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Welcome to a world where nothing is quite as it seems. | 0:00:02 | 0:00:07 | |
Welcome to Fake Britain. | 0:00:07 | 0:00:09 | |
-Get down! Get down! -Hands behind your back, now! | 0:00:21 | 0:00:25 | |
In this series, I'm going to be investigating the world of the criminals | 0:00:25 | 0:00:29 | |
who make their money at your expense. | 0:00:29 | 0:00:31 | |
And I'm going to be showing YOU how NOT to get ripped off. | 0:00:31 | 0:00:34 | |
On today's programme, the Federation Against Copyright Theft | 0:00:36 | 0:00:40 | |
team up with police to raid a Chinese DVD factory in South London. | 0:00:40 | 0:00:45 | |
This is £100,000 a week criminal profit. | 0:00:45 | 0:00:48 | |
We tell the tale of the forger cashing in on some of Cornwall's greatest artists. | 0:00:48 | 0:00:54 | |
They really wanted a genuine painting by my father | 0:00:54 | 0:00:56 | |
and what they got were outright fakes. | 0:00:56 | 0:01:00 | |
And we reveal the lethal toys entering Britain. | 0:01:00 | 0:01:03 | |
That, in the back of a child's throat, would kill them. | 0:01:03 | 0:01:05 | |
It was very hard to actually sit down and explain to them | 0:01:05 | 0:01:09 | |
why they couldn't have these Christmas presents. | 0:01:09 | 0:01:12 | |
It's a cold winter's morning in south London, and the Met Police's Tactical Support Group | 0:01:21 | 0:01:24 | |
are getting ready for action. | 0:01:24 | 0:01:26 | |
They're set for a raid on a suspected counterfeit DVD factory. | 0:01:26 | 0:01:31 | |
And it's thought there could be up to 18 illegal Chinese immigrants working inside. | 0:01:31 | 0:01:35 | |
Joining them are officials from the Federation Against Copyright Theft. | 0:01:36 | 0:01:41 | |
We're with the Met Police. We're looking at six addresses today | 0:01:41 | 0:01:44 | |
that are involved in counterfeiting, money laundering | 0:01:44 | 0:01:48 | |
and exploitation of individuals as well. | 0:01:48 | 0:01:51 | |
The signal's given, and they're off. | 0:01:51 | 0:01:54 | |
SIRENS WAIL | 0:01:54 | 0:01:56 | |
The vans race across London. | 0:01:56 | 0:01:58 | |
These are precisely coordinated raids on a series of addresses across the area, | 0:02:01 | 0:02:06 | |
so arriving at each one at just the right time is crucial. | 0:02:06 | 0:02:11 | |
-Police! -Police! -Aaaah! | 0:02:16 | 0:02:19 | |
As officers arrive at the property, someone sees a van drive off, | 0:02:21 | 0:02:25 | |
and a group of the officers take off in pursuit. | 0:02:25 | 0:02:28 | |
-Did you see that white van? -Yeah. | 0:02:32 | 0:02:34 | |
Do you want to chuck a couple in with me, and I'll go hunt it? | 0:02:34 | 0:02:37 | |
Despite the suspicious van, there's no sign of anyone at the property. | 0:02:41 | 0:02:46 | |
The kitchen area. Living area. | 0:02:46 | 0:02:49 | |
It may SEEM like a normal flat, | 0:02:49 | 0:02:51 | |
but upstairs there is something remarkable. | 0:02:51 | 0:02:55 | |
Firstly into this room, and you'll see the reproduction factory there | 0:02:55 | 0:02:59 | |
with the multiple burners, computers, and printer. | 0:02:59 | 0:03:03 | |
It's a huge find for the team. | 0:03:03 | 0:03:05 | |
In terms of what's in the boxes, what's in the machines in front of you, | 0:03:05 | 0:03:09 | |
and then what's on the shelves behind you and in the next rooms... | 0:03:09 | 0:03:11 | |
There is clearly pornographic material here, and in the neighbouring rooms | 0:03:11 | 0:03:15 | |
you will also see what would be the normal Hollywood movies. | 0:03:15 | 0:03:19 | |
Each title's got a number so they can easily identify what needs to be burned more of, | 0:03:19 | 0:03:24 | |
or what needs to be ordered. You can see, actually, | 0:03:24 | 0:03:26 | |
if you look here, you've got some very recent titles. | 0:03:26 | 0:03:28 | |
Twilight: Breaking Dawn, Part One. Tinker, Tailor, Soldier, Spy, | 0:03:28 | 0:03:32 | |
which is nominated for loads of awards as well. Big British movie. | 0:03:32 | 0:03:36 | |
The Inbetweeners movie, which has been a huge hit. | 0:03:36 | 0:03:40 | |
And then on the other shelves here, you've got everything else you can think of. | 0:03:40 | 0:03:45 | |
You've got comedy stuff as well, you've got children's titles here. | 0:03:45 | 0:03:49 | |
They're all pirated copies, none of these are here legitimately. | 0:03:49 | 0:03:53 | |
