Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to a world where nothing is as it seems. | 0:00:02 | 0:00:05 | |
Welcome to Fake Britain. | 0:00:05 | 0:00:07 | |
-Police! -SHOUTING | 0:00:09 | 0:00:11 | |
-Get down! Get down! -Get on the floor now. | 0:00:20 | 0:00:22 | |
Put your hands behind your back now. | 0:00:22 | 0:00:25 | |
Here at the Fake Britain house, | 0:00:25 | 0:00:27 | |
we'll reveal the fakes that are flooding the market, | 0:00:27 | 0:00:29 | |
conning people like you and me and making money for the criminals. | 0:00:29 | 0:00:33 | |
We'll investigate the fraudsters | 0:00:33 | 0:00:35 | |
who are selling us something that isn't real and could be dangerous, | 0:00:35 | 0:00:39 | |
and we'll help you avoid falling for a fake. | 0:00:39 | 0:00:42 | |
Today on Fake Britain, | 0:00:43 | 0:00:45 | |
the fake taxis putting passengers in danger... | 0:00:45 | 0:00:49 | |
Mr Elahi wasn't a taxi driver. Mr Elahi's car was not a taxi. | 0:00:49 | 0:00:53 | |
..the fake celebrity endorsements tempting shoppers into spending, | 0:00:53 | 0:00:57 | |
and losing, hundreds of pounds... | 0:00:57 | 0:01:00 | |
How I felt was they literally mugged me, | 0:01:00 | 0:01:02 | |
pulled out my purse from my bag and took the money. | 0:01:02 | 0:01:05 | |
..fakes in the frame - | 0:01:05 | 0:01:06 | |
the camera equipment that isn't what it seems... | 0:01:06 | 0:01:09 | |
I couldn't believe it. They said, "Do you know this camera's a fake?" | 0:01:09 | 0:01:13 | |
..and the faker who cashed in on Cornish art. | 0:01:13 | 0:01:17 | |
That one was priced at £20,000 to £30,000. | 0:01:17 | 0:01:20 | |
If you're planning to take a minicab, | 0:01:26 | 0:01:28 | |
there are some things you can check to make sure it's safe. | 0:01:28 | 0:01:31 | |
Does the vehicle have a taxi licence? | 0:01:31 | 0:01:34 | |
Does the company have an operator's licence? | 0:01:34 | 0:01:36 | |
And does the driver have a private hire licence? | 0:01:36 | 0:01:40 | |
In many parts of the country, | 0:01:40 | 0:01:41 | |
you can now do these checks with the authorities easily online. | 0:01:41 | 0:01:45 | |
And it's worth checking. Look at this. | 0:01:45 | 0:01:47 | |
It's a booking form from a cab company. | 0:01:47 | 0:01:49 | |
It says, "Fully licensed and insured for private hire." | 0:01:49 | 0:01:52 | |
But those claims are fake. | 0:01:52 | 0:01:55 | |
Fake minicabs across the UK are putting people's lives at risk. | 0:01:55 | 0:01:59 | |
There are now around a quarter of a million vehicles | 0:02:03 | 0:02:05 | |
with taxi licences on our roads. | 0:02:05 | 0:02:08 | |
About a third of those are hackney carriages, or taxis, | 0:02:08 | 0:02:12 | |
but 150,000 of them are private hire vehicles, or minicabs. | 0:02:12 | 0:02:17 | |
As Sarah Thompson from Northamptonshire found out, | 0:02:17 | 0:02:20 | |
some of those minicabs are fake, | 0:02:20 | 0:02:22 | |
unlicensed and potentially dangerous. | 0:02:22 | 0:02:25 | |
One night, Sarah was out with her friends in Birmingham. | 0:02:32 | 0:02:36 | |
We went out on the Saturday night, we were staying at a hotel | 0:02:36 | 0:02:40 | |
and I got a lot drunker than I was expecting to get. | 0:02:40 | 0:02:44 | |
I thought it was best that I go home to the hotel, sleep it off. | 0:02:44 | 0:02:48 | |
Thinking she was doing the right thing, | 0:02:48 | 0:02:51 | |
Sarah headed for a taxi rank and found a minicab. | 0:02:51 | 0:02:55 | |
I asked them to take me back to the hotel | 0:02:55 | 0:02:57 | |
cos I thought it'd be safer to get into a taxi | 0:02:57 | 0:02:59 | |
than try and find my way home walking. | 0:02:59 | 0:03:02 | |
But the minicab driver didn't take her straight back to the hotel. | 0:03:04 | 0:03:08 | |
Instead, he pulled up on a side road. | 0:03:08 | 0:03:11 | |
I remember him climbing over into the passenger side | 0:03:11 | 0:03:15 | |
and leaning over me, started kissing me | 0:03:15 | 0:03:18 | |
and I remember gripping the seat just thinking, | 0:03:18 | 0:03:21 | |
"I need to just let what happens happen | 0:03:21 | 0:03:26 | |
"cos I'll probably end up worse if I try and fight him." | 0:03:26 | 0:03:29 | |
Sort of froze in fear. | 0:03:29 | 0:03:31 | |
Sarah was seriously assaulted by the minicab driver, | 0:03:33 | 0:03:37 | |
but she managed to escape. | 0:03:37 | 0:03:39 | |
So, I got out of the taxi | 0:03:40 | 0:03:42 | |
and I was just walking up the street in a bit of a daze, | 0:03:42 | 0:03:45 | |
and then that's when it hit me. I started running and panicking | 0:03:45 | 0:03:49 | |
and I saw this car coming down towards me, | 0:03:49 | 0:03:53 | |
so I ran out in the road in front of that to make it stop, | 0:03:53 | 0:03:56 | |
and two girls got out of the back and they helped me, | 0:03:56 | 0:04:00 | |
