target by surprise. | 0:10:36 | 0:10:42 | |
They arrive in force and wake up the suspect. | 0:10:42 | 0:10:45 | |
-We've got a warrant to search the address. -For what? -I'll tell you when I come in. | 0:10:52 | 0:10:56 | |
We have identified yourself as flashing gaming consoles. | 0:10:56 | 0:10:59 | |
You do not have to say anything, | 0:10:59 | 0:11:01 | |
but it may harm your defence if you do not mention when questioned something you later rely on in court. | 0:11:01 | 0:11:06 | |
Anything you do say may be given in evidence. | 0:11:06 | 0:11:08 | |
The team immediately find evidence of piracy and fake games. | 0:11:08 | 0:11:11 | |
Proper flashing system, it's all set up as we go in there, consoles on the side. | 0:11:11 | 0:11:17 | |
He's got Jungleflash on his machine, he's told us, and there's loads of copied games. | 0:11:17 | 0:11:21 | |
In the front room there is setup for flashing Xbox 360 consoles | 0:11:21 | 0:11:26 | |
and the computer machine was operating when we went in there. | 0:11:26 | 0:11:30 | |
The team have discovered a mini factory in the man's front room. | 0:11:30 | 0:11:34 | |
He appears to be burning counterfeit games, | 0:11:34 | 0:11:36 | |
as well as modifying games consoles to play them. | 0:11:36 | 0:11:40 | |
John suspects the man is then selling the games online. | 0:11:40 | 0:11:44 | |
The copied games are all well packaged, so there is a good indication he is in fact | 0:11:44 | 0:11:50 | |
supplying those copied games, along with the flashed consoles, | 0:11:50 | 0:11:53 | |
so you've got the whole operation if you like. | 0:11:53 | 0:11:56 | |
It's getting heated inside and the man's wife tells our film crew to stop filming. | 0:11:56 | 0:12:01 | |
Dude, turn the camera off! You've been told! | 0:12:01 | 0:12:06 | |
The suspect and his partner are rather upset about the matter, | 0:12:06 | 0:12:11 | |
but that is the consequence if you engage in these illegal activities. | 0:12:11 | 0:12:16 | |
The copying equipment and evidence is brought out. | 0:12:16 | 0:12:19 | |
Some Xbox 360 consoles, and an Xbox 360 drive. | 0:12:19 | 0:12:24 | |
There is quite a large amount of copied games here, which presumably will turn out to be | 0:12:24 | 0:12:30 | |
his masters from which he made illegal copies. | 0:12:30 | 0:12:33 | |
This is what we call a burning tower which is used to make the copied games. | 0:12:33 | 0:12:37 | |
The computer will be examined for evidence of cyberlocker activities. | 0:12:37 | 0:12:43 | |
John also finds business cards that offer discount rates on flashing, which is illegal. | 0:12:43 | 0:12:48 | |
He is saying that the next flash of your console, | 0:12:48 | 0:12:52 | |
he will do it for only £10! | 0:12:52 | 0:12:55 | |
A special offer, which is an illegal business incentive, obviously. | 0:12:55 | 0:13:00 | |
It's offering a professional service in the area in which he lives and surrounding areas, it says. | 0:13:00 | 0:13:07 | |
He is obviously into this business in a big way. | 0:13:07 | 0:13:09 | |
All the evidence will be taken away and examined. | 0:13:09 | 0:13:13 | |
The man is later cautioned for offences under the Trademark Act | 0:13:13 | 0:13:16 | |
and the Copyright Designs and Patents Act. | 0:13:16 | 0:13:20 | |
We have had jail sentences, suspended jail sentences and hefty fines. | 0:13:20 | 0:13:25 | |
These issues can be quite serious, | 0:13:25 | 0:13:28 | |
because of the amounts of money people make doing this thing. | 0:13:28 | 0:13:32 | |
It's a very successful operation for the team | 0:13:32 | 0:13:35 | |
and John has a clear message for cyber criminals. | 0:13:35 | 0:13:38 | |
If you think you're online and you're safe, then you're not. | 0:13:38 | 0:13:43 | |
We will find you and we will take appropriate action, | 0:13:43 | 0:13:46 | |
linking in with the enforcement agencies such as Trading Standards and police. | 0:13:46 | 0:13:51 | |
We've all heard tales of women being defrauded online | 0:13:56 | 0:14:00 | |
by those pretending to be US soldiers. | 0:14:00 | 0:14:03 | |
But in Haywards Heath, Sussex, | 0:14:03 | 0:14:05 | |
a man's relationship with a notorious serial faker | 0:14:05 | 0:14:08 | |
was about to destroy a family, deliver financial ruin | 0:14:08 | 0:14:12 | |
and have a devastating impact on his health. | 0:14:12 | 0:14:14 | |
Sacha Thompson has always been close to her grandad. | 0:14:14 | 0:14:19 | |
When her grandma died, the family saw even more of him. | 0:14:19 | 0:14:22 | |
But one day, James Saunders stopped coming round. | 0:14:22 | 0:14:26 | |
Sacha's mum, Penny, popped round to see if he was OK. | 0:14:26 | 0:14:30 | |
He was at home, but his car was nowhere to be seen. | 0:14:30 | 0:14:33 | |
He used to have a black Golf GTI car and it had vanished. | 0:14:33 | 0:14:37 | |