I actually did a quick calculation based on the number of burners in this room here. | 0:03:53 | 0:03:56 | |
There are eight of these towers here, operating. | 0:03:56 | 0:04:01 | |
I think there's 12 trays that they can burn off on each of these towers. That's 96. | 0:04:01 | 0:04:05 | |
If you guesstimate they're running these 12 hours a day, | 0:04:05 | 0:04:09 | |
they're making thousands and thousands of these a week, | 0:04:09 | 0:04:12 | |
so just this set-up alone here, | 0:04:12 | 0:04:15 | |
the estimated profit from this would be about £100,000 a week. | 0:04:15 | 0:04:20 | |
THIS is a £100,000 a week criminal profit. | 0:04:20 | 0:04:23 | |
It has been a successful operation for Eddy, Nick and the whole team. | 0:04:24 | 0:04:29 | |
The van got away, but 12 suspects were arrested at other addresses. | 0:04:29 | 0:04:33 | |
Across the area, the entire operation | 0:04:33 | 0:04:36 | |
has seen 50,000 DVDS seized, | 0:04:36 | 0:04:38 | |
and equipment capable of generating profits of £300,000 per week. | 0:04:38 | 0:04:45 | |
This is a crime scene, so this will be forensicated. | 0:04:45 | 0:04:48 | |
We will be retrieving all the material from here. | 0:04:48 | 0:04:52 | |
We will submit a number of items for laboratory testing | 0:04:52 | 0:04:56 | |
so we can prove evidentially | 0:04:56 | 0:04:58 | |
what DVDs came from what machine, and just where they were supplied to, | 0:04:58 | 0:05:03 | |
cos this won't just be supplied to this local area. | 0:05:03 | 0:05:06 | |
These could be going across London and across the country, as well. | 0:05:06 | 0:05:10 | |
Toys have some of the strictest guidelines of any product. | 0:05:17 | 0:05:20 | |
Like most young boys, Jack and Tom Crossland are crazy about them. | 0:05:20 | 0:05:25 | |
In Christmas 2010, they asked their mum, Lorraine, | 0:05:33 | 0:05:36 | |
for some new Ben 10 figures. Little did they know | 0:05:36 | 0:05:39 | |
their Christmas presents that year were to prove potentially fatal. | 0:05:39 | 0:05:44 | |
They'd specifically said they wanted a couple of Ben 10 figures, plus some of the baddies. | 0:05:44 | 0:05:51 | |
Busy at work, Lorraine did what many of us do nowadays. | 0:05:51 | 0:05:55 | |
She went online, and found a lady on an auction site selling everything she wanted. | 0:05:55 | 0:06:01 | |
The feedback was positive from people, | 0:06:01 | 0:06:03 | |
all of the pictures were positive, I got responses to my e-mails. | 0:06:03 | 0:06:08 | |
So Lorraine went ahead and bought the toys. | 0:06:08 | 0:06:12 | |
It was just under £200. | 0:06:12 | 0:06:14 | |
So it wasn't just a couple of stocking fillers. | 0:06:14 | 0:06:17 | |
To her delight, the toys arrived just two days later. | 0:06:17 | 0:06:21 | |
But there was a problem. | 0:06:21 | 0:06:23 | |
I opened the box just to check the toys out, | 0:06:23 | 0:06:27 | |
and instantly, as soon as I saw the toys... | 0:06:27 | 0:06:30 | |
It was the colour of the box, it was the toys inside. They didn't look right. | 0:06:30 | 0:06:35 | |
So I ended up getting everything out the box, just literally so fast, | 0:06:35 | 0:06:40 | |
having a look, and that was instantly where my heart sank | 0:06:40 | 0:06:44 | |
and I thought, "No, I've been had." | 0:06:44 | 0:06:47 | |
The toys were fakes. | 0:06:47 | 0:06:50 | |
Cheap imitations of the authentic ones pictured on the website. | 0:06:50 | 0:06:54 | |
Lorraine went back online to contact the seller. | 0:06:54 | 0:06:57 | |
But she had already been taken off the site. | 0:06:57 | 0:07:00 | |
So she decided to contact her local Trading Standards. | 0:07:00 | 0:07:04 | |
Caroline North is head of the Unfair And Rogue Trading team at Leicestershire County Council. | 0:07:04 | 0:07:09 | |
This is one of the items that Mrs Crossland bought. | 0:07:09 | 0:07:12 | |
This is quite a flimsy... Quite flimsy, cheap cardboard packaging. | 0:07:12 | 0:07:16 | |
It's starting to come away quite easily. | 0:07:16 | 0:07:18 | |
She examined them and found clear signs that they were fake. | 0:07:18 | 0:07:22 | |
On this one, they're describing the on/off button as a "NO OFF" button. | 0:07:22 | 0:07:27 | |
Caroline decided to get the toys scientifically tested. | 0:07:27 | 0:07:31 | |
There's a lot of legislation in this country in place - | 0:07:31 | 0:07:33 | |
toy safety legislation, British standards, | 0:07:33 | 0:07:36 | |
