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The law says everyone has the right to a safe place to live. | 0:00:02 | 0:00:04 | |
-You've actually seen rats, have you? -Yes, we have, yes. -Right. | 0:00:04 | 0:00:07 | |
But, for thousands of people across Britain, the reality can be | 0:00:07 | 0:00:10 | |
more hovel than home. | 0:00:10 | 0:00:12 | |
We've got a nappy in the tree there. | 0:00:13 | 0:00:15 | |
I'm sure that that is pee. | 0:00:15 | 0:00:17 | |
In the battle between tenants | 0:00:17 | 0:00:20 | |
and landlords, it's local housing officers who are on the front line. | 0:00:20 | 0:00:24 | |
-I can smell gas. -You are committing an offence under the Housing Act. | 0:00:24 | 0:00:27 | |
Are you having a laugh? | 0:00:27 | 0:00:29 | |
'I'm Matt Allwright.' | 0:00:29 | 0:00:30 | |
Damp, cold, dangerous. | 0:00:30 | 0:00:32 | |
They're trying to make me look bad. | 0:00:32 | 0:00:34 | |
Have you only recently become aware of planning permission? | 0:00:34 | 0:00:36 | |
'I'm back on the job once again, | 0:00:36 | 0:00:38 | |
'joining the ranks of the housing enforcers. | 0:00:38 | 0:00:40 | |
'They're tackling problem properties...' | 0:00:40 | 0:00:42 | |
It's a right old mess in there, isn't it? | 0:00:42 | 0:00:45 | |
..dealing with the consequences of nightmare neighbours... | 0:00:45 | 0:00:47 | |
I've had two tyres cut. | 0:00:47 | 0:00:49 | |
'..and doing their best to help those in need.' | 0:00:49 | 0:00:53 | |
-This is the first time I've had a smile on my face. -Oh! | 0:00:53 | 0:00:57 | |
We just heard a squeak. | 0:00:57 | 0:00:59 | |
Today, things get serious, as I take part in an evening police raid. | 0:01:04 | 0:01:09 | |
-We're coming in. -No, no. | 0:01:09 | 0:01:11 | |
-Erm... From the police. -Excuse me. If you could just step aside. | 0:01:11 | 0:01:15 | |
It's not very nice busting into people's lives | 0:01:15 | 0:01:19 | |
and waking them up, but that's the last resort. | 0:01:19 | 0:01:23 | |
And a homeless couple finally get a roof over their head. | 0:01:23 | 0:01:26 | |
It's easy to miss something when you've got a better option there, | 0:01:26 | 0:01:29 | |
and of course when we look back it's going to be nostalgia rather | 0:01:29 | 0:01:32 | |
than the reality of the rats and the cold and strangers wandering in and out. | 0:01:32 | 0:01:36 | |
They say an Englishman's home is his castle. | 0:01:39 | 0:01:42 | |
But if that place is rented, it's the job of housing officers to | 0:01:42 | 0:01:46 | |
make sure it's a decent place to live. | 0:01:46 | 0:01:49 | |
They keep an eye on landlords | 0:01:49 | 0:01:51 | |
to make sure the property is up to scratch, and on some tenants | 0:01:51 | 0:01:55 | |
to make sure they're keeping their half of the bargain. | 0:01:55 | 0:01:58 | |
If there's one thing I'm learning, it's that being a housing officer | 0:02:02 | 0:02:05 | |
is definitely not a nine-to-five job. | 0:02:05 | 0:02:08 | |
As most people are calling it a day, we're heading to a rental | 0:02:08 | 0:02:11 | |
property in Oxford | 0:02:11 | 0:02:13 | |
that HOs Iain Lingard and Clive Salisbury | 0:02:13 | 0:02:16 | |
think may be dangerously overcrowded. | 0:02:16 | 0:02:18 | |
Any property with three or more people that are not related | 0:02:18 | 0:02:22 | |
-requires a licence. -Right. Who else is coming along tonight? | 0:02:22 | 0:02:27 | |
We've requested the police attend | 0:02:27 | 0:02:30 | |
because we don't know what we'll find at the property. | 0:02:30 | 0:02:33 | |
As your apprentice and trainee, what should I know about this? | 0:02:33 | 0:02:37 | |
Just be careful. If there's any chance of any violence, | 0:02:37 | 0:02:40 | |
then we'll get the police to go in first. | 0:02:40 | 0:02:43 | |
With no idea what we're walking into, there is a real risk | 0:02:45 | 0:02:48 | |
the situation could turn nasty, so it's important | 0:02:48 | 0:02:51 | |
the police are here to stop things getting out of hand. | 0:02:51 | 0:02:54 | |
KNOCK ON DOOR | 0:02:54 | 0:02:57 | |
-Hello. -Hello. -From Oxford City Council. | 0:02:59 | 0:03:02 | |
We're here to inspect the property. We've got a warrant to come in. | 0:03:02 | 0:03:06 | |
Is it OK if we come in? | 0:03:06 | 0:03:08 | |
INDISTINCT | 0:03:08 | 0:03:10 | |
-Sorry? -I now want to speak... -Have you got the warrant? -Yeah. | 0:03:10 | 0:03:15 | |
-How many people here? -What's this? -How many people live here? | 0:03:21 | 0:03:26 | |
-Just one family? -Yeah. -Can we come in, have a look? | 0:03:28 | 0:03:32 | |
-We've got a warrant. Yes? -Just for a look? -Yeah. | 0:03:32 | 0:03:35 | |
We'll wait here. | 0:03:39 | 0:03:40 | |
Yeah, OK. | 0:03:40 | 0:03:42 | |
Even though we've got a warrant, getting inside isn't | 0:03:43 | 0:03:46 | |
proving any easier than last time. | 0:03:46 | 0:03:48 | |
But Iain isn't giving up without a fight. | 0:03:48 | 0:03:51 | |