So my mum said to him, "Where's your car?" | 0:14:37 | 0:14:40 | |
And he said, "I've lent it to a friend." | 0:14:40 | 0:14:42 | |
Now we knew they didn't have many friends locally, | 0:14:42 | 0:14:47 | |
so my mum said, "What friend?" and he said, "Danielle". | 0:14:47 | 0:14:52 | |
James had posted a message in a lonely hearts column | 0:14:52 | 0:14:55 | |
and befriended a lady calling herself Danielle. | 0:14:55 | 0:14:59 | |
But it was to turn out Danielle was not who she seemed. | 0:14:59 | 0:15:03 | |
The family discovered she had asked to borrow James' car six weeks earlier, but had not returned it. | 0:15:03 | 0:15:10 | |
Apparently it was in a lockup garage in London. | 0:15:10 | 0:15:13 | |
Because she had been taken ill, | 0:15:13 | 0:15:14 | |
and had been taken to a private hospital at Gatwick. | 0:15:14 | 0:15:18 | |
He told me she was having a kidney transplant. | 0:15:18 | 0:15:21 | |
I didn't believe any of it. | 0:15:21 | 0:15:23 | |
The car was eventually returned, | 0:15:23 | 0:15:25 | |
but there was more evidence the new relationship was bad news. | 0:15:25 | 0:15:30 | |
Penny happened to check her dad's bank balance at a cashpoint. | 0:15:30 | 0:15:33 | |
She was horrified by what she saw. | 0:15:33 | 0:15:36 | |
When my mother died, we had this arrangement that I'd be on his bank account with him. | 0:15:36 | 0:15:41 | |
This particular day I went to the bank, pulled off the mini statement, | 0:15:41 | 0:15:45 | |
and the balance said £3. | 0:15:45 | 0:15:49 | |
I phoned him up immediately and said, "Whatever's happening?" | 0:15:49 | 0:15:52 | |
There should have been thousands in the bank account, | 0:15:52 | 0:15:56 | |
but £500 had been withdrawn continuously over a series of days. | 0:15:56 | 0:15:59 | |
James confirmed he had given the money to Danielle. | 0:15:59 | 0:16:03 | |
She'd told him she was waiting for a large inheritance. | 0:16:03 | 0:16:06 | |
The family were very worried and decided to visit him | 0:16:06 | 0:16:10 | |
to warn him about Danielle. | 0:16:10 | 0:16:12 | |
But there was no reasoning with him. | 0:16:12 | 0:16:14 | |
He was so horrible to us. | 0:16:14 | 0:16:16 | |
It was like it wasn't him, | 0:16:16 | 0:16:18 | |
it was like he was brain-washed by this woman. | 0:16:18 | 0:16:21 | |
But it was to get worse. | 0:16:21 | 0:16:23 | |
Some months later, Penny received a phone call from the housing association where James lived. | 0:16:23 | 0:16:29 | |
They wanted to know who the woman was who was living in James' flat. | 0:16:29 | 0:16:33 | |
She did mention Danielle, and I thought, "Oh God, it's the same woman." | 0:16:33 | 0:16:36 | |
The lady told Penny James had not paid his rent for six months | 0:16:36 | 0:16:41 | |
and owed the company £3,000. | 0:16:41 | 0:16:43 | |
Worse still, Danielle had told them James was gambling | 0:16:43 | 0:16:47 | |
and stealing from shops. | 0:16:47 | 0:16:49 | |
Sacha and her mum could not believe what they were hearing. | 0:16:49 | 0:16:53 | |
My grandad had never gambled in his life. | 0:16:53 | 0:16:56 | |
My nan done the Lottery, and that wasn't his thing. | 0:16:56 | 0:17:00 | |
He'd been in the army, he has always had a good, well paid job, | 0:17:00 | 0:17:05 | |
he had savings. You know, it was ridiculous. | 0:17:05 | 0:17:09 | |
The family was convinced Danielle was taking James for a ride | 0:17:09 | 0:17:13 | |
taking his money and blaming him as his debts mounted up. | 0:17:13 | 0:17:18 | |
Penny received another phone call to tell her his Council Tax | 0:17:18 | 0:17:21 | |
had not been paid for over six months. | 0:17:21 | 0:17:22 | |
She was conning my father, there were no ifs and buts. | 0:17:22 | 0:17:27 | |
At this stage there was definitely something suspicious about her. | 0:17:27 | 0:17:30 | |
Penny discovered Danielle was subjecting James to unbelievable cruelty. | 0:17:32 | 0:17:37 | |
Despite him being 83 and having skin cancer, | 0:17:37 | 0:17:41 | |
she was forcing him out at 7 o'clock every morning | 0:17:41 | 0:17:44 | |
to wander about in the sun until it was dark. | 0:17:44 | 0:17:47 | |
I'd bumped into him in Brighton and I went over to him | 0:17:47 | 0:17:50 | |
his face was bright red, sunburnt. | 0:17:50 | 0:17:54 | |
I said, "You're burnt to a crisp, what's happened to you?" | 0:17:54 | 0:17:56 | |
Later on we found out the reasons she had been sending him out every day | 0:17:56 | 0:18:02 | |
is she'd been ordering from catalogues and online websites, | 0:18:02 | 0:18:08 | |
clothing, all sorts of different items, | 0:18:08 | 0:18:11 | |
under false names - Danielle Ryan, Louise Ryan, | 0:18:11 | 0:18:15 | |
even Louise Saunders, my grandad's name. | 0:18:15 | 0:18:18 | |
One day Penny saw her dad on a bus. | 0:18:18 | 0:18:21 | |
She hauled him off and confronted him. | 0:18:21 | 0:18:23 | |