European standards - covering the safety of toys. | 0:07:36 | 0:07:39 | |
We knew they were fake, | 0:07:39 | 0:07:40 | |
but what we wanted to see was, were these also dangerous toys? | 0:07:40 | 0:07:44 | |
Caroline sent the toys to a specialist lab in neighbouring Staffordshire. | 0:07:47 | 0:07:51 | |
Simon Cull is one of the experts who tested them. | 0:07:51 | 0:07:55 | |
Simon is looking for the presence of phthalates - substances banned in toys | 0:07:55 | 0:08:00 | |
except in very small quantities, under strict EU rules. | 0:08:00 | 0:08:04 | |
They can cause hormone deficiencies, particularly in young boys like Jack and Tom, | 0:08:04 | 0:08:09 | |
as well as a whole host of other problems. | 0:08:09 | 0:08:12 | |
They can cause skin irritations, they can cause respiratory problems, breathing difficulties. | 0:08:12 | 0:08:17 | |
Some of the more nasty ones can actually impair fertility | 0:08:17 | 0:08:21 | |
and potentially harm an unborn child, as well. | 0:08:21 | 0:08:24 | |
First, Simon must test for PVC. This has to be present in the toys | 0:08:24 | 0:08:29 | |
for any phthalates in there to be harmful. | 0:08:29 | 0:08:32 | |
If there's any PVC there, which has got chlorides in, this will go nice and green. | 0:08:32 | 0:08:36 | |
Now we've confirmed that, we'll go ahead and look for phthalates | 0:08:40 | 0:08:43 | |
to see if they're in that plastic at all. | 0:08:43 | 0:08:46 | |
Simon completed the tests, and what he found surprised him and his team. | 0:08:46 | 0:08:51 | |
This particular phthalate is benzyl butyl phthalate, | 0:08:53 | 0:08:55 | |
which is the primary phthalate that we've found in this particular sample. | 0:08:55 | 0:08:59 | |
We tend not to find them. When we do, it's... | 0:08:59 | 0:09:01 | |
I wouldn't say it's a rarity, but it shows up like a sore thumb, really. | 0:09:01 | 0:09:06 | |
There are actually two or three different types of phthalates in this material, | 0:09:07 | 0:09:12 | |
but this is the primary one that we are failing the sample on. | 0:09:12 | 0:09:15 | |
This is going to be 50 to 60 times greater than the legal limit for this particular compound. | 0:09:15 | 0:09:20 | |
That's a lot more than we'd anticipate in a typical sample. | 0:09:20 | 0:09:25 | |
50 times greater than the legal limit! This is alarming. | 0:09:25 | 0:09:29 | |
Simon and the team also found high levels of heavy metals in the toys - | 0:09:29 | 0:09:34 | |
arsenic, cadmium and lead, way above the permitted levels. | 0:09:34 | 0:09:39 | |
The results were passed back to Caroline | 0:09:39 | 0:09:41 | |
at Leicestershire's Rogue Trading team. | 0:09:41 | 0:09:43 | |
On this occasion, Mrs Crossland didn't give these toys to her children, | 0:09:43 | 0:09:46 | |
because we sent them off for testing. | 0:09:46 | 0:09:49 | |
Had she given those toys to her children to play with, | 0:09:49 | 0:09:51 | |
then the children would have been firstly at risk from the phthalates. | 0:09:51 | 0:09:55 | |
It could have affected their hormone levels. That could have had an effect on them, quite seriously. | 0:09:55 | 0:10:00 | |
Also, there was the heavy metals in there. | 0:10:00 | 0:10:02 | |
They wouldn't pose an immediate risk to their children's health. | 0:10:02 | 0:10:05 | |
However, long term, a build-up of heavy metals would lead to very long-term health risks, | 0:10:05 | 0:10:10 | |
and you are talking, there, things like potentially cancers. | 0:10:10 | 0:10:13 | |
You sit just there, then. | 0:10:13 | 0:10:14 | |
When Trading Standards told me what was in the toys, | 0:10:14 | 0:10:18 | |
I was very, very shocked. | 0:10:18 | 0:10:20 | |
I just couldn't believe that there are people out there | 0:10:20 | 0:10:23 | |
that will do anything possible to deceive people just to get money. | 0:10:23 | 0:10:29 | |
Because of the dodgy toys, the boys went without presents that Christmas. | 0:10:29 | 0:10:33 | |
Last Christmas was sad, because we didn't get any presents. | 0:10:33 | 0:10:38 | |
When I explained to them that the items that I'd brought | 0:10:39 | 0:10:43 | |
weren't real, and they were dangerous, | 0:10:43 | 0:10:46 | |
and I explained it all to them, they were still upset, | 0:10:46 | 0:10:50 | |
but they were very good, and said, "Well, we don't want them if they're dangerous." | 0:10:50 | 0:10:55 | |
There is no doubt Tom and Jack had a lucky escape. | 0:10:55 | 0:10:59 | |
