Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello and welcome to the world-famous Blackpool Illuminations for the show | 0:00:02 | 0:00:07 | |
that asks the top professionals what you should be spending your money on. | 0:00:07 | 0:00:12 | |
I'm Cherry Healey and in this series, | 0:00:15 | 0:00:17 | |
I'll be visiting iconic locations across Britain to ask | 0:00:17 | 0:00:21 | |
the country's best experts to show you how to shop like a pro. | 0:00:21 | 0:00:27 | |
From cosmetics to power tools, | 0:00:27 | 0:00:30 | |
trainers to bullet blenders, | 0:00:30 | 0:00:33 | |
our experts will push the most popular products to their limits, | 0:00:33 | 0:00:37 | |
to help you choose what to buy and why. | 0:00:37 | 0:00:41 | |
Tonight, we're talking TVs - | 0:00:42 | 0:00:45 | |
4K, HD, curved - so many to choose from but what do they all mean? | 0:00:45 | 0:00:50 | |
Our experts will tell you which is the best value for money. | 0:00:50 | 0:00:54 | |
Well, that's not brilliant, | 0:00:54 | 0:00:55 | |
cos the sound just seems to be coming from behind the television. | 0:00:55 | 0:00:58 | |
Also, Naga Munchetty jumps into bed to investigate | 0:00:58 | 0:01:01 | |
whether bedding thread counts are accurate... | 0:01:01 | 0:01:04 | |
Or are we having the cotton pulled over our eyes? | 0:01:04 | 0:01:08 | |
..and some decorators share their money-saving tricks of the trade. | 0:01:08 | 0:01:12 | |
To stop your lenses getting smothered in paint, | 0:01:12 | 0:01:15 | |
simply put some cling film over the top. | 0:01:15 | 0:01:17 | |
If you want the inside track on the latest products | 0:01:17 | 0:01:20 | |
from the people really in the know, then look no further. | 0:01:20 | 0:01:25 | |
This is What To Buy & Why. | 0:01:25 | 0:01:27 | |
Here in Blackpool, the Illuminations have been an annual fixture since 1879. | 0:01:34 | 0:01:39 | |
Back then, the display consisted of just eight lamps, | 0:01:41 | 0:01:44 | |
but it's fair to say things have moved on quite a bit since. | 0:01:44 | 0:01:48 | |
Now, more than 3.5 million visitors descend on the town each year, | 0:01:50 | 0:01:54 | |
to enjoy Britain's most popular free light show. | 0:01:54 | 0:01:58 | |
And this year, for the first time, | 0:01:58 | 0:02:00 | |
the centrepiece of the Illuminations is the Tower itself, | 0:02:00 | 0:02:05 | |
thanks to this stunning projection show. | 0:02:05 | 0:02:08 | |
It was created by tonight's experts, | 0:02:08 | 0:02:11 | |
husband-and-wife team Karen Monid and Ross Ashton. | 0:02:11 | 0:02:15 | |
With over 20 years' experience designing spectacular audiovisual presentations, | 0:02:15 | 0:02:20 | |
they're the perfect people to test TVs for us. | 0:02:20 | 0:02:23 | |
How on earth do you get something that big to be that clear? | 0:02:23 | 0:02:27 | |
Above our heads, we have 14 high-power video projectors. | 0:02:27 | 0:02:31 | |
It's quite a big system we've got in here. | 0:02:31 | 0:02:33 | |
It's pretty powerful. The sound is incredible as well. | 0:02:33 | 0:02:36 | |
It just booms out. | 0:02:36 | 0:02:37 | |
The image and the sound work very closely together, | 0:02:37 | 0:02:40 | |
so they are interlinked | 0:02:40 | 0:02:41 | |
and then it creates a very complete experience for people. | 0:02:41 | 0:02:44 | |
So you really know your way around audio and visual? | 0:02:44 | 0:02:49 | |
We like to think so, yes. | 0:02:49 | 0:02:50 | |
It must be a nightmare for you when you go shopping for a telly. | 0:02:50 | 0:02:54 | |
THEY LAUGH | 0:02:54 | 0:02:57 | |
But that's exactly what I'm going to make them do. | 0:02:57 | 0:03:02 | |
FRENCH POP SONG PLAYS | 0:03:02 | 0:03:07 | |
This is the world-famous Empress Ballroom. | 0:03:07 | 0:03:10 | |
Normally it hosts international dance championships but today, | 0:03:10 | 0:03:14 | |
it's home to, well - a bunch of the very latest tellies. | 0:03:14 | 0:03:18 | |
Despite the move towards online viewing, | 0:03:21 | 0:03:24 | |
95% of us still own a TV | 0:03:24 | 0:03:26 | |
and over 9 million new sets are sold every single year. | 0:03:26 | 0:03:32 | |
But buying a television isn't as simple as it used to be. | 0:03:32 | 0:03:35 | |
There's all sorts of different formats available, | 0:03:35 | 0:03:39 | |
all sorts of different prices and lots of different sizes. | 0:03:39 | 0:03:43 | |
It's a minefield. | 0:03:43 | 0:03:45 | |
Luckily, our top audiovisual engineers have come down from the Tower | 0:03:45 | 0:03:49 | |