No, no, no. | 0:03:51 | 0:03:52 | |
No, no. No come in. | 0:03:52 | 0:03:54 | |
-You come in through my landlord. -No, we're not, no, we're not. -Yes. -No. | 0:03:54 | 0:03:57 | |
-No, we're not, we're coming in. -No, no. | 0:03:57 | 0:04:01 | |
The police... | 0:04:01 | 0:04:02 | |
Excuse me, if you could just step aside. | 0:04:02 | 0:04:04 | |
-If you could just step aside, please. -OK. -OK. | 0:04:04 | 0:04:08 | |
'Things turn ugly, and the police are forced to intervene so that Iain | 0:04:08 | 0:04:11 | |
'can find out whether the building is being used illegally | 0:04:11 | 0:04:14 | |
'or if the woman's claim that only one family lives here is true.' | 0:04:14 | 0:04:19 | |
-It's a bit gloomy. -Yeah. -Can we turn some lights on? -It's on. -That's it? | 0:04:19 | 0:04:22 | |
-They've just got a blue light on in the hall... -Oh, that's it. | 0:04:22 | 0:04:25 | |
-Hello. -Hello? -From Oxford City Council. | 0:04:25 | 0:04:29 | |
We've got a warrant to enter the premises. | 0:04:29 | 0:04:31 | |
How many people live in here? | 0:04:31 | 0:04:34 | |
-In this room? -Two people. -Two people. -Yes. | 0:04:34 | 0:04:38 | |
-And you are related to each other? -Boyfriend. -Boyfriend, OK. | 0:04:38 | 0:04:44 | |
-Can we have a quick look in here? -Yes, please. -Thank you. | 0:04:44 | 0:04:47 | |
'While I follow Iain to find out how many people are living in | 0:04:47 | 0:04:50 | |
'each room, Clive takes photos. | 0:04:50 | 0:04:52 | |
'It could be crucial if they decide to prosecute.' | 0:04:52 | 0:04:55 | |
Will you let us in your room? | 0:04:57 | 0:04:58 | |
-You have a dog? -Yeah. | 0:05:00 | 0:05:02 | |
Is it a friendly dog? | 0:05:03 | 0:05:05 | |
Good. | 0:05:05 | 0:05:07 | |
We like friendly dogs. | 0:05:07 | 0:05:09 | |
-Hello. Oh! -Oh! -Sorry! | 0:05:09 | 0:05:12 | |
'The dog is friendly, it just doesn't want to stick around.' | 0:05:12 | 0:05:16 | |
Very sorry. Hello. How many people? | 0:05:16 | 0:05:19 | |
-Very friendly. -Where? -Here. | 0:05:19 | 0:05:21 | |
-I wouldn't know. -Two? Two people? | 0:05:22 | 0:05:25 | |
After her reluctance to let us into the house, the man who seems | 0:05:25 | 0:05:28 | |
to be sharing her room is also being less than cooperative. | 0:05:28 | 0:05:33 | |
He won't give us his name. HE LAUGHS | 0:05:33 | 0:05:37 | |
Only two rooms down and already there seem to be at least | 0:05:37 | 0:05:40 | |
four people living in the house. | 0:05:40 | 0:05:42 | |
It's looking like Iain's fears of overcrowding could be right. | 0:05:42 | 0:05:46 | |
All of these people's lives in very small rooms. | 0:05:46 | 0:05:49 | |
It's packed full of stuff. | 0:05:49 | 0:05:51 | |
I mean, there's just stuff everywhere. | 0:05:51 | 0:05:53 | |
HE KNOCKS ON DOOR | 0:05:53 | 0:05:55 | |
Can we come in, please? | 0:05:55 | 0:05:57 | |
My boyfriend's asleep, he's got work. | 0:05:59 | 0:06:01 | |
From Oxford City Council. We have a warrant to inspect these premises. | 0:06:01 | 0:06:06 | |
Inspect them? But he's asleep. And my room is a mess. | 0:06:06 | 0:06:09 | |
We have a warrant. I'm not bothered about the... We'll be two minutes. | 0:06:09 | 0:06:14 | |
-Two, three minutes. -If you just let the man do his job, he has a warrant. | 0:06:14 | 0:06:17 | |
-Can I just let my boyfriend know? -Yes, please. Yes, OK. -OK? | 0:06:17 | 0:06:21 | |
-But we won't disturb him, he can cover up. -All right. | 0:06:21 | 0:06:25 | |
-If you just give me one minute. -OK. | 0:06:25 | 0:06:27 | |
Join us later when we'll find out why this overcrowded house | 0:06:27 | 0:06:30 | |
is putting the squeeze on the people who live there. | 0:06:30 | 0:06:33 | |
-You shouldn't be able to put somebody in here to sleep. -No. | 0:06:33 | 0:06:37 | |
The job of a housing officer isn't always about sorting out | 0:06:43 | 0:06:46 | |
difficult tenants, confronting deadbeat landlords | 0:06:46 | 0:06:49 | |
and inspecting dismal dwellings. | 0:06:49 | 0:06:52 | |
In Salford, for Kingsley Ekolle, | 0:06:52 | 0:06:54 | |
it's all about getting tenants into a property | 0:06:54 | 0:06:56 | |
and then trying to make sure they stay there. | 0:06:56 | 0:06:59 | |
It depends how much the individual is able to put in | 0:07:00 | 0:07:04 | |
and how determined they are to make the tenancy successful, | 0:07:04 | 0:07:08 | |
rather than what the local authority or our team can do for them. | 0:07:08 | 0:07:11 | |
Kingsley works for Salford Council's supported tenancy programme, | 0:07:12 | 0:07:16 | |
helping vulnerable people get a roof over their head. | 0:07:16 | 0:07:20 | |
The local authority's there to support them to be successful, | 0:07:20 | 0:07:24 | |
and to move on to an even more successful life, in the sense | 0:07:24 | 0:07:29 | |
that we want that they should come back to the community | 0:07:29 | 0:07:33 | |
and lead a successful life. | 0:07:33 | 0:07:35 | |