It can be very difficult to spot a fake painting. | 0:11:04 | 0:11:08 | |
Experts look on the back as well as the front for clues. | 0:11:08 | 0:11:10 | |
But sometimes, it takes an extraordinary coincidence to catch out the fakers. | 0:11:10 | 0:11:16 | |
I sit on a rock and look out over the sea, | 0:11:16 | 0:11:19 | |
and I think that I am aware of everything that's ever moved. | 0:11:19 | 0:11:24 | |
Jack Pender spent his life painting the Cornish coastline. | 0:11:24 | 0:11:27 | |
He never dreamed of people forging his work. | 0:11:27 | 0:11:30 | |
But 10 years after his death, all that was about to change. | 0:11:30 | 0:11:33 | |
Lot number 979, various rummers. | 0:11:33 | 0:11:39 | |
In 2009, Penzance auctioneer David Lays | 0:11:39 | 0:11:42 | |
received two Jack Pender paintings to be valued and sold. | 0:11:42 | 0:11:48 | |
HAMMER TAPS | 0:11:48 | 0:11:49 | |
The first I can remember quite clearly is coming into the office | 0:11:49 | 0:11:53 | |
and being told with a degree of excitement | 0:11:53 | 0:11:57 | |
that two nice Jack Pender paintings had been sent to us for sale. | 0:11:57 | 0:12:00 | |
David had been a close friend of the artist's, | 0:12:00 | 0:12:02 | |
and looked forward to examining the work of his old mate. | 0:12:02 | 0:12:05 | |
But there was something strange about the pictures. | 0:12:05 | 0:12:09 | |
I saw two Jack Pender paintings of a good size, | 0:12:09 | 0:12:12 | |
good subject matter, they had all the elements that the buyers were wanting, | 0:12:12 | 0:12:17 | |
but there was something that just niggled me a little bit, | 0:12:17 | 0:12:21 | |
something about them that was a little odd. | 0:12:21 | 0:12:24 | |
And with hindsight, it would have been the colouring. | 0:12:24 | 0:12:27 | |
Jack's colours tend to be quite muted greys, blacks, whites. | 0:12:27 | 0:12:32 | |
Not bright, harsh colours. | 0:12:32 | 0:12:34 | |
And these paintings had some pretty angry colours in them. | 0:12:34 | 0:12:38 | |
David went online and saw that paintings like this | 0:12:38 | 0:12:41 | |
had been cropping up at auction houses around the country. | 0:12:41 | 0:12:45 | |
I saw that curiously composed, | 0:12:45 | 0:12:50 | |
curiously coloured paintings | 0:12:50 | 0:12:52 | |
had been appearing in the provinces at auction in pairs. | 0:12:52 | 0:12:57 | |
And, well, really, I twigged just straight away that these were fakes. | 0:12:57 | 0:13:01 | |
David contacted Jack's son, Robin, | 0:13:02 | 0:13:05 | |
who lives in the neighbouring town of Truro. | 0:13:05 | 0:13:07 | |
This one's one of my favourites. It's a painting done in the very early '50s | 0:13:07 | 0:13:14 | |
of my grandfather and my father's brother. | 0:13:14 | 0:13:17 | |
All the typical elements in his work, the cottages, the village, the boats. | 0:13:17 | 0:13:22 | |
Robin grew up with his dad's work and knows it inside out. | 0:13:22 | 0:13:26 | |
We spent a lot of time in Dad's studio as children. | 0:13:26 | 0:13:29 | |
And he'd be working on a big easel, | 0:13:29 | 0:13:32 | |
we would be there painting on a little board, you know, next to Dad | 0:13:32 | 0:13:35 | |
and we would just be emulating him, really. | 0:13:35 | 0:13:37 | |
He painted from the soul, if you like, | 0:13:37 | 0:13:40 | |
I mean, it was what he really wanted to do. | 0:13:40 | 0:13:43 | |
Robin met with David Lays, who showed him the fake paintings. | 0:13:43 | 0:13:47 | |
The first thing that struck me was that I hadn't seen them before. | 0:13:47 | 0:13:50 | |
They are kind of going through the motions | 0:13:50 | 0:13:52 | |
trying to re-create a Jack Pender. | 0:13:52 | 0:13:54 | |
So they've got the basic ingredients. They've got the bits of the harbours, | 0:13:54 | 0:13:58 | |
the bits of the boats, the texture of the sea, things like this, | 0:13:58 | 0:14:03 | |
but they're done in a much more superficial way. | 0:14:03 | 0:14:06 | |
When I first showed Robin the paintings, he was incensed, as was I. | 0:14:06 | 0:14:11 | |
We could just see that the public was being duped, | 0:14:11 | 0:14:15 | |
that this man was sullying Jack's name, harming his reputation. | 0:14:15 | 0:14:22 | |
And that incensed me and it incensed Robin. | 0:14:22 | 0:14:26 | |
The man who sold the paintings to David was Rizvan Rahman, | 0:14:27 | 0:14:31 | |
a former art teacher from Leicester. | 0:14:31 | 0:14:33 | |