and I told them what had happened and they called the police. | 0:04:00 | 0:04:03 | |
I started panicking then that I didn't know what had happened | 0:04:03 | 0:04:06 | |
cos I couldn't remember it all. | 0:04:06 | 0:04:08 | |
I don't remember anything till I woke up | 0:04:08 | 0:04:10 | |
and there was all these police officers and paramedics around me. | 0:04:10 | 0:04:14 | |
Sarah's attacker was driving an unlicensed minicab. | 0:04:15 | 0:04:18 | |
He was caught and jailed for five years. | 0:04:18 | 0:04:22 | |
But there are other risks that come with fake minicabs, | 0:04:22 | 0:04:24 | |
from being overcharged to being driven in a car that's uninsured. | 0:04:24 | 0:04:28 | |
In Birmingham, it's PC Dave Humpherson's job | 0:04:29 | 0:04:32 | |
to keep minicab passengers safe. | 0:04:32 | 0:04:34 | |
Tonight, he's leading Operation Amethyst, | 0:04:35 | 0:04:38 | |
which is tasked with cracking down on private hire vehicles | 0:04:38 | 0:04:41 | |
that are operating illegally. | 0:04:41 | 0:04:43 | |
They may be a revoked-licence driver | 0:04:43 | 0:04:45 | |
that, at some stage, has been caught for an offence, | 0:04:45 | 0:04:48 | |
no longer have a licence. | 0:04:48 | 0:04:49 | |
So, what they will do is they will get hold of some either fake plates | 0:04:49 | 0:04:53 | |
or they may have stolen some plates. They'll put them on the vehicle. | 0:04:53 | 0:04:56 | |
Straightaway, it looks like a licensed vehicle. | 0:04:56 | 0:04:58 | |
Tonight, the officers are patrolling the streets | 0:04:59 | 0:05:02 | |
in search of fake and illegal minicab drivers. | 0:05:02 | 0:05:06 | |
I'm going to drop two officers off on foot | 0:05:07 | 0:05:10 | |
and I'm going to get into a position | 0:05:10 | 0:05:12 | |
where I can observe them approaching vehicles. | 0:05:12 | 0:05:15 | |
The undercover officers pretend to be late-night partygoers | 0:05:17 | 0:05:20 | |
in search of a cab. | 0:05:20 | 0:05:22 | |
The one that takes their fare doesn't know | 0:05:22 | 0:05:24 | |
that he'll shortly be pulled over by a police bike. | 0:05:24 | 0:05:28 | |
Alpha one. Subject vehicle is a silver Mercedes. | 0:05:28 | 0:05:31 | |
No deviation. Speed - 30. Newhall Street. | 0:05:33 | 0:05:36 | |
The driver was later questioned and it was discovered | 0:05:37 | 0:05:40 | |
he was operating in the wrong county, which is illegal. | 0:05:40 | 0:05:43 | |
Later, another team stops a second minicab driver | 0:05:47 | 0:05:50 | |
who's found to be taking illegal fares. | 0:05:50 | 0:05:53 | |
'Can you just follow me, at the roundabout, | 0:05:53 | 0:05:56 | |
'just back into Morrisons and stop there?' | 0:05:56 | 0:05:59 | |
He knows there's some money to be made. It's very easy money. | 0:05:59 | 0:06:01 | |
He'll take them. He'll take the risk. | 0:06:01 | 0:06:03 | |
And, unfortunately, on this occasion for him, | 0:06:03 | 0:06:05 | |
it's police officers that he's picked up. | 0:06:05 | 0:06:08 | |
We've caught four pliers so far tonight. | 0:06:08 | 0:06:10 | |
We've only been out a few hours. No fake plates that we're aware of. | 0:06:10 | 0:06:13 | |
I've got no doubts that there are people about in this city tonight. | 0:06:13 | 0:06:17 | |
It's a good result for the team | 0:06:17 | 0:06:18 | |
tasked with catching illegal minicabs. | 0:06:18 | 0:06:21 | |
They know that the fakes are out there. | 0:06:21 | 0:06:23 | |
In Bradford, Josh Ripley was violently beaten unconscious | 0:06:25 | 0:06:29 | |
after getting in to a fake minicab. | 0:06:29 | 0:06:31 | |
And one night, PC Jason Dooley came face-to-face with one. | 0:06:33 | 0:06:37 | |
He saw a minicab being flagged down by passengers and taking the fare. | 0:06:40 | 0:06:45 | |
Plying for hire is illegal, | 0:06:45 | 0:06:47 | |
so PC Dooley followed the car on his police bike | 0:06:47 | 0:06:50 | |
and pulled over the driver. | 0:06:50 | 0:06:52 | |
I spoke through the open window | 0:06:52 | 0:06:54 | |
and I just asked, "Lads, have you booked this taxi?" | 0:06:54 | 0:06:56 | |
And they both said, "No, we're just doing it now." | 0:06:56 | 0:06:58 | |
I've then asked them to get out of the taxi cos it's not booked | 0:06:58 | 0:07:01 | |
and the driver's committing an offence. | 0:07:01 | 0:07:03 | |
I've then told the driver to follow me. | 0:07:03 | 0:07:05 | |
But the minicab driver had other ideas and sped off, | 0:07:07 | 0:07:11 | |
leaving PC Dooley no option but to give chase. | 0:07:11 | 0:07:15 | |
I heard a wheel spin. | 0:07:15 | 0:07:16 | |
He then went the wrong side of the road through a No Entry sign. | 0:07:16 | 0:07:20 | |
When he got on to the dual carriageway, he slowed down. | 0:07:21 | 0:07:24 | |
I think he realised that, "I'm not getting away from | 0:07:24 | 0:07:26 | |
