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Welcome to a world where nothing is quite as it seems. | 0:00:04 | 0:00:07 | |
Welcome to Fake Britain. | 0:00:07 | 0:00:09 | |
SHOUTING | 0:00:09 | 0:00:11 | |
-Get your hands behind your back! Now! -Get your hands behind your back now! | 0:00:22 | 0:00:26 | |
It's just an ordinary house. It could be anywhere in the country, | 0:00:26 | 0:00:29 | |
but this is a house that's filled with fakes | 0:00:29 | 0:00:32 | |
and you may not know it, | 0:00:32 | 0:00:34 | |
but your home could be full of them too. | 0:00:34 | 0:00:36 | |
During the series, we'll be investigating the criminals | 0:00:36 | 0:00:39 | |
trying to get their hands on your cash | 0:00:39 | 0:00:41 | |
by using forgeries, frauds and fakery. | 0:00:41 | 0:00:44 | |
And I'll be showing you how you can avoid being taken for a ride. | 0:00:44 | 0:00:48 | |
Coming up, we uncover a black market in fake car servicing software | 0:00:49 | 0:00:54 | |
that could put your life at risk. | 0:00:54 | 0:00:57 | |
There are actual very significant safety implications | 0:00:57 | 0:01:00 | |
for the general public. | 0:01:00 | 0:01:02 | |
How fake henna could scar you forever... | 0:01:02 | 0:01:06 | |
There is no such thing as black henna. | 0:01:06 | 0:01:08 | |
My hands and arms were burning. The pain was too much, you know? | 0:01:08 | 0:01:12 | |
And how top of the range chefs' knives are being faked | 0:01:12 | 0:01:15 | |
and sold to the public and restaurants around the country. | 0:01:15 | 0:01:19 | |
We opened the box, looked at the knives | 0:01:20 | 0:01:22 | |
and were pretty gobsmacked at what we saw. | 0:01:22 | 0:01:24 | |
This is henna decoration. | 0:01:31 | 0:01:33 | |
It's a plant extract that's used in hair and beauty products, | 0:01:33 | 0:01:37 | |
it's natural, it's safe and as you can see, | 0:01:37 | 0:01:40 | |
-Denise, it's very beautiful. -Thank you. | 0:01:40 | 0:01:42 | |
This however, is quite different. It's black henna. | 0:01:42 | 0:01:46 | |
People are fooled into thinking | 0:01:46 | 0:01:47 | |
that black henna is just a different type, a different colour of henna, | 0:01:47 | 0:01:51 | |
but it's not. It's a fake. There's no such thing as black henna. | 0:01:51 | 0:01:56 | |
It's in fact an illegal and dangerous chemical concoction, | 0:01:56 | 0:02:00 | |
that deceives and harms the people that use it. | 0:02:00 | 0:02:03 | |
Ah! | 0:02:05 | 0:02:06 | |
Simon Loxham lives in Surrey with his wife | 0:02:06 | 0:02:08 | |
and two children, Gabriel and Ruben. | 0:02:09 | 0:02:11 | |
Come on, Gabe! Come here! | 0:02:11 | 0:02:13 | |
They went on an annual family holiday to Spain. | 0:02:14 | 0:02:17 | |
And a couple of days into the holiday, | 0:02:18 | 0:02:20 | |
Gabriel and Ruben wanted to get temporary henna designs | 0:02:20 | 0:02:23 | |
painted on their arms from an artist they'd seen on the beach. | 0:02:23 | 0:02:27 | |
We kept seeing this tattooist on the seafront. | 0:02:28 | 0:02:32 | |
We were being hassled every day by the children | 0:02:32 | 0:02:36 | |
and after a few days, we decided to get it done. | 0:02:36 | 0:02:40 | |
Simon had no idea of the dangers of black henna or what was in it. | 0:02:40 | 0:02:44 | |
There was no mention of black henna or anything like that. | 0:02:45 | 0:02:50 | |
It was seen very much as a temporary thing | 0:02:50 | 0:02:52 | |
and something for a bit of fun on holiday. | 0:02:52 | 0:02:56 | |
Everyone was delighted with the result. | 0:02:56 | 0:02:59 | |
And they looked fantastic for a few days, | 0:02:59 | 0:03:03 | |
they were really black and looked nice | 0:03:03 | 0:03:05 | |
and the boys loved them. | 0:03:05 | 0:03:06 | |
Simon and his family enjoyed the rest of their holiday | 0:03:06 | 0:03:09 | |
and the children loved their painted designs. | 0:03:09 | 0:03:12 | |
But when they returned home, the fun stopped. | 0:03:14 | 0:03:17 | |
About a week after we arrived back in the UK, | 0:03:18 | 0:03:21 | |
the black started to fade, | 0:03:21 | 0:03:24 | |
but in place of that started this blistering | 0:03:25 | 0:03:27 | |
and his arm over a few days progressively | 0:03:28 | 0:03:31 | |
was raised in a perfect scorpion blister. | 0:03:32 | 0:03:37 | |
Horrified, Simon and his wife rushed Gabriel to the doctor's, | 0:03:37 | 0:03:41 | |
but they were just as shocked. | 0:03:41 | 0:03:43 | |
They didn't know what it was. | 0:03:44 | 0:03:46 | |
