Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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Welcome to a world where nothing is quite as it seems. | 0:00:02 | 0:00:06 | |
Welcome to Fake Britain. | 0:00:06 | 0:00:07 | |
Police! | 0:00:09 | 0:00:10 | |
Get down! Get down! Get on the floor now! | 0:00:20 | 0:00:22 | |
Put your hands behind your back now. | 0:00:22 | 0:00:24 | |
Here at the Fake Britain house, | 0:00:24 | 0:00:26 | |
we'll reveal the fakes that are flooding the market, | 0:00:26 | 0:00:29 | |
conning people like you and me | 0:00:29 | 0:00:31 | |
and making money for the criminals. | 0:00:31 | 0:00:33 | |
We'll investigate the fraudsters | 0:00:33 | 0:00:35 | |
who are selling us something that isn't real | 0:00:35 | 0:00:38 | |
and could be dangerous. | 0:00:38 | 0:00:40 | |
And we'll help you avoid falling for a fake. | 0:00:40 | 0:00:43 | |
Today on Fake Britain - how fake documents are being used to | 0:00:46 | 0:00:50 | |
smuggle illegal food and animal products into the country. | 0:00:50 | 0:00:54 | |
This is absolutely an illegal product. | 0:00:54 | 0:00:57 | |
There are no approved establishments in China for the export of beef. | 0:00:57 | 0:01:02 | |
The single fake e-mail which cost one house-buying couple | 0:01:02 | 0:01:06 | |
nearly £100,000. | 0:01:06 | 0:01:09 | |
It was just utter shock. Disbelief. | 0:01:09 | 0:01:12 | |
It never occurred to me that somebody could do this | 0:01:12 | 0:01:15 | |
so simply and so convincingly. | 0:01:15 | 0:01:17 | |
Her work is highly collectable, | 0:01:17 | 0:01:19 | |
but could you tell the real Clarice Cliff from the fake? | 0:01:19 | 0:01:23 | |
I can tell straight away. | 0:01:23 | 0:01:24 | |
The first thing that really shouts out is the colour palette. | 0:01:24 | 0:01:28 | |
And our investigation uncovers how banned, cancer-causing dyes | 0:01:28 | 0:01:32 | |
are being used to fake the colour of food. | 0:01:32 | 0:01:35 | |
Consuming any of it at all | 0:01:35 | 0:01:36 | |
is going to increase an individual's risk of contracting cancer. | 0:01:36 | 0:01:40 | |
It simply shouldn't be present in food that we're eating. | 0:01:40 | 0:01:44 | |
Much of what we eat comes from abroad - | 0:01:51 | 0:01:54 | |
around £40 billion worth of food every year. | 0:01:54 | 0:01:57 | |
And it's all subject to strict safety standards. | 0:01:57 | 0:02:00 | |
The problem is enforcing those standards | 0:02:00 | 0:02:02 | |
and keeping our borders secure is tough when the volume of trade | 0:02:02 | 0:02:05 | |
is so huge and the fakers are trying so desperately to beat the system. | 0:02:05 | 0:02:10 | |
The port of Southampton. | 0:02:12 | 0:02:14 | |
1.3 million containers are unloaded here every year, | 0:02:14 | 0:02:18 | |
about a third of them containing food or animal-related products. | 0:02:18 | 0:02:22 | |
This type of import is high-risk, | 0:02:22 | 0:02:25 | |
as not only is it destined for our dinner plates, | 0:02:25 | 0:02:28 | |
but it could be contaminated with chemicals, toxins or disease. | 0:02:28 | 0:02:32 | |
Making sure that nothing harmful gets through | 0:02:33 | 0:02:36 | |
is the job of the Port Health team, led by Sandra Westacott. | 0:02:36 | 0:02:40 | |
We're right at the front line. This is the first | 0:02:40 | 0:02:42 | |
and perhaps only opportunity that we will | 0:02:42 | 0:02:44 | |
get for checking food before the products go on to the market. | 0:02:44 | 0:02:49 | |
The temptation to commit frauds is extraordinary. | 0:02:49 | 0:02:53 | |
And economically, you stand a much better chance | 0:02:53 | 0:02:57 | |
of evading any regulatory response | 0:02:57 | 0:03:03 | |
with food fraud than you do with drugs. | 0:03:03 | 0:03:06 | |
Port Health inspects a small percentage | 0:03:08 | 0:03:10 | |
of all the shipments coming into port. | 0:03:10 | 0:03:13 | |
Anything from fish... | 0:03:13 | 0:03:14 | |
Tuna offcuts! | 0:03:14 | 0:03:16 | |
..to Japanese specialities. | 0:03:16 | 0:03:19 | |
Roasted seaweed. | 0:03:19 | 0:03:21 | |
Some rice wine. Tasty rice crackers. | 0:03:21 | 0:03:24 | |
Even kitchenware, which is subject | 0:03:24 | 0:03:26 | |
to similar controls to the food itself. | 0:03:26 | 0:03:29 | |
They're...goblets. | 0:03:29 | 0:03:31 | |
Samples are sent off for scientific analysis | 0:03:31 | 0:03:34 | |
and cargoes which don't meet the right standards | 0:03:34 | 0:03:36 | |
can be detained or rejected. | 0:03:36 | 0:03:38 | |
But the whole inspection regime relies on the paperwork | 0:03:38 | 0:03:41 | |
provided by the importers and shipping companies, | 0:03:41 | 0:03:44 | |
starting with the ship's manifests. | 0:03:44 | 0:03:47 | |
I can see from the manifest description | 0:03:47 | 0:03:49 | |