"a police motorcyclist, so I'm just going to give up." | 0:07:26 | 0:07:28 | |
And that's when I've arrested him for dangerous driving. | 0:07:28 | 0:07:31 | |
He had taxi plates on the car. | 0:07:31 | 0:07:33 | |
It was emblazoned with taxi door numbers. | 0:07:33 | 0:07:35 | |
I assumed it was a legal taxi. | 0:07:35 | 0:07:38 | |
But after arresting the driver, the truth emerged. | 0:07:38 | 0:07:41 | |
The plates displayed were expired and they weren't in his name. | 0:07:41 | 0:07:44 | |
Mr Elahi wasn't a taxi driver. | 0:07:46 | 0:07:48 | |
Mr Elahi's car was not a taxi. | 0:07:48 | 0:07:51 | |
But when we interviewed Mr Elahi, | 0:07:51 | 0:07:53 | |
he stated that it was a one-off, | 0:07:53 | 0:07:54 | |
but we proved that it was numerous times - | 0:07:54 | 0:07:57 | |
he was using this vehicle as a fake taxi. | 0:07:57 | 0:07:59 | |
Fake cab driver Babu Elahi admitted dangerous driving, | 0:08:00 | 0:08:04 | |
fraud by false representation and driving without insurance. | 0:08:04 | 0:08:08 | |
He was jailed for four years, suspended for two years, | 0:08:08 | 0:08:12 | |
and banned from driving for 12 months. | 0:08:12 | 0:08:15 | |
There are fake taxis out there. | 0:08:15 | 0:08:16 | |
If you get into the rear of a fake taxi, | 0:08:16 | 0:08:19 | |
they are not checked, they are not monitored, | 0:08:19 | 0:08:21 | |
so they could be anybody, and it's a danger to the public. | 0:08:21 | 0:08:24 | |
Celebrities sell, and they get everywhere. | 0:08:29 | 0:08:32 | |
You'll find them endorsing everything from cars to crisps, | 0:08:32 | 0:08:35 | |
teabags to trainers, all in the hope that we'll buy the product | 0:08:35 | 0:08:39 | |
because we're convinced that if they like it, it must be OK. | 0:08:39 | 0:08:43 | |
Perhaps some of their magic may rub off on us. | 0:08:43 | 0:08:45 | |
But if you're impressed that someone you admire endorses a product | 0:08:45 | 0:08:49 | |
and you decide to buy, | 0:08:49 | 0:08:50 | |
can you be sure the celebrity actually has anything to do with it? | 0:08:50 | 0:08:54 | |
What if the endorsement is a fake? | 0:08:54 | 0:08:57 | |
This is a genuine advert for a well-known bank | 0:08:58 | 0:09:02 | |
featuring Olympic athlete Jessica Ennis-Hill | 0:09:02 | 0:09:04 | |
and racing driver Jenson Button. | 0:09:04 | 0:09:07 | |
You name the celebrity | 0:09:07 | 0:09:09 | |
and the chances are their face is being used in an advert like this. | 0:09:09 | 0:09:12 | |
More than a quarter of shoppers have bought something | 0:09:12 | 0:09:15 | |
because it was being promoted by a well-known personality. | 0:09:15 | 0:09:18 | |
And one such shopper is Tanya Worsfold | 0:09:19 | 0:09:22 | |
from Clackmannanshire in Scotland. | 0:09:22 | 0:09:24 | |
She'd been thinking about going on a diet when, one day, | 0:09:24 | 0:09:27 | |
she saw an advert online about a slimming supplement | 0:09:27 | 0:09:30 | |
called raspberry ketones. | 0:09:30 | 0:09:32 | |
It was accompanied by a picture of comedian Dawn French. | 0:09:32 | 0:09:36 | |
And I really like Dawn French. I've followed her for years. | 0:09:36 | 0:09:39 | |
As a comedian, I think she's brilliant, | 0:09:39 | 0:09:41 | |
and I'd been to see her recently in her show, | 0:09:41 | 0:09:43 | |
and it was about her losing weight and what she'd done. | 0:09:43 | 0:09:47 | |
The supplement raspberry ketones are a natural plant extract. | 0:09:48 | 0:09:52 | |
Some people think they help with slimming, | 0:09:52 | 0:09:54 | |
and they're widely available in high-street health-food shops. | 0:09:54 | 0:09:58 | |
The advert suggested that the supplements | 0:09:58 | 0:10:00 | |
had helped Dawn French to lose weight, | 0:10:00 | 0:10:03 | |
and a trial pack was being offered at 50% off the normal price. | 0:10:03 | 0:10:08 | |
What it suggested was that Dawn French was | 0:10:08 | 0:10:11 | |
endorsing the product and that, you know, | 0:10:11 | 0:10:13 | |
she'd used that same product to help her with weight loss. | 0:10:13 | 0:10:17 | |
Well, it certainly makes you think, "Oh, if Dawn French is using it, | 0:10:17 | 0:10:20 | |
"it must be all right, then, cos she was looking so good." | 0:10:20 | 0:10:23 | |
So, Tanya bought the supplements. | 0:10:23 | 0:10:25 | |
When they arrived, she started to take them, | 0:10:25 | 0:10:27 | |
but after taking a closer look, she began to have doubts. | 0:10:27 | 0:10:31 | |
They looked cheap and the labels weren't put on straight | 0:10:31 | 0:10:36 | |
and I just thought, "You know, I've bought something over the internet. | 0:10:36 | 0:10:39 | |
"It could be anything. It could be rat poison." | 0:10:39 | 0:10:42 | |
Tanya decided to stop taking the pills | 0:10:42 | 0:10:44 | |
and thought no more about them. | 0:10:44 | 0:10:47 | |