The doctor thought that he'd actually had a real tattoo. | 0:03:46 | 0:03:49 | |
It looked that bad. | 0:03:49 | 0:03:51 | |
But things even worse, | 0:03:52 | 0:03:53 | |
as the dangerous chemicals started reacting with Gabriel's body | 0:03:53 | 0:03:56 | |
and they were poisoning him. | 0:03:57 | 0:03:59 | |
The scab started to disappear and move into, um, | 0:03:59 | 0:04:04 | |
sort of, a weeping, pus-sy mess. | 0:04:04 | 0:04:07 | |
And he started getting spots all around his arm. | 0:04:07 | 0:04:10 | |
At one point, it was literally dripping, | 0:04:11 | 0:04:14 | |
there so much fluid coming out of his skin. | 0:04:14 | 0:04:17 | |
You were eating breakfast, weren't you and I had to | 0:04:17 | 0:04:19 | |
almost mop up underneath you with a tissue, | 0:04:19 | 0:04:22 | |
it was dripping so much. | 0:04:22 | 0:04:24 | |
Terrified, Simon took Gabriel back to the doctor's. | 0:04:24 | 0:04:28 | |
Tests revealed that the culprit was Paraphenylenediamine, known as PPD. | 0:04:29 | 0:04:34 | |
PPD is a colourless chemical, | 0:04:35 | 0:04:37 | |
but it reacts with oxygen to give it a colour. | 0:04:37 | 0:04:40 | |
It's added to natural henna to turn it black. | 0:04:41 | 0:04:45 | |
It was something that was painted on the skin, | 0:04:45 | 0:04:48 | |
and as a result of being painting on the skin had seeped into his skin | 0:04:48 | 0:04:52 | |
and was attacking his body from the inside. | 0:04:52 | 0:04:56 | |
That was quite frightening that something so innocent and fun | 0:04:56 | 0:05:02 | |
had actually damaged his body on a permanent basis. | 0:05:02 | 0:05:06 | |
The doctor said the chemicals were attacking his body | 0:05:06 | 0:05:09 | |
and if we didn't sort it out soon, he could become quite ill. | 0:05:09 | 0:05:13 | |
Eventually, the blister cleared up, | 0:05:15 | 0:05:18 | |
but it's left a severe and lasting effect on Gabriel. | 0:05:18 | 0:05:21 | |
You can see on his arm, still, a scorpion shape. | 0:05:22 | 0:05:26 | |
It's more noticeable when he's got a bit of colour after a holiday. | 0:05:27 | 0:05:31 | |
And he's now over-sensitised to PPD. | 0:05:31 | 0:05:36 | |
Gabriel needs to be careful, | 0:05:36 | 0:05:38 | |
as PPD is found in many household products | 0:05:38 | 0:05:41 | |
and contact with them could cause him a severe reaction. | 0:05:41 | 0:05:45 | |
It's in textile and hair dyes, | 0:05:45 | 0:05:47 | |
black rubber, petrol, and photocopying and printing inks. | 0:05:47 | 0:05:51 | |
But it's banned in skin products in the UK and across the EU. | 0:05:51 | 0:05:57 | |
It's something he'll have to be careful of for the rest of his life. | 0:05:57 | 0:06:00 | |
Later, we discover that fake henna isn't only being used | 0:06:00 | 0:06:04 | |
on the beaches of Europe. | 0:06:04 | 0:06:05 | |
It's also openly available on British high streets, | 0:06:05 | 0:06:08 | |
as one woman knows only too well. | 0:06:08 | 0:06:11 | |
It's not like any other illness. | 0:06:12 | 0:06:15 | |
It's not for one or two days and then you get better. | 0:06:15 | 0:06:17 | |
It was just terrible. It was just, it was too much. | 0:06:17 | 0:06:20 | |
This disc contains all the technical information you need to service | 0:06:28 | 0:06:31 | |
over 15,000 different types of vehicle. | 0:06:31 | 0:06:34 | |
It's sold to garages up and down the country. | 0:06:35 | 0:06:37 | |
They pop it in a computer and out comes | 0:06:37 | 0:06:40 | |
everything they need to know to look after your car properly. | 0:06:40 | 0:06:44 | |
But it's also a target for fakers. | 0:06:46 | 0:06:48 | |
And that's putting you and me at risk on the roads. | 0:06:48 | 0:06:52 | |
Garages need service information | 0:06:53 | 0:06:55 | |
to make sure a car is looked after properly. | 0:06:55 | 0:06:58 | |
In Slough, mechanic Andy knows how important this information is | 0:06:59 | 0:07:02 | |
and how things have changed. | 0:07:02 | 0:07:05 | |
Back in the 1970s when cars were much less complicated | 0:07:05 | 0:07:09 | |
and nowhere near the amount of electronics, | 0:07:09 | 0:07:12 | |
we just needed a little book like this and this book contained | 0:07:12 | 0:07:16 | |
all the information that you really needed to know. | 0:07:16 | 0:07:19 | |
Today, vehicles are so sophisticated and complex, | 0:07:20 | 0:07:23 | |
they need something much more detailed. | 0:07:23 | 0:07:26 | |