Meet Andy and Jane. They look like any ordinary couple to me. | 0:07:42 | 0:07:46 | |
Every single one of us is a different person | 0:07:46 | 0:07:48 | |
with a different story, we're not all the same. | 0:07:48 | 0:07:51 | |
But where they live... | 0:07:51 | 0:07:53 | |
Yeah, we don't need to get everything, just get what we can. | 0:07:53 | 0:07:55 | |
..is very far from ordinary. | 0:07:55 | 0:07:59 | |
This is the mattress. | 0:07:59 | 0:08:00 | |
This was here when we came here. | 0:08:00 | 0:08:02 | |
All the bedding has been given to us by charity organisations. | 0:08:02 | 0:08:05 | |
We have to put bodies in the bed so that | 0:08:05 | 0:08:08 | |
when people do walk past and they look over, they'll think | 0:08:08 | 0:08:12 | |
that's us and they won't go through our worldly possessions. | 0:08:12 | 0:08:17 | |
There's the candles, the candles we keep on every night. | 0:08:17 | 0:08:21 | |
It deters the rats a little bit and it makes us feel a little bit safer, | 0:08:21 | 0:08:24 | |
that we're not sat completely in the dark, or lay asleep in the dark. | 0:08:24 | 0:08:27 | |
Because we never know who's walking up and down. | 0:08:27 | 0:08:30 | |
Our clocks, so that we can get up in time for appointments. | 0:08:30 | 0:08:33 | |
Cos, again, there's nothing in an arch. We had to buy them, obviously. | 0:08:33 | 0:08:37 | |
Hats and things, people coming out of clubs have given us. | 0:08:37 | 0:08:39 | |
Like...just cheery little things. | 0:08:39 | 0:08:41 | |
As Andy says, it makes you forget you're in an arch | 0:08:41 | 0:08:44 | |
if you've got something colourful to look at. | 0:08:44 | 0:08:46 | |
-It looks nice at night-time, doesn't it? -It does look nice. | 0:08:46 | 0:08:49 | |
After problems with alcohol, | 0:08:51 | 0:08:53 | |
Andy's been sleeping rough for seven years, | 0:08:53 | 0:08:55 | |
while Jane's been on the streets for four, | 0:08:55 | 0:08:57 | |
having suffered with mental health issues. | 0:08:57 | 0:09:00 | |
They fell in love 12 months ago | 0:09:00 | 0:09:01 | |
and, like any couple, decided to set up home. | 0:09:01 | 0:09:05 | |
But they did it in this arch, alongside its existing tenants. | 0:09:05 | 0:09:08 | |
The food in the fish tank, to keep the rats away from it. | 0:09:10 | 0:09:13 | |
Andy made the shelf to keep the rats away from the food. | 0:09:13 | 0:09:16 | |
It was an ongoing battle with the rats for a good few months, wasn't it? | 0:09:16 | 0:09:19 | |
-This area here is ours. -Yeah, we ignore that bit. | 0:09:19 | 0:09:23 | |
And that is the rat path. Like, we've come to kind of a truce. | 0:09:23 | 0:09:26 | |
-If we feed them at night-time... -Away from the arch. | 0:09:26 | 0:09:29 | |
Yeah, away from it, they'll leave us alone. | 0:09:29 | 0:09:32 | |
While Andy and Jane were getting to know their new housemates, | 0:09:33 | 0:09:36 | |
all around them, this part of Salford was being transformed. | 0:09:36 | 0:09:40 | |
The way I look at it, of a night-time, | 0:09:40 | 0:09:42 | |
we can stand here in the snow and the rain will be coming straight at us, | 0:09:42 | 0:09:46 | |
but we can look up at really rich people in the Beetham Tower. | 0:09:46 | 0:09:50 | |
And I think of it as like back in medieval times, | 0:09:50 | 0:09:52 | |
you'd have the peasants and the lepers at the very | 0:09:52 | 0:09:54 | |
bottom of the hill, and at the top, they must have looked up and saw | 0:09:54 | 0:09:57 | |
the lords and ladies in the castle, and this is a modern-day equivalent. | 0:09:57 | 0:10:00 | |
We can stand here and look at the very rich people looking back down. | 0:10:00 | 0:10:04 | |
And I always think - well, I wonder - do they even know... | 0:10:04 | 0:10:08 | |
about the homeless situation here in Manchester, in Salford? | 0:10:08 | 0:10:11 | |
And if they just looked out, they'd be able to see the arch. | 0:10:11 | 0:10:14 | |
Next under the developer's sledgehammer is this railway arch | 0:10:14 | 0:10:17 | |
which Andy and Jane have, in the absence of anything else, | 0:10:17 | 0:10:20 | |
come to consider as their home. | 0:10:20 | 0:10:22 | |
We were discussing this last night, I think we will. | 0:10:22 | 0:10:25 | |
But it's easy to miss something when you've got a better option there. | 0:10:25 | 0:10:28 | |
Of course, when we look back, it's going to be nostalgia rather than the reality of the rats | 0:10:28 | 0:10:32 | |
and the cold and strangers wandering in and out. | 0:10:32 | 0:10:35 | |
Andy and Jane face imminent eviction. | 0:10:35 | 0:10:38 | |
Which is, for once, not necessarily a bad thing in my book. | 0:10:38 | 0:10:41 | |
And that's where Kingsley comes in. | 0:10:41 | 0:10:44 | |
They're moving in here now. | 0:10:44 | 0:10:47 | |
We're happy to support them, | 0:10:47 | 0:10:49 | |
but the success of the tenancy depends on what they wish to | 0:10:49 | 0:10:54 | |