to help us decide which type of telly represents the best value for money. | 0:03:49 | 0:03:54 | |
If you look at that one over there... | 0:03:54 | 0:03:55 | |
On the high street, there are three main formats | 0:03:55 | 0:03:58 | |
but which should you go for? | 0:03:58 | 0:04:00 | |
HD... | 0:04:02 | 0:04:03 | |
..4K... | 0:04:05 | 0:04:06 | |
..or curved 4K? | 0:04:07 | 0:04:09 | |
So what are the main characteristics of an HD television? | 0:04:11 | 0:04:16 | |
So up until very recently, this has been the cutting edge | 0:04:16 | 0:04:19 | |
of what you can get in your home as a TV. | 0:04:19 | 0:04:21 | |
Not that long ago, HD was special but a bit of an expensive purchase. | 0:04:21 | 0:04:26 | |
Things are moving incredibly fast. | 0:04:26 | 0:04:27 | |
-And the price is constantly, I think, moving in the right direction for the consumer. -Yeah. | 0:04:27 | 0:04:32 | |
-And the picture is great. It looks fabulous. -Absolutely. | 0:04:32 | 0:04:36 | |
The next option is 4K. | 0:04:37 | 0:04:40 | |
And what does the 4K refer to? | 0:04:40 | 0:04:42 | |
Well, 4K means that there are more pixels then you have on HD. | 0:04:42 | 0:04:46 | |
You've actually got four times the number of pixels. | 0:04:46 | 0:04:50 | |
-So if you took any quarter of this screen... -Yes. | 0:04:50 | 0:04:53 | |
..then you have the same resolution as you've got in that entire screen. | 0:04:53 | 0:04:57 | |
As someone whose face is sometimes on the television, | 0:04:57 | 0:05:00 | |
I find that terrifying, | 0:05:00 | 0:05:01 | |
because people can see every blemish, every makeup mistake... | 0:05:01 | 0:05:06 | |
-Yeah. -They can be pretty unforgiving. -Wow! -Yeah. | 0:05:06 | 0:05:08 | |
I must remember to exfoliate every single night from now on! | 0:05:08 | 0:05:12 | |
Currently, most programmes are televised in HD | 0:05:12 | 0:05:16 | |
but it's thought this will change to 4K within a few years. | 0:05:16 | 0:05:20 | |
So that's something our experts need to take into account. | 0:05:20 | 0:05:23 | |
There is the idea of future-proofing yourself, for in the future | 0:05:23 | 0:05:27 | |
when we will start broadcasting in 4K. | 0:05:27 | 0:05:29 | |
I'm going to have my television for an average of about seven years. | 0:05:29 | 0:05:33 | |
-I'm future proofing it... -Yes. | 0:05:33 | 0:05:35 | |
..so that I'm not going to have to replace it in two years, | 0:05:35 | 0:05:37 | |
if everyone starts broadcasting in 4K. | 0:05:37 | 0:05:40 | |
Right now, the content you can get that's truly 4K is generally | 0:05:40 | 0:05:44 | |
through streaming services, so for films or for sport. | 0:05:44 | 0:05:48 | |
4K TVs do cost more than HDs, though, | 0:05:48 | 0:05:51 | |
and the latest format to hit the shops, | 0:05:51 | 0:05:53 | |
the curved 4K, is even more expensive. | 0:05:53 | 0:05:56 | |
They take a little bit of getting used to. | 0:05:56 | 0:05:59 | |
-It's quite an unusual effect. -Yes. | 0:05:59 | 0:06:01 | |
The theory is that because you're curbing the extremities in, | 0:06:01 | 0:06:04 | |
instead of the image being stretched into the corners, | 0:06:04 | 0:06:07 | |
it's been pushed towards you | 0:06:07 | 0:06:09 | |
and this is supposed to give you a better viewing experience. | 0:06:09 | 0:06:13 | |
But while the cheapest 4K is £300, | 0:06:13 | 0:06:17 | |
the curved 4K start at around £700. | 0:06:17 | 0:06:21 | |
That leap in price is huge. | 0:06:22 | 0:06:25 | |
I mean, it's a holiday for me and my kids. | 0:06:25 | 0:06:27 | |
As a consumer, you need to really make a decision about whether that extra money is worth it. | 0:06:27 | 0:06:31 | |
So which format will they save and which will they eliminate | 0:06:36 | 0:06:41 | |
to help us choose what to buy - and why? | 0:06:41 | 0:06:44 | |
You've had lots of time to discuss it. Which one is going first? | 0:06:44 | 0:06:48 | |
BOTH: HD. | 0:06:51 | 0:06:53 | |
Buying a TV is an investment buy and HDTV, you know, | 0:06:53 | 0:06:56 | |
might be more obsolete in two or three years' time. | 0:06:56 | 0:06:59 | |
So which is the next television that is going down? | 0:06:59 | 0:07:04 | |
BOTH! The curved! | 0:07:04 | 0:07:06 | |
In the interest of getting something that's going to be | 0:07:06 | 0:07:09 | |
value for money, we think that that has more of a limited appeal. | 0:07:09 | 0:07:12 | |
-It's more niche. -Yeah. | 0:07:12 | 0:07:14 | |
-As the experts, you would spend your money on the 4K? -Yes. -Yeah. | 0:07:14 | 0:07:18 | |