We've got 15,000 plus vehicles which could come in to the garage | 0:07:28 | 0:07:33 | |
and obviously that amount of information | 0:07:33 | 0:07:35 | |
can't be contained in a little book anymore. | 0:07:35 | 0:07:37 | |
All the information is now computerised | 0:07:37 | 0:07:39 | |
and one of the systems mechanics use is Autodata. | 0:07:40 | 0:07:43 | |
Everything they'll need, including all the latest manufacturer updates, | 0:07:43 | 0:07:46 | |
it's all on a computer disc. | 0:07:47 | 0:07:49 | |
It basically gives us | 0:07:49 | 0:07:51 | |
all the information that we need to know. | 0:07:51 | 0:07:53 | |
What operations need to be carried out, | 0:07:53 | 0:07:55 | |
what needs to be checked, what needs to be replaced. | 0:07:55 | 0:07:56 | |
The information costs several hundred pounds every year | 0:07:56 | 0:07:59 | |
on an annual subscription. | 0:07:59 | 0:08:01 | |
Details of more than 80 manufacturers for cars | 0:08:01 | 0:08:04 | |
going back to 1959 - they're are all on the system. | 0:08:04 | 0:08:08 | |
Right, the first thing that we'll check is the tyre pressures. | 0:08:08 | 0:08:11 | |
If there's an underinflated tyre, it's dangerous. | 0:08:12 | 0:08:15 | |
But manufacturers update information all the time, | 0:08:15 | 0:08:18 | |
so the computerised system is constantly updated too | 0:08:18 | 0:08:21 | |
and garages are made aware of the changes. | 0:08:22 | 0:08:24 | |
The fake discs are copies of older versions of the system | 0:08:25 | 0:08:28 | |
and are not registered with the company. | 0:08:28 | 0:08:31 | |
They won't have recent updates or get any new ones. | 0:08:31 | 0:08:34 | |
That means the servicing won't be done properly | 0:08:34 | 0:08:36 | |
and that could have dangerous consequences for you and your car. | 0:08:37 | 0:08:40 | |
Rod Williams, Chief Executive of Autodata, | 0:08:42 | 0:08:45 | |
is worried that the fakers are putting the motoring public at risk. | 0:08:45 | 0:08:49 | |
If you take your vehicle in to a garage, | 0:08:49 | 0:08:52 | |
you're trusting them... They're working on your brakes for example | 0:08:52 | 0:08:55 | |
to make sure that you can stop the car in case of an emergency. | 0:08:55 | 0:08:58 | |
The implications for this kind of counterfeiting | 0:08:58 | 0:09:01 | |
and faking activity aren't just about the actual counterfeiting | 0:09:01 | 0:09:04 | |
and someone else making a fast buck. | 0:09:04 | 0:09:06 | |
There are actual very significant | 0:09:06 | 0:09:08 | |
safety implications for the general public. | 0:09:08 | 0:09:11 | |
Rod feels the situation is now so serious | 0:09:11 | 0:09:14 | |
that Autodata is using private investigators like Julian French | 0:09:14 | 0:09:18 | |
to track the fakers down. | 0:09:18 | 0:09:20 | |
In Kent, he's hoping to catch a couple red-handed | 0:09:20 | 0:09:23 | |
selling the fake software. | 0:09:23 | 0:09:24 | |
He's posing as a customer wanting to buy the disc. | 0:09:25 | 0:09:28 | |
Today we're hoping to meet up with a seller | 0:09:29 | 0:09:33 | |
offering illegal Autodata software. | 0:09:34 | 0:09:36 | |
This is a joint project, involving the police and Trading Standards. | 0:09:36 | 0:09:40 | |
The suspects targeted are posing as Autodata employees. | 0:09:40 | 0:09:45 | |
The actual person herself | 0:09:45 | 0:09:47 | |
told some of the people that she actually worked for Autodata. | 0:09:47 | 0:09:50 | |
On other occasions she's told people that she used to work for Autodata. | 0:09:50 | 0:09:54 | |
What she seems to be doing is trying to make out that what she's selling | 0:09:56 | 0:09:59 | |
is actually genuine software but it's just she's selling it cheap. | 0:09:59 | 0:10:04 | |
But we know for a fact, we know it's counterfeit software. | 0:10:04 | 0:10:07 | |
Julian is working with the police and Trading Standards, | 0:10:09 | 0:10:12 | |
their identities have to remain hidden. | 0:10:12 | 0:10:14 | |
They're hoping to catch some sneaky software sellers in the act. | 0:10:15 | 0:10:19 | |
They've agreed to meet the suspects in a supermarket car park. | 0:10:19 | 0:10:22 | |
Right, this is a good place for us to be able to watch the vehicle | 0:10:24 | 0:10:28 | |
where the deal is going to go down. | 0:10:28 | 0:10:29 | |
We can sit back here, | 0:10:29 | 0:10:31 | |
we can see the movement from the people in there | 0:10:31 | 0:10:33 | |
and we'll be able to see the signal from our colleague in there, | 0:10:33 | 0:10:36 | |