what is in a container. | 0:03:49 | 0:03:51 | |
Some of the containers we will be very interested in. | 0:03:51 | 0:03:53 | |
Others, we will not be. | 0:03:53 | 0:03:55 | |
As well as a manifest, | 0:03:57 | 0:03:58 | |
all the items are accompanied by certification which confirm | 0:03:58 | 0:04:02 | |
that all the goods are safe and have been tested before being exported, | 0:04:02 | 0:04:06 | |
to show they meet EU standards. | 0:04:06 | 0:04:08 | |
But all too often, the paperwork and documents are inaccurate, | 0:04:08 | 0:04:11 | |
or even fake. | 0:04:11 | 0:04:12 | |
Fake documentation can be a real problem. | 0:04:12 | 0:04:14 | |
Fraudulent certificates. | 0:04:14 | 0:04:16 | |
Certificates that do not bear any resemblance | 0:04:16 | 0:04:20 | |
to the actual commodity. | 0:04:20 | 0:04:22 | |
Out on the forecourt, | 0:04:22 | 0:04:24 | |
a container recently arrived from China | 0:04:24 | 0:04:27 | |
has been selected for inspection. | 0:04:27 | 0:04:29 | |
And from the paperwork, | 0:04:29 | 0:04:31 | |
Sandra should know exactly what to expect inside. | 0:04:31 | 0:04:34 | |
The packing list says, | 0:04:34 | 0:04:37 | |
"sesame paste, iced tea, chilli, | 0:04:37 | 0:04:40 | |
"vermicelli, rice noodles." | 0:04:40 | 0:04:42 | |
Only this time, she's in for a surprise, | 0:04:44 | 0:04:46 | |
as inside the container, Sandra immediately spots | 0:04:46 | 0:04:50 | |
what appear to be additional items. | 0:04:50 | 0:04:53 | |
That's chilli powder, which could contain aflatoxins. | 0:04:53 | 0:04:57 | |
These look like they're some sort of electronic games. | 0:04:57 | 0:05:01 | |
This stuff was not declared on all of the legal documents. | 0:05:01 | 0:05:05 | |
This bears no comparison to the packing list. | 0:05:05 | 0:05:07 | |
It's a fake packing list. | 0:05:07 | 0:05:08 | |
The undeclared items don't come with any safety certification, | 0:05:08 | 0:05:12 | |
so Sandra will need to give them all a thorough inspection | 0:05:12 | 0:05:15 | |
to make sure they're legal and safe. | 0:05:15 | 0:05:18 | |
We have what I think is...sesame paste. | 0:05:18 | 0:05:23 | |
And it smells like sesame paste, | 0:05:23 | 0:05:26 | |
but it also smells of peanut. | 0:05:26 | 0:05:28 | |
There is no English at all here. | 0:05:28 | 0:05:32 | |
So, for somebody who's buying that, if there were peanuts in there | 0:05:32 | 0:05:36 | |
and they were allergic to peanuts, | 0:05:36 | 0:05:39 | |
then that could cause them some very serious health problems. | 0:05:39 | 0:05:42 | |
But the labelling issues are just the start, | 0:05:44 | 0:05:46 | |
as Sandra soon finds further evidence of a deliberate attempt | 0:05:46 | 0:05:50 | |
to evade import controls. | 0:05:50 | 0:05:52 | |
We have images of electronic materials, | 0:05:52 | 0:05:57 | |
and when we open, we find... | 0:05:57 | 0:06:00 | |
pouches of animal fat. | 0:06:01 | 0:06:04 | |
I think that it is either duck, | 0:06:04 | 0:06:09 | |
shredded duck, | 0:06:09 | 0:06:10 | |
or possibly even beef. | 0:06:10 | 0:06:12 | |
As animal products are subject to strict import controls, | 0:06:12 | 0:06:16 | |
Sandra is suspicious. | 0:06:16 | 0:06:18 | |
So are we using fake boxes | 0:06:18 | 0:06:22 | |
to hide something that shouldn't be coming into the country? | 0:06:22 | 0:06:26 | |
And suspicions appear to be confirmed | 0:06:26 | 0:06:29 | |
when even more animal product is found disguised in other boxes. | 0:06:29 | 0:06:33 | |
A drinking set, a jug, and glasses. | 0:06:33 | 0:06:38 | |
But when we come in, we have foodstuffs. | 0:06:38 | 0:06:43 | |
The ingredients are beef fat, as the primary ingredient. | 0:06:43 | 0:06:47 | |
This is a completely banned product. | 0:06:47 | 0:06:49 | |
This is an illegal product. | 0:06:49 | 0:06:51 | |
There are no approved establishments in China | 0:06:51 | 0:06:54 | |
for the export of beef products to the European Union. | 0:06:54 | 0:06:59 | |
For us, that's a real, real concern. | 0:06:59 | 0:07:02 | |
So the fake packing list is hiding illegal imports of animal products. | 0:07:02 | 0:07:07 | |
Another thing it didn't mention is alcohol. | 0:07:07 | 0:07:10 | |
This is some sort of rice spirit. | 0:07:10 | 0:07:14 | |
We think this is beer. | 0:07:14 | 0:07:16 | |
56% alcohol. | 0:07:16 | 0:07:18 | |
All this is evidence of yet another crime. | 0:07:18 | 0:07:21 | |
I'm concluding that they tried to conceal this | 0:07:21 | 0:07:24 | |
to evade any sort of taxation or import duties to customs. | 0:07:24 | 0:07:29 | |
It is smuggling. | 0:07:29 | 0:07:31 | |
But it's not just the hidden contents of the container | 0:07:31 | 0:07:34 | |
which are troubling Sandra. | 0:07:34 | 0:07:35 | |
There's also the standard of hygiene. | 0:07:35 | 0:07:38 | |