She assumed she'd lost a bit of money on a one-off bad purchase, | 0:10:47 | 0:10:50 | |
but a few weeks later, she received a parcel. | 0:10:50 | 0:10:54 | |
I got, through the post, another packet of the vitamins - | 0:10:54 | 0:10:57 | |
two packs - with a bill saying I think it was £80. | 0:10:57 | 0:11:01 | |
I thought, "Oh, God!" | 0:11:01 | 0:11:03 | |
Tanya phoned the company to tell them they must have made a mistake. | 0:11:03 | 0:11:06 | |
And they said no, this was right, | 0:11:06 | 0:11:08 | |
that I had signed up for a 12-month supply. | 0:11:08 | 0:11:12 | |
I said, "Well, I didn't," and they said, | 0:11:12 | 0:11:14 | |
"Well, you didn't read all the terms and conditions." | 0:11:14 | 0:11:16 | |
Having been lured in by a supposed endorsement from Dawn French, | 0:11:16 | 0:11:21 | |
Tanya now found herself caught in a so-called subscription trap. | 0:11:21 | 0:11:25 | |
Customers are hooked in with a free trial or discount for a product, | 0:11:25 | 0:11:29 | |
but if the trial isn't cancelled within a certain time, | 0:11:29 | 0:11:32 | |
the company starts to take regular payments | 0:11:32 | 0:11:35 | |
from the target's bank account. | 0:11:35 | 0:11:37 | |
I don't even remember ticking a box, but I must have done. | 0:11:37 | 0:11:40 | |
I thought it was a one-off purchase. | 0:11:40 | 0:11:42 | |
I thought the bottle was valued at a tenner | 0:11:42 | 0:11:44 | |
and they were giving it to you for 50%. | 0:11:44 | 0:11:47 | |
Worried about losing even more money, | 0:11:47 | 0:11:50 | |
she contacted her bank and cancelled the direct debit, | 0:11:50 | 0:11:53 | |
but by now, the company had taken over £300 from Tanya, | 0:11:53 | 0:11:57 | |
which she still hasn't recovered. | 0:11:57 | 0:12:00 | |
When I realised how much money they were taking out, | 0:12:00 | 0:12:02 | |
I just felt like I'd been mugged. | 0:12:02 | 0:12:05 | |
How I felt was I was walking along the street, | 0:12:05 | 0:12:07 | |
they literally mugged me, | 0:12:07 | 0:12:08 | |
pulled out my purse from my bag and took the money. | 0:12:08 | 0:12:11 | |
I realised that the endorsement was fake | 0:12:11 | 0:12:14 | |
and, yes, you know, it couldn't have been anything | 0:12:14 | 0:12:16 | |
to do with Dawn French. It was just a con. | 0:12:16 | 0:12:18 | |
But Tanya's not the only shopper | 0:12:19 | 0:12:21 | |
to have fallen for a fake celebrity endorsement. | 0:12:21 | 0:12:24 | |
Mike Andrews from the National Trading Standards | 0:12:24 | 0:12:27 | |
eCrime Team is leading a crackdown on subscription traps. | 0:12:27 | 0:12:30 | |
The latest intelligence and reports we have suggest that | 0:12:30 | 0:12:34 | |
the total loss does run into and millions of pounds a year. | 0:12:34 | 0:12:37 | |
We're aware of one bank that reported | 0:12:37 | 0:12:39 | |
that 37,000 of their consumers have been the victim | 0:12:39 | 0:12:42 | |
of some sort of subscription trap, | 0:12:42 | 0:12:44 | |
so these traders are making a significant profit | 0:12:44 | 0:12:46 | |
out of these scams. | 0:12:46 | 0:12:48 | |
Dawn French's agent told Fake Britain that... | 0:12:48 | 0:12:50 | |
But Dawn French is just one of many celebrities | 0:13:02 | 0:13:05 | |
having their identities faked by companies | 0:13:05 | 0:13:07 | |
who are trying to sell products. | 0:13:07 | 0:13:09 | |
Lorraine Kelly and Fern Britton have been quick to issue public denials | 0:13:09 | 0:13:13 | |
after their images were used without their consent to peddle products. | 0:13:13 | 0:13:18 | |
Some celebrities have even had their identities faked | 0:13:20 | 0:13:22 | |
by criminals out to commit fraud. | 0:13:22 | 0:13:25 | |
Finance expert Martin Lewis is the founder | 0:13:26 | 0:13:29 | |
of the MoneySavingExpert.com website. | 0:13:29 | 0:13:32 | |
His advice is trusted by millions of consumers, | 0:13:32 | 0:13:36 | |
and because of that, he's a regular target for the fakers. | 0:13:36 | 0:13:40 | |
I've had problems for years with people knocking on people's doors | 0:13:41 | 0:13:44 | |
or calling them up pretending to have some form of linkage with me | 0:13:44 | 0:13:47 | |
or with MoneySavingExpert.com. | 0:13:47 | 0:13:50 | |
Recently, fraudsters actually pretended to be Martin | 0:13:51 | 0:13:55 | |
in order to persuade pensioners to hand over their money, | 0:13:55 | 0:13:58 | |
either to get tax rebates that didn't exist | 0:13:58 | 0:14:01 | |
or to protect themselves against a fraud that hadn't even happened. | 0:14:01 | 0:14:05 | |
This is pure fakery. They were using my name, | 0:14:05 | 0:14:08 | |
they were using MoneySavingExpert.com's name | 0:14:08 | 0:14:11 | |
because we're trusted, | 0:14:11 | 0:14:13 | |
to try and get into vulnerable, elderly people's houses, | 0:14:13 | 0:14:16 | |