who's going to let us know when the deal's done | 0:10:36 | 0:10:38 | |
so we can go in and arrest the person selling the counterfeit software. | 0:10:39 | 0:10:42 | |
The police and Trading Standards wait in an unmarked car. | 0:10:44 | 0:10:47 | |
Private investigator Julian waits to meet the suspects in his own car, | 0:10:47 | 0:10:51 | |
in another part of the car park. | 0:10:52 | 0:10:54 | |
No-one's sure whether they'll turn up. | 0:10:54 | 0:10:56 | |
RADIO: 'We're going to view the CCTV and give you a call. | 0:10:56 | 0:10:59 | |
Time is ticking, and it doesn't look good. | 0:11:00 | 0:11:03 | |
After three hours of waiting, | 0:11:04 | 0:11:05 | |
just as the team are about to call off the operation, there is news. | 0:11:06 | 0:11:09 | |
We've just taken a call from our colleague | 0:11:09 | 0:11:12 | |
to let us know the target is on his way. | 0:11:12 | 0:11:16 | |
And it looks like one of the suspects | 0:11:16 | 0:11:18 | |
has turned up alone to do the deal. | 0:11:18 | 0:11:20 | |
Julian gets into the suspect's car on the other side of the car park. | 0:11:20 | 0:11:25 | |
He's pretending to be the customer. | 0:11:25 | 0:11:27 | |
That one. | 0:11:27 | 0:11:28 | |
Him in the Focus. | 0:11:28 | 0:11:30 | |
And once the deal's done, the police spring into action. | 0:11:30 | 0:11:34 | |
He's got the disc. | 0:11:34 | 0:11:36 | |
Basically I've just been supplied with a disc, | 0:11:50 | 0:11:53 | |
a blank disc, which I believe to be Autodata. | 0:11:53 | 0:11:56 | |
Obviously we'll take that back and check it to make sure what's on it. | 0:11:56 | 0:11:59 | |
Paid £80. | 0:11:59 | 0:12:00 | |
I was told to ring a lady at 8pm tonight | 0:12:00 | 0:12:05 | |
who would give me instructions to install it on my computer. | 0:12:05 | 0:12:07 | |
So we've got her details. | 0:12:07 | 0:12:09 | |
At the moment this is the guy who delivered it, | 0:12:09 | 0:12:11 | |
we believe this to be the partner of the person who I spoke to earlier. | 0:12:11 | 0:12:15 | |
The Autodata seller has been arrested | 0:12:15 | 0:12:18 | |
and he knows he's in serious trouble. | 0:12:18 | 0:12:20 | |
And the policeman is suspicious | 0:12:31 | 0:12:33 | |
that he been warning someone on his mobile when he was arrested. | 0:12:33 | 0:12:37 | |
Pardon? | 0:12:39 | 0:12:41 | |
-Just someone. -Just someone. | 0:12:42 | 0:12:44 | |
-Yeah, just someone. -Who's that? -It doesn't matter who it was. | 0:12:44 | 0:12:47 | |
The car is searched thoroughly. | 0:12:47 | 0:12:50 | |
Julian and the team think their operation today has been a success. | 0:12:50 | 0:12:54 | |
Very pleased we've identified both subjects now, which is great. | 0:12:54 | 0:12:58 | |
We've recovered quite a bit of evidence which will be processed. | 0:12:58 | 0:13:01 | |
The couple involved will be prosecuted. | 0:13:01 | 0:13:04 | |
And more of these types of operations | 0:13:04 | 0:13:06 | |
are going to be carried out in the future. | 0:13:06 | 0:13:08 | |
It used to be that if you did a bit of cooking you just had knives, | 0:13:17 | 0:13:20 | |
but thanks to celebrity chefs that's not enough for most of us any more. | 0:13:20 | 0:13:25 | |
We have to have professional chef's knives like this one. | 0:13:25 | 0:13:28 | |
Very expensive. | 0:13:28 | 0:13:30 | |
But then all of these, | 0:13:30 | 0:13:31 | |
well, as you might expect from the Fake Britain house, | 0:13:31 | 0:13:34 | |
they're all fakes, and they're not cheap either. | 0:13:34 | 0:13:37 | |
You've guessed it, | 0:13:37 | 0:13:38 | |
when it comes to chef's knives, fakers are carving up the market. | 0:13:38 | 0:13:43 | |
All of these knives are fake. | 0:13:45 | 0:13:47 | |
If they were real they'd be worth thousands. | 0:13:47 | 0:13:50 | |
Surrey Police discovered them by chance | 0:13:50 | 0:13:52 | |
when they stopped a suspicious van. | 0:13:52 | 0:13:54 | |
The police arrested the driver, Michael Orchard, | 0:13:54 | 0:13:58 | |
and passed the knives onto Rob Charlton | 0:13:58 | 0:14:00 | |
at West Berkshire Trading Standards. | 0:14:01 | 0:14:03 | |
We've never dealt with anything, | 0:14:04 | 0:14:06 | |
with counterfeit stuff such as this before. | 0:14:06 | 0:14:09 | |
I was absolutely shocked, firstly the volume of it. | 0:14:09 | 0:14:12 | |
But also surprised at how much this stuff actually costs. | 0:14:12 | 0:14:16 | |
This is top of the range stuff and very expensive. | 0:14:16 | 0:14:18 | |