Filth. | 0:07:40 | 0:07:41 | |
The containers and the products should be clean, coming through. | 0:07:41 | 0:07:46 | |
This could easily be the cause of another foot-and-mouth outbreak. | 0:07:46 | 0:07:51 | |
If that is duck product, | 0:07:51 | 0:07:54 | |
it could be the source of avian influenza. | 0:07:54 | 0:07:57 | |
There are all sorts of very, very worrying things | 0:07:57 | 0:08:00 | |
about this container. | 0:08:00 | 0:08:01 | |
To make matters even worse, Sandra makes a horrifying discovery. | 0:08:01 | 0:08:05 | |
Oh, and that's rat droppings. | 0:08:06 | 0:08:08 | |
24 years...I think I have seen one container with rat droppings in. | 0:08:14 | 0:08:20 | |
24 years. | 0:08:20 | 0:08:22 | |
The discovery means that this container poses a health risk | 0:08:22 | 0:08:26 | |
much greater than Sandra had already feared. | 0:08:26 | 0:08:29 | |
Rats carry not only...plague, | 0:08:29 | 0:08:35 | |
but they also, you know, they can also have Weil's disease, | 0:08:35 | 0:08:39 | |
if they've urinated anywhere in the box, | 0:08:39 | 0:08:42 | |
which I presume they have. | 0:08:42 | 0:08:44 | |
We haven't found any live rats, but the rat droppings... | 0:08:44 | 0:08:48 | |
It's very clear that they have been in the container. | 0:08:48 | 0:08:50 | |
You know, this consignment could lead to so many animal health | 0:08:50 | 0:08:55 | |
and so many public health problems as well. | 0:08:55 | 0:08:59 | |
Unsurprisingly, the container was rejected for entry into the UK. | 0:09:04 | 0:09:08 | |
And after a thorough investigation, | 0:09:08 | 0:09:11 | |
the importer only narrowly escaped criminal charges. | 0:09:11 | 0:09:14 | |
But for Sandra, it's a potent reminder | 0:09:14 | 0:09:16 | |
of the huge risks posed to the public by food fakery. | 0:09:16 | 0:09:19 | |
This container is one of the worst examples, | 0:09:19 | 0:09:23 | |
in terms of the risk to public and animal health, | 0:09:23 | 0:09:26 | |
I have seen in 24 years. | 0:09:26 | 0:09:28 | |
This is not just about it being a con, | 0:09:28 | 0:09:32 | |
this is actually dangerous as well. | 0:09:32 | 0:09:34 | |
Buying a house can be a stressful experience - | 0:09:39 | 0:09:42 | |
finding a property, selling the old place, | 0:09:42 | 0:09:45 | |
packing everything, arranging removals. | 0:09:45 | 0:09:48 | |
At least you can rely on a well-proven system | 0:09:48 | 0:09:51 | |
and the professionals to handle the legal stuff, | 0:09:51 | 0:09:54 | |
and the financial transactions. | 0:09:54 | 0:09:57 | |
But now, the huge sums involved in house buying and selling | 0:09:57 | 0:10:01 | |
is attracting the fakers, | 0:10:01 | 0:10:03 | |
and they have simple but staggeringly effective ways | 0:10:03 | 0:10:07 | |
to get their hands on our cash. | 0:10:07 | 0:10:09 | |
Buying a property is one of the biggest decisions you ever make, | 0:10:11 | 0:10:14 | |
and today's house buyers stretch themselves to the financial limit, | 0:10:14 | 0:10:17 | |
parting with eye-watering sums of money to secure their dream home. | 0:10:17 | 0:10:22 | |
But property transactions are proving to be | 0:10:22 | 0:10:25 | |
rich pickings for fraudsters. | 0:10:25 | 0:10:27 | |
Previously on Fake Britain, we've heard from Nick Christophi, | 0:10:27 | 0:10:30 | |
who was targeted by one such scam. | 0:10:30 | 0:10:34 | |
I'd done all the right things. | 0:10:34 | 0:10:35 | |
I bought through estate agents, through the solicitors, | 0:10:35 | 0:10:38 | |
I got the keys off the estate agent. | 0:10:38 | 0:10:40 | |
Paid over our money and everything. | 0:10:40 | 0:10:42 | |
Nick parted with £735,000 for a new home. | 0:10:42 | 0:10:47 | |
Yet, after moving in, he discovered that the house hadn't been paid for. | 0:10:47 | 0:10:52 | |
It turned out the firm of solicitors | 0:10:52 | 0:10:54 | |
hired by the property's seller was bogus, set up by fraudsters | 0:10:54 | 0:10:58 | |
who disappeared with his cash. | 0:10:58 | 0:11:00 | |
I've worked hard all my life to provide for me and my family. | 0:11:02 | 0:11:05 | |
And just for that to be taken away from you, it was devastating. | 0:11:05 | 0:11:10 | |
I didn't think it was possible | 0:11:10 | 0:11:13 | |
that anything like that could ever happen. | 0:11:13 | 0:11:16 | |
But it did happen. | 0:11:16 | 0:11:17 | |
And as Fake Britain found out, Nick was one of a number of victims | 0:11:17 | 0:11:21 | |
of similar scams involving fake solicitors. | 0:11:21 | 0:11:23 | |
Now we're hearing of a new type of fraud targeting house purchases. | 0:11:25 | 0:11:30 | |
After seeing Nick's story, | 0:11:30 | 0:11:31 | |
we were contacted by Tom and Gay Henrick | 0:11:31 | 0:11:33 | |
who'd been targeted while buying a holiday home. | 0:11:33 | 0:11:36 | |