He sort of broke down and cried, and I said, "What on earth is happening?" | 0:18:23 | 0:18:27 | |
And I think it all just flooded over him. | 0:18:27 | 0:18:30 | |
He did get out of his wallet this IOU that Danielle had written out | 0:18:30 | 0:18:36 | |
that she owed him £10,000. | 0:18:36 | 0:18:39 | |
He also said to me he had noticed from her bank card this other name, Loraine Upritchard. | 0:18:39 | 0:18:45 | |
Sacha was at the computer when her mum phoned to say what had happened. | 0:18:45 | 0:18:49 | |
She entered the new name, Loraine Upritchard, into a search engine. | 0:18:49 | 0:18:53 | |
She could not believe the results. | 0:18:53 | 0:18:56 | |
Bang! Up came all the national press, magazines - conwoman, gold digger. | 0:18:56 | 0:19:04 | |
I started to read the story | 0:19:04 | 0:19:06 | |
and I just felt sicker and sicker and sicker. | 0:19:06 | 0:19:10 | |
Every fear that we'd had over the last 18 months was there | 0:19:10 | 0:19:15 | |
in front of me in black and white. | 0:19:15 | 0:19:18 | |
Loraine Upritchard was a serial conwoman - a fake lonely heart. | 0:19:18 | 0:19:23 | |
In 2009, she had swindled pensioner Leonard Hesling out of thousands of pounds | 0:19:23 | 0:19:28 | |
after meeting him through another romance column. | 0:19:28 | 0:19:31 | |
She was caught when he hired a private detective to track her down. | 0:19:31 | 0:19:34 | |
The next morning Sacha and her mum marched James to the police station. | 0:19:34 | 0:19:39 | |
We hadn't been there very long and suddenly the CID were involved. | 0:19:39 | 0:19:43 | |
And "Crumbs, what's all this about?" | 0:19:43 | 0:19:46 | |
Apparently, Loraine Upritchard was wanted by the police. | 0:19:46 | 0:19:50 | |
Dave Springett is the Detective Constable who took charge of the case. | 0:19:50 | 0:19:54 | |
Loraine Upritchard had absconded from her previous conviction, an 18-month community order, | 0:19:54 | 0:19:58 | |
and was a wanted woman. | 0:19:58 | 0:20:02 | |
We realised this was a persistent fraudster | 0:20:02 | 0:20:05 | |
that needed to be dealt with quickly and properly. | 0:20:05 | 0:20:08 | |
The police made their way to James' flat, | 0:20:08 | 0:20:11 | |
but Upritchard had become suspicious by his absence and left. | 0:20:11 | 0:20:14 | |
The faker was on the run. | 0:20:14 | 0:20:17 | |
Meanwhile, Penny took her dad to the bank to sort out his finances. | 0:20:18 | 0:20:22 | |
There was nothing left in his account, | 0:20:22 | 0:20:24 | |
but the bank presented them with two bounced cheques, | 0:20:24 | 0:20:27 | |
each for over £7,000. | 0:20:27 | 0:20:28 | |
But there was something odd about them. | 0:20:28 | 0:20:32 | |
The writing was not my father's writing at all. | 0:20:32 | 0:20:35 | |
It was too big, he writes very small, so it wasn't his. | 0:20:35 | 0:20:39 | |
On the back of the cheque was a stamp for a bed and breakfast in Haywards Heath. | 0:20:39 | 0:20:44 | |
It was a clue to where Loraine Upritchard was hiding. | 0:20:45 | 0:20:48 | |
She had stolen James' chequebook and tried to use it to cash cheques at the B&B. | 0:20:48 | 0:20:53 | |
The police raced down there and arrested her. | 0:20:53 | 0:20:57 | |
During the court case another man admitted Upritchard | 0:20:57 | 0:21:00 | |
had taken £30,000 from him. | 0:21:00 | 0:21:03 | |
The faker was jailed for three years. | 0:21:03 | 0:21:05 | |
The judge described her as a "wicked and despicable gold-digging con artist". | 0:21:05 | 0:21:11 | |
When she got sentenced to three years, everybody was ecstatic. | 0:21:11 | 0:21:14 | |
We were just like, "You messed with the wrong family this time." | 0:21:14 | 0:21:19 | |
This is a very sinister offence. | 0:21:19 | 0:21:21 | |
The suspect has lived with the victim for the best part of 12 months. | 0:21:21 | 0:21:25 | |
We were very glad that Miss Upritchard received the three-year custodial sentence. | 0:21:25 | 0:21:29 | |
Upritchard was jailed for fraudulently signing the bounced cheques, | 0:21:29 | 0:21:34 | |
but in total the Thomsons know she took a lot more money from James. | 0:21:34 | 0:21:39 | |
He earns so much a month from his pension. | 0:21:39 | 0:21:42 | |
Every single penny of that was taken, probably for about 18 months. | 0:21:42 | 0:21:47 | |
He didn't pay his rent, he didn't pay his utility bills, he didn't pay his phone bill. | 0:21:47 | 0:21:51 | |
She sold the car, he bought her a car. | 0:21:51 | 0:21:54 | |
She had a credit card of £13,000, | 0:21:54 | 0:21:57 | |
she had got him to get her a bank loan of £13,000, | 0:21:57 | 0:22:03 | |
we have rounded it up to be | 0:22:03 | 0:22:06 | |
in the region of £60,000. | 0:22:06 | 0:22:10 | |
Colin Woodcock is head of the Anti-Fraud Unit at the Special Organised Crime Agency. | 0:22:10 | 0:22:16 | |