It's ready to take 4K and can already deal with the 4K | 0:07:18 | 0:07:21 | |
that's currently streaming into people's homes. | 0:07:21 | 0:07:24 | |
It will be something that will last you seven, eight years. | 0:07:24 | 0:07:27 | |
4K's not going to go away. A better picture is a better picture. | 0:07:27 | 0:07:31 | |
So now we know which format to choose, there is another vital question - | 0:07:31 | 0:07:35 | |
what size telly should you buy? | 0:07:35 | 0:07:37 | |
Many of us waste money on a TV that's too big. | 0:07:37 | 0:07:41 | |
So later, we'll tell you what you need to know. | 0:07:41 | 0:07:44 | |
# Just about to lose my mind... # | 0:07:49 | 0:07:51 | |
In this series, we want to introduce you to top professionals who | 0:07:51 | 0:07:55 | |
really know their stuff - | 0:07:55 | 0:07:57 | |
passionate specialists with years of experience, whose ingenious | 0:07:57 | 0:08:01 | |
shortcuts and money-saving tips could make us all smarter shoppers. | 0:08:01 | 0:08:05 | |
My name is Daniel. I'm head butler here at the Lanesborough, | 0:08:07 | 0:08:10 | |
one of London's most prestigious hotels. | 0:08:10 | 0:08:13 | |
If you drop wax on your clothing or carpets, | 0:08:13 | 0:08:15 | |
there's an easy way to get rid of it. | 0:08:15 | 0:08:17 | |
All you need is a brown paper bag, | 0:08:17 | 0:08:20 | |
an iron - put it over, press it. | 0:08:20 | 0:08:24 | |
The wax is gone. | 0:08:24 | 0:08:26 | |
Stick it in the wash and it's as good as new. | 0:08:26 | 0:08:29 | |
I'm Glynn, kit manager of Leeds Rhinos. | 0:08:29 | 0:08:32 | |
It's up to me and my team to ensure the kit is gleaming for the next game. | 0:08:32 | 0:08:36 | |
Grass stains are hard to remove but by no means impossible. | 0:08:36 | 0:08:39 | |
Soak the shorts in water for around 15 minutes, add some white vinegar. | 0:08:39 | 0:08:44 | |
The acid should start to break the grass stains down. | 0:08:44 | 0:08:47 | |
Scrub with a toothbrush. | 0:08:47 | 0:08:49 | |
If needed, add some detergent. | 0:08:49 | 0:08:52 | |
Put the garment in the wash - the stains will be gone. | 0:08:52 | 0:08:55 | |
I'm Will. I'm a furniture restorer. | 0:08:56 | 0:08:58 | |
There is a cheap and easy way to restore the French polish finish | 0:08:58 | 0:09:01 | |
to your furniture, using products you can find around your own house. | 0:09:01 | 0:09:05 | |
Simply by applying some baby oil onto | 0:09:05 | 0:09:08 | |
the surface of the furniture, along with methylated spirits | 0:09:08 | 0:09:14 | |
and a clean cloth, working it in the direction of the grain | 0:09:14 | 0:09:18 | |
of the wood, will leave you with a lovely, shiny piece of furniture. | 0:09:18 | 0:09:22 | |
Still to come here in Blackpool... | 0:09:24 | 0:09:27 | |
We find out how the Illuminations have slashed their electricity bills | 0:09:27 | 0:09:31 | |
and how you can do the same at home. | 0:09:31 | 0:09:34 | |
But first... | 0:09:36 | 0:09:38 | |
Our reporter Naga Munchetty investigates if we're getting | 0:09:38 | 0:09:41 | |
the full picture when it comes to the quality | 0:09:41 | 0:09:44 | |
of one of life's unavoidable purchases - bed linen. | 0:09:44 | 0:09:47 | |
Check the packaging and you'll find, aside from the size, pretty much | 0:09:49 | 0:09:53 | |
the only thing prominently displayed is the thread count of the cotton. | 0:09:53 | 0:09:57 | |
This can range from 100 to 1200 and it tends to be that the higher the number, | 0:09:57 | 0:10:02 | |
the more expensive the product. | 0:10:02 | 0:10:05 | |
Does anyone understand what those numbers really mean? | 0:10:05 | 0:10:09 | |
'I've come to Covent Garden to ask.' | 0:10:09 | 0:10:11 | |
If you were buying linen, which would you buy? | 0:10:11 | 0:10:13 | |
-Er, 1000. -Why? | 0:10:13 | 0:10:15 | |
Better quality, I suppose. | 0:10:15 | 0:10:17 | |
-Probably the 1000. -Why? -You're going to be more comfortable, I think. | 0:10:17 | 0:10:21 | |
If it's a higher thread count, | 0:10:21 | 0:10:22 | |
doesn't it mean that it's better quality? | 0:10:22 | 0:10:25 | |
'That's an assumption many of us make | 0:10:25 | 0:10:26 | |
'and it seems to completely determine which linen we buy.' | 0:10:26 | 0:10:30 | |
It's like a science behind it that says it's definitely better. | 0:10:30 | 0:10:34 | |
'But is it right?' | 0:10:34 | 0:10:35 | |
Where better to find out than Derbyshire | 0:10:35 | 0:10:37 | |
and one of Britain's oldest textile mills. | 0:10:37 | 0:10:40 | |