This time, the tactic used by the criminals | 0:11:36 | 0:11:39 | |
was astonishingly simple, but just as effective. | 0:11:39 | 0:11:42 | |
We were looking for somewhere that we could go to, | 0:11:42 | 0:11:46 | |
since we've retired, | 0:11:46 | 0:11:48 | |
and spend some time just relaxing, really. | 0:11:48 | 0:11:51 | |
We also have a daughter, son-in-law and two grandchildren | 0:11:51 | 0:11:54 | |
and we thought it would be lovely for them, | 0:11:54 | 0:11:57 | |
during the summer holidays. | 0:11:57 | 0:11:59 | |
They hadn't been searching for long when they came across | 0:11:59 | 0:12:01 | |
what they thought would be their dream property, | 0:12:01 | 0:12:04 | |
in Aldeburgh on the Suffolk coast. | 0:12:04 | 0:12:06 | |
The location was fantastic. | 0:12:06 | 0:12:08 | |
It's literally ten minutes from the sea. | 0:12:08 | 0:12:10 | |
Tom and Gay had an offer on the flat accepted, | 0:12:10 | 0:12:13 | |
and at first, the buying process appeared to be going smoothly. | 0:12:13 | 0:12:17 | |
But as the completion date approached, | 0:12:17 | 0:12:19 | |
things took a turn for the worse. | 0:12:19 | 0:12:21 | |
We were making payments towards the property in stages, | 0:12:21 | 0:12:25 | |
and then, all of a sudden, we had an e-mail to say could we transfer | 0:12:25 | 0:12:29 | |
the remaining funds to a different sort code and account number. | 0:12:29 | 0:12:35 | |
It appeared as if it had come from our solicitor, | 0:12:35 | 0:12:37 | |
so off went the funds. | 0:12:37 | 0:12:39 | |
Asking for the money to be put into another account, | 0:12:39 | 0:12:42 | |
because we were close to completion, didn't seem that unusual to me. | 0:12:42 | 0:12:47 | |
It was only on the day of completion, | 0:12:49 | 0:12:51 | |
when I had a phone call from our solicitor | 0:12:51 | 0:12:54 | |
basically saying that the money wasn't in place, | 0:12:54 | 0:12:57 | |
so the completion of the property would not take place. | 0:12:57 | 0:13:00 | |
I actually thought that the solicitor was being ridiculous. | 0:13:02 | 0:13:06 | |
I thought, "He must have the funds, | 0:13:06 | 0:13:08 | |
"we've got the bank statement to prove the money's left our account." | 0:13:08 | 0:13:12 | |
And just thought it was a silly, silly mistake on his part. | 0:13:12 | 0:13:15 | |
I went down to see him, and brought down my iPad | 0:13:17 | 0:13:22 | |
and showed him the e-mails, and then it all came to light. | 0:13:22 | 0:13:27 | |
The account that the money went into was not the solicitor's, | 0:13:27 | 0:13:31 | |
and the e-mail that purported to be from the solicitors | 0:13:31 | 0:13:35 | |
wasn't from the solicitors either. | 0:13:35 | 0:13:37 | |
The painful realisation began to dawn | 0:13:37 | 0:13:40 | |
that the e-mail was fake. | 0:13:40 | 0:13:42 | |
They'd been the victim of a deliberate deception, | 0:13:42 | 0:13:44 | |
and their cash had been stolen. | 0:13:44 | 0:13:46 | |
It was just utter shock. Disbelief. | 0:13:48 | 0:13:51 | |
What was most shocking was how easy the scam appeared to be, | 0:13:51 | 0:13:55 | |
relying on just one fake e-mail. | 0:13:55 | 0:13:58 | |
This is the e-mail I received. The e-mail address looks, | 0:13:58 | 0:14:02 | |
initially, exactly the same. | 0:14:02 | 0:14:04 | |
And it's only under great scrutiny | 0:14:04 | 0:14:06 | |
that you find there is one digit missing. | 0:14:06 | 0:14:09 | |
Very, very difficult to spot. | 0:14:09 | 0:14:11 | |
It's almost certain that the culprits were computer hackers | 0:14:14 | 0:14:16 | |
who'd known about the property purchase by intercepting e-mail | 0:14:16 | 0:14:20 | |
between the Henricks and their solicitor. | 0:14:20 | 0:14:22 | |
It's a crime which lawyer and cybercrime expert David Cook | 0:14:22 | 0:14:26 | |
has seen many times. | 0:14:26 | 0:14:28 | |
This hack relies on a person sitting on an e-mail account | 0:14:28 | 0:14:31 | |
and listening for transactions going between two different people. | 0:14:31 | 0:14:34 | |
I call this an e-mail piggy-back scam, | 0:14:34 | 0:14:36 | |
and it doesn't really matter how somebody hacks | 0:14:36 | 0:14:38 | |
into an e-mail account, although there's a variety of ways, | 0:14:38 | 0:14:41 | |
but once they are in there, they listen out. | 0:14:41 | 0:14:43 | |
When they hear about details of a transaction, | 0:14:43 | 0:14:45 | |
they then send a false invoice. | 0:14:45 | 0:14:46 | |
And the two different people who are a part of the transaction | 0:14:46 | 0:14:49 | |
don't realise it's happened. | 0:14:49 | 0:14:51 | |
The fake e-mail or invoice gives the hackers' bank details, | 0:14:51 | 0:14:54 | |
allowing them to walk off with huge sums of cash. | 0:14:54 | 0:14:57 | |
It's a brazen crime which David says is rising sharply. | 0:14:57 | 0:15:01 | |