He is an expert in this kind of fakery. | 0:22:16 | 0:22:19 | |
We have recently completed some work with Leicester University | 0:22:19 | 0:22:23 | |
which shows us that probably | 0:22:23 | 0:22:26 | |
200,000 people can be affected a year in the UK. | 0:22:26 | 0:22:31 | |
Research has also revealed that anyone young or old, male or female - may be targeted, | 0:22:33 | 0:22:38 | |
and vast sums of money can be involved. | 0:22:38 | 0:22:41 | |
We've had one loss of nearly a quarter of a million pounds. | 0:22:41 | 0:22:48 | |
And whilst that is the biggest, | 0:22:48 | 0:22:50 | |
there are plenty that go towards that - | 0:22:50 | 0:22:52 | |
several hundred thousand pounds. | 0:22:52 | 0:22:54 | |
The impact on victims once they realise they've been conned can be huge. | 0:22:54 | 0:22:58 | |
It's cruel, it's heartless, it's a wicked crime. | 0:22:58 | 0:23:03 | |
It goes a lot beyond just losing money. | 0:23:03 | 0:23:06 | |
There is a huge shame that is perceived in this. | 0:23:06 | 0:23:11 | |
The results of finding out that you've been defrauded in love | 0:23:11 | 0:23:17 | |
is exactly the same as a bereavement. | 0:23:17 | 0:23:21 | |
The realisation Loraine Upritchard was a fake was too much for James Saunders | 0:23:21 | 0:23:26 | |
and his health worsened. | 0:23:26 | 0:23:29 | |
It's been hard for him to realise not everybody's what they say they are. | 0:23:29 | 0:23:33 | |
He was very vulnerable, always crying. | 0:23:33 | 0:23:38 | |
I think he felt, you know, that he had been stupid. | 0:23:38 | 0:23:43 | |
He was devastated, he saw a counsellor, | 0:23:43 | 0:23:48 | |
he was on anti-depressants, he was a broken man. | 0:23:48 | 0:23:52 | |
And my mum had to help him pick up the pieces, | 0:23:52 | 0:23:56 | |
and deal with all the bailiffs, all the debt. | 0:23:56 | 0:24:00 | |
For a year afterwards, James' health continued to worsen. | 0:24:03 | 0:24:07 | |
One day, he collapsed in the street and suffered a massive heart attack. | 0:24:07 | 0:24:11 | |
He was taken to hospital and died four days later. | 0:24:11 | 0:24:15 | |
After all the pain he had suffered, the family believe it was a relief for him to escape it. | 0:24:15 | 0:24:20 | |
Being here today, with him now gone, I feel he is at peace. | 0:24:20 | 0:24:24 | |
He is with my nan and he is certainly out of the clutches | 0:24:24 | 0:24:30 | |
of any other women like Loraine Anne Upritchard. | 0:24:30 | 0:24:33 | |
For people like James, using lonely hearts columns | 0:24:33 | 0:24:35 | |
and the internet to try and find love, | 0:24:35 | 0:24:37 | |
Colin Woodcock has some important advice. | 0:24:37 | 0:24:40 | |
Lonely hearts columns, anything like that where you're trying to meet someone, | 0:24:40 | 0:24:45 | |
people have to take sensible precautions. | 0:24:45 | 0:24:48 | |
Tell people where you've gone, | 0:24:48 | 0:24:50 | |
hand on the mobile phone numbers and e-mails of people. | 0:24:50 | 0:24:54 | |
If you've met somebody online, you stay talking on the website, | 0:24:54 | 0:25:00 | |
the dating site, | 0:25:00 | 0:25:02 | |
stay within that chat area, do not give your details out. | 0:25:02 | 0:25:08 | |
And the biggest thing of all is do not send any money. | 0:25:08 | 0:25:12 | |
There is no reason on earth why you should send money to somebody | 0:25:12 | 0:25:16 | |
to justify a relationship. | 0:25:16 | 0:25:18 | |
It's just before dawn, and inside this police station different agencies have gathered | 0:25:25 | 0:25:29 | |
to combat the growing problem of dealers selling fake perfume online. | 0:25:29 | 0:25:34 | |
Trading Standards officer, Nigel Cotton, has caught the scent of a fake fragrance dealer | 0:25:34 | 0:25:40 | |
and this morning he and colleague, Rose, are joining forces with police | 0:25:40 | 0:25:43 | |
to raid the man's property, | 0:25:43 | 0:25:45 | |
where he is believed to be running his lucrative online business and keeping his supplies. | 0:25:45 | 0:25:49 | |
If you look at the item in particular, it is a poor quality finish. | 0:25:51 | 0:25:57 | |
A member of the public has passed Nigel a dodgy bottle of scent bought from the dealer. | 0:25:57 | 0:26:01 | |
It's part of the evidence Trading Standards need to carry out the operation. | 0:26:01 | 0:26:06 | |
The bottle is not quite full | 0:26:06 | 0:26:08 | |
and the code numbers correspond to known counterfeit code numbers. | 0:26:08 | 0:26:14 | |
The team are unsure of the size of he operation they will find, or who is involved. | 0:26:20 | 0:26:24 | |
As a result, they are taking no chances. | 0:26:24 | 0:26:27 | |
They race across town to the suspect's address. | 0:26:30 | 0:26:33 | |
Once at the property, Nigel sees signs of movement, | 0:26:34 | 0:26:37 | |
but no-one is answering the door. | 0:26:37 | 0:26:39 | |