Now a working museum, | 0:10:42 | 0:10:45 | |
material has been produced here for more than 100 years. | 0:10:45 | 0:10:48 | |
Over to head weaver Andrew Martin. | 0:10:48 | 0:10:51 | |
Weaving is actually interlocking the threads together, | 0:10:51 | 0:10:54 | |
from the back to the front and the left to the right. | 0:10:54 | 0:10:57 | |
The thread count is literally the number of threads in a square inch of cloth. | 0:10:57 | 0:11:02 | |
The more you get in, the better quality the cloth is. | 0:11:02 | 0:11:05 | |
So the people I met in Covent Garden were right. | 0:11:08 | 0:11:11 | |
The higher the thread count, the higher the quality and that's why we pay a higher price. | 0:11:11 | 0:11:16 | |
But how do you and I know if the numbers we're given are accurate? | 0:11:16 | 0:11:19 | |
Should we trust what the packaging tells us? | 0:11:19 | 0:11:22 | |
Or are we having the cotton pulled over our eyes? | 0:11:22 | 0:11:25 | |
To find out, I've brought eight high-thread-count sheets | 0:11:28 | 0:11:31 | |
sold by the biggest bedding retailers to Leeds, | 0:11:31 | 0:11:33 | |
where they'll be examined by leading textile analysts Shirley Technologies. | 0:11:33 | 0:11:38 | |
Ian Strudwick and his team count the threads in a sample square inch of each sheet. | 0:11:38 | 0:11:43 | |
It's a laborious, meticulous process but one that turns out fascinating results. | 0:11:43 | 0:11:48 | |
So, Ian, what have you found? | 0:11:48 | 0:11:49 | |
In four cases, the thread count is calculated on an incorrect basis, | 0:11:49 | 0:11:53 | |
which are from Dunelm, John Lewis, Debenhams and House of Fraser. | 0:11:53 | 0:11:58 | |
House of Fraser's Luxury Hotel Collection sheet is | 0:11:58 | 0:12:01 | |
marketed as having a thread count of 1000. | 0:12:01 | 0:12:04 | |
Yet Ian's test revealed the thread count is 780. | 0:12:04 | 0:12:08 | |
Dunelm's Dormer sheet has 452. | 0:12:09 | 0:12:13 | |
And John Lewis's Egyptian Cotton sheet just 402. | 0:12:13 | 0:12:17 | |
Whilst on Ian's count, the Sheridan Palais Lux sheet sold | 0:12:17 | 0:12:20 | |
in Debenhams as having a 1200 thread count has just 346. | 0:12:20 | 0:12:25 | |
So what's going on? | 0:12:25 | 0:12:27 | |
The term thread means one individual shot of yarn | 0:12:27 | 0:12:31 | |
inputted into the fabric. | 0:12:31 | 0:12:32 | |
In the four cases, what we're finding is that there are multiple | 0:12:32 | 0:12:36 | |
individual threads which are then twisted together to form a yarn. | 0:12:36 | 0:12:41 | |
Ah, so you could have three or four threads and then they twist them | 0:12:41 | 0:12:45 | |
together and that's one yarn but they're saying that's four? | 0:12:45 | 0:12:48 | |
That's correct. | 0:12:48 | 0:12:49 | |
Take the Dunelm sheet. Technically, 1,000 threads are present. | 0:12:49 | 0:12:54 | |
But it will feel little different from one with 452. | 0:12:54 | 0:12:58 | |
So why do they do this? | 0:12:58 | 0:12:59 | |
Why not just use single threads all the time? | 0:12:59 | 0:13:02 | |
It's harder to weave, it's more delicate and it takes longer | 0:13:03 | 0:13:06 | |
and is less efficient than | 0:13:06 | 0:13:08 | |
if you twist those four individual ends into one yarn. | 0:13:08 | 0:13:12 | |
And then weave it in as a fourfold yarn. | 0:13:12 | 0:13:14 | |
It's just a simply more cost-effective weaving process. | 0:13:14 | 0:13:17 | |
Yet they're still charging us extra. | 0:13:17 | 0:13:20 | |
All four retailers deny misleading customers, | 0:13:20 | 0:13:22 | |
maintaining their products are high quality | 0:13:22 | 0:13:25 | |
and that the use of twisted yarns is an established practice. | 0:13:25 | 0:13:29 | |
House of Fraser says as there is no legal definition of thread count, | 0:13:29 | 0:13:33 | |
it stands by its numbers, as does Dunelm and John Lewis. | 0:13:33 | 0:13:37 | |
Sheridan, the makers of the Debenham sheets, | 0:13:37 | 0:13:39 | |
says using this technique is the only way to make sheets with | 0:13:39 | 0:13:42 | |
thousand-plus thread counts of sufficient quality. | 0:13:42 | 0:13:46 | |
As a result of our findings, | 0:13:46 | 0:13:48 | |
John Lewis has decided it will now make clearer that its sheets include twisted yarns. | 0:13:48 | 0:13:54 | |
It's very confusing, isn't it? | 0:13:54 | 0:13:56 | |
Of the other four sheets we tested, | 0:13:56 | 0:13:58 | |
the thread count of two was spot-on, one was slightly overestimated, | 0:13:58 | 0:14:02 | |
one was dramatically underestimated, | 0:14:02 | 0:14:04 | |