achieve, and whether they're willing or not to achieve those things. | 0:10:54 | 0:10:58 | |
Kingsley has secured a temporary flat for the couple, | 0:10:58 | 0:11:01 | |
but the big question is, will they be able to stick it after living | 0:11:01 | 0:11:05 | |
such a tough, but free, existence? | 0:11:05 | 0:11:07 | |
Some of the things that can happen include the fact that | 0:11:07 | 0:11:10 | |
they might not be able to cope in the tenancy and that can fail. | 0:11:10 | 0:11:15 | |
Especially when people have been on the street for a very long time. | 0:11:15 | 0:11:19 | |
We were actually nervous about coming here. | 0:11:19 | 0:11:22 | |
Just because it's such a massive change. | 0:11:22 | 0:11:24 | |
-We're really grateful, we're really happy... -But we're both scared. | 0:11:24 | 0:11:27 | |
Instead of being happy, we're scared. | 0:11:27 | 0:11:29 | |
We'll find out how Andy and Jane settle into their new home later. | 0:11:29 | 0:11:33 | |
-Hot water! Can I give it a go? -Yeah, you can. | 0:11:33 | 0:11:37 | |
SHE LAUGHS | 0:11:37 | 0:11:39 | |
Back in Oxford, I'm joining a raid to try and establish | 0:11:45 | 0:11:48 | |
whether a property's being used illegally as bedsits. | 0:11:48 | 0:11:52 | |
And after some difficulty gaining entry... | 0:11:52 | 0:11:54 | |
-The police... -Excuse me, if you could just step aside. | 0:11:54 | 0:11:57 | |
..it definitely seems that the house is seriously overcrowded. | 0:11:57 | 0:12:01 | |
He won't give us his name. | 0:12:01 | 0:12:03 | |
Well, a headcount so far - we've got two people downstairs, | 0:12:03 | 0:12:07 | |
in this room we've got two, next door, we've got two. | 0:12:07 | 0:12:10 | |
In this house, which is supposed to be for... | 0:12:10 | 0:12:13 | |
A maximum of four, for the facilities. | 0:12:13 | 0:12:15 | |
They have one bathroom, they can have four people to one bathroom, | 0:12:15 | 0:12:19 | |
-four people to one kitchen. -This is not licensed. | 0:12:19 | 0:12:22 | |
-So, over three, it would need a licence anyway. -It would, yes. | 0:12:22 | 0:12:26 | |
And it seems like we've got a lot more than three. | 0:12:26 | 0:12:29 | |
Licensing was introduced for three or more people, was to try | 0:12:29 | 0:12:33 | |
and control things like this. | 0:12:33 | 0:12:36 | |
Overcrowding, poor conditions. | 0:12:36 | 0:12:38 | |
You can hardly stand up in this room | 0:12:39 | 0:12:41 | |
because of all the things that are in here. | 0:12:41 | 0:12:44 | |
And that's foodstuffs, cosmetics, clothes, | 0:12:44 | 0:12:49 | |
everything is just jammed in here. | 0:12:49 | 0:12:51 | |
You can see what happens | 0:12:51 | 0:12:52 | |
when you're in a house that's not big enough to cope. | 0:12:52 | 0:12:55 | |
'It's looking less and less likely that the woman at the front door's | 0:12:55 | 0:12:59 | |
'claim that the house is occupied by one family is true.' | 0:12:59 | 0:13:02 | |
So, we've got a couple in there with their dog. | 0:13:02 | 0:13:05 | |
-I've already established that he pays the rent. -On behalf of all of them? | 0:13:05 | 0:13:08 | |
Yeah. He is the tenant. The landlord comes here, | 0:13:08 | 0:13:11 | |
or his wife comes here, to collect the rent every month. | 0:13:11 | 0:13:15 | |
I've got six names, I haven't got the name of the person who lives in that one. | 0:13:15 | 0:13:18 | |
It feels like we're finally getting to the bottom of what's going on. | 0:13:18 | 0:13:22 | |
And it seems it isn't a straightforward case | 0:13:22 | 0:13:24 | |
of a landlord with an unlicensed house in multiple occupation. | 0:13:24 | 0:13:28 | |
Iain's found out there's a good reason why the man sharing | 0:13:29 | 0:13:32 | |
a room with the woman who opened the front door refused to give his name. | 0:13:32 | 0:13:38 | |
It appears he's been renting the house from the landlord | 0:13:38 | 0:13:40 | |
and then illegally subletting the rooms to the other tenants himself. | 0:13:40 | 0:13:44 | |
What's happened is, they're paying £115 a week, | 0:13:44 | 0:13:49 | |
and the rent's £1,000 per month for the whole house. | 0:13:49 | 0:13:52 | |
So, he's living for free | 0:13:52 | 0:13:53 | |
because he's piling these people into the same house. | 0:13:53 | 0:13:55 | |
-And making a profit. -And making a profit. -Yeah. | 0:13:55 | 0:13:57 | |
When you see the economics of it, set out like that, | 0:13:57 | 0:14:01 | |
you kind of understand why it happens. | 0:14:01 | 0:14:03 | |
So, actually, there are two things to show here - one is there's that | 0:14:03 | 0:14:07 | |
couple in the first place who are making free rent and money from it. | 0:14:07 | 0:14:11 | |
But then you have to demonstrate, or try and demonstrate, | 0:14:11 | 0:14:13 | |
whether the landlord is complicit in that, and knows what's going on. | 0:14:13 | 0:14:17 | |
Because ultimately, the responsibility for this house, | 0:14:17 | 0:14:20 | |
and licensing it and keeping it, managing it properly, | 0:14:20 | 0:14:23 | |