the type of people I spend my life campaigning to protect. | 0:14:16 | 0:14:19 | |
It makes me feel physically sick. | 0:14:19 | 0:14:22 | |
Remember this is a salesperson, or, potentially, even worse - | 0:14:22 | 0:14:25 | |
a fake salesperson, a scammer, trying to get your money. | 0:14:25 | 0:14:29 | |
Anybody knocking on your door, calling you up | 0:14:29 | 0:14:31 | |
saying they represent me or this website is a liar. | 0:14:31 | 0:14:34 | |
Whether it is to push a product or a scam, | 0:14:34 | 0:14:38 | |
using fake celebrity endorsements on social media | 0:14:38 | 0:14:41 | |
to convince consumers to part with money is now a real threat. | 0:14:41 | 0:14:45 | |
Many adverts are being endorsed by fake tweets, | 0:14:46 | 0:14:49 | |
like this one purporting to be from none other | 0:14:49 | 0:14:52 | |
than the Duchess of Cambridge herself. | 0:14:52 | 0:14:55 | |
Rest assured, neither she nor any of the other stars featured here | 0:14:55 | 0:14:58 | |
are linked, in any way, | 0:14:58 | 0:15:00 | |
with the products they appear to be promoting. | 0:15:00 | 0:15:03 | |
Of course, it's all fake | 0:15:03 | 0:15:04 | |
and it's all designed to try and get the consumer enticed onto the site | 0:15:04 | 0:15:08 | |
where they'll be parted with their hard-earned money. | 0:15:08 | 0:15:11 | |
For customers like Tanya, | 0:15:11 | 0:15:12 | |
being targeted by a fake celebrity endorsement | 0:15:12 | 0:15:15 | |
has cost her more than just money. | 0:15:15 | 0:15:17 | |
It was really highly unpleasant, | 0:15:17 | 0:15:20 | |
and it wasn't so much about the loss of the money, although that hurt, | 0:15:20 | 0:15:23 | |
you felt stupid and robbed. | 0:15:23 | 0:15:26 | |
This digital camera is packed with technology | 0:15:34 | 0:15:36 | |
and can deliver a brilliant and memorable picture. | 0:15:36 | 0:15:39 | |
It's expensive, of course, | 0:15:39 | 0:15:41 | |
but I have the security of knowing that if anything goes wrong, | 0:15:41 | 0:15:44 | |
there's a warranty, so it can be fixed or even replaced. | 0:15:44 | 0:15:47 | |
Well, that's what WOULD happen with a genuine camera. | 0:15:47 | 0:15:50 | |
This one is fake. | 0:15:50 | 0:15:52 | |
So is all this camera equipment, and as we're about to find out, | 0:15:52 | 0:15:56 | |
even the professionals can find it hard to spot the difference. | 0:15:56 | 0:16:00 | |
These days, it seems everyone is into photography. | 0:16:01 | 0:16:04 | |
The global photographic market is now worth over £50 billion. | 0:16:04 | 0:16:09 | |
But some budding British photographers | 0:16:11 | 0:16:13 | |
are being duped into buying cameras that aren't what they appear to be. | 0:16:13 | 0:16:17 | |
Eager photographers snapping up what looks like an online bargain | 0:16:17 | 0:16:21 | |
could be in for a nasty surprise. | 0:16:21 | 0:16:24 | |
Tristan Findley is a professional photographer | 0:16:25 | 0:16:28 | |
with a successful photography business. | 0:16:28 | 0:16:31 | |
He needs reliable camera equipment and backup if it lets him down. | 0:16:31 | 0:16:36 | |
I need to have equipment that's fully supported | 0:16:36 | 0:16:38 | |
by the manufacturer's warranty. It has to be reliable. | 0:16:38 | 0:16:41 | |
I need to know that I can get a replacement camera | 0:16:41 | 0:16:43 | |
sent from the manufacturer in a very short amount of time | 0:16:43 | 0:16:45 | |
to carry on with whatever it is I'm shooting. | 0:16:45 | 0:16:48 | |
Tristan needed to buy a new Canon Digital SLR called the 7D. | 0:16:48 | 0:16:53 | |
It's a professional camera which cost around £1,600 at the time, | 0:16:53 | 0:16:57 | |
without lenses. | 0:16:57 | 0:16:59 | |
He found one online for £100 less than that. | 0:16:59 | 0:17:02 | |
Everything seemed 100% normal. The camera was in its original box. | 0:17:02 | 0:17:06 | |
There was nothing untoward about it at all. | 0:17:06 | 0:17:10 | |
Tristan had no reason to think anything was wrong, | 0:17:10 | 0:17:12 | |
until he decided to go on a photography trip abroad. | 0:17:12 | 0:17:17 | |
Like a car, you tend to service a car before you go on a long trip. | 0:17:17 | 0:17:20 | |
I decided to do the same with the camera. | 0:17:20 | 0:17:22 | |
I sent it back to Canon for their professional service. | 0:17:22 | 0:17:25 | |
Canon checked the camera's unique serial number against their records. | 0:17:26 | 0:17:30 | |
The serial number is used to trace the origins of the camera. | 0:17:30 | 0:17:34 | |
They came back to me and said, "The serial number's been changed | 0:17:34 | 0:17:38 | |
"and we don't make a Canon with a seven-digit serial number." | 0:17:38 | 0:17:43 | |
Canon stated that, because of that, it was classed by them | 0:17:43 | 0:17:46 | |
as counterfeit and was not eligible for any warranty. | 0:17:46 | 0:17:50 | |