When Robin and David contacted the police, the case was referred to Leicestershire Constabulary. | 0:14:33 | 0:14:38 | |
These are actually the first two paintings that Mr Rahman | 0:14:38 | 0:14:43 | |
attempted to sell through David Lay auctioneers. | 0:14:43 | 0:14:46 | |
Jason Helm took on the investigation. | 0:14:46 | 0:14:48 | |
As I contacted one gallery or auction house to see if they'd had any dealings with Mr Rahman, | 0:14:48 | 0:14:54 | |
usually they had, and they tended to put me on to another, | 0:14:54 | 0:14:59 | |
so one enquiry led to another. | 0:14:59 | 0:15:02 | |
Jason set about retrieving all the alleged Pender paintings Rahman sold. | 0:15:02 | 0:15:06 | |
Michael Villaneau is a retired stockbroker from London. | 0:15:06 | 0:15:10 | |
He's a keen art collector and has a love of nautical pictures. | 0:15:10 | 0:15:14 | |
In particular, he's a huge fan of Jack Pender. | 0:15:14 | 0:15:18 | |
This was the first Jack Pender that I bought. | 0:15:18 | 0:15:20 | |
I bought it in 1994 at an auction in Penzance. | 0:15:20 | 0:15:24 | |
For him, Pender's work has a special quality. | 0:15:24 | 0:15:28 | |
His colours, the composition, they are distinctive paintings. | 0:15:28 | 0:15:32 | |
I mean, I think you see a Jack Pender and you know it's immediately a Jack Pender. | 0:15:32 | 0:15:36 | |
Michael's ability to spot a Pender was about to be tested. | 0:15:36 | 0:15:40 | |
Keen to expand his collection, Michael had noticed one of Jack's paintings for sale | 0:15:40 | 0:15:45 | |
in an auction house in Surrey, and decided to bid for it online. | 0:15:45 | 0:15:48 | |
I put a lowish bid in, I thought, | 0:15:48 | 0:15:50 | |
and was a little bit surprised when I actually bought the picture. | 0:15:50 | 0:15:54 | |
I ended up paying, I think, £1,100 plus about £250 commission, so £1,350. | 0:15:54 | 0:16:01 | |
When Michael and his wife went to collect the picture, they were rather disappointed. | 0:16:01 | 0:16:06 | |
As soon as we saw it, my wife and I, | 0:16:06 | 0:16:08 | |
we both decided that there was something not quite right about it. | 0:16:08 | 0:16:12 | |
The colours didn't seem to be quite right. | 0:16:12 | 0:16:15 | |
They weren't very appealing, to be honest. | 0:16:15 | 0:16:17 | |
It was Jack Pender-ish, but it didn't really have any charm. | 0:16:17 | 0:16:20 | |
We both looked at the painting and thought, | 0:16:20 | 0:16:22 | |
this is not a particularly nice Jack Pender. | 0:16:22 | 0:16:26 | |
Michael was right to be suspicious about the work. | 0:16:26 | 0:16:29 | |
It was another painting sold by Rizvan Rahman. | 0:16:29 | 0:16:31 | |
Not long after he bought it, Michael received a call from Leicestershire Police. | 0:16:31 | 0:16:37 | |
Jason Helm phoned up and basically said | 0:16:37 | 0:16:39 | |
that he had reason to believe that I had bought a picture that was a forgery. | 0:16:39 | 0:16:44 | |
I must admit I was surprised, but in a way relieved, | 0:16:44 | 0:16:47 | |
because it was a picture we didn't particularly like, | 0:16:47 | 0:16:50 | |
and we had spent quite a bit of money on it. | 0:16:50 | 0:16:52 | |
Jason came and collected the picture. | 0:16:52 | 0:16:54 | |
Michael managed to get a full refund from the auction house. | 0:16:54 | 0:16:57 | |
In total, Jason tracked down 11 Jack Pender paintings sold by Rizvan Rahman. | 0:16:57 | 0:17:03 | |
To confirm they were fakes, he travelled to Cornwall | 0:17:03 | 0:17:07 | |
to show them to Robin Pender, the artist's son. | 0:17:07 | 0:17:10 | |
When Jason and his colleague came down to interview me | 0:17:10 | 0:17:14 | |
and to go through the works, | 0:17:14 | 0:17:16 | |
that really was quite an extraordinary morning | 0:17:16 | 0:17:19 | |
because I came back from work | 0:17:19 | 0:17:21 | |
and they had a estate car absolutely full of paintings. | 0:17:21 | 0:17:24 | |
We brought them into the house and it was quite a strange feeling | 0:17:24 | 0:17:29 | |
bringing these alien works into the house, | 0:17:29 | 0:17:32 | |
to see, one after the other, blatant forgery of my father's paintings. | 0:17:32 | 0:17:39 | |
The colours were subtly different | 0:17:39 | 0:17:41 | |
from the colours that Dad would naturally use. I knew Dad's palette. | 0:17:41 | 0:17:45 | |
There would be some, sort of, | 0:17:45 | 0:17:47 | |
more garish greens, yellows, purples in them. | 0:17:47 | 0:17:50 | |