-still goes back to the landlord, regardless. -It does, yes. | 0:14:23 | 0:14:27 | |
If the tenant has created the multi-occupancy here, | 0:14:27 | 0:14:32 | |
then he is also liable. | 0:14:32 | 0:14:34 | |
-Really? -Yes. -So we can go back and hold that... | 0:14:34 | 0:14:38 | |
Effectively, as you would a landlord, say, "Well, actually, | 0:14:38 | 0:14:41 | |
"you've made yourself a landlord by subletting in this way, | 0:14:41 | 0:14:45 | |
"so you have to take some of the responsibility as well." | 0:14:45 | 0:14:48 | |
But in real terms, that tenant will just disappear. | 0:14:48 | 0:14:52 | |
OK, so what can we do about this? What happens next? | 0:14:52 | 0:14:55 | |
The owner and the tenant who we believe is subletting will be | 0:14:55 | 0:15:01 | |
invited in for an interview under caution. | 0:15:01 | 0:15:03 | |
I don't know if we're anywhere near to a stage where we need to say, | 0:15:03 | 0:15:06 | |
"This place needs to be radically changed, you need to move out." | 0:15:06 | 0:15:10 | |
Can we avoid that? Can we avoid making people homeless, effectively? | 0:15:10 | 0:15:13 | |
What we would do is serve an order on the owner to reduce the numbers. | 0:15:13 | 0:15:18 | |
But that's done by natural wastage, rather than evicting people. | 0:15:18 | 0:15:24 | |
So, it doesn't make the people homeless, | 0:15:24 | 0:15:27 | |
-it's just when they naturally move on to alternative accommodation. -OK. | 0:15:27 | 0:15:31 | |
So there you have it. It's a house stuffed with people, | 0:15:33 | 0:15:36 | |
stuffed with stuff as well. | 0:15:36 | 0:15:38 | |
And, really, not protecting or serving | 0:15:38 | 0:15:41 | |
the people that are in there. | 0:15:41 | 0:15:44 | |
It's not very nice, busting into people's lives | 0:15:44 | 0:15:47 | |
and waking them up to try and find out how they're living. | 0:15:47 | 0:15:52 | |
But that's the last resort. So, uncomfortable, but job done. | 0:15:52 | 0:15:56 | |
In Stevenage, I'm working with the emergency accommodation team... | 0:16:02 | 0:16:06 | |
-Hi, Matt. -Hello. -You all right for a chat? | 0:16:06 | 0:16:08 | |
..on a case led by housing officer Sarah Morley. | 0:16:08 | 0:16:11 | |
Today, we're going to go and meet a lady who we are going to be | 0:16:13 | 0:16:19 | |
putting from emergency accommodation into her own property. | 0:16:19 | 0:16:24 | |
Sandra's been living in single-room emergency accommodation | 0:16:24 | 0:16:27 | |
for the last three months, after the death | 0:16:27 | 0:16:30 | |
of her husband meant she couldn't afford the mortgage on her house. | 0:16:30 | 0:16:33 | |
But multiple health issues have left Sandra reliant on family | 0:16:35 | 0:16:39 | |
and carers to help her try to live a normal life. | 0:16:39 | 0:16:42 | |
She's bedbound, she uses a lot of equipment. | 0:16:44 | 0:16:47 | |
She's not going to get any better than she is. | 0:16:47 | 0:16:49 | |
So we need to find somewhere that's going to be comfortable | 0:16:49 | 0:16:51 | |
-and permanent for her to stay. -Good stuff. | 0:16:51 | 0:16:54 | |
The good news is a bungalow's become available that should suit | 0:16:54 | 0:16:57 | |
Sandra's needs. She's happy, and agreed to the move. | 0:16:57 | 0:17:00 | |
So today Sarah and I are going to talk her through the paperwork. | 0:17:00 | 0:17:04 | |
Hello! This is Matt. | 0:17:04 | 0:17:06 | |
-I'm Matt, nice to meet you. -Hi, Matt. -Hi. -Hi. | 0:17:06 | 0:17:09 | |
'Sandra's nephew Stephen is here to lend a supporting hand.' | 0:17:09 | 0:17:12 | |
So, today, | 0:17:12 | 0:17:14 | |
I've got about ten forms with me, sorry. | 0:17:14 | 0:17:17 | |
I know you don't like forms. But I'm afraid they're unavoidable. | 0:17:17 | 0:17:21 | |
'Having the stability of a permanent home is something most of us want. | 0:17:21 | 0:17:26 | |
'But it's clearly especially important for someone like Sandra.' | 0:17:26 | 0:17:30 | |
The plan for the next place, then, is that you've got somewhere you can | 0:17:30 | 0:17:33 | |
be secure and safe and know you're going to be there for a while. | 0:17:33 | 0:17:37 | |
And you can concentrate on getting the care that you need. | 0:17:37 | 0:17:40 | |
Yeah, it'd be nice to have a final place where I'm going to stay | 0:17:40 | 0:17:43 | |
and not going to have to move again and worry about things. | 0:17:43 | 0:17:47 | |
'One thing she won't have to worry about is the decorating, | 0:17:47 | 0:17:50 | |
'cos that's going to be Stephen's job.' | 0:17:50 | 0:17:53 | |
We've got a decorating voucher for £150. | 0:17:53 | 0:17:56 | |
Should be you having this, Stephen, | 0:17:56 | 0:17:58 | |
seeing as you're going to be the one doing all the work, shouldn't it? | 0:17:58 | 0:18:01 | |
Is this the wallpaper you've chosen? | 0:18:01 | 0:18:02 | |
-Yes, that's going in the living room. -Oh, wow, that's nice. | 0:18:02 | 0:18:06 | |