A set of knives like these if they were the real thing | 0:14:18 | 0:14:21 | |
would sell for over £1,000. | 0:14:21 | 0:14:24 | |
Richard Foster from London, loves cooking | 0:14:26 | 0:14:28 | |
and thought buying top-notch knives would be a sound investment. | 0:14:28 | 0:14:32 | |
He decided a set from Global would be perfect. | 0:14:32 | 0:14:35 | |
The reason for wanting a good quality knife set | 0:14:36 | 0:14:38 | |
was because they would last. | 0:14:38 | 0:14:40 | |
I would expect these to last a lifetime almost, | 0:14:40 | 0:14:43 | |
so in reality I don't think they are actually that expensive. | 0:14:43 | 0:14:46 | |
It does make a difference when you're cooking undoubtedly. | 0:14:46 | 0:14:49 | |
And it's like a precision piece of engineering. | 0:14:49 | 0:14:51 | |
Richard searched online and found the set he wanted | 0:14:51 | 0:14:55 | |
from an independent seller. | 0:14:55 | 0:14:57 | |
He was selling them as liquidated stock, | 0:14:57 | 0:14:59 | |
I think he mentioned he was a chef. | 0:14:59 | 0:15:00 | |
So I bought the set of nine knives and a sharpener for £470. | 0:15:00 | 0:15:06 | |
I had absolutely no reason to think there was anything untoward. | 0:15:06 | 0:15:10 | |
The knives he had his eye on retail on the high street for over £1,000, | 0:15:10 | 0:15:14 | |
so Richard thought he was getting a fantastic deal. | 0:15:14 | 0:15:17 | |
It wasn't long before a set similar to these arrived. | 0:15:17 | 0:15:22 | |
When I got the knives I was very excited. | 0:15:22 | 0:15:25 | |
I opened them up and I showed my wife a tomato | 0:15:25 | 0:15:28 | |
in lots of anticipation. | 0:15:28 | 0:15:30 | |
"Watch this, it's going to be amazing". | 0:15:30 | 0:15:32 | |
And it just bent in half and it didn't even cut through the tomato. | 0:15:32 | 0:15:35 | |
So there was clearly something wrong there. | 0:15:35 | 0:15:38 | |
That excitement was quickly blown away. | 0:15:38 | 0:15:40 | |
Richard had expected the knife to be extremely sharp. | 0:15:40 | 0:15:44 | |
Becoming suspicious, he looked a bit closer | 0:15:44 | 0:15:46 | |
at exactly what he'd bought. | 0:15:46 | 0:15:47 | |
The quality of them didn't look quite right, | 0:15:48 | 0:15:49 | |
the packaging didn't look that good. | 0:15:50 | 0:15:51 | |
I suspected there was something wrong with them. | 0:15:51 | 0:15:54 | |
And one thing in particular didn't add up. | 0:15:54 | 0:15:56 | |
The giveaway for me was the handles, | 0:15:58 | 0:15:59 | |
there were some black spots that were painted. | 0:15:59 | 0:16:01 | |
And it looked somebody had filled it in with a marker pen. | 0:16:01 | 0:16:05 | |
The marks weren't central. | 0:16:05 | 0:16:08 | |
I wouldn't expect that for a £1,000 set of knives. | 0:16:08 | 0:16:12 | |
I suspected they were probably fake. | 0:16:13 | 0:16:15 | |
Convinced they weren't the genuine knives he'd paid for, | 0:16:15 | 0:16:18 | |
Richard contacted the seller. | 0:16:19 | 0:16:20 | |
I was annoyed, I sent him an email, | 0:16:20 | 0:16:22 | |
I disputed the fact they were genuine. | 0:16:23 | 0:16:25 | |
He said they were, he said was a chef and he'd sold lots of them, | 0:16:25 | 0:16:29 | |
I think 20 sets. | 0:16:29 | 0:16:30 | |
Insisting they were real, | 0:16:30 | 0:16:31 | |
the seller wouldn't give Richard his money back. | 0:16:32 | 0:16:34 | |
But, Richard wasn't going to give up that easily. | 0:16:34 | 0:16:37 | |
The follow up email I told him I would send them to Global Knives | 0:16:38 | 0:16:42 | |
to see if they were counterfeit. | 0:16:42 | 0:16:43 | |
The seller then agreed to a refund if the knives were sent back. | 0:16:44 | 0:16:48 | |
That's exactly what Richard did | 0:16:48 | 0:16:50 | |
and it confirmed his suspicions that they were fake. | 0:16:50 | 0:16:53 | |
After this bad experience, | 0:16:53 | 0:16:55 | |
Richard forked out for a real set and was amazed at the difference. | 0:16:55 | 0:16:59 | |
You can literally lay them on top something | 0:16:59 | 0:17:01 | |
and they just go straight through. | 0:17:01 | 0:17:03 | |
So the quality was completely different. | 0:17:03 | 0:17:05 | |
People who sell the fakes also target restaurants. | 0:17:07 | 0:17:10 | |
We took some of the fakes to Cicchetti restaurant in London | 0:17:10 | 0:17:14 | |
to show them to well-known chef Aldo Zilli. | 0:17:14 | 0:17:17 | |
I never experienced fake knives until 10 years ago in this country. | 0:17:17 | 0:17:23 | |