Something doesn't smell right. | 0:26:39 | 0:26:42 | |
Fearing the suspect may be escaping through the back, | 0:26:42 | 0:26:45 | |
officers move to cover the rear of the property. | 0:26:45 | 0:26:47 | |
He's not, but the team are concerned he could be upstairs destroying evidence. | 0:26:49 | 0:26:54 | |
The officer calls for specialist door-breaking equipment. | 0:26:56 | 0:27:00 | |
Can you open the door? | 0:27:00 | 0:27:01 | |
Eventually a lady does answer the door, | 0:27:01 | 0:27:04 | |
but not the male suspect Nigel is looking for. | 0:27:04 | 0:27:08 | |
Morning, I'm from Trading Standards. | 0:27:08 | 0:27:10 | |
I'm afraid I've got an entry warrant to come in. | 0:27:10 | 0:27:12 | |
Can I step in please? | 0:27:12 | 0:27:14 | |
Our camera team follow Nigel inside, but the lady refuses us entry. | 0:27:16 | 0:27:21 | |
Inside the house, Nigel and the officers locate the suspected faker, | 0:27:23 | 0:27:26 | |
believed to be running the online company selling the fake perfume. | 0:27:26 | 0:27:30 | |
Upstairs in a bedroom, | 0:27:30 | 0:27:32 | |
we've found several boxes of the counterfeit goods we're looking for. | 0:27:32 | 0:27:38 | |
The individual has told us there are some counterfeit goods in the car, | 0:27:38 | 0:27:42 | |
so we're just going to have a look in there now. | 0:27:42 | 0:27:45 | |
She immediately finds what she is searching for. | 0:27:45 | 0:27:48 | |
It looks as though there's some remnants of some packaging here. | 0:27:48 | 0:27:54 | |
There are some boxes of perfume. | 0:27:54 | 0:27:57 | |
Quite clearly the Paco Rabanne. | 0:28:00 | 0:28:03 | |
Rose also discovers what appears to be orders from customers for counterfeit perfume. | 0:28:03 | 0:28:08 | |
In the car, we've got some pieces of paper | 0:28:08 | 0:28:12 | |
that are clearly receipts and order numbers | 0:28:12 | 0:28:14 | |
for more of the counterfeit product. | 0:28:14 | 0:28:17 | |
So we'll be taking all that as well. | 0:28:17 | 0:28:20 | |
Rose finds a number of different branded perfumes. | 0:28:20 | 0:28:22 | |
All are thought to be counterfeit. | 0:28:22 | 0:28:24 | |
She logs each item individually, while inside Nigel continues to question the suspect | 0:28:24 | 0:28:30 | |
thought to be behind the racket. | 0:28:30 | 0:28:33 | |
It's not long before all the evidence is brought out to the car, | 0:28:33 | 0:28:36 | |
ready to be taken away and examined by the team. | 0:28:36 | 0:28:40 | |
These sorts of hauls are being found | 0:28:40 | 0:28:42 | |
by police and Trading Standards across the country. | 0:28:42 | 0:28:45 | |
They are evidence of a huge new burgeoning industry in counterfeit perfume - | 0:28:45 | 0:28:49 | |
sold online through websites, but run from suburban houses like this. | 0:28:49 | 0:28:53 | |
The gentleman was served with a warrant. | 0:28:53 | 0:28:56 | |
We then conducted a search of the property. | 0:28:56 | 0:28:59 | |
He took us to an area of the house where a number of boxes were stored. | 0:28:59 | 0:29:03 | |
If you were to check his website, you'd see he advertises a vast amount of branded perfumes. | 0:29:03 | 0:29:08 | |
£60 to £70 pounds for a bottle of Paco Rabanne for instance, and we've probably got 30 bottles here. | 0:29:08 | 0:29:15 | |
That totals almost £2,000. | 0:29:16 | 0:29:20 | |
When you take into account his orders down the year, he's probably made a nice tidy sum out of it. | 0:29:20 | 0:29:25 | |
But the man is unlikely to come out of this smelling of roses. | 0:29:25 | 0:29:29 | |
Fakery of this kind can carry a severe sentence, as Nigel reveals. | 0:29:29 | 0:29:34 | |
It does carry quite a hefty penalty of up to 10 years imprisonment | 0:29:34 | 0:29:37 | |
and obviously if they get caught they will be punished by Trading Standards. | 0:29:37 | 0:29:41 | |
It's a good days work for Nigel and the team. | 0:29:41 | 0:29:44 | |
But before the man can be charged, they have to be sure the goods he is selling are fake. | 0:29:44 | 0:29:50 | |
The suspect items are brought here to Staffordshire Scientific Services. | 0:29:50 | 0:29:55 | |
Testing the goods will be expert, John Lovatt. | 0:29:56 | 0:29:59 | |
John has purchased a genuine perfume to compare with the suspect bottles to determine they are fake. | 0:29:59 | 0:30:06 | |
First, he compares the packaging. The fake is on the right. | 0:30:06 | 0:30:09 | |
The type of gold used on the two different boxes appears to be different. | 0:30:11 | 0:30:16 | |
The genuine product has a much lighter gold. | 0:30:16 | 0:30:19 | |
On the right product, we don't have the flammable symbol. | 0:30:19 | 0:30:22 | |
Next, John compares the dispensers. | 0:30:22 | 0:30:25 | |
We have again a different type of gold. | 0:30:25 | 0:30:29 | |
The paint on the potentially fake product has come away. | 0:30:29 | 0:30:34 | |