And that one behind you, that's going in the bedroom, that one. | 0:18:06 | 0:18:09 | |
-Here we go, there's the keys for your property. All yours. -All mine. | 0:18:09 | 0:18:12 | |
-Is that it, then? -Right, that's it. -Fantastic. | 0:18:12 | 0:18:14 | |
Sandra's all signed up, it's her property. | 0:18:14 | 0:18:17 | |
What's it like to have your keys in your hand, finally? | 0:18:17 | 0:18:20 | |
It's great to finally have my own property again. | 0:18:20 | 0:18:24 | |
Between losing my husband | 0:18:24 | 0:18:25 | |
and then not being able to keep the property on, | 0:18:25 | 0:18:27 | |
and then to actually lose that home, it was very, very hard. | 0:18:27 | 0:18:32 | |
And then being uncertain where I'm going to go, as well. | 0:18:32 | 0:18:36 | |
To actually have the keys to... you know, | 0:18:36 | 0:18:38 | |
and know I'm going to be there, it's fantastic. Absolutely great. | 0:18:38 | 0:18:43 | |
-How long were you in your property with your husband? -About 19 years. | 0:18:43 | 0:18:47 | |
-It's a long time. -Yeah, it was very hard. | 0:18:47 | 0:18:50 | |
A lot of memories. | 0:18:50 | 0:18:52 | |
-Now you've got a place where you can start making new memories. -Yeah. | 0:18:52 | 0:18:56 | |
Yep. Fresh start. | 0:18:57 | 0:18:58 | |
'It looks like Sandra now can finally say goodbye | 0:19:00 | 0:19:02 | |
'to living in one cramped room.' | 0:19:02 | 0:19:04 | |
It must be one of the more satisfying parts of your job there. | 0:19:04 | 0:19:07 | |
-Yeah, it is. -Seeing that happen. | 0:19:07 | 0:19:09 | |
Yeah, cos I know how much it means to her to get somewhere that's hers. | 0:19:09 | 0:19:11 | |
-Yeah. -Cos she's a really anxious lady and she was worried | 0:19:11 | 0:19:14 | |
when her bungalow went. | 0:19:14 | 0:19:16 | |
Hopefully, she'll be happier now and she'll start making plans | 0:19:16 | 0:19:20 | |
for the future now cos she hasn't done many of them lately, so... | 0:19:20 | 0:19:23 | |
Yeah, that'll be good. | 0:19:23 | 0:19:25 | |
-Anything for me to do? -Yes, there is. -I thought so! | 0:19:25 | 0:19:28 | |
Stephen's going to go to the property, he hasn't seen it yet | 0:19:28 | 0:19:31 | |
so he hasn't kind of made any plans of where anything's going. | 0:19:31 | 0:19:35 | |
But if you can try and encourage him that the larger room | 0:19:35 | 0:19:37 | |
would be a good room to be stationed in, that'd be really nice. | 0:19:37 | 0:19:41 | |
We need to look at that property and just sort of plan out exactly | 0:19:41 | 0:19:44 | |
how Sandra's life is going to work in there once she's move in. | 0:19:44 | 0:19:48 | |
-To suit her the best so she gets the best of both worlds. -OK. | 0:19:48 | 0:19:51 | |
Bed and the sofa and time in her chair. | 0:19:51 | 0:19:54 | |
'Well, it's good to be given some responsibility at last. | 0:19:55 | 0:19:58 | |
'Find out if I succeed a bit later on.' | 0:19:58 | 0:20:00 | |
Back in Salford, and home is where the heart is, | 0:20:04 | 0:20:07 | |
or so the old saying goes. | 0:20:07 | 0:20:09 | |
In the dark, if you kind of squint your eyes, | 0:20:09 | 0:20:11 | |
and the candles are on, you can't see all that mess in the back - | 0:20:11 | 0:20:13 | |
you can kind of fool yourself into thinking it's a little bedsit or something. | 0:20:13 | 0:20:18 | |
Maybe don't look too deeply. | 0:20:18 | 0:20:20 | |
I don't know how you can do that! | 0:20:20 | 0:20:23 | |
OK, it may just be a railway arch in Salford, | 0:20:23 | 0:20:26 | |
but this home has got a lot of heart. | 0:20:26 | 0:20:28 | |
And it's got the roots of something very special. | 0:20:28 | 0:20:31 | |
I really believe now, if I hadn't had met Jane, I'd be dead. | 0:20:31 | 0:20:35 | |
They've lived here for the past year, but eviction's looming, | 0:20:35 | 0:20:38 | |
so not for much longer. | 0:20:38 | 0:20:40 | |
-We've had some good times, though. -Yeah, I was just going to say, we've had some laughs here, | 0:20:40 | 0:20:44 | |
but as soon as winter kicked in, the laughs just went away. | 0:20:44 | 0:20:47 | |
Today, housing officer Kingsley Ekolle is showing them | 0:20:55 | 0:20:59 | |
around their new temporary home. | 0:20:59 | 0:21:01 | |
Feel the heat soon as you walk in, can't you? | 0:21:02 | 0:21:05 | |
-This is your new living room, guys. -That's lovely, that. | 0:21:05 | 0:21:09 | |
-Chairs! You don't have to sit on the floor! -Oh, man. | 0:21:09 | 0:21:12 | |
-So, you've got a table, chairs there in the diner. -Yep. | 0:21:12 | 0:21:16 | |
-Here's the settee. -Is it all right if I sit down? | 0:21:16 | 0:21:19 | |
Oh, yeah, that's fine, you can sit down. | 0:21:19 | 0:21:22 | |
We've lived the reality of the streets for so long, and now, | 0:21:22 | 0:21:26 | |
to have what normal people can have, it's like, somehow, I feel... | 0:21:26 | 0:21:30 | |
It's not normal, is it? | 0:21:30 | 0:21:31 | |