Tristan had unwittingly bought a grey-import camera | 0:17:51 | 0:17:54 | |
destined for sale outside Europe. | 0:17:54 | 0:17:57 | |
In the US and Asia, different manuals, | 0:17:57 | 0:17:59 | |
accessories and warranties are offered. | 0:17:59 | 0:18:02 | |
We spoke to Lee Boniface from Canon. | 0:18:02 | 0:18:05 | |
So, this product is made for the Asian market. | 0:18:05 | 0:18:07 | |
What's happened here, the importer has taken off | 0:18:07 | 0:18:10 | |
the serial number on the side of the box. | 0:18:10 | 0:18:12 | |
That should match the serial number on the bottom of the camera there. | 0:18:12 | 0:18:16 | |
And I've got one here that's been put on over the top | 0:18:16 | 0:18:19 | |
of the genuine serial number. | 0:18:19 | 0:18:20 | |
That serial number doesn't mean anything, and therefore, | 0:18:20 | 0:18:23 | |
this consumer who bought this product, unfortunately, | 0:18:23 | 0:18:25 | |
they wouldn't have a valid warranty. | 0:18:25 | 0:18:27 | |
Fake serial numbers don't show up on Canon's database, | 0:18:27 | 0:18:30 | |
making the identity of the camera impossible to trace. | 0:18:30 | 0:18:33 | |
Tristan bought his camera in the UK, | 0:18:33 | 0:18:36 | |
but it was a camera intended by Canon for sale in Asia, | 0:18:36 | 0:18:40 | |
not Europe or the UK. He bought it online. | 0:18:40 | 0:18:44 | |
Some online shops are able to sell grey imports | 0:18:44 | 0:18:47 | |
at low prices because, that way, | 0:18:47 | 0:18:49 | |
they avoid paying the correct tax or duties | 0:18:49 | 0:18:52 | |
when the camera enters the UK. Left without a warranty, | 0:18:52 | 0:18:55 | |
Tristan was lucky that nothing had gone wrong | 0:18:55 | 0:18:57 | |
with his camera on the shoot. | 0:18:57 | 0:18:59 | |
Photos capture a moment in time and if that moment passes, | 0:18:59 | 0:19:02 | |
it doesn't come back. | 0:19:02 | 0:19:04 | |
But what if something had gone wrong? | 0:19:04 | 0:19:07 | |
Photographer Craig Skinner bought | 0:19:07 | 0:19:09 | |
a Nikon D7000 digital SLR camera online | 0:19:09 | 0:19:12 | |
for a discounted £600. | 0:19:12 | 0:19:15 | |
But on his first big wedding photography job, | 0:19:15 | 0:19:18 | |
something went wrong. | 0:19:18 | 0:19:20 | |
I could tell something wasn't quite right. | 0:19:20 | 0:19:23 | |
The autofocus just wasn't working properly. | 0:19:23 | 0:19:26 | |
The results of the autofocus failure were disastrous for Craig's photos. | 0:19:26 | 0:19:30 | |
In the photo, the couple weren't sharp, | 0:19:30 | 0:19:32 | |
they weren't in focus. Just not usable. | 0:19:32 | 0:19:34 | |
I would never give an image like that to a client. | 0:19:34 | 0:19:37 | |
Back home, Craig called Nikon about the faulty camera. | 0:19:39 | 0:19:42 | |
They told him to send it in as it should still be under warranty. | 0:19:42 | 0:19:46 | |
They said basically, "Do you know this camera's a fake?" | 0:19:46 | 0:19:49 | |
I couldn't believe it. | 0:19:49 | 0:19:51 | |
The serial number on the bottom of the camera had been replaced | 0:19:51 | 0:19:54 | |
with another one. | 0:19:54 | 0:19:56 | |
Craig wasn't covered by a warranty. | 0:19:56 | 0:19:58 | |
Like Tristan, he'd unwittingly bought a grey-import camera, | 0:19:58 | 0:20:02 | |
but in his case, the camera was actually faulty. | 0:20:02 | 0:20:06 | |
With a faked serial number, | 0:20:06 | 0:20:07 | |
there was no way of knowing whether it was even a genuine Nikon product. | 0:20:07 | 0:20:12 | |
We spoke to Nikon about Craig's case. | 0:20:12 | 0:20:14 | |
They said, "We can confirm that the serial number on the camera | 0:20:14 | 0:20:18 | |
"which Mr Skinner purchased was tampered with | 0:20:18 | 0:20:20 | |
"by an unknown third party, which, unfortunately, | 0:20:20 | 0:20:23 | |
"invalidates the product warranty. | 0:20:23 | 0:20:26 | |
"In order to avoid the problems Mr Skinner faced, | 0:20:26 | 0:20:29 | |
"we recommend customers check the list of approved retailers | 0:20:29 | 0:20:32 | |
"on the Nikon website for guaranteed satisfaction." | 0:20:32 | 0:20:36 | |
Back at Canon, Lee comes across fakes on a daily basis, | 0:20:37 | 0:20:41 | |
and it's not just high-end cameras. | 0:20:41 | 0:20:43 | |
Even point-and-shoot compact cameras are being faked. | 0:20:43 | 0:20:46 | |
This is a counterfeit Canon camera. | 0:20:47 | 0:20:50 | |
It's actually not a Canon camera at all. | 0:20:50 | 0:20:53 | |
If you switch the product on, | 0:20:53 | 0:20:54 | |
you can see it even comes up with the Canon logo. | 0:20:54 | 0:20:57 | |
The fakers are smart enough to have programmed the software | 0:20:59 | 0:21:01 | |
in this camera to tell you it's a Canon, | 0:21:01 | 0:21:04 | |
even though it's not. | 0:21:04 | 0:21:06 | |
Lee's concerned about the safety of some of the fake camera equipment, | 0:21:06 | 0:21:09 | |