You get the odd people that try to sell you things at the back door. | 0:17:24 | 0:17:28 | |
We've got two knives here, one's fake and one's real. | 0:17:28 | 0:17:31 | |
And the branding is much more prominent on the fake one. | 0:17:31 | 0:17:34 | |
You know, because they want you really to believe it. | 0:17:34 | 0:17:37 | |
The sharpness, this real one is, to the finger, | 0:17:37 | 0:17:42 | |
is quite sharp. | 0:17:42 | 0:17:44 | |
This is quite blunt. | 0:17:44 | 0:17:45 | |
And then the noise. | 0:17:46 | 0:17:47 | |
This is very noisy, this is nice and quiet. | 0:17:48 | 0:17:50 | |
The weight, | 0:17:50 | 0:17:51 | |
this is a lot heavier than the one that's fake. | 0:17:51 | 0:17:54 | |
Of course, the proof is in the pudding. Or the starter. | 0:17:56 | 0:17:58 | |
We haven't got time in the kitchen | 0:17:58 | 0:18:00 | |
to be sharpening knives every 5 minutes. | 0:18:00 | 0:18:04 | |
If this knife doesn't cut properly, | 0:18:04 | 0:18:05 | |
then my finger will be part of this. | 0:18:05 | 0:18:09 | |
This is the fake one. | 0:18:11 | 0:18:12 | |
It doesn't feel as nice, doesn't feel as heavy. | 0:18:13 | 0:18:16 | |
I can feel that I need to look | 0:18:19 | 0:18:20 | |
because I'm not too confident with this one. | 0:18:20 | 0:18:23 | |
Confidence is everything with a knife. | 0:18:23 | 0:18:26 | |
Wusthof, a German company, has been manufacturing knives for 200 years. | 0:18:29 | 0:18:34 | |
Their products are sold all over the world, | 0:18:34 | 0:18:36 | |
including here, in Harrods. | 0:18:36 | 0:18:38 | |
Paul Shelley from Wusthof was sent some of the fake knives | 0:18:39 | 0:18:42 | |
found by the police in that van in Surrey. | 0:18:42 | 0:18:45 | |
We opened the box, looked at the knives | 0:18:46 | 0:18:49 | |
and were pretty gobsmacked with what we saw | 0:18:49 | 0:18:51 | |
and felt a little bit sorry for, obviously, | 0:18:51 | 0:18:53 | |
people that would be buying those sort of items | 0:18:54 | 0:18:56 | |
because the quality and craftsmanship just wasn't there. | 0:18:56 | 0:18:58 | |
While the fake knives might look very similar, | 0:18:58 | 0:19:01 | |
Wusthof say the fakers can't reproduce the real thing, | 0:19:01 | 0:19:04 | |
which has gone through dozens of traditional and expensive processes. | 0:19:04 | 0:19:08 | |
All of them still manufactured in Germany, | 0:19:08 | 0:19:10 | |
and that goes through a process of over 38 to 40 manufacturing steps. | 0:19:10 | 0:19:16 | |
From the start, single blank of steel, to the end result. | 0:19:16 | 0:19:19 | |
Rob Charlton from West Berkshire Trading Standards | 0:19:21 | 0:19:24 | |
had started an investigation | 0:19:24 | 0:19:26 | |
into what the van driver Michael Orchard had been up to. | 0:19:26 | 0:19:29 | |
Orchard originally denied knowing anything about the fake knives. | 0:19:29 | 0:19:33 | |
But Rob discovered some crucial evidence. | 0:19:34 | 0:19:36 | |
These invoices that were seized by the police, | 0:19:38 | 0:19:40 | |
related to individuals that were in the forces. | 0:19:40 | 0:19:44 | |
So clearly what he was doing was going onto military bases | 0:19:44 | 0:19:47 | |
and selling this equipment. | 0:19:47 | 0:19:48 | |
Rob also obtained security photos | 0:19:49 | 0:19:51 | |
proving that Orchard had been to those bases. | 0:19:51 | 0:19:53 | |
That was enough to prosecute him. | 0:19:53 | 0:19:56 | |
Michael Orchard pleaded guilty in court | 0:19:56 | 0:19:58 | |
to three charges under the Trademarks Act. | 0:19:58 | 0:20:01 | |
But although Rob and his team stopped Orchard, | 0:20:02 | 0:20:04 | |
they have no idea how many fake knives are still out there. | 0:20:04 | 0:20:08 | |
Earlier, we saw the horrifying story | 0:20:16 | 0:20:18 | |
of young Gabriel Loxham | 0:20:18 | 0:20:20 | |
who suffered a terrible reaction | 0:20:20 | 0:20:22 | |
to a fake henna decoration | 0:20:22 | 0:20:24 | |
that was put on his skin while he was on holiday. | 0:20:24 | 0:20:26 | |
But black henna designs aren't just available | 0:20:27 | 0:20:29 | |
to holiday makers in Europe. | 0:20:30 | 0:20:31 | |
They're freely available on the high street in the UK, | 0:20:32 | 0:20:34 | |
to customers who don't realise they are dangerous and illegal. | 0:20:35 | 0:20:39 | |
Architecture student Rozghar from London | 0:20:42 | 0:20:45 | |
wanted to get henna decorations for the first time, | 0:20:45 | 0:20:48 | |