Just from the packaging and bottles, there are big differences. | 0:30:34 | 0:30:38 | |
Next, John must compare the liquids inside. | 0:30:38 | 0:30:41 | |
To do so, John places a sample from the real perfume and one from the suspect scent | 0:30:42 | 0:30:47 | |
in a hi-tech comparison machine. | 0:30:47 | 0:30:49 | |
The results are delivered straight to his computer. | 0:30:49 | 0:30:52 | |
The process will also reveal any dangerous substances present, like methanol or chloroform. | 0:30:52 | 0:30:58 | |
Luckily in this instance, there doesn't appear to be anything dangerous in the product. | 0:30:59 | 0:31:04 | |
But there are big differences between the two samples. | 0:31:04 | 0:31:08 | |
We can see on the screen the top profile is the bottle brought in by Trading Standards | 0:31:08 | 0:31:13 | |
and the bottom profile is from a genuine article. | 0:31:13 | 0:31:17 | |
The differences in profiles means that they will potentially smell differently | 0:31:17 | 0:31:21 | |
and if it was the genuine product, the manufacturers wouldn't allow to happen. | 0:31:21 | 0:31:29 | |
The brand is too important for them to do that. | 0:31:29 | 0:31:31 | |
John has a theory about how this other perfume was created. | 0:31:31 | 0:31:34 | |
What may have happened here is they have taken a number of cheaper products | 0:31:34 | 0:31:40 | |
and put them together and sold it under this brand name. | 0:31:40 | 0:31:44 | |
Based on the differences we have found with the packaging and the contents of the bottles, | 0:31:45 | 0:31:50 | |
this product is a fake. | 0:31:50 | 0:31:52 | |
It's official. The suspect goods are fake. That's an offence under the Trademark Act. | 0:31:52 | 0:31:57 | |
Trading Standards now intend to prosecute the dealer. | 0:31:57 | 0:32:01 | |
His products stink and people across Britain are being ripped off. | 0:32:01 | 0:32:05 | |
It's time for Nigel and the team to take them off the market for good. | 0:32:05 | 0:32:10 | |
Welcome to Britain's largest postal hub. | 0:32:16 | 0:32:19 | |
It handles hundreds of thousands of packages every week. | 0:32:19 | 0:32:22 | |
Chris Bagley is head of the UK Border Agency team at the hub. | 0:32:22 | 0:32:26 | |
It is his team's responsibility to spot fake goods coming into Britain. | 0:32:27 | 0:32:31 | |
A hole in the bank balance, not a hole in one. | 0:32:31 | 0:32:34 | |
It says, "Made in Italy" there. Well, they're not, these are manufactured in China. | 0:32:34 | 0:32:37 | |
Chris and his team are on the frontline in the battle against counterfeiters | 0:32:37 | 0:32:42 | |
desperate to get their fake goods into the UK. | 0:32:42 | 0:32:45 | |
This area here represents about three or four days' worth of activity | 0:32:45 | 0:32:50 | |
by UKBA officers here at the postal hub | 0:32:50 | 0:32:53 | |
and it has all been checked by the rights holders and it has technically now been declared as fake. | 0:32:53 | 0:32:59 | |
The range of goods Chris finds is enormous and many of the products | 0:32:59 | 0:33:03 | |
could be dangerous if they got through to consumers. | 0:33:03 | 0:33:06 | |
Copies of the Gillette Mach 3 razors, produced in China. | 0:33:08 | 0:33:12 | |
Gillette have confirmed that these are counterfeit. Razors are dangerous, quite clearly. | 0:33:12 | 0:33:16 | |
There is no way of knowing how these are produced, whether they meet those standards. | 0:33:16 | 0:33:20 | |
The colouration on the packet is slightly different from the original. | 0:33:20 | 0:33:25 | |
But for most people they wouldn't know until they use the product by which point it is too late. | 0:33:25 | 0:33:32 | |
For Chris and his team, some of the fake goods are easy to spot. | 0:33:32 | 0:33:35 | |
We've got a selection of brands in here, the main one though is these Burberry branded goods. | 0:33:35 | 0:33:41 | |
As you can see, if you have a look at this product, | 0:33:41 | 0:33:44 | |
it is of very poor quality, very plasticized. | 0:33:44 | 0:33:47 | |
You see these joints here where the leather meets the studs, all very poorly put together. | 0:33:47 | 0:33:54 | |
With other items, it's more difficult to determine whether they are counterfeit or not. | 0:33:54 | 0:33:59 | |
Here we've got these Beats headphones by Dr Dre. Really, really popular. | 0:33:59 | 0:34:05 | |
As you can see from the packaging, it all looks pretty convincing. | 0:34:05 | 0:34:10 | |
We got the manufacturers down, they said no, they are fakes. | 0:34:11 | 0:34:14 | |
The quality of the actual speakers and these hinges is inferior. | 0:34:14 | 0:34:20 | |
When these are manufactured and they are fake, they don't invest the money in the component parts, | 0:34:20 | 0:34:26 | |
people might think they're wearing the real deal, but you know they are actually being conned. | 0:34:26 | 0:34:32 | |