like this charger. | 0:21:09 | 0:21:10 | |
You can see on this fake product already | 0:21:11 | 0:21:14 | |
this wire has come loose. | 0:21:14 | 0:21:16 | |
You could get a very nasty electric shock. | 0:21:16 | 0:21:18 | |
If you also happen to have a fake Canon battery, | 0:21:18 | 0:21:21 | |
the combination of the two could actually be quite dangerous. | 0:21:21 | 0:21:24 | |
The charger would not be protecting the battery | 0:21:24 | 0:21:26 | |
and we don't know how stable and how well that battery was being made. | 0:21:26 | 0:21:29 | |
Photographers Tristan and Chris | 0:21:29 | 0:21:31 | |
have had their fingers burned with online shopping. | 0:21:31 | 0:21:34 | |
They won't be making the same mistake again. | 0:21:34 | 0:21:36 | |
It has made me a lot more cautious, | 0:21:38 | 0:21:40 | |
and now I won't always seek out the cheapest price. | 0:21:40 | 0:21:43 | |
If I was going to buy another camera or lens, | 0:21:43 | 0:21:45 | |
I would go into a reputable camera shop every time. | 0:21:45 | 0:21:49 | |
This picture looks as though | 0:21:56 | 0:21:58 | |
it might have been painted by a child, doesn't it? | 0:21:58 | 0:22:00 | |
A simple picture of a boat in a harbour in Cornwall. | 0:22:00 | 0:22:04 | |
I really like it. It's signed A Wallis. | 0:22:04 | 0:22:07 | |
In fact, Alfred Wallis took up painting late in life | 0:22:07 | 0:22:10 | |
after his wife died. | 0:22:10 | 0:22:11 | |
He's one of Britain's most admired artists, | 0:22:11 | 0:22:14 | |
and his pictures hang in Tate Britain. | 0:22:14 | 0:22:16 | |
If this had been painted by him, | 0:22:16 | 0:22:18 | |
it would be worth thousands, but it wasn't. | 0:22:18 | 0:22:20 | |
It's a fake, and Wallis fakes have fooled a lot of people. | 0:22:20 | 0:22:24 | |
For centuries, the beautiful scenery of Cornwall | 0:22:31 | 0:22:34 | |
has inspired generations of artists. | 0:22:34 | 0:22:37 | |
One of the best-known is Alfred Wallis, | 0:22:37 | 0:22:39 | |
a local fisherman born in 1855 | 0:22:39 | 0:22:42 | |
who painted in a childlike style known as naive, | 0:22:42 | 0:22:45 | |
ignoring perspective | 0:22:45 | 0:22:47 | |
and painting on scraps of cardboard with boat paint. | 0:22:47 | 0:22:50 | |
Today, Wallis's work is sought after by collectors. | 0:22:50 | 0:22:54 | |
Graham Bazely is an art auctioneer and expert on the artist, | 0:22:56 | 0:22:59 | |
and so when he was shown a Wallis by one of his regular customers, | 0:22:59 | 0:23:03 | |
he was very excited. | 0:23:03 | 0:23:04 | |
A lady customer came in one Saturday morning | 0:23:06 | 0:23:08 | |
and I said to her, "You're looking very cheerful this morning." | 0:23:08 | 0:23:11 | |
She said, "Yes, I'm absolutely thrilled. | 0:23:11 | 0:23:13 | |
"I've bought an Alfred Wallis." | 0:23:13 | 0:23:16 | |
As a Wallis fan, Graham was keen to see the new painting | 0:23:16 | 0:23:19 | |
that his customer had spent £5,000 on. | 0:23:19 | 0:23:22 | |
Well, we're seeing what is basically a naive picture | 0:23:22 | 0:23:25 | |
of sailing boats in a harbour, | 0:23:25 | 0:23:27 | |
which is just typical of the kinds of things | 0:23:27 | 0:23:30 | |
that Alfred Wallis painted. | 0:23:30 | 0:23:33 | |
The woman had bought the painting | 0:23:33 | 0:23:35 | |
from a gallery in the small town of Hayle, | 0:23:35 | 0:23:37 | |
where she'd been reassured of its provenance - | 0:23:37 | 0:23:40 | |
that's the record of who'd previously owned it | 0:23:40 | 0:23:42 | |
and where it came from. | 0:23:42 | 0:23:44 | |
Part of this provenance was the view of a well-respected art expert | 0:23:44 | 0:23:47 | |
known to Graham. | 0:23:47 | 0:23:49 | |
Well, I immediately e-mailed him. | 0:23:49 | 0:23:51 | |
He'd been quoted out of context | 0:23:51 | 0:23:53 | |
and, indeed, his e-mail actually stated, you know, | 0:23:53 | 0:23:56 | |
"Do not quote me on this. I have not seen the painting." | 0:23:56 | 0:23:59 | |
By now, Graham was concerned about the piece of artwork, | 0:23:59 | 0:24:04 | |
so he contacted the gallery owner, David Carter, | 0:24:04 | 0:24:07 | |
suggesting a refund for the customer. | 0:24:07 | 0:24:09 | |
But he didn't get the answer he was expecting. | 0:24:09 | 0:24:11 | |
The response was a long and rambling letter - | 0:24:12 | 0:24:15 | |
it was rather arrogant - | 0:24:15 | 0:24:17 | |
which said, "My opinion is as good as everyone else's, | 0:24:17 | 0:24:21 | |
"and I'm as much authority on Alfred Wallis as anyone." | 0:24:21 | 0:24:25 | |
Graham was beginning to suspect | 0:24:27 | 0:24:29 | |
that the painting might not be all it seemed, | 0:24:29 | 0:24:32 | |
so he contacted Officer Ben Adams at Cornwall Trading Standards, | 0:24:32 | 0:24:37 | |
who was also unable to establish the provenance of the painting. | 0:24:37 | 0:24:40 | |