Seeing all the forgeries together in one place | 0:17:50 | 0:17:53 | |
invoked a strong reaction in Robin. | 0:17:53 | 0:17:56 | |
You go from surprise, curiosity into, you know, anger, determination. | 0:17:56 | 0:18:00 | |
I felt very sorry for the people who'd been taken in by these works. | 0:18:00 | 0:18:06 | |
They really wanted a genuine painting by my father, | 0:18:06 | 0:18:09 | |
and what they got were outright fakes. | 0:18:09 | 0:18:12 | |
Robin can only imagine his dad's reaction, | 0:18:12 | 0:18:15 | |
but it wouldn't have been pleasant. | 0:18:15 | 0:18:17 | |
If he'd met Rizvan Rahman he would have probably punched him on the nose. | 0:18:17 | 0:18:21 | |
I mean, he was that sort. He was fairly determined, | 0:18:21 | 0:18:26 | |
and I don't think he would've been amused. | 0:18:26 | 0:18:29 | |
But the case didn't stop there. Jason discovered it wasn't just Pender's paintings | 0:18:29 | 0:18:33 | |
that Rizvan Rahman was selling. | 0:18:33 | 0:18:35 | |
Rahman had been selling fake works by a whole host of artists. | 0:18:35 | 0:18:39 | |
Most were from the St Ives group from Cornwall. | 0:18:39 | 0:18:43 | |
This one is a painting by the artist Wilhelmina Barns-Graham | 0:18:43 | 0:18:47 | |
that Mr Rahman sold. | 0:18:47 | 0:18:50 | |
I think that sold for 13 or £14,000. | 0:18:50 | 0:18:53 | |
This painting sold to a gallery in London for £20,000. | 0:18:53 | 0:18:57 | |
It was time for Jason to pay the former art teacher a visit. | 0:18:57 | 0:19:01 | |
When I arrested Mr Rahman and we searched his premises, | 0:19:01 | 0:19:05 | |
I recovered quite a few paintings that I believed to be fake. | 0:19:05 | 0:19:09 | |
I recovered one or two invoices | 0:19:09 | 0:19:12 | |
which also proved that they were fake. | 0:19:12 | 0:19:15 | |
We recovered a couple of books - The Art Forger's Handbook and The Confessions Of An Art Forger. | 0:19:15 | 0:19:20 | |
On October 12th 2011, Rizvan Rahman was sentenced to 18 months in jail | 0:19:20 | 0:19:26 | |
for fraudulently selling paintings by multiple artists. | 0:19:26 | 0:19:29 | |
He had made £170,000 from sales of fakes. | 0:19:29 | 0:19:33 | |
However, he HAD already paid back some of the money. | 0:19:33 | 0:19:37 | |
At the end of an investigation, after you've put so much hard work and time into it, | 0:19:37 | 0:19:41 | |
it's always good to get a positive result, | 0:19:41 | 0:19:44 | |
and to see the person you've investigated convicted. | 0:19:44 | 0:19:46 | |
I was very happy with that, and that justice was done. | 0:19:46 | 0:19:50 | |
Selling at 20. | 0:19:50 | 0:19:53 | |
But had Rahman not tried to sell his fake paintings to the artist's friend, David Lays, | 0:19:53 | 0:19:58 | |
he may never have been caught. | 0:19:58 | 0:20:00 | |
Yes, he was unlucky, I think. | 0:20:00 | 0:20:02 | |
He wasn't to know that I had the odd scotch with Jack Pender, | 0:20:02 | 0:20:06 | |
and that I knew his son well and was very familiar with Jack's paintings. | 0:20:06 | 0:20:10 | |
If he hadn't sent those two pictures to me, | 0:20:10 | 0:20:13 | |
then he could still, this day, be churning out fake paintings | 0:20:13 | 0:20:16 | |
and sending them around the world for sale. | 0:20:16 | 0:20:20 | |
For Robin Pender, Jack's son, justice had been done. | 0:20:21 | 0:20:24 | |
Back in Mousehall, the village where his father spent his life | 0:20:24 | 0:20:28 | |
painting the local boats and harbour, | 0:20:28 | 0:20:30 | |
Robin reflects on what has happened. | 0:20:30 | 0:20:32 | |
The cottage that we lived in is over there, right in the middle of the village. | 0:20:32 | 0:20:37 | |
This boat in the foreground is perfect, | 0:20:37 | 0:20:39 | |
it's a classic local fishing boat. | 0:20:39 | 0:20:42 | |
It's on the edge of the water. | 0:20:42 | 0:20:43 | |
That's something that very much interested him. | 0:20:43 | 0:20:46 | |
Then you've got the sweep of the cottages clustered around the harbour. | 0:20:46 | 0:20:51 | |
The shock and the anger that there were blatant forgeries or fakes | 0:20:51 | 0:20:58 | |
which were just a shallow imitation that had no link | 0:20:58 | 0:21:04 | |
with the reality and the vision that my father had, | 0:21:04 | 0:21:08 | |
you know, it's very satisfying to think that all that has gone. | 0:21:08 | 0:21:13 | |
The reputation of Jack Pender, an artist dedicated to recording life in coastal Cornwall, | 0:21:13 | 0:21:19 | |