In each case of suspected fakery, a rep from the real company | 0:34:34 | 0:34:37 | |
will come down and confirm the goods are fake. | 0:34:37 | 0:34:40 | |
Amongst the astonishing haul are some extraordinary examples of fakery. | 0:34:41 | 0:34:46 | |
Here we've got GHDs. We've been tackling these for some time now. | 0:34:46 | 0:34:51 | |
Every time GHD bring out a new style, a new colour, | 0:34:51 | 0:34:54 | |
we are seeing the fake version within a matter of a couple of weeks. | 0:34:54 | 0:34:59 | |
They are that quick at responding to new lines. | 0:34:59 | 0:35:01 | |
But again the fakes can be very dangerous. | 0:35:02 | 0:35:06 | |
Often on these they either don't work properly, or they get too hot | 0:35:06 | 0:35:09 | |
and there is a risk of either burning the scalp, or melting the hair. | 0:35:09 | 0:35:14 | |
Sometimes the fakers disguise the actual contents of the packages to bypass customs checks. | 0:35:14 | 0:35:21 | |
It's Chris and his team's job to spot these cunningly disguised counterfeit goods. | 0:35:21 | 0:35:26 | |
This is the component parts for making up pouches of hand-rolling tobacco. | 0:35:26 | 0:35:34 | |
So what you see here are the Golden Virginia sleeves. | 0:35:34 | 0:35:40 | |
And then in another we've got the actual tobacco. | 0:35:40 | 0:35:45 | |
So the tobacco comes in bulk, these are actually disguised as tea. | 0:35:45 | 0:35:50 | |
I don't know whether you can see this on the actual packages. | 0:35:50 | 0:35:54 | |
This is packaged as tea, but when we make an incision in it, it's clearly not tea. | 0:35:54 | 0:36:00 | |
It's hand-rolling tobacco. There is not a tealeaf in sight. | 0:36:00 | 0:36:04 | |
This is about 20 kilos in weight. This is worth about £6,000. | 0:36:04 | 0:36:09 | |
Chris is seeing shipments like this almost every day. | 0:36:10 | 0:36:14 | |
That means his team has intercepted millions of pounds worth of counterfeit tobacco this year alone. | 0:36:14 | 0:36:21 | |
This isn't a one-off shipment, this is organised criminal activity | 0:36:21 | 0:36:26 | |
and a systematic attack in an attempt to flood the UK with this counterfeit tobacco. | 0:36:26 | 0:36:33 | |
Chris and his team are also engaged in seizing weapons and Class A drugs, | 0:36:33 | 0:36:38 | |
but, as he reveals, all these criminal activities are linked. | 0:36:38 | 0:36:42 | |
People don't realise there is a clear link between organised crime groups using the proceeds | 0:36:42 | 0:36:48 | |
and the profits from fake counterfeit products and re-investing that | 0:36:48 | 0:36:51 | |
into trafficking Class A drugs, people, or weapons. | 0:36:51 | 0:36:55 | |
They don't care about the consumer. It's all about profit. | 0:36:55 | 0:36:58 | |
So whether it's Class A drugs one week, or counterfeit shoes, bags or makeup the next, | 0:36:58 | 0:37:03 | |
it's irrelevant to them. | 0:37:03 | 0:37:04 | |
All they're interested in is the money. | 0:37:04 | 0:37:07 | |
Street art has rocketed in popularity in recent years and can now have huge commercial value. | 0:37:15 | 0:37:21 | |
No one is more famous in this area than graffiti artist Banksy, | 0:37:21 | 0:37:25 | |
who shot to worldwide fame throughout the past decade. | 0:37:25 | 0:37:28 | |
Prints of his work are now sold for up to £100,000. | 0:37:30 | 0:37:34 | |
But with fame comes fakery, as Patrick Nguyen, | 0:37:34 | 0:37:37 | |
a street art collector turned amateur detective, discovered. | 0:37:37 | 0:37:41 | |
Could I get a small latte, please? | 0:37:41 | 0:37:44 | |
Patrick received a tip-off that fake copies of a particular Banksy screenprint | 0:37:44 | 0:37:47 | |
were being sold on the internet as genuine limited editions. | 0:37:47 | 0:37:52 | |
I was informed about a counterfeit screenprint by Banksy called Laugh Now, | 0:37:52 | 0:37:57 | |
it features a monkey with a sandwich board that says: "Laugh now, but one day we'll be in charge." | 0:37:57 | 0:38:04 | |
I posted a warning on a message board where there are a lot of people interested in street art. | 0:38:04 | 0:38:09 | |
Patrick was flooded with e-mails from people concerned they had bought a fake version | 0:38:09 | 0:38:14 | |
of this print and began to gather together information about the sales and the people behind them. | 0:38:14 | 0:38:20 | |
The prints were always being sold for slightly less than market value. | 0:38:20 | 0:38:25 | |
In order to generate loads of sales. | 0:38:26 | 0:38:28 | |
If the market value at the time was worth for an unsigned print £1,500, | 0:38:28 | 0:38:34 | |
they would sell it for a "buy it now" price for about £1,200. | 0:38:34 | 0:38:39 | |
So they were selling them very, very quickly. Many of them had bought them on eBay. | 0:38:39 | 0:38:44 | |