She had been told it had documented history, | 0:24:40 | 0:24:43 | |
provenance to it, and it turned out that | 0:24:43 | 0:24:46 | |
it was a very vague, patchy history, | 0:24:46 | 0:24:48 | |
simply not authenticated by any paperwork. | 0:24:48 | 0:24:52 | |
Rumours were starting to circulate about the Hayle gallery | 0:24:52 | 0:24:55 | |
and its plethora of Alfred Wallis paintings. | 0:24:55 | 0:24:57 | |
They had a whole series of paintings on their website | 0:24:58 | 0:25:02 | |
and everyone said to me, "Who is that man | 0:25:02 | 0:25:05 | |
"who thinks he's got a collection of Alfred Wallis paintings?" | 0:25:05 | 0:25:08 | |
The woman who bought the paintings gave Trading Standards a statement, | 0:25:09 | 0:25:14 | |
but there was only one way to tell for sure whether it was a fake, | 0:25:14 | 0:25:17 | |
and that was to get it tested. | 0:25:18 | 0:25:20 | |
So, it was sent to a company called Art Analysis & Research, | 0:25:22 | 0:25:25 | |
experts in the forensic examination of paintings. | 0:25:25 | 0:25:29 | |
Dr Nicholas Eastaugh examined the work. | 0:25:30 | 0:25:33 | |
What we specialise in is looking at the materials of paintings. | 0:25:33 | 0:25:37 | |
When the team looked at the supposed Wallis painting, | 0:25:37 | 0:25:40 | |
their verdict was unequivocal. | 0:25:40 | 0:25:43 | |
One of the things that popped out | 0:25:43 | 0:25:44 | |
was a pigment called titanium dioxide - white - | 0:25:44 | 0:25:46 | |
and that's quite key because it's too late for the artist. | 0:25:46 | 0:25:49 | |
It was introduced later in the 20th century, | 0:25:49 | 0:25:52 | |
so he wouldn't have had access to it, | 0:25:52 | 0:25:54 | |
therefore, to find it in a painting means that | 0:25:54 | 0:25:56 | |
Wallis can't have created that painting. | 0:25:56 | 0:25:58 | |
The paintings were definitely fake. | 0:26:00 | 0:26:03 | |
Trading Standards finally now had enough evidence | 0:26:03 | 0:26:06 | |
to raid David Carter's gallery. | 0:26:06 | 0:26:09 | |
Then obtained a number of items, | 0:26:09 | 0:26:10 | |
including five or six paintings in total, | 0:26:10 | 0:26:13 | |
together with a computer, | 0:26:13 | 0:26:15 | |
a number of documents, including invoices, receipts. | 0:26:15 | 0:26:19 | |
That allowed us to piece together | 0:26:19 | 0:26:21 | |
basically the history of the paintings. | 0:26:21 | 0:26:23 | |
For all Carter's tall stories about his Alfred Wallis paintings, | 0:26:23 | 0:26:27 | |
Trading Standards were about to discover invoices | 0:26:27 | 0:26:30 | |
that revealed their humble origins. | 0:26:30 | 0:26:33 | |
One in particular was described | 0:26:33 | 0:26:34 | |
as an item in the style of Alfred Wallis. | 0:26:34 | 0:26:36 | |
Now, that clearly showed that he bought the item | 0:26:36 | 0:26:39 | |
effectively as a fake. | 0:26:39 | 0:26:41 | |
Carter was buying fake art from online traders | 0:26:41 | 0:26:44 | |
with unconvincing names, including Timeless Tat. | 0:26:44 | 0:26:48 | |
The works only cost Carter a few hundred pounds each, | 0:26:48 | 0:26:51 | |
yet he was selling them at a huge mark-up, | 0:26:51 | 0:26:54 | |
in some cases tens of thousands of pounds. | 0:26:54 | 0:26:57 | |
So, you've got three paintings along the back there | 0:26:57 | 0:27:00 | |
which are all from the same supplier. | 0:27:00 | 0:27:02 | |
Those cost around about £500 each. | 0:27:02 | 0:27:05 | |
The one on the left was up for a price | 0:27:05 | 0:27:07 | |
of about £30,000 to £50,000, | 0:27:07 | 0:27:09 | |
that one in the middle there was priced at £20,000 to £30,000, | 0:27:09 | 0:27:13 | |
and the one on the right-hand side, that was as much as £18,000. | 0:27:13 | 0:27:17 | |
It was sold for £5,000 in the end. | 0:27:17 | 0:27:20 | |
Trading Standards were now confident | 0:27:20 | 0:27:22 | |
they had enough evidence to press charges. | 0:27:22 | 0:27:25 | |
It was clear that we were talking about fraud here. | 0:27:25 | 0:27:28 | |
Mr Carter was being dishonest, basically. | 0:27:28 | 0:27:30 | |
David Carter was charged with seven counts of fraud. | 0:27:32 | 0:27:34 | |
At the last moment, he pleaded guilty | 0:27:34 | 0:27:37 | |
and received a suspended 12-month prison sentence, | 0:27:37 | 0:27:40 | |
200 hours of community service and £50,000 in costs. | 0:27:40 | 0:27:45 | |
But Carter's legacy of fakery lives on. | 0:27:47 | 0:27:50 | |
I would hazard a guess that the majority of them | 0:27:50 | 0:27:53 | |
probably still exist. | 0:27:53 | 0:27:54 | |
People might not be aware that they're in the possession | 0:27:54 | 0:27:56 | |
of something which is worth a tiny fraction of what they paid for it. | 0:27:56 | 0:28:00 | |
That's all from Fake Britain. Goodbye. | 0:28:05 | 0:28:08 |