saying it was 645 when in fact it was almost 1000. | 0:14:04 | 0:14:08 | |
So what have I learned from this? | 0:14:11 | 0:14:14 | |
Well, I'm going to take Ian's advice. | 0:14:14 | 0:14:15 | |
I'm going to buy what I can afford, what feels good, | 0:14:15 | 0:14:18 | |
and I'm not just going to focus on that thread count. | 0:14:18 | 0:14:21 | |
Back in Blackpool, we're testing TVs. | 0:14:21 | 0:14:24 | |
We typically keep tellies for seven years. | 0:14:24 | 0:14:27 | |
So our experts have decided the best value format for the future is 4K - | 0:14:27 | 0:14:32 | |
which poses another question. | 0:14:32 | 0:14:34 | |
How do you know how big a telly to buy? | 0:14:34 | 0:14:37 | |
Well, it turns out it's all about the size of the room you're going to put it in. | 0:14:37 | 0:14:41 | |
And because bigger TVs cost more, | 0:14:44 | 0:14:46 | |
you don't want to waste money on a set that's larger than you need. | 0:14:46 | 0:14:50 | |
The right size depends on the distance between where you sit | 0:14:50 | 0:14:54 | |
and where the TV will be placed. | 0:14:54 | 0:14:56 | |
If you're six feet away, | 0:14:57 | 0:14:59 | |
the space can comfortably take up to a 26-inch television. | 0:14:59 | 0:15:03 | |
If you're perched about nine feet away | 0:15:05 | 0:15:08 | |
get yourself anything up to 39 inches. | 0:15:08 | 0:15:10 | |
13 feet away means a 46-inch telly | 0:15:12 | 0:15:15 | |
won't have you straining your eyes to watch. | 0:15:15 | 0:15:18 | |
If your sofa is 15 feet away, | 0:15:20 | 0:15:22 | |
you can comfortably view a 55 inch set. | 0:15:22 | 0:15:26 | |
And if you live in a palace and luxuriously sit | 0:15:29 | 0:15:32 | |
17 feet or more away, then go as large as you can afford. | 0:15:32 | 0:15:38 | |
Now that's what I call a big telly. | 0:15:38 | 0:15:41 | |
So now you know about the format and the size, | 0:15:41 | 0:15:44 | |
can you get away with picking a cheaper model? | 0:15:44 | 0:15:48 | |
We'll be back with the answer a little later. | 0:15:48 | 0:15:51 | |
But first, we're heading outside to the Illuminations. | 0:15:51 | 0:15:56 | |
The displays run the length of the seafront, using more than | 0:15:59 | 0:16:02 | |
200 miles of electrical cabling and more than a million light bulbs. | 0:16:02 | 0:16:08 | |
But here's the thing. | 0:16:08 | 0:16:09 | |
Even though this display is becoming bigger, brighter | 0:16:09 | 0:16:13 | |
and more elaborate, the electricity bill is going down. | 0:16:13 | 0:16:18 | |
How can that be? | 0:16:18 | 0:16:19 | |
I've been invited behind the scenes to the factory | 0:16:22 | 0:16:25 | |
where it all happens, to find out if we can make similar savings at home. | 0:16:25 | 0:16:30 | |
I've been with the Illuminations 26 years now. | 0:16:30 | 0:16:33 | |
Richard Ryan leads a team of engineers that work | 0:16:33 | 0:16:37 | |
all year to design and build the show. | 0:16:37 | 0:16:39 | |
My interest started when I was seven. | 0:16:39 | 0:16:41 | |
So it's some form of illness for me. | 0:16:41 | 0:16:43 | |
That's pretty sad, isn't it? | 0:16:43 | 0:16:45 | |
No, it's not. It's wonderful. | 0:16:45 | 0:16:47 | |
It's wonderful because the Illuminations are so magical, | 0:16:47 | 0:16:50 | |
and I love that you are so passionate about it. | 0:16:50 | 0:16:52 | |
Like any job, there are days when you wake up and you go, | 0:16:52 | 0:16:55 | |
"I don't fancy this." | 0:16:55 | 0:16:56 | |
But there are far more days when I think, | 0:16:56 | 0:16:58 | |
"Brilliant, let's get stuck in and do something." | 0:16:58 | 0:17:01 | |
With this level of enthusiasm, surely Richard's the man to | 0:17:01 | 0:17:05 | |
shed some light on their falling electricity costs. | 0:17:05 | 0:17:09 | |
These are the old lights. | 0:17:09 | 0:17:11 | |
This is traditional Illuminations. | 0:17:11 | 0:17:12 | |
The big problem with those from an energy point of view is basically | 0:17:12 | 0:17:15 | |
when it's on it's kind of warm here, you can warm your hands on it. | 0:17:15 | 0:17:19 | |
Therefore, five times the cost of running it. | 0:17:19 | 0:17:21 | |
They look amazing, but they cost a fortune to run. | 0:17:21 | 0:17:24 | |
That's the problem with them, basically. | 0:17:24 | 0:17:28 | |
But technology has very much changed. | 0:17:28 | 0:17:31 | |
So on this desk there are four different types of lamp. | 0:17:32 | 0:17:36 | |
This is an old school filament lamp, they're almost obsolete now. | 0:17:36 | 0:17:39 | |