and decided to get them applied professionally at a salon. | 0:20:48 | 0:20:52 | |
She's asked for her identity to be disguised. | 0:20:52 | 0:20:55 | |
It was Eid so I wanted to go to a shop | 0:20:55 | 0:20:58 | |
and have the henna done. | 0:20:58 | 0:21:00 | |
I decided to do the black henna | 0:21:01 | 0:21:03 | |
because I thought it was more dramatic, | 0:21:03 | 0:21:05 | |
it's more a nicer colour and darker. | 0:21:06 | 0:21:08 | |
Rozghar was happy with the result. | 0:21:08 | 0:21:10 | |
Her designs had a mixture of real brown henna | 0:21:10 | 0:21:12 | |
and fake black henna outlines. | 0:21:13 | 0:21:15 | |
But within a day, her pretty design had turned ugly. | 0:21:15 | 0:21:19 | |
After 24 hours of getting the black henna done | 0:21:22 | 0:21:25 | |
the reaction had started. | 0:21:25 | 0:21:27 | |
It was getting very red, itchy, burning feel to it. | 0:21:28 | 0:21:35 | |
You can see that her skin has reacted | 0:21:35 | 0:21:37 | |
to the black fake henna outlines, | 0:21:37 | 0:21:39 | |
while the brown henna is just fading away naturally as it should. | 0:21:39 | 0:21:43 | |
After that then it started to get blistery, | 0:21:44 | 0:21:47 | |
the pain was on going throughout nights and days. | 0:21:47 | 0:21:53 | |
The pain, it was too much, you know. | 0:21:56 | 0:21:59 | |
When the pain and itchiness got too severe Rozghar went to the doctor, | 0:22:01 | 0:22:04 | |
but the medication she was prescribed didn't help. | 0:22:05 | 0:22:09 | |
It was all over both my arms, the itchiness all over. | 0:22:09 | 0:22:14 | |
My hands and arms were burning, I felt like it was almost burning. | 0:22:14 | 0:22:21 | |
Whenever I did apply something, | 0:22:21 | 0:22:23 | |
it would stop it for maybe a couple of hours | 0:22:24 | 0:22:26 | |
and then it would start all over again. | 0:22:26 | 0:22:28 | |
And a few days later, things became even worse. | 0:22:29 | 0:22:32 | |
The illegal ingredient PPD that's | 0:22:32 | 0:22:34 | |
found in black henna had poisoned Rozghar. | 0:22:35 | 0:22:38 | |
On the eighth day my left hand started to swell | 0:22:39 | 0:22:42 | |
so then I realised I should go to the hospital. | 0:22:42 | 0:22:45 | |
The doctor saw it and obviously was amazed at how bad it was. | 0:22:45 | 0:22:49 | |
For two weeks she was in agonising pain | 0:22:49 | 0:22:52 | |
and she may now be scarred for life. | 0:22:52 | 0:22:55 | |
I don't know if it will go away, | 0:22:55 | 0:22:58 | |
it may do, it may not. | 0:22:58 | 0:22:59 | |
It was just terrible, it was too much. | 0:23:00 | 0:23:02 | |
As a result of Rozghar's appalling injury, | 0:23:05 | 0:23:07 | |
Kari Aslam and his team from Newham Trading Standards | 0:23:07 | 0:23:10 | |
tackle the salon that applied her henna. | 0:23:10 | 0:23:13 | |
Straightaway Kari finds what he's looking for. | 0:23:15 | 0:23:18 | |
Yeah, because this is black henna we're going to have to seize this. | 0:23:18 | 0:23:21 | |
Our customers buy them, | 0:23:22 | 0:23:23 | |
they don't seem to have a problem with the henna. | 0:23:23 | 0:23:25 | |
Or is it because it's black henna that you're taking it? | 0:23:26 | 0:23:28 | |
It says there on there it is black henna. | 0:23:28 | 0:23:30 | |
They find confirmation in the bookings diary | 0:23:33 | 0:23:36 | |
that Rozghar was treated here. | 0:23:36 | 0:23:38 | |
The team take a look in the salon area where the henna is applied | 0:23:42 | 0:23:45 | |
and are horrified by the posters on display. | 0:23:46 | 0:23:48 | |
It seems even children have black henna put on their skin here. | 0:23:50 | 0:23:54 | |
Children as well. | 0:23:55 | 0:23:56 | |
Yes, but they have to get a consent form. | 0:23:56 | 0:23:58 | |
We usually say don't put it on for kids | 0:23:58 | 0:24:00 | |
so most parents don't put it on for the kids, | 0:24:00 | 0:24:02 | |
they just get the orange one done. | 0:24:02 | 0:24:04 | |
But some of this black henna has gone onto kids? | 0:24:04 | 0:24:07 | |
Have you applied it to any children? | 0:24:07 | 0:24:09 | |
People have signed it, yeah. | 0:24:09 | 0:24:11 | |
And have you got that documentation? | 0:24:11 | 0:24:13 | |
It's on the same thing, it's written next to it, | 0:24:13 | 0:24:15 | |
but if it's for a kid it will say parents signed for. | 0:24:15 | 0:24:18 | |
The shop seems to be fully aware | 0:24:18 | 0:24:20 | |
that the black henna could be dangerous when applied to the skin. | 0:24:20 | 0:24:24 | |