These sorts of scams are becoming much more frequent now. | 0:15:01 | 0:15:04 | |
I'd say it's doubled in the last 12 months or so. | 0:15:04 | 0:15:06 | |
I'd probably see about one a month at the moment | 0:15:06 | 0:15:09 | |
and they range from, at the lower end of the scale, | 0:15:09 | 0:15:11 | |
about £50,000, right up to £250,000-£300,000. | 0:15:11 | 0:15:15 | |
It's certainly becoming a much more frequent problem. | 0:15:15 | 0:15:18 | |
What's most galling for Tom and Gay | 0:15:18 | 0:15:20 | |
is that had they known what to look out for, | 0:15:20 | 0:15:22 | |
the theft would have been easy to prevent. | 0:15:22 | 0:15:25 | |
You're not going to necessarily know | 0:15:25 | 0:15:26 | |
that somebody's sitting in your e-mail account, | 0:15:26 | 0:15:28 | |
monitoring your e-mails, but the thing is | 0:15:28 | 0:15:30 | |
when you receive an invoice, it's wise to check it out. | 0:15:30 | 0:15:33 | |
So the invoice which has come by e-mail, | 0:15:33 | 0:15:34 | |
have a read of the e-mail, | 0:15:34 | 0:15:36 | |
see if it's in the sort of language you'd expect | 0:15:36 | 0:15:38 | |
for a professional transaction or professional person to have sent. | 0:15:38 | 0:15:41 | |
Of course, if they've built up a relationship | 0:15:41 | 0:15:43 | |
and it's the same account, over and over again, | 0:15:43 | 0:15:45 | |
they don't need to check the details, | 0:15:45 | 0:15:46 | |
because they know the person at the other end. | 0:15:46 | 0:15:48 | |
But where it's a one-off or unusual transaction, | 0:15:48 | 0:15:51 | |
or the nature of the transaction has changed - | 0:15:51 | 0:15:53 | |
"Actually, don't send money to that account, send it to this account", | 0:15:53 | 0:15:55 | |
ring up and make sure it's legitimate before you transfer, | 0:15:55 | 0:15:58 | |
because you never know. | 0:15:58 | 0:15:59 | |
Despite reporting the fraud immediately, | 0:15:59 | 0:16:01 | |
so far, only some of Tom and Gay's money has been recovered. | 0:16:01 | 0:16:05 | |
They did still manage to buy their holiday flat | 0:16:05 | 0:16:07 | |
by cashing in part of their pension, but it's been a big financial blow. | 0:16:07 | 0:16:12 | |
It's a large amount of money to lose when you're both retired | 0:16:12 | 0:16:15 | |
and you've got, sort of, a limited income, really. | 0:16:15 | 0:16:19 | |
It has had a terrible effect and caused us a lot of distress | 0:16:19 | 0:16:23 | |
and sleepless nights. | 0:16:23 | 0:16:25 | |
It will make a big difference to us. | 0:16:25 | 0:16:27 | |
Things like holidays, replacing the car, | 0:16:27 | 0:16:30 | |
general maintenance of things on the house will have to go on hold. | 0:16:30 | 0:16:34 | |
It's as simple as that. | 0:16:34 | 0:16:36 | |
I really don't think, if I was buying a property again, | 0:16:36 | 0:16:39 | |
I would ever put anything of a sensitive nature in an e-mail. | 0:16:39 | 0:16:43 | |
The work of Staffordshire ceramics maker Clarice Cliff | 0:16:49 | 0:16:53 | |
is very collectable. | 0:16:53 | 0:16:55 | |
Her bright, distinctive patterns are instantly recognisable | 0:16:55 | 0:16:58 | |
and if you enjoy browsing for antiques, | 0:16:58 | 0:17:01 | |
there's a strong chance you'll have come across her work. | 0:17:01 | 0:17:03 | |
But beware, because you may also come across things like this - | 0:17:03 | 0:17:08 | |
fake Clarice Cliff. | 0:17:08 | 0:17:10 | |
If you're chasing a collectable Clarice, | 0:17:10 | 0:17:13 | |
how do you avoid falling for the fake? | 0:17:13 | 0:17:15 | |
Clarice Cliff, for me, is certainly one of the greatest ceramic | 0:17:17 | 0:17:20 | |
designers of the 20th century. | 0:17:20 | 0:17:22 | |
Bright, colourful and highly recognisable. | 0:17:23 | 0:17:26 | |
These designs are all the work of one woman - Clarice Cliff. | 0:17:26 | 0:17:30 | |
Raised in the Staffordshire potteries | 0:17:30 | 0:17:32 | |
around the turn of the century, | 0:17:32 | 0:17:33 | |
it's estimated that more than eight million pieces bear her name. | 0:17:33 | 0:17:37 | |
Auctioneer Will Farmer is one of the UK's | 0:17:37 | 0:17:40 | |
foremost experts on her work. | 0:17:40 | 0:17:42 | |
She completely broke tradition, | 0:17:42 | 0:17:44 | |
she was a Potteries girls through and through, | 0:17:44 | 0:17:46 | |
and broke through in what was an incredibly male-orientated industry | 0:17:46 | 0:17:52 | |
to become one of the pioneers | 0:17:52 | 0:17:54 | |
in terms of shaping taste, style, colour, | 0:17:54 | 0:17:56 | |
pattern and form in the interwar period. | 0:17:56 | 0:17:59 | |
Clarice is highly collectable | 0:17:59 | 0:18:01 | |
and while some pieces can be picked up for as little as £10, | 0:18:01 | 0:18:05 | |
rare items can fetch as much as much as 80,000. | 0:18:05 | 0:18:09 | |