And this one here is a halogen lamp. | 0:17:39 | 0:17:41 | |
This is sort of the next generation. | 0:17:41 | 0:17:44 | |
So that's pretty widely available. I recognise that. | 0:17:44 | 0:17:46 | |
In the supermarket those are the cheapest. | 0:17:46 | 0:17:49 | |
Yeah, but they don't tend to last as long, you see. | 0:17:49 | 0:17:51 | |
So a lot of people have gone to this type, | 0:17:51 | 0:17:54 | |
this is called a compact fluorescent. | 0:17:54 | 0:17:56 | |
To me, that's an energy-saving light bulb. Is that the same thing? | 0:17:56 | 0:17:59 | |
Yeah. It was sort of one of the first types of | 0:17:59 | 0:18:01 | |
energy-saving light bulb, but on the left | 0:18:01 | 0:18:04 | |
this is the way we've gone in the Illuminations. | 0:18:04 | 0:18:06 | |
All these lights behind us here, these are all LED. | 0:18:06 | 0:18:09 | |
I remember when the LED light bulbs first came out, | 0:18:09 | 0:18:12 | |
they were very, very expensive. | 0:18:12 | 0:18:14 | |
As with all new technologies, they're expensive at first | 0:18:14 | 0:18:17 | |
and gradually they'll come down. | 0:18:17 | 0:18:20 | |
You know, if you compare the brightness of this. | 0:18:20 | 0:18:23 | |
I mean, if you look at them all together, | 0:18:23 | 0:18:25 | |
60 watt, 33, 11, 5. | 0:18:25 | 0:18:29 | |
That's five watts? | 0:18:29 | 0:18:32 | |
Which one do you think is the most efficient? | 0:18:32 | 0:18:34 | |
Well, that is five watts, | 0:18:34 | 0:18:36 | |
it came on immediately, it's as bright as the others. | 0:18:36 | 0:18:40 | |
-That's incredible. -You've got your answer, haven't you? | 0:18:40 | 0:18:44 | |
And that's precisely why the Illuminations have switched to LED. | 0:18:45 | 0:18:50 | |
This is an example of LED. | 0:18:50 | 0:18:53 | |
It's using a fraction of the power. | 0:18:53 | 0:18:55 | |
It's not warm at all. | 0:18:55 | 0:18:57 | |
No, most of the energy that goes into making that flash | 0:18:57 | 0:19:00 | |
literally turns it into light and not heat. | 0:19:00 | 0:19:03 | |
By switching from the traditional bulbs to LEDs | 0:19:03 | 0:19:08 | |
how much have you saved? | 0:19:08 | 0:19:10 | |
We've cut our consumption by a third. | 0:19:10 | 0:19:13 | |
A third? That's a huge amount of cash. | 0:19:13 | 0:19:16 | |
You can take it into the domestic environment and save yourself a fortune. | 0:19:16 | 0:19:20 | |
On average, we have 34 bulbs in our home. | 0:19:21 | 0:19:25 | |
Using halogen will cost £203 a year. | 0:19:25 | 0:19:29 | |
Energy-saving CFL bulbs, just £72. | 0:19:29 | 0:19:34 | |
But switching to LED will see your annual lighting bill slashed to just £48. | 0:19:34 | 0:19:40 | |
There is an initial outlay for the bulbs - around £5.50 each. | 0:19:40 | 0:19:45 | |
But, given the savings, you'll quickly recoup the costs. | 0:19:45 | 0:19:49 | |
So I'm using energy-saving light bulbs at the moment. | 0:19:49 | 0:19:52 | |
Should I go out tomorrow and replace them with LED light bulbs? | 0:19:52 | 0:19:56 | |
Am I going to save a lot of money? | 0:19:56 | 0:19:57 | |
I think that what you should do is let those fail, and when they fail | 0:19:57 | 0:20:02 | |
replace them with those. | 0:20:02 | 0:20:03 | |
And then gradually you'll see your bills will start to drop. | 0:20:03 | 0:20:06 | |
And you're going to save the planet as well. | 0:20:06 | 0:20:08 | |
So what's better than that? | 0:20:08 | 0:20:09 | |
Question. | 0:20:17 | 0:20:18 | |
Most of us shave, | 0:20:18 | 0:20:20 | |
so why are women's razors routinely more expensive than men's? | 0:20:20 | 0:20:24 | |
On average, disposables are about 20p more. | 0:20:24 | 0:20:27 | |
For reusables, it's £1. | 0:20:27 | 0:20:30 | |
Yes, we get fancy smells and moisture strips, | 0:20:30 | 0:20:33 | |
but does the extra cost make female razors better? | 0:20:33 | 0:20:36 | |
MUSIC: Judy Is A Punk by Ramones | 0:20:36 | 0:20:40 | |
Let's find out, with the help of the Harlequins Ladies Rugby Team. | 0:20:45 | 0:20:49 | |
Each of our volunteers will shave one leg with a woman's razor... | 0:20:50 | 0:20:55 | |
and the other with an equivalent, but cheaper, men's. | 0:20:55 | 0:20:59 | |
-I do feel like I need to be more cautious with this one. -Yeah. | 0:20:59 | 0:21:02 | |
So, what's the consensus? | 0:21:02 | 0:21:04 | |
I found that the shave feels pretty much the same afterwards. | 0:21:04 | 0:21:08 | |
It seems to take longer to shave with the man's one than | 0:21:08 | 0:21:11 | |