..yeah, like I don't deserve it, or it's going to be taken away. | 0:21:31 | 0:21:34 | |
Like, I'm just going to be sent back onto the streets. | 0:21:34 | 0:21:38 | |
It's home. | 0:21:38 | 0:21:39 | |
-There's your kitchen. -Yeah. -This is the cooker. This is a fridge-freezer. | 0:21:39 | 0:21:43 | |
That's your sink, you've got hot water there. | 0:21:43 | 0:21:46 | |
-Hot water! Can I give it a go? -Yeah, you can. | 0:21:46 | 0:21:49 | |
SHE LAUGHS | 0:21:49 | 0:21:52 | |
Jane looked extremely thrilled. She was smiling all along. | 0:21:52 | 0:21:57 | |
I could see Andy's face beaming with smiles as well. | 0:21:57 | 0:22:01 | |
So, yeah, it was very successful. | 0:22:01 | 0:22:04 | |
HE LAUGHS That's good to hear. | 0:22:04 | 0:22:06 | |
Normally, we have a bin bag full of clothes that we hide | 0:22:06 | 0:22:09 | |
-towards the back of the arch. -Right, whole wardrobe now. | 0:22:09 | 0:22:12 | |
They'll stay here for the next three months. | 0:22:12 | 0:22:14 | |
And with the help of Kingsley and the supported tenancy team, | 0:22:14 | 0:22:17 | |
it'll give them a chance to get back on their feet. | 0:22:17 | 0:22:20 | |
-This is to kick-start what we both need. -Yep. | 0:22:20 | 0:22:23 | |
Like I say, I'm not getting any younger. | 0:22:23 | 0:22:26 | |
I need to do something now or never. | 0:22:26 | 0:22:28 | |
What we're looking towards | 0:22:28 | 0:22:30 | |
-is Andy wants to go to college in September, don't you? -Yeah, yeah. | 0:22:30 | 0:22:33 | |
He says that'll make him feel loads better, to be able to go to college. | 0:22:33 | 0:22:36 | |
And I want a job again. | 0:22:36 | 0:22:38 | |
Hopefully, Andy and Jane will now start building a new life. | 0:22:38 | 0:22:41 | |
Although some people in their position can struggle to | 0:22:41 | 0:22:43 | |
adjust to a settled environment. | 0:22:43 | 0:22:45 | |
We're so grateful to have the opportunity, | 0:22:45 | 0:22:47 | |
just to be able to live a normal life. | 0:22:47 | 0:22:49 | |
It actually feels like I'm a member of society again. | 0:22:49 | 0:22:52 | |
The main challenge here is to make sure that you're able to | 0:22:52 | 0:22:56 | |
-function as effectively and efficiently as possible. -Yep. | 0:22:56 | 0:23:00 | |
-In your own words, to lead a normal life once more. -Yeah. -Yeah. | 0:23:00 | 0:23:05 | |
-Is that OK? -That'd be great, yeah. | 0:23:05 | 0:23:08 | |
And we'll be with you all the way, to support you | 0:23:08 | 0:23:11 | |
-until you've settled in. -Thank you. -Thank you very much. -Yeah? -Yeah. | 0:23:11 | 0:23:14 | |
Fingers crossed everything works out for them. | 0:23:14 | 0:23:17 | |
Back in Stevenage, bedbound Sandra spent three months | 0:23:24 | 0:23:28 | |
living in cramped single-roomed emergency accommodation. | 0:23:28 | 0:23:31 | |
Between losing my husband, then not being able to keep the property on, | 0:23:33 | 0:23:36 | |
and then to actually lose that home, it was very, very hard. | 0:23:36 | 0:23:41 | |
But thanks to the council's housing team, | 0:23:41 | 0:23:43 | |
Sandra's now been offered a bungalow. | 0:23:43 | 0:23:45 | |
-So, this is it. -Oh, right. | 0:23:47 | 0:23:48 | |
'But before she moves in, I've come with nephew Stephen | 0:23:49 | 0:23:52 | |
'to make sure her new home will be right for Sandra.' | 0:23:52 | 0:23:55 | |
And a massive kitchen. | 0:23:55 | 0:23:56 | |
This is big, isn't it? | 0:23:56 | 0:23:58 | |
This is a nice-sized kitchen, it's bigger than my kitchen. | 0:23:58 | 0:24:01 | |
There's plenty of room in here for the cooker, fridge, | 0:24:01 | 0:24:03 | |
whatever she needs and more. | 0:24:03 | 0:24:05 | |
We think of this as being a house for one person. In fact, it isn't, | 0:24:05 | 0:24:08 | |
because you've got carers there for a big part of the day, | 0:24:08 | 0:24:11 | |
so her house is very rarely just herself. | 0:24:11 | 0:24:14 | |
-STEPHEN LAUGHS -You can never get that lady by herself. | 0:24:14 | 0:24:17 | |
-There's always a carer there, district nurse there... -Family. | 0:24:17 | 0:24:20 | |
Family, you know, it's almost ongoing, it's constant. | 0:24:20 | 0:24:23 | |
One stops, the other starts. | 0:24:23 | 0:24:24 | |
It's going to make their life a lot easier cos, you know, | 0:24:24 | 0:24:27 | |
they're preparing meals, getting her meds ready | 0:24:27 | 0:24:29 | |
-and this is a bright, clean, big, spacious kitchen. -It's ideal. | 0:24:29 | 0:24:34 | |
Absolutely ideal. | 0:24:34 | 0:24:35 | |
'And things look promising in the bathroom, too.' | 0:24:35 | 0:24:38 | |
It's a walk-in shower. | 0:24:38 | 0:24:39 | |
Yeah, they're going to put a special shower chair in here | 0:24:39 | 0:24:42 | |
so she can be brought in here, sit down her chair | 0:24:42 | 0:24:44 | |
and they can actually wash her in the shower rather than a bed bath, | 0:24:44 | 0:24:47 | |
which isn't the nicest thing for anyone, let's face it. | 0:24:47 | 0:24:50 | |