And that's proved too tempting for some. | 0:18:09 | 0:18:11 | |
As this market grew, as people started to spend serious money | 0:18:11 | 0:18:15 | |
on this as a commodity and as an investment, | 0:18:15 | 0:18:18 | |
people on the outside looking in | 0:18:18 | 0:18:20 | |
think this is the perfect opportunity | 0:18:20 | 0:18:22 | |
to make a quick buck - and the result? | 0:18:22 | 0:18:24 | |
You're going to get fakes. | 0:18:24 | 0:18:25 | |
Fakes like these. | 0:18:25 | 0:18:28 | |
So this collection here on the table | 0:18:28 | 0:18:30 | |
is actually my own personal rogues' gallery. | 0:18:30 | 0:18:32 | |
These pieces, all four of these, are actually fakes. | 0:18:32 | 0:18:36 | |
They fall into sort of... a couple of specific categories. | 0:18:36 | 0:18:40 | |
The first is the out-and-out forgery - | 0:18:40 | 0:18:43 | |
that's seen in this example here. | 0:18:43 | 0:18:46 | |
This vase is just wrong from top to bottom. | 0:18:46 | 0:18:49 | |
Everything about it is incorrect. | 0:18:49 | 0:18:51 | |
The other side, and slightly scarier, | 0:18:51 | 0:18:54 | |
are the genuine pieces of Clarice | 0:18:54 | 0:18:57 | |
which have then been later decorated. | 0:18:57 | 0:19:00 | |
This plate, for example, started life as a purely plain plate. | 0:19:00 | 0:19:03 | |
And what somebody has done | 0:19:03 | 0:19:05 | |
is they've taken a genuine Clarice Cliff pattern, | 0:19:05 | 0:19:09 | |
but painted it up later with enamels to sort of deceive somebody | 0:19:09 | 0:19:13 | |
that what they've got is a much earlier and much better piece. | 0:19:13 | 0:19:17 | |
And the fakes aren't hard to find. | 0:19:17 | 0:19:19 | |
Through various e-mails and looking online | 0:19:19 | 0:19:21 | |
and handling pieces that come through the door, I would say, | 0:19:21 | 0:19:24 | |
on average, I certainly see a fake piece at least once a month. | 0:19:24 | 0:19:29 | |
Which means for amateur collectors like Michael Swann, | 0:19:29 | 0:19:32 | |
buying and selling Clarice Cliff can be a risky business. | 0:19:32 | 0:19:37 | |
That didn't stop him diving in when, 20 years ago, | 0:19:37 | 0:19:39 | |
a Clarice piece caught his eye. | 0:19:39 | 0:19:42 | |
Well, I was a delivery driver, a delivery man, | 0:19:42 | 0:19:44 | |
stopping in antique shops, charity shops, second-hand shops, | 0:19:44 | 0:19:48 | |
just looking for various bargains that I liked. | 0:19:48 | 0:19:50 | |
And I went into one, I believe it was in Coventry. | 0:19:50 | 0:19:54 | |
It was a Clarice Cliff vase in the middle of this shop window. | 0:19:54 | 0:19:56 | |
I loved it immediately, negotiated with the owner for £150 | 0:19:56 | 0:20:02 | |
and bought it. | 0:20:02 | 0:20:04 | |
This is the vase in question. | 0:20:04 | 0:20:07 | |
As you can see, it's got the traditional Clarice Cliff | 0:20:07 | 0:20:11 | |
Night and Day design, | 0:20:11 | 0:20:12 | |
with a wonderful Bizarre mark at the bottom. | 0:20:12 | 0:20:16 | |
It's got lovely colours. Just looked so good, so nice, so clean. | 0:20:16 | 0:20:21 | |
The vase retained pride of place in Michael's living room | 0:20:21 | 0:20:24 | |
for two decades, and he never questioned its authenticity. | 0:20:24 | 0:20:28 | |
But then recently, he decided to sell it. | 0:20:28 | 0:20:32 | |
Michael took the vase to auctioneer Rick Alexander. | 0:20:32 | 0:20:36 | |
A relative newcomer in the auctioneering world, | 0:20:36 | 0:20:38 | |
Rick was more than happy to enter Michael's vase | 0:20:38 | 0:20:40 | |
into their winter sale. | 0:20:40 | 0:20:43 | |
My first impressions of the piece was that it was just in line | 0:20:43 | 0:20:46 | |
with typical Clarice of that period. | 0:20:46 | 0:20:48 | |
You're talking about a piece that's 80, 90 years old, circa 1930s. | 0:20:48 | 0:20:53 | |
The stamp all seemed to be right, so we were quite happy with it. | 0:20:53 | 0:20:56 | |
And when Rick researched the vase further, excitement grew. | 0:20:56 | 0:21:00 | |
I initially put a valuation of £400-600 on it, but then, | 0:21:00 | 0:21:04 | |
after I started researching former auction prices, | 0:21:04 | 0:21:08 | |
I realised that it could actually fetch probably, | 0:21:08 | 0:21:10 | |
like, £3,000, £4,000. | 0:21:10 | 0:21:13 | |
It seemed like it was quite a collectable piece. | 0:21:13 | 0:21:15 | |
Rick catalogued the item, taking pictures and videos, | 0:21:15 | 0:21:18 | |
which he put on their website. | 0:21:18 | 0:21:20 | |
Before long, the vase was creating a buzz. | 0:21:20 | 0:21:22 | |
Straight away, we had two or three people leaving telephone bids. | 0:21:22 | 0:21:26 | |
We had a couple of regular dealers that came in, | 0:21:26 | 0:21:29 | |