the female one, but it does the exact same thing, really. | 0:21:11 | 0:21:14 | |
The men's razors did have a close shave, | 0:21:14 | 0:21:17 | |
but I'd probably pay the little extra to have the women's one, | 0:21:17 | 0:21:21 | |
just for a bit more comfort. | 0:21:21 | 0:21:23 | |
I wouldn't be opposed to buying the men's razor. | 0:21:23 | 0:21:26 | |
It really isn't that much of a difference. | 0:21:26 | 0:21:29 | |
So it's three to one in favour of saving some dosh | 0:21:29 | 0:21:32 | |
and switching to men's razors. | 0:21:32 | 0:21:34 | |
Guardian beauty columnist Sali Hughes thinks they've reached the right conclusion. | 0:21:34 | 0:21:38 | |
You're paying more money for all that stuff | 0:21:38 | 0:21:41 | |
they stick on it to entice you to buy, and you simply don't need it. | 0:21:41 | 0:21:45 | |
I think women would rather a product that worked and cost a decent price. | 0:21:45 | 0:21:50 | |
And anyway, whichever marketing person decided that as a woman | 0:21:50 | 0:21:53 | |
I want everything to be bright pink is completely deluded. | 0:21:53 | 0:21:56 | |
Now, top tips from our decorators | 0:22:06 | 0:22:09 | |
to help you get more value out of the gear you buy. | 0:22:09 | 0:22:12 | |
I'm Helen and I've been in this business longer than I care to mention. | 0:22:12 | 0:22:17 | |
My daughter's in it now. | 0:22:17 | 0:22:18 | |
I followed my mum into the business, | 0:22:18 | 0:22:20 | |
so you could say I'm a chip off the old block. | 0:22:20 | 0:22:23 | |
When you're using emulsion paint and you're not quite finished | 0:22:23 | 0:22:26 | |
and you want to keep the brush, pop it in a plastic bag... | 0:22:26 | 0:22:32 | |
wrap it up, and that should keep for a good few days. | 0:22:32 | 0:22:35 | |
If it's really airtight, then you can keep it for a good few weeks. | 0:22:35 | 0:22:38 | |
If you've got some old, lumpy paint, don't throw it away. | 0:22:40 | 0:22:43 | |
Simply put a pair of tights, old tights, over a pot, pour it through | 0:22:43 | 0:22:48 | |
and you'll have lovely smooth, creamy paint, no lumps, | 0:22:48 | 0:22:51 | |
ready to use again. | 0:22:51 | 0:22:52 | |
When preparing woodwork, you'd usually use sandpaper, | 0:22:52 | 0:22:55 | |
but if the woodwork is next to glass, | 0:22:55 | 0:22:57 | |
the sandpaper will scratch it, | 0:22:57 | 0:22:59 | |
so the best thing to do is use wire wool. | 0:22:59 | 0:23:02 | |
It will do exactly the same job, but it won't scratch the glass. | 0:23:02 | 0:23:05 | |
If you've got paint on your white fittings, this is a great way | 0:23:06 | 0:23:10 | |
of getting them off, even if it's been there for months. | 0:23:10 | 0:23:13 | |
Methylated spirits on an absorbent cloth, | 0:23:13 | 0:23:16 | |
wipe it away, and great. Bob's your uncle. | 0:23:16 | 0:23:19 | |
All off. | 0:23:19 | 0:23:20 | |
Back inside the Empress Ballroom, it's round three of our TV tango. | 0:23:27 | 0:23:31 | |
Earlier, our audiovisual experts, | 0:23:32 | 0:23:35 | |
Ross and Karen, decided what format you should be spending your money on. | 0:23:35 | 0:23:39 | |
4K's not going to go away. A better picture is a better picture. | 0:23:39 | 0:23:43 | |
4K was the clear winner. | 0:23:43 | 0:23:45 | |
But what kind of cash are we talking? | 0:23:45 | 0:23:47 | |
Does spending more guarantee you'll get a better TV, | 0:23:47 | 0:23:51 | |
or can some of the cheaper models | 0:23:51 | 0:23:54 | |
deliver a viewing experience that's every bit as good? | 0:23:54 | 0:23:58 | |
We've selected three 55-inch TVs from across the price range. | 0:23:58 | 0:24:02 | |
A Hisense at £699, | 0:24:03 | 0:24:06 | |
an LG at £1,099, | 0:24:06 | 0:24:11 | |
and the most expensive we could find, | 0:24:11 | 0:24:14 | |
the Sony Bravia, at £1,899. | 0:24:14 | 0:24:17 | |
Now our experts are going to compare the sound and picture quality | 0:24:19 | 0:24:22 | |
of each set, to decide which one to buy and why. | 0:24:22 | 0:24:26 | |
It's the cheapest one that we have in the test. | 0:24:27 | 0:24:31 | |
First, the Hisense. | 0:24:31 | 0:24:33 | |
I think the colours look a bit false and not very naturalistic. | 0:24:33 | 0:24:37 | |
I mean, you're getting a 4K television for that money. | 0:24:37 | 0:24:40 | |
For the price you are getting a very nice image. | 0:24:40 | 0:24:42 | |
Sound expert Karen is assessing the audio. | 0:24:42 | 0:24:45 | |
Let's turn it up and see what the speakers are like. | 0:24:45 | 0:24:48 | |