I started to put together a dossier of details of these sales of what turned to be fakes. | 0:38:44 | 0:38:49 | |
As Patrick gathered the information, he discovered many more prints were being faked | 0:38:50 | 0:38:56 | |
and he started to see recurring details in the sales. | 0:38:56 | 0:39:00 | |
I saw some common names and also common e-mail addresses, common user IDs on the message boards, | 0:39:00 | 0:39:05 | |
so I started to work out who, more or less, was responsible for selling these fakes. | 0:39:05 | 0:39:10 | |
Patrick worked out the fraudsters were using multiple online identities | 0:39:10 | 0:39:15 | |
to recommend themselves as trustworthy sellers. | 0:39:15 | 0:39:18 | |
What they were doing was creating many user IDs and more or less having conversation with themselves, | 0:39:18 | 0:39:23 | |
basically backing each other up, and saying, "Hey, this guy is great to deal with." | 0:39:23 | 0:39:28 | |
One of Patrick's friends had been sold a fake print. | 0:39:28 | 0:39:31 | |
So he confronted the men and they agreed to meet him and give him the money back. | 0:39:31 | 0:39:36 | |
Whenever there was a problem, or doubts as to the authenticity of the works they were buying, | 0:39:36 | 0:39:41 | |
they would repay them immediately in order to keep them quiet. | 0:39:41 | 0:39:44 | |
So that there would not be any noise on the message boards. | 0:39:44 | 0:39:47 | |
Patrick met them in a pub behind Victoria Station in London. | 0:39:47 | 0:39:51 | |
He got the money back, snatched a photo of one of one of the men, | 0:39:51 | 0:39:55 | |
and passed all the info he'd gathered to Ian Lawson | 0:39:55 | 0:39:58 | |
at the Met Police's Art and Antiques Unit. | 0:39:58 | 0:40:01 | |
We had the prints looked at by the authenticating body, | 0:40:01 | 0:40:04 | |
a company called Pictures on Walls, | 0:40:04 | 0:40:06 | |
identified that they were fake and then the investigation began. | 0:40:06 | 0:40:10 | |
What we have here is a Banksy Gulf Sale print, a very popular print. | 0:40:10 | 0:40:14 | |
You have the Banksy tag in the corner here, | 0:40:14 | 0:40:18 | |
we have the limited edition number | 0:40:18 | 0:40:20 | |
and you also have a forged Banksy signature as well. | 0:40:20 | 0:40:24 | |
All these items are fake, the print is a reproduction, | 0:40:24 | 0:40:28 | |
it is a fake print. | 0:40:28 | 0:40:30 | |
The Banksy tag has been stamped on, the limited edition number | 0:40:30 | 0:40:35 | |
has been handwritten on and the signature is forged. | 0:40:35 | 0:40:38 | |
The fraudsters were also providing fake documents | 0:40:38 | 0:40:41 | |
to create the vital provenance for the pieces. | 0:40:41 | 0:40:44 | |
TomTom is a gallery that in about 2003, 2004 sold Banksy prints. | 0:40:44 | 0:40:51 | |
But the suspects created this document on their computers, | 0:40:51 | 0:40:55 | |
printed out blank receipts, then dated, | 0:40:55 | 0:40:59 | |
put the print they were intending to sell and signed it with a false signature. | 0:40:59 | 0:41:04 | |
Using Patrick's pack of information, Ian traced the fraud to Eastbourne. | 0:41:04 | 0:41:09 | |
Ultimately, the money was going into one large Paypal account | 0:41:09 | 0:41:13 | |
and we were able to trace the money, | 0:41:13 | 0:41:14 | |
and identify who the two fraudsters were. | 0:41:14 | 0:41:18 | |
Early one morning, Ian paid them a visit. | 0:41:18 | 0:41:21 | |
We found a large quantity of evidence fake Banksy prints, | 0:41:21 | 0:41:26 | |
the blank Banksy prints. | 0:41:26 | 0:41:28 | |
We had tracings with the limited edition numbers on. | 0:41:28 | 0:41:31 | |
We found fake provenance documentation and we took away their computers | 0:41:31 | 0:41:35 | |
and we found evidence on those suggesting they had sold a large quantity of prints. | 0:41:35 | 0:41:40 | |
The fake prints had been made by simply copying genuine prints at a local printing shop. | 0:41:40 | 0:41:46 | |
The fraudsters would then add all the extra details to them. | 0:41:46 | 0:41:50 | |
Grant Champkins-Howard and Lee Parker were given 240 hours community service | 0:41:50 | 0:41:56 | |
and slapped with a restraining order for selling anything on the internet. | 0:41:56 | 0:42:00 | |
The judge described them as "a couple of old fashioned conmen". | 0:42:00 | 0:42:05 | |
If there was satisfaction it may have been initially when they were picked up by the police. | 0:42:05 | 0:42:09 | |
The problem with counterfeits is that it does affect the confidence in the market, | 0:42:09 | 0:42:14 | |
it devalues the existing prints that are out there. | 0:42:14 | 0:42:16 | |
The case caused Banksy to set up a new company to authenticate his works, Pest Control. | 0:42:16 | 0:42:23 | |
They gave us this message: | 0:42:23 | 0:42:26 | |
That's all from Fake Britain today. Bye for now. | 0:42:50 | 0:42:54 |