they handled the item, they were happy to leave commission bids. | 0:21:29 | 0:21:31 | |
They booked a telephone line as well, for the sale. | 0:21:31 | 0:21:34 | |
It generated the interest that we expected. | 0:21:34 | 0:21:37 | |
But Rick's confidence was short-lived. | 0:21:37 | 0:21:40 | |
My initial doubts were raised when I had an e-mail from a collector. | 0:21:40 | 0:21:43 | |
He said, "Oh, there's something that doesn't look quite right with it." | 0:21:43 | 0:21:46 | |
So I asked him to elaborate. | 0:21:46 | 0:21:48 | |
He was mentioning the colours on it | 0:21:48 | 0:21:50 | |
and something not quite right about the shades. | 0:21:50 | 0:21:53 | |
The collector suspected that the vase might be a fake, | 0:21:53 | 0:21:56 | |
putting Rick in a tricky situation. | 0:21:56 | 0:21:59 | |
Two days before the sale, I had another collector that came on, | 0:21:59 | 0:22:02 | |
expressed the same kind of doubts. | 0:22:02 | 0:22:04 | |
And so, at this point, I was in a bit of a dilemma | 0:22:04 | 0:22:07 | |
of exactly what to do. | 0:22:07 | 0:22:09 | |
It was an item that was going to sell for £4,000, | 0:22:09 | 0:22:12 | |
so it was a big piece to have any problems with. | 0:22:12 | 0:22:14 | |
So we got to the day before the sale | 0:22:14 | 0:22:16 | |
and decided to withdraw it from sale, | 0:22:16 | 0:22:19 | |
pending further investigation. | 0:22:19 | 0:22:20 | |
So could the vase be a fake? | 0:22:20 | 0:22:23 | |
During the course of our filming, | 0:22:23 | 0:22:24 | |
we were alerted to about a dozen possible fakes being sold online | 0:22:24 | 0:22:28 | |
and in auction rooms up and down the country, | 0:22:28 | 0:22:31 | |
so there's no shortage of forgeries out there. | 0:22:31 | 0:22:33 | |
But is this vase one of them? | 0:22:33 | 0:22:35 | |
To find out, Rick's decided to make a trip to the West Midlands, | 0:22:41 | 0:22:44 | |
to get a final verdict. | 0:22:44 | 0:22:46 | |
If it does prove to be fake, | 0:22:46 | 0:22:48 | |
it'll be a huge disappointment for the auction house. | 0:22:48 | 0:22:52 | |
The cataloguing, the photographing, | 0:22:52 | 0:22:54 | |
there's so much effort goes into this | 0:22:54 | 0:22:56 | |
and if it turns out to be fake, then basically, | 0:22:56 | 0:22:59 | |
all the work's been done for nothing. | 0:22:59 | 0:23:01 | |
If anyone's going to be able to verify the vase's authenticity, | 0:23:05 | 0:23:09 | |
it's auctioneer and expert Will Farmer, | 0:23:09 | 0:23:11 | |
who reckons he handles more Clarice Cliff | 0:23:11 | 0:23:14 | |
than anyone else in the country. | 0:23:14 | 0:23:16 | |
Under his beady eye, it doesn't take very long to reach a conclusion. | 0:23:16 | 0:23:20 | |
-Here's the infamous piece. -OK. Yep. | 0:23:22 | 0:23:26 | |
Well, I can tell straight away. | 0:23:26 | 0:23:29 | |
The first thing that really shouts out is the colour palette. | 0:23:29 | 0:23:33 | |
The colours that are here are all slightly wrong. | 0:23:33 | 0:23:37 | |
You know, the blue's leaning towards purple, | 0:23:37 | 0:23:40 | |
the yellow's too pale, the orange is too washy. | 0:23:40 | 0:23:44 | |
-Yeah. -Add to that the weight of the vase. | 0:23:44 | 0:23:48 | |
-It's not right. -No. | 0:23:48 | 0:23:49 | |
Knowing that you were bringing this in today, | 0:23:49 | 0:23:52 | |
I've actually got a genuine piece of same pattern. | 0:23:52 | 0:23:56 | |
I think putting the two side-by-side, | 0:23:56 | 0:23:58 | |
it does nothing short than really nail the lid on the coffin | 0:23:58 | 0:24:01 | |
of that vase being a fake, I'm afraid. | 0:24:01 | 0:24:04 | |
Absolutely, and it's confirmed our suspicions, | 0:24:04 | 0:24:06 | |
which is why we took it out of the sale. | 0:24:06 | 0:24:08 | |
And for vendor Michael Swann, the news comes as a surprise. | 0:24:09 | 0:24:13 | |
It didn't even enter my head that it was a fake. | 0:24:13 | 0:24:16 | |
I just thought I'd got an absolute bargain. | 0:24:16 | 0:24:19 | |
At £150, a lovely Bizarre Night and Day Clarice Cliff vase - | 0:24:19 | 0:24:23 | |
I'd hit a little jackpot. | 0:24:23 | 0:24:25 | |
But Michael remains philosophical. | 0:24:25 | 0:24:27 | |
Having loved owning the vase for 20 years, | 0:24:27 | 0:24:30 | |
he refuses to be angry about the forgery. | 0:24:30 | 0:24:33 | |
Well, I'm a bit disappointed, but when Rick told me that | 0:24:33 | 0:24:36 | |
it was examined by one of the foremost experts on Clarice Cliff, | 0:24:36 | 0:24:40 | |
I have to take his word for it. | 0:24:40 | 0:24:42 | |
It would have been nice for it to be genuine, | 0:24:42 | 0:24:45 | |
but if it's not, it's not. | 0:24:45 | 0:24:46 | |
When it comes to food, | 0:24:52 | 0:24:54 | |
how something looks can be just as important as how it tastes. | 0:24:54 | 0:24:58 | |
Take these spices. | 0:24:58 | 0:25:00 | |