had been preserved. | 0:21:19 | 0:21:21 | |
Welcome to Dover docks. | 0:21:32 | 0:21:35 | |
As well as cruise ships and passengers, | 0:21:35 | 0:21:37 | |
£80 billion worth of trade passes through the port every year, | 0:21:37 | 0:21:41 | |
and amongst that, there's some dodgy gear. | 0:21:41 | 0:21:43 | |
Kent Trading Standards area manager Mark Rolf | 0:21:45 | 0:21:47 | |
has come to investigate a giant shipment of fake toys found in the back of a lorry. | 0:21:47 | 0:21:53 | |
What we've got here is 9,500 dangerous items. | 0:21:53 | 0:21:57 | |
Toys, protective gear, playthings, gadgets. | 0:21:57 | 0:22:01 | |
It's one of the biggest seizures of fake toys Kent Trading Standards have ever seen, | 0:22:01 | 0:22:06 | |
estimated to be worth quarter of a million pounds. | 0:22:06 | 0:22:10 | |
It contains some potentially lethal toys. | 0:22:10 | 0:22:12 | |
Look away now, kids - you don't want these for Christmas. | 0:22:12 | 0:22:16 | |
The thing that's most commonly faked | 0:22:16 | 0:22:18 | |
is what's called the European Conformity Mark, | 0:22:18 | 0:22:21 | |
which is the symbol we tell people to look out for to make sure the goods they're buying are safe. | 0:22:21 | 0:22:25 | |
A good example is our friend, the doll, here. Lovely looking toy. | 0:22:25 | 0:22:30 | |
Got a small label on the back, with the European conformity mark, | 0:22:30 | 0:22:36 | |
which is the CE marked on there. | 0:22:36 | 0:22:40 | |
The way this doll is put together, the whole structure of the doll | 0:22:40 | 0:22:44 | |
is based around this, which is just waiting to poke a child's eye out, | 0:22:44 | 0:22:47 | |
and certainly shouldn't be in a toy that you would give to a child. | 0:22:47 | 0:22:52 | |
That looks like an injury waiting to happen. | 0:22:52 | 0:22:55 | |
These toys are, again, CE marked. | 0:22:55 | 0:22:57 | |
These are what are called Puffer Balls. | 0:22:57 | 0:23:00 | |
Which are very attractive, obviously, for young children. | 0:23:00 | 0:23:03 | |
They light up and bounce, and they're very soft. | 0:23:03 | 0:23:05 | |
The problem with these is that they've got no strength in them, | 0:23:05 | 0:23:09 | |
and the bit that lights up inside is just the right size to go into a child's throat and choke them. | 0:23:09 | 0:23:14 | |
And actually, if a child were to have this in their mouth, | 0:23:14 | 0:23:18 | |
it takes very little to separate the ball from the toy. | 0:23:18 | 0:23:23 | |
And that, in the back of a child's throat, would kill them. | 0:23:23 | 0:23:26 | |
As Mark examines the huge haul, he finds yet more hazardous toys. | 0:23:26 | 0:23:30 | |
All have the CE mark on them, but all are dangerous for children. | 0:23:32 | 0:23:36 | |
Stuffing in soft toys should be of a specific type so that children can't choke on it. | 0:23:36 | 0:23:41 | |
This is stuffed with used rags of, well, all sorts of things, really. | 0:23:41 | 0:23:48 | |
Again, these are not the kind of stuffing you would want a child to have access to. | 0:23:48 | 0:23:52 | |
The CE mark is across Europe, and it means that goods that bear it | 0:23:52 | 0:23:57 | |
meet all of the European standards of safety. | 0:23:57 | 0:24:00 | |
The fact that it's on these goods, and these goods are unsafe, | 0:24:00 | 0:24:03 | |
is a really serious problem as far as we're concerned. | 0:24:03 | 0:24:06 | |
The toy mountain also contains counterfeit versions of genuine brands. | 0:24:06 | 0:24:10 | |
The Ben 10 fakers are still at it. | 0:24:10 | 0:24:13 | |
Sports protection helmet, with pictures of people cycling or skateboarding or skating. | 0:24:13 | 0:24:18 | |
And, again, a brand that is the Ben 10 brand, | 0:24:18 | 0:24:23 | |
nothing to do with the genuine Ben 10 people. | 0:24:23 | 0:24:26 | |
If I take it out of the packet, you can see, | 0:24:27 | 0:24:33 | |
again, inside it's got the CE mark, so this should be a cycle helmet that you'd feel confident | 0:24:33 | 0:24:37 | |
with your child going out cycling or skateboarding in. | 0:24:37 | 0:24:40 | |
But it's got no structure to it. | 0:24:40 | 0:24:42 | |
It's just a piece of weak plastic, basically. | 0:24:42 | 0:24:47 | |
Certainly wouldn't want my child's head in that if they came off their bike. | 0:24:47 | 0:24:51 | |
A selection of the toys have been sent here, | 0:24:54 | 0:24:57 | |
to Kent Scientific Services, for examination. | 0:24:57 | 0:25:00 | |