'It's his first chance to mate...' | 0:24:48 | 0:24:50 | |
Well, that's not... | 0:24:50 | 0:24:52 | |
Well, that's not brilliant | 0:24:53 | 0:24:54 | |
because the sound just seems to be coming from behind the television. | 0:24:54 | 0:24:59 | |
So if this was against your wall the sound would just hit your wall. | 0:24:59 | 0:25:03 | |
Next, the mid-priced television. | 0:25:03 | 0:25:06 | |
The LG. | 0:25:06 | 0:25:07 | |
Image, for me, looks a lot more naturalistic. | 0:25:07 | 0:25:10 | |
I think the colour depth is absolutely fantastic. | 0:25:10 | 0:25:14 | |
It's a really nice image. | 0:25:14 | 0:25:15 | |
'It's time to separate the men from the boys.' | 0:25:15 | 0:25:19 | |
OK, well, this one's not much better. | 0:25:19 | 0:25:21 | |
It's not got a lot of power to it. | 0:25:21 | 0:25:23 | |
Because it's thin they're trying to install small speakers into it. | 0:25:23 | 0:25:27 | |
So the quality of the speakers in both of these don't really match the picture. | 0:25:27 | 0:25:33 | |
So, finally, the most expensive television - the Sony Bravia LED. | 0:25:35 | 0:25:41 | |
Again, very naturalistic colours. | 0:25:41 | 0:25:43 | |
Not much to choose between these two. | 0:25:43 | 0:25:46 | |
Right, this one is quite interesting because the speakers seem | 0:25:46 | 0:25:48 | |
to be mounted on the front and coming towards me. | 0:25:48 | 0:25:50 | |
A much better quality of sound. | 0:25:52 | 0:25:54 | |
And it works much better with the picture as well. | 0:25:54 | 0:25:56 | |
The sound is now coming from the picture, | 0:25:58 | 0:26:01 | |
and I can hear it much more clearly. | 0:26:01 | 0:26:03 | |
So it's decision time. | 0:26:03 | 0:26:06 | |
You've had a chance to fully interrogate the televisions. | 0:26:06 | 0:26:09 | |
Which do you think gives you the best value for money? | 0:26:09 | 0:26:14 | |
Is it our most expensive set, the Sony, at £1,899? | 0:26:15 | 0:26:21 | |
I think the increase in price is probably more to do with | 0:26:21 | 0:26:25 | |
the audio than it is to do with the picture quality. | 0:26:25 | 0:26:29 | |
How about the budget option, the £699 Hisense? | 0:26:29 | 0:26:33 | |
I'm tempted by the cheaper one, | 0:26:33 | 0:26:35 | |
but if you had that bit extra to spend I would go for the mid-range. | 0:26:35 | 0:26:40 | |
So the £1,099 LG is our experts' top value TV. | 0:26:40 | 0:26:44 | |
I think you can get the mid-price set and you can | 0:26:44 | 0:26:47 | |
do what you want with the audio, at a far more reasonable cost. | 0:26:47 | 0:26:52 | |
So, follow Karen's advice | 0:26:53 | 0:26:55 | |
and get good external speakers or a sound bar for as little as £85. | 0:26:55 | 0:27:00 | |
Far less than the extra £800 you'll pay for the Sony. | 0:27:00 | 0:27:04 | |
So we have a clear winner. | 0:27:05 | 0:27:07 | |
Yes, the LG, the mid-priced 4K. | 0:27:07 | 0:27:11 | |
In response, Hisense said, | 0:27:11 | 0:27:13 | |
"This is an entry-level set, | 0:27:13 | 0:27:15 | |
"so shouldn't be compared to more expensive ones." | 0:27:15 | 0:27:17 | |
But it's confident its products stand up to competition. | 0:27:17 | 0:27:20 | |
It says, "The downward speakers improve audio by reflecting | 0:27:20 | 0:27:23 | |
"sound off solid surfaces." | 0:27:23 | 0:27:25 | |
Sony says its TVs provide clear pictures, no matter the definition. | 0:27:25 | 0:27:30 | |
And their enhanced audio gives a more immersive, | 0:27:30 | 0:27:33 | |
lifelike listening experience. | 0:27:33 | 0:27:35 | |
Job done. | 0:27:35 | 0:27:37 | |
Popcorn time, obviously. Yeah? | 0:27:37 | 0:27:39 | |
That's it from Blackpool. | 0:27:41 | 0:27:43 | |
Next week we'll be in the West End's biggest theatre, | 0:27:43 | 0:27:47 | |
and home of the English National Opera. | 0:27:47 | 0:27:49 | |
Their wardrobe department test the latest steam generator irons. | 0:27:51 | 0:27:57 | |
So the fiddly bit. Ah! | 0:27:57 | 0:28:00 | |
We ask the prop builders if you can get away with buying a power drill... | 0:28:00 | 0:28:04 | |
..that costs less than £75. | 0:28:05 | 0:28:08 | |
Just hanging in there. | 0:28:08 | 0:28:10 | |
And we'll have more invaluable tricks of the trade. | 0:28:10 | 0:28:13 | |
If you've got a pair of shoes at home that are too stiff and pinch, | 0:28:13 | 0:28:16 | |
a few seconds with a warm hairdryer | 0:28:16 | 0:28:17 | |
will soften the leather, making them much more comfortable to wear. | 0:28:17 | 0:28:21 | |
MUSIC: I Ran (So Far Away) by A Flock Of Seagulls | 0:28:21 | 0:28:25 |