The business has written notices on the wall as you can see here. | 0:24:26 | 0:24:30 | |
We need to make further enquiries by speaking to the owner | 0:24:30 | 0:24:33 | |
who's unfortunately not here today. | 0:24:33 | 0:24:35 | |
It shows to us that they know about the dangers | 0:24:35 | 0:24:37 | |
but they're still carrying on despite. | 0:24:38 | 0:24:40 | |
So this makes it a little bit worse really for the owner. | 0:24:40 | 0:24:42 | |
The salon selling the fake henna | 0:24:43 | 0:24:44 | |
and offering to apply it to customers' skin | 0:24:45 | 0:24:47 | |
is now under investigation and could face prosecution. | 0:24:47 | 0:24:51 | |
Newham Trading Standards are cracking down on the shops | 0:24:52 | 0:24:55 | |
that sell the dangerous henna. | 0:24:55 | 0:24:57 | |
Today they're on their way to a busy shopping area. | 0:24:58 | 0:25:01 | |
I'm from Newham Council Trading Standards. | 0:25:02 | 0:25:04 | |
What we're here to do is look at black henna paste products | 0:25:04 | 0:25:07 | |
and we do know you're selling some down there. | 0:25:07 | 0:25:10 | |
You might also know that it's illegal in this country | 0:25:10 | 0:25:12 | |
to sell black henna paste. | 0:25:13 | 0:25:14 | |
-Not legal? -No, it's not legal, it's illegal. | 0:25:14 | 0:25:17 | |
The store is searched and Nick and Kari are shocked | 0:25:20 | 0:25:23 | |
to find a huge number of black henna products for sale. | 0:25:23 | 0:25:27 | |
Without knowing what's in there we've no idea of knowing | 0:25:27 | 0:25:30 | |
what the risks are to the user, | 0:25:30 | 0:25:32 | |
what kind of reactions may be taken to it. | 0:25:32 | 0:25:34 | |
The fake henna just keeps coming | 0:25:35 | 0:25:37 | |
and often the packaging isn't even in English. | 0:25:37 | 0:25:41 | |
Consumer can't see what it is, they can't even tell what's inside it. | 0:25:41 | 0:25:45 | |
It could be black henna paste, could be anything in there. | 0:25:46 | 0:25:48 | |
Yes, no ingredients list. | 0:25:49 | 0:25:50 | |
Well, it could be an ingredients list but I don't speak Arabic. | 0:25:50 | 0:25:53 | |
There seems to be another problem | 0:25:53 | 0:25:55 | |
as Kari spots some dubious-looking bottles of perfume. | 0:25:55 | 0:25:59 | |
As Nick predicted, one form of fakery has led to another. | 0:25:59 | 0:26:03 | |
In the back of the shop, Nick finds a fake perfume operation hidden away. | 0:26:21 | 0:26:25 | |
Now, it doesn't seem likely | 0:26:26 | 0:26:28 | |
that brands such as Dior and Chanel | 0:26:28 | 0:26:31 | |
would distribute their perfume in these bottles. | 0:26:31 | 0:26:34 | |
That's Obsession, and Paris and various other imitation perfumes. | 0:26:35 | 0:26:42 | |
All with the names on there | 0:26:42 | 0:26:43 | |
of what they are presumably meant to smell like. | 0:26:44 | 0:26:47 | |
Not quite sure if that does smell like Obsession, | 0:26:50 | 0:26:52 | |
I don't profess to be a connoisseur! | 0:26:53 | 0:26:54 | |
But nonetheless quite clearly | 0:26:55 | 0:26:58 | |
a lot of this all being used | 0:26:58 | 0:26:59 | |
to top up the sort of counterfeit fragrances | 0:26:59 | 0:27:02 | |
and the officers will be seizing those as well. | 0:27:02 | 0:27:05 | |
Not normally the kind of thing you store in a toilet. | 0:27:06 | 0:27:08 | |
Well it's eau de toilette, Nick. | 0:27:08 | 0:27:10 | |
He fetches a shop worker to get an explanation | 0:27:10 | 0:27:14 | |
but he blames the boss. | 0:27:14 | 0:27:15 | |
Could you explain to me about this, please? | 0:27:17 | 0:27:21 | |
What do you do with them? | 0:27:23 | 0:27:24 | |
Nick and Kari seize the bottles, all 93 of them. | 0:27:34 | 0:27:37 | |
This shop is now in serious trouble. | 0:27:38 | 0:27:41 | |
Hope that's replica of the perfume rather than actual poison. | 0:27:41 | 0:27:45 | |
The shop worker is still trying to convince Nick | 0:27:47 | 0:27:49 | |
that it's not fake perfume. | 0:27:49 | 0:27:51 | |
Don't sound very Arabian to me, Dunhill, or Cool Water. | 0:27:54 | 0:27:58 | |
With their huge haul of henna and their fragrant fakes, | 0:27:58 | 0:28:02 | |
It's bag it and tag it | 0:28:02 | 0:28:03 | |
for Nick, Kari and the team from Newham Trading Standards, | 0:28:03 | 0:28:06 | |
as hundreds of dangerous fakes are taken off the shelves. | 0:28:07 | 0:28:10 | |
That's all from Fake Britain today, bye bye. | 0:28:17 | 0:28:20 | |
Subtitles by Red Bee Media Ltd | 0:28:39 | 0:28:42 |