It's Paulette Smith's job to determine just how dangerous they could be. | 0:25:00 | 0:25:04 | |
To do this, Paulette will need her special toy testing kit. | 0:25:04 | 0:25:08 | |
First up, it's this little lady. | 0:25:10 | 0:25:13 | |
If we use these accessibility probes which represent child's fingers, | 0:25:13 | 0:25:17 | |
a child could very easily reach through into the back of the doll and feel the wire. | 0:25:17 | 0:25:23 | |
The end of the wire is actually quite accessible there, | 0:25:23 | 0:25:25 | |
you can just see it starting to poke through the actual fabric of the doll, | 0:25:25 | 0:25:29 | |
and in fact it's very easily just pushed through the doll there. | 0:25:29 | 0:25:34 | |
If we use the sharp point tester, here, | 0:25:34 | 0:25:36 | |
on the end of this wire, you can see | 0:25:36 | 0:25:39 | |
as the red light lights, | 0:25:39 | 0:25:40 | |
that indicates that the end of the wire is a sharp point. | 0:25:40 | 0:25:43 | |
I definitely think that this would present a risk to any child who was playing with this. | 0:25:43 | 0:25:47 | |
Next up, it's the turn of some dodgy-looking rattles. | 0:25:49 | 0:25:53 | |
Interestingly enough, the box is actually marked | 0:25:53 | 0:25:57 | |
that the item is not suitable for children under three years. | 0:25:57 | 0:26:00 | |
I think, with a picture of a baby on it, it obviously IS intended for children under three years. | 0:26:00 | 0:26:05 | |
If we take this one, | 0:26:05 | 0:26:07 | |
a little twist like that, we can see it quite easily snaps off, | 0:26:07 | 0:26:11 | |
and the whole thing then fits within this small parts cylinder. | 0:26:11 | 0:26:15 | |
Anything which would fit entirely within here is deemed to present a choking hazard to a child. | 0:26:15 | 0:26:21 | |
The child could theoretically put it in its mouth and swallow it, | 0:26:21 | 0:26:24 | |
and then could choke on the item. | 0:26:24 | 0:26:26 | |
Finally, it's the turn of this kitty cat. | 0:26:28 | 0:26:31 | |
He looks pretty friendly, but Paulette thinks not. | 0:26:31 | 0:26:34 | |
She's concerned that the stuffing inside the toy, | 0:26:34 | 0:26:37 | |
a mixture of rags and old clothes, | 0:26:37 | 0:26:40 | |
could cause it to burn too quickly, which, if accidentally set alight, could help cause a house fire. | 0:26:40 | 0:26:45 | |
A normal toy which has been properly stuffed should burn slowly. | 0:26:45 | 0:26:51 | |
Let's see what happens to this guy. Stand back, ladies and gents. | 0:26:51 | 0:26:54 | |
The fire spreads fast. | 0:26:57 | 0:26:59 | |
There is no doubt about it, it's a dangerous animal. | 0:26:59 | 0:27:02 | |
You can see once a flame catches hold, it burns quite easily and quite readily. | 0:27:02 | 0:27:08 | |
It'd be quite nasty if it caught light in the home. | 0:27:08 | 0:27:11 | |
Tiger! Tiger! Burning bright. Not for much longer. | 0:27:11 | 0:27:16 | |
The team are concerned that potentially toxic fumes could fill the car park. | 0:27:16 | 0:27:20 | |
It's so dangerous, they have to put it out twice. | 0:27:25 | 0:27:29 | |
It was a very rapid spread of flame on the tiger as it burned there. | 0:27:31 | 0:27:35 | |
A toy that was stuffed with more suitable stuffing material | 0:27:35 | 0:27:40 | |
would probably tend to melt initially, | 0:27:40 | 0:27:42 | |
rather than catch alight like that, | 0:27:42 | 0:27:44 | |
and certainly any spread of flame would be a lot slower, | 0:27:44 | 0:27:47 | |
which would give a child more time to react and to get away from any danger that might arise. | 0:27:47 | 0:27:52 | |
This is one tiger that's not worth saving. | 0:27:52 | 0:27:56 | |
I think the whole shipment is certainly not fit to be given to children. | 0:27:56 | 0:28:00 | |
Overall, Mark is appalled by what he's found. | 0:28:02 | 0:28:06 | |
The worst thing that could happen as a result of a child playing with these | 0:28:06 | 0:28:09 | |
is that they would be seriously injured or could die. | 0:28:09 | 0:28:11 | |
Some of the choking hazards could be that serious. | 0:28:11 | 0:28:14 | |
The vast majority of this whole pile will be destroyed, | 0:28:14 | 0:28:16 | |
cos there's nothing that can be done to make them reusable, they're just rubbish. | 0:28:16 | 0:28:20 | |
That's all from Fake Britain today. Bye for now. | 0:28:28 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:56 | 0:28:59 |