So, again, this is about giving back your aunt a fuller life. | 0:24:50 | 0:24:54 | |
So, not everything revolving around the bed but actually semblance of... | 0:24:54 | 0:24:58 | |
You know, a bit of dignity and a bit of establishing a normal routine. | 0:24:58 | 0:25:02 | |
Exactly. This is what she needs. And this will give her that. | 0:25:02 | 0:25:06 | |
-This is the main room. -Yeah. | 0:25:06 | 0:25:08 | |
'Sandra's health issues mean she relies on carers | 0:25:08 | 0:25:12 | |
'and has a lot of specialist equipment. | 0:25:12 | 0:25:14 | |
'So, housing officer Sarah wants me | 0:25:14 | 0:25:15 | |
'to suggest that the bed would be better off in the larger lounge.' | 0:25:15 | 0:25:19 | |
-So, we've got the bed... -Got the bed. | 0:25:19 | 0:25:21 | |
-..that your auntie's got to get in here. -The hoist. | 0:25:21 | 0:25:23 | |
'But it sounds like a family decision's already been made.' | 0:25:25 | 0:25:28 | |
She wants it separate, she wants to be... | 0:25:28 | 0:25:30 | |
-HE SIGHS -That's all her day is. | 0:25:30 | 0:25:32 | |
So, for her, getting out of bed and doing something with her day, | 0:25:32 | 0:25:35 | |
even if it's just moving to the lounge to watch TV, | 0:25:35 | 0:25:37 | |
for her, that's her day, | 0:25:37 | 0:25:39 | |
that's achieved something in the day for her. | 0:25:39 | 0:25:41 | |
The idea, then, of moving to another room is kind of quite liberating. | 0:25:41 | 0:25:45 | |
It's a big deal for her. It's a very big thing. | 0:25:45 | 0:25:48 | |
She wants her freedom back. | 0:25:48 | 0:25:49 | |
It's still limited, she still needs carers to help her | 0:25:49 | 0:25:52 | |
but at least she's not in the same room, | 0:25:52 | 0:25:54 | |
same four walls day in, day out | 0:25:54 | 0:25:56 | |
which I-I couldn't... I couldn't imagine doing myself. | 0:25:56 | 0:25:59 | |
You've watched her over these last couple of years, | 0:25:59 | 0:26:01 | |
-what it's been like? -It's horrible. | 0:26:01 | 0:26:04 | |
Knowing that there's nothing I can do directly to make | 0:26:04 | 0:26:06 | |
her life any better, is horrible. | 0:26:06 | 0:26:09 | |
And if all I can do is help her move in to a new property... | 0:26:09 | 0:26:12 | |
For me, it's a few days, fine. | 0:26:12 | 0:26:13 | |
For her, it means the world to have that independence back. | 0:26:13 | 0:26:16 | |
-And the security of knowing that it's not going to go away. -Yeah. | 0:26:16 | 0:26:18 | |
It's council stock, she's paying the rent to the council, it's not like | 0:26:18 | 0:26:21 | |
a landlord is suddenly going to pull the rug out from under her feet. | 0:26:21 | 0:26:24 | |
Exactly. | 0:26:24 | 0:26:26 | |
'It's clear that Stephen | 0:26:26 | 0:26:27 | |
'really cares about his aunt's quality of life. | 0:26:27 | 0:26:30 | |
'And he also cares about the decoration.' | 0:26:30 | 0:26:32 | |
-What's the plan, do you know? -Bring it back to bare wall. | 0:26:32 | 0:26:35 | |
Strip it right back, paint and she's picked out the wallpaper already | 0:26:35 | 0:26:39 | |
so we're going to do one wall as a feature wall for her | 0:26:39 | 0:26:41 | |
and do the best we can to get her in and make it as homely as we can. | 0:26:41 | 0:26:45 | |
Well, I think I failed in my mission quite spectacularly then. | 0:26:51 | 0:26:54 | |
Sarah wanted me to try to persuade Stephen to get Sandra to live | 0:26:54 | 0:26:58 | |
in the one big living area that there was, | 0:26:58 | 0:27:01 | |
but family knows best. | 0:27:01 | 0:27:04 | |
And he seemed to understand what it was that Sandra was really | 0:27:04 | 0:27:07 | |
trying to get out of this. | 0:27:07 | 0:27:09 | |
So many areas of her life are out of her control. | 0:27:09 | 0:27:12 | |
She's been stuck in that bed for a long time now | 0:27:12 | 0:27:15 | |
and he can see that what's really important | 0:27:15 | 0:27:17 | |
is for her to have a semblance of a normal routine, a normal life. | 0:27:17 | 0:27:22 | |
It's really hopeful and I think in that place | 0:27:24 | 0:27:26 | |
she might be able to get some of that back. | 0:27:26 | 0:27:29 | |
And not long after my visit, with a sterling effort made | 0:27:31 | 0:27:35 | |
to decorate the house by Stephen and the family, | 0:27:35 | 0:27:38 | |
Sandra's new home was finally ready to move into. | 0:27:38 | 0:27:41 | |
I can start to settle now cos I know I'm not just going to be here | 0:27:41 | 0:27:45 | |
for a few months. | 0:27:45 | 0:27:46 | |
I know this is it now, this is my home and it's where I'm staying now. | 0:27:46 | 0:27:51 | |
It's great to see Sandra finally | 0:27:51 | 0:27:53 | |
in her new home, and her quality of life improved. | 0:27:53 | 0:27:57 | |
That's it for today's show. | 0:28:00 | 0:28:02 | |
Join me next time, when I'll be finding out more about | 0:28:02 | 0:28:05 | |
what it takes to become a front-line housing officer. | 0:28:05 | 0:28:08 |