It's not just the smell and flavour which make them appealing, | 0:25:00 | 0:25:03 | |
but also their bright, attractive colours, | 0:25:03 | 0:25:06 | |
which we assume to be fresh and natural. | 0:25:06 | 0:25:09 | |
But when the food fakers get involved, | 0:25:09 | 0:25:11 | |
it's not always the case. | 0:25:11 | 0:25:13 | |
Dangerous and illegal ingredients may be added | 0:25:13 | 0:25:16 | |
to make the product look better... and it's putting our health at risk. | 0:25:16 | 0:25:20 | |
From sweets to sauces and soft drinks, | 0:25:23 | 0:25:26 | |
colourings are added to many food products, | 0:25:26 | 0:25:27 | |
and as long as they're listed on the ingredients and they're safe, | 0:25:27 | 0:25:31 | |
they're perfectly legal. | 0:25:31 | 0:25:32 | |
But there is a darker side to food additives. | 0:25:32 | 0:25:35 | |
In 2005, a food colouring called Sudan I | 0:25:37 | 0:25:40 | |
was at the centre of one of Britain's biggest ever food recalls. | 0:25:40 | 0:25:45 | |
Watch what you eat - | 0:25:45 | 0:25:46 | |
that's the warning from the Food Standards Agency | 0:25:46 | 0:25:49 | |
after the discovery that a potentially cancer-causing dye | 0:25:49 | 0:25:52 | |
has found its way into hundreds of common food products. | 0:25:52 | 0:25:55 | |
Sudan I had been banned two years earlier | 0:25:55 | 0:25:58 | |
after being linked to cancer, | 0:25:58 | 0:26:00 | |
but, despite this, was found to have made it into dozens of products | 0:26:00 | 0:26:04 | |
via a contaminated batch of chilli powder used in a sauce. | 0:26:04 | 0:26:09 | |
Supermarkets have been ordered to clear the items from their shelves | 0:26:09 | 0:26:12 | |
and the public told not to eat them. | 0:26:12 | 0:26:13 | |
But that wasn't the end of the problem. | 0:26:13 | 0:26:16 | |
In West Yorkshire, the Trading Standards' food team | 0:26:16 | 0:26:20 | |
have found further products containing illegal dyes. | 0:26:20 | 0:26:24 | |
We looked at samples of Asian confectionery that had, literally, | 0:26:24 | 0:26:28 | |
a fluorescent pink colour to them. | 0:26:28 | 0:26:29 | |
And this included looking at mixtures of seeds | 0:26:29 | 0:26:32 | |
where some of the seeds were a very bright pink colour, | 0:26:32 | 0:26:35 | |
and found them to contain rhodamine B. | 0:26:35 | 0:26:37 | |
Now, rhodamine B is a suspected carcinogen. | 0:26:37 | 0:26:40 | |
It's not permitted for use in food. | 0:26:40 | 0:26:41 | |
The type of product Duncan is talking about are these - | 0:26:41 | 0:26:45 | |
sugar-coated fennel seeds, which, in Asian cuisine, | 0:26:45 | 0:26:48 | |
are often served at the end of a meal as a tasty breath freshener. | 0:26:48 | 0:26:52 | |
Clearly the sweets have been artificially coloured, | 0:26:52 | 0:26:55 | |
but how often does the fakery include the use of illegal dyes? | 0:26:55 | 0:26:59 | |
To find out, we're conducting an experiment of our own, | 0:27:01 | 0:27:04 | |
buying randomly selected brands of sugar-coated fennel seeds | 0:27:04 | 0:27:07 | |
from shops across the capital. | 0:27:07 | 0:27:10 | |
And we're sending ten of them | 0:27:10 | 0:27:12 | |
to West Yorkshire Analytical Services to be tested. | 0:27:12 | 0:27:16 | |
Some of these samples are a mixture of many different colours, | 0:27:16 | 0:27:19 | |
different types of food within the sample, | 0:27:19 | 0:27:20 | |
so we're separating out the bright pink component | 0:27:20 | 0:27:23 | |
and then that's shaken up with a solvent. | 0:27:23 | 0:27:25 | |
The solvent is turned bright pink by the powerful food dyes, | 0:27:25 | 0:27:30 | |
but are these dyes legal? | 0:27:30 | 0:27:31 | |
Duncan's analysis will soon have the answer | 0:27:33 | 0:27:36 | |
and it's not long before he finds a problem with one of the samples. | 0:27:36 | 0:27:40 | |
We can see a peak here which is rhodamine B | 0:27:40 | 0:27:43 | |
and this is a level of about 32mg per kilogram. | 0:27:43 | 0:27:47 | |
It's not just the one. | 0:27:47 | 0:27:49 | |
In fact, three of our ten purchases have been proven to contain | 0:27:49 | 0:27:52 | |
the banned dye, making them both illegal and dangerous. | 0:27:52 | 0:27:57 | |
Consuming any of it at all is going | 0:27:57 | 0:27:59 | |
to increase an individual's risk of contracting cancer. | 0:27:59 | 0:28:02 | |
It simply shouldn't be present in food that we're eating | 0:28:02 | 0:28:05 | |
and it's illegal to sell that food. | 0:28:05 | 0:28:07 | |
Nevertheless, all three products are being openly sold in Britain. | 0:28:07 | 0:28:12 | |
We've passed on the results of our analysis to Trading Standards | 0:28:12 | 0:28:14 | |
and have asked them to investigate. | 0:28:14 | 0:28:17 | |
That's all from Fake Britain. Goodbye. | 0:28:22 | 0